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The Sounds of Silence
Heāll always be your father, my mother often says. Through oxygen lines, or exhaustion brought on by another infusion. Itās difficult to argue with someone whose body is perpetually a battleground for biology. Ā When he left her, left us, left the house and the dogs, the three mortgages under both their names, it was quiet. He had waited until it was just the hem and haw of my motherās machine, supplying her with fresh air. The canary-colored walls of the house stood unusually cheerful, pockmarked with family portraits and my fatherās military achievements. I was the only child that had not moved out yet, and I hurried out the electric blue front door. My boyfriend and I were headed to see the snow in Julian, falling softly on the mountains. To smile at the melting. Ā
Be safe, my mother said. And hem and haw.
-
I donāt remember him much, anyway. When people bring up anecdotes of their fathers, of football games, camping trips, I recall much more macabre scenes. Almost sitcom in their absurdity. The first deep memory I can conjure was when he returned from Iraq, the first time. My mother was anxious, and we had rented a cheap motel in 29 Palms to collect him. I was glued to the television; the BTK serial killer had just been caught. And my father circled around the room in silence, handing out dollar gifts to us. And I wondered what made a murderer, and what made a hero. Ā
- When he retired from the military, my father had decided that we were going to live in our first real, non-doublewide home. In a suburb. With canary yellow walls, and an electric blue front door. He hadnāt been able to pin down a career because he was in the infantry in the military ā meaning frontline, and no discernible skills that translate to civilian life. But that didnāt matter ā my mother worked full-time for years and continued to work. At this point, she had collected a pacemaker, a āzipperā in the middle of her chest from a double-bypass, but had yet to be acquainted to the lullaby of the oxygen machine. Nothing tying her down, yet. No hem and haw. The only sound echoing in the living room was the constant sharp click of the loudly colored front door ā the sound of leaving. The cost of a home we couldnāt afford.
-
When my father was upset with my sisters and me, we often wouldnāt know till days later. Iād come home from school, turn on the computer and find an email from him. Iād ask my sisters, did dad send you an email too? Theyād nod, and confirm that they too received a lengthy email, often ripping our characters to pieces. Iād close the browser, turn around towards the empty living room, the bright yellow walls, and ask a muted what the fuck? And they didnāt have an answer. Ā
-
Thereās something smothering about snow.
The way that sounds are enveloped in its cold, and stamped out. Julian was exceptionally cold the day he left. The clops of the carriage horses felt muffled, and the words of tourists seemed choked in the air. The way the town was holding its breath that day. Ā
-
We had just begun to watch the world around us melt when I received the call from my mother. She was gasping for air. He ā he ā he ā left āme, a shriek so loud the snow couldnāt swallow it. I asked what? Not to her, not to anyone in particular, because I already knew the answer. I pleaded with her to breathe, to hem and to haw. And then click. She had hung up. It would be an understatement to tell you that I thought I had lost my mother in that moment. I knew that if she wasnāt dead, she had died anyway. Ā The hour-or-so crawling down that mountain, back to that loud blue door, felt like days. My boyfriend drove back, knuckles taut-white on the wheel, to the tune of my sharp, stuttering breaths and elongated groans. Ā
-
He had left a letter
And gone with a suffocating click of that fucking door, while my mother hemād and hawād the machine air upstairs.
The letter cried how he wasnāt in love with her anymore, and he was suffering from PTSD - something heād take back-and-forth from us in the years to come when it was convenient for him. Blame, blame, blame, he wrote. The loudest letter Iāve ever read. Ā
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This isolation gave me time to reread some of my favorite books, books that were mostly given by family and friends. Just as expected, they were in good condition- exactly how I left them. The leaves are clean, with no folds, stain, or scribbles, except for the occasional dust that occupied the cover and outside pages while I was away. They could even pass as new just like the ones sold at bookstores, displayed on shelves waiting for someone to call them their own.
But this is not about how they have been neatly kept even after having them for years. I am here to introspect whether I am giving them the love they deserve.
For so long, I thought I always have to keep them at their ābestā. I do not even let anyone borrow my books unless I am sure they will handle it properly. Even I was always more than careful whenever I read. But then again, is this how they should live? Shouldnāt the stories be made colorful by notes, stains, any other āmemoryā the pages are bound to keep?
Old books always bring me fascination because of the history attached to them. How the white pages have turned brown over the years, how some even fell prey to decay. I love the smell, how some words are starting to fade.
From childhood, I learned the habit of buying second-hand books from book sales. Some of the books have names on them, scribbles, remnants from another life, or a lifetime, maybe. It was always a happy feeling to keep someone elseās memory through the books we share. As we already know, books may be inanimate but the stories are not.
Going back to my wonder, shouldnāt books be able to live their nine lives or more? Shouldnāt they be passed on to as many people as possible? Shouldn't they be read until ruined? Shouldnāt books be stripped down until they are left naked and vulnerable to truly know what they are trying to say? Or isnāt that a bit of an overkill?
As I read another book, I am sure these questions will often cross my mind. But even with so much curiosity, I do not think I can fill the pages with my words or marks. I cannot even promise to pass them on, not yet. Instead, I will commit to memory all the stories they tell. Hoping that one day, I will be telling the world stories of my own. And from there, the cycle goes on.
After all, there is no handbook. In reading, love is valid in all of its forms. Wild, silent, plain, and simple, name it. We should all read and love the way we think we should. āTo each, their own.ā
June 6, 2020 4:00 AM
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RE:d
RE:d, red. the canvas is dripping with red.
red from love
red from loss
the red of a glowing hot iron
a brand upon my skin
the stain you seared upon my heart
how can I thank you?
what can I say?
you graced my life with a gentle touch
turned everything into golda
but that touch clenches into a tormenting grasp
for as much as you have given me
you also take away
a childhood spent together
days filled with laughing and learning
all taken for granted
time gone to waste
you left too soon
I spent so long at your bedside
keeping my vigil
but when I was away
you, with your cruel, cruel jokes
just got up and left me
left me for another home
after you were gone, I searched for you
I needed you
wanting you to somehow appear
but you were always just out of reach
lifeās bitter unfairness
I was such a fool
a senseless human
loving something so mortal
putting so much of me into you
a single soul dwelling in two bodiesb
what it is to be human!
stuck in the past
muddling through the present
eyes set on a hazy future
a future not guaranteed
merely a rug to be pulled from under our feet
still, my life meant nothing without you
to others
merely a breeze passing by
but to me
you were as a hurricane
destroying everything in your path
I saw you in all things
I still see you
torturous taunting
never ceasing
no rest for the weary
relief came only through tears
waters of the floodc
for my soul to float upon
misery became me
and there was no escaping myself
in my despair I had found a new friend
but my grief was merely in your stead
as superficial as this life in which we invest so much
only to have these mortal things ripped from us
as thorns on a rose stabbing into our souls
I often still think of you
and wonder how life would be
would we have finished our schooling together?
we so frequently shared thoughts
conversations never to be had again
words I can no longer bear
how would my life be different?
we had the sweetest of friendships
your soul breathed energy
breathed life
into mine
the exhilaration of knowing
my eyes would once again gaze upon your sweet face
such satisfaction
the sweetness of stolen pearsd
I may never taste again
so here I sit
writing these words
a sermon that no one will heare
tears fill my well
ink splattered in vain
and somehow you are with me
I feel you beside me
quietly guiding my hand as I write
and the satisfaction creeps back in
RE:d, red. the canvas is dripping with redf.
red from loss
red from love
for though you take away
you have given me so much
and for that I will never forget you,
the color by which you lived
red, red.
My soul is dripping with red.
āRE:dā Revealed
The true emotional inspiration behind this poem came from the loss of my brother. I happened to be reading St. Augustineās Confessions in one of my classes at the time and the passage about the death of his childhood friend struck me right to my core. It was as though he was writing exactly what I was feeling. Thus this poem was born and served as my ācreative essayā for the class. One of my favorites Iāve ever written. The following was my written explanation of my poem to the professor if you are interested:
The inspiration for this poem came from the passage in which Saint Augustine recounts his reaction to the death of his childhood friend (Confessions IV.iv.9-IV.iv.12). As I was reading this passage, the way in which Augustine described his grieving struck me as very beautiful and heartfelt and relatable. I consequently elected to write this poem from his point of view in remembering his friend.
Being a heavy topic, I wanted to truly embody Augustineās grieving process so I accentuated this poem being stream of consciousness, hence the minimal punctuation and heavy use of stanza division. Moreover, because the structure is so unorthodox, I wanted to note some aspects of my work that I people who read the poem tended to miss:
Perhaps the most important aspect is the organization of this poem. As he remembered his friend, Augustine jumped from emotion to emotion, traveling between anger, sadness, disbelief, and so on, and I really tried to capture that emotional chaos. I decided to utilize the title to insinuate the topic of the poem, but not openly. Though the choice of the color red was fairly random (other than it being a passionate color), the spelling of the title was very deliberate. āRE:ā is the prefix email subjects when replying to a message, and ādā is the first letter of ādeathā. In tandem, they subtly imply that this poem is Augustineās reply or reaction to the death of his childhood friend.
Throughout the rest of the poem are various references to other myths or stories, emphasizing the worth Augustine placed upon his friend and the depth of the grief Augustine felt. In referencing King Midasa, I wanted to accentuate the value Augustine placed on all that he shared with this friendāsomething as valuable as gold. Moreover, in the text, Augustine paraphrases Aristotleās statement on friendsb, making the quote an obvious choice to include in this poem (qtd by Confessions IV.iv.11). On the more somber side, I allude to the Biblical story of the floodc in reference to how Augustine felt as though his grief was replacing his friend. In doing so, I was intended to hint at the vastness of Augustineās sorrow. The flood was on a world-wide scale: the vastness and depth that is found in that story closely mirrors the extent of the grief that Augustine was feeling (Gen 7). He got such satisfaction out of that friendship, which I later parallel to the exhilaration and satisfaction he got when he and his friends stole pears from the orchard (Confessions II.v.9).
Finally, Augustine, in my poem, takes a moment to step back and consider why he is writing what he is writing. As I thought about how his thought process, my mind immediately jumped to the lyrics from The Beatlesā song āEleanor Rigbyāe: a sermon that no one will hear,ā (LennonāMcCartney). The words seem apropos, as no amount of poems or songs could ever bring back the friend whom Augustine lost. Yet at the same time, Augustine seemed to take comfort in remembering the sweetness of his friendship, which leads to the alteration of the opening phrases in the last few stanzasf. Whereas the opening line is the same each time, the words ālossā and āloveā are switched, as well as ātake awayā and āgivenā. Moreover, in the final repetition of the color red, the correct spelling is used, underscoring both the passion that tends to be associated with the color red as well as the closing of the poem: Augustine is finished āreplyingā to the death of his friend and now just wants to be left with the happy memories he has with this person.
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Trip To Paradise
āThe most beautiful things are not associated with money; they are memories and moments. If you don't celebrate those, they can pass you by.ā Everyone has itās own way to create memories. Either in good way or bad way, or through expensive or ordinary way. We got good memories from different things. We got good memories from friends, family by blood, family by heart, and love ones. I remember back then, it was summer vacation year 2016. My tita suddenly invited me to go with them, they are planning to have a two days and one night outing at Dinadiawan, Aurora, so with no dought I accepted her invitation. The night before we travel I packed already the things I will need. I am little bit excited because it will be the first time of mine to go there . Iām excited to see pleasing views. 5 am in the morning we started to travel from Santiago to Aurora.it took 12 hours of travel, there were time we need to stop to eat. We are not yet in our destination but we already saw a beautiful Godās creation. A healthy mountain, crystal clear river, maddela river that was wider than the normal river, and specially the Sierra Madre whos one of the famouse mountain in the Philippines. We also encountered an ethnic group which is the Itas. My eyes were sparkling and shinning like a gem, my feelings is an active volcano that any second may explode, and an unexplainable excitement, the momment I saw the natural beauty of the wide blue ocean and the white sand in the shore, I feel like millions of birds are singing and flying inside me, like I am no more myself, all of a sudden everything turns perfect. So right after we got a place to rest and fixed our things like what cheetah do we run fast as we can and play immediately to strong and big waves. The day spent well but the night came such amazing too. Listening to loud splash of waves hitting the shore, tasting the clean air, and entertain ourselves by hunting some animals that are more active at night such as crabs, we hunted two different colors of crab, some got a mixed color of orange and white some got blue and white. It really gives relaxation and makes you escape the cruel world even just for a while. On the other day, I heared that my titas are planning to go to the nearest falls from us, So my ears are flapping so hard like suddenly there were an aura came out in me. The water from the mountain falls wildly, the water was cold as an ice, and surroundings was full of trees. A perfect place to eliminate stress. It was a exhaustible experience but a priceless one. Whatever way we make good memories, through simple or fancy, as much as we are happy. Everyday we got new memories to cherish and another chapter of life to value. #CreativeEssay #CreativeWriting
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Excited & honored to have my artwork featured on the Welcome Table Press website along with "Essaying the Body Electric Project". The organization's founder, Kim Dana Kupperman, @kimdana59 is a friend, an extremely talented & wonderful writer & the site features winning pieces focusing on the creative essay. Kim & I are also looking to commence collaboration on a graphic novel very soon. Follow the link -------> http://www.welcometablepress.org/essaying-the-body-electric/ #art #artwork #instaart #artgram #nycartist #nycart #nyartist #nyart #brooklynart #brooklynartist #illustrator #illustration #strangeart #weirdart #biography #artistbio #welcometablepress #writing #essays #creativeessay #justinweingartnerdesign
#illustration#brooklynart#creativeessay#art#justinweingartnerdesign#artgram#nyartist#nycart#instaart#strangeart#nycartist#welcometablepress#brooklynartist#artwork#artistbio#illustrator#weirdart#writing#essays#biography#nyart
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