#crazyhorsesaloon

[thierrydemuredinicola]

«God save our bareskin», crayons rouge et noir, 104x75, 2020. En hommage aux danseuses du @crazyhorseparis_official dont la grâce joyeuse nous manque, la vie fera t elle que je les peindrai d'après nature un jour? Cette oeuvre est un grand format, la photographie ne lui rend pas justice. #thierrydemuredinicola #arte #contemporaryart #dessin #grandformat #crazyhorsesaloon #art #crayon https://www.instagram.com/p/CCQRK1IMM8S/?igshid=6gs6qtsafp5q

[jjrigs]

#pacifico #beer at #crazyhorsesaloon #nevadacity #drinkswithjj

[n3actes]

Being a Producer: Crazy Horse Girls and Wandering the Streets of New York: What does a movie producer do, anyway? According to Richard Corliss, one of the editors of Time magazine: This is the Hollywood equivalent of Freud’s “What does a woman want?” The most popular misconception I run into is that a producer is someone who funds your movie. If that were true, we wouldn’t need the term “investor”. It may be that a producer attracts money to a project but that is only a part of his or her job of attracting anything and everything a project needs to be viable and get up onto its own legs. After I left Paris and returned to Los Angeles to market The French Chef which I’d shot with Philippe Léotard, I found that I was getting interest in The Crazy Horse Saloon revue which was situated on the avenue George V. I had met with Alain Bernardin, the owner of this Parisian landmark and had secured the rights to the show for cable TV in the US. Not realizing it at the time, other US companies had already been negotiating with Alain for those rights including Al Burton who was Director of Development for Norman Lear. The rights went to me—for a token $1. You might say, a producer’s job is being in the right place at the right time and being able to speak French. Photo by @chantalsimon_(Continued in comments) #producer #hollywood #film #filmmakerslife #paris #newyork #crazyhorsesaloon #alainbernardin #johnklemmer #jakegittes

[eliotgt]

Good time last night at the #CrazyHorseSaloon with the #VapeCrew for #FridayNightMeets @alexidbritsch @bsaintmedia @casperthehemi @tiagbimmer ect.

[welcometochico]

December 31st, 2013! New Year's, 2014! Crazy Horse Saloon and a sexy midnight masquerade ball!

Wear your formal attire for discounted entry. Free masks to the first 50 people. Prizes for the best dressed.

There will be multiple DJ's, a midnight balloon drop and champagne toasts to bring in the New Year.

Keep up with our event calendar and check out more events!

[n3actes]

My week on the Marne River came a few months after I shot ‘Montmartre’ using Parisian actors who were friends or friends of friends. It had been a wonderful way for me to inaugurate a career as a writer-director. Paris had given us a cool but dry October in which to film. I shot in and around the art galleries, on the Place du Tertre and along alleyways that led nowhere yet were gateways to the imagination. At the first screening of ‘Montmartre’, I made the acquaintance of a man who had enjoyed success in the insurance business and was looking to make a career change. My film had intrigued him. It didn’t take long to establish that we shared a passion for boating. He kept a sloop moored at Toulon; mine was a little further away at the Marina Del Rey in Los Angeles. Over dinner, we traded a sufficient number of sailing stories to establish our bona fides and the result was an invitation to spend time aboard his boat for a week. There we could discuss ways in which he might make a move into the entertainment industry. It wasn’t until a few days before our departure that I discovered our destination wasn’t Toulon, but Meaux. While he did have a forty-two foot sailboat on the Mediterranean, he kept a forty foot cabin cruiser on the Marne River near Meaux, which would be our destination. So it was that we packed up and, with our girlfriends, drove off to an area famous for its mustard. The setting was an unspoiled harbor in a woodsy area next to a small inn. I tend to see settings in the context of movie locations, and this one couldn’t have been more picturesque. I don’t remember there being more than a dozen boats and we were the only people on the scene that day. After we brought aboard our provisions, my friend started the engine and we slipped out of the small harbor onto the Marne. We cruised along the river enjoying the late afternoon light looking for a place to anchor for the evening. We found it. There was a bend in the river that was wide enough to keep us well clear of any boat traffic and their wakes. (Continued in comments) #film #filmmaker #france #marne #crazyhorsesaloon #montmartre