#couldn’t find a gifset for the life of me in 2014

[charmedseoull]

Interview with sugamins about her work House of Cards (Ao3′s second most hit English work and most hit BTS work)

Before You Read the Interview

Archive of Our Own Transcript

Reddit Transcript Part 1 / Part 2

House of Cards is documented within the Top 50 Most Hit BTS Works on Archive of Our Own Project, otherwise known as T50BTS, by Charmedseoul. It is the second most hit English work on the Archive of Our Own platform, most hit BTS work, and 16th most hit work overall. It centers around the internationally popular K-Pop idol group BTS (Bangtan Sonyeondan) with the main characters being Park Jimin, Kim Taehyung, and Jeon Jungkook. This work is being documented for historical purposes for the Fanlore website with its own page. Charmedseoul is a BTS-focused anonymous historian who plans to eventually document each of the top 50 most hit BTS work on Ao3 as in depth as this one. If you are in contact with any of the authors of these works, please contact her on Twitter @charmedseoul or on Tumblr @charmedseoull.

Parts of this interview have been edited with links to Fanlore and Wikipedia pages for understanding. Any information in [brackets] serves for further clarity for readers and elaboration of information.

Disclaimers: This interview contains spoilers for the BTS Archive of Our Own work House of Cards. The story’s Archive of Our Own tags contain violence and gangster activity, along with discussion of prostitution and drug use. The full tag list is:

Alternate Universe - Gangsters

Gang Violence

Violence

Drugs

Drug Use

Explicit Sexual Content

Explicit Language

Blood and Gore

Blood and Torture

Gambling

Gunplay

Undercover

Disturbing Themes

Homophobic Language

Attempted Rape/Non-Con

Xenophobia

Dom/sub

Threesome - M/M/M

Drug Addiction

Dubious Consent

This interview discusses an 18+ mature work and Not Safe for Work topics. Please read this interview at your own discretion. You are responsible for the content you consume.

House of Cards by sugamins is a multi-chapter Archive of Our Own fanfiction that follows police officer Kim Taehyung’s undercover operation into the gangster world of Haedogje Pa. Jeon Jungkook, shrouded in an air of mystery and dubbed “The Boy,” is the heir to this crime empire. Park Jimin lives with him, acting as a lover of sorts in a high, pristine penthouse apartment. The story follows the three and their complicated relationship where sex, violence, and drugs surround them. Kim Taehyung tries to take down the empire as his moral lines of black and white begin blurring into gray. In this crime-ridden alternate reality to Seoul, everything from the structure of the gangster world to the trust between three lovers is as fragile as a house of cards.

Now presenting the interview with sugamins, author of Archive of Our Own’s second most hit English work and most hit BTS work, House of Cards:

How did you start writing?

How did you get into fanfiction?

How much writing experience did you have prior to House of Cards?

Do you have any literary or artistic inspirations? Any other authors or works that have inspired you to create anytime before or after House of Cards?

How did you become an ARMY [ARMY stands for Adorable Representative MC for the Youth. It is the fandom name for fans of BTS, otherwise known as Bangtan Sonyeondan]?

I started writing fanfiction in 2012. But before then, I used to enjoy writing stories as a child and young teenager. I used to write and illustrate my own stories. I even had a sketchbook filled with my own comic book, which was terrible! But I've always been creative. It started with art and then I moved onto writing when I discovered I was able to be much more creative with my words rather than my pencil.

I first got into fanfiction through my years spent on Tumblr. I had always known that it had existed, but I had never really gone looking for it because I hadn't belonged to a fandom at that point in my life. It was back in 2012 when I stumbled upon an EXO fanfic that a lot of people were talking about (Arbitrage, you can find it on Livejournal.) I read it and then thought...wow, so this is fanfiction! From that point, I started reading more and more, mostly Infinite fanfiction. And then I decided to start writing with the encouragement of an old online friend, and here I am!

In terms of writing experience, I have never formally received education. I stopped studying English Language and Literature when I was 16, instead focusing on Art, History, and Religious Education (purely because I wanted to learn about philosophy and quantum mechanics) for my final two years at high-school. The only experience I have is through writing fanfiction. I started back in 2012, and I've developed a lot since then. I started off small, writing horror short stories and little collections. Brotherhood was the first 'long fic' I created. I was shocked that it managed to get so big because I had never created a story of that size before. Writing helped me gain experience and figure out what worked and what didn't work, what I was good at writing, and where I was lacking and needed to learn. I don't think you can really experience an art form until you start doing it. You can learn all about the techniques and the conventions, but until you pick up a pen and start writing or drawing, you won't ever know what it means to create.

My literary inspiration has always been Stephen King. Which is funny, as he has described himself as 'having diarrhea of the typewriter.' I think that applies to me sometimes. I am a bit of a wordy writer, though I've started honing it down for certain stories. Sometimes, a story needs to be floral and descriptive, sometimes, it needs to be punchy and direct. So, King was my major inspiration, especially with horror. I also enjoy the works of Poe and Lovecraft (I acknowledge the problematic themes in the work of Lovercraft and seek not to praise him as a person. He was a terrible person for sure, but sadly, he had a way with cosmic horror that is hard to find.) I also enjoy Chuck Palahniuk and the dark, seedy and overall zany stories that he has created. I like his style a lot!

In terms of inspirations for House of Cards, I was obviously inspired by the films Infernal Affairs/The Departed. American Gangster and Training Day were also major inspirations (and also because I love Denzel Washington's performances in both films. I mean, who doesn't love him?) But I also drew inspiration from other sources that were less focused on gangs, more focused on the dark, nihilistic state of the world around us. I couldn't recommend the TV series True Detective hard enough. It is one of the best series I have ever watched. It handles dark and disturbing content so well, and its fractured, unreliable story-telling and philosophical musing is some of the best I've ever seen on screen. I highly recommend checking it out, but be sure to check the content warning and triggers because it certainly isn't suitable for younger audiences and those with triggers. In terms of real-life content, I think Ross Kemps' docu-series are very good. Particularly Extreme World and On Gangs. His docu-series show the dark and disturbing side of criminal activity, the drug trade and more. 

I became a fan of BTS [Bangtan Sonyeondan] back in 2013. I had already been a fan of K-Pop for some time by then, as I had started listening to various K-Pop and K-Rock artists back in 2009. I knew of their debut, but I had seen hundreds of new acts debut by the time that they broke into the scene, and so I didn't pay much heed. Someone I followed on Tumblr at the time kept posting about how much she loved them, especially Taehyung [BTS V/Kim Taehyung]. One day, I stumbled upon a gifset of Yoongi [BTS Suga/Min Yoongi] being sarcastic in one of their first interviews. I thought he was funny, so I decided to check them out. At the time, they had recently released We Are Bulletproof Pt. 2 [BTS’s second music video release with their debut album 2 Kool 4 Skool]. I followed them from that point, and their first comeback [A “comeback” refers to when a K-Pop idol group releases new music, usually done twice a year.] was also my first comeback. I liked their music [BTS released Boy In Luv and Just One Day in 2014, both music videos of songs from their Skool Luv Affair EP.], but I liked them even more as individuals. I loved watching their shows [Here is a link to BTS’s schedule during 2014 when they had their first comeback. You can find the shows and interviews they were on there.], even though they are incredibly embarrassing to look back on now. They just had so much energy and looked to be having so much fun that I was having fun just watching them. I was a fan, I liked a lot of their songs and followed their activities. But it wasn't until they released HYYH Part One [Hwa Yang Yeon Hwa Part 1 (Korean) = The Most Beautiful Moment in Life Pt. 1 (This is the title in English), released with the I Need U and Dope music videos.] that I really became a fan of their music. I had already created a couple of small horror stories for the fandom at that point. HYYH Part One [The Most Beautiful Moment in Life Pt. 1] inspired me so much that I created Brotherhood, my first 'long fic.' I joined AO3 [Archive of Our Own] and started posting there. I received so much support from fellow fans that I carried on writing, and the rest is history!

How has your experience being an ARMY [Adorable Representative MCs of the Youth, BTS’s global fan base name.] been? Did you ever leave the fandom then come back? How did you interact with others when you first got into the fandom and as you grew up?

How have you been since you wrote House of Cards? What have you been working on? 

Are you okay with talking about how old you are now and how old you were when you wrote House of Cards?

Before you even wrote House of Cards, what inspired it? Any TV shows? Music? Movies? Books? Ideas? It could be anything.

How did you start writing House of Cards? Did you finish the entire story then publish it or did you write it as you went? What was the writing process like?

Did you have any beta readers or editors? If you did, are you still in contact with them now? How did they feel about your work?

My experience being a fan has mostly been positive over the years. In the earlier days, back around when I first started writing for the fandom, it was certainly much more positive. I've received so much support over the years, not only in my writing but in my personal life from readers and fellow fans that being a fan of the boys [The members of BTS] really has changed my life. That's not an exaggeration. I doubt I would even be here now without those years having such a positive effect on my mental health. I've never really been the kind to interact with others and form cliques within the fandom, I just like being in my own space and interacting with everyone that comes my way, I guess?

These days, I'm not as active as a writer or in fandom spaces however. I feel like my time in the fandom has started to come up and I don't know how I feel about it just yet. I feel nostalgic for the time when I was first starting out in the fandom and I didn't really know much, but everything was fun. It doesn't feel so fun now, but I mostly contribute that to the effect that Twitter has had on shaping the fandom's growth. Twitter has never been a good place for creatives within fandoms because of issues with algorithms and such. Tumblr was always the better website for hosting artistic content for a variety of reasons. So, I think the fact that everything is on Twitter now has been partly responsible for my decline in engagement and overall enjoyment. I'm currently taking a break from Twitter. The next couple of months will be what makes me either stay or leave the fandom.

Since writing House of Cards, I've been an active writer in the fandom. Over the years, I've added quite a lot of stories to my AO3 accounts and various pseuds. My largest ongoing story is another gang story, set in the 1980s, called Valentino Summers. I actually started writing and publishing it on Ao3 just four or so months after I finished House of Cards—which is wild to think about. Finally finishing House of Cards seems like such a long time ago in my mind, and yet I'm still working on a story I created that same year! I like contributing horror stories to the fandom, especially in the Halloween period. I like publishing series in the month/upcoming weeks before Halloween—though I won't be doing so this year [2020].

When I started writing House of Cards, I would have just turned 22. It was inspired by the song 'Wires' by The Neighbourhood. I might be mistaken, but I believe that Jungkook [BTS Jungkook/Jeon Jungkook] posted a tweet with the song in it. [Jungkook did tweet about this song. Here is the English translation.] I had never heard of the band before, but my partner was a fan of their music. She sent the song to me and I was very interested in the lyrics, so I started discussing them with her. One thing led to the next, and then we had basically come up with the entire plot of the story. We just needed to create the characters. We spent a little while doing so, and then I started doing some research and started writing the story. There really isn't a grand backstory to House of Cards, it just happened so fast. We often come up with story ideas like that, and my partner is responsible for a huge amount of my stories. She has the creative visions, which I then turn into words. We make quite the team, haha~ The inspirations, I mentioned those in my previous answer regarding films and TV shows.

I published the story as I went, though I staggered the updates because I didn't want to post too frequently. I had the entire story planned out from the start——I didn't change a single aspect of the story no matter what I received in terms of feedback. I think a lot of readers assume that writers might tweak things if they sense the audience wants something to happen in terms of plot or relationships. Personally, I don't like doing that. I like sticking to my plans even if I know my vision might not be what the readers want. I think it's important for the story to be created the way I see it because my vision is what made me create it, if that makes sense.

The writing process was surprisingly smooth! You might not think it because the story is big and there are a lot of characters and plot threads to keep on top of, but it went smoothly for me. It flowed just as smoothly from start to finish as Brotherhood did. I never struggled once with writing the chapters, nor did I ever get stuck and wonder if I should change the content in order to make it easier to write. I'm surprised that I managed to complete it so easily because that's not the case with writing now! I tend to be a lot slower now, more deliberate and more open to changes in order to ease the process and the overall flow of the story. In a way, this change has been for the best. I do wonder what House of Cards would be like if I were to write it now, with my different approach to planning and writing. It would probably have a quicker flow, and the word count would either go down as a result of cuts, or go up because of additional scenes I would have likely included.

I didn't have any betas, which you can probably tell from the work. My stories are so big that I never wanted to put the burden of fixing them onto someone else. I know they are imperfect, oftentimes bloated things, but that's just what they are. I did try creating a story with another writer in the past, but it didn't go very well. She would often have conflicting opinions on things and would not have any leeway for anything I suggested, whereas I always had leeway to allow her to change things. Even to the point of completely changing the plot of the story that I had already started writing, and then allowing her to add graphic sexual content she didn't even want to be in the story. She actually stopped writing fanfiction randomly in the middle of us creating the story! She made a post about it being disgusting and nasty and then bowed out. I have no clue if she ever came back! So, my negative experience with attempting to work with someone else when creating a story kind of made me not want to have a beta. It's a wild story, I know!

House of Cards is praised for its realism and accuracy with weaponry, torture, sex, and violence. How did you research these things?

How did you come up with the gangster universe in House of Cards? How did you develop Haedogje Pa?

How did you name the original characters in House of Cards? Did any characters in particular take inspiration from existing characters in TV shows, anime, books, any type of media?

How did you decide on Vminkook as your main characters for the story? What do you see in their dynamic and them as characters?

Jimin is claimed to be one of the best written characters in the entire story. What was your thought process when characterizing him and developing him?

Taehyung is an especially dynamic character whose morals get tested time and time again in House of Cards. What was your thought process when characterizing him and developing him?

Jungkook is one of the characters that the readers spend the least amount of time getting a perspective from, but is incredibly well written in his character progression. What was your thought process when characterizing him and developing him?

When it came to various aspects in the story, I did do research. Most of it never really had an impact on the story itself. For example, I would be looking up gun models that are used by law enforcement agencies around the world and trying to find specs of them so I could learn how many bullets each gun held, or how much a magazine could hold. In action scenes, I didn't want my characters firing off 20+ bullets for a gun that—in reality—holds far less. That's a fact that doesn't really mean much to the average reader, but it meant something to me! I've always hated how many bullets fly through the air in action scenes in films and TV shows because I'm always wondering if it's possible with the firearms featured in the scene haha~ In terms of torture, I've come across the subject through various documentaries and TV shows about gangs, crime and serial killers. I didn't really do much additional research into the topic, beyond reading up on what I had come across to make sure it wasn't fictionalised for drama purposes. Obviously, there will be some lack of realism in my story because I couldn't possibly write a realistic portrayal of gang violence and torture when I have zero personal experience with it. My aim wasn't to give the story 'full' realism (I'll explain more about that in the next question) but to simply create a world that felt real, even if there were little aspects that had to be exaggerated for the sake of the story. Taehyung's behaviour when undercover certainly broke many procedures. The only thing working in his favour that allowed him to get away with it is that the crimes he committed couldn't be directly traced to him. But a real undercover agent would never do the things that he did on behalf of the gang. Basically, this means that the entire story is unrealistic! But of course, it wouldn't be very entertaining if Taehyung simply observed from the background and didn't dirty his hands. So, I had to bend and break the rules a little!

For the universe, I knew that I couldn't base it too much in reality. Because of basic Korean law, it would have been impossible for me to write the gang operating in the way they did in the story—especially with guns. Most Korean gangs tend to use other forms of violence and weapons in order to control their respective areas, rather than guns. My other story, Taste of Ink, has what I would consider a more realistic approach to gang activity—with the main weapons being knives, baseball bats, etc. and the main forms of violence being assault instead of flat-out murder. So, for the sake of allowing guns to appear in the story, I had to create a Neo-Seoul, so to speak. I took inspiration from Korean gangs, and mixed it with influences from other gang cultures in order to create 'Haedogje Pa.'

When it comes to naming original characters, I honestly don't put much thought into it. I like to use real names for inspiration. I often Google various Korean films I've watched and read the cast list in order to find interesting character and actor names. This is because I have a habit of reusing names sometimes. For example, readers of my stories might have come across a couple of Daesu and Goohee characters. Do you know where I got these names from? I picked Daesu from Oh Daesu - Choi Minsik's character in Oldboy. Goohee comes from the manhwa 'Let Dai' - he is the stubborn gang leader that actually has a good heart beneath his rough exterior. I ended up liking him the most by the end of the story, so his name is one that often comes to mind when I need to pick an original character name.

I never really consider real life dynamics when I'm writing because my stories are so detached from reality that it seems pointless including any inspiration from reality. I chose the three main characters simply because, at the time, they seemed to fit the character moulds the best. The other characters fit their respective characters so well (especially Namjoon [BTS RM/Kim Namjoon] and Yoongi) that I simply thought it was best to have Taehyung, Jimin [BTS Jimin/Park Jimin] and Jungkook as the three lead roles. I chose them more based on how I thought they could personally fit the characters, rather than focus on the dynamic. To use Taehyung as an example, I thought that he would fit the character of the informant in my story because in reality, he is intelligent and seemed like he would suit the role. For Jimin, I thought he would be a good choice for a character that some might think is vulnerable or even weak. He is actually very strong and the most important character for the plot progression. For Jungkook, I liked the thought of someone with such an innocent outer appearance hiding a dark secret.

I'm so glad that readers took to Jimin so positively on a whole. I know there are some that hated him, or that hated the fact I chose him for such a role (a 'negative' sex worker role). But Jimin is the most important character for the plot progression. It is through him that the entire plan finally culminates in the explosive finish. I wanted to treat him with care because I understood that his character could go very wrong if not handled correctly. It would have been easy for him to simply become nothing more than a sexual prop, should the story have focused too much on Taehyung and Jungkook as the key players. So, I decided to subvert it by giving Jimin the ultimate hand in the story and allowing him to have more control than Jungkook in the end. If Jimin had not decided to follow through with the plan, if he had decided to snitch or had simply refused to do his part in exposing the gang, the story would've ended drastically differently. But I also didn't want to write Jimin taking control of the entire situation at the end because it would've felt ingenuine. He is a character that has been deeply affected by a lifetime of trauma. I was worried that some might take my portrayal of his trauma the wrong way, and see him not as a character that has suffered immense mental damage but rather as an annoying, weak character that gets in the way of more 'interesting' dynamics. I'm sure there will be readers that think that. Mentally traumatized individuals are often seen in such negative light, be they fictional characters or real people. When writing his character, especially in the later scenes, I wanted to make sure the trauma he experienced would shape his behaviour. Writing the scene of him getting ready to leave, when he is taking his pills and he doesn't think he can do it, it was hard. It was hard getting into that headspace of feeling so powerless in the moment and knowing that freedom is in reach, but not knowing how to achieve it. He was a difficult character to write, but I think he turned out just right in the end.

Taehyung was probably the best character to write. I love characters that start off so morally upright and pristine, and by the end of the story, their backs are bending and close to breaking from the weight of their conscience and misdeeds. His character has many facets to him that made his perspectives so interesting to tackle. From his green days in the gang, where he is horrified by the violence he sees, to the changes in his psyche as he starts to become desensitized to it all. Fundamentally, Taehyung begins the story as a good man, a hero, but by the end, there is no black and white thinking. He has become grey, muddied from his time spent in the gang. Is he a hero for bringing them down? Would a hero do the things that he did in order to bring down the gang? He killed people. He tortured people. He threatened a man with a gun, a man he knew had a deepset fear of guns that would severely trigger him. I think it all depends on how the reader sees it. The hardest thing to write for his character was his troubled descent into the relationship between him, Jungkook and Jimin, and how it affects his thought processes and emotions. I didn't want House of Cards to be seen as a romantic story when I created it. If readers see it that way, they are more than entitled to their own interpretations. I cannot tell them how they can interpret my art, that is not my role as the creator. I don't know if I effectively portrayed the co-dependency between the three main characters as well as I would've liked. But I had never tackled such a story and themes before, and so it was all new to me.

I didn't know that Jungkook had the least perspective from the three main characters. Similarly, I never really put that much effort into creating and developing his character! Jungkook simply 'happened' in the moment. He would appear in the chapter, and then his character would basically take control of the scene. I never really knew what he was going to say or do beyond my rough plans for each scene. I just waited until he appeared and let the creative spirit flow through me. That's how he came to be! I've had that happen many times in the past with characters—they have a life of their own and I've no control over them. In my story, Brotherhood, Taehyung happened the same way. It was impossible to write his character in that story because he was so wild and free-spirited that it didn't feel right unless his behaviour was a total spur-of-the-moment reaction to the other characters and new plot points. But with Jungkook in House of Cards, I don't know why I didn't have him planned out like the others. It's interesting to think that he might've had a good progression when I never planned any of it in detail!

Were there any original characters you particularly liked writing or enjoyed?

When you wrote for the BTS hyung line, how did you determine their roles in the story and characterize each of them?

Is there a reason behind Namjoon saying “brother” or was it a consciously written character quirk?

When you handled more serious subject matter in House of Cards, how did you feel when writing it? Were you ever startled by your own work?

Was there any type of purposeful titling for the fanfiction chapters?

What was your reason for House of Cards’ open ending?

I liked writing Lim, the original informant that helped Taehyung join the gang. I like writing characters that come across as sleazy. In his case, the sleaze was all an act and wasn't true to his character; he was affecting it for the sake of creating a persona. But I enjoy writing absolute sleaze balls too—the kind of guys that have chest hair and wear gold chains and thick watches, who practically ooze oil. I just find them fun! Lim was a good teacher, even when he was rough around the edges. It was sad doing what I had to do to him for the sake of the plot. But I feel like Lim understood the game as well as everyone else, and so he knew he was running on borrowed time. 

Of course, I loved writing Bae Goohee too! He was an absolute bastard! I loved writing this figure that is spoken about throughout the story as a frightening man, one so brutal that the readers are already wary of him before he even appears in the story. I believe that Taehyung refers to him as a 'guard dog' at some point. I think Bae is the scariest character in the story for me because he is so ruthless and willing to do any order that the Jeon clan give to him. That kind of blind and unwavering devotion is frightening!

I also enjoyed writing Sungah and Jangmi. I think they're the only female characters in the story that have dialogue? Sungah has a great backstory that I unfortunately couldn't go into too much in the story, but it shaped her character a lot. I like how frank and intelligent she is—she holds her own even in a department filled with men that receive far more praise than she does simply because she is a woman. She also allowed me to add an angle about the unfair treatment of women in jobs that have power, drawing parallels with how Taehyung faces discrimination from his fellow officers when his sexuality is abruptly revealed during the investigation. As for Jangmi, I just liked writing about the wife of a mob boss! And not one that is simply a trophy wife, but actually has a lot of power and influence across the city. I wish I had been able to feature her more, alongside her husband, Jeon himself. But I like the scenes they appear in and I enjoyed writing them.

For the rest of the members, I had Namjoon and Hoseok [BTS J-Hope/Jung Hoseok]'s characters planned right from the start. I had also created plans for Yoongi and Seokjin [BTS Jin/Kim Seokjin], but I wasn't sure how much of a role they would play in the overall story. As I started writing them, I realised that Yoongi would play an important role in both Taehyung and Jimin's character development, and so he ended up featuring a lot more than I had expected. I planned their jobs and then let them influence how I would write them. Namjoon and Hoseok's characters came naturally. Yoongi's character completely took over his job role and basic description and became a really strong character that I'm proud of. Seokjin was a little trickier because he doesn't appear in too many scenes—but the scenes he does are integral to the plot. I needed to make sure that his character said everything he needed to in his limited scenes. He has quite the bombshell to drop after all! Seokjin was also tricky because I wanted him to have an air of mystery around him. I wanted him to be the kind of guy that not even Taehyung and his police connections would be able to unearth much about; a ghost in the system. I would've also liked for him to feature more in the story, but I feel like his character appeared in the essential scenes that the story needed. He was going to feature more in the planned sequel, being one of the first characters to appear alongside Yoongi. He was going to serve an important role, so I'm disappointed that I didn't get to show those scenes to readers.

With Namjoon, I wanted to portray him as a mature character, but not one that was conservative and stiff. I thought about having him say things like 'man' but that seemed too casual and didn't suit his character. 'Man' made him seem more like a surfer than a police officer. But when he said 'brother' in one of the scenes, I realised the word suited him better. It was fraternal, and it allowed him to show some affection towards the other characters without having to have physical contact with them. It's not the only Namjoon I've written that says 'brother' a lot. In Valentino Summers, Namjoon has experience with hippies in the neighbourhood that he lives in, so he also refers to other characters like Jimin as 'brother.' It just seems to suit him! I guess it's because I like creating Namjoon characters that are intelligent and mature, but still have a gentle and warm presence. I could picture him saying it in real life (I'm certain he already has!)

When writing serious subject matter, I'm surprised to admit that I was never shocked by what I was writing! I guess it's because I already knew that I was going to be handling dark themes. I wouldn't have tackled such subjects had I not felt comfortable doing so. Dark content isn't for everyone, and by that I don't simply mean consuming it. Creating it can be very difficult for some writers, and can even cause distress. It's not easy diving into a world that is filled with crime, pain and fear. It's even harder putting yourself into the shoes of a character that is suffering/has suffered. I was never writing in a desensitised state though. Far from it. I'm actually very sensitive to violence in reality. In fiction, it depends on the violence—but I'm usually not too affected by it. I've been a fan of horror since I was a child, and so I've seen a lot of nasty films filled with gore and 'shocking' deaths that never really had much of an effect on me. Unrealistic violence doesn't scare me. But when it comes to personal violence, that is always frightening to me. It's far scarier writing a scene where a character feels threatened by another character and doesn't know what is going to happen to them then, say, writing a scene of a character dying a bloody, ridiculous death in a horror story. Personal violence is much more realistic, therefore it is more unsettling to write. In House of Cards, the violence is very personal. It's in your face, it's inescapable for the characters that are involved in it. But at no point did I ever feel like I needed to stop writing because I was uncomfortable or scared by the content. If I had been uncomfortable, it would have been very reckless of me to continue writing the story.

My word of advice to fellow dark content writers: it's always important to recognise your own boundaries. There's nothing wrong with removing dark content from a story if you get a bad vibe or feel strange when writing/reviewing it. Always follow your gut instincts and never put out work that you don't like.

When writing stories, I vary between titling the chapters and leaving them blank. For House of Cards, I cannot remember the exact method for naming the chapters. Sometimes, the title comes to me when I am writing the plans and I have an idea that just suits the mood of the chapter. Other times, I have finished the entire chapter and I have to spend some time reviewing the content to decide that the title will be. In some cases, I have finished most of a whole story and I'm still not certain what to title it! I feel like with House of Cards, the titles came after the chapters were finished, or at least when they were works-in-progress.

There are some titles that really stand out to me. 'Nice Teeth' for example, is a really ridiculous title. Going into the chapter, I don't think many readers would've imagined what it could mean. 'Submachine Sodomy' is even funnier. I really can't believe I chose that as a title! I'll bet a lot of readers saw it and thought, "Oh no! Not another gunplay scene!" Luckily for them, it wasn't a reference to Jungkook's predilection for firearms in bed.

In terms of chapter titles that I really like: 'Delusions of Grandeur,' 'I Own This Fucking City,' 'Sleeping Dogs Bite' and 'Carpe-fucking-Diem.' I just feel like these titles are very well suited to the contents of the chapters. They are the kind of titles that have bite to them, that hint at action or an important plot point.

As for the open ending, there are a couple of reasons. First of all, I had planned to continue the story in a sequel that would pick up after the events of House of Cards, roughly a year on after the investigation. However, I did not pursue this sequel. I wanted House of Cards to end on an open note for the sequel to continue the story. When it comes to certain stories, I just feel that closed endings aren't always necessary. I often enjoy stories with open endings. With House of Cards, it didn't seem right just closing the book and saying it was over. There was still so much that needed to be explored. Unfortunately, I decided to not continue it. But I still think that House of Cards' ending fits the story.

Were there any scenes or moments or lines in House of Cards that you were particularly proud of or want to highlight?

If you were to write the Yoomin sequel to House of Cards, how would’ve that looked like?

How were readers’ reactions to your work in the beginning?

Did any reader comments stick with you in particular?

How did you take the criticisms and hatred towards House of Cards for its serious subject matter? When did those types of comments start appearing? Also, where did the hatred come from? Twitter? Tumblr? Ao3 comments? Did people harass you at all or hurt you? How did you heal from that?

House of Cards has a lot of scenes. I'm proud of most of them and I think I did the best I could when writing them. I do not really like the sex scenes, but that is because I wanted to write them in a dirty, sleazy way. If I could, I would change them. I like the action scenes, especially the Gold Monkey Casino and police raid scenes. Action scenes are hard to write! Fight scenes in particular are so tricky. I often sit there, choreographing the fights so I can describe them! I loved writing Yoongi's introduction to the story, when he walks into the scene wearing nothing but his underpants.

One scene that I really liked writing is the scene where Namjoon and Hoseok investigate the USB stick that Taehyung sends to them. I personally love Namjoon and Hoseok's characters. I always enjoyed writing them. In this scene, I liked getting to write them in a setting that was not the police department office. A scene where they got to relax and banter with each other, even though they were still working. They discover a horrifying crime ring in the city, but they are left with no choice but to keep it secret because they do not want to risk blowing Taehyung's cover. I do not know why I really like this scene, I just do.

In the sequel, which focused primarily on Jimin and Yoongi, the plans were to have them reunite through Seokjin—who has avoided jail time through a plea deal with the SMPA. They undergo a healing process together as they try to come to terms with what happened to them. Yoongi has a lot of unhealed trauma from his childhood, much like Jimin, which I only got to briefly touch upon in House of Cards. They grow closer from bonding over their traumatic experiences, and they become happier and healthier as a result. Taehyung and Seokjin were also going to be main characters, with Jungkook, Namjoon and Hoseok making supporting appearances over the duration of the story. It was going to be drastically different from House of Cards because it would be lacking in action and violence. It would have been much more intimate, with much more scenes of characters talking and discovering things about one another.

I cannot remember early reactions to the story, I just know they were positive. There was a lot of positive support from the start. As I updated and started to get more and more into the story, I received a lot of support on tumblr too. I started posting chapter previews there, as I used to get asks [On Tumblr, users are able to ask bloggers questions through an “Ask” function. This can be done anonymously or with their own blog username associated with the question.] requesting them. I got A LOT of asks on my original Tumblr from readers that wanted to discuss the characters and certain scenes. It was really interesting seeing just how much the readers were interested in the story, so much so that they wanted to learn even more about the characters and the universe I had created.

Through House of Cards, I have received comments and messages from readers that had addictions. They told me about how they recognised their own behaviors through Taehyung, and this helped them realise what was happening to them. Those comments stuck with me for obvious reasons. I have family members with addiction issues, and knowing that I could help some stranger I have never met before come to terms with their own addictive behaviours had a massive impact on me. Funnily enough, a negative comment stuck with me. It was not a bad comment, by no means meant to cause offence. It was a comment that was left on the story when I was posting the early chapters. I recall the reader asking when the story was going to pick up the pace because it was too slow. It stuck with me because, at this point in the story, Taehyung had already trained to become an undercover agent, had enrolled in the gang, had met and interacted with Jungkook, and had murdered a man. I was surprised that this amount of development had been seen as 'slow' by a reader, as I had thought the plot had been moving very fast.

I never really had any hate posted on the story when I was updating it. I got angry reactions when I had finished it. Because the story had not ended the way some readers had wanted, I think that was what caused the negative reactions. On my original Tumblr, I even got an ask about how an anon reader was going to write their own ending because my one was bad. I told them that I did not want them to take my story and change it like that. I have no idea if they ever posted the ending anywhere. The angry reactions were mostly from shippers, who were upset with the story not ending the way they had wanted. To them, I ask: what were you expecting from the story? I thought it was always obvious that Taehyung was going to do what he had set out to do from the start, so I do not think I misled readers at all. It was a story about an undercover agent taking down a gang—and that is what I wrote.

I know there was some animosity towards me on Twitter too. Twitter is a whirlpool of negativity, I am not surprised. Writing House of Cards made me appear problematic. My partner used to follow an author a long time back, who tweeted about me being problematic—despite having never interacted with me or admittedly read my stories. It was shocking to me that people were making assumptions of who I was as a person based on a story I created. I have never created stories with the aims of hurting or upsetting others. I am a very quiet and private person, and I hate the idea of hurting others. It was strange to me that people could assume me to be this cruel or even dangerous individual, intent on hurting others, because I created a fictional story. Do they think the same of script writers for television shows? Or film directors, who create films with dark subject matter? Do they think published authors are problematic people for writing dark and disturbing content? Do they think certain genres should not exist because they do not personally like them?

I do think it is strange that fan fiction writers are placed on these ridiculously high pedestals of moral absolutism. Fan fiction was created to be a space for creative outlet for marginalised individuals, particularly queer individuals. The heavy censorship of dark and unusual content is putting this entire ethos at danger. I understand not wanting to have certain topics included in stories because there is a risk that the content can be used for grooming or can be presented in a way that can negatively affect young consumers' perceptions (like pedophilia for example.) I certainly agree that there needs to be boundaries in place to stop the community from being flooded with such illegal content. But I think there is a difference between wanting to remove dangerous content, and wanting to get rid of content you do not like. Content can be problematic to you, but that does not make it dangerous, illegal, or bad. For some readers, the content they create is their way of dealing with trauma. Maybe this is not healthy for them. But that is their decision to make, not yours.

I orphaned the story because I did not want to handle the potential backlash. To put it simply, I do not handle negative criticism well. Not because I am stuck-up and think I am perfect, but because I am a very anxious person. Just reading angry comments makes me feel very uncomfortable, often nauseous. I know that House of Cards has received overwhelmingly positive feedback from readers, and for that I am thankful. But I had to distance myself for the sake of my own mental health. Since orphaning it, it exploded in popularity. I am thankful that I orphaned it because that amount of attention would frighten me a lot, haha~

What was your reaction to the fanfiction trailer by Sappiamur?

How did you come to the decision to reveal your real name in the end note of House of Cards?

How did you feel when you finished House of Cards?

How did you come to the decision to orphan House of Cards?

Did you ever anticipate the overwhelming fan reaction to House of Cards?

How do you feel knowing that House of Cards is one of the most read fanfictions on Ao3?

What do you want House of Cards to be remembered for?

What do you hope people take away from House of Cards?

Why do you think House of Cards became so popular?

I had to go back and watch it. It's been some time since I last have, and I'm still as amazed by it now as I was back then. The trailer is insane. I cannot imagine how much work went into making it. It's so good and it fits the vibes of the story to perfection. I think the first time I watched it, I was in shock. I must have repeated it at least 10 times in a row, just to make sure it was real and I wasn't imagining it. Then I think I screamed about it on my social media accounts, haha~ If you reading this have not watched the trailer, consider doing so. I promise you won't be disappointed.

Back when I first started posting fanfics, I used to get a lot of asks wanting to know my name, my pronouns, stuff like that. I thought by adding my name at the end of the stories, it would help cut down on these requests. But I also did so because I used to get a lot of asks referring to me as 'author-nim' and I didn't like being addressed by this honorific. I'm not Korean so I have no right to receive that honorific. So, I included my real name so readers could address me with it when sending me asks and interacting with me. I don't add my name at the end of my stories now, but my name is in my Twitter bio for those that want to know.

When I finished it, I felt relieved! I was so calm in the moment! Looking back on it, I can't remember much. But I do remember finishing House of Cards without any issues. The final chapters flowed smoothly, it all clicked into place, and I had a great time writing them.

I came to the decision to orphan the story after several nights of contemplation. I was considering deleting the story, along with a few others, but my partner and some friends told me I shouldn't do so. They suggested orphaning it instead. So, I did so. I didn't want to delete it in case readers that had started it had not gotten to finish it yet. I would've felt very mean robbing them of the opportunity to finish the story like that. I don't regret orphaning it instead of deleting it. I didn't want to destroy the story, I just needed some distance between me and the story.

I didn't anticipate it, and I still don't understand it! I'm shocked that House of Cards got the reaction that it received. Do I think it's a good story? Yes, I think that I worked hard to create a story that is enjoyable to read. But did I ever think it would get the reaction it did? Not in a million years! I thought that it would be one of my more popular stories because a) the pairings and b) the content. Gang stories usually tend to get a lot of attention because it's a popular genre in fanfiction. I just didn't expect it to reach such a vast amount of hits, kudos and comments.

I'm in shock that it is one of the most read stories on AO3. I don't think I will ever be able to create another story that will garner that kind of attention and feedback. It's a once in a lifetime thing, so I'm immensely proud of myself for achieving such a feat. But really, it's all because of the readers that it achieved such a goal. I'm so thankful for every single one of them.

I just want it to be remembered for being enjoyable, I think. I don't have any grand and lofty ambitions for the story. I think so long as the readers enjoyed it, that is all that matters.

I'm not sure what I would like readers to take away from House of Cards. I guess I want them to reflect on the idea of morality and that not everything is black-and-white. Good people can do bad things, and bad things can happen to good people. It's hard to answer this question because House of Cards isn't a story that I consider to have deep messages in it? There are no messages about acceptance and love and healthy relationships and such, like some of my other stories.

Honestly? I don't know what made it get so popular. I assume it's because of the pairings or the setting of the story. I know that a lot of readers say they love the story because of how well it's written, but I can't comment on that as the creator, haha~ I can't say my story is well-written as I'm not consuming it from an outside perspective. What I can say is that I do think I created a story that has a lot of twists and turns and betrayals, which I think adds to the enjoyment factor.

How are you now in 2020? Are you writing professionally in real life at all? 

How do you feel BTS fanfiction has changed over time? Since you’ve been writing for it for so long. 

Do you have any messages for people who may read this interview in the future?

I'm not writing professionally. I have self-published two books via Amazon and Lulu. One was a basic re-branding of my story babes in the woods. The other was a total rewrite of Brotherhood, which I called 'Brothers,' featuring a whole new setting and roster of characters. I published them as readers showed an interest in reading original stories. I have been considering rewriting House of Cards as an original work in the future, but I can't say for certain that I will do so.

Since I started writing, I think there's been a lot of changes in the fandom—not only in fanfiction but in general. There's been popular trends that have come and gone (I was around for the explosion of social media and text-based AUs, which I personally am not a fan of) but there's also been a lot of push for more inclusive content. I'm really happy by the amount of inclusive content that I see these days. Despite some pushback from non-queer fans that sometimes have an issue with queer subject matter (for example, trans characters) I think it's wonderful that artists of all colours, genders and sexualities are now proudly creating content they want to see, and not simply just what is 'in demand' from the fandom.

The message that I would like to share with readers of this interview is: stay healthy, stay happy, and most importantly, stay you. I also want to take this moment to tell them this - if you are considering becoming a creator, but you are worried about reception to your work, or that it might not be good enough, stop right now! Stop doubting yourself and just give it a shot! I was once like you, scared that my weird and niche interests and writing would be ignored or even mocked by the fandom because no one would like it. Had I not decided to take the plunge, my life would be so drastically different. I've made so many friends, fallen in love, and completely changed my life by creating fan content. It can be scary, but once you take the leap, you will find your feet coming down on solid earth without any danger.

Thank you for reading this interview. Further below are reminders and information about this interview and Charmseoul’s Fanlore project.

sugamins is still writing on her sugamins Archive of Our Own account today if you are looking for her works. Charmedseoul will not be sharing the author’s social media or contact information.

This interview is a part of the Top 50 Most Hit BTS Archive of our Own Works Project by Charmedseoul. The project documents the works and authors of the top 50 most hit BTS works on Archive of Our Own. All work for this project is done through Fanlore, which is run by the Organization of Transformative Works. However, Charmedseoul herself is not associated with Fanlore or OTW directly. All information documented through this project is done with full transparency.

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This interview was conducted through email from September 23, 2020 to October 25th, 2020 with sugamins’ consent and protections under Fanlore’s Identity Protection policies. Unauthorized reposting of this interview is forbidden. Quotation and screenshot share of this interview is allowed.

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Thank you for reading. If you have any questions, please feel free to ask and I will do my best to answer them.

Charmed Seoul. Fandom Historian based on Fanlore.com. Twitter. Tumblr.

[lostinfic]

Summary: She writes for magazines about luxurious resorts in exotic places and five-star hotels in glamorous cities. He’s photographed devastated war zones, refugee camps and child soldiers. For both of them travel is an escape, but he’s had enough of this grim reality, and she’s had enough of this disconnected fantasy. Perhaps together they can find something in between, something real, and stop running from themselves. Each season, a new destination and a chance to grow closer.

Pairing: Alec Hardy x Hannah Baxter Rating: Teen (for now) Word count: 2.3k

Ao3    |    Gifset

Hardy woke up gasping for breath. The room spun above him. The pillow was damp under his cheek. He squeezed his eyes shut and held his breath until his heart rate slowed down.

The city shone through the curtain-less window. 3:16 blinked on his alarm clock.

He turned on every lamp in his tiny flat, filled the empty space with light. He scrubbed a hand down his face and prepared a cup of tea. As the computer whirred to life, a knot formed in his stomach.

Nightmares were nothing new for him, but they harassed him more frequently since he’d been tasked with selecting his favourite photos for a retrospective exhibition of his work. For twenty years he’d roamed the world with his camera, documenting the best and worst of humanity. Mostly the worst. From war zones to refugee camps, from barren deserts to overpopulated slums. Shining a light on those forgotten and left behind. Twenty years of anonymous faces. Twenty years of people he’d promised to help staring back at him on his computer screen.

Had his work really made a difference?

He clicked on a folder labelled “Syria 2014”. Thumbnail pictures popped up one by one. He’d never accustomed to this jarring feeling: looking at devastated places from the safety of his flat. His brain couldn’t reconcile the vivid memory of fear gripping his guts and chemicals burning his lungs with his quiet surroundings. Here, only the rattle of a too-close commuter train track and one nosey neighbour bothered him. But his brain sought hidden dangers, pushed warnings through his blood.

Tess would have helped him pick the photos, he thought. She’d once been his editor. She’d encouraged and admired his work until his commitment to it drove her into another man’s arms.

Just like this flat, the separation from Tess was meant to be a temporary situation. But three years had passed and now the divorce papers rested in their sealed envelope on the corner of his desk. He wasn’t sure which of the divorce papers or his old photos were the hardest to look at. The children and women he’d failed to help properly or the woman and child he’d failed to make happy.

He opened another folder of pictures, these ones from Tunisia in 2010, during the Arab Spring. An intense time, exhilarating. Still on his chair, he felt the protesters pushing against his body, carrying him like waves. He felt their thirst for freedom, the shift in the balance of power.

He selected a photo of a passionate young woman, shouting her heart out against the regime. Her eyes glistened with tears, her hands held high in peace signs. Red smoke surrounded her like a divine aura. In the next shot, a soldier punched her in the stomach. Hardy’s first instinct had been to take the photo. Thankfully, a young man came to her rescue. Hardy scrolled farther down the folder to another picture of the same young woman, a month later. In the crowd of protesters, she and the young man who helped her are exchanging wedding vows. He wondered what happened to them. He wondered what happened to their hopeful spirits.

Hardy slipped a hand under his grey t-shirt and touched the fresh scar on his chest.

Maybe this retrospective exhibition of his work was a second chance. An opportunity to atone for leaving these people behind.

The exhibition was still months away, in autumn, during a World Press Photo conference. Until then, he’d have to live with the nightmares.

His computer pinged with a new email notification. His eyebrows rose when he saw the sender: Ellie Miller.

I’m sorry to reach out to you like this, out of the blue. I know I haven’t been in touch, but we need your help.

Maybe you’ve heard, I’ve moved to Indonesia. There’s an island here, Pulau Kesuma, and there’s something really wrong going on. Foreign investors seized a huge part of the land to build a hotel, the Mahal Kita, and it’s been having a terrible effect on the local people and nature. I’m sure they must have done the same in other countries too.

I tried to reach out to my former colleagues at BBC World but it’s a small island and they’re all very busy. What we need is a photographer to show the destruction.

Give me a shout if you’re available and I’ll tell you more.

Hardy’s doctor had warned him against stressful work, but not helping people in need stressed him out more than throwing himself in the middle of a conflict. He replied to Ellie right away.

*

Hannah signed on the dotted line and returned the contract to her editor, Duncan. In exchange, he handed her a plane ticket to Pulau Kesuma and the necessary documents to complete her assignment for Elite Travelers magazine.

“The Mahal Kita Eco-resort & Spa,” Hannah read out loud. “Eco-resort? Didn’t you say ecotourism is a load of bullshit?”

“It is. That’s not the part I’m interested in: this island was closed to the tourism industry before now, at least not our kind of tourism. Smelly backpackers could go all they wanted and sleep in a goat pen.”

“How come it’s opened now?” she asked.

“There was no point in keeping it a nature reserve after the tsunami. So the Indonesian government lifted the restrictions. About two years ago. In exchange, the company helped restore the island.”

“That’s nice.”

“Anyway, just focus on the resort, the beaches, the night life… ”

“I’ve an angle to sell it, the ecotourism—” she spread her hands in a presenting gesture— “treat yourself to a guilt-free escapade.”

His reaction was something between a nod and a shrug. He didn’t believe it could interest their readers, but the comments on her blog told her otherwise.

“Stick to what you’re good at. Don’t fuck this up. If you get this right, you could become a senior writer.”

Hannah gasped and smiled. “Really?”

Senior writer meant less freelance work to make ends meet, business-class travel, press pass to fashion weeks, yachts and five-star restaurants. Not to mention she’d be the youngest and only female senior writer.

Duncan drummed his hands on his desk. “All right, fuck off, I’ve other writers to babysit.”

After the meeting, Hannah went straight to Stanford, an iconic travel bookshop in London. Even as a child she loved this place with its hundreds of globes and ceiling-high shelves of guidebooks. She’d pester her parents relentlessly until they agreed to take her here.

There was an enormous vinyl National Geographic map on the floor, and she trailed her feet from England to Indonesia. It elicited a lightness in her chest, and she nearly danced to the Asia section.

She would spend a week at the resort, then she intended to visit the rest of Indonesia for two weeks. She flipped through guidebooks, and compiled a mental list of ideas she could pitch to other magazines.

In the periodical section she checked out the trends and the competition. She scanned the racks and flipped through a few magazines. Three of them mentioned carbon-neutral travel, zero-emission hotels or sustainable tourism. She didn’t want to bore her readers with the science of climate change or to make them feel guilty about flying in a private jet, but being environmentally-conscious was trendy right now so she needed to get on that.

Hannah herself had become interested in the subject after a trip to St. Maarten in the Caribbeans. Not because of the trip itself but a documentary she saw after about a side of St. Maarten hidden to tourists: a vast and ever-growing landfill caused by the flow of cruise ships. Half the island’s population lived in that junkyard. Filled with good intentions, she had bought the filmmaker’s latest book. A year later, it was still on her nightstand, a bookmark halfway through chapter two. It had not been written for neophytes, that much was clear. She had returned to her usual travel ways, but a discomfort lingered.

Should she stick to what she was good at, as Duncan put it, or go all environmentally-friendly? She knew what her editor expected but, if done right, bypassing his instructions could work in her favour. Or ruin her chances at a promotion.

Back home, she dropped her magazines on the small kitchen table that doubled as a desk. For all intents and purposes, her two-room flat was a storage unit: a place to keep her things while she travelled the world. She had plans to make it cozy and pretty but had yet to do it. The few weeks a year she was here, she spent working, eating takeout and trying to catch up on whatever normal people did with their lives. Still, the flat held all her souvenirs and books. It was a place to rest her weary feet and head. A place to listen to the rain and traffic, and to dream of her next trip. When it came to travelling, having a home was just as important as having a passport, it was the difference between traveller and vagabond.

Ben was coming by later, meanwhile she fixed her make-up and curled her hair.

When he arrived, he entered without knocking first. He carried a plastic bag of thai takeout.

“Panang chicken for you,” he said as he placed the white oyster pails on the counter.

“Extra pineapple?”

“Extra pineapple.”

“Thanks, you’re the best,” Hannah kissed his cheek.

He blushed lightly and looked her up and down.

“You look beautiful.”

“Thanks, but don’t get any ideas, it’s for my followers,” she replied with a humorous tone.

She handed him her camera and stood in front of the one nice wall in her flat. She posed in a calculated casual way with various travel accessories and her new book on Indonesia.

“How much are you getting paid to have that bottle of sunscreen lotion in the frame with you?” Ben asked.

“Don’t ask, it will only make you mad.”

“Do you even like that stuff?”

“It’s alright.”

She actually couldn’t afford a regular supply of it beside the one sponsored bottle, but the product was very on brand for her.

After Condé Nast named her in their top ten travel blogs, her follower count surged. Sponsored posts became a significant source of income which translated as two more trips a year. She liked thinking of herself as an entrepreneur. She sold herself and her lifestyle— well the brighter side of her lifestyle— and it allowed her followers to indulge in a little fantasy.

She looked over Ben’s shoulder as he swiped through photos on the camera screen.

“Are we done? I’m peckish,” he said.

“Just a couple more, I’m not sure about that shirt.”

After some consideration, she switched her top for one that wouldn’t make her look so pale.

“Thankfully I’ll have a nice tan soon,” she said.

The change in Ben’s mood was subtle, he blinked too fast and his shoulders stiffened. And she felt herself becoming defensive, her cheeks warmed up.

“Oh. You’re leaving again.”

“You realize that’s like me saying: ‘oh you’re going to the office again’?”

“Yeah, the office, a cubicle with annoying coworkers and a boss, not a five-star hotel in L.A.”

“Christ, Ben, you know I didn’t become a writer for Elite Travelers by lounging around the pool all day.”

“I don’t need your resume.”

“I wouldn’t need to give it to you if you stopped implying mine’s not a real job.”

Ben tried for levity: “I’m just saying, why go halfway around the globe when you’ve got the best right here? You said so yourself.”

Hannah went along with the joke even if she knew part of him was serious. She tried not to create false hopes in him. She’d said she wasn’t interested in a relationship, that he shouldn’t wait for her. But when she travelled alone and felt lonely, she called him and, in-between trips, he was her only friend left in London.

She offered him a beer from the fridge and neither of them mentioned the trip again.

As they ate, she chose the best picture out of thirty and posted it on her Instagram account. She was the first to use #pulaukesuma, but not the last if she did her job well.

Scrolling through her feed, she noticed a picture posted by her sister: her son’s birthday, with their whole family gathered for the occasion. It was today and they hadn’t invited her. “I didn’t think you were in the country,” Jackie replied when Hannah confronted her in a text message. She didn’t insist. What was the point? She was leaving soon anyway.

After the meal, she watched a movie with Ben, but her mind kept drifting off to her next assignment. She repeatedly stood up to get a glass of water or add something to her packing list. At the thought of Indonesia, her limbs buzzed with a sort of restlessness and her stomach swooped.

She often thought of visiting new countries as a fling. The way they occupy all your thoughts and that anticipation of seeing them. You want to know everything about them. There’s always more to discover and experience. You can’t get enough, but you know it can’t last. And in a way, that’s the best thing about it because you only have time to see the best of them. You must enjoy it while it lasts. When it ends, you’re sad and miss them, but, in all honesty, you wouldn’t settle there permanently.

She was only ever faithful to London. Or perhaps she had yet to find the one.

***

→Chapter 1: CGK

[annakie]

Notes on a Blog Cleanup (& some other stuff) Part 4

Made it all the way back to  to page 1000. 

Started with 3021 pages.  Currently have 2954 pages, adding in posting 10 - 13 times a day for the last month... deleted somewhere around 87 pages of posts (or around 1300 total).  I’m in April 2015.  So it took two and a half years to do 50% of my posting here and nearly another year and a half to get that down to 2/3rds. It’ll just speed up from here.

Anyway, here’s a bunch of words about tumblr, fandom, and Doctor Who.

I’ve found myself deleting more news articles lately.  There’s almost no cringe-y stuff left. If I go back and do this again it’ll be even more deleting current events stuff unlessI connected to it somehow.

A LOT of the content creation I ever did happened in this time.  I did so much giffing for Who’s Line, a lot of video game stuff, especially Mass Effect, cause you know, it’s me, and a lot of edits and such.  Some way better quality than others.  I was also getting thousands of notifications a day from the few things I did that were really popular back then (still sometimes get notes on that Whose Line/Elmo/Game of Thrones gifset to this day).   

I know I’m not like, the best at gifs and edits, but hey, I think some of it is like, pretty good?  There’s a few things I’m a little sad about that just never took off, but I bet all people who try and post OC on Tumblr feel that way about some of their stuff.  A few things I made did surprisingly well, though.

I still will make the odd gif/photoset there that’s more than just “here’s some nice screenshots I took slightly edited” but honestly, I feel like these days it’s so hard to get many notes on tumblr at all?  Like there’s just so fewer people making stuff, and even less reblogging gifsets/photosets?  Idk, maybe it’s something more specific to my overall followers and who you all follow?  But I made a joking post a couple of days ago about my dash feeling weird because not everything is specifically tailored to me after scrolling through my blog, but on the OTHER hand, I also feel like, overall Tumblr has become just yet another place to post memes and text posts and has the big problem of the Reddit/Twitter/Tumblr/Instagram (+TickTock) circle where each place is like 50% screenshots/reposts of content the others?  This obviously isn’t a criticism of any actual people, but just... what tumblr has become the last year or two?  Is it just me?  Like you can find some gifsets and such with a couple thousand notes here and there but... just not as much is being produced now?  Does that make sense?

Like a month or two ago I spent a couple of hours specifically looking for good general fandom blogs specific to several fandoms I’m in and... it’s hard to even find those blogs anymore.  Like, “fuckyeah” type blogs that are someone’s sideblog about a specific topic.  And hey, believe me, I’ve created and abandoned several of these kinds of blogs on my time here (and at least one I’d keep up with but.. it just doesn’t have any content being generated for it so it’s just... sparse) so I get it.  Maybe I’m just not looking in the right places, I don’t know.  

I keep wondering how much longer I’m going to keep doing this little project, and then every 10 or pages I come across a post I didn’t tag properly that’s now been found, or something I just really wanna get off my blog and I’m like “Welp, when I stop finding these, I’ll stop looking.  So maybe in like, 2018. :p  LIterally finding posts I forgot I ever made in the first place and like has made it worth it.

Notes on TAH Fandom

This was also the phase of being heavily heavily like SO heavily into The Thrilling Adventure Hour.  And I have a lot of thoughts on that, too.

Literally, one of the best decisions of my life, tbh.  Not every moment of being like a SuperFan of this thing was sunshine and roses, but most of them really were.  Honestly, I made such good friends.  I had some extraordinary experiences, doing things that I wouldn’t have otherwise done, for sure.  I traveled to Seattle, Chicago, New York twice, and LA three times, hanging out with new friends, and getting to know the cast of a thing I loved so much, and also somehow getting to be known by them as well.  There were things that happened that I didn’t blog about here because I never wanted to come off as braggy, or just to keep a confidence.  There were a few not-as-great things that happened during that time, but basically, 2014 through mid-November 2015 will likely go down as one of the best time periods of my life, for a lot of reasons, but a good chunk of that was the experiences I had through TAH.

Hoo boy though, I blogged about it a LOT.  Like, it felt like almost as much as early blog was about Doctor Who.  I was, uh, real enthusiastic and am now kinda regretful about some of those early fandom tags.  Also turns out some of the TAH people looked at my blog more than I knew, I think, so a little yikes there thinking back on it now.  But also I was kind and helpful a lot, so all of that was good.

This is a good recap post of all of the awesome stuff.  And even that glosses over a lot of the really cool stuff, or skirts around some of it, just to try and stay brief about it.

One of the big things I learned from that experience was that being a very involved person in a fandom is such a double-edged sword.  For one thing, it honestly became somewhat of a second job for me, which I 100% put upon myself.  But running FYTAH (with Shannon!) and admining/writing a large percentage of the TAH Wiki (with Ange!), working in the booths at conventions (with Jena + Shannon/Kitty/Jamie/Dani) and being available to help in a variety of other ways was A Lot.  Which again, I took on willingly.  And Ange warned me about it several times but I was like “No I want to do this.”  So then it also kind of turned into like a customer service job even outside of working at the cons.  After awhile you gotta smile and be nice allllll the time. I ended up taking a lot of things offline to a small subset of friends.  And most of that came from other fans, not from the show itself (except like, feeling like I couldn’t show my true disappointment when the show was ending, or feeling like I couldn’t air any criticisms I had about the show except in very private conversations.)  

At one point I was having an email conversation with a couple of those friends and realized that, for the first time in my life, I was like a “popular kid”, which was weird.  And I tried my damnedest to be as welcoming and inclusive and not to let anyone feel left out.  But also there’s a point where like, you can only take on so much, and you can only be actual friends with so many people?   You can be kind and welcoming and enthusiastic and all, but you only have so much time and energy to give away.  There were so many messages I never answered still sitting in my / the FYTAH inbox or in email and some on twitter because I just didn’t have the bandwidth to give away sometimes.  It was a weird lesson to learn because I knew it so well in general in my personal life, but had never had to apply it... in this way before?  Does that sound weird?  Or braggy?  I feel like I’m walking on land mines with this one.

For a more specific example of what I mean, in March, 2015 ten of us rented a house and lived in it for a long weekend for the TAH 10th anniversary show + a fun getaway vacation. Everyone invited was someone I knew or were close with someone else in the group.  A few more people had been invited but couldn’t afford it, so word got around a little bit.  And it was AMAZING.  But I later heard that there were a few people, most of whom I didn’t really know, were hurt that they weren’t invited.  Jena and I spent dozens of hours and put a lot of financial risk into being the custodians of the trip for even the ten of us, and it was a huge undertaking.  It was never meant to be a thing for the entire fandom, just a group of people who were already friends.  But there was still a small kerfluffle from a few people about it.  Which, I TOTALLY get feeling bad about being left out but... it was always supposed to be a relatively small thing, never any kind of “Official Fandom Get Together”.  And we definitely didn’t have the time/money/ability to host an “open call for anyone to come” type thing.  Just coordinating 10 people (and about 25 - 30 overall getting together to hang out at designated times over the weekend) was... more than enough.

At one point sometime later people started suggesting that we organize and hold an actual TAH-Con and I... let that one pass me by without really talking about it.  It was definitely too much, and even then I knew it.  And I mean, the shadow of Dashcon was still hanging over all fandoms heavily in those days.  I wasn’t about to become the next Dashcon.  It never got past a few emails being passed around.

So yeah, to be honest, if I could go back and do those years again, I absolutely would, it was like 95% awesomeness.  But I think in regards to some of the fandom-specific things, I’d be a little less of a doormat, and I’d be a little more careful about spreading myself too thin.

So now that the show is “back”, I am enjoying listening to it, and I’ll reblog some things or post big news on FYTAH, but I’ve been lazy about even helping out with the wiki (I keep meaning to get back to it, Ange is still doing great) because... although I’m still a HUGE fan, I also am gonna be more laid back about it now.  

I also haven’t REALLY loved a thing in the same way since TAH.  The closest there has been is Critical Role, and I’ve been real careful to stay out of any actual fandom stuff there.  I really love the thing, but I’m gonna keep with my group of 5 or 6 other fans I already know (all from other fandoms) who love the thing too, and stay out of wider discussions.  With some of the stuff happening there lately, it was a good decision.  

Wow, that was a lot of words.  Sorry. 

Hey one last thing to catch up on.

Doctor Who Rewatch 2019!

I’m now already at 6x01, into the Silence episodes.

So I did finally rewatch the Desert Bus episode that I hated so much before and like... this time... it was fine?  Cheesy and all, but not so bad that I should have hated it as much as I did?  Also noticed the Doctor doing the classic “gonna hit on this girl really hard in the beginning then drop her so quick at the end” thing to the companion of the week.  Ah, Ten.  The most bi-polar of all Doctors.  I’m gonna be honest, I decided to skip on through Waters of Mars because I realized I was just ready to be done with Ten at that point.  I’ll probably go back to it at some point but I wasn’t ready for another Ten Temper Tantrum, maybe the worst one of all, in that episode.

So I finished Ten (and oh man that whole two-parter to end Ten with... like the whole Master plotline is such a stinker.  The first half, in particular, is so bad, the only really good scene is the one in the cafe with Wilf.  The rest of it... wow.  Wasn’t that whole thing written like the week before filming and never really edited or something? IDK.)  The last half hour or so is really good though, with Ten’s sacrifice (after a tantrum) and then all the companion goodbyes (except Joan Redfern’s granddaughter, bleh).  

But yay, on to Eleven and Amy and Rory and more River!

Season Five is... wow it starts off strong and really stalls there in the middle for a bit.  Picks back up a bit with Rory returning, then somehow has two great episodes without Rory and ends strong, though the first pretty nonsensical Moffat-era “this doesn’t make sense but it looks and sounds so good you don’t care, right?” season arc and ending.  Season six, I’m already remembering, is way, way worse for that.  But anyway.  Rory remains my second favorite companion ever.  And episodes with Amy, Rory and River continue to be my favorites.  Also? Matt Smith is so good.

But even early on in season six I’m remembering how really dumb the overarching plotline is... Moffat is great at “Oh man this will be cool so I’m gonna throw it in there! (and it really is some very cool stuff!) and hope it all makes sense later!  Or just don’t think about it too hard!”

Honestly though, despite all the quibbles, most of the episodes work on an individual level if you don’t think about the the overall arc Moffat is trying to do.  Even those that are a bit sloggy, like the Cold Blood/Hungry Earth two-parter, have enough great moments to justify watching them.  (Ambrose is still maybe one of the worst “regular people” characters to ever be on this show, though.)  There’s still no “Fear Her”.  And that’s pretty good.

Also?  The blog itself is now about as Doctor Who oriented as it is in the last year.  Like... oh the season is airing?  There’s a lot more good stuff to reblog, I’ll reblog good stuff.  Season not airing, a scattered post here and there.  It’s a much better place to be.

After Amy and Rory leave, that was about the end of my true like “Doctor Who Obsession” phase.  On my Blog we’re in the break between Amy and Rory leaving and Clara showing up. I never really clicked with Clara, I think like a lot of people.  Like I really liked the season with Danny, but after that season I never really rewatched episodes, so I’m looking forward to getting there and experiencing some stuff again for the second time.  

[ohohpierre]

it’s 2019

this is going to be a long one, a reflection on the last couple of years. lend me your ears and eyes for a few minutes please. 

i joined tumblr either late 2012, early 2013, i can’t quite remember, and i can’t find my archive anymore to be sure. at the time i joined, i had long hair. i was in eighth grade, and i used to browse tumblr on the school-provided iPads in history class. i still identified as a girl. it’s been a long time. now that i am actually thinking about it, it’s been six years. a very long six years. 

i first joined because i was looking for more content on a very specific fandom, and i couldn’t find it anywhere else. that fandom was marble hornets. yes, the very first slender series that started in 2009. i remember joining at a time where everyone was attempting to code break a video, and i hopped in and tried to help. i didn’t help much, but i tried, and made friends along the way. i cosplayed for the first time, first as jessica (as i had the hair for it), then as tim as i realized i might not be a girl (but also because tim is cool as fuck). the photo set i made in my tim cosplay got somewhat popular for its time (not too much in the grand scheme of things), but i remember being immensely proud of it. 

being on tumblr then exposed me to everything it had to offer, the good and the bad. i am no longer ashamed to say that i was part of the superwholock crowd for a while, and i indulged in my fair share of fanfics, off of fanfiction.net. writing that sentence out makes me feel incredibly old. 

i started writing more. i had always been interested in writing and art. i made sideblogs, hoping that something would take off, but for about two years, nothing happened. at this time, i wrote for marvel - specifically stucky - and sherlock - johnlock. i remember the first time i got a work of mine on a list of recommendations. it was my “caught making toast” fic for stucky, only about 200 words, and definitely not my favorite to write. but hey, i felt so proud to be included in something for once. then, one summer, in a moment of boredom, i made several gifsets of stucky situations that passed around for quite a long time. 

i found several partners through tumblr. i made so many friends. i got kicked off a stucky blog, and i’m still pretty bitter about it. i learned a lot, unlearned a lot, and then re-learned a lot when i learned the world wasn’t fucking only black and white. i lived through the mishapocalypse, in fact i contributed to it at the time. i had thought it was hilarious. now it feels like a war flash back. i’ve been here for quite some time. 

there were also many times that i posted as if the world wanted to hear me. maybe it did at one time, but it definitely doesn’t anymore. there is more than a handful of sad posts in my #personal tag on my blog. i was incredibly sad. i nearly died in 2014, several times, and there are posts that document it.

i’ve been on tumblr quite literally through thick and thin. i used to follow self harm and eating disorder blogs and compared myself to them in vain. i went through some pretty bad break ups on here. i felt abandoned and lonely. 

the transition into 2019 is still incredibly fresh. i’m 19 now, nearly 20 years old (i will be in march), and things feel like they are starting over again, but in a much more mature and insidious fashion. i am still writing, in fact, i’m taking a break from writing two drafts for a fic and the first chapter of my novel to go through this. however, once five years clean from self harm, i cut myself december 30, 2018, and i felt like a 13 year old all over again, desperately pulling down the sleeves of my shirts so that my parents don’t worry. i’ve smoked a bit and i am trying to step away from that before it gets too bad. i entered 2019 with scars on my arm for the first time in five fucking years. things are kind of bad. 

i graduate from college in may. i will have an associates degree, and i will be transferring somewhere new to finish my bachelor’s degree. i am still unsure of my path in this life, and it feels like god has abandoned me in this journey. 

six years i’ve been here. six long years where i’ve seen myself grow, repress, and then flourish once more. this winter has been especially cruel, but the spring isn’t too far away. this reflection, while more for myself than anyone else, i can only inspires at least one person. inspires them that who you were several years ago is most certainly not who you are now. being here for so long can shift things out of perspective, keep you in a perpetually loop of endless blue scrolling where the outside world can’t see you. 

this year is 2019. i know many of you may be in similar situations to me, but i want you to know that i never forgot about any of you. i’ve never forgotten about any of my partners, my friends, my no-longer-friends, myself. this winter has been rough, but stoke the fire and wait for the spring. let 2019 be the year of reflection, and let it be one of growth.