#daehakro

[klqdraws]

자연

[klqrambles]

Where’s that post of mine about korean musicals that are based on music composers I gotta add Rachmaninoff to that list

[everythingbap]

📲 yjaybaby Instagram update:

❝나는 누구지? 대답해 주는 자는 없었다네❞ ❝이건 나에게 찾아온 너라는 기회, 끝까지 가보고 싶어져❞ 누리&부치하난｜유영재 2024 뮤지컬 <부치하난> 2024.9.17 ~ 2024.11.17 홍익대 대학로 아트센터 대극장

❝Who am I? No one would give me an answer❞

❝The opportunity that came to me - you - I want to see it through to the end❞

Nuri & Buchihanan｜Yoo Youngjae

2024 Musical 'Buchihanan' 2024.9.17 ~ 2024.11.17 Hongik University Daehakro Art Center Grand Theater

[deulleya]

"for that beginning, i endure today."

to begin my musical translation series, here's a number from the musical that started my daehakro journey, and therefore holds a special place in my heart.♡

the video is not mine, but all lyric translations are my own.

musical: 98 Percent (98퍼센트)

cast: [x] song yootaek, donghyun, kim taehyeong • [ethen] yu taeyul, cho hun, shin hyucksu (shin subin) • [jupiter] choi youngjun, jung sangyoon, lee jinhyeok

synopsis: in an apocalyptic world ravaged by war, the researcher jupiter creates the synthetic human "x" with enhanced battle capabilities to win the battle at all costs. plagued by abnormal physical symptoms and an inexplicable sense of deja vu, x escapes the laboratory to seek the answers that jupiter won't give him. chasing after x is the soldier ethen, who had been taken in as a child by jupiter after his older brother was dragged away one day. with only three days left until the government shuts down jupiter's lab, will he able to complete the perfect human he's dreamed of? and will x and ethen find the answers they yearn for?

production: studio vibestone (twitter / youtube)

- ☽ -

- ☽ -

종이접기 rep. — origami (reprise)

donghyun as x, shin hyucksu as ethen

My brother told me, my brother said so That I could create anything The way that I want, the way that I wish to

It can become a ship that journeys towards the vast sea Or a great whale that swims within It can become the shining stars in the sky Or a plane that soars between It’s not just mere paper; that’s what my heart is saying

Connecting the dots that lie in different places So that they can meet safely (So that they can meet safely, like this) Connecting the dots that lie in different places Gathering and collecting the scattered dots That complete a unified shape when they meet

The ephemeral moments that interweave the world Taking flight through the fleeting freedom The breathtaking world that welcomes me

The ephemeral moments that interweave the world Taking flight through the fleeting freedom The breathtaking world that welcomes me

An ordinary day without anything special Those days, that everyday, like this origami When I wasn’t alone, when I was happy

[ original korean lyrics here. ]

[anywaythewinds]

[Translation] INTERVIEW: Sing for My Music: The Phantom of the Opera’s Kim Ju Taek

Interviewed by Ahn Se Young From the March 2023 issue of The Musical Translated by @anywaythewinds, edited by sigye

source

Translator's note: Thanks to sigye for their help reviewing and editing this. Please message me if you find any mistakes. Please do not quote without credit (link to this post).

Just like the first scene of The Phantom of the Opera when we see time turned back through a fallen chandelier pulled back to its place hanging from the ceiling, let’s turn back the clock to 2009. The year The Phantom of the Opera returned for its second season in Korea, Korean baritone Kim Ju Taek made his opera debut as Figaro in The Barber of Seville in faraway Italy. He then traveled all over the world, performing as an opera singer, until 2017 when he suddenly appeared on musical competition TV show Phantom Singer 2 and took on a new challenge as a part of crossover musical group, Miraclass. Now, in 2023, Kim Ju Taek of Phantom Singer 2 is about to transform into a real Phantom in The Phantom of the Opera, returning for its first Korean production in 13 years. Opera star Kim Ju Taek receives the spotlight of the stage, while the Phantom hides in the dark basement of an opera house. These two characters that live in seemingly different worlds become one through a common desire to share their music with the world. 

“I knew I couldn’t pass on this opportunity” 

You were actively performing in Italy, the birthplace of opera, when you decided to appear on Phantom Singer 2, and there was a lot of talk about you. I heard that some of your family and friends even discouraged you from doing TV. How did they react when they heard you would be making your musical theatre debut?  When I told my mother I was going to be on Phantom Singer 2, she had to go lie down from shock. To be honest, I was afraid she would react similarly this time as well so I kept Phantom a secret from my mother until just before the cast was announced. But when she heard the casting news, her reaction was completely different from the past. Instead of opposing it, she even asked me this and that about the musical with interest. Genre aside, perhaps she saw that I was appearing alongside distinguished actors such as Jo Seung Woo, Choi Jae Rim, and Jeon Dongseok, and thought, “My son must be doing something amazing!” (laughs) The Miraclass members were also very happy for me. Musical actor Park Kang Hyun sunbaenim [senior] told me that it was a role that I would fit very well and congratulated me. (laughs)

I heard that you went to see pretty much every musical that actor Park Kang Hyun appeared in. When did you start becoming interested in musicals?  Before I appeared on Phantom Singer 2, I honestly thought that classical music was the only type of music for me. Like a racehorse with its eyes covered, my view was too narrow. But through Phantom Singer I met so many skilled musicians that performed in other genres, and I discovered there was a whole other world I was unaware of. It was a wakeup call. “I was too proud just because I sing a bit of opera!” I thought, and I realized I had the wrong view before. From that time, my eyes were opened, and I became interested in a variety of genres. Through the competition, I became a member of the same team as musical actor Kang Hyun, and I started learning about musicals when I went to support him in the musicals he appeared in. I’ve pretty much seen all of the musicals he’s been in from when he was at Daehakro in 2017 doing Evil Dead to the present day in grand theatres. 

As a member of the audience, what did you think of musicals? I went to study abroad in Italy in my last year of high school, so I didn’t have any opportunity to learn about musicals. Musicals aren’t performed much in Italy, the birthplace of opera. I discovered musicals late, once I returned to Korea, and it was overwhelming. The stage direction was awesome, and the actors’ singing was powerful to my ears - a completely different appeal from opera, which doesn’t use mics. I’ve never learned acting, but I thought that I would like to try performing in sung-through musicals such as Les Miserables and Hadestown. I also wanted to try singing the songs that An Jung-geun sings in Hero. I sometimes imagined what appearing in a certain musical would feel like. One of the musicals that I vaguely dreamed of was The Phantom of the Opera. 

When the cast was announced, you said, “I have thought that if I ever were to be in a musical, the musical that would best express my music would be The Phantom of the Opera.” What was the reason that made you decide to appear in Phantom? Even amongst classical singers, The Phantom of the Opera is a well known musical. It’s set in an opera house in Paris, and many opera singers have appeared in the show as well. I’ve never seen the show in person, but I’ve sung Raoul and Christine’s duet, “All I Ask of You,” at a concert before. From then, I’ve thought that the show had very beautiful music. I was also curious what the secret was behind Broadway’s longest running musical. I wanted to figure out the reason for its success through performing in the musical myself. More than anything, it’s also the first time in 13 years that The Phantom of the Opera is being produced in Korea! We don’t know when the next production after this will be, so I knew I couldn’t pass on this opportunity.

Considering that this is the first license production in so long, the casting competition must have been fierce. Do you have any stories from the audition process? The auditions were held when people couldn’t freely enter and leave the country due to COVID-19, so the director, Rainer Fried, couldn’t come to Korea himself and ended up video calling into the auditions. The audition song was “All I Ask of You (Reprise),” when the Phantom peers at Christine and Raoul’s secret rendezvous and sings of his feeling of betrayal. I was so nervous that I don’t even remember how I sang the song. But after I sang, the director asked me to focus more on the Phantom’s emotions and sing it once more, so I had a hunch it was going well, since it meant that he was interested in me. The first time I sang in front of the director was during rehearsals, and he said that now that he was hearing me in person, it was a hundred times more thrilling than during the video call auditions. The producer that was at the auditions also said that I was memorable. They said that they usually just keep their eyes on their laptop screen, but for the first time at any audition, they looked up after I sang my first line. To be honest I don’t remember anything except being super nervous, but I was a little shy hearing such praise. 

Were you really that nervous? Even though musical theatre is a new genre to you, you’re skilled in singing so I thought you would be confident. I definitely wasn’t confident at first! First of all, Phantom’s songs have a lot of high notes. In opera, the highest notes a baritone has to sing is around F# or G, but Phantom has to sing G#s and even A. I also have to use falsetto for some parts, which opera singers usually don’t need to do, since opera singers have to sing powerfully enough to cut through the orchestra and be heard without mics. But since musical vocalization is different from opera, I felt some pressure there. I debated a lot about how to sing in the show, and I ended up mixing in just the right amount of opera vocalization during rehearsal. Thankfully everyone seemed to think it was okay. (laughs) From that point, I gained some confidence. 

“I want to break the stereotypes about opera singers” 

Did you find any big differences between musical theatre and opera while rehearsing? As I said before, since opera singers don’t use mics, if you sing softly your sound is completely buried by the orchestra. It’s really embarrassing if you’re an opera singer and a conductor says your voice is soft. But in musical theatre, through the mic, even the smallest whispers and breaths from an actor is perfectly conveyed to the audience. So compared to opera, a much more subtle expression is possible. On Phantom Singer 2, Kang Hyun nicknamed me “tyrannosaurus” so a lot of people remember me as just having a powerful voice, but I actually enjoy more subtle singing, with expressiveness. In that sense, I think musical theatre fits me well. 

In the past, you sang mostly in Italian when performing in operas. This time, you’ll be performing in front of a Korean audience singing in Korean - it must be a new feeling. You might think that it’s easier for me to sing in Korean, but that’s not the case. First of all, during rehearsals, the Korean lyrics were constantly being edited, so I would confuse the lyrics with the version I’d previously memorized. However, opera lyrics never change, and it’s required to arrive at rehearsals with the score memorized, so I’m still getting used to the rehearsal process for Phantom. The Korean language doesn’t have distinct accents or intonation, which is also an obstacle. European languages all have set rules for pitch and intonation, so you can sing according to those rules, but Korean doesn’t have those rules. So classical singers find Korean songs harder than Italian, German, or English language songs. But it’s fun, since a song sounds completely different based on the points that the singer chooses to emphasize in their interpretation. 

Do you feel nervous about the acting? I would’ve been nervous if there were a lot of spoken lines, but The Phantom of the Opera is a sung-through musical. Putting emotions into my singing is something I’ve already been doing from my opera days, so it’s not too hard, comparatively. A lot of people have this misconception that opera singers wait for their turn, sing their song, and then get off stage, but operas are also just like musicals and require acting skill. I want to break that stereotype about opera singers by doing well as the Phantom. 

The role of Christine is played by Son Ji Soo and Song Eun Hye, who are also opera singers. How did you feel performing with them during rehearsals?  Even before Phantom, I knew both of them well. Soprano Ji Soo and I are both graduates of Seonhwa Arts High School and we’ve run into each other before at competitions. Popera singer Eun Hye and I performed together at a concert before. The fact that the two of them are also a part of this is a source of strength for me, since we can talk about our troubles together as classical singers doing musical theatre. The two Christines must feel a lot of pressure regarding acting since the role has so much stage time, but the others playing the Phantom role are all musical actors so they’ve been taking the lead during rehearsal, and now we have a great time practicing together. I’ve been enjoying rehearsals because each of the Christines have their own personalities. Since Ji Soo has her share of experience on the opera stage, she gives off the vibe of a respectable prima donna; Eun Hye, on the other hand, brings out a more young and innocent side of Christine, one that’s just about to become a big star. 

Imagine yourself finally standing on stage after all the rehearsals - which scene do you anticipate the most?  The scene where the Phantom sings “The Music of the Night.” After starting rehearsals, we pretty much rehearsed this song for ten days straight, but I understand why we poured our heart and soul into rehearsing it. In just a few minutes, I have to fully express what kind of person the Phantom is. To the Phantom, music is his entire life. He’s devoted his entire being into his music. And one day, someone appears that can transform the music he’s been dreaming about into reality. That someone is Christine. Right before the Phantom sings “The Music of the Night,” he sings this to Christine: The only reason I’ve brought you here is so that you can sing my song. If I don’t properly convey the Phantom’s mentality in this passage, the Phantom could be just a villain in the audience’s eyes. So I’m very nervous about this scene, but I’m also excited for it. It feels like time stops when I’m singing this song. 

“The Music of the Night” requires a detailed portrayal, but the Phantom’s face is covered so it must be difficult to convey emotion in this song. That’s right. My face is half covered by the mask, so however intensely stare, there’s a limit to what the audience will take away. Instead, I use my hand movements to convey emotion. In “The Music of the Night,” the Phantom’s motions are gentle and careful as if he’s lulling a baby. Because Christine is that precious to him. But strength must coexist with that gentleness - only then can the audience see that Christine is overpowered by the Phantom. The director said that I have to act with “the feeling of pulling Christine’s backbone.” It’s a bit of an extreme expression, but that’s how I have to portray the Phantom’s invisible power that’s able to captivate Christine. As rehearsals continue, I’m realizing just how exquisitely and systematically this musical was put together. I can’t carelessly pass over any single breath, look, gesture, or word. I think the reason why The Phantom of the Opera has been so loved all over the world for 35 years is because of this meticulous attention to detail.

“If all you do is think, nothing will happen”

With the guidance of the Phantom, Christine emerges as the prima donna. In real life, do you have a mentor like the Phantom?  Though I’ve never met him, there’s someone that held on to me so that I could make it to this point without losing my passion for singing - Italy’s legendary baritone Piero Cappuccilli. Cappuccilli was famous for his ability to sing up to the tenor range, even though he was a baritone, and his long, uninterrupted phrases. I especially love his legato [the method of singing multiple notes in a smooth, continuous fashion]. There’s an aria from the opera Don Carlo called “Io Morro, Ma Lieto In Core” that Rodrigo sings before he dies. In this aria, Cappuccilli sings four phrases without a single breath in between for about 20 seconds. When I heard him sing this, I was floored. I wanted to copy him so at night I would go to the park when it was empty and walk while practicing singing. In this way, I was able to sing for longer on a single breath. That’s how I grew as a singer while listening to Cappuccilli. He’s my idol and mentor. Whenever I want to go back to the basics, I watch videos of Cappuccilli. If the Phantom reached out to Christine through the mirror to guide her, Cappuccilli did the same thing to me, through the computer screen. 

The Phantom is a musical genius, but due to his hideous appearance he leads a lonely life hidden in the basement of an opera house. Though you’re known for having an optimistic personality, do you find any similarities between you and the Phantom? For any character I portray, I start with finding the similarities between my experiences and the character’s in the story. For example, if the role is a father who has lost a wandering son, then I’ll recall the feeling of when one of my favorite juniors lost their way to portray that role. While I was carefully considering where to find the commonalities between myself and the Phantom, my slump in Italy came to mind. After 4-5 years studying abroad, due to my family’s circumstances, it became difficult for my parents to support me. To make matters worse, I was deeply betrayed by someone in my life. As a twenty something year old living alone far from home, I struggled to get through these hardships one after another. I wanted to give up on the music that had been my everything up until then. I even had the extreme thought of giving up on life. I’m going to try and place those feelings into my Phantom. The Phantom’s solitude, his feelings when Christine, who he believed would give his music wings, betrays him - I think my experiences will help me portray those emotions. 

How did you get out of that slump back then?  Ironically, it was music that pulled me out of my slump in the end. At the time, my final exam to graduate from the Verdi Music Conservatory in Milan was approaching, but I had lost myself to a state of despair and I even stopped attending my classes. But then, a teacher of mine came to look for me, and even brought me to their villa to cheer me up. They also helped me enter a competition, and it was at that competition that I met the casting director that cast me in my debut opera. It’s dramatic, right? After that, while preparing for the opera, I forgot about all of the hard times. I also graduated from school as the fourth student in the conservatory’s history to receive unanimous votes. I almost gave up on life because of music, but it was also thanks to music that I hung on to life. 

I always thought you had a continuous upward trajectory as an opera star - I’m surprised that you also had setbacks in your career.  I’m not sure how I appear to others, but my life has been a continuous cycle of new endeavors and failures. After debuting as an opera star, while I was actively performing, I hit another slump. It was difficult to always sing in the same theatre, with the same people, with the same orchestra and the same repertoire. This question kept ringing in my head: “Is this really the future I dreamed of?” Around this time, I was in Korea for a bit, and coincidentally it was when Phantom Singer 1 was airing. While watching the show, I couldn’t get the thought out of my head, “What if I had appeared on this show?” So when the applications for Phantom Singer 2 opened I immediately applied. Because I had gotten tired of constantly doing the same things in the same way and wanted a refresh. 

Is there anything else you want to challenge in the future?  After Phantom of the Opera, if possible, I want to keep doing musicals. I intend to grow as a musical actor one step at a time. Later on, I want to be a conductor or a music director. I want the job of seeing the forest instead of the trees - painting the big picture. My childhood dream was to become a conductor. While traveling around the world and performing with conductor Jeong Myung Hoon, I saw his overflowing charisma while conducting and my childhood dream that I had carefully tucked away came back to life. After all, it’s part of my personality that I can’t stay in one place for too long. Just like how 19 year old Kim Ju Taek set off for Italy, I love taking on new challenges. And I’ll do that for the rest of my life. 

In the world, there are more people that are afraid and hesitant in front of new challenges than those that enjoy it. What do you want to say to the people that are afraid? I often tell my juniors to not just think of doing something but to actually attempt it. If all you do is think, nothing will happen. However, with anything you attempt, even if you fail, the experience remains. That experience keeps building up and then it becomes your skills. Sometimes, when I’m giving advice to my juniors, they respond with, “I’m not ready yet.” I get sad when I hear those words. If you do nothing and just wait for your big break, when your chance actually appears you won’t be able to take it because you don’t have the skills. You have to remember that no matter if you succeed or fail, the experience you build is preparation so you’re able to take the opportunity when it comes. So if you’re thinking about trying something right now, go for it. It takes ten hits to chop down a tree. If all you do is think about something ten times, nothing will come out of it. 

[primavera8586]

first week of 2023

jan 1 - jan 7

last week, kim seonho staffs' instagram account announced that they are going to upload daily unseen photos of kim seonho that they took in 2022. be it seonho in the woods, rivers, mountains, beaches.

so a week has passed, and we got seonho's pictures from this woods that they took (possibly) on last year's autumn. it's full on pictorial mode. very pretty, both the person and the picture quality. one can only wonder what these pictures were actually for.. either it was taken for this exact purposes or whether they wanted to use this for other things but decided to change the use. either way, i'm grateful for seonho and kimsda's (short way we call the IG handle, hehe) efforts and commitments. posting daily is not an easy thing to do..

anyways, on the first day of january, we got a photo of seonho wearing this brown jacket looking up to the horizon above.. a promising start on the new year day.

seonho went through a lot of things during autumn in 2021 and it's so nice seeing him posing around, smiling, during the same season last year.

like i said, he actually went through a lot of things, still, he managed to achieve lots! i can't keep track of everything but he got a new theater work credited next to his name (playing as joe in daehakro's adaptation of touching the void) and bagged several awards too.

he also finished shooting his film debut with director park hoon-jung, whom immediately casted seonho again for his next work. i don't want to expect much but surely, i am waiting for their collabs to finally premiere and air on the cinema near my home!

he too, did his first offline fanmeeting in seoul. his agency originally planned it only for a day but the tickets was sold so fast and easily they decided to add another day :)

the fanmeeting itself was very "intimately" concepted. no big bombastic events, no spectacular guests, nothing really big. the big thing that was felt was seonho's gratitude. those were two days full of love, i think. i didn't watch it (of course!) but many attendees shared *some* clips and pics from the event, and from those crumbs alone we can feel his sincere gratefulness and respect. my love for seonho got bigger that day.

now let's talk about him in this woods. i really like how his eyes glimmer. how sun shines on him. i wish those melancholy eyes to see all happiness the world bring. really, i hope 2023 is always going to be good and kind for seonho. i wish him to finally get the good things he deserve, to be able re-taking everything that was robbed from him before.

♥

[kmusicaltheatre]

I need everyone to know that Lee Hae Joon will be the next big upcoming actor of Korean musical theatre.

Like he’s already dominating the EMK and OD productions. He has a great discography with his wide experience in Daehakro theatre. The character he plays are not limited to just lead roles, but a lot of the ones he is currently casted in are vital to the story. I also know he has a pretty big fanbase (I know a lot of friends). Trust me yall. It’s gonna happen...

[taeminsp]

14.11.2023 | 231114

🎞️ La película 'NEVER GONNA DANCE AGAIN: Taemin – N.G.D.A. 🗓️ Estreno el 29 de Noviembre 2023. 🎞️

“Beyond LIVE - TAEMIN: N.G.D.A” regresa a la gran pantalla con un detrás de escena exclusivo que no se podrá ver en ningún otro lugar.

🎫 Reserva de entradas Abierto secuencialmente desde el día 15 de Diciembre, a través de la taquilla oficial de CGV (cgv.co.kr)

🎬 Detalles: Duración: 101 minutos Precio de la entrada: 16.500 wones Venta de las entradas disponible: miércoles 15 de noviembre de 2023

📍Cines: Gangnam, Entrada a la Universidad Konkuk, Gwangju Geumnam-ro, Daegu, Estadio Daegu, Daeyeon, Terminal Daejeon, Daehakro, Dongdaemun, Dongsuwon, Estación Bucheon, Seomyeon Sangsang Madang, Songpa, Suyu, Yeouido, Estación Yeonsu, Yeongdeungpo, Wangsimni, Yongsan I' Park Mall, Ulsan Samsan, Incheon, Templo de Jeonju, Jeju, la ciudad de Changwon, terminal de Cheonan, Cheongdam Cine City, Cheongju (puerta oeste), Pangyo, Pyeongchon, Hongdae

⚠️ El 29 de Noviembre (miércoles), las proyecciones de la película solo se llevarán a cabo en los cines CGV de Gangnam, Yeongdeungpo y Yongsan I-Park Mall.

✨ Se está organizando un evento especial por orden de llegada: Información sobre beneficios especiales: ▫️7 tipos de postales especiales ▫️1 diseño único de sobre.

Horario: miércoles 29 de noviembre de 2023 - martes 5 de diciembre de 2023 Detalles: Tras la verificación del boleto en la taquilla, se proporcionará un sobre del evento por persona por orden de llegada.

🎁 Detalles del regalo: Conjunto de postales especiales [consta de 7 tipos de postales y 1 tipo de sobre]

🔗fuente

[introdcungkculture]

Best places to visit in Seoul in fall

Best places to visit in Seoul in fall

1.Naksan Park Location: 41 Naksan-gil, Jongno-gu, Seoul Naksan Park is located in the heart of Seoul and offers a beautiful walking trail with fall foliage. You can enjoy the fall weather while admiring the panoramic view of downtown Seoul. Naksan Park is connected to Daehakro and Dongdaemun and is a park where you can enjoy history and culture. From Daehakro, you can climb Naksan Park to see a…

[gloris-stuffs]

La novela 'Pagwa' de Koo Byeong-mo se presentará en el escenario musical en marzo del próximo año.

Artículo original de Dailyan enviado el 2023-09-18 09:15

La novela completa de Koo Byeong-mo, 'Pagwa', renace como musical.

La novela 'Pagwa' de Koo Byeong-mo se presentará en el escenario musical en marzo del próximo año.ⓒPÁGINA1

La productora de espectáculos PÁGINA1 dijo: “La novela 'Pagwa' de Gu Byeong-mo renacerá como una representación teatral 11 años después de su publicación” y agregó: “El musical 'Pagwa' se estrenará en el Gran Teatro de Daehakro de la Universidad Hongik. Centro de Arte en marzo de 2024”.

La novela 'Pagwa', publicada en 2013, creó una nueva narrativa femenina basada en el personaje único de una asesina de unos 60 años. La novela, que contiene una mirada fugaz a las cosas que brillan y luego desaparecen, representadas por el envejecimiento, sigue cómo una escultura que encuentra sus propios cambios en el paso del tiempo los acepta. Además, la relación entre Bull Woo, que desaprueba el cambio en la escultura, y el Dr. Kang, que inicia el cambio, añade tensión a la trama.

El musical 'Pagwa' fue nombrado como el primer trabajo nuevo de la productora PAGE1 en cuatro años y el primer trabajo de 2024. Mientras tanto, diversos materiales y composiciones originales incluyen el musical de facción 'Gone Tomorrow' con la adición de la imaginación del autor, la obra integral 'El retrato de Dorian Gray' reinterpretada desde la perspectiva de los creadores que representan cada campo, y 'Charmy', que representa la realidad universal con una sensibilidad moderna y novedosa. Como ha presentado una nueva dirección para los musicales creativos nacionales, las expectativas son altas sobre el tipo de sensación que creará a través de 'Pagwa'.

La obra estará dirigida por Jina Lee, una creadora polifacética que traspasa las fronteras de géneros como los musicales, las obras de teatro y la danza.

El director Lee Ji-na, que ha estado preparando el trabajo desde 2022, presentó ‘Pagwa’ con las palabras: “Es un elogio a los humanos que metaforiza la dulzura que sigue viva incluso a medida que envejecemos”. Continuó: “La vida de una escultura que se ha vivido ignorando las alegrías y las tristezas de la vida después de la muerte de un ser querido es, en cierto modo, como una historia de amor extremadamente sombría”, informó.

Reportero Park Jeong-seon de Dailyan (composerjs@dailian.co.kr)

[thegifreview]

Sun  by Company Siga choreo by Lee Jae Young and Kwon Yoon at Daehakro Art Theater Grand Theater, Seoul, Korea

IA

[reportwire]

'Squid Game' actor indicted over indecent assault charges

‘Squid Game’ actor indicted over indecent assault charges

South Korean actor Oh Young-soo speaks during a press conference at the Welcome Daehakro Festival 2022 in Seoul, South Korea, Sept. 21, 2022. Award-winning “Squid Game” actor Oh will stand trial on charges of indecent assault after a woman accused him of inappropriately touching her in 2017, a South Korean court said. (Park Jin-hee/Newsis via AP) Source link

[klqrambles]

Wish i could explain how much i love the intimacy and the contained nature of a lot of daehakro choreographies. like somethin about them are so evocative i love it :33333

[everythingbap]

📲 Librarytheatre_ Twitter update:

[𝐏𝐑𝐎𝐅𝐈𝐋𝐄] ❝나는 누구지? 대답해 주는 자는 없었다네❞

누리&부치하난｜정택운 유영재 노윤

2024 뮤지컬 <부치하난> 2024.9.17 ~ 2024.11.17 홍익대 대학로 아트센터 대극장

[𝐏𝐑𝐎𝐅𝐈𝐋𝐄] ❝Who am I? No one would give me an answer❞

Nuri & Buchihanan｜Jung Taekwoon, Yoo Youngjae, No Yoon

2024 Musical 'Buchihanan' 2024.9.17 ~ 2024.11.17 Hongik University Daehakro Art Center Grand Theater

[jaydeemedia]

Beautiful Rainy Seoul Walking Tour- Daehakro rainy street - Korea Four seasons Travel Vlog LIVE TV18

Beautiful Rainy Seoul Walking Tour- Daehakro rainy street – Korea Four seasons Travel Vlog LIVE TV18

Let’s go korea seoul walk together! Shows you the scenery along with the vivid street sounds of the night streets of Seoul, the representative city of Korea, on a 24-hour walking tour. You can enjoy the Korean food street, street fashion in Seoul, and the late night club street scene. Let’s walk the streets of Korea together while watching realistic videos. #seoulwalk #walkingtour #koreavlog…