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As I said yesterday, it will continue to be my penance to proclaim Charlie Kester was right until the end of my days because I blew him off out of hand when I was a young adult and he was a teacher then department head of the Music and Video Business Associate of Arts degree program at the Art Institute of Seattle back when there was such a thing.
In my defense, the things he said were so stupid.
One of the things he just wouldn't, would not let go was to relentlessly promote the act of professional networking which seemed completely phony to us, this idea of making professional connections to further our careers.
Phony.
Phony.
Phony.
And yet.
And yet during my last quarter at the Art Institute, I started working with a friend there on a documentary that began a string of further documentaries, two music videos, and a demo video for a kind of dating show sponsored by a local paper. Very quickly we became fast friends chasing our careers together.
Shortly before I enrolled at the Art Institute, I scored a night job with a local cable channel that turned into a daytime video crew position for both studio and remote work. That work led to positions at KOMO TV as a floor director and Chyron operator for news, talk shows, and sports... and at Small World Productions as an office assistant position that turned into an assistant editor position that turned into an editor position as well as online editor position as well as a digital editor position as well as a motion graphics designer and then music composer. I also picked up additional work through another producer who used to work at the UW.
Everything everything everything was and is somehow tied to that UW video unit and all the people with whom I embarked on my career.
They knew me, knew what I could do, and when there was a specific need...
I got the call.
Networking.
Professional. Networking.
So when my daughter hit high school, I told her that, in pursuit of a role in a musical that would happen later that year... I told her to make sure she was known for three things:
Her abilities.
Being directable.
And being the best collaborator.
Because high school performing arts is filled with people who think think they've got game but they don't. Who have got game but are undirectsble. Who don't have game or do have game but are a pain in the ass to work with.
A pain
In the ass.
The same is true once you get to college. So I told my daughter that the point of college wasn't the degree (although credentials are nice). The point of college was to jack into the network that flows from the college into the professional world.
To do that?
Make sure everyone knows what you can do and how great you are at it.
Be directable.
Don't be a pain in the ass.
Because those three things and people definitely are gonna give you the call.
And so it was.
She impressed the right person who brought her on board their sound production pipeline that led to a band that led to a second, additional band, that led to the fulfilment of her own music brand.
A little offshoot of those opportunities during college was a door job she got at a local club where she met a fellow artist who had her do some writing and performing on their upcoming album that led to some big concerts at the Triple Door in downtown Seattle and also led to her entry into the local winery circuit as a solo acoustic performer.
So then at some point last year an old friend reaches out to ask if she'll talk to their high school band class where she pitches them on, you guessed it, professional networking.
She even points out there are better guitarists out there, better keyboard players... but she's the one who gets the call.
'Cause people know what she can do (musician, vocalist, lyricist, guitarist, keyboard player, songwriter, arranger, sound mixer, and producer).
She collaborates like nobody's business.
She's fantastic to work with.
And they wanna work with her.
So.
I reached out to Charlie on Facebook and LinkedIn—looooooong overdue—to ask if he was still in the area but mostly to thank him profusely.
For imparting such an enduring lesson.
😊
#charlie kester#art institute of seattle#networking#being known#being talented#being directable#being collaborative#sharing#fun#passionate#friendship#work ethic#small world productions#komo tv#crowfoot productions#enduring lessons
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Excerpt from this story from Grist:
Even before President-elect Donald Trump’s return to the White House next Monday, California got ahead of things. Anticipating more of the federal meddling they’d seen in the past, like when Trump’s first administration tried to block the state’s vehicle emissions standards, lawmakers met in a special session to start preparing a defense of its progressive civil rights, reproductive freedom, and climate policies.
The incoming president brings renewed threats to climate progress. Trump has repeatedly called climate change a hoax. During his first term, he withdrew the U.S. from the Paris climate agreement and rolled back more than 100 environmental rules. In his second term, Trump has signaled he would attack Joe Biden’s climate policies any way he can, increase fossil fuel production, and stymie the expansion of renewable energy.
Yet he may not be as successful as he hopes, because states will once again take action. Their efforts, often led by California, have among other things pushed utilities to move away from fossil fuels, limited tailpipe emissions, and mandated energy-efficiency rules for buildings. It’s here, at the state level, where climate progress will continue, or even accelerate, in the years ahead.
“The way that our federalism works is, states have quite a lot of power to take action to both reduce carbon pollution and to protect residents from climate impacts,” said Wade Crowfoot, head of California’s Natural Resources Agency. “So regardless of who is president, states like California have been driving forward and will continue to drive forward.”
Such action occurred regularly in Trump’s first term. In 2017, a bipartisan coalition of governors launched the U.S. Climate Alliance to collaborate on policies to address the crisis. That coalition now includes two dozen states that are chasing 10 priorities, including reducing greenhouse gases, setting more efficient building standards, and advancing environmental justice.
“Governors have filled the void left by President Trump before, and are absolutely prepared to do it again,” said Casey Katims, executive director of the alliance. “A change in federal leadership really underscores the importance of state and local action over the next four years.” Governors have a strong mandate, too: A 2017 poll found that 66 percent of Americans think that in the absence of federal climate action, it’s their state’s responsibility to step in.
States have had additional reasons to ramp up their efforts: The Biden administration’s landmark climate legislation, the 2022 Inflation Reduction Act, or IRA, provided $369 billion for clean energy tax credits along with other climate and energy programs. It also pumped hundreds of billions of dollars into industries involved in the green economy, like renewable energy.
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‘Pond Water Crowfoot’, Eero Järnefelt, oil on canvas, 1895.
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Revitalize Your Health with Shockwave Therapy Services in Crowfoot
In the bustling community of Crowfoot, individuals seeking effective and innovative healthcare solutions can now benefit from the advanced Shockwave Therapy services available. This non-invasive treatment has gained popularity for its remarkable results in addressing various musculoskeletal conditions. In this article, we'll explore the key benefits and considerations associated with Shockwave Therapy services in Crowfoot.
Understanding Shockwave Therapy:
Conditions Treated: 3. Tackling Tendonitis Subheading: Shockwave Therapy for Tendon Health Shockwave Therapy has shown remarkable success in treating tendonitis, a common condition characterized by inflammation and irritation of the tendons. The therapy helps stimulate collagen production and improve the overall condition of the affected tendons.
Alleviating Plantar Fasciitis Subheading: Relief for Foot Pain with Shockwave Therapy Individuals in Crowfoot dealing with plantar fasciitis can find relief through Shockwave Therapy. The focused acoustic waves target the inflamed tissue in the foot, promoting healing and reducing pain associated with this debilitating condition.
Benefits of Shockwave Therapy in Crowfoot: 5. Non-Invasive and Quick Subheading: Minimal Disruption to Daily Life Unlike invasive surgical procedures, Shockwave Therapy is non-invasive, allowing patients in Crowfoot to resume their daily activities shortly after the treatment. The quick sessions make it a convenient option for those with busy schedules.
High Success Rate Subheading: Proven Efficacy in Orthopedic Conditions Shockwave Therapy has demonstrated a high success rate in treating various orthopedic conditions. Patients in Crowfoot can rely on this therapy to achieve long-lasting relief from chronic pain and discomfort.
In conclusion, the availability of Shockwave Therapy services in Crowfoot provides residents with an innovative and effective approach to managing musculoskeletal conditions. Whether dealing with tendonitis, plantar fasciitis, or other orthopedic issues, this non-invasive treatment offers a promising solution for improved health and well-being. To explore these services further
Our website can provide you with additional insights.
Pelvic Floor Therapy Clinic In Royal Oak
Graston Technique Services In Rockie Ridge
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Providing In-Depth Horoscope and Personality Analysis for May 12 Birthdays
They are individuals with a cordial, very serene and respectful disposition. Close to home, delicate: they show dependability in their connections. They can adjust to life circumstances. They can accomplish huge advantages through associations with others. Genuine companions will help you particularly. They can resolve their lives in an agreeable manner. They are truly keen on singing and music. Because of these interests, they even become craftsmen, painters, or scholars. They show extraordinary adroitness in manual work, which permits them to acquire amazing outcomes in the applied expressions. They can likewise be astounding specialists. Your endeavors and difficult work will ultimately be delegated with progress. They have a fundamental energy in overabundance, and they have it in sports, love or work. A side interest that can hurt them is gastronomic, in light of the fact that it could cause liver or kidney illnesses. Likewise, they frequently show a propensity to put on weight. People brought into the world at sunrise are better and stronger. Imperfections: The lacking sort rapidly ejects out of resentment. He is eccentric, constrained by his interests. Albeit languid, he is fit for playing around. Imperious, excessively basic. Providing In-Depth Horoscope and Personality Analysis for May 12 Birthdays
Assuming your birthday is on May 12, your zodiac sign is Taurus May 12 - character and character character: immaculate, kind, determined, erratic, forceful, antagonistic; calling: humanist, nurture, writer; colors: purple, brown, white; stone: lapis lazuli; creature: snail; plant: nasturtium; fortunate numbers: 10,15,23,26,39,54 very fortunate number: 3 Occasions and observances - May 12 Worldwide Fibromyalgia Day. Worldwide Nursing Day. Worldwide Day of the Section of Beginning wine development. May 12 VIP Birthday. Who was conceived that very day as you? 1900: Pedro Puig Adam, Spanish mathematician (f. 1960). 1900: Helene Weigel, German entertainer (d. 1971). 1907: Katharine Hepburn, American entertainer (d. 2003). 1910: Dorothy Crowfoot Hodgkin, English scientific expert, 1964 Nobel Prize victor for science (d. 1994). 1910: Johan Ferrier, Surinamese president (d. 2010). 1910: Giulietta Simionato, Italian soprano (d. 2010). 1913: Jamelao, Brazilian samba player (f. 2008). 1914: Bertus Aafjes, Dutch author (d. 1993). 1918: Julius Rosenberg, American covert agent (d. 1953). 1918: Mary Kay Debris, organizer behind the beauty care products organization Mary Kay Beauty care products (d. 2001). 1920: Vilდ©m Flusser, Czech author (d. 1991). 1921: Joseph Beuys, German craftsman (d. 1986). 1922: Marco Denevi, Argentine author (f. 1998). 1924: Claribel Alegrდa, Nicaraguan author. 1925: Yogi Berra, American baseball player. 1926: Luis Molowny, Spanish footballer and mentor (d. 2010). 1928: Burt Bacharach, American arranger. 1929: Sam Nujoma, Namibian legislator. 1929: დ?gnes Heller, Hungarian logician. 1930: Jesდºs Franco, Spanish movie producer (d. 2013). 1930: Tirofijo (Manuel Marulanda Vდ©lez), Colombian guerrilla, commandant of the FARC (d. 2008). 1935: Felipe Alou, Dominican baseball player. 1936: Guillermo Endara Galimany, Panamanian legislator and attorney, president somewhere in the range of 1989 and 1994. 1936: Honest Stella, American painter. 1937: George Carlin, American comic (d. 2008). 1942: Michel Fugain, French vocalist. 1945: Alan Ball, English footballer. 1945: Claudia Sauce, Spanish entertainer brought into the world in Zaire. 1948: Guillermo Pდ©rez Villalta, Spanish painter. 1948: Richard Riehle, American entertainer. 1948: Steve Winwood, English performer, of the band Traffic. 1950: Gabriel Byrne, Irish entertainer. 1958: Eric Artist, American performer, of the groups Kiss and Alice Cooper. 1959: Ving Rhames, American entertainer. 1962: Emilio Estდ©vez, American entertainer. 1962: Brett Gurewitz, American guitarist. 1962: Einar Arnaldur Melax, Icelandic artist and writer, of the band The Elgar Sisters. 1963: Stefano Modena, Italian Equation 1 driver. 1963: Gavin Hood, South African producer. 1963: Beatriz Valdდ©s, Cuban-Venezuelan theater, film and TV entertainer. 1966: Stephen Baldwin, American entertainer. 1966: Bebel Gilberto, Brazilian artist. 1966: Deborah Kara Unger, Canadian entertainer. 1967: Paul D'Amour, American bassist, of the band Device. 1968: Tony Bird of prey, American skater. 1970: Samantha Mathis, American entertainer. 1971: Alejandro Irarragorri, Mexican money manager. 1972: Antonio Bosch Conde, Spanish author. 1972: Yadhira Carrillo, Mexican entertainer. 1975: Jonah Lomu, New Zealand rugby player. 1978: Sied van Riel, Dutch DJ and maker 1978: Jason Biggs, American entertainer. 1978: Malin Akerman, Swedish entertainer, model and vocalist. 1979: Joaquim Rodrდguez, Spanish cyclist. 1980: Keith Bogans, American b-ball player. 1980: Silvestre Dangond, Colombian vocalist lyricist of Vallenata music. 1980: Paula Woyzechowsky, Venezuelan entertainer and model. 1980: Alexandra de la Mora, Mexican entertainer. 1981: Rami Malek, American entertainer. 1981: Erica Campbell, American model. 1981: Andre Brown, American ball player. 1983: Alina Kabდ¡yeva, Russian athlete. 1983: Axel Hervelle, Belgian ball player. 1983: Domhnall Gleeson, Irish entertainer. 1984: Justin Williams, American ball player. 1985: Jaime Gavilდ¡n Martდnez, Spanish footballer. 1985: Paolo Goltz, Argentine footballer. 1986: Emily VanCamp, Canadian entertainer. 1986: Mouhamed Sene, Senegalese ball player. 1986: Victor Liz, Dominican ball player. 1988: Marcelo Vieira, Brazilian soccer player. 1991: Joe Dombrowski, American cyclist. 1992: Malcolm David Kelley, American entertainer. 1995: Luke Benward, American entertainer.
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Live theater survives six years in Morro Bay
The Board of Directors of By The Sea Productions – Front row: Kelli M. Poward, Sam Gottlieb,Rhonda Crowfoot, Anita Schwaber – Back row: Sarah Ruth Smith, Sheridan Cole, Janice Peters. Courtesy photo. – Sheridan Cole swept into the hall with bundles in her arms. Her husband was already there, busy constructing props for the play Cole would be directing. She was excited because this is the seventh…
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Women have historically been underrepresented in science. With a few notable exceptions, the scientific discoveries and advances made by women are largely overlooked or overshadowed by those of their male counterparts. So let’s take a look at some of those women who made a lasting impact in science:
Maria Mitchell was the first female astronomer in America, discovered a new comet in 1847, and taught many young women astronomers at Vassar. She became the first woman to be employed full time by the US Nautical Almanac.
Lise Meitner, a protégé of Max Planck, headed the Kaiser Wilhelm Institute for Physical Chemistry between the wars and was awarded the prestigious Fermi Prize together with Otto Hahn and Fritz Strassmann for her work in developing the field of nuclear fission. This process led to the development of nuclear weapons, which she refused to work on.
Gertrude B. Elion used her master’s degree in chemistry to secure a job at Burroughs-Wellcome (now GlaxoSmithKline) developing cancer treatment drugs. She never obtained a formal PhD, but received the Nobel Prize for Physiology or Medicine in 1988 with George Hitchings and Sir James Black for developing important new principles of drug treatment.
Maria Goeppert-Mayer was awarded the Nobel Prize in Physics in 1963 together with Johannes Jensen and Eugene P. Wigner for her work on nuclear shell theory. Until now, she is the only woman to have won the prize in theoretical physics. She collaborated with a host of physicists during the Second World War to further their projects that were helping the Allied Forces develop weaponry.
Dorothy Crowfoot Hodgkin spent her entire academic career at Oxford University researching the complex organic molecules using x-ray diffraction analysis. She published the three-dimensional structure of penicillin and insulin, and was awarded the Nobel Prize for Chemistry in 1964 for her determination of the structure of the vitamin B12.
These women in STEM achieved great scientific advances despite the odds being against them. They should act as role models for other young women endeavouring studies and embarking on careers in any of the sciences.
Image credit: Women scientists: standing: Miss Nellie A. Brown; L to R: Miss Lucia McCollock, Miss Mary K. Bryan, Miss Florence Hedges by National Photo Company. Public domain via Wikimedia Commons.
#STEM#Women in STEM#science#Science Saturdays#Maria Mitchell#Lise Meitner#Gertrude B. Elion#Maria Goeppert-Mayer#Dorothy Crowfoot Hodgkin#women in science#Oxford index#Oxford Reference#Online Products
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Willie Dunn - The Ballad of Crowfoot
The praise for the new Willie Dunn anthology on Light in the Attic is justified. Justified, I say! The whole package is a knockout, from the music (of course) to the notes to the design. A fitting tribute to a great songwriter, put together with love and care. You should buy it, is what I’m saying. You should also watch Dunn’s remarkable film for his epic “The Ballad of Crowfoot.”
Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy.
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All You Must Know about Contact Lenses
Contact lenses are referred to as the thin lenses that are used on the eye. In case you want to get the best contact lenses, you have various information that you should consider. A lot of people are using these contact lenses. Some advantages are associated with the use of the contact lenses. The people you will get using the contact lenses are using them because of different things. Contact lenses can offer therapeutic purposes, cosmetic services and even correct your vision.
You can also get the contact lenses crowfoot for optical and functional purposes. The contact lenses can also be used during sport and outdoor activities. In the market, various stores are providing the contact lenses that you need. Choosing the best store that is dealing with the contact lenses is the number one thing that you should consider. If you want to know about the best shop, you will have to think of the contact lenses that they are selling. If you want to get the best services, you should ensure that all the information about the contact lenses are in your mind.
The designers that are dealing with the contact lenses that you re looking for have increased. Different companies are producing a different type of contact lenses and this is what you should know. The only thing that you should do is getting a contact lens that has been produced by reliable companies. Therefore, before you purchase contact lenses, you have to sure that you research the companies that have produced them. The best companies offer contact lenses that have been manufactured with the resent technology.
You will get the best contact lenses helping the people who are buying them because of their visions. Check if you want disposable or permanent contact lenses. When you go to the internet, you will get a lot of stores that are selling the contact lenses of different types. It is also easy to buy contact lenses when you consider the internet services. You should get an expert to determine the type of contact lenses that you will consider using. Read more claims about eye doctor, go to https://www.huffingtonpost.com/entry/british-woman-gets-contact-lens-stuck-in-eye-for-28-years_us_5b76f89fe4b0dbb9b4c77ee8.
These vision test crowfoot professionals are aware of the contact lenses that are fitting different type of eyes. When you are purchasing the product online, you will get customer support services that will show you the best contact lenses that you need to buy. There are also information about the contact lenses that are being sold on the internet that have been provided for you. Make sure that you buy a product form the licensed shop.
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Mosaics & Magpies - a year of Edmonton Public Art
(Detail of Calder Community Mosaic by SpaceMakePlace Design (Rebecca Bayer & David Gregory - photo Doyle C. Marko)
The city of Edmonton is more vibrant thanks to a swath of public art installations over the past year. The Edmonton Arts Council public art and conservation teams were busy as they worked with artists from across Canada to place the final touches on artworks at Calder Library, ᐄᓃᐤ (ÎNÎW) River Lot 11∞ , Rossdale Linear Park, South Haven Cemetery, and Borden Natural Swimming Pool. In addition to new work, the conservation team took on more than 20 special projects, including cleaning bronze sculptures in two city parks, restoring the Norman Yates mural from the old Stanley Milner Library, and cleaning up Spectators for the Castle Downs Arena.
(Images from #YEGCanvas 2017-2018 clockwise by Elsa Robinson, Vanessa Ryl, and Kasie Campbell)
#YEGCanvas 2017/18 showcased 45 new works by local artists around the city on billboards and the LRT line.
(pehonan in the snow -artwork by Tiffany Shaw-Collinge, photo by Brad Crowfoot)
Perhaps the biggest public art news story of 2018 is the completion of ᐄᓃᐤ (ÎNÎW) River Lot 11∞ - Edmonton’s Indigenous Art Park. In development since 2013, the park was introduced to the public with a snowy opening ceremony on September 15. More than 75 people gathered at the site within Queen Elizabeth Park to celebrate the artists, artworks, and the spirit of collaboration that informed every stage of its development.
ᐄᓃᐤ (ÎNÎW) River Lot 11∞ is the result of a partnership among the City of Edmonton, Confederacy of Treaty No. 6 First Nations, Métis Nation of Alberta, and Edmonton Arts Council with substantial direction from Indigenous artists, Elders, knowledge holders, and community members. The park features contemporary works by six Canadian Indigenous artists that express “the stories of this place.”
The artists are: Amy Malbeuf (Rich Lake, Alberta), Tiffany Shaw-Collinge (Edmonton, Alberta), Duane Linklater (Moose Cree First Nation, Ontario), Jerry Whitehead (James Smith First Nation, Saskatchewan), Mary Anne Barkhouse (Nimpkish Band, Kwakiutl First Nation), and Marianne Nicolson (Dzawada'enuxw Nation). Candice Hopkins was the park curator.
(Sneak peek of a detail from Spring is Sprung, The Grass is Riz (I Wonder Where the Birdie Is?) by Karen Klassen & Erin Pankratz - photo, EAC)
In addition, some yet-to-be revealed works were installed at the Edmonton Valley Zoo and Dermott Park, while artists Sergio Serrano and Alexander Stewart will complete their artwork at Capilano Library early in the new year.
Read on for some images and descriptions and stay tuned in 2019 as new artworks are revealed!
(Calder Community Mosaic - Rebecca Bayer & David Gregory, photo Doyle C. Marko)
Calder Community Mosaic fuses an ancient art form with 21st century techniques. The artwork is made from more than 7,500 triangular stained glass tiles. It measures 4.8m X 2.4m and sits in the Community Room at the Calder Library. The mosaic is visible from the library’s forecourt and welcomes all visitors in the universal languages of colour and geometric pattern.
(One of the two mosaics that make up Ripples on a Pond by William Frymire at Borden Natural Swimming Pool - photo Aspen Zettel)
The artwork Ripples on a Pond is composed of two mosaics created by William Frymire. The colourful artworks resemble small ponds and feature three native Alberta aquatic species – the Western Painted Turtle, the Leopard Frog and the dragonfly. All are interdependent species susceptible to human modification of our natural environment, and key indicators of pond health. The mosaic’s illusion of a shallow pond conveys this message in a playful and fun manner while underlining the natural filtration of the pool’s ecosystem. Realized in a postmodernist style, this mosaic is a contemporary take on an ancient art form.
(mamohkamatowin (Helping One Another) by Jerry Whitehead photo by Brad Crowfoot)
Many nations, Indigenous and settler, helped shape the history of this place, amiskwaciy – “beaver house” in Cree. The theme of helping each other is inherent in mamohkamatowin, artists, artisans, and students came together to figure out the technical aspects, layer the mosaic tiles, and help bring the turtles to life. As they worked, shaping and adhering tiles, students from amiskwaciy Academy engaged with elders and knowledge holders who carry on the tradition of telling stories of this place. mamohkamatowin is a symbol of all these elements, and represents the stories of this place.
(mikikwan by Duane Linklater - video still by Conor McNally)
mikikwan is a concrete reproduction of a 9,000-year-old buffalo bone hide scraper from the archives of the Royal Alberta Museum. The artist chose the bone as his source material because of the many meanings, ideas, histories, narratives, languages and cultures embedded within it. The finished sculpture will memorialize the work of Indigenous women and the relation of that labour to the land. The sculpture also pays respect to the importance of the buffalo itself to the people living in this place, the communal aspect of its use, and its destruction with the arrival of Europeans on the Plains.
(Reign by Mary Anne Barkhouse - video still by Conor McNally)
From the echoes of trumpeting hadrosaurs traversing the valley floor, to being buried under a kilometre of ice, this territory has witnessed radical change over the years. It has been home to hunter and hunted alike, be it Albertosaurus and Edmontosaurus, or coyote and hare. The plants depicted have their own history as important to both body and soul. For those that have gone before, for that which has sustained and for those that have survived, Reign pays respect to the healing and adaptive nature of the land and to the original inhabitants of this territory.
(iskotew by Amy Malbeuf - video still by Conor McNally)
iskotew is a sculptural representation of the word “fire” in nehiyawewin (Cree language) syllabics: ᐃᐢᑯᑌᐤ. The colours chosen are based on colours that are seen in both historical and contemporary works as to illustrate the congruencies and survival within Indigenous cultures. The vibrancy of the colours are also congruent with the vibrancy of our cultures and languages. The nehiyawewin word for woman, iskwew, is derived from the word fire, therefore; iskotew connotes the sacred abilities of women, and the often unrecognized labours of Indigenous women who contributed to creating the place now known as Edmonton.
(Preparing to Cross the Sacred River by Marianne Nicolson - video still by Conor McNally)
Preparing to Cross the Sacred River references and acknowledges the natural formation of the North Saskatchewan River Valley banks, wildlife, and shared stories and traditions of Indigenous peoples. The stone slabs form a wall or “lookout” etched with images of “this place.” The artwork, which features sandblasted patterning reminiscent of beading styles, symbolizes the need to reconnect with ancient and sacred Indigenous beliefs to uphold our relationship to the land and protect the planet. Such activities must be built upon the foundation of ancient stories that tell how humans came to be in this place and how they must act within it.
(pehonan by Tiffany Shaw-Collinge - video still by Conor McNally)
This installation is inspired by the idea of pehonan (Cree – gathering or waiting place) and the oral traditions of Indigenous people as well as the many stories told of this area. It offers a space for teaching, storytelling, or performance. Conceptually, it references the oral roots of this place, and the ways in which stories change depending on proximity to the source. “The furthest back seat (at the top) references the deep past. It’s farthest from our reach when you are at the base, but when you are sitting at the top you have the greatest field of vision with perhaps the greatest perspective. When you sit on the lowest seat you are closest to the future, but not able to see to far into the distance.”
(One of the four sculptures that comprise The Magpies’ Nests by Chai Duncan & Kevin Sehn - photo Doyle C. Marko)
Rossdale Linear Park is a slice of nature in in an urban setting. The Magpies’ Nests considers the complex interactions between humans and nature as well as the concept of “home”. The welded steel nests on top of four plinths relate to structures found in Edmonton. The pyramid references the Muttart Conservatory; the cube stands in for local industrial buildings relating to ideas of innovation and productivity; the pentagonal prism, or house -shape, represents dwellings found the surrounding community; the sphere represents the magpie’s own expertly built domed nest.
(Night shot of Veil by Brandon McGillicuddy & Jeffrey Riedl at South Haven Cemetery - photo by Doyle C. Marko)
Veil is a large fabric-like lattice of airy line work appearing to billow from the South Haven Cemetery Service Building’s rectilinear geometry. The artwork’s delicacy and flow elegantly compliments the design and materials of the building it inhabits, and is empathetic to the sensitive context of the cemetery. The imagery evokes medieval Vanitas, or memento mori paintings, which reflect on mortality, the vanity of life, and transient nature of existence. Cloth, or empty clothing, is used to represent absence and loss. Veil represents loss in a non-religious way.
#yegarts#yegpublicart#publicart#iniwriverlot11#yegparks#indigenousart#canadianart#edmonton#edmontonartscouncil#cityofedmonton
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DISCOVERING CHALK STREAMS
What are chalk streams? The flows of water that rise from springs in terrains with chalk bedrock are called chalk streams. The water passed through easily to the surface because the chalk is absorbent; hence the chalk streams get little surface runoff.
This outcome is that water in the surges comes with a small amount of organic substance and residue, which is, in general, very clear. There is so much clarity in the beds of water, compressed rock and flints that are good generating areas for the fishes, especially Salmonidae.
They are up to the aquifers, the flow timings, mineral capacity and range of heat show a little less seasonal variation than the other streams. This river water is slightly acidic and has a more increased level of alkaline, high range of nitrate, phosphate, potassium, and silicate. Other than that the streams are more likely of the habitat of algae and diatoms and many macrophytes. ( including water crowfoot). The oxygen level is also suitable for much of the fish population.
Geology and hydrology
The nature of the chalk is more passable and spongy rock. The raindrops falling from it go directly into the earth because the chalk stine acts like an aquifer.
The water from the earth trickles through the chalk bedrock, emerging again lower down the hill in spring seasons. The role of chalk is like a momentary puddle by regulating the amount of water in the springs.
In England, if you're wondering how to fly fish chalk streams, many chalk streams have much stable flow rivers that vary only slightly over time. The temperature of the emerging water is very stable and rarely differs from 10° C (50°F). On the mornings of chilled winters, water vapour from the relatively warmer streams and condenses in the cold air above to form fog.
Chalk is more likely to soluble in rainwater because the rainwater is generally a little acidic. The products of chalk are experienced and mixed with rainwater and are then moved to streamflow. Chalk streams fly fishing that is transported a bit rescinded material in the river streams. These dissolved items are considered as mineral-rich due to the mixed calcium and carbonated items.
The surface water of the streams of chalks is commonly called as gin clear. The channel bed is made up of angular flint gravel comes from the natural deposits of flints found beneath the land of chalks that contain a comparatively low amount of clay and residues of slits.
The different specification of chalk stream ecology is because of the stability of heat and the regimes of flow combined with highly transparent water and very low sediments of sand.
Ecology
The streams of chalk have been amazingly managed from the ancestors, in the administration that has been aimed at creating the best atmosphere for fly fishing technique and most importantly dry fly fishing in the ear of the 20th and 21st century.
There are several wild salmonid fish such as brown trout (Salmo trutta), Atlantic salmon (Salmo Salar), grayling ( thymallus thymallus). There are many stocks of rainbow trout. (Oncorhynchus, mykiss). The rich life of invertebrate and the characteristic of clear and shallow water that will make chalk rivers and stream extremely to fly fishing.
Because of the constant heat, maintained temperature, and pure alkaline-rich mineral spring water, there is the production of watercress in many stream rivers. There is a local chalk stream in Hampshire that is named under the local chalk stream because the hand watercress Railway because then made hand watercress railway is transferring water to London from local chalk stream.
We got this evil reality that the mayfly fly fishing on the streams of chalk comes to an end for the season and we got to know it from the initial scythe start to harvest the spring weed growth.
Because ( it is raining again) so it may mark the end of any kind of particular moment but not the end of a season because we are here to enter the summer fly Creek fishing time.
There are many more new challenges on summer fly fishing on the chalk streams along with hatches and some great fishing experience. As angry, we have to change our approach because the fly life changes to reflect the changing climate.
Summer fly hatches
During the hot months, the peak dry fly fishing and fly fishing tie works very commonly in the mid-morning and later in the afternoon and beginning of the evening when the sun is low and about to set, and the air temperature is not very harsh.
The morning time is reserved for the olives and roughly sized small (16-18) upcoming insects because they have to hatch in an array of size and colour no matter how small they are, but they can be interested even in the largest fish to take a look at the surface of the water of Stream Fly fishing.
When the middle of the day is very hot in the scorching sun, this is the ideal situation for Terrestrial insects; heat on a day of the very bright sun. You will find many insects blown toward water and driving among these insects there are grasshopper ants, aphids, Beetles and Daddy long legs. You may find any kind of fish tucked in near the surface just sitting in these ratings as they loot round. The special mailroom near you where you are standing so be careful.
You will see everything very alive starting from evenings coming from the hatches of midges the fish will mostly strike on the edge of Sunbeam and Shadow eating these little dark and brown giving when we see the shadow elongating there is a coming of the caddis fly.
These fly the fishes unpredictable close to the shore, mostly with the smaller trout coming clear and clean of the water in pursuit. The day comes to an end when the trees and the over meadows and lays their eggs before returning to the water. As they become a stick in the surface, they become an important and easy food for any trout.
Sight Fly Fishing with Nymph.
Make a show to check the rules before you go because the extreme rivers seem very subtle to the rulebook of fishing. They move from dry fly only to allow upstream nymph fishing. There are a very wonderful skill and experience in name fly-fishing, but some of the people also considered this as a dirty phrase.
By the Gem Skues from the original days of nymph fishing and some unwanted flies. From Frank Sawyer the development of heavier flies and onto our modern understanding, this is a very great skill to spot the fish, make the caste and then identify the movement of the fish having your fly Subsurfaces.
The comeback of Grayling
Some people also wait for the start of grayling time. Similar to nymph fishing, there is very little desire, and it comes with a new challenge. The fish are like grey ghost patches on the skin as they sometimes lurk on the gravel purchase in between weed patches and softly paddle their fins to have the required stance.
They can be identified by their folk tale and large flowing dorsal fin with fiery Orange-tip. It is very much possible to have them on the surface to study a dry fly, but the pattern may be slightly and correct. They will study eight for a required time before sending back down to their station.
Chalk Stream Rainbow Trout
The test and kitchen rivers of Ham fire are very much famous for giving the finest English Rainbow Trout, which is also a birthplace of fly fishing. With the very similar fast-paced pure chalk stream water stream to the farm results in narrow and athletic fish weather unique and clean flavour.
The Fish
The highest lower rates of the farmer and the quality of water are directly proportional to the quality of fish production. A unique fresh, clean test is required and has pure chalk stream water.
A very narrowed and athletic fish is produced with a high flow design of the farm. Slow-paced grown in more than two years in the same atmosphere as the wild trout from the test and itchen, they formed a strong fish.
The company of stream has been working with their feed providers for so many years to make a specially made high trait microbalance diet. The marine content has been reduced to 60% in the last decade and is sourced from durable fisheries certified to IFFO RS. The conversion of feed rate (FCR) is from 1.2- 1.3 and the ratio of fish in and fish out ratio (FIFO) that is less than 1.
A true rainbow trout comes from exclusive freshwater. The Chalk stream fishes are red-fleshed and are planted at the robust and appropriate size of 2.5-3 kgs. Chalk stream Rainbow Trout have a beautiful Ruby red meat well-balanced fat and very clear flavour. It is very suitable for raw and cooking applications.
The Farm
The actual chalk stream water is fed exclusively in spring emerging from chalk download. Rainfall filters from the chalk bedrock to rise in clear and mineral and nutrients rich and many verdant and unique habitats.
The farms are located on the sites of old water mills giving a big volume of water splash (about 36 million gallons per day) for the fish to grow in the same currency that resembles the natural river environment. Trout make their development in hard-sided and gravel bottomed tanks and raceways and are kept at a tight density of 35-40 kgs of fish per cubic meter of water.
The design of farms passes from the specially formulated settling channels to remove waste and make sure that the river goes back to the river in high-class condition. The rivers like test and itchen are among highly inspected rivers in the UK. Their farm outflows are subject to constant testing by the agency of the environment to check the water quality.
Chalk stream Fly Fishing techniques
As we said earlier that there could be very strict rules and some places of Chalk streams. In most of the cases, nymphs and other subsurface flies can be banned, which means that there is the only allowance for dry fly fishing.
You have to check the rules of the water because there are only a few clubs that allow fishing, which will give you another option. Some are saying that names can be used but only from months normally from July or August.
There is an advantage in wading and if you have a presentation option available, but you have to see if waiting is allowed from the bank only. If it's not allowed, there is a good reason behind so stick to the rules.
Dry Fly Fishing
Whenever you think about fishing in a chalk stream upstream dry fly fishing is the first thing that will pop in your mind first because of the very rich invertible invertebrate life, fly hatches and very phenomenal dry fly sport.
Sitting by the Shore of the river and sea in the activities is never a time waste. So in every river, matching the hatch is a good start. It is worth to note that this is not a very detailed list and all-flash species may not be present on all the streams. As a quick guide and fly fishing tip, it is proved to be very useful.
Nymphing
The fishing of names on chalk streams has been started from the beginning of the 20th century when G.E.M skies were about to promote the benefits of its upstream name fishing style of fish in a chalk stream. On the Northside, wet flies have been used for many generations, but for the south chalk stream, the dry fly was the only method that was accepted. At that time Frederick Halford was the only man saying in favour of Grey fly and two men seriously defended their chosen methods in the Sporting Press.
Conclusion
The flies who seem good are the ones that imitate natural flies the fish take as the feed. Use the information to have the starting point. If you're up to having the fly box that you can use in every season when these flies serve you from their core variation can give you more options of size and colours. These are some methods of small stream fly fishing.
from Whieldon Fly Fishing - The Fly Fishing Diaries https://ift.tt/3oKNAvv via IFTTT
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Conrad Black: Universities have become cesspools of political correctness
Canada is a relatively tolerant and civilized place, but you would not guess that from the publications being put out by the University of Toronto
Conrad Black, May 29, 2020, National Post
This column is written for all those who feel oppressed by political correctness in Canada. It is prompted by my wife Barbara giving me the magazines sent to alumni of University College (UC) at the University of Toronto and by the University of Toronto itself, each quarter. I receive a sprinkling of information from the universities where I graduated (Carleton, Laval and McGill) and from some that kindly gave me honorary degrees, but I have never seen anything like this.
The college alumni magazine identifies three contributors of whom one describes herself as “a peace and love hippie with a dream of doing a meditation retreat at Zen master Thich Nhat Hanh’s Plum Village Monastery in southern France,” and the second is the former associate director of UC’s “centre for sexual diversity studies.” The piece of the incoming principal of the college focused on the widespread need for attention to “students struggling with mental health problems” and celebrated his college’s “iconicity … of diversity and inclusion.” He also dwelt upon the “uncomfortable iconicity” in referring to a creek that once flowed through the campus but is now entirely subterranean. “We need … to include Indigenous teachings, learners and scholars in our midst.… The river still cleanses this area and its ancient powers continue to flow despite attempts to submerge its force.” The principal of such a well-known university college should have a clearer idea of legitimate subjects of iconization.
There was a tribute to my dear friend of more than 40 years, Supreme Court Justice Rosie Abella, winner of an award named after another old friend, the late Rose Wolfe (a former chancellor of U of T), both delightful women. Rosie referred to her belief as an under-graduate in “the perfectibility of the human condition, in progressive change, in excellence, in the symbiosis of reason and equity.” What she really meant and how she has amiably enacted it, is her fervent belief in practically every left-wing cause that does not oppress human rights: redistribution of money from people who had earned it to people who had not, reduction of the influence and status of individuals in favour of institutions purporting faithfully to enhance the welfare of the majority and a river of concessions and preferments to organized labour. By all means give Rosie an award, but not for elegiacal nonsense about the perfectibility of man through democratic Marxism. Next came a piece about a photographer who specialized in portraits of LGBTQ writers who “capture what’s essential.” (They were good photographs.) Then came the inevitable confession and repentance of Canada’s “ugly legacy of occupation and forced assimilation by settlers trying to extinguish the culture, rights and humanity of Indigenous peoples,” and the obligatory demonization of the residential schools system.
Fortified by this bracing sorbet of monochromatic lamentation on the evils of most Canadians and of the country that pays for all this, I prorupted on into the University Magazine. As if in prearranged sequence, it began with, “The white man has stepped everywhere across this land without seeing the people and how they have been injured or incapacitated by his exploits. They have also taken our children and removed them from their communities for generations until they are no longer connected to their family and community.… The white man could not keep to himself, he had to have more land, more gold, more fur.” I have written about the true history of the colonization of North America by technologically superior European states many times; the falsification of history cited above incites the question of who these people imagine are paying to circulate their opinions on glossy magazines to the descendants of the people whose right to be here they are disputing.
The next section was a series of alumni who had been battling various types of oppression. One more time: an apologist for the recent illegal native obstruction of the Coastal GasLink Pipeline explained that, “Canada is actually not Canada because the original nations on this land never gave up the right to govern themselves.” What is required is “a fundamental rethink and reimagining of what Canada is as a country.” There was a historian specializing in African-Canadian studies, with no hint of the fact that virtually all African-Canadians were liberated slaves (including those that Gov. Guy Carleton refused to hand back to Washington , a slaveowner, in 1783), or refugees from slavery, including 40,000 American slaves who fled the U.S. in the 30 years before the Civil War, as well as such American anti-slavery advocates as John Brown, Harriet Tubman and Josiah Henson, the model for Uncle Tom in Harriet Beecher Stowe’s famous novel.
The people featured are apparently champions of good causes, but the alumna who directs a climate science centre at a Texas University and regularly asks, “Is it too late to save the earth?” before answering that that all depends on how quickly fossil fuels can be discarded (which is not about to happen in Texas), incites some doubt. Instead of activism, the focus in climate matters should be on research, since there is no reliable consensus on whether whatever is happening is outside the normal climate cycle, is or is not anthropogenic, could or could not be beneficial, or what its extent might be. As in other subjects, it is generally wise to know what is happening before militating about what is to be done.
The drenchingly predictable article on “fake news” referred to Russian interference in the 2016 U.S. election although the authors of the interference remain unknown and the extent of it was insignificant. Naturally there is not a word about the three-year malicious fiction that the current president had colluded with the Russian government to influence the election. The absence of coverage of the greatest constitutional scandal in U.S. history and the closest that country has ever come to a putsch is the most egregious fake news of all.
A chapter on the “Dictionary of Canadian Biography,” an admirable work of scholarship, comes perilously close to justifying imputations of racist bigotry to former prime minister John A. Macdonald. He gave Native-Canadians the right to vote and had many allies in the Native community, including Poundmaker and Crowfoot, and the revisionist descriptions of the chief founder of this country as a quasi-genocidist are an abominable injustice that has no place in a respectable university. The interesting article on the university’s dental museum was the only part of either publication that wasn’t stiflingly politically correct.
These magazines are for the alumni, and should not focus exclusively on agitators, even for good causes. The publications of a university that celebrates the iconicity of diversity and inclusion should air the inconvenient facts that the Indigenous people did not occupy or govern Canada. Canada’s Native policy has failed, but not out of malice or stinginess, and the Natives are not blameless. As for the climate, diversity would require mention of dissenting views, or at least acknowledgement that many countries around the world continue to expand their fossil fuel usage.
Canada is a relatively tolerant and civilized place, but you would not guess that from these offerings. Jordan Peterson is right that anything calling itself “studies” is not a real academic subject. Most of this allegedly iconic activity is not productive work and is really just a pseudo-academic workfare measure to defer unemployment that is hideously expensive, of doubtful utility and encourages its beneficiaries to bite the system that indulges it like an ungrateful viper.
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6 Wines from Somerston Wine Company with Craig Becker
Where: Thai Sa On Royal Thai Cuisine in Calgary, Alberta
When: Nov 2nd, 2017
On a cold and snowy afternoon in Calgary, I got a chance to catch up with Greg Blyth from Vice Imports at Thai Sa-On and get introduced to Craig Becker from Somerston Wine Company out of Napa Valley. Mr. Becker is the director of wine making and also wears the hats of co-founder and general manager giving him unique insights into the project and its wines. The tasting consisted of 4 wines from the Priest Ranch line and 2 of the Somerston Estate portfolio.
2014 Priest Ranch Sauvignon Blanc
We started the tasting with a splash of this $33 Sauv Blanc that showcased notes of peach, lemon and a touch of lime. While unoaked, it exhibited a roundness on the mid palate that is atypical of most Sauvignon Blanc where the acid usually takes over and finished without a hint of bitterness or burn, which is no small feat considering its rather elevated alcohol level at 14.3%. Available at Britannia Wine Merchants and select Highlander Wine locations.
2015 Priest Ranch Grenache Blanc
Our second wine was a grenache blanc which is typically found in the Rhone in France; a region that Mr. Becker holds dear. When prompted around other white Rhone varieties, he discussed plans to cultivate more of these Rhone varieties and was looking forward to experimenting with these. Grenache Blanc is a pretty rare bird and this $33 retail example was outstanding with a richness of peach, lemon and flowers while maintaining acidity over a mineral tinged finish. This was a great pairing to Thai Sa-On deep fried stuffed chicken wings and spring rolls. This is a really cool wine that your wine friends will geek out to but has a drinkability that will appeal to all.
2013 Priest Ranch Cabernet Sauvignon
2013 was a blockbuster vintage in Napa and this is beautifully expressed in the 100% Cabernet Sauvignon from Priest Ranch. This inky purple giant showcases blackberry, cocoa, licorice and herbs with additional notes of violet. It soars on the entry and is powerful and oppulent over the mid palate and finish. It does carry a touch of heat at 15.1% alcohol but stays drinkable. This is a 15+ year wine despite Mr. Becker indicating his goal was to make a more approachable style of Cab that you don’t have to cellar for ages. Around $72 retail and available at Willow Park Wines and Spirits, Highlander Wine and Spirits, Crowfoot Wine and Spirits and Britannia in Calgary.
2014 Priest Ranch Cabernet Sauvignon
While not in our Alberta market yet, the 2014 Priest Ranch Cabernet Sauvignon provided a glimpse into the next vintage. Again, this is 100% cab but the 2014 vintage is decidedly more elegant and less powerful than its older sibling from 2013. While it carries the standard richness of dark berry fruits, this example had more soy and balsam punctuated with gorgeous vanilla character. The oak program for both Priest Ranch cabs is 24 months in French oak of which 40% is new. The 2014 provides great accessibility today and will over a 15 + year cellar window. Expecting a similar price of $72 retail.
2013 Somerston Estate Stornoway
Coming in at a mere 490 cases of production, the 2013 Stornoway is Mr. Becker’s hommage to the Right bank of Bordeaux. It is a blend of estate grown fruit from the Stornoway single vineyard for the 88% Merlot and 12% Cabernet Franc from the Deer Hound vineyard and tips the scales at a whopping 15.1% ABV. This last detail is a moot point as this blockbuster blend showcases plum, milk chocolate, smoke and black currant wrapped by soft tannins and structured with a backbone of acid that will reward cellaring. This wine is exactly what Bordeaux lovers are looking for in the best vintages and while retailing for around $135 is a comparitive bargain compared to wines from the likes of Pavie or Angelus. This is the real deal friends and is a cornerstone wine for the cellar. $135 and available at Willow Park, Highlander and Crowfoot Wine and Spirits.
2013 Somerston Estate Celestial Cabernet Sauvignon
Another 490 case masterpiece here, this example is sourced from a single blocks of the high altitude Celestial vineyard which is home to the finest Cabernet Sauvignon grapes grown on the estate. Showcasing a bouquet and palate of blackberry and black currant initially, it evolves in the glass showing secondary notes of graphite, cola, cedar and hoisin. It is a classically scored wine at 95+ points and is the puncutation of a near perfect growing season coupled with expert wine making. The experience will set one back about $188 retail but for those collecting / cellaring or looking for a special gift, this 2013 Celestial is an excellent consideration. Available at Willow Park Wine and Spirits and select Highlander Wine locations.
YYCWine would like to thank Greg Blyth from Vice Imports, Craig Becker from Somerston Wine Company, Ned Danson from Cork Fine Wine along with Sam Chanhao and his staff at Thai Sa-On for an unforgettable afternoon of wine, food and conversation.
#SomerstonWine#Napavalley#California#Wine#Vins#cabernet sauvignon#sauvignonblanc#ThaiSaon#Craig Becker#greg Blyth#grenache blanc#Vice Imports#Calgary
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