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iconfusionwastaken · 3 years ago

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🧁 BadBoyHalo reborn as a demon antagonist AU 🧁

This AU is part of the DSMP Reborn as a “villain” AU multiverse, the link shows the masterpost which explains the AUs & has the index for more AUs that I posted.

If an AU has no link attached, it's coming soon.

Holy crap I went hard for the angst on this one.

CWs for:

Non-consensual body modification (cause of the Egg), Parasites (because Egg), Loss of a limb (Not Egg's fault surprisingly), & Derealization in a paragraph

Let me know if I need to add any other CW or anything else.

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As a child Bad wakes up 1 day to learn that in his 1st life, he played a video game/read 2 novels where his current life, became 1 of the Demon Lords who willingly worshipped/was possessed by the Egg & worked for it. In fact OG him is the Egg's future 2nd in command & poses as the leader of the empire dedicated to it, & he was killed/defeated late in the story.

(Up to you if it's a game or novel, w/ a game maybe there's multiple routes/choices meaning multiple endings while w/ a novel, in canon the Demon Lords were all killed while in a spin-off they were just defeated not killed or maybe it's the other way around w/ the novels, or maybe it's a single novel w/ a mix of some Demon Lords dying while some survive.)

It was pretty ambiguous if some of the Demon Lords were wholy possessed or willingly worshiped the Egg w/o possession, or a mixture of the 2.

(If we want to we can have this world be the same world where Techno is reincarnated as Billiam, because then they could discover they're in the same boat & bond over it but I'm making those worlds/time periods seperate for this post.)

The Demon Lords & the Egg formed the Eggpire. 1 by 1 in the story they are killed/defeated by Puffy, Sam, &/or Technoblade, the protagonists. If the Demon Lords weren't killed they were defeated at a terrible cost for themselves & others.

Bad won't accept being a villain, or being killed or worshipping/being possessed by the Egg.

The good thing is that he remembered this before the Egg has enough power to get him & the other future Demon Lords under it, so he has time to plan. Actually Bad has a few decades to prepare!

On the off chance that the Egg possessed the lords, he wants to find the future Demon Lords & other major charaters so as to prevent that.

In the original story, Puffy & Sam are demons who betray the Eggpire which they help found early after it's formation due to realizing the Egg is bad. They flee, & later form 'Pro-Omelette' in opposition of it, w/ Technoblade joining their cause at some point in the story after OG Bad & the Egg fails to recruit him.

Unfortunatly, while fleeing, Puffy & Sam fail to do some things/do some things which they regret then & in the future that also has major consequences as they feared.

Another close ally is Hannah, a dryad/nymph who aids them w/ her powers. At some point the Eggpire captures her meaning she has to be saved & after that as the story progresses Sam, Puffy & maybe even Technoblade if he's also a demon starts feeling a strange kinship & repulsion towards & against her.

There's also the starborne mercenary Purpled who isn't willing to work w/ the Eggpire due to them taking his big sibling figure.

(Starborne means the starborne origins from the Origins mods for Minecraft).

Everyone has their own motifs, Puffy the sheep demon pirate has pirate & sheep motifs. Sam the creeper demon redstoner has a redstone motif. Techno has a pig motif. Purpled's motifs are stars, galaxy patterns & just anything to do w/ space.

Ponk, the chicken demon w/ a lemon (tree) & chicken motif is Sam's ex who was heartbroken by his sudden disappearance. He joined the very Eggpire Sam betrayed & had his heartbreak used to harden his resolve for the Egg's desires.

He is the 1st Demon Lord to be killed/defeated. If defeated he's turned against the Egg w/ the power of love leading to Sam & Ponk making up, maybe they never go back to dating or Ponk's ability to love was taken away by the Egg after he goes against it.

Maybe early in the fight Sam is holding back his emotions, cuts of Ponk's arm which leads to Ponk's reaction snapping Sam out of it & then Sam has to convince Ponk he geniunely loves him & regrets leaving him the rest of the fight, just angst.

(Sam saving Ponk from the Eggpire w/ the power of love only for Ponk losing the ability to love after betraying the Eggpire, oh yeah the angst).

If Ponk is killed, well Sam is extra vulnerable to the Egg's influence & risks getting brainwashes by it while carries the guilt of killing his lover w/o reconciling.

Maybe Ponk isn't killed but Sam's tunnel vision to defeat him causes Ponk to die of broken heart syndrome (maybe induced by the Egg?) oof & Sam regrets not contacting Ponk after escaping the Eggpire & forming Pro-Omelette & is extra vulnerable to the Egg.

Also there's these these flowers called Carnations that have different meanings depending on color, maybe the 2 have a shared magical carnation flower that Sam ends up taking w/ him while fleeing from the Egg, so the dark red flower (love & affection) becomes almost fully yellow (disapointment & rejection) which makes Sam truly realize the extent of what he's done by leaving Ponk w/o like a note on what's going on.

Maybe to Sam's horror the flower sometimes flashes to being striped (regret love can't be shared) before going back to being yellow w/ a tiny bit of dark red some where.

During the battle, if Sam manages to convince Ponk to defect from the Egg, the flower flashes fully dark red but then the Egg take Ponk's ability to love. This takes away Ponk's connection to the flower making it half dead & the flower permanently is striped.

If we go the route of Ponk's death, the flower doesn't flash dark red at all, it goes from yellow to striped when Ponk dies, disconnecting his magic to the flower making the flower half dead.

Punz is next to go, they are a human mercenary turned into a demon after joining the Eggpire be it because of possession or there being promising gains of wealth from joining the Eggpire. He has a wealth motif.

Since Punz was turned by the Egg, he has Blood Vine's for horns & said vines for a tail.

Punz fights his own brother & talks about how the money is worth more than Purpled, how they don't love Purpled, etc., which Purpled refuses to believe is true.

Punz either dies (meaning a grieving Purpled for the rest of the story vulnerable to the Egg) or ends up in a coma (extra angsty if Purpled thinks he it himself).

Purpled is scared for his big sibling's health, will they be okay when the Egg dies? Well, after the Egg's defeat Punz wakes up some point afterwards but his health is awful, said awful health will last a long time & they can never do mercenary work again, both he & Purpled are distraught by this.

Punz's demon features are especially sickly & act like a parasite for a while before just dying. Punz basically didn't/couldn't have his connection to the Egg & his new demonhood removed, now he's here w/ maybe chronic fatigue because the Egg seriously fucks people over even in death.

Skeppy, a blue-turned-red diamond golem-turned-demon, goes down after Punz's defeat. Skeppy has a gem motif, & in the past made a purely proffesional deal w/ OG Bad, while OG Bad would forfeit his immortality to make Skeppy harder for death to claim, & as a result became a demon, Skeppy would provide OG Bad w/, let's say 1/2 of the gems & riches he owned.

Remember that if Skeppy dies, Bad dies but Bad can't die w/o Skeppy dying 1st.

Skeppy basically helps fund the Eggpire. When the Egg decides to give Skeppy some demon stuff itself, Skeppy not only is made of red diamonds now, but his body is cracked if not before & there are roots & flowers sticking out of said cracks.

Skeppy joins the Eggpire because of possession &/or promises of an even longer life through a connection w/ 2 demons.

After his defeat, the Eggpire is more desperate than ever due to losing a big funder, putting effort into getting Skeppy back. The vines also act parasitic after the Egg's fall before dying but not w/o Skeppy's mind & body being damaged by the vines.

If Skeppy is killed then OG Bad's connection to the Egg is the only thing keeping him alive if barely meaning Bad's easier to kill & the Eggpire more desperate than in the route Skeppy lives.

Antfrost, the demon w/ a cat, ant & ice motifs, the '2nd in command' of the Eggpire to the everyone. Only alone w/ the Egg & OG Bad is he called the 3rd in command since that's what he truly was.

If Ant is killed/defeated, OG Bad has to deal w/ getting a new “2nd” in command, this time keeping her in the shadows so as to keep her from being taken on by Pro-Omelette. Security is tightened as much as it can be.

The Eggpire becomes even more stressed if Ant is defeated & is w/ Pro-Omelette 1 way or another because Ant knows a lot of stuff they'd rather never get out.

If Ant's defeated & a prisoner of the protagonists, maybe they get some info from him but soon he is released by a traitor but as he escapes he winds up stranded somewhere in a place that won't be kind to him unaware of how to get back to the Eggpire. Perhaps for the rest of the story.

At this point Pro-Omelette also tighten security since they have a traitor in their ranks.

Althought Hannah is acting suspicious, she isn't like vanishing at random times or acting that off so they can't exactly suspect her. She's got sick this once & has been pretty unwell but who can blame her? So many of her flowers got destroyed & leeched off of in Ant's escape.

The demons of Pro-Omelette are feeling a strange repulsion against her but also a strange kinship towards her.

If Skeppy is dead, Bad when being confronted by the enemy instantly is sapped of all his power & life left since the Egg realizes it's about to loose him. Or his connection to the Egg is severed by Pro-Omellete before it can happen leading to him naturally dying.

If Skeppy isn't dead however, Bad is captured but not w/o the Egg taking all the power it can from him severely weakening him on a level of power & health.

OG Bad was a very powerful demon & so if Skeppy lives, the Egg gets a major power boost before his capture, but in the route of Skeppy's death, the Egg doesn't get that much since it had to keep Bad from dying.

After Bad is down, Hannah goes missing again & there are 2 groups, 1 to find Hannah & the other to take down the Egg once & for all.

Either 1 or both groups find the Egg & to their horror they find out since Hannah's 1st capture the Egg brainwashed her, has been leaching off of her & replaced the flowers she wears w/ it's vines.

The Egg holds Hannah's life over them. If the Egg took the power of OG Bad in the route Skeppy lives it's much for difficult to try & defeat the Egg & save Hannah.

Also the Egg turned Hannah into a demon that has the power to grow vines & flowers. She's powerful but even more if Skeppy lives.

Egged!Hannah does a number on Pro-Omelette. She goes as far as to maim, kill controlling the vines & worm parasitic plants in people. The Egg has these powers too.

There are 4 directions at this point.

Pro-Omelette succesfully kills the Egg while getting Hannah out of it's grasp in the process, of course there's the parasitic plants & other damage done to the protagonists' side as well as Hannah who's health is super fucked liked many in the final battle (it's kinda like what happens to Punz if he lives). Like Hannah who was turned into some egg-demon who's egg-demon parts act like parasites & others w/ the parasitic plants in them have to deal w/ the plants till said parasites die & even then there's the stuff to deal /w the parasites deaths.

Hannah is killed by the Egg sapping everything from her & fighting w/ all it's new might but still killed. The damage done to everyone else is significantly worse. I'm not even accounting for the background characters brainwashed, genuinly worshipping the Egg dealing w/ the fall of the Egg, the aftermath, etc.

The Egg & Egged!Hannah win, some Pro-Omelette members in battle are killed while the rest are captured to be egged.

Hannah dies to the Egg sapping everything from her & the Egg wins w/ it's rejuvenated power. Many Pro-Omelette members in battle are killed while the rest are captured to be egged. Basically 3 & 4 are the bad endings, while 1 & 2 are the 'good endings.'

As I said before, there's so much I'm not considering. I can't bring myself to further work on the canon of the game/novel(s) Bad played before being isekaied.

But yeah the game/novels were full of angst & Bad was super into it so he wants to give everyone (especially his favorite character(s)) a happy ending.

People around Bad notice he's changed his behavior but lets say it's not enough to warrant any investigation.

Bad starts studying defensive magic since he doesn't want to die, he also learns all he can about summoning, deals w/ summoners, etc.. While he's at it he's tracking down all the major characters & is going to make sure they know what he's learned to prevent any possession.

When Bad finds the major characters, he becomes close friends to them but he's still nervous at the idea that the people he's befriending like Sam, Puffy & co. will kill/maim him.

Or we could have it so that Bad becomes cofortable w/ his friends & confessed about having a past life & all the knowledge of future events he has. You're choice.

When Skeppy summons him & he makes the deal w/ Skeppy he makes sure to hang around his #1 favorite character because, in his 1st life Bad loved Skeppy's character & now he has the chance to geniunely know & become friends w/ Skeppy. Skeppy even warms up to Bad & geniunely begins seeing him a a friend!

Uh, I didn't exactly develop the world much, oops, let's say that Bad is born into a high enough position to change the living conditions of those of lower class of those around him.

Bad out of fear of the Egg makes sure as many people as possible have the common sense to not do anything stupid, has the knowledge & defense to not get possessed, & more, regardless of whatever barriers are in his way.

Since the Egg makes promises, he makes sure to nip that bud as much as he can, such as making sure that even in death, loved ones can communicate via like necromancy/something else, everybody has their needs met, prejudices are squashed as much as possible, etc.

Bad, while earning the ire of many who liked things the way they were, also earns the support of those who benifited from his actions. He also actually listens to what people are saying because he can't let the Egg have any chances.

The main cast of the game/novel(s) Bad read also help out, even more if Bad confessess about his past life.

(The next paragraph has some derealization, said section of derealization being in bold.)

If we want angst, we could have Bad (& co. if they know?) overworking themselves sometimes because the Egg can't have any chances, maybe sometimes he (& others) can't go to bed because he/she/they are terrified of the Egg, terrified of it, worried about the Egg already being here, worried about the Egg already somehow possibly controlling & possessing them & already being possessed, sometimes wondering if their own mind & eyes can be trusted—

On the bright side we can hopefully have some comfort & fluff after that angst & hurt.

Also there's this 1 guy also helping Bad out as much as the main cast called Karl, he disappears at random times but by the looks of it, he isn't connected to the Egg in any way & is really helpful so there's not much to worry about.

#Long Post #Dream SMP AU #DSMP AU #Reborn as a villain au #BadBoyHalo #Punz #Skeppy #Ponk #Eggpire #The Egg #Hannahxxrose #Awesamdude #Captain Puffy #Purpled #Cw Limb loss #cw parasites #cw non consensual body modification #cw derealization

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thegloober · 6 years ago

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Kiernan Shipka Casts Indelible Spell on Netflix’s Chilling Adventures of Sabrina

by Matt Fagerholm

October 22, 2018 |

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All it takes is one great role for an actor to be rediscovered. Kiernan Shipka had already proven herself to be a formidable talent, growing up before our eyes on AMC’s “Mad Men” while displaying impressive range in a diverse array of genres—from the moody supernatural drama of Andrew Proz Palermo’s “One and Two” and the rousing adventure of Nickelodeon’s “The Legend of Korra” to the uproarious satire of her Funny or Die web series, “Child Star Psychologist.”

Yet it was her startling dive into horror, courtesy of Osgood Perkins’ masterful 2015 debut feature, “The Blackcoat’s Daughter,” that revealed the astonishing breadth of her potential. Shipka played Kat, an alienated girl yearning to fill the void left by her absent parents. After answering the call of a horned demon that may or may not exist solely in her head, Kat undergoes a malevolent transformation that brings her a strange sense of empowerment, especially when it terrifies her peers. Aside from one climactic howl, she never raises her voice, even when hurling an expletive at a pair of bewildered caregivers. Overcome by the sudden power that has taken hold of her speech, Kat stares at her prey with fierce eyes as a tear rolls down her cheek. Later on, when she calmly raises her arms and replies, “Hail, Satan,” she appears fearsomely in control rather than out of her mind. Like Norman Bates, she’s simply focused on getting her job done, no matter how gory it may be.

As confirmed by Shipka in a recent BUILD interview, “The Blackcoat’s Daughter” turned out to be a crucial inspiration for Archie Comics CCO Roberto Aguirre-Sacasa when developing the small screen adaptation of his own recent comic book series, Chilling Adventures of Sabrina. Whereas “Riverdale,” Aguirre-Sacasa’s hit show on The CW Network, echoes “Twin Peaks” in its self-aware subversion of the squeaky clean adolescent archetypes once modeled after Andy Hardy, his reimagining of Sabrina’s teenage witchery pays homage to numerous genre-defining classics, lending a cinematic aura to its metaphysical mischief. Though Sabrina couldn’t be further removed from Kat in terms of her thriving social life and sunny disposition, she also lost her mother and father at a young age, and is on a journey toward finding her place in the world. Melissa Joan Hart’s sitcom incarnation of the character had no knowledge of her own capacity for witchcraft until she turned 16. The first season of Aguirre-Sacasa’s “Sabrina” series, debuting on Netflix this Friday, October 26th, opens with its titular heroine counting down the days on her calendar—in one of many shots evocative of “Blackcoat”—toward the same pivotal birthday. What makes Shipka’s Sabrina more in step with the original comic book character dating back to 1962 is the fact that she is well-aware of her magic from the get-go. This is an origin story not about discovering one’s powers but learning to own them.

Kiernan Shipka and Michelle Gomez on Netflix’s “Chilling Adventures of Sabrina.” Photo credit: Diyah Pera/Netflix.

Aguirre-Sacasa provides a stellar showcase for many of the abilities she utilized in Perkins’ film, from her lovely singing voice to the arresting strength she derives from her vulnerability. No special effects or badass one-liners are needed for Shipka to register as a towering force onscreen. She traumatized me in “The Blackcoat’s Daughter” without the use of demonic prosthetics (quickly scrapped by the director), and on “Chilling Adventures of Sabrina,” she casts her indelible spell with the layers of emotional nuance rippling across her face. Just as Kat’s world was shrouded in brown colors intended to signify the snugness of her newfound identity, the red glow of Sabrina’s wardrobe conveys a very different type of warmth. How refreshing it is to see a modern series built around a teenager whose most defining feature is an innate goodness.

Though each hour-long chapter of the show is linked by a continuous narrative, the “Adventures” in the title correctly suggests an episodic use of secondary conflicts that Sabrina must face in her everyday life. The child of a male witch and female mortal, she is dubbed a “half-breed” (or “mudblood,” as termed by J.K. Rowling), requiring her to straddle the line between the magical realm and the human one occupied by friends oblivious to her bloodline. The observation made by Aunt Hilda (a delightful Lucy Davis) that Sabrina’s father could’ve been a movie star “like Cousin Montgomery” is a sly nod to the star of Sol Saks’ beloved sitcom, “Bewitched,” about a witch-turned-housewife who refuses to suppress her otherworldly skills, much to the dismay of her mortal husband. In her stubborn battle against various forms of oppression at school, such as library censorship and hazing rituals, Shipka’s Sabrina is a kindred spirit of Elizabeth Montgomery’s Samantha. She is a terrible liar precisely because she is so sincere, yet with the aid of her witchcraft, Sabrina pulls off some satisfying pranks that earn many of the show’s biggest laughs. A priceless bit involving truth extraction reminded me of the “Bewitched” episode where Samantha’s husband, Darrin, is hexed by his mother-in-law, causing him to speak only in toddler-appropriate language at a business meeting (“I made a boo-boo,” he explains).

Kiernan Shipka and Ross Lynch on Netflix’s “Chilling Adventures of Sabrina.” Photo credit: Diyah Pera/Netflix.

Never verging into the family-friendly silliness of Hart’s “Sabrina, the Teenage Witch,” where the protagonist had a penchant for inadvertently turning mean girls into pineapples, “Chilling Adventures of Sabrina” still peppers its increasingly grim subject matter with richly earned bursts of euphoria, starting with Sabrina’s dance to “Be My Baby” after professing her love for mortal boyfriend Harvey Kinkle (Ross Lynch). Like Shipka, Lynch is remarkably gifted at portraying shunned youth on the cusp of destruction, as seen in Marc Meyers’ “My Friend Dahmer,” and it’s a joy to watch them both liberated by the inherent sweetness of their characters, not to mention the palpable chemistry that they share. Episode three contains a beautiful sequence of consensual intimacy triggered by Sabrina’s urgent request that Harvey check her body for a birthmark. What could’ve devolved into a squirm-inducing leering session instead becomes a touching portrait of Harvey’s sensitivity. He handles her body with the utmost respect, while insisting that he strip down as well because “fair is fair.”

Apart from its nostalgic trappings, the appeal of “Stranger Things” lies in its endearing band of misfits that drive the story, and there’s no question they’d get along splendidly with Sabrina’s cherished companions. Instead of exchanging witty banter with her cat, Salem (whose dialogue is limited to expressive meows), she finds an even better scene partner in Ambrose (Chance Perdomo), her pansexual cousin whose exuberance masks an underlying bitterness at the curse keeping him housebound. Sabrina’s school chums, Rosalind (Jaz Sinclair) and Susie (non-binary actor Lachlan Watson) further expand the show’s fully dimensional inclusivity, while the aunts that raised her—the irreverent Hilda and uptight Zelda (Miranda Otto)—form a most amusing comic duo.

Rather than settle on derivative formulas, the show often soars to the provocative heights of Broadway’s “Wicked” and Robert Eggers’ “The Witch,” which both illuminated the exhilarating aspects of defying gravity, breaking free of societal strictures by “living deliciously” (Sabrina notes that there are many “delicious” reasons to be a witch). Of course, devoting one’s life to the Dark Lord comes with a price, and when Sabrina questions why their unholy leader is terrified of granting women freedom and power, the response she receives is unfiltered perfection: “He’s a man, isn’t he?”

The show is at its best when skewering the patriarchal oppression of organized religion, an ancient scourge no less prevalent in the witch’s own belief system that hypocritically derides the “false god” of Christianity. “Why must I save myself for the Dark Lord?” Sabrina demands, “Why does he decide what I do with my body?”, to which Zelda sighs, “Should’ve been homeschooled.” The crimson hue of Sabrina’s attire is mirrored by the apple she plucks off a tree, a biblical symbol of the knowledge God had intended on keeping from Eve. Her refusal to blindly obey orders breeds a healthy level of skepticism, especially when confronted by the sort of frightening fanaticism memorably explored in the original “Carrie” and “The Blackcoat’s Daughter” (for more context, read my in-depth appreciation of Perkins’ film here—after seeing the film, of course).

Lachlan Watson and Jaz Sinclair on Netflix’s “Chilling Adventures of Sabrina.” Photo credit: Diyah Pera/Netflix.

The coven’s High Priest, Father Blackwood (Richard Coyle), and Sabrina’s principal, Mr. Hawthorne (Bronson Pinchot), are equally loathsome examples of puritanical masculinity, yet neither are a match for the manipulative games of Mary Wardell (Michelle Gomez), a mysterious, ever-watchful teacher on par with Severus Snape. Just as Sabrina’s pals debate the symbolism in their favorite movies, particularly “Night of the Living Dead”—which is referenced at the beginning only to later become unearthed, so to speak, toward the end—the show’s thinly cloaked commentary provides viewers with plenty to chew on. An episode deftly timed for Thanksgiving is chock-full of metaphorical subtext regarding the Native American genocide, while Principal Hawthorne voices the misogyny of men complicit in sexual abuse who label the #MeToo movement a “witch hunt.” Among the many shared understandings that exist between Sabrina and Harvey, one is the plight of being torn between two worlds. In Harvey’s case, it’s the world existing inside the local mine overseen by his father (Christopher Rosamond), and the one existing outside of it, above ground. Harvey’s dad may be the show’s most monstrous character of all, embracing a tragic occurrence as an opportunity to publicly shame his son while spewing propaganda about his chosen way of life, which is as destructive to the environment as the man’s words are to his family’s mental health. As a rebuke against the tribalism keeping witches and mortals apart, the program illustrates how their worlds really aren’t all that different from one another, and how Sabrina’s unwillingness to conform flies in the face of them both.

With season two currently in production and slated for release next year, “Chilling Adventures of Sabrina” could theoretically join with “Riverdale” in creating its own comic book-based expanded universe. Aguirre-Sacasa already has ideal subject matter for a cross-over in the form of his Afterlife with Archie series, where the red-headed hero must team up with his buddies to combat a zombie apocalypse when it reaches their hometown. Sabrina’s town of Greendale is right next door to Riverdale, a fact mentioned only once this season, and that’s probably a good thing. Having the show debut on a network separate from the one airing “Riverdale” provided enough distance for it to have a tone and charm all its own, avoiding the pitfalls of interconnected exposition that mars many a Marvel vehicle.

If anything, “Sabrina” has more in common with the other seasonal 10-hour epic released on Netflix this month—Mike Flanagan’s riveting limited series, “The Haunting of Hill House”—yet their most glaring similarities aren’t worth replicating. Both shows incorporate cartoonish CGI (though “Sabrina” thankfully has far more practical effects) as well as use the repetitive refrain of “I have to fix this” so often in later episodes, it seems designed for a future Netflix drinking game. Weirdly enough, the best episode in each of the shows is the fifth one—both benefit from an ingenious structure that probes deeper into the minds of its characters. The longevity of Sabrina’s adventures has yet to be determined, but with Shipka and the gang signed on for the full ride, I’d gladly follow this witch to the moon and back.

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