#dae IA result

[dae-platform]

What kind of difficulties do you have to go through for admission after matriculation?

What kind of difficulties do you have to go through for admission after matriculation? میٹرک کے بعد داخلہ لینے کے لیے کن مشکلات سے گزرنا پڑتا ہے؟ Matriculation examinations are being held in the country at present and the results will be released soon after their completion but many colleges start the admission campaign long before the matriculation results. Some colleges even offer free coaching…

[weekendwarriorblog]

WHAT TO WATCH THIS WEEKEND April 12, 2019  - HELLBOY, LITTLE, MISSING LINK, AFTER

We’re almost midway through April (already?) but that also means that we’re one week closer to Marvel’s Avengers: Endgame, which is probably the only movie everyone is really waiting for anyway, going by advance ticket sales.

For those who can’t wait for more super-heroics, Mike Mignola’s HELLBOY (Lionsgate) gets another go in theaters, this time played by David Harbour (Stranger Things) and directed by Neil Marshall (Game of Thrones). I wish I could say I was looking forward to seeing this, but frankly, I loved Guillermo del Toro’s Hellboy: The Golden Army, and I have secretly wished for the last ten years that he would be able to continue that story with Ron Perlman, Doug Jones and the rest. This one has some interesting casting including Ian McShane, Milla Jovovich as the main baddie, Sasha Lane and Daniel Dae Kim. I guess with that cast, maybe it won’t be so bad? I expect the movie will be more geared towards the fanboys and girls rather than the mainstream audiences that have been flocking to other comic movies. (My review is now over at The Beat… and I hated it!)

Universal and Will Packer Productions are offering some interesting counter-programming to Hellboy in the comedy remake (of sorts) LITTLE, written and directed by Tina Gordon and starring Regina Hall, Issa Rae and Marsai Martin (from ABC’s Black-ish). This is the type of body-swapping comedy that’s delivered some great laughs in movies like both Freaky Friday, Tom Hanks’ Bigand others like Jennifer Garner’s 13 Going on 30. I mean, there’s still so much that can be done with this sort of thing as seen by Shazam!, and this sort of high-concept premise is also fairly easy to sell audiences. I missed the press screening of this, but if I have a few moments in April (it might happen!) I’d go check it out.

The other movie I saw that’s opening this weekend is LAIKA’s new stop-motion animated film MISSING LINK (Annapurna/UA Releasing), featuring the voices of Hugh Jackman, Zoe Saldana and Zach Galifianakis. I’m not going to review the movie even though I generally liked it, mainly since it’s been a minute since I watched it, but if you like some of LAIKA’s other films (particularly director Chris Butler’s earlier film ParaNorman) then you should enjoy this one, and like with all of LAIKA’s movies, I

Lastly, there’s Aviron’s AFTER, another teen romance drama, this one based on Anna Todd’s fan fiction that pairs Hero Fiennes Tiffin (Ralph’s nephew) and Josephine Langford in the type of Y.A. romantic drama that has had mixed results in recent years. Sure, the recent Five Feet Apartdid fine but others, like last year’s Midnight Sun, released by the defunct Global Road, barely made $10 million. Since I haven’t seen the movie – honestly, I haven’t even watched a trailer -- I’m not really sure what the appeal of this is going to be except that some younger women may not have much interest on other options this weekend.

LIMITED RELEASES

Well, I totally screwed up last week… including one movie that was delayed until this week and neglecting a movie which I thought opened this week. (This is why you need to keep me apprised on date changes, publicists!)

Actor Max Minghella makes his directorial debut with TEEN SPIRIT (Bleecker Street), starring Elle Fanning as Violet, a young woman from the Isle of Wight who hopes to get out of her smalltown blues by performing on a popular talent television show called “Teen Spirit.” Helping her out is the scraggly Vlad (Croatian actor Zlatko Burik, who starred in Nicolas Refn’s Pusher trilogy) who was an opera singer in Croatia and offers to manage Violet and help her get to the finals of the show.  While Elle is no Aretha Franklin, I was truly impressed with her singing voice as well as Minghella’s screenplay and direction of the film which has a distinctive look and tone but is also a movie with quite a lot of mainstream appeal. If you like television shows like The Voice and American Idol, you might be interested in seeing one contestant’s (fictional) journey to get onto one of those shows.

You can read my interview with writer/director Max Minghella over at the Beat.

The movie I left out of last week’s column is HIGH LIFE (A24), the new movie and first in English from French auteur Claire Denis, which stars Robert Pattinson, André Benjamin, Juliette Binoche and Mia Goth. I saw the movie at the New York Film Festival last year, but I guess I never got around to writing about it, but I wish I did. Not that I particularly liked the movie, but if I wrote about it, at least I could remember what it was about. I know it takes place on a spaceship with a bunch of astronauts including Pattinson and his young daughter, all of them trying to survive.

But my absolutely favorite new movie of the weekend is Alex Ross Perry’s HER SMELL (Gunpowder and Sky), starring Elisabeth Moss as Becky Something, the lead singer of an all-girl punk band who have hit the big time but are about to implode due to Becky’s addictions and eccentricities. Becky also has a baby daughter who she is constantly neglecting and her bandmates (Agyness Deyn, Gayle Rankin) and everyone is worried about her. I’ve liked some of Perry’s past work, but something about this one really connected, maybe because I spent a couple decades working in the music business, so I can relate to the frustrated engineer in the recording studio section of the film.  Moss, obviously, is amazing as Becky, a role that puts her through all the highs and lows of success and fame, but I also liked the cast around her, actors like Cara Delevigne and Amber Heard who I barely could recognize in their respective wigs. I actually saw this at the New York Film Festival, and I liked it even more when I watched it again recently.  It opens in New York on Friday and in L.A. and other cities next Friday, and I hope to have an interview with Perry, probably over at NextBigPicture by next week some time.

A movie that I hoped would play the Toronto Film Festival in 2017, but instead got up in the Harvey Weinstein scandal was Garth Davis’ MARY MAGDALENE  (IFC Films), the follow-up to his Oscar-nominated film Lion.  It stars Rooney Mara as the title character and her real-life boyfriend Joaquin Phoenix as Jesus… and just hat last part gets me worried just because I remember Rodrigo Garcia’s Last Days in the Desert a few years back, starring Ewan McGregor as Jesus. This is being released this weekend into about 50 theaters in select cities after playing in just about every other country in the world last year as it sought out a new U.S. distributor.

Italian filmmaker Matteo Garrone of Gamorrah fame returns with DOGMAN (Magnolia), a crime thriller set in a small seaside village where a dog groomer named Marcello (Marcello Fonte) is being coerced into committing petty crimes by an ex-boxer bully named Simoncino. Apparently, this is based on true events, and I generally liked it, particularly the performance of Fonte. It opens at the Film Forum and at the Film Society of Lincoln Center Friday, as well as the Landmark Nuart in L.A. It will expand to more California theaters on April 19.

Martial arts fans will want to check out master fight choreographer Yuen Woo-Ping’s latest The Ip Man Legacy: Master Z (Well GO USA), starring Max Zhang as Cheung Tin Chi, who is trying to make a life in Hong Kong with his young son after being defeated by Master Ip.  The movie also stars the legendary Michelle Yeoh (in a great sequence with Zhang), Tony Jaa (ditto) and Dave Bautista… yeah, well I guess two out of three isn’t bad, but Bautista is pretty terrible, and the movie is disjointed in its storytelling. But the action is cool, so there’s that! It opens in select theaters this weekend.

Eva Husson’s Girls of the Sun (Cohen Media Group) stars Golshifteh Farahan (Pasterson) as Bahar, commander of the “Girls of the Sun” battalion, who are set to free their hometown from extremists, while also freeing her son. Emmanuelle Bercot (My King) plays a French journalist who is embedded with the warriors during the mission. Husson’s film opens at the Quad,Landmark 57and the FIAF Florence Gould Hall (now showing first-run films) on Friday, as well as the Laemmle Monica Film Center in L.A.

A movie I sadly had to miss at this year’s Oxford Film Festival is V. Scott Balcerek’s doc Satan & Adam (Cargo), a movie that took twenty years to make, as Balcerek pulls together two decades of documentary footage of the blues duo that were a fixture in Harlem in the late ‘80s and early ‘90s. “Satan” is Sterling Magee, who played with so many greats but felt exploited so he walked away from the music scene, before being joined by Adam Gussow, an Ivy league scholar…but then Magee vanished, and the film follows what happened after that.

I had heard great things about Kaili Blues director BiGan’s Long Day’s Journey into Night  (Kino Lorber), when it played a number of film festivals last year. It follows a man, played by Huang Jue, who is haunted by a woman from his post who he goes looking for her. And it includes a substantial single shot in 3D… for no particular reason that I could ascertain. To call the movie a “slog” would be an insult to actual slogs, and I barely could stay awake while watching it. It’s playing at the Metrograph and Film Society of Lincoln Center starting Friday.

Also now playing at Film Forum is Camille Vidal-Naquet’s debut feature drama Sauvage/Wild (Strand Releasing) following a gay sex worker, played by Felix Maritaud from BPM (Beats Per Minute).

Tim Disney’s William, opening at New York’s Cinema Village and L.A.’s Laemmle Monica Film Center, is a love story between two scientists who fall in love while trying to clone a Neanderthal from ancient DNA creating William, the first Neanderthal to walk the earth in 35,000 years. The film stars Will Brittain, Waleed Zuaiter, Maria Dizzia and Beth Grant.

Gilles de Maistre’s Mia and the White Lion (Ledafilms Entertainment Group) is an ambitious film about a ten-year-old named Mia whose family moves to Africa to manage a lion farm, bonding with a white lion she names Charlie. The film was shot over three years, so that the film’s young starsDaniah De Villiers and Ryan Mac Lennan could bond with their lion co-stars. The film also stars Melanie Laurent and Langley Kirkood, and it opens in select cities.

LOCAL FESTIVALS

I’m finally shifting my gaze over to Chicago where the 21stAnnual EBERTFEST kicked off yesterday with Alan Elliot’s Aretha Franklin concert film Amazing Grace, as well as a special showing of the Wachowski’s Bound with special guests Jennifer Tilly and Gena Gershon. It continues through the weekend with showings of recent and older movies, including Cameron Crowe’s Almost Famous, Jonathan Demme’s Rachel Getting Married and more.

REPERTORY

METROGRAPH (NYC):

Late Nites at Metrographwill screen Werner Herzog’s Bad Liuetenant: Port of Call New Orleans, starring the inimitable Nicolas Cage, while the Playtime: Family Matineesthis weekend is Danny Kaye as Hans Christian Anderson. Although I forgot to include it last week, Michael Blackwood’s 1968 docs Monk and Monk in Europe(as in Thelonious Monk) will continue for the next week, as does King Hu’s The Fate of Lee Khan from 1973. This Saturday night, the Metrograph is presenting a cast and crew reunion for Sidney Lumet’s 1988 movie Running on Emptywith Christine Lahti, screenwriter Naomi Foner and producers Amy Robinson and Griffin Dunne

THE NEW BEVERLY (L.A.):

L.A.’s hottest newish rep theater will show Michael Ritchie’s 1975 film Smile as well as his 1992 film Diggstownon Weds and Thursday (and apparently, Bruce Dern appeared in person on Weds!), Friday and Saturday are Clint Eastwood’s Dirty Harry  (1971) and Escape from Alcatraz  (1978), while Sunday and Monday screens David Lean’s The Bridge on the River Kwai  (1957). This weekend’s KIDDEE MATINEE is Steven Spielberg’s Jurassic Park, while the midnight offerings are The Hateful Eight on Friday and The Blues Brothers (1980) on Saturday. On Monday afternoon, there’s a screening Stanley Kubrick’s Eyes Wide Shut, starring Tom Cruise and Nicole Kidman.

FILM FORUM (NYC):

On Saturday, Film Forum will screen Jaime Chávarri’s 1976 documentary El Desecanto, introduced by author Aaron Shulman, who wrote a book about the Spanish literary family, the Paneros, on which the movie is based. (FYI, Chávarri’s film was never released in the States, and there is only one screening on Saturday.) Charlie Chaplin’s Modern Times (1936) will screen Saturday and Sunday as part of Film Forum Jr, and Francesco Rossi’s 1973 film Lucky Lucianowill screen a 4k restoration for a single screening on Sunday afternoon.

AERO  (LA):

The late Luke Perry gets a tribute with Buffy the Vampire Slayer (1992) shown on Thursday, and then the Aero is doing its own Claire Denis tribute (cause everyone else is doing i!) with Salt, Sweat and Sunshine: The Cinema of Claire Denis with a double feature of her debut Chocolat  (1988) and White Material  (2009) on Friday, a screening of Beau Travail (1999) on Saturday, Nenette and Boni (1996) and 35 Shots of Rum (2008) on Saturday, and then Trouble Every Day  (2001)and Let the Sunshine In (2017) on Sunday. Most of those will be showing on 35mm and Denis will be there, at least for the first two nights.

MOMA (NYC):

Modern Matinees: B is for Bacall continues with 1948’s Key Largo on Thursday and Jonathan Glazer’s Birth (2004) on Friday. The What Price Hollywood series will screen George Cukor’s Sylvia Scarlett (1935) and John Waters’ Female Trouble (1974) on Thursday, Nicholas Ray’s In a Lonely Place  (1950) and Bill Gunn’s Ganja & Hess  (1973) on Friday, Mitchell Leisen’s Midnight  (1939), Clarence Brown’s 1931 film A Free Soul and George Cukor’s What Price Hollywood  (1932) on Saturday and Fritz Lang’s Clash By Night  (1952) and Joseph Lewis’ Gun Crazy  (1950) on Sunday.

QUAD CINEMA (NYC):

The Quad begins its new series Wild Things: The Ferocious Films of Nelly Kaplan, a tribute retrospective to a pivotal filmmaker in the French New Wave, which I know next to nothing about, so I won’t even try. Just click on the title to see the movies playing.

BAM CINEMATEK (NYC):

This week’s series is The Anarchic Cinema of Věra Chytilová, a celebration of the filmmaker who emerged during the Czech New Wave, which I know even less about than the French New Wave. Just click on the link if you know who she is.

LANDMARK THEATRES NUART  (LA):

This Friday’s midnight screening is the ‘70s classic Dirty Mary Crazy Larry (1974), starring Peter Fonda and Susan George. I’m not sure when was the last time I had a chance to see this movie but if I were in L.A., this is where I would be on Friday night.

STREAMING AND CABLE

Streaming on Netflix starting Wednesday is THE SILENCE, the new apocalyptic thriller from director John R. Leonetti  (Annabelle), starring Stanley Tucci, Kiernan Shipka and Miranda Otto. In this twist on Netflix’s hit Bird Box (and rip-off of A Quiet Place?), this one involves a world being terrorized by primeval beings with acute hearing and a family trying to survive. Also streaming Friday is the high concept teen rom-com The Perfect Date, starring Noah Centineo as a guy who is payed to take a friend’s cousin to the prom.

Next week, another horror movie in New Line’s The Curse of La Llorona, plus the faith-based drama Breakthrough from Fox and DisneyNature’s Penguins.

[patriciaumbagai-blog]

Police Detention Suspect In Decades.

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Senang mengetahui bahwa temannya bekerja di departemen konstruksi sipil, dia dan Seok-tae pergi ke luar untuk mengobrol. Get me outta your home on an unpleasant time and also on the bike (when I went to bed Saturday, they were actually predicting thundershowers). Jaksa Penuntut Tak telah meraih perekam, dan dalam perjuangannya, dia mendorong Detektif Track keluar dari bangunan yang belum selesai sampai kematiannya.

[romainestirling-blog]

Indicators, Causes & Treatment.

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[meliani27]

Little Curcol about Produce 101 S2 - Part 1

Bela-belain buka laptop hanya untuk mengutarakan perasaan gue mengenai Produce 101 Season 2. Satu jam yang lalu saat gue mulai menulis tulisan ini, Produce 101 Season 2 resmi berakhir and I’m disappointed with the result. Gue udah nulis panjang banget di FB tentang sedihnya hati gue karena Jong Hyun dan Samuel gak bisa jadi member Wanna One dan gue memutuskan pindah lapak berhubung tumblr udah berdebu karena gue gak pernah update.

Gue mau mulai dari pertama kenapa gue tertarik dengan produce 101 season 2 padahal gue ini gak ikutin PD101S1. Sejujurnya, gue nonton PD101S2 alasannya sederhana, hanya karena Sehun update salah satu temennya yang ikut PD101S2 di Instagramnya. Sehun minta untuk kami (EXO-L) ngedukung temennya yang bernama Jo Young Geun.

Singkatnya, karena Sehun gue nonton PD101S2, awalnya gue gak nonton dari episode 1 tapi dari ep 6. Jadi berhubung gue ini fakir kuota jadi gak bisa nonton full satu episode, sebelum nonton full episode gue hanya nonton cuplikan-cuplikan perform dan juga perkenalan 101 trainee, gue berkesempatan nonton full saat sudah berjalan 6 episode.

Sebelum gue nonton dengan serius gue udah punya bias yang gue suka di PD101 ini yaitu Kim Samuel karena first impression dia ini bagus banget, dia berbakat padahal umurnya masih sangat muda, adik ini kelahiran 2002.

Ep 0 Pengenalan 101 trainee

Setiap trainee memiliki kesempatan kira-kira satu sampai dua menit untuk memperkenalkan diri mereka secara unik, agak sulit untuk mengenali 101 trainee karena gantengnya gak ada yang se-outstanding Sehun hahaha bohong deh. Sulit membedakan karena nama mereka yang hampir sama, terkadang membuat gue bingung, contohnya: Ong Sung Woo, Ha Seong Woon, nah ini pelafalan namanya hampir sama, Park Woo Jin, Lee Woo nah kalau yang ini marganya aja yang beda, kalau liat mereka gue suka terbalik sebut nama mereka, jadi ujung-ujungnya inget marganya aja biar mudah. Tbh, bahkan sampai sekarang gue gak hapal siapa 101 trainee yang ikut PD101S2 ini.

Ep 1 & Ep 2 Penentuan Kelas

Disinilah banyak trainee yang mulai menarik perhatian dan gue mulai berfikir kalau mereka ini keren-keren banget. Dalam penentuan kelas, penilaian dilakukan secara individu tetapi perform dilakukan bersama teman satu agensi. Contohnya Brand New Music, Daehwi, Donghyun, Woojin, Youngmin mereka perform lagu yang mereka buat bersama-sama tetapi mereka mendapat penilaian secara individu. Nah kalau yang hanya sendiri dari agency performnya sendiri? yups, mereka perform sendiri.

Di episode 1 dan 2 gue sadar kalau banyak orang-orang yang merelakan banyak hal hanya untuk mengejar apa yang mereka sebut sebagai mimpi. Gue tersentuh melihat Jang Moon Bok, gue sebenernya agak gak suka sama doi, waktu cuplikan-cuplikan yang gue tonton sebelum gue bener-bener full nonton per episode, gue lihat Moon Bok ini kurang berbakat dibanding trainee lainnya. Moon Bok sebenernya takut untuk ikut produce 101 karena cibiran netizen waktu dia ikut Superstar K, mereka bilang kalau rapnya Moon Bok ini aneh. Dengan bermodal cibiran itu Moon Bok datang ke Produce 101 dan mau berjuang hanya untuk debut, gue salut karena Moon Bok mau mengatasi ketakutannya dan ikut Produce 101 bahkan dia berani menduduki kursi No.1 saat pertama kali berkumpul bersama trainee lain.

Lalu gue tersentuh dengan Park Sung Woo, dia ini udah 29 tahun. Meskipun umurnya udah gak muda lagi, dia gak mau menyerah soal mimpinya. Double thumps up for oppa yang ganteng ini. Jadi trainee umumnya itu anak-anak muda, yang masih belasan tahun bahkan sekarang ada yang under 10 tahun, tapi abang ini gak minder meskipun dia udah 29 tahun. Impiannya adalah jadi idol, dia gak peduli soal omongan orang atau soal umurnya.

Selanjutnya yang membuat gue salut adalah NUEST. Buat Kpopers jaman batu pasti tahu Boyband NUEST, ini BB yang debut tahun 2012 tapi tidak berkibar benderanya seperti BB satu agencynya yaitu Seventeen. Dulu jaman gue masih suka bacain artikel tentang Kpop Iluminati gue pernah baca statement kaya gini “NUEST ga hits tuh karena gak iluminati, coba kaya EXO yang pake dance pemujaan setan pasti hits” nah karena ini nama NUEST terpatri di ingatan gue. Empat member dari NUEST ikut ajang survival ini. Awalnya gue ngerasa kalau ini gak adil untuk trainee yang lain karena NUEST udah debut tapi kenapa ikutan ini lagi, NUEST jelas udah punya fandom karena mereka udah pernah debut, gimana nasib trainee yang baru pertama kali muncul di TV pasti gak adil. Tapi gue nangis saat mereka menjelaskan betapa frustasinya mereka sama karir mereka. Kalau dipikir-pikir mereka pasti malu harus down grade, udah debut 5 tahun tapi harus ikutan program ginian lagi karena mereka gak bisa gain popularity saat mereka berkarir sebagai NUEST, mereka harus balik lagi jadi trainee untuk mengejar mimpi mereka. Dongho, Jonghyun, Minhyun, Min Ki rela memutuskan urat malunya, kembali menjadi trainee hanya untuk mengejar masa depan yang cemerlang. Mereka gak nyerah atau menunggu sampe NUEST disband, mereka mau memperjuangkan impian mereka, dan ini bikin gue sedih.

Gue terluka saat gue melihat mereka ini orang-orang yang berbakat tetapi mereka tidak beruntung. Gue lihat bagaimana trainee-trainee ini bukan berasal dari agency yang besar. Berasal dari agency yang besar akan menyelamatkan popularitas mereka saat mereka debut, tidak seperti NUEST yang dibiarkan jatuh hingga ke dasar sampai harus menjadi trainee lagi. Andaikan mereka di agency besar, mereka setidaknya akan memiliki fandom dari agency stan, contohnya SM Stan atau YG stan. Dan gue mulai berfikir lagi saat gue mulai membandingkan posisi NUEST dengan boyband seangkatannya. NUEST ini debut di tahun yang sama dengan EXO tetapi mereka tidak memiliki popularitas yang sama. Gue pikir agency lah pengaruhnya dan gue mulai berandai-andai mereka masuk agency yang besar, bukan agency yang baru pertama kali mendebutkan boyband. Gue tahu untuk masuk ke agency besar, mereka pun butuh effort dan juga keberuntungan, kalau gue lihat trainee di Produce 101, Sehun bukanlah apa-apa dibanding mereka, Sehun beruntung bisa masuk SM Ent dan debut sebagai EXO, mendapat banyak cinta dari fans tanpa banyak usaha seperti yang trainee di Produce 101 lakukan. Setelah masuk agency besar bukan berarti mimpi mereka tercapai dengan mudah, mereka perlu berjuang untuk debut. Gue teringat salah satu mantan trainee SM yang kini debut di Cube ent as Pentagon’s Member, Jinho. Masuk agency besar adalah impian kebanyakan ‘calon’ idol, Jinho ini sudah masuk SM ent sejak 2008 bahkan ia sudah debut dengan SM the Ballad bersama dengan sunbaenya, tapi sayang bakatnya yang besar tidak didukung oleh keberuntungannya, awalnya dia digadang-gadang akan menjadi member EXO tetapi harapan itu pupus dan dia harus menunggu lagi untuk debut, pada akhirnya tahun 2015 Jinho meninggalkan SM ent. Kalau dibandingkan Sehun dan Jinho, Sehun jelas bukan tandingan Jinho, Jinho jauh lebih berbakat, tetapi ia tidak beruntung. Dan untuk orang-orang yang telah berjuang keras untuk mimpinya tapi ternyata hidup itu tidak seadil apa yang kita pikirkan, gue merasa terluka.

Dalam episode satu dan dua gue terjerat dengan pesona Kang Daniel karena dia lucu banget kaya kelinci yang bulunya diwarnain pake gincu. Tadaaaaaa.......

Kang Daniel ini menarik perhatian karena sikap ke bapakannya terhadap Lee Woo Jin, dia peluk Woojin waktu Woo Jin dekdekan di backstage dan juga jagain Woo Jin dengan baik. Tapi dilihat dari senyumnya tampaknya adik ini playboy. Tak apa playboy berbakat, kamu berhasil masuk ke dalam list bias dan menjadi posisi pertama menyingkirkan Kim Samuel.

Meskipun Kim Samuel kalah oleh Kang Daniel di hati aku, tapi Kim Samuel tetap masuk ke dalam list bias, karena dia ini berbakat, dari awal dia membuat gue suka karena bakatnya. Samuel ini adalah orang pertama yang masuk kelas A dan gue pikir dia layak debut karena bakat dia gak main-main. Samuel ini termasuk dalam jajaran orang-orang yang kurang beruntung. Samuel gagal debut bersama Seventeen karena umurnya yang terlalu muda, dia pindah agency ke Brave Ent dan dijanjikan akan debut as 1Punch but He failed again. 

Dan inilah list bias gue sejauh episode ini berjalan:

1. Kang Daniel

2. Kim Samuel

3. Park Jihoon

4. Ong Seungwoo

Di episode 2 mereka juga harus berjuang untuk pindah ke kelas yang lebih baik. Untuk trainee yang berada di kelas A harus bertahan karena kelas A memiliki benefit mendapatkan kesempatan menjadi centre dan juga mendapat part perform yang lebih banyak dibanding trainee yang lain. Menjadi kelas A akan menguntungkan mereka untuk mendapat perhatian dari korean producer. Penilaian evaluasi kelas dinilai berdasarkan perform mereka untuk Nayana (Pick Me), lagu utama untuk Produce 101 Season 2. Setelah kelas A terpilih mereka juga harus bersaing untuk mendapat posisi centre, mereka diberi waktu untuk mempersiapkan perform mereka dihadapan para trainee yang tidak masuk kelas A, dan trainee yang lain akan voting, siapa yang akan menjadi centre. Dan yang menjadi centre adalah Lee Dae Hwi dan mulai dari sini gue tidak suka Dae Hwi. Maaf.

Ep 3 & 4 Perform evaluation stage 1

Evaluasi yang sesungguhnya pun dimulai, evaluasi ini untuk menunjukkan kemampuan mereka yang nantinya setelah evaluasi ini akan diadakan eliminasi.

Evaluasi yang pertama, adalah battle. Jadi satu lagu akan dinyanyikan oleh 2 tim, dan tim yang menang akan mendapatkan 3000 benefit voting.

Nah cara pembagian timnya itu adalah dari centre dulu yaitu Lee Dae Hwi, nah Lee Dae Hwi berhak untuk memilih team yang dia inginkan, setelah ia memilih nanti ia kan mengambil bola berisikan nama trainee lain, begitu seterusnya. Dan disinilah gue mulai makin ga suka sama Dae Hwi.

Setelah menentukan team, mereka akan memilih lagu yang akan mereka nyanyikan. Setiap team memilih satu perwakilan untuk mengikuti lomba lari untuk mendapat papan nama berisikan lagu yang ada. Team yang mendapatkan papan akan memilih team lain yang tidak mendapat papan sebagai lawannya.

Ini dia lagu yang mereka perebutkan:

2PM  - 10점 만점��� 10점

Beast - Shock

EXO - Call me baby

Super Junior - Sorry-Sorry

BTS - Boy In luv

SHINee - Replay

Infinite - Be Mine

Seventeen - Mansae

Di episode ini gue sadar kalau ternyata trainee yang populer akan mengalahkan trainee yang berbakat.

Ini dia perform dari mereka, karena masukin semua link youtubenya itu PR banget jadi silahkan dicari setelah melihat peform di bawah ini.

Inilah current ranking untuk Episode 1 sampai 3

Untuk fullnya boleh klik link dibawah ini:

https://docs.google.com/spreadsheets/d/1Ag_c7FZuVuw9JlPXsUw25FVPRrquuJupiEjGW9URnC0/edit#gid=0

Cr. twitter @mnet101boys

Berhubung gue sudah ngantuk dan gak sanggup lanjut, gue bakal lanjutin besok. Bye-bye. 

See U Part 2.

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