#dangal 2016

[haveyouseenthismovie-poll]

[jjsanguine]

I'm watching « dangal » and 10/10 would recommend especially to people whose fathers stopped treating them like humans around puberty

[indianmovielinks]

Dangal is an extraordinary true story based on the life of Mahavir Singh and his two daughters, Geeta and Babita Phogat. The film traces the inspirational journey of a father who trains his daughters to become world class wrestlers.

[hussyknee]

Two weeks ago, female wrestler Vinesh Phogat became the first woman from India to make the Olympic finals—and was promptly disqualified for being 100 grams overweight.

On August 9, Vinesh Phogat announced her retirement from the sport of wrestling in a post on X. After the previous day’s incidents, it was a message that many had been expecting.

Vinesh experienced the highest of highs at the Paris Olympics. She defeated an unbeaten Olympic champion wrestler who was considered not just the favourite in her weight division but across every weight division at the quadrennial event. She became the first Indian woman wrestler to reach an Olympic final. However, Vinesh also faced the lowest of lows at the Olympics. No one had ever reached an Olympic final only to be denied the chance to compete because they had failed to make weight on the day of the competition.

Vinesh had taken her case to the Court of Arbitration for Sport, seeking at least to be awarded a silver medal by virtue of reaching the final. If she had succeeded, she would have set a precedent, but, much to the disappointment of the nation, her appeal was turned down by the sole arbitrator, Annabelle Bennett.

...

Vinesh has always been a fighter. Tragedy has followed her, yet somehow, against the odds, she has emerged victorious.

When she was nine, her father was shot dead by someone in her village, believed to be a mentally disturbed relative, just outside their front door. Her mother, a young widow, refused the custom of marrying her husband’s brother. She battled cancer single-handedly. Through it all, she raised a firebrand daughter, who refused to back down.

Her cousins, who grew up near her home, were the more famous girls of the family. Geeta and Babita were among the first to win gold at the Commonwealth Games. They had a movie made about them — Dangal — which made the ‘Phogat sisters’ iconic in Indian sports.

Vinesh didn’t feature in that movie. The events described in it took place too early in her career. But she wouldn’t be satisfied with being one of the Phogat sisters — she would become ‘The Phogat’ sister.

Talk to any of her peers .— and even some of her rivals in Indian wrestling – and there is, in some cases, grudging, genuine respect. She is considered the most instinctive and natural wrestler India has ever produced in women’s freestyle wrestling.

Her career is as much a highlight reel as anything out of a movie. No one in women’s wrestling compares. No Indian woman wrestler has won three Commonwealth gold medals as she did in 2014, 2018, and 2022. No one has won an Asian Games gold medal as she did in 2018. No one has won two World Championships medals as she did in 2019 and 2022.

The one medal missing from her collection is the Olympic medal — which she fought bitterly for.

...

Vinesh has had terrible luck at the Olympics — the only competition that seems to matter to Indians. In 2016, she was one of the favourites in the Indian team before her knee was bent out of shape in the quarterfinals. In 2020, she was one of the world’s favourites to medal in the women’s 53kg weight class. Then, suddenly, a freak weight cut left her physically and psychologically broken, unable to coordinate her movements on the mat. She lost to a wrestler she had beaten comfortably just a month before. Now, in Paris, another poor weight cut left her at the lowest point of her wrestling career.

Her battles, though, haven’t been restricted to the mat. Perhaps the most significant one Vinesh has fought has been for the safety of young girls in the sport. In pursuing this fight, she took on one of the most powerful men in Indian sports — Brij Bhushan Sharan Singh.

When her rivals were preparing for the Olympics, Vinesh was fighting on the streets of New Delhi, where she, and few other fellow wrestlers, accused Brij Bhushan, a five-time member of parliament and the long-time president of the Wrestling Federation, of sexual harassment.

The longer she stayed on the streets, the slimmer her chances on the mat became. Yet, she continued to prioritise what she felt was right. In doing so, Vinesh showed the kind of courage almost uniformly lacking in most sportspersons in India. Most of them, as the saying goes, “crawl when asked to bend.” Vinesh’s spine has been ramrod straight. She had the courage to take on the system without caring about the consequences. She displayed it even though it cost her what she loved the most — the chance to wrestle.

Only when her protest was forced off the streets and entered the court did Vinesh finally get a chance to compete.

This article delves into her struggle to rein in her weight as the Olympic timeline unfolded. It's horrifying to read.

TW for fatphobia and people with eating disorders and body dysmorphia: fatphobia:

Even as she had been winning, Vinesh’s nutritionist had been nervously monitoring her food and fluid intake.

She had a celebratory glass of juice in the morning right after she had first made weight – 300 grams. She had another couple of litres of fluid to rehydrate herself before her bout - another 2000 grams of body weight gained. A couple of light snacks throughout the day to keep her energy up meant 700 grams more.

By the time Vinesh was done with her day’s competition, she weighed 52.7 kg.

August 7:

As the hours rolled into the night, it was clear that something had gone very wrong. After weeks of dehydration, the human body, once it gets rehydrated, simply refuses to give up water. Even urination becomes impossible.

Vinesh didn’t sleep all through the night of August 6. She was on the treadmill for six hours and in the sauna for another three. She didn’t consume a bite of food or drink a drop of water. Every few hours, she stood on a weighing scale. The numbers were getting smaller but not fast enough. In desperation, her coaches trimmed the elastic in the bottom of her costume. They thought of chopping her hair and then did it.

But the scale didn’t budge.

The function of weight classes is to prevent outsized mismatches in strength due to body mass and minimize injury. Pathologizing what is clearly water weight to this extent and subjecting athletes to this kind of psychological torture due to minute variables is simply making what is essentially a safety measure into a punitive arbitrary criteria that has huge implications for racialized fatphobia for female athletes and the reinforcement of toxic diet culture across the board. It's misogynistic, unscientific and fucked. This article goes into more detail about Phogat's career-long battle with her weight— a yo-yo of losing too much, and then too little. Indistinguishable from an eating disorder, only one imposed by the standards of international sports.

You will never convince me that a white athlete would have been disqualified in the lightest weight category for a weight less than a bar of soap. The disqualification retroactively places her dead last, which is added cruelty. The refusal to revise this and even award her a joint silver is just adding racist insult to racist injury.

Phogat spoke two days ago about her devastation at being disqualified by racism and fatphobia with a three page post on twitter.

And on top of all of this, because the Indian National Congress political party welcomed her with a road show that outshone the alt-right BJP's own planned welcome, the Hindutvas in her own country have launched a hate campaign against her.

This copy-paste has "disqualified in Rio 2016" trending on twitter. It's doubly cruel and fatphobic because she wasn't disqualified for being overweight, she sustained a knee injury.

After the witch hunt against Imane Khelif and Lin Yu-ting, I'm just so fucking done with the Olympics. The outsize importance of this competition is nothing but an anvil to break entire careers on and offers female athletes of colour on a platter for all the world's vultures.

[just-finished-watching]

Dangal

Finished Watching: 4/1/2024

Genre: Action, Biography, Drama, Sports

Rating: 🌟🌟🌟🌟/5 (4/5, a little biased tbf)

Expectations: I didn't have any expectations going in. Why? Because I've already watched the film before. It's been a while, but I watched it back when it came out in theaters in 2016. However, it's been a while since I watched it, so my memory of the movie was a bit fuzzy, and this rewatch fixed that. I noticed many more details that I previously didn't and I think I got out of my watching slump, which is always a plus.

Not a Favorite

Summary: Mavir Singh Phogat is an ex-national wrestling champion who had to long give up on his dream of winning a gold medal for his country as his family could not afford it. He dreams that his son will win one instead, but he has four daughters back to back. As they grow up, he slowly distances himself from wrestling, but when his two oldest daughters, Geeta & Babita, start showing promise, he trains them, much to their dismay.

Thoughts (*SPOILERS*):

Like I said, I've watched this film before, but OH MY GOD!!! I love Bollywood so much and this film reminds me why. Obviously, this isn't stereotypical Bollywood with lots of romance and drama. However, the tension in many of the scenes had me sitting on the edge of my seat. And of course, I was vibing to the music. Did I think it was too often? Probably for somebody who is not used to films with music. But these are the types of movies I grew up with so I was enjoying it to the max.

Did I love the characters? (Should I even call them characters?) Yes! Were they also a tad bit dramatic? Even more so. The villain in the second half of the film, the training coach, was almost comically villainous. I actually almost laughed when he locked the father in the closet because Geeta was listening to him. Like??? He still sucked at coaching, the fact he still has a job is crazyyy even in the film's world.

Now I am not a huge wrestling fan. The closest you will see me watch wrestling is from all the fighting webcomics I read. So I can't really confirm how accurately the movie portrays wrestling. However, I can attest to how it stays exciting. It makes me want to watch more wrestling matches (I won't, but it made me want to!).

Would I recommend this to anybody? Abso-fucking-lutely. Anybody who wants to try a Bollywood film out, but doesn't really get excited by the idea of a classic rom-com and wants something a little more wholesome? Try this one, I beg. Aamir Khan really did eat this film up, and I actually don't expect anything less from the man. In fact, try more Aamir Khan films if you want to watch Bollywood. They always get me.

[celeb-stalkerr]

Remembering Suhani Bhatnagar: The Dangal Star Who Left Us Too Soon

Suhani Bhatnagar dies at 19. Suhani Bhatnagar, who charmed us with her performance as young Babita Phogat in the 2016 blockbuster Dangal, passed away on February 17, 2024, at the age of 19. She was reportedly suffering from a rare autoimmune disorder, dermatomyositis, which caused severe complications after a leg fracture. She breathed her last at the All India Institute of Medical Sciences…

[criticfilm]

14 Intriguing Trivia About “Dangal”: Unveiling the Inspiring Journey of the Indian Wrestlers! ⚡

1️⃣ Based on a True Story: “Dangal” is based on the true story of the Phogat family, hailing from the state of Haryana in India. The film draws inspiration from the life of wrestler Mahavir Singh Phogat and his daughters Geeta and Babita, who went on to achieve great success in the sport.

2️⃣ A Worldwide Sensation: “Dangal” became a worldwide sensation, resonating with audiences of all backgrounds. The film’s universal themes of determination, family, and breaking barriers struck a chord, making it a global phenomenon.

🎞 For more reading, you can visit:

[musicverse11]

The Underdog Rises: Aparshakti Khurana’s Story of Perseverance

Aparshakti Khurana, a name that has become synonymous with charm, wit, and versatility, is a rising star in Bollywood. While many initially recognized him as Ayushmann Khurrana’s younger brother, Aparshakti has carved his own identity, emerging as a powerhouse of talent. From his humble beginnings as a radio jockey to becoming one of Bollywood’s most promising actors, Aparshakti’s journey is a story of perseverance, adaptability, and an unyielding passion for the craft. This article delves into the inspiring journey of Aparshakti Khurana, highlighting the milestones that have defined his career.

Early Beginnings as a Radio Jockey

Before Aparshakti ventured into the world of films, he was a well-known radio jockey in Delhi. His stint in radio not only gave him confidence in public speaking but also honed his ability to engage and entertain audiences — a skill that would later prove invaluable in his acting career. As a radio jockey, Aparshakti mastered the art of storytelling, understanding what captures listeners’ attention, and building a connection with his audience.

These formative years taught him how to think on his feet, a trait that became evident in his later roles as an actor. His vibrant personality and witty humor made him a favorite among Delhiites, and he soon gained recognition for his energetic hosting style. This phase of his career laid a solid foundation for his transition to Bollywood.

Breaking Into Bollywood

Aparshakti’s entry into Bollywood came with the critically acclaimed film Dangal (2016), where he played the role of Omkar, the supportive cousin of the Phogat sisters. Despite sharing the screen with Aamir Khan and debuting alongside two talented actresses, Aparshakti managed to leave a lasting impression with his natural performance and impeccable comic timing. His portrayal resonated with audiences, earning him accolades and establishing him as an actor to watch out for.

What made Aparshakti’s performance stand out was his ability to make a secondary role feel pivotal. He infused humor and relatability into his character, showcasing his knack for bringing depth to supporting roles — a theme that would define much of his early career in Bollywood.

Versatility in Roles

After the success of Dangal, Aparshakti continued to shine in ensemble casts and supporting roles. Films like Stree (2018), Bala (2019), and Luka Chuppi (2019) saw him delivering memorable performances that often became the highlight of these movies. In Stree, his portrayal of Bittu, the protagonist’s quirky and loyal friend, added a layer of humor to the film’s eerie narrative. Similarly, in Bala, he perfectly complemented Ayushmann Khurrana’s lead role with his effortless comic timing.

What sets Aparshakti apart is his ability to adapt to different genres. Whether it’s comedy, drama, or even a slice-of-life narrative, he approaches each role with authenticity and dedication. His characters often serve as the emotional anchor or comic relief, showcasing his versatility as an actor.

Overcoming Comparisons

Being the younger brother of Ayushmann Khurrana, a national award-winning actor, meant that Aparshakti had to constantly prove himself. Comparisons were inevitable, but instead of being overshadowed, Aparshakti used them as motivation. He worked tirelessly to establish his unique identity, focusing on his strengths and embracing opportunities that allowed him to shine.

Aparshakti’s humility and grounded nature have also played a significant role in his success. He often acknowledges Ayushmann’s guidance and support while emphasizing the importance of carving his path. This balance of gratitude and self-reliance has endeared him to both fans and industry insiders.

Foray into Music and Hosting

Apart from acting, Aparshakti has also explored other creative avenues, including music and hosting. His foray into music has been well-received, with tracks like “Kudiye Ni” gaining popularity for their soulful melodies and catchy beats. Music, for Aparshakti, is another way to connect with his audience and showcase his multifaceted talent.

As a host, Aparshakti has brought his infectious energy and charm to several events, award shows, and reality programs. His ability to engage with live audiences and keep the atmosphere lively reflects his experience as a radio jockey and his innate charisma.

Challenges and Triumphs

Like any journey, Aparshakti’s path to success hasn’t been without challenges. From facing typecasting in comedic roles to navigating the competitive nature of Bollywood, he has encountered obstacles that tested his resilience. However, his willingness to take risks and explore diverse roles has helped him break free from these limitations.

One of Aparshakti’s most significant strengths is his ability to remain optimistic and persistent. He approaches every role with enthusiasm, believing in the power of storytelling and its ability to impact lives. His dedication to his craft and his desire to constantly improve have earned him respect from peers and audiences alike.

A Star on the Rise

Today, Aparshakti Khurana is no longer just Ayushmann Khurrana’s younger brother. He has established himself as a bankable actor, a talented musician, and a beloved host. With several upcoming projects in the pipeline, including leading roles in feature films, Aparshakti is poised to take his career to new heights.

His journey from a radio jockey to a Bollywood star is a testament to his versatility and determination. Aparshakti’s ability to adapt, learn, and grow sets him apart in an industry that often favors established names. He has proven that talent, hard work, and authenticity can pave the way to success.

Conclusion

Aparshakti Khurana story is one of resilience, versatility, and passion. From engaging audiences as a radio jockey to winning hearts on the silver screen, he has continuously evolved as an artist. As Bollywood embraces more diverse and relatable stories, actors like Aparshakti play a crucial role in shaping the industry’s future.

Stay tuned for Aparshakti Khurana’s upcoming projects and join the conversation about his impact on Bollywood. Share your favorite Aparshakti moments on social media and let the world know why you admire this rising star!

[snehayadavx]

Bollywood Movies and Their Impact on Society

Bollywood, the world’s largest film industry, has long been a significant cultural force, not just in India but globally. Known for its larger-than-life spectacles, vibrant storytelling, and unforgettable music, Bollywood films have shaped and reflected societal values, attitudes, and aspirations for decades. From romantic dramas to action-packed thrillers, these films are a mirror to the social fabric of Indian society. However, Bollywood's influence extends beyond mere entertainment—it plays a crucial role in shaping perceptions, challenging norms, and even driving social change.

1. Bollywood as a Reflection of Society

One of the most evident ways Bollywood affects society is by reflecting the cultural, social, and political landscape of India. For instance, films like Sholay (1975) captured the post-independence rural backdrop, while films like Dilwale Dulhania Le Jayenge (1995) showed a shift in the urban mindset toward more liberal values regarding romance, love, and family dynamics. More recently, movies like Article 15 (2019) and Padman (2018) have addressed pressing social issues such as caste discrimination, women’s health, and gender equality.

Bollywood often adapts real-life issues, amplifying them to reach millions. Whether it's tackling issues like corruption, poverty, or the gender divide, films become a means through which society can engage in important discussions. These stories not only entertain but also encourage social change by shedding light on existing problems, thus inspiring action both on the personal and collective level.

2. Shaping Social Norms and Values

Bollywood movies play a crucial role in shaping societal norms and values. The portrayal of idealistic characters often sets a standard for behavior, while the depiction of romance, family life, and friendship helps define what is considered "normal" in society. A generation ago, films like Mughal-e-Azam (1960) and Kabhi Kabhie (1976) presented idealized images of love and family that influenced the way people perceived relationships.

More recently, Bollywood has begun to break down old stereotypes and reimagine societal roles. In films such as Queen (2013) and Piku (2015), women were shown as strong, independent, and capable of living on their own terms, challenging traditional ideas about marriage and gender roles. Similarly, films like My Name Is Khan (2010) address issues of religious intolerance and promote messages of unity, tolerance, and understanding, highlighting Bollywood’s role in social progress.

3. Bollywood's Influence on Fashion and Lifestyle

Bollywood stars are often seen as trendsetters. The clothes they wear, the cars they drive, and the lifestyles they lead are emulated by millions of fans across the globe. Bollywood films can make or break trends. For example, the iconic saree worn by Sridevi in Chandni (1989) or the fashion-forward outfits seen in movies like Dil Chahta Hai (2001) and Zindagi Na Milegi Dobara (2011) have not only influenced fashion choices but also redefined modern concepts of beauty and style.

As the industry has gone global, Bollywood has increasingly played a part in defining India’s image on the world stage. Bollywood celebrities are seen as global influencers, and their brand endorsements and fashion choices affect consumer behavior in a significant way.

4. Bollywood and Gender Representation

Historically, Bollywood has faced criticism for its portrayal of women, often relegating them to roles that are passive, submissive, or merely decorative. However, recent trends in Indian cinema reflect a shift towards more nuanced and empowered female characters. Films like Dangal (2016), Tumhari Sulu (2017), and Raazi (2018) showcase women as central protagonists with their own ambitions, strengths, and vulnerabilities.

This shift is not only empowering women but also influencing societal perceptions of gender roles. Audiences are more likely to accept and appreciate strong, independent female characters, which in turn helps challenge traditional patriarchal structures. Moreover, Bollywood has begun to explore non-heteronormative stories as well, such as Kapoor & Sons (2016) and Shubh Mangal Zyada Saavdhan (2020), encouraging more acceptance of LGBTQ+ relationships.

5. Bollywood and Mental Health Awareness

Bollywood has also become an important vehicle for spreading awareness about mental health issues. Films like Dear Zindagi (2016), Chhichhore (2019), and Taare Zameen Par (2007) address subjects such as depression, anxiety, and learning disabilities, which have long been stigmatized in Indian society. By bringing these topics into mainstream discourse, Bollywood films have contributed to reducing the stigma surrounding mental health and have encouraged people to seek help and speak openly about their struggles.

These films often depict characters who are flawed, vulnerable, and dealing with real-life challenges, allowing audiences to see that they are not alone in their struggles. This portrayal has made a significant difference in how mental health is perceived in India, contributing to a larger cultural shift toward greater acceptance and understanding of emotional well-being.

6. Bollywood's Global Reach

Bollywood's influence extends beyond Indian borders, with a significant diaspora of fans in the Middle East, Southeast Asia, Africa, and even the Western world. The global reach of Bollywood films has helped in spreading Indian culture, music, and even political ideologies. Bollywood songs, dances, and catchphrases have become synonymous with Indian identity, making Indian culture more accessible and relatable to people around the world.

Through its global success, Bollywood has also created a platform for cultural exchange, where stories from different parts of the world, such as films from the Indian diaspora, are shared, discussed, and celebrated. This international appeal has bridged cultural divides and made Bollywood a symbol of India's soft power on the world stage.

Conclusion

Bollywood, while primarily an entertainment industry, has become a driving force for cultural change in India and around the world. Its impact on society is vast and multi-dimensional, influencing everything from social norms and gender roles to fashion trends and mental health awareness. As the industry continues to evolve, its role in shaping perceptions and challenging societal norms will only grow, ensuring that Bollywood remains a powerful tool for both reflection and transformation in the years to come.

[super-movies-funda]

top 10 indian movies box office collection

Here are the top 10 highest-grossing Indian movies based on worldwide box office collections (as of 2024):

Dangal (2016) - ₹2,024 crore, globally led by its massive success in China.

Baahubali 2: The Conclusion (2017) - ₹1,810 crore, a pan-Indian blockbuster.

RRR (2022) - ₹1,258 crore, gaining international acclaim and awards.

Kalki 2898 AD (2024) - ₹1,100 crore, a science fiction epic featuring Prabhas, Amitabh Bachchan, and Deepika Padukone​.

Pathaan (2023) - ₹1,050 crore, starring Shah Rukh Khan and part of the YRF Spy Universe.

KGF Chapter 2 (2022) - ₹1,200 crore, continuing its legacy from the first film.

Bajrangi Bhaijaan (2015) - ₹969 crore, a heartwarming tale with Salman Khan.

Secret Superstar (2017) - ₹966 crore, notable for its resonance in international markets.

PK (2014) - ₹854 crore, an Aamir Khan comedy-drama with a satirical edge.

2.0 (2018) - ₹800 crore, starring Rajinikanth and Akshay Kumar​.

DO You Know What is KVR?

These films showcase the diversity and global appeal of Indian cinema, ranging from action epics to emotional dramas. For more details, check resources like Box Office India or Wikipedia.

[jjsanguine]

I'm watching « dangal » and I do not in any way shape or form have the constitution for competitive sports but if I you would never catch me saying anything like thanks for the win before the medal was round my neck. Imagine losing after saying such

[desicinema2]

"The Global Rise of DesiCinema: How Indian Films are Conquering the World"

Indian cinema, also known as DesiCinema, has long been a force to reckon with, captivating millions of viewers both in India and abroad. In recent years, however, DesiCinema has exploded onto the global stage, earning accolades and achieving unprecedented success in international markets. From awards at prestigious film festivals to record-breaking box office numbers worldwide, the influence of Indian cinema has reached new heights. But what is behind this growing global recognition, and why are international audiences flocking to desicinema in droves?

A New Era of Global Storytelling

DesiCinema has historically been known for its larger-than-life spectacle, songs, and dances, but the new wave of Indian filmmakers is pushing the boundaries of storytelling. Directors are increasingly creating content that resonates not only with Indian audiences but also with global viewers. The success of films like Gully Boy (2019), which was inspired by the Indian rap scene, and RRR (2022), which broke records worldwide, signals a shift in Indian cinema's approach to narrative, style, and themes.

These films tackle universal themes—such as self-expression, rebellion, and friendship—that resonate across cultural boundaries. RRR’s success, in particular, is a testament to the power of DesiCinema to appeal to global audiences. The film's combination of jaw-dropping action, compelling storytelling, and emotional depth earned it widespread praise, not only in India but across the world, culminating in a win for Best Original Song at the 2023 Academy Awards.

Social Media & Streaming Platforms: Catalysts of Change

The rise of streaming platforms like Netflix, Amazon Prime, and Disney+ Hotstar has played a crucial role in making DesiCinema accessible to international audiences. These platforms offer a convenient way for non-Indian viewers to explore Indian cinema, often with subtitles in multiple languages. This accessibility has democratized Indian films and allowed viewers from all corners of the world to explore the diverse narratives of DesiCinema.

Films like The Lunchbox (2013) and Dangal (2016) have garnered massive global audiences through these platforms, showcasing India's rich culture and unique storytelling style. The availability of regional films from industries like Tamil, Telugu, Malayalam, and Bengali on international streaming services has opened up a whole new world of cinema that was previously inaccessible to non-Indian viewers.

Moreover, social media has played a pivotal role in spreading the word about DesiCinema. Hashtags like #Bollywood, #Tollywood, and #RRR have trended on Twitter, Instagram, and TikTok, creating viral moments and attracting global attention. The use of social media platforms to engage with fans directly has allowed Indian filmmakers to cultivate a global fanbase that is enthusiastic and vocal about their work.

The Appeal of DesiCinema: A Fusion of Tradition and Innovation

So why are global audiences falling in love with DesiCinema? One of the key reasons is its ability to blend traditional cultural elements with modern cinematic techniques. Indian films are renowned for their rich music, vibrant dance sequences, and colorful visuals, but they also tackle complex and relatable issues. Whether it’s the human struggles depicted in Barfi! (2012), the socio-political commentary in Article 15 (2019), or the celebration of identity in Dil Dhadakne Do (2015), DesiCinema finds a way to connect deeply with audiences.

Furthermore, Indian cinema’s unique form of storytelling—whether it’s through fantasy, action, drama, or romance—offers something distinct from Hollywood and other global film industries. Desi films have a way of immersing viewers in their worlds, blending emotion, spectacle, and culture in a way that feels fresh and exciting.

International Film Festivals and Recognition

The international recognition of DesiCinema has been marked by an increasing presence at prestigious film festivals around the world. Films like The Lunchbox, Court (2014), Masaan (2015), and Gully Boy have all made waves at major festivals such as Cannes, Toronto, and Berlin. Additionally, Indian filmmakers like Satyajit Ray, Anurag Kashyap, and Zoya Akhtar have earned critical acclaim for their work, helping put desicinemas on the global map.

This visibility has helped Indian cinema break through traditional cultural and language barriers, making it a respected part of the global film landscape. The Indian diaspora, which spans continents, has been instrumental in spreading the love for DesiCinema, but the appeal is no longer limited to them. Non-Indians are now discovering the joy of watching Indian films, and their global success is evidence of the growing influence of DesiCinema worldwide.

Conclusion: A Cinematic Revolution

DesiCinema is in the midst of a revolution. From the groundbreaking work of contemporary filmmakers to the global embrace of Indian stories, the future of Indian cinema is brighter than ever. As Indian filmmakers continue to experiment with new forms of storytelling and embrace global sensibilities, DesiCinema is poised to captivate audiences worldwide for years to come.

In a world where cinema is becoming increasingly globalized

[my-music-1460]

The Evolution of Aparshakti Khurana: Actor to Singer 

Aparshakti Khurana, a name that has charmed millions with his versatility, has made a significant mark in both acting and music. Known initially for his stellar performances on the silver screen, Aparshakti is now carving a new path as a singer, showcasing his multifaceted talent. His journey, from entertaining audiences with his magnetic screen presence to touching hearts with his soulful voice, highlights his evolution as an artist.

While many recognize him as a remarkable actor, Aparshakti Khurana, the singer, is steadily gaining recognition and admiration. His musical endeavors reflect not only his passion for storytelling but also his ability to connect with people through melodies. As he balances two demanding careers, Aparshakti’s journey offers inspiration and proves that talent, when nurtured, knows no bounds.

Early Life and Acting Career Aparshakti Khurana was born on November 18, 1987, in Chandigarh. From a young age, he displayed a penchant for entertainment and creativity. His first foray into the limelight was as a radio jockey, where his vibrant personality and sharp wit garnered a loyal audience. Radio provided Aparshakti with a strong foundation in storytelling, a skill that later translated seamlessly into his acting career.

In 2016, Aparshakti made his Bollywood debut in the critically acclaimed film Dangal. Playing the role of Omkar Singh Phogat, the charming and supportive cousin of the Phogat sisters, he won hearts with his comedic timing and relatable performance. His work in Dangal not only garnered critical acclaim but also set the stage for his flourishing acting career.

Over the years, Aparshakti built an impressive filmography with memorable roles in movies like Stree, Luka Chuppi, Bala, and Pati Patni Aur Woh. Known for his ability to infuse humor and depth into his characters, he quickly became a sought-after actor in Bollywood.

Musical Journey Begins In 2019, Aparshakti Khurana surprised his fans by venturing into the music industry with his debut single, Kudiye Ni. The song, a lively Punjabi track, showcased Aparshakti’s unique voice and his innate ability to evoke emotions through music. With its catchy rhythm and heartfelt lyrics, Kudiye Ni was a commercial success, earning him a new wave of fans as a singer.

For Aparshakti, music was not just an experiment but a natural extension of his artistic expression. He viewed it as another way to tell stories, blending his love for performance with his passion for music.

Signature Style and Collaborations One of the most striking aspects of Aparshakti Khurana’s music is his ability to fuse traditional Punjabi elements with modern, contemporary sounds. This unique blend gives his tracks a wide appeal, resonating with listeners across different age groups and cultures.

Aparshakti has also collaborated with some of the most talented artists in the industry. His recent single, Zaroor, released in May 2024, is a testament to his evolving artistry. A heartfelt ballad about love and longing, the song was a collaboration with singer-composer Savi Kahlon and producer Siddharth Amit Bhavsar. Its soulful melody and poignant lyrics struck a chord with audiences, further cementing Aparshakti’s reputation as a gifted singer.

The Dual Role: Balancing Acting and Singing Balancing two demanding careers is no small feat, but Aparshakti Khurana has managed it with grace and dedication. His passion for both acting and music drives him to excel in both fields. Whether he’s delivering a power-packed performance on screen or pouring his emotions into a song, Aparshakti gives his all to his craft.

This dual role has not only showcased his versatility but also opened new opportunities for him to connect with his fans. His work as a singer complements his acting career, allowing audiences to see a different side of his creativity.

Impact on the Industry Aparshakti Khurana’s venture into music has added a fresh dimension to the Indian entertainment industry. At a time when actors and musicians are increasingly crossing creative boundaries, Aparshakti stands out for his authenticity and commitment to his craft. His songs, often rooted in Punjabi culture yet modern in appeal, bring a unique flavor to the music scene.

By exploring multiple creative avenues, Aparshakti has become a role model for aspiring artists. His journey underscores the importance of pushing boundaries and embracing new challenges in the pursuit of artistic growth.

Conclusion Aparshakti Khurana’s journey from a radio jockey to a celebrated actor and now a talented singer is a testament to his versatility and passion. By stepping into the world of music, he has demonstrated that creativity has no limits. Aparshakti Khurana, the singer, has proven that talent can transcend mediums, inspiring fans and fellow artists alike.

As Aparshakti continues to explore his musical journey, fans eagerly await his next release. Whether it’s through acting or singing, one thing is certain: Aparshakti Khurana will continue to captivate and inspire audiences with his talent and dedication.

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Babita Phogat Shares She Got Rs 1 Crore for 'Dangal,' Aamir Earned Rs 375 Crore

Wrestler Babita Phogat recently shared that her family was paid Rs 1 crore for the rights to their life story, which inspired the 2016 blockbuster film Dangal. Despite the movie earning over Rs 2070 crore globally, Babita mentioned in an interview with ‘News 24’ that her payment was less than 1% of the total box office collection. The deal was made before Aamir Khan came on board as the lead…

[brijeshmauryaasmedia]

Narrative 

Other than the acting and storyline, something else enhances any movie or series. It's a narrative—how the story is being told and explained. There are two types of narrative: linear narrative, in which the story is told in chronological order, and sequential.  In this, it's quite easy for the audience to understand the story, as it follows the continuation of the timeline. We see each action in a sequence.

There are multiple movies that follow linear narrative. Some of them are:

The Pursuit of Happyness (2006)

Dangal (2016)

Lagaan (2001)

3 Idiots (2009)

Taare Zameen Par (2007)

PK (2014)

Each of these movies was a linear narrative. for example "The Pursuit of Happyness" was started from the home, where the main character was introduced. We also get to know about his work and condition. Over time we see the reaction of his wife and his struggle with his son. And in the end, he gets his job. Each of these was shown in a sequence, without jumping into the past of flashback, to tell more about the story or the character.

Intro

Middle

Ending

The second is nonlinear, where the narrator jumps from one time to another, for example narrator is telling the current story, but suddenly shifts to the past story of the character. It can be like a flashback of the main characters. In some movies, we see that suddenly the hero's character or behavior changes, and then we see the past, how actually he was, and why he is like this now. However, his past personality is back. One of these examples of telling the past of the hero is a short movie called Robert, where Darshan plays the role of the hero. 

Another great example of non-linear according to me is the Maharaja movie of Vijay Sethupathi sir. In this, we can clearly see non-linear scenes.

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jumping up and down like a mad woman at the Kill Bill mention!!! I LOVE THOSE MOVIES! Still seeing as I've seen both of them already, Overboard seems like the next best option. Catch me watching it later and I'll send the same thing I did last time. I'll give you the same form of recommendations.

Three Idiots (2009) ⭐

Three best friends navigate the ups and downs of college life, facing school, love, and society as a whole. Years later, due to a bet, two of the friends reunite and go on a journey to find the other, meeting old friends and enemies along the way.

This is SUCH a comfort movie! The 3rd act gets a bit absurd but this film is honestly so funny and heartfelt. Of the ones on this list, I think i recommend this ome the most though it's up to you and your preferences. TW for suicide.

Jaane Tu... Ya Jaane Na (2008)

Best friends Aditi and Jai (A.K.A Meow and Ratz) are in love. Problem is, they don't know it. Adamant that they don't like each other, and with their parents ready for them to get married, the two decide to find partners for eachother. Told in flashback by members of their friend group while they wait to pick them up from the airport after the couple's honeymoon.

The way this movie would make an amazing fic lol. THE friends to lovers romance with an amazing soundtrack and, as is typical for this Era of movie, a semi absurd 3rd act.

Jab we met (2007)

Bubly Geet and pessimistic Aditya meet on a train and through a series of events, end up traveralveling together to Geet's hometown. While there Aditya gets roped into Geet's plan to elope with her boyfriend, but as the plan begins to unfold, the two realize they might have feelings for each other. Later, Aditya sets out to find Geet again but discovers something shocking.

Ooooh, this one is fun. I'd call this strangers to friends to lovers. Both Geet and Aditya are such fun characters and it's all just so amazing to watch! It does get a bit slow around the intermission, but stick around for the most interestingly framed hug scene ever. Also, Aditya kinda looks like Indian Cillian Murphy, but that's irrelevant.

Dangal (2016)

Based on the (dramatized) true sorry of sisters Geeta and Babita Phogat. This movie primarily follows the girls' father, an ex wrestler, as he trains his daughters to become wrestlers and compete in tournaments. He trains them despite their initial resistance but eventually trains them into accomplished wrestlers.

Okokokok I'm explaining this one badly but it's good, trust. At its core though, this is a sports movie so it's very sporty vibes, but with the occasional (surprisingly well done) emotional beat.

Take your pick, babe 💜

-♡♡

I love Kill Bill. It's really special to me. I have the yellow jumpsuit 🥹

Catch me attempting to get my dad (judo/Jiu jitsu instructor) to watch Dangal with me and my sister while I'm here 🥹. If not, I just gotta wait until I get back 😩. Three Idiots also sounds like my vibe.

Thank you for your movie recs, ♡♡. I can't wait to sink my teeth into them!