#dana gillespie gif

[atomic-chronoscaph]

Dana Gillespie - The People That Time Forgot (1977)

[borisbubbles]

Eurovision 2024: #18

18. SAN MARINO Megara - "11:11" 33rd place

Decade Ranking: 66/153 [Above Aiko, below Hooverphonic]

Soy "Otra Gente".

Yes, ~Megara & Aiko~ back-to-back as a tribute to the blossoming new relationship. (how cute that these are the two LAST EVER entrants for both of those countries ♥). Star-crossed pansexuals forever tethered side-by-side in this ranked afterlife. THIS is how you do serendipitous running orders, Christer, fucking take notes. (Another fragment of my neurodivergent soul destoyed when he decided to put Megara 10th in the r/o and make 11:11 the 12th overall song to be performed that night).

But Aiko and Megara also represent the duality of modern day NQs. While Aiko delivered a good vocal, glammed-up to a 7.5/10 and still died (lol though luck fighting those bookmakers, girl), Kenzie delivered an ABSOLUTELY ROTTEN VOCAL, downgraded to a 7.5/10 and logically died because it's San Fucking Marino. 😍

Like, idk how to break it to you, but for once, San Marino actually earned the Ironic Standom label. Let's start with the fact that they're repped by my fave act from last year's Benifest with a song about how unfairly robbed "Arcadia" was. ♥

M E

P E L A

M E P E L A

Y si tú no me quieres otra gente me quierian

This year's line-up was so up my alley even the fanfiction was fucking me-coded.

And a fanfic it fucking was because in order to rep Scam Marino, Megara had to beat the following at Una Voce:

Jalisse, Italy's 97's reps (and erstwhile BubbleFaves) who TVSM found in a dusty retirement home somewhere in Italy, recruited as a Big Name, and who reportedly stormed out of the venue as soon as they were eliminated by the jury. (😍)

David Bowie's former flame Dana Gillespie, who sang an AI-written composition about climate change called "The last polar bear" (sample lyrics:" I'm just a polar bear trying to survive :old:" // "Is there someone out there who has mercy on a polar bear?" :old:) (and they HAD to admit this in the final because Una Voce's main sponsor was the company that wrote the AI script which composed the song lmfaooo ♥)

Nusa Derenda's son, who was part of a three-himbot boyband and was absolutely HORRIBLE (the other two did ALL of the lifting ♥), only for them to be completely omited from the first recap of the night (WILL THE BULLYING OF SLOVENIA EVER END?!)

Loredana Bertè, Mia Martini's estranged blue-haired sister who crossed over from San Remo for the sole purpose of terrorizing her ex-husband Björn Borg, and performed in her usual style: dressed as a schoolgirl (she's over 70 btw), hands in her pockets, fully disassociated, sounding like she was halfway through her fourth bottle of Disaronno.

How is ANY of this a waking reality?! Megara beating Loredana last-minute was the icing on the cake because while the notion of Pazza is funny enough (it rhymes "artifice" with "toothpaste" <3), Megara at least had... a concept? an Idea? A song?

And then we got to the contest itself. The preview comes in and has THE EXACT SAME IMPACT ON ME as Bambie's did in the first semi - STOP ALL THE PRESSES, I WANT TO SEE THIS IN FULL IDGAF ABOUT ANY OF THE OTHERS OR MY PERSONAL HEALTH AND RESPONSIBLIITIES!!!! you know, the usual hinged eurofan stuff.

When we finally got to the full live omg ♥ A fantastic act completely PULVERIZED into death by Kenzie's inability to perform ♥ From actually WALKING OFF THE SCREEN

to having her own small Emily Roberts moment in the second chorus

Shittastic. it worked because, thankfully, the song WAS fodder to begin with (no losses there) and the staging -conceptually at least- was visionary. This is probably the best San Marino have ever staged.

The delectable Dias De Muertos flamengo break ♥

the haphazard trigger happy hazbin hotel fuschia fiesta freakshow aesthetics ♥

the silly overlays that actually WORKED BETTER THAN LUX'S ♥

THE DEMON RABBIT INTO DEMON CORPSES DANCERS ♥ ♥ ♥ ♥

This (metaphorical) shit was masterfully staged and Kenzy still served LOOKS AND ENERGY despite failing at everything else.

If you're going to be hopeless, then be hilariously bad at giving hope, is what I say.

11:11 was pure chaos on a black-and-pink demon barber pole, which for experimental art rock serving as a middle finger to Spain's lack of taste, is a pretty good medium of expression. The way Megara were guaranteed double digit points because the Mericones (this year's honorary name for Cigarillos/Spanish Fags btw..x) were casting votes in this semi (♥) allowed them to give zero fucks. ♥

Of course, if Megara (and specifically Kenzie) had been in any way competent, then 11:11 could have qualified with that act, and that would have been ICONIC. But they weren't and we missed out on another SF2 epic turnaround, which is probably why I'm not ranking them amongst the very good entries this year. (also, if I did I'd be compelled to rank 'em 11th and LOL @ bumping Aiko up to 12th place). I'm accepting of 11:11's shortcomings, but also acknowledge that it has them. The quality standards were surprisingly high this year, and I enjoy the remaining entries sufficiently that I don't need to cling to Megara as hard as I normally would. Fun filler it is, and that's the perfect endpoint for San Marino's journey.

THE RANKING

[mark-hoffmans]

Let's kill something. Fright Night (2011), dir. Craig Gillespie

[thedestinysunknown]

Cruella (2021):

IMDb Description: “ A live-action prequel feature film following a young Cruella de Vil. “

★★★★★★★★★☆

[genevieveetguy]

The thing is, I was born brilliant, born bad, and a little bit mad.

Cruella, Craig Gillespie (2020)

[cinema-tv-etc]

Emma Stone Explains Why She Didn't Carry Cruella's Signature Cigarette Holder

Disney is simply not down!

By Mehera Bonner Jun 2, 2021

As any fan of 101 Dalmatians is well aware, there are several things that make Cruella de Vil iconic: her black-and-white hair, her personal style, and her signature cigarette holder—complete with a swirl of toxic yellow smoke. But fans were quick to notice that the accessory was missing from Disney's new villain origin story, Cruella, and Emma Stone went ahead and explained why.

“That is not allowed in 2021,” she told New York Times. “We are not allowed to smoke onscreen in a Disney film. It was difficult to not have that cigarette holder…I was so excited to have that green plume of smoke in there, but it was not possible."

She added, "I don’t want to promote smoking, but I’m also not trying to promote skinning puppies.”

According to Just Jared, Disney banned smoking in its films around 2007, and the ban now encompasses Lucasfilm, Marvel, and Pixar.

Disney's Cruella | Official Trailer

👇 📺 👇

Academy Award® winner Emma Stone (“La La Land”) stars in Disney’s “Cruella,” an all-new live-action feature film about the rebellious early days of one of cinemas most notorious – and notoriously fashionable – villains, the legendary Cruella de Vil.

“Cruella,” which is set in 1970s London amidst the punk rock revolution, follows a young grifter named Estella, a clever and creative girl determined to make a name for herself with her designs. She befriends a pair of young thieves who appreciate her appetite for mischief, and together they are able to build a life for themselves on the London streets.

One day, Estella’s flair for fashion catches the eye of the Baroness von Hellman, a fashion legend who is devastatingly chic and terrifyingly haute, played by two-time Oscar® winner Emma Thompson (“Howards End,” “Sense & Sensibility”). But their relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella.

Disney’s “Cruella” is directed by Craig Gillespie (“I Tonya”) from a screenplay by Dana Fox and Tony McNamara, story by Aline Brosh McKenna and Kelly Marcel & Steve Zissis. It was produced by Andrew Gunn (“Freaky Friday”), Marc Platt (“Mary Poppins Returns”) and Kristin Burr (“Christopher Robin”), with Emma Stone, Michelle Wright, Jared LeBoff and Glenn Close serving as executive producers.

Two-time Oscar®- winning costume designer Jenny Beavan (“Mad Max: Fury Road,” “A Room with a View”) creates the dazzling and imaginative costumes, which take on a life of their own.

👇 📺 👇

https://youtu.be/gmRKv7n2If8

[glamouros]

[therealjohnstewart]

Dana Gillespie

[xabiramone]

Dana Gillespie, Tony Defries and David Bowie at London's Roundhouse in 1971.

[mostlybritishactors]

Dana Gillespie

[scumgristle]

Story behind this weird photo of DAVID BOWIE:

“Blues singer, actress and swinging 60s icon Dana Gillespie took this spontaneous photo of David Bowie wearing The London Leatherman LW19 soft lip mask circa 1973. Dana recalls that her and Bowie were in New York (both managed by MainMan at the time) when one day David came back to the hotel they were staying with a bag full of things he’d bought from ‘one of those shops’ nearby. He put the mask on for a laugh and she captured the moment on her famous Polaroid camera.”

Photo by Dana Gillespie; Description by addictedtorags

[photoglophia]

Dana Gillespie in THE LOST CONTINENT (Michael Carreras, 1968).

[rastronomicals]

5:36 AM EDT August 29, 2024:

Dana Gillespie - "Mother, Don't Be Frightened" From the album   Crash Course For The Ravers - The Mojo Bowie Companion

Last song scrobbled from iTunes at Last.fm

Giveaway with the September 2020 issue of Mojo, covers and stuff just inspired by.

[glamouros]

[maggottgrrrl]

Dana Gillespie 1974