#credit goes to rue

[nyx-is-missing]

hello! Can you write a Clarisse La Rue x reader where they met before Clarisse got sent to camp halfblood when they were little and were best friends then Clarisse left for camp with no explanation then years later reader goes to camp and sees Clarisse for the first time in years and it’s kinda awkward but cute

thanks :)

This is kinda long sooorrry, to help, the part where she gets to camp (kinda) will be in green

Girls on film 📷

Clarrise la rue x fem!reader

Warnings and explanations: bad words (take the kids out of the living room she swears) gender is specified cause it was written as wlw, but it doenst actually makes a diference, fluff, like two sentences, there is a kiss in the picture but they dont actually kiss sorry.

Unspecified parent gender for both sides so yall can pick wichever

Trying not to kill myself.

That was what i was doing 15 hours ago, just as any normal teenagers living (or as i prefer saying fighting for the soul to stay on the body) during finals week.

In my room there was nothing but piles and piles of normal work, piles for extra credit, piles of old quizzes to try to get me prepared for the new ones and a dumb incomplete project for photography class that was due tomorrow.

Okay ill admit, i had a month to make that, and all i needed to do was shoot pictures, but that was the problem, i prefer taking pictures of people, their emotions, whatever they might be, just never ceases to amaze me.

And my dumb project made take pictures of....landscapes.

Not too bad, if i had any actual real talent for that type of photography, but i dont, every picture gets ruined somehow, its the lightning, the lack of it, my camera falls, gets full of dirt and i get so mad that i just give up.

That whole speach was necessary for me to explain what i was doing 14 hours ago, and that would explain what i was doing 5 minutes ago.

14 hours ago i decided to shoot the photos, i could try many times before it got dark, and if o was lucky enough i wouldnt go insane before the golden hour, and could actually get some nice pictures.

I grabbed my totte bag taking with me only the necessary, camera stuff, the camera, some snacks and my notebook to upload the pictures before i went mad.

13 hours ago i was running to save my life.

And do you know that moment went you go through so much your mind decides to erase it?

That happened, now, what i do remember, i was sitting in a bench by a calm road not too far from the town, i had got some actually good pictures, some of me, some of the trees, some of a butterfly, maybe three cars had passed by since i was there, driving slowly, always saying hi and doing a thumbs up, normal, friendly people from the town.

And then i heard a noise that shook the trees.

I remember seeing something, but never what, i remember running to home as fast as i could, feeling my heartbeats in my neck, i remember the noise, but the people in the streets looked at me like there was nothing behind me and i went crazy

I remember getting home, having a desperate talk with my parent while they got my suiticase ready, and i dont remember a single word.

I remember a funny looking guy my age that got to my house, with goat legs and a more desperate look, and i remember one last hug before i left.

And thats all, aside from a hell of a lot of running nobody cares.

Aparently i passed out from shock or exaustion because i woke up in a unknown place, at night, in a hospital bed, with no actual doctors other than 15 year olds teenagers.

And a horseman standing in the corner, with quite a intelectual look actually.

And let me tell you guys that after the talk we had, if somebody told me i would marry queen Elizabeth within 4 days, i would just belived it.

Because nothing ever in my life would ACTUALLY beat up the level of crazyness of finding out i DO have another parent, they are just, A FUCKING GOD. GREEK. GODS. AH.

Then, after telling me my whole life was in fact, a big fat lie, the horseman... left.

Telling me i should sleep in the infirmary this night for precaution and that he was going to get me to a cabin tomorrow.

Like that was the most normal thing to ever happen to a human, he said goodnight and left.

While i sat there just trying to...basically form a sentence that wasnt "for fucks sake what the fuck was that"

I would have loved to say that i did slept that night, dreaming about glory and greek myths but that did not happened, at all.

I walked around the infirmary for hours, opening every cabinet and trying to make my mind to something, i searched for my stuff, and thankfully found my camera, with some pictures i hadnt noticed i had taken, one specific had a blurred thing in the forest.

When the first rays of sunlight appeared i got dressed, and decided that, in order to prove to myself (and probably to the mental hospital afterwards) i was not insane, i needed proof that i was actually living, actually there, being a demigodess, thats what they called.

Very few people were up already, and i did received some weird looks, it was clear nobody knew me, that was fine, i didnt knew anybody either.

I walked around taking some pictures, sometimes getting lost, but everything amazed me, the forest, the cabins, the stables, i found the entrance to a beach too, and then i got to the training area, aparently, i stayed far away, god forbid i woke up from this nightmare with a spear in my head, oh no, that would be bad.

Openning my camera i zoomed in the people, my speciality, it was sweet, seeing them trully smile, and not pretend for the picture, it was a genuine feeling the camera would keep forever, i zoomed around other peoples faces, but my camera focused on a face i could never forget, and she looked back at me, and realized i was there, but not that i was me, because she came towards me with a angry look.

Ill admit, the look scared me as hell, so much i tried to pretend i was never taking pictures of her, i slightly changed the angle and kept my face hidden behind the camera.

Do i need to say that did not fucking worked? No? Thank you.

"Who the fuck do you think you are taking random pictures of pe-"

She yanked my camera off of me mid sentence and stopped completely, looking like she had seen a ghost for some seconds.

"(Y/n)?"

"Clari?"

"How- what are you doing here!?"

She asked, with a worried look, still kind of confused, she did this look since we were little girls, and for a moment i had a big deja vu.

Two little girls running around, playing all day, telling each other secrets and stories, running to hug each other eveytime they were close, i still saw that girl in her eyes, but by her previous look, she did not.

"What am i doing here? What are YOU doing here? One day you dissapear without a trace, and your family said you went to a new school even though it was the summer, and now i find you sparring with a spear? You are that too? A demigoddes, i mean?"

I spoke fast, nervous, as if my time in the world with her would end just as it did once.

Instead of responding me right away, clarisse did something that maybe would scare every single soul she knew in the past years.

She hugged me. Hard.

Breathing me in, and not letting me go exactly as you would expect of someone who hasnt seen me in years.

"I couldnt tell you anything... it wouldnt be safe...im sorry, i missed my friend... i missed you."

I just looked at her for some seconds, and then hugged her again, this time i was the one making it extra tight, i was the one going insane by the reconforting smell of her shampoo, praying that she couldnt feel my heartbeats against her chest, and how strong they were.

"Just.. dont leave me again okay? And ill forgive you, i promisse"

[heyimadison]

january 2024 : madison’s recs

PJO

— luke castellan

a place with you @supercutszns

true colours @↑

fighting chance @↑

all the stars (are closer) @initialchains

bleedin’ me dry @atlabeth

daylight 2 @tangledinlove

— clarisse la rue (the obsession is real✊😖🤭)

in a good way universe:

new romantics @star-girl69 (the LOML thank you for all of these masterpieces🙏🙏 you have me walking the fine line between fangirling and obsessed )

in a good way @↑

so it goes… @↑

the last time universe:

the last time @↑

cowboy like me @↑

stand-alones:

i can see you @↑

better than revenge @↑

fade into you @↑

nothings gonna hurt you baby @↑

let me love you like a woman @↑

music to watch girls to @↑

your girl @↑

don’t delete the kisses @↑

let the light in @↑

apocalypse @↑

comforting clarisse after her spear breaks @xanasaurusrex

wish you’d ask me @aphroditesmoon

‘cause i love this curse on our house @↑

maroon @thekissofaphrodite

the trees 2 @breadbrobin

clarisse and daughter of tyche @ampitrit3

thieves and prophecies @laenordeservedbetter

please, please let me get what i want @↑

pretty when you cry @herlondonboy (THE BEST FIC EVER OMG🤭)

between the breaths @abbeym28

pride @rose-pearls

young and beautiful @ellszie

ACOTAR

— azriel

game night @berryzxx

love will unravel me (so please keep your hands held tight) @utterlyazriel

the fated truth @thisblogisaboutabook

heavy weather @assassinsblade

arrows and ashes @assassinsblade (soooo much sadness heart aching tears running)

the artificer 2 3 4 @florencemtrash

the wizarding world

— draco malfoy (i know i know😭)

buy me presents @writingsbychlo

— theodore nott

i already have @tomriddleslove

divider credit to @cafekitsune thank you thank you thank you ❤️

[baesimss]

Les Regalia | Windenburg 🖤

Nestled in the heart of Windenburg's Queen's District, Les Regalia is a sophisticated shopping square housing luxury brands such as Jo Malone, Hermes, Van Cleef & Arpels, Cartier, and Ralph Lauren. With prestigious beauty salon La Marie, gourmet Cafe De La Rue, fragrance store Noir Parfumerie and a luxury valet service, Les Regalia offers a premier retail experience. The shopping square is more than just a shopping destination; it is a lifestyle experience that combines luxury and style, truly reflecting the regal spirit of Windenburg.

♡ Credits & Gratitude: An immense thank you goes out to all of the builders and cc creators that helped make Les Regalia happen. Putting this all together has been such a joy and this area has become my favorite area in my entire save file so far. Les Regalia features builds from @shesimsplayer, @bbygyal123 and @aashwarr, all I did was minor tweaking/revamping/building to put it all together in a cohesive manner and fill out the space. I've also utilized billboards and art around this area created by @kekeyw, @simwearsprada and @lijoue.

Twitter | TikTok | Patreon 🖤

[writing-for-marvel]

Everyone’s Watching Him (But He’s Looking At Her) (5)

Actor!Bucky Barnes x Assistant!Fem!Reader

< < PART 4 | Series Masterlist

Summary: After learning Maria lied to keep the two of you apart, Bucky confronts her about her future as his manager, but only after experiencing waking up in the same bed with you for the first time.

Warnings: argument between Bucky and Maria, someone losing their job, soft fluff at the start, implied carnal activities the night before

Word count: 1.9k

A/N: @povlvr @fandoms-writings @jenzzyuk @koolerthanice-tea @buckylattes and @stuckysbike all wanted to see what happens between Bucky and Maria so here’s this little addition to the series. Photo credit by @marvelousell & banners by @vase-of-lilies

Main Masterlist | Ask me anything! | Taglist | Library

Bucky stares down at your sleeping form, thinking to himself that you look far too sweet and precious for the likes of him to ever deserve.

Not that he’s been a bad person who’s warranted terrible, karmic things to happen to him, but surely to deserve someone as beautiful, attentive and caring as you to reciprocate his ardent feelings, he must have been a saint in a past life.

Your eyes flutter open and Bucky swears his heart completely stops just by the simple act of you looking at him. There’s a moment where you look surprised to see yourself waking up cuddled into his side, but then he can see the realisation play out in your eyes as the recollection of last night's carnal activities come back to you.

“Hi.” You whisper bashfully, lips curling into the type of fond smile he wishes he could capture and keep a copy of in his wallet until it’s faded with time.

There’s an odd surge of jealousy in Bucky’s stomach at the thought that anyone else has had the privilege of sharing such an intimate and vulnerable moment with you. Witnessing you in the first light of the morning, feeling your bare skin against his, being the first thing you see when you open your still drowsy eyes.

But then his mind reminds him that he’s the only one who has that honour now, that the most precious person in his life has chosen him, affording him the assurance of being the one you will wake up beside every morning, and Bucky makes a promise to himself to never take that for granted.

“Good morning, my love.” Bucky hoarsely mumbles, leaning down to gently place his lips on yours, an action he has only been able to perform for the last half a day, yet he already knows will never tire of doing.

Though you’re both still half asleep and your lips move languidly, it’s his favourite kiss you’ve shared so far (though he thinks that every time your lips touch his). It’s the first kiss of a new day, the first day where you’re waking up as something far more than just his assistant, and proves that everything that happened the night before wasn’t something out of a dream.

Bucky rues pulling his lips away from yours, though it does allow him the opportunity to gaze at your gorgeous features once more. Last night was ample evidence that there will never be a more blissful feeling than when the two of you are joined as one, but he also knows if he goes any further with you right now, he’ll be so caught up in you that he’ll miss the last of the interviews held today he’s contracted to complete.

“Doll, I need to ask you a favour.”

“Anything for you Buck.” You say without hesitation and a smile which makes Bucky’s stomach flip. You don’t even know what aid he’s requesting and you’re already accepting. The implicit trust in the gesture has his chest filling with warmth.

“Can you stay here at home today? For me.” He adds on.

“But todays the last day of interviews… You don’t want me there?” Bucky’s heart sinks at the thought that you don’t know your presence is what sustains him. If it were purely up to him, you’d never leave his sight nor touch so much as for a single minute.

But he reminds himself he’s doing this for your benefit, not his own.

“Baby, I want you with me everywhere I go,” he pauses to quickly kiss you again, for emphasis, “but I have to honour the film contract Maria wrote up, which means I still have to pretend to be Sharon’s doting boyfriend for the rest of the day, I don’t want you to have to sit through all that. Plus, you’ve been working so hard, you deserve some time off.” You don’t say anything, but flash him a thankful smile, which is enough reward to get him through the entire day without you.

“And then, when you come home, you’ll be all mine.” You comment with a cheeky smile he knows implies much more lascivious wants than the innocent words would suggest on their own.

“I’m already all yours.” Bucky kisses you again, partly because he wants to convey how sincerely he means the statement, but mostly because he simply can’t get enough of you. “In all the ways that matter.”

Even though he risks being late for hair and makeup before another day of interviews, Bucky finds that when his lips touch yours he doesn’t care about anything else in the world. This pure happiness and contentment is what he’s been searching for his entire life, what most people dream of finding with someone but few rarely get the pleasure of experiencing.

He’s not willing to risk what he hopes will be the remainder of his future with you. Anyone or anything posing a threat to that cannot remain in his life.

Mostly it was his own obliviousness to blame for not telling you sooner how his heart beats for you and that no amount of time on this earth will ever be enough to show you every intricacy of his adoration for you.

But there was one other external force that had adversely impacted on your relationship, almost driving you apart completely. And Bucky will never allow her to come between him and what he holds dear again.

Before he leaves for the studio that morning, he makes the executive decision that Maria has to be let go.

* * *

The set is as busy as usual. What feels like a million different crew members are bustling around to make sure everything is running smoothly, and when the cameras aren’t rolling, the sounds of numerous voices speaking over each other makes Bucky feel like he’s audibly drowning.

All he wants is to look up and find relief in your smiling face, settling the tornado of anxiety raging in his chest, but every time he answers a question regarding his supposed relationship with Sharon, whilst interlocking his hand with hers, it’s a jarring reminder of why he asked you to stay at home.

During a break between one of the last interviews, Bucky notices Maria isn’t on the phone, a rare occurrence for her, and takes the opportunity he’s been waiting all day for. The memory of the hurt and confusion on your face when Bucky revealed his feelings, which were in contrast to what Maria had communicated to you, spurs him on.

“Maria, I need a word.” Stern determination fills Bucky’s voice and leaves no room for debate.

He storms away towards his dressing room, wanting some privacy so the uncomfortable conversation isn’t witnessed by the hoard of people working on set.

“I need you to explain to me why you lied about Sharon and I being a real couple.” Is what he says once Maria shuts the door behind her. Either she isn’t surprised by the revelation, or she’s practised enough to know how to hide it.

“Look, Bucky, I never said a real couple. I can’t help it if certain people interpret things in a different way to what I was intending.” Certain people. Bucky internally scoffs. She can’t even say your name, nor admit fault, when she’s unquestionably been caught in a lie.

“Don’t play innocent with me Maria. I know what you said and I have a feeling I know why you did it too, but I want to hear it from you, because the part of me that has been your friend for over five years simply cannot believe you’d be that manipulative.” Maria simply smiles, almost as if Bucky had given her a compliment, and it makes rage burn like hot coals in his stomach.

“I’m your manager Bucky, my job is to make decisions on your behalf that are going to benefit your career. Dating an insignificant assistant isn’t going to do anything for you other than push you down the road to irrelevancy.”

Bucky has the urge to scream at her for the way she’s speaking about you.

“Did you not for a minute think about what was best for me as a person? I think you could see how in love with her I am and yet you chose to do it anyway!” The only reason Maria would have pushed the two of you apart would be if she could see the connection you had. Her nonchalant reaction all but confirms his suspicions.

“Look it was only meant to be until the movie had become a success, and clearly it worked! If you look at the box office numbers-”

“I don’t care about the fucking numbers Maria, I care about my girl! And you’ll never have the chance to come between us again. You’re fired.” The normal anxiety anyone would feel when letting someone go from their job is overruled by the resolve provided by the need to protect you with everything he has.

“You’re really going to fire your loyal manager because of some girl you’re probably going to get tired of in two months?”

“Without hesitation. And I will never get tired of her Maria, I love her, with my entire being. It actually scares me how much I love her because it means my entire life is reserved in a single person, but if the only thing I ever accomplish in the rest of my days is loving and cherishing her, then it will be the most rewarding life I could have lived. My career means nothing if I don’t have her by my side, and that’s clearly not something you can comprehend.” Maria looks unfazed at Bucky’s disclosure and it makes him wonder if all those feelings really are plainly obvious when he looks at you. His sister certainly seems to think so.

“You do realise if you fire me you also fire her right? She’s employed by my management firm, not by you directly. Are you really going to do that to her?” Bucky is sure the smirk on her face indicates Maria thinks she’s found a loophole which will prevent him from following through with her dismissal, but he clearly knows something she doesn’t.

“Check your inbox, her letter of resignation will already be there.” At Bucky’s words a crack forms in her overconfident facade, a surprised comprehension seeping through which allows Bucky to feel greatly pleased with himself. “Goodbye and good riddance Maria.”

Before allowing Maria the time to protest again, or come up with a concoction of manipulative lies, Bucky turns around and walks back to set, a triumphant smirk curving on his lips.

Now, he only needs to endure a couple more interviews before he gets to return home to you, where he left his heart this morning for you to take care of until he can finally be free of the fraudulent relationship.

After a day of pretending to be someone else’s boyfriend, he’ll finally get the opportunity to go home and prove to you how much he loves you, and only you.

Add yourself to the series/AU taglist to be notified of any additions to this AU

Everyone’s Watching Him (But He’s Looking At Her) [Actor!Bucky Barnes] Taglist: @sunnyjane4 @valhalla-kristin @learisa @crispysublimecupcake @iamfandomwasted @blackwidownat2814 @hailey-holt @rosepetalsinwinter @wifeofbarnes @bucky-fricking-barnes-reads @vicmc624 @oliviagreen99 @gabshouse @raging-panda @priya212 @highlyintelligentblonde @buckyseddie @erynnnn @endless-summer-soldier @one-shot-plus-size @takeabreathdearh @its703pm @nefelibatansoul @theweekndhistorybook @albinotigerpython @goldenharrysworld @buckyslove1917 @supersanelyromantic @gothkitteh @ahrahrahraha @hopelessromantic423 @misshale21 @happeevacationday @farfromjustordinary @blackgirlbydna @mrsgweasley @readreblogfics @ashenc-blog @redbarn1995 @thewackywriter @missvelvetsstuff @broadwaybabe18 @buckys2lut @arny-montana @calirindo @justfic @crazyunsexycool @helpishouldstudy @alluringsirensworld @sarahyk27 @aya-daydreams @hotleaf-juice

[thesweetnessofspring]

I'm convinced that Snow was the one who came up with the "rule change" in THG (idc what the movie did with it--they didn't know TBOSAS and it was less than convincing they way they did it).

Just think about it. We start off the Games with Katniss's courageous action volunteering for her younger sister. Then Peeta did something radical. He decided to follow through on his declaration of love to Katniss and did everything he could in the arena to save her. Getting sponsors, teaming up with the Careers, getting Katniss to leave and fighting Cato for her. Can you imagine what that was doing in the Capitol? In the Districts? How could you watch someone do that and not hope for a happy ending, even as Peeta lay dying in the mud, whispering Katniss's name?

And then Katniss teams up with Rue and is devastated by her death. She stays with her, sings to her, until she dies. Bolstered by Peeta's words about not being a piece in their games and finally getting what he means, she decorates Rue with flowers. She honors her life and her unnecessary death. District 11 recognizes this and even though they have another tribute alive in the Games, send Katniss the bread.

In Snow's mind, everything about the games is starting to crack. Young love being selfless, sisterly affection defying the Capitol, comradery fostering between districts. He simply can't let it go on. He has to remind people in the Capitol and the Districts that this is not human nature. He is going to prove that. So he tells Seneca Crane to announce the rule change.

He expects Cato and Clove to make it to the final two. In their new advantage, they will become a deadly, mostly healthy team. Meanwhile, Snow can see that Katniss doesn't hold the same care for Peeta that he does for her (she had tried to kill him with tracker jackers, after all). Even if she goes to find him, she'll abandon him once it gets too hard, too dangerous. The hope of love triumphing will be met with annoyance at his injuries and agreeing to stay behind and not get his medicine. And even if she does, he'll still be too injured to truly be useful.

But things go awry. Thresh saves Katniss because of her kindness to a little girl he, too, saw as a younger sister. He kills Clove, bringing about Cato's wrath. And Katniss Everdeen turns out to be a better actress than expected.

No matter, though--once the rule change is revoked, the truth of the stripped-down human nature will come out. Oh, Peeta will throw out the ravings of a teenage boy high on hormones, but people will remember how awful they truly are when Katniss puts an arrow through his heart. After all, Snow's made that decision before. His lover or himself. Death in the woods or life with riches in the Capitol. It's easy, really, to make that decision. And people will remember even the best among them, even she who willingly risked her life to get medicine or volunteer for her sister, won't avoid killing in order to survive herself.

But Katniss calls their bluff, and Peeta goes along with it. They've chosen to protest the Hunger Games with their deaths. Seneca makes the call to announce two winners. Really, Snow was going to kill him either way. Someone has to be publicly accountable for the place he's in now, and Snow certainly isn't going to take credit for his idea. After this, he tries and tries to get Peeta and Katniss to have to kill each other. The Quarter Quell. The hijacking. But it never works. And not just because of them, but because a whole nation finally stands up and says Enough. We won't let this go on anymore. In the end, Snow was entirely wrong because he never truly understood love.

[everlarking-always]

The Toast Babies 💕

Their daughter is very much like Katniss - quiet, headstrong, loves nature and music - and follows her mom everywhere, trying to emulate her. She has a sharp wit that could have only come from Peeta, and no one can make her smile or laugh like he can. She takes it upon herself to look after her brother, of course. She has a meaningful nature-related name like Arden (meaning “a place of solitude and great beauty” like the meadow from Rue’s lullaby in the books).

The little boy is rambunctious and outgoing. Truly the baby of the family and a ball of endless energy. He is interested in everything and wants to know how everything works. His favourite word is "why?”, but luckily his parents and sister never seem to get tired of explaining things to him. @jenniferiawrence named him Atlas in her fanfic Give Me Your Wild, and that always stuck with me/seemed like a lovely name for him so credit goes to them for that headcanon, haha!

[somefanficrecomendations]

December Monthly Roundup

Here's December's fic round up!

DC/BATMAN

Worlds Saddest Breakfast Club by motleyfam   (gen)7k, Hurt/Comfort, Jason Todd-Centric Following a couple of Very Bad Weeks™ (which may or may not have involved being kidnapped and mildly tortured), Jason decides the best way to cheer himself up is to break into the Manor for a 3 a.m. snack. Turns out he isn’t the only one awake.

Batstream by RandomReader13 (gen), 6k, Bats on social media, Humor   “I want it on record that I think this is a terrible idea and I’m only doing this to mitigate the damage." AKA Red Robin decides it's a great idea to livestream patrol while Batman's off-world. It goes about as well as you'd expect.

cards on the table by wesslan (gen) 67k, WIP, Fortune Teller AU, Tim Drake-Centric  Tim's parents faked their deaths and fled the country years ago, but neglected to take him with them. He spent some time on the streets, and now at 16, he makes a living as a fortune teller, stalking and hustling the shit out of Gotham's elite by telling them eerily accurate fortunes based on the information he gathers about them.  His life is peculiar but he wouldn't change a thing. When he gets booked for the big Wayne Halloween party, however, he finds himself getting all tangled up with the Waynes, and the more fortunes he tells, the tighter the snare becomes.  or: Tim just wanted to scam Gotham's elite, not end up on the Batfamily's watchlist. But it seems they just won't leave him alone..

(a not so) lonesome town by wesslan   (gen), 10k, 2-part series, Sentient Gotham, Jazz music. Two works in which Gotham City is sentient and adopts enough kids to rival Batman himself (Batman is one of them).

Banshee in a Well by liverobinreaction (bugbee) (gen), 43k, Meta Tim, Resurrection Powers   Tim is five years old when he drowns in his parents' pool. He dies quietly, waiting for parents who love him, but will never be there, to realise that something is wrong. They never show up, and he sinks into oblivion.  When he wakes up and claws his way out of the water, the sun has set, and the lights of his house are on. He is cold and wet and his lungs burn.  But most of all, Tim is alone.  (If you die and no-one is there to see it, were you ever alive in the first place?)

HUNGER GAMES

right here in the old therebefore by californianNostalgia (Katniss/Peeta) 14k, Canon Divergence, Ghosts There’s a ghost at the Hanging Tree. Katniss sees him first when she’s six, her hair in braids, the song about the growing gallows fresh in her mind. This changes nothing. This changes some things. (In which Lucy Gray killed Coriolanus at the lake.)

How Rue Became the Mockingjay by aimmyarrowshigh (multi) 5k, Different 74th Victors AU Katniss Everdeen and the girl from Eleven are ruining their best-laid plans – the Capitol’s and the Rebels’. So Caesar, they say. Announce the change. An alternate chronology for The Hunger Games.

CROSSOVERS

Annabeth and the Nine Step Career Plan by feeling_the_aster_9145 (Annabeth/Percy), 76k, PJO x DCU, Annabeth gets Lex Luthor arrested, BAMF Annabeth. Annabeth Chase does not accept limitations. Everyone knows that. If she wants something, no matter how impossible, she will find a way to make it happen. Though, perhaps she will allow Bruce Wayne and his ridiculous paranoia-induced company restrictions a small portion of the credit. Actually… now that she thinks about it, the man may have had a point in his worries. Wayne Technologies does not accept college interns. Annabeth always has a plan B.

A Lesson in Superiority by Nation-Ustria (gen), 96k, WIP, Batfam x Harry Potter, Damian Wayne is Harry Potter, Wizarding Politics “The good news is, he’s not cursed,” Constantine says. “And the bad news?” Dick asks sharply. Constantine squints. “I wouldn’t call it bad news so much as, er, news.” He turns to Damian with something like a grimace. “You’re a wizard, kid.” “...I’m a what?”

[witheringscreations]

5 Dogsill Hairs Recolored in AMPified

60 add-on swatches in everything-amp's AMPified Palette

Meshes are not included

All credit goes to @dogsill for these hairs!

Meshes: Dorothy / Kris Bun / Miley Mullet / Rue / Stacie

Download: Patreon/SFS - Dorothy / Kris Bun / Miley Mullet / Rue / Stacie

@maxismatchccworld @alwaysfreecc @public-ccfinds

[the-universe-in-our-mind]

DAY 1 OF FLUFFTOBER: Lost pet meet cute

Ship: Evan x Xiao

Fandom: Potion Permit

Words: 623

Arriving in a new village, where most people do not like you at first, is always a challenge. Yet, it’s something Evan had been ready to face, as his coworkers from the big town had warned him about. Moving to Moonbury Island, after the incident, was not the best decision, they had told him. Without ever explaining the incident.

But here he was. The mayor had introduced him to the villagers, which had gone, as expected, not well.

Evan had worked hard to find a cure for the mayor’s daughter, Rue, which he had found pretty quickly. He was now pretty much accepted in the village, maybe tolerated for certain people.

It was one of those calm mornings, where no one was at the clinic, which he now was responsible for. Banjo had begged to be let outside, and Evan was watching him, as people were walking around.

Unexpectedly, Banjo barked at something, which made Evan look at him. As Banjo walked to the tavern, Evan was following him closely. The dog grabbed in his mouth what seemed to be a small object.

“What did you find, Banjo?” Evan approached him, now being able to identify the object as a pen.

As he was about to grab it, Banjo started running in the city hall’s direction.

“Banjo, wait!” Evan yelled before running after him.

He lost him for a second, not being able to catch up.

But as he continued in the same direction, he was able to find him. Embarrassment took over him as he noticed the dog, sitting in front of Xiao, the mayor’s assistant, tail shaking. But as he saw Xiao’s startled expression turn into a softer look, getting down to pet Banjo, he felt a bit relieved.

Evan walked up to them, with an apologetic look.

“I’m so sorry, he took off running before I was able to catch him.” He let Xiao know and the assistant looked back up, with a small smile.

“That’s okay. He does look adorable. What’s his name?” He asked him in a friendly tone.

Well, that did go better than he feared it would go.

“His name’s Banjo.” Evan said with a smile.

As Xiao got up again, now with a more professional smile, Evan realized the actual reason why Banjo must have run toward Xiao.

“By the way, would this happen to be yours?” He asked, as Evan placed his hand near Banjo’s mouth, who let the pen fall into his hand. Evan wiped it quickly on his shirt before handing it to the other man.

Xiao looked surprised at the view of the pen, nodding, before taking it.

“It is, actually. Where did you find it?” He wondered and Evan chuckled as he pointed at his dog.

“Oh, all the credit goes to this one. He was trained to pick stuff people would leave behind.” He explained as he started petting Banjo, who barked in what seemed an affirmative answer.

“Oh,did he?” Xiao said, with curiosity.

“Yes, he used to work with me at the hospital with other patients.” Evan explained quickly.

There was a small silence and Evan stood quickly back up.

“Anyway, I better get him home. I’ll get the potion you asked for later.” He assured and Xiao nodded.

“Alright then. Have a good day, Evan.” Xiao said before heading inside the city hall.

Evan felt his heart calm down a bit as the other man was now inside the building. Well, that was definitely a way to make an impression.

Banjo barked again, his tail still shaking. Evan looked at him with a resigned look.

“You’re a good boy, Banjo.” He assured before walking him back home.

[hustledimension]

The Filmmakers of The Road to El Dorado

From here

DON PAUL (Director) most recently served as co-head of the visual effects department for DreamWorks’ first traditionally animated feature, "The Prince of Egypt."

He was previously head of effects for Walt Disney Feature Animation, where he worked on such hits as "The Little Mermaid," "Aladdin," which earned a BAFTA nomination for Best Visual Effects, and "Pocahontas."

Paul began his career right out of college when he was accepted into Disney’s training program. His earliest credits at Walt Disney Feature Animation include "The Fox and the Hound" and "The Great Mouse Detective." He also worked on such projects as "Who Framed Roger Rabbit," "An American Tail," "The Land Before Time" and "Amazing Stories."

Eric "Bibo" Bergeron (Director) previously worked as an animation supervisor on such films as "The Adventures of Pinocchio" and "The Goofy Movie." He worked at Amblimation in London, where he served as an animation supervisor on the features "An American Tail: Fievel Goes West" and "We’re Back! A Dinosaur’s Story." In addition, Bergeron founded his own animation studio, Bibo Films, in 1993, which is located in his native France.

Hailing from Paris, Bergeron studied art at the Ecole de la rue Madame. He graduated from the animation school CFT- Gobelins in Paris, where he later taught classes. He went on to serve as a director and animator on various commercials at several different studios in Paris. He also worked in London at Passion Pictures and ULI Meyer studios as a commercial animator. While at ULI Meyer, Bergeron animated a sequence from "FernGully: The Last Rainforest."

Bonne Radford (Producer) became one of the first employees at DreamWorks when it was founded in 1994. She served as Head of Feature Animation until 1996.

Prior to joining DreamWorks, Radford worked for Amblin Entertainment, beginning as a controller and subsequently being promoted to vice president of finance and production. She became head of animation at Amblin in 1990, overseeing the animation studio Amblimation in London.

During her tenure at Amblin, she worked on such hit films as, "E.T. The Extra-Terrestrial," "Back to the Future I, II, and III," "Who Framed Roger Rabbit," "Indiana Jones and the Temple of Doom," "The Color Purple," "Empire of the Sun," "An American Tail: Fievel Goes West" and "The Land Before Time." She made her producing debut as an executive producer on the animated film "Balto."

BROOKE BRETON (Producer) was instrumental in launching Jim Cameron’s effects house Digital Domain, where she held the post of senior vice president of production for several years. During her tenure, Digital Domain created the visual effects for such blockbusters as "True Lies," "Interview With the Vampire" and "Apollo 13." They also created the effects for the "Terminator 2 - 3D Attraction," which is currently featured at Universal Studios Hollywood.

Prior to joining Digital Domain, Breton served as the associate producer on three Star Trek features: "Star Trek IV: The Voyage Home," "Star Trek V: The Final Frontier" and "Star Trek VI: The Undiscovered Country." She also produced the visual effects for Warren Beatty’s "Dick Tracy."

A 20-year Hollywood veteran, Breton began her career at Paramount Television, where she worked on such shows as "Happy Days," "Laverne & Shirley," "Angie" and "Call to Glory." Years later, she returned to television to serve as supervisor of post production on the first season of the popular series "Star Trek: The Next Generation."

JEFFREY KATZENBERG (Executive Producer) is a principal partner in DreamWorks SKG, a multi-faceted entertainment company, which he co-founded with Steven Spielberg and David Geffen in October 1994.

He previously served as the executive producer of DreamWorks animated epic "The Prince of Egypt," which grossed over 225 million dollars worldwide, and won an Oscar for Best Original Song ("When You Believe"). The film more recently enjoyed a hugely successful release on video and DVD.

BILL DAMASCHKE (Co-Executive Producer) is executive in charge of production at DreamWorks Animation, overseeing day-to-day operations for all feature animation projects.

He began his animation career working on the feature "Pocahontas." Coming to DreamWorks, he served as production manager on "The Prince of Egypt."

A graduate of Illinois Wesleyan University, Damaschke has a BFA in Music and Theatre.

TED ELLIOTT & TERRY ROSSIO (Screenwriters) previously co-wrote the Oscar-winning animated musical "Aladdin," starring the voice of Robin Williams, which became the top-grossing film released in 1992. They more recently scripted Martin Campbell’s action adventure hit "The Mask of Zorro," starring Antonio Banderas and Anthony Hopkins.

Elliott and Rossio’s earlier live-action credits include "Small Soldiers," Roland Emmerich’s "Godzilla," on which they shared story credit, "Little Monsters," starring Fred Savage, and "The Puppet Masters," starring Donald Sutherland.

In 1996, Elliott and Rossio became the first writers signed to an overall deal at DreamWorks SKG. They are currently working on DreamWorks’ upcoming computer animated feature "Shrek," based upon the children’s book by William Steig, and starring the voices of Mike Myers, Eddie Murphy, Cameron Diaz and John Lithgow.

ELTON JOHN (Songs) has been a creative force in the music industry for over three decades. In addition to his status as a legendary recording artist, he was honored with an Academy Award and a Golden Globe Award for Best Original Song for "Can You Feel the Love Tonight" from "The Lion King," shared with lyricist Tim Rice. In addition, John and Rice co-wrote the Oscar-nominated songs "Circle of Life" and "Hakuna Matata" for "The Lion King," which still reigns as the top-grossing animated feature and generated the top-selling album of the year.

Today, the songs from "The Lion King" are delighting Broadway and London audiences in the award-winning stage production of the musical. John and Rice have since teamed again on the Broadway-bound musical "Aida," based on the Verdi opera.

John began his domination of the music scene at the beginning of the 1970s, when his songwriting partnership with lyricist Bernie Taupin resulted in a succession of gold and platinum albums and number one singles. In 1971, he became the first artist since the Beatles to have four albums in the American Top 10 simultaneously. Honky Chateau, released in July 1972, began a string of seven consecutive number one albums.

His long list of successful album titles also includes Elton John, Tumbleweed Connection, Madman Across the Water, Don’t Shoot Me I’m Only the Piano Player, Goodbye Yellow Brick Road, A Single Man, Victim of Love, The Fox, Jump Up!, Too Low for Zero, Breaking Hearts, Ice on Fire, Leather Jackets, Reg Strikes Back, The One, Duets, and The Big Picture. John’s extensive catalogue of hit songs includes "Your Song," "Daniel," "Bennie and the Jets," "Goodbye Yellow Brick Road," "Don’t Let the Sun Go Down on Me," "Candle in the Wind," "Philadelphia Freedom," "Rocket Man," "Someone Saved My Life Tonight," "On and On," "I Don’t Want to Go On With You Like That," "The One," "Something About the Way You Look Tonight" and many more.

In addition to his Oscar, John’s numerous honors include Grammys and American Music Awards. In 1994, he was inducted into the Rock and Roll Hall of Fame, and, in 1998, he was knighted by H.M. Queen Elizabeth II. He was presented with a Grammy Legend Award at this year’s Grammys.

TIM RICE (Songs) is one of the music industry’s most renowned lyricists and a triple Oscar winner in the category of Best Original Song. He won his first Academy Award and a Golden Globe for the song "A Whole New World," written with Alan Menken, from the animated hit "Aladdin." He took home his second Oscar and Golden Globe, shared with Elton John, for "Can You Feel the Love Tonight" from the blockbuster "The Lion King," in addition to earning Oscar nominations for "Circle of Life" and "Hakuna Matata" from the same film. He won his most recent Oscar for "You Must Love Me," from the film version of "Evita," which he co-wrote with Andrew Lloyd Webber.

Rice has also enjoyed success on the stages of Broadway and London’s West End, and in theatres worldwide. His partnership with Andrew Lloyd Webber resulted in the musical hits "Evita," "Jesus Christ Superstar" and "Joseph and the Amazing Technicolor Dreamcoat." He also worked with Alan Menken on six new songs for the stage production of "Beauty and the Beast." Rice and Elton John again collaborated on the hugely successful Broadway production of "The Lion King," which won the Tony Award for Best Musical and recently opened in London. He and John more recently teamed on the musical "Aida," based on Verdi’s opera, which is about to open on Broadway.

Rice’s other notable stage musicals include "Blondel," with music by Stephen Oliver, and "Chess," with music by Bjorn Ulvaeus and Benny Andersson from the group ABBA. The latter spawned an internationally successful album that featured the hit songs "One Night in Bangkok" and "I Know Him So Well." In addition, Rice has collaborated with such notable composers as Marvin Hamlisch, John Barry, Paul McCartney, Burt Bacharach and the late Freddie Mercury on songs not written for the stage.

In 1994, Rice was knighted by H.M. Queen Elizabeth II.

HANS ZIMMER (Composer) earned dual Oscar nominations last year for his score for the animated musical "The Prince of Egypt" and Terrence Malick’s World War II drama "The Thin Red Line." In 1994, he won both the Academy Award and Golden Globe for his score for the blockbuster "The Lion King," which marked his first collaboration with Elton John and Tim Rice. The highest-grossing animated film to date, "The Lion King" also spawned one of the most successful soundtrack albums ever, which sold more than 12 million copies worldwide. The composer has also been honored with Oscar nominations for "As Good as it Gets," "Rain Man" and "The Preacher’s Wife."

Currently, his music for "The Lion King" is again drawing applause in the award-winning Broadway production of the musical. The show earned the 1998 Tony Award for Best Musical, as well as the Grammy Award for the Best Original Cast Album.

Over the last 15 years, Zimmer has composed music for over 60 feature films, as well as television projects. His credits include "The Peacemaker," "The Rock," "Broken Arrow," "Nine Months," "Crimson Tide," for which he won a Grammy, "Beyond Rangoon," "Cool Runnings," "A League of Their Own," "Black Rain," "Thelma & Louise," "Backdraft," "Green Card," "True Romance," "Days of Thunder," "Driving Miss Daisy" and "My Beautiful Launderette," to name only a portion. He is currently scoring DreamWorks’ upcoming epic drama "Gladiator," for director Ridley Scott, and "Mission: Impossible 2," directed by John Woo.

In addition to his composing work, Zimmer heads DreamWorks’ film music division. His appointment marks the first time that a composer has headed the music department of a major studio since the days of Dimitri Tiomkin at MGM and Alfred Newman at 20th Century Fox.

JOHN POWELL (Composer) created the score (with Harry Gregson-Williams) for DreamWorks’ computer animated hit "Antz," and more recently scored the comedy "Forces of Nature," starring Sandra Bullock and Ben Affleck. He made his film scoring debut with John Woo’s action thriller "Face/Off," starring John Travolta and Nicolas Cage. He also composed the score for the film "Endurance" about Olympic champion runner Haile Gebrselassie, which fused African, Arabic and Western music. Powell is currently re-teaming with Harry Gregson-Williams to score DreamWorks’ upcoming animated comedy "Chicken Run."

A native of England, Powell graduated from Trinity College of Music in London. In 1988, he landed a job composing music for commercials and television at London’s Air-Edel Music. There he also made his first foray into feature films, assisting Patrick Doyle on "Into the West," and working as an electronic music programmer for Hans Zimmer on "White Fang." He left Air-Edel in 1995 to co-found his own studio with fellow Trinity College alumnus Gavin Greenway, where they wrote music for over 100 commercials and independent films, as well as the opera "An Englishman, Irishman and Frenchman."

Moving to the United States, Powell scored the DreamWorks Television series "High Incident" and the pilot "For the People." In addition, he arranged songs written by Stephen Schwartz for DreamWorks’ animated epic drama "The Prince of Egypt."

RAYMOND ZIBACH (Art Director) previously worked as a background key and production painter on animated portions of the hit basketball comedy "Space Jam," which blended live action and animation. He also worked as a background key on such popular Nickelodeon cartoons as "Ren and Stimpy" and "Rocko’s Modern Life." His other credits include the television and direct-to-video projects "Darkwing Duck," "Aladdin and the King of Thieves," "Timon and Pumbaa" and "Shnookums and Meat."

Zibach is a graduate of the Otis/Parsons School in Los Angeles, where he majored in design and illustration. In addition to his work on the screen, he has lent his artistry to book illustrations for such titles as Around the World With Timon and Pumbaa, Aladdin’s Quest Series, The Lion King Series, Princess’ Collection and The Genie’s Tale.

Paul Lasaine (Art Director) previously worked as a background supervisor and visual development artist on DreamWorks’ "The Prince of Egypt."

Before coming to DreamWorks, Lasaine worked as a matte painting artist on a variety of live action films, including "Mortal Kombat," "The Santa Clause," "The Jungle Book," "The Pelican Brief" and "Dick Tracy."

Lasaine grew up in Encino, California, and received a Bachelor of Fine Arts degree from California State University, Northridge.

WENDELL LUEBBE (Art Director) counts among his other art directing credits the animated films "A Goofy Movie" and the upcoming "Return to Neverland."

Luebbe holds a Bachelor of Fine Arts degree in Design from the University of Kansas. He also studied character animation at the California Institute of the Arts.

Christian Schellewald (Production Designer) previously served as a visual development artist on DreamWorks "The Prince of Egypt." He began his animation career at Amblimation in London, where he worked as a layout artist on "Balto."

Hailing from Essen, Germany, Schellewald studied graphic design at the University of Essen. He went on to work as a comic strip artist and freelance illustrator, before segueing into animation.

DAN PHILIPS (Digital Supervisor) joined DreamWorks Animation in 1995, and helped to establish the visual effects department for the division. He most recently served as co-visual effects supervisor on "The Prince of Egypt."

Philips began his career with the Canadian Broadcasting Corporation working in graphic, set, and production design. He then worked for Omnibus Computer Graphics as creative director and art director. Segueing to freelance work, he worked on the visual design and art direction for film and video advertisements for Diet Pepsi, Digital Computers and Rubbermaid.

In 1990, Philips joined Walt Disney’s Feature Animation as the head of Computer Generated Imagery (CGI), where he worked on the animated hits "Beauty and the Beast," "Aladdin," "The Lion King" and "Pocahontas."

James Baxter (Senior Supervising Animator - Tulio) was an animator on the central character of Moses in DreamWorks’ "The Prince of Egypt." Presently, he is the supervising animator on the wild mustang Spirit, the main character in DreamWorks’ tentatively titled "Spirit," due out in 2001.

Baxter previously served as a supervising animator on such characters as Quasimodo in "The Hunchback of Notre Dame," Rafiki in "The Lion King," and Belle in "Beauty and the Beast." He also worked on such animated films as "The Rescuers Down Under" and "The Little Mermaid."

Born in England, Baxter attended West Surrey College of Art and Design. He began his career at Walt Disney Studios London as an in-between artist and animator on Jessica Rabbit and Roger for "Who Framed Roger Rabbit."

DAVID BREWSTER (Senior Supervising Animator – Miguel) recently served as the supervising animator on the pivotal role of Older Rameses in "The Prince of Egypt." He was previously an animator on "The Hunchback of Notre Dame," and a supervising animator on "FernGully: The Last Rainforest." His additional credits include "Rock-A-Doodle," "All Dogs Go to Heaven," "The Land Before Time," "The Grinch is Back" and "Rock and Rule," among others. Early in his career, he did several years of series work on such cartoons as "Scooby Doo" and "The Flintstones."

In addition, Brewster has worked on numerous commercials and special projects, including spots for Burger King, Nestle’s Quik, Alpha Bits, Shake & Bake, and Rice Krispies.

Rodolphe Guenoden (Supervising Animator – Chel) formerly served as the supervising animator on the character Tzipporah in "The Prince of Egypt."

Prior to joining DreamWorks, Guenoden worked at Amblimation as a supervising animator and story artist on "Balto." He was also a senior animator on "We’re Back! A Dinosaur’s Story" and an assistant animator on "An American Tail: Fievel Goes West."

Guenoden comes from France where he attended CFT - Gobelins in Paris.

KATHY ZIELINSKI (Supervising Animator – Tzekel-Kan) served as an animator on several character in "The Prince of Egypt." She is presently working as an animator on DreamWorks’ upcoming film, tentatively titled "Spirit."

Zielinski was previously the supervising animator on Frollo in "The Hunchback of Notre Dame," various incarnations of Jafar in "Aladdin," Hexxus in "FernGully: The Last Rainforest," and Frank, the frill-necked lizard in "The Rescuers Down Under." She also served as an animator on such projects as "Mickey’s Christmas Carol," "The Black Cauldron," "The Great Mouse Detective," "Oliver & Company" and "The Little Mermaid," and as a character designer on "Pocahontas."

FRANS VISCHER (Supervising Animator – The Chief) previously served as a directing animator on such features as "Cats Don’t Dance," "Bebe’s Kids" and "Rover Dangerfield." He also worked as an animator or storyboard artist on the features "Who Framed Roger Rabbit" and "The Goofy Movie."

In addition, he was an animator or storyboard artist on a variety of other projects, including the shorts "Tummy Trouble," "Michael and Mickey," "Back to Neverland," "The Duxorcist" and "Night of the Living Duck."

Kristof Serrand (Supervising Animator – Altivo and Cortes) was the supervising animator for older Moses and Pharaoh Seti in "The Prince of Egypt." He is currently working on DreamWorks’ tentatively titled "Spirit," due out in 2001.

Prior to joining DreamWorks, Serrand worked at Amblimation in London as a supervising animator for "Balto," "We’re Back! A Dinosaur’s Story," and "An American Tail: Fievel Goes West." Serrand also worked as an animator on such features as "The Big Fight," "Asterix in Britain" and "The Cesar’s Surprise."

A native of France, Serrand studied at CFT- Gobelins in Paris, where he later taught classes for five years. He also worked as an animator in the military service for the Army’s cinema department.

(note from me: spirit actually came out in 2002, but it looks like it was planned for 2001)

[daredevil-larue]

Lucine's blog

Heyy! My name is Lucine La Rue, but you probably already knew that. My parents are Silena Beauregard and Clarisse La Rue. I know, I just got lucky in life.

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆⋆｡°✩˖°.🪐°. ⋆ ･:

NAME:Lucine

ALIAS:Lucy, Lulu

AGE:15 years old

GENDER:Female

PRONOUNS:She/her

SEXUALITY:Pansexual

SITUATION:Single

RELATIONS:Silena Beauregard(mama), Clarisse La Rue(mom), Ares(grandpa), Aphrodite(grandma)

☾⋆⁺₊✧Personality

Lucine is very competitive maybe a bit competitive. She is very sweet even if she looks intimidating sometimes. Her first meeting with new people is usually very kind, but if you speak about a single thing that they disagree with, you can get into a very heated discussion very quickly. When she doesn't like you, it is also VERY well-known, but she doesn't dislike people easily. She hates losing and takes great pride in knowing that she made her parents proud. She is a daredevil and can occasionally be reckless.

She loves the colors: pink, red, blue and black. Black, because it goes with every color, pink/red because it matches with her parents and blue because it's her and her mom's eyecolor. Any bad words about her family and you're on her hate-list.

LIKES:Winning, meeting new people, playing monopoly, discussion that result in her proving her point, capture the flag, accesoires, dancing, fighting against people she dislikes.

DISLIKES:People that don't take her serious, losing, tea, alarm clocks, riddles.

☾⋆⁺₊✧Out of character

This PJO rp blog is ran by @thegirliezzz

ASKS: OPEN/CLOSED

Irp tag: #lulu talks

Ooc tag: #the girliezzz ranting

Ask tag: #lulu replies

Credits to:

@saradika for the dividers

@lokiwiiiiiii for the layout

(thanks, Love)

[rose-of-pollux]

In honor of Robert Clary, I would like to present my “List of my favorite things/moments about Louis LeBeau”--

(Do note that this is not a final list, and everyone in the fandom is welcome to add their own)

Just the fact that he is the “angry smol” trope that we all love.

The dogs adore him, and he adores them.  And he’s got the German dogs responding to his French instructions.

He can cook anything (except chow mein).  Whether he will or not is another matter (see: his melodramatic overreaction after being asked to make a pizza.  Though, to his credit, he eventually did it.)

His reaction after seeing Klink walk in on them during a mission and being told that there is no back door to escape from: “I’ll make one!”

Bluffing his way through impersonating a chemist by using a handbook of pharmacy and getting his observers drunk out of their skulls.

The fact that he’s claustrophobic, but deals with it 98% of the time; he only fainted twice, and those were in even smaller spaces than normal--i.e., a safe (where he was legitimately running out of air) and a miniature tank (where he was under immense pressure to maneuver the thing).

His entire attitude towards Newkirk, which can be summed up as “That Englishman is the absolute worst and wouldn’t know a good meal if a platter of it hit him in the face. [beat]  He is also mon pote, and if you even think of harming a hair on his head, I will personally see to it that you rue the day you walked in here.”

Is normally super-competent in all of the team’s espionage work... unless Marya is in the vicinity, in which case he falls victim to Heart Eyes syndrome.

Him channeling Indiana Jones and going “It belongs in the museum!” whenever Burkhalter or some other general raids a French art gallery.

From “Don’t Forget to Write,” when Klink interrupts his singing, he responds with a death glare and goes “I haven’t finished yet,” in the darkest tone possible.

This exchange, ca Season 4: Kinch: LeBeau, this meal is sheer poetry! LeBeau: [angry bilingual rant about Klink] Kinch, without missing a beat: That’s also poetry.

Anytime Klink tries to question him and LeBeau responds with an angry rant in French that no one understands.

His Wile E. Coyote moment in “Man in a Box” when he realizes he left all of the explosives next to the bit that’s ignited.  Cue mad scramble.

Acting drunk along with Newkirk in “The Big Picture” to create a diversion: “I MUST!! HAVE!! MORE!! SCHNAPPS!!”

Going into full and complete “temperamental artist” mode in “Gowns By Yvette”

His entire “trance” act in that one ep, which he breaks only once to give a “Mon Dieu, is he really that dumb?” look at Klink in the middle of it.

And lastly, saying what he thinks are his goodbyes to the rest of the team in the Season 6 opener when he thought he was going back to France--especially that slight, subtle cracking of his voice when he says goodbye to Newkirk in particular.

This character has always been one of my favorites in the fandom, and these are just some of the reasons why.

[shitter]

Hey guys! My partner is participating in a sweepstakes to potentially win $13,000 (which would help us both out a LOT), and she basically has to have the most votes to win! Every day you get one free vote, and you can also pay to give her more votes. All of the money goes to a pediatric cancer foundation, so it’s no big deal if she ends up losing. You need to either verify your identity via Facebook or your credit card (I know), but other than that it’s pretty simple and easy to use. Right now she’s neck and neck with this guy that cosplays leatherface but he kinda sucks so PLEASE HELP OUT!!!

Anyway here’s the link:

[ask-the-reaper-conspiracy]

(psyche locks, ten years ago) *makes darn sure Klint is at the prosecutor's office* *goes to the van Zieks estate and finds the kitchen entrance and hopefully a cook or maid* Oh hello! I'm your neighbor. Well, from down the way, but might you spare a bit of yeast? My neighbor just had a baby so I thought I'd make her some bread, but I'm all out! You must have a fine job here. What an honorable couple you work for. Lord van Zieks is so well regarded for his passionate sense of justice, though I admit his hound frightens me! Between Balmung's growl and his Lordship's glare when something's vexed him they make a fierce pair. I think my neighbor needs someone like that to set her in-laws straight, or chase them away, haha! Do they ever go after ne'er-do-wells like that?

"Oh! Always happy to spare some for the less fortunate! ...as Her Ladyship would say." "Sounds like you need more than yeast for your troubles, though, ma'am." "You needn't be afraid of Balmung or the master, though!" "Lord van Zieks makes some odd requests at times---just ask Miss Rue who buys the groceries--but he is a kind man at heart." "Though I bet he and Balmung could put on quite the act for those in-laws, haha!" "Here--give your neighbor and her little one my regards, now, won't you, ma'am?"

—————–

Check this page for credits

[witheringscreations]

5 Enrique Hairs Recolored in AMPified

60 add-on swatches in everything-amp's AMPified Palette

Meshes are not included

All credit goes to @enriques4 for these hairs!

Meshes: Anaya / Coquette / Erika / Lorena / Rue

Download: Patreon/SFS - Anaya / Coquette / Erika / Lorena / Rue

@alwaysfreecc @public-ccfinds

[an-aura-about-you]

2, 9, 10 & 25 fandoms of your choosing

2. a compelling argument for why your fave would never top or bottom

Right outta the gate with this one, aren't we? Ok, I'm gonna pull out a cut for this. Also spoilers for Malevolent for the first question, Princess Tutu for the second, and The Magnus Archives for the last two.

So! I actually have no idea what the deal is in the Malevolent fandom so idk if this is me being a hater or just me being me, but here's why Arthur Lester would never bottom: he doesn't need to because he's already figuratively bottoming 24/7 what with being possessed by John Doe/the King in Yellow. In order to get an interesting dynamic, Arthur needs to be the one penetrating John. It's only fair. (Though now that I think about it, for either option to work out, it'd either be a handjob or anal fingering. I should probably read some actual Malevolent fanfiction because I am certain this porno already exists.)

9. worst part of canon

For this one I'll go with Princess Tutu, and that's that the show is structured in such a way that we don't see Mytho confront Fakir or Rue about their abuse of him. I put in my own two cents on a post about this, but dammit OP is right and should say it.

10. worst part of fanon

I have seen and heard some nightmare shit about The Magnus Archives fans harassing others for having different headcanons about the characters, and that is absolutely bullshit. And since I'm being a hater, I'll talk about one of those headcanons and the correct way to deal with that. So there's this trend I see with people writing fic of Jon and Martin having sex before the Unknowing, one of them being trans, and this resulting in an unplanned pregnancy. This goes against my own headcanons, both because I can't even picture them kissing before the Unknowing much less having sex and because not once in any fic I've tried to read that explores the topic has anyone been able to convince me that Jon's the sort of asexual person who would have sex in this situation. So you know what I do? I BLOCK THAT SHIT AND DON'T BITCH TO THE CREATORS ABOUT IT BECAUSE THEY'RE ALLOWED TO MAKE WHATEVER THEY WANT TO MAKE AS MUCH AS I AM!

25. common fandom complaint that you’re sick of hearing

Related to the above point with The Magnus Archives, I am so sick of people policing how fat Martin is. Yes, he says he's not the smallest guy, lending credit to him being fat. But he also has to be able to fit through a basement window since that's very much a thing that he does in canon. There are different levels of fat, and acting like a person's wrong for drawing Martin less fat than another artist is stupid. Not to mention getting on the case of artists who depict Martin losing weight as a result of the trauma he suffers overall, particularly in season 4. I know fatphobia is a very real thing. It's something that affects me because, newsflash, I'M FAT! But I'm also 1. not as fat as I used to be because I have lost some weight and 2. not as fat as other fat people. Acting like there's only one way to be fat is stupid and I hate it.