#cosplay culture project | Explore Tumblr posts and blogs

monscrow · 5 months ago

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intro post, i guess!!!

askbox open only on weekends; got too overwhelmed by spam, my apologies.

last updated 16/jan/2025

⚠️flash warning for blinkies at the bottom⚠️

free gaza, free palestine, stop genocide. you don't agree? block me.

i go by both mons and crow.

my pronouns are they/them, he/him and any neos/xenos that you think would fit either comedically or off of vibes.

lvl 16, so, a minor !! beware

aromantic, acespec, something like that; qprs are sick asf and all hail relationship anarchy.

art sideblog is @monscrowarts

audhdcd (asd + adhd + ocd 😻😋) and hEDS. i use tonetags, feel free to ask for clarification!!!

bday is oct 7. 🎉🎉🎉

i'm mexican 🇲🇽!! i speak both spanish and english.

timezone is cst/utc-6.

i say slurs i can reclaim (mainly the f and t queer ones) and swear a lot, though if that makes you uncomfortable please either block me or lmk so i can try to tone it down when around you.

i love interacting!! feel free to tag me in stuff, send some asks (be it on anon or not), or message me! moots can ask for my discord even if we've never actually talked before. though i suck at keeping consistent, nothing personal i promise</3 /gen

i tend to spam-reblog so do with that information what you will.

some tags you might see me use here and there:

#mons rambles ← just my thoughts, ideas, opinions, and whatever i feel like throwing into the tumblr void.

#ask a crow / #anon asks ← askbox replies.

#save / #art save / #fav / #hellsite faves ← these are more for myself, but yeah they're pretty self-descriptive. just in case you get curious or anything.

hyperfixations/interests/things i'm passionate about !!! i guess, kinda

→ mcr (+ most of the members' solo projects)

→ killjoys (california + national anthem, but mainly calif and fanon)

→ demolition lovers lore (i have literally written like at least three different essays about it for school help me i'm so serious)

→ emo/alt/diy culture

→ will wood

→ bandom in general

→ sonic the hedgehog (franchise) (SHADOW THE HEDGEHOG IS EVERYTHING BTW)

→ graphic design, arts and crafts, illustration (that's right y'all graphic design IS my passion 😔)

→ fnaf (bonnie fnaf they could never make me hate you)

→ cosplay/costume-making

→ d&d

→ crows (no way, crow, really???)

→ australian shepherds

→ the umbrella academy (s4 isn't canon in my heart + currently reading the comics !!! )

→ gravity falls

→ neurodivergencies/psychology/disabilities (this one's pretty meta ngl)

→ lgbtqia+ identities (emphasis on the aroace-spec ones + relationship anarchy)

→ politics/activism

→ linguistics + conlangs

→ fantasy in general (high fantasy, magic, vampires, tieflings, you name it)

→ boardgames

→ the count of monte cristo (book + 2024 movie)

→ webfishing :3

→ uhhhh there's more but i don't remember rn, i'll keep adding as i see fit (probably... maybe..... perhaps....... quizás........ puede ser..........)

dni

trump supporters, terfs, transphobes, anti lgbtqia+/queerphobics, exclusionists, ableists, racists, prolifers/antichoicers, proshippers/anti-antis, irl gore, pro-israel/zionists, pro-ai generated "content", pro-nft, non-critical media consumers, classists, ed blogs, sh blogs.

also, i'm aware that dnis tend to not be effective and i probably will still get shitty ppl in my inbox so i can and will block. though i'm p chill as long as you're chill. this blog is run by a very neurodivergent, mentally ill, mexican, transmasc, aroace faggot, and any kind of bigoted hatred will not be tolerated.

blinkies made with blinkies cafe !!!

pssst btw, before you go, if you read my intro post i'd heavily encourage you to like it, so i can know!!! :] (/nf though!)

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qcellbit · 1 year ago

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meta talk. i don't quite know how to word this properly, but adding french creators to the qsmp is the riskiest thing quackity studios could've done and it doesn't surprise me that the success to which it was executed was minimal.

adding portuguese speaking creators exclusively from brazil as the first batch outside of the initial english and spanish speakers was the perfect "soft expansion" for the server when you consider the reason for the project's conception - because quackity had experienced poor treatment from white americans as a bilingual latino creator and sought to unite his two communities in an empowering way, further expanding this very noble and personal idea to encapsulate all communities and all languages spanning across the entire world. inviting more latino creators who have likely had the same experiences and would be able to appreciate what the project is trying to achieve is a no-brainer.

it's an uncomfortable thing to touch on (which is why i've never, ever, seen it spoken about on this website), but minecraft projects and communities have always had massive problems with all forms of bigotry, but especially racism. white americans and white europeans have probably not felt the euphoria of seeing their culture celebrated in mainstream global entertainment projects as they already absolutely dominate the entertainment industry on a global scale. as someone who is visibly brown and living in europe, i've always got a lot of grief from classmates and co-workers in the form of ignorant jokes and flat out exclusion - it's an unfortunate cultural norm that bleeds into streaming due to the medium's casual and open nature, unnoticed or unchallenged by white viewers who don't want to have to confront a content creator's bigotry in fears of having to stop watching them. something that cannot be ignored by the people it's actually affecting. there is a reason dsmp and hermitcraft cosplay meet ups are dominated by pale skin.

i love the qsmp because its inclusion of latin american creators and quackity's selectiveness based on personal experience have largely (and i do mean largely, not entirely, but that's a discussion for another day) eliminated that problem.

the most prominent and succinct example i can think of is the photo of quackity's bedroom that was mocked countless times by his english speaking community and his bigoted english speaking friends when he streamed on the dsmp - when that photo was brought to the qsmp, forever, a fellow latino creator, was the first person to gently offer solidarity because he had come from the same impoverished latin american background. to me, and to a lot of minorities, that is what the qsmp is about. yeah, sharing languages in a minecraft server is novel, it's a fun way for americans who did poorly in high school to get back into learning spanish, but it stands for so much more when you're a racial minority. when your pleading in the dsmp fandom was drowned out and ignored for the entire duration of its run. when you're completely unrepresented in minecraft tournaments, and when known bigots are encouraged to participate in said tournaments to boost viewership because numbers are paramount. when you are finally seeing your culture appreciated rather than mocked on streams with tens of thousands of viewers all over the world as part of a massive project with a brilliant, engaging story.

it was obviously necessary to branch out of the americas at some point with what the project is attempting to achieve, but such a task is daunting when the next group you're inviting and their community probably do not have the capacity through personal experience to appreciate what the project stands for at its core in the same way the first batches do. can non americans all relate in discussions of the internet and entertainment industry being america and by extension english speaking centric? yeah, of course. but can white europeans relate when the only representation you have in said media revolves around harmful bigoted stereotypes? can there be a quiet solidarity between a white frenchman and a brown brazilian based on experiences with government, racial profiling, and online mockery? no. and in the landscape of livestreaming stupid jokes for entertainment alongside fast paced gameplay, these nuances are probably not going to be acknowledged.

in complete contrast to the solidarity exhibited between quackity and forever when discussing their poverty growing up in latin america, i have not forgotten and never will forget aypierre excusing his constant racist jokes aimed at the brazilians on his uniquely "french dark humour" that the brazilians, hurt by his comments, could "not understand." this is not an excusable cultural difference, but a symptom of white european privilege, and total ignorance towards what the project is meant to stand for. a smooth integration of all the world's cultures necessitates white european and white american introspection in a way that i haven't seen a lot of streamers capable of. admitting fault to such a degree and the ego of a large online personality do not often mesh well.

i'm always very irritated when people (especially english speakers) complain about them not "adding the germans" sooner despite us seeing applications for german speaking admins many months ago - because it would not be a task of simply throwing out server invites to content creators and cobbling together an animation of a submarine crashing into the island. you cannot downplay the ambition of this project and the mammoth task its trying to accomplish. people take for granted and forget that this is an unprecedented melding of cultures that would never otherwise interact and clash on the rare occasions they do. the french qsmp community being small and the french creators largely being outliers when it comes to the qsmp is not something born out of malice or purposeful exclusion, but simply a symptom of an unspoken lack of solidarity and inability to meaningfully relate based on everything from wildly varying privilege to global placement.

and don't get me wrong - i'm not excusing things like the times at which events are broadcast (i literally live in europe and have to stay up until sunrise to see most events, i think the admins do have to bite the bullet and begin structuring events around a new timezone that isn't the globally inconvenient unsustainable PST), or the exclusion of clips from french content creators at the presidential dinner, but i think attributing those admin choices to the brazilian community being unfairly favoured is downplaying what the qsmp as a project means for minorities, especially when the brazilian community receive the most scorn for infamously being the first to call out bigoted behaviour from qsmp content creators. yeah, it sucks that the french haven't slotted into the qsmp as well as the brazilians and aren't anywhere as numerous, but with all these unspoken contributing factors being taken into account, i can't be surprised.

i wish quackity and his team the best in smoothly integrating more languages and cultures in this amazing project in the future, but for the love of god please understand that the implications of this project and its impact are far larger than any streamer "drama" you might've witnessed in the past. and stop underplaying what this project is trying to achieve in an online landscape saturated in bigotry.

#sorry if this is worded weirdly im still recovering from a brain injury. ill fix typos as and when i notice them reading back on this #also dont tag this as discourse because its like.....not. and thats so unhelpful in recognising what im trying to get across #edit: ive seen a few people bringing it up now YES dont worry i am aware that etoiles isnt white thats why i made sure to specify white #when talking about where the issues were coming from #mine #qsmp

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forgingtheblade · 4 months ago

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HELLO!

I’m Floral, aka @theenderwalker aka @floralmonarchh, and I’m currently in university studying fiber arts and costuming! I’m in a BFA program that ends with a thesis exhibition—a gallery show that is the culmination of the exploration, research, and art I’ve made over the two years of the program.

I’ve always been interested in the intersection of costume and art, and have also become passionate about exploring the lines we draw between literature and pop culture, as well as modern “myth-making” and storytelling traditions.

I have also been hopelessly obsessed with the DSMP for over four years now.

As a means of synthesizing all of these interests and skills, my thesis project (which will be going into the gallery in April or May of 2025) is a complete rebuild from head to toe of my Technoblade cosplay!

The project is already underway, but considering how much of my continued interest in the DSMP is rooted in this online community, I really wanted to begin documenting the build here.

So follow along for updates on the wild variety of things I’m doing and learning to bring this version of Technoblade to life.

Technoblade never dies!

#technoblade #cosplay #dsmp #ctechno #ctechnoblade #info

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horizon-verizon · 9 months ago

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The fact that so many people think the Starks are honorable anticolonial fighters and the pinnacle of morality is absolutely insane, they literally built a massive wall to isolated a bunch of people they considered as “savages”, they hunted and slaughtered the Free Folk, the Children of the Forest, giants, exterminated whole houses and clans and took their daughters as “prizes” while conquering the North, etc. The Blackwoods were originally from the North and ruled most of the wolfswood, before being driven out by the Starks and forced to flee south. The Starks are the OG COLONIZERS in ASOIAF.

Even this did not give Winterfell dominion over all the North. Many other petty kings remained, ruling over realms great and small, and it would require thousands of years and many more wars before the last of them was conquered. Yet one by one, the Starks subdued them all, and during these struggles, many proud houses and ancient lines were extinguished forever. — The World of Ice and Fire – The North: The Kings of Winter.

I recently finished a Tiktok series that will probably just be as lost to the internet if we lose TikTok but I had to get out in response to a particular creator who bashes Rhaenyra while also proclaiming themselves as black stans. I think they are really more black stans because they hate Alicent personally and feels the thrill of the side-taking, but that's neither here nor there. 😏

To quote one of my mutuals here [rhaenin]:

It just rings so familiar to the way so many people view the other in real life. Because the Targaryens are overtly, and intentionally written as the other. It's the reason so many people identify with them, and it's the very same reason that other people vilify them. They're not just the in-universe other to the 'default' culture established in the text, but they're also given characteristics that we, the reader and audience, can recognize as other and even sometimes anathema to Western Christian culture. To paraphrase the annoying people that love to cite Ramsay when they feel like it: If you look at a morally complex family surrounded by other morally complex families in a morally complex world in a story that's famed for seeking to challenge your underlying assumptions, and think that their association with fire and brimstone is meant to signify their singular satanic evilness, rather than say... challenge that very Eurocentric assumption, you haven't been paying attention. This vilification mindset where the Targaryens are the singular evil of Westeros is so common to people who seem to want to consume ASoIaF without engaging with the criticisms of the Eurocentric worldview of history at the heart of it. And they end up using the convenient “others” to project all the wrongs of that world onto so they don't need to examine it any deeper. ........... It comes from the same place with how someone pointed out that the baffling bastardphobia that would have medieval peasants giving the side eye is so often people jumping at the chance to “cosplay” as bigots who base their arguments in misogyny and bio-essentialism. Because it's an acceptable channel to indulge in that mindset in a way that they'd often otherwise question, or at least hold back from expressing out of caution.

#the starks #asoiaf asks to me #the evil targaryens #westerosi history #children of the forest #asoiaf giants #first men #andals #feudalism #westeros feudalism #targaryens as colonizers #fandom xenophobia #awoiaf #asoiaf #agot

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fanhackers · 7 months ago

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Affirmation/Transformation: Fandom Created - a chance to see your fanworks on display in a museum

Mark Heresy, American, b. 1965. Will to Power (detail), 1992, Ink on paper, 28 x 22 in, 2000.11.5, Gift of Peter Norton, Collection of the Haggerty Museum of Art, Marquette University

Affirmation/Transformation: Fandom Created, an exhibition of fine art pieces and the fanworks inspired by them, will run from August 23rd through December 22nd, 2024, at Marquette University’s Haggerty Museum of Art, as well as online. This exhibition considers “creation” as the line between casual enjoyment and fandom. Fans are not passive; fans create. Fans from any and all fandoms are challenged to create fanworks inspired by both their fandom and one of 14 fine art pieces from the Haggerty’s permanent collection. Visitors to the museum and to the online version of the exhibition will be able to see submitted fanworks displayed digitally alongside the fine art pieces hung in the gallery, and will be asked to consider whether the fan creations are affirmational or transformational—that is, do they affirm the fan object as it is, or transform it into something new? Affirmation/Transformation: Fandom Created also happens to be the keystone of my dissertation project.

My research focuses on the kinds of things that fans create, the ways in which fans and academics consider those creations, and the various ways fans are compensated for the work they complete. “The kinds of things that fans create” includes not only tangible creations—like fanfiction, fan art, cosplay, and collections—but also immaterial creations—like rules, rivalries, relationships, political movements, identities, histories, emotional responses, theories, community, meanings, alternative readings, and play. I am hoping fans will submit a plethora of different forms of tangible fanworks; I have already received art, fiction, original music, nail art, cross-stitch, cosplay, and more. Intangible fanworks are more difficult to gather and display; however, once Affirmation/Transformation opens in the fall, I will be conducting ethnographic research with fans regarding their experience with both tangible and intangible fan creations. Through my research, I hope to further break down what I see as an unnatural barrier between affirmational and transformational fandom, and expand on the ways in which all fanworks both affirm and transform their fan objects. Additionally, I will be investigating the various ways fans are compensated for their fannish labor.

In business, the idea of non-monetary compensation is commonly discussed. Things like benefits, time off, employee assistance programs, discounts, and other employer-provided perks are discussed as a part of an employee’s “total compensation package.” Yet, in most fan studies texts, fan labor is referred to as totally unpaid. At best, fanworks are discussed within the context of a gift economy: fans make fanworks as gifts, and are gifted more fanworks in return. I don’t disagree with this assessment of fan compensation—I personally consider each fanwork submitted to Affirmation/Transformation: Fandom Created to be a gift towards the completion of my dissertation—but it does not seem to go far enough. The “compensation” fans receive extends far beyond the (albeit massive) “gift” of the vast archives of fanfiction and fan art housed on sites like AO3 and Tumblr. Compensation can be social, emotional, communal, psychological, developmental, and beyond. If access to an EAP is considered part of the compensation package offered by a corporation, then should not access to a network of individuals within a fandom—all in possession of their own knowledge and expertise—be considered as similar compensation? Fans provide mutual aid for those in their community in ways often above and beyond what a business might do for an employee facing a period of struggle. Perhaps I am just a “cultural dupe,” but I feel I’ve gotten just as much or more from my fandom as compared to what I’ve put in, and I struggle to be fully convinced that my labor is being exploited for the mass media’s hegemony.

Through my scholarship, I hope to contribute to ongoing fan studies research through the further analysis of these alternate forms of compensation, as well as through the cataloging and archiving of fanworks as valid, artistic texts worthy of academic consideration. Not only will the fanworks submitted Affirmation/Transformation: Fandom Created be displayed as a part of the exhibition, but they will also be archived with my dissertation in Marquette University’s institutional repository, preserving them for at least as long as the University exists and making them available for further academic study. Fan submissions for Affirmation/Transformation: Fandom Created are being accepted now, and will continue to be accepted through the close of the exhibition (December 22, 2024). In order to be on display in the gallery on opening night (August 23, 2024), fanworks must be submitted by August 1st. All types of fanworks are welcome, as long as they are submitted digitally. Sound will be available to be played in the gallery (fanworks will be displayed on tablets with headphones attached). For more information, visit https://epublications.marquette.edu/fandom/Affirmationtransformation/, or email Kate Rose at [email protected]

#author: kate rose #kate rose #fanhackers #call for submissions #gift economy #fan labour #transformative fandom

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fibula-rasa · 3 months ago

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Cosplaying Salomé (1922): A How-to

Seeing as my cosplay of Nazimova as Salomé is one of the more ambitious projects I’ve done for the blog, it seems fitting to give you all a little BTS and how-to. Because I didn’t fully document my process, this isn’t necessarily as full a tutorial as my Century of Glamour Ghouls series, but you could definitely recreate this yourself (and learn from my mistakes) as this would make a great Halloween costume!

a full-length shot of my cosplay of Nazimova as Salomé

Part one of “CtC: Nazimova as Salomé” goes into more detail on Nazimova & Rambova’s creative choices for the character and her design, but to be brief about it:

Nazimova’s Salomé is heavily informed by young women and girls of the early 1920s, so there is a dynamic conflict created between the baby-fication of young women and pop-culture sexualization of the same group. So, this first look from the film communicates unsophisticated youth with an impetuous edge. The pearled wig is not only a dazzling visual, but also emphasizes Nazimova’s brazen pantomime—amplifying every flitting gesture. It also gives the character a more childlike silhouette, which Nazimova pairs with an immature, sometimes bratty body language.

my gif of Nazimova in Salomé

The rest of the costume is quite simple: a shimmery/sparkly sleeveless, belted tunic and flat shoes. (Contrasted with Rose Dione’s costuming as Heriodas, flowing and heavily adorned.)

Get the Look!

(below the jump!)

What’s below covers the materials and methods I used, but improvements could definitely be made. I would love to see others take this on!

The Wig

My recreation of the wig in natural light

my gif of a closeup of Nazimova in the wig & gif of my cosplay wig in motion

Materials:

Black wig cap

Black yarn

Springs (I used the plastic ones sold as cat toys)

Black thread

Curved sewing needle

Rug Hook (This is a tool I already had on hand. If you have a small enough crochet hook, that might also work!)

Baubles (maybe: pearlescent paint for the baubles)

Craft glue (I don’t own a hot glue gun, but that would have been better!)

Optional: black bangs/fringe track

The Process

Note: my finished product is scaled up a bit from the wig used in the film largely because I was also working with a mix of items gifted to me from my wishlist and things I already had around the house. The springs were 1 inch in diameter as were the baubles. If you are buying everything new, you might want to try and track down .5-.75 inch materials!

Thankfully, about 10 years ago, the original wig was recovered in a trunk in Georgia, so I had a modern photo to reference for how the wig was constructed. [You can see it here!]

Some of the materials I used to create the wig

I started by wrapping the black yarn around the springs, which I had stretched out slightly. Once a spring was fully covered, I cut the yarn with roughly 3 inches extra length to fasten the spring to the wig cap.

After I had a significant amount of covered springs—I did it in waves of ~20—I used the rug hook to pull the extra yarn through the mesh of the wig cap. Then, I knotted the yarn tightly and pulled the extra yarn back to the topside of the cap using the rug hook, crossed it over the opposite side of the spring and back through the cap to knot it again on the underside of the cap. This way the spring is fastened at two opposite points of its circumference.

Once a wave of springs were loosely attached to the cap, I went in with a curved needle and black thread to sew the springs more tightly in place. This also gave the whole headpiece more stability. (This is important because the baubles will weigh the springs down a little!) I repeated this process in waves until I ran out of materials (and thankfully the cap was covered).

detail shot of the springs, the arrow is indicating the support stitching I added to the backside of each spring

At this point, my springs were a little droopy, so I reinforced them with a little bit of thread from the base to the end. This also allowed me to fine tune where each spring would sit in relation to its surrounding springs to get an even spread.

All the loose yarn inside the wig cap I roughly french braided together so it would sit flat and also add a little extra stability. It’s not a pretty sight, but it’s surprisingly comfortable!

The glass baubles I had on hand were not pearlescent, but multi-colored, so I had to paint them before gluing them to the springs. If you’re buying new, you can try and pick out the finish, size, and material you want.

That’s basically that. I adjusted two of the springs so that their baubles wouldn’t clatter into one another too much, but the wig is finished!

unfiltered cameraphone photo of the cosplay & final edit of the cosplay

I’m fairly certain that in the film Nazimova is wearing fake bangs under the pearl wig, but I just cut my own bangs bluntly and ran some gel mixed with black eyeshadow through them with a spoolie. (I don’t have any special feelings for my hair, so I tend to just cut/trim it whenever I cosplay. I understand this is unusual! You all don’t need to remind me! Thanks!)

my gif of a closeup of Nazimova as Salomé

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The Tunic

my gif of Nazimova as Salomé & my cosplay recreating the moment above

For the tunic, I chose red sequined velvet. I don’t know what the screen-used fabric was though it certainly wasn’t this! I chose this fabric as it was affordable and I thought it might give off a similar effect in the finished photos. In a happy accident, I think the sequins give off a scaled-up look that matches the wig.

I don’t think the screen costume was black, but something that photographs dark on 1920s black-and-white film stock. That’s why I chose red, though I think a deep purple would also have worked.

Since I’ve followed The Closet Historian’s 1920s One-Hour Dress Tutorial twice before, that method was my baseline for making the Salomé tunic.

Using my hip measurement as the primary guide and adding .5 inch of allowance, I folded the fabric in half and cut it into a long rectangle—the fold being where I would cut the neckline. After I cut the neckline in, I put it on and pinned and tucked the shoulders, bust, and bottom hem to where it would sit right. My body is not rectangular, so the bust/shoulders had to be brought in a bit. Very professional, I know.

Then I sewed the edges of the whole rectangle and the neckline. I only attached the front to the back on one side, from bottom hem to hip, as that appears to be how the tunic was sewn in the film. (When I wear this out as a costume, I will likely sew up both sides!)

my cosplay with the belt featured over my left hip

I used scrap fabric to sew together the belt and some velcro (repurposed from an old ribbon) and fastened it to a plastic ring (repurposed from the last new scarf I bought). I then hung some beaded necklaces that I already owned to finish it (tho it wouldn’t be a great expense to buy some cheap strings of faux pearls if you want it to look closer to what’s on screen).

The slippers weren’t a match for the film, but I already owned them and thought they fit the vibe. What Nazimova seems to be wearing in the film are some simple light/white satin-ish flats.

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The Makeup

unfiltered cosplay cameraphone photo & finished cosplay photo

Since this is such a high-contrast look, I personally opted not to use contouring for this cosplay. Also, I didn’t use any kind of blush because if you are photographing in black-and-white or for B&W editing, blush and warm colors register darker than they look in color.

For the base, I mixed a lighter pigment into my foundation to achieve a mask-like quality and set it with the lightest powder I own. (I think if you are “Portland Tan” like me, you could legit use white face paint for this and it would look pretty cool!)

my gif of a closeup of Nazimova as Salomé

For the brows, Nazimova’s are rounded but elongated, so I drew mine in a slightly rounder shape than they naturally grow.

For the eyeshadow, I used the old garage-door strategy with a purple-y taupe shadow from my lashline to the browbone with a small gap between the end of that shade and the brow. As it’s done in the movie, the shadow covers the inner corner all the way out to the end of the liner wing and all the way up to the browbone.

For the eyeliner, Nazimova’s eyes are fully rimmed in black, but with a flatter shape along the bottom. I drew a line straight back from the lowest point of my lower lid, drew a line down from my upper lid to that first line, then filled in the triangle made at the outer corner. I used black eyeshadow with a wet brush to both fill in my eyebrows and draw on the eyeliner. I also tightlined my eyes, though if your eyes aren’t quite as round you might want to skip the tightline! I finished it off with a plain black mascara, false lashes are not really a necessity for this look.

For the lips, I covered the outside edges of my lips with my base makeup to get Nazimova’s pout. Then I used a dark pink lipstick and a lip brush to paint on the pouty shape (that Nazimova was born with) making sure to overemphasize the top lip. (I didn’t overline my top lip, because that looks a bit extreme on my face, but it might suit you really well!) I then went in with a slightly darker shade of lipstick at the center of my lips to further emphasize the pout.

Here are some photos from my Irena Dubrovna/Cat People cosplay tutorial that illustrate the difference tightlining makes and what lip re-shaping looks like before blending and adding lipstick:

Irena process photo showing the effect of tightlining & unblended lip re-shaping

If you’re only accustomed to 2020s makeup, keep in mind that this is a 1920s makeup look. If it looks too blended, too sharp, too smooth, it’s just not going to look authentic. (Which is perfectly fine if you’re not going for authenticity but rather a 2020s reimagining!)

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Bonus: The “Backdrop”

This isn’t necessarily useful for putting together a Halloween costume, but I thought it might be a fun curiosity to share how I made my “backdrops.” Basically, I wanted a black background as the film’s terrace set has a void-like quality, so I roughly brushed black paint over black 12x9in construction paper.

natural light photos of my drawings of the gate, the moon, and the black backdrop

Using the same size construction paper, I drew the decorative metal fencing from the film with colored pencils on yellow paper and used a black felt tip marker to fill in the gaps. Likewise, I drew out the clouds and moon on construction paper in yellow, blue, and purple—as I knew how those colors would register in B&W—and cut them out. I then attached them to clear plastic to photograph them with directional lighting similar to what I used for the cosplays.

I cleaned up the drawings digitally and then composited the elements with my cosplay photos.

cosplay photos composited with the moon, the gate, and the black "backdrop"

Conclusion

Thank you all for reading, following along, and supporting my work! If you decide to use this guide or any of my previous how-tos this Halloween, please share. I’ve loved seeing your Asta Nielsen Hamlets over the past few years!

Stay Tuned for Postscript to Cosplay the Classics: Salomé and Orientalism! For now, check out Part One: The Importance of Being Peter and Part Two: Artists United?

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☕Appreciate my work? Buy me a coffee! ☕

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Other Costume/Cosplay How-Tos:

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mascaraandmojitos · 5 months ago

Photo

Source: http://creativefashioniom.tumblr.com

#Cosplay inspo #Hair trends #DIY projects #Sneaker culture #Travel experiences

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p1zzaparty · 14 days ago

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Dennis the menace vs Bart Simpson…u get it dude

THANK YOU KAT HHAGFKJG i had no other way to properly express it..

Obviously there's more personal things i enjoy with them in the 80s compared to the 50's, i effin love the 80's!!!! As a concept!!! Not the getting called a fag for breathing bits!!!

However i get peoples preferences for the losers taking place in the 50's vs the 80's. I have big feelings about the modern remakes and what they did right and how MUCH they did wrong. But i loved it personally, the losers to me always felt perfect as 80's nerds who were outcasted before nerd culture would become beloved. The peak of science fiction, pop culture, riding off the coat tails of Disco and Jazz as New Wave begins to take more of a hold. The Talking Heads, The Go Go's, The Police, MEN AT WORK. Granted this is also a good argument for them being adults at this time period, i just prefer them being kids and growing up with peak geek. It would become almost a sore spot for most of them, seeing how accepted nerdy shit is now. Imagine getting bullied for being a Star Wars fan just to see people praised for their sexy jabba the hutt cosplays now. AND BEFORE ANYONE CORRECTS ME the same thing can be said about the 50s and the rise of comic books and more dorky culture. Stan in his little boy scout uniform?? So cute and so essential in establishing his raw dorkness. But i still lean towards them in the 80's and their own individual nerd fandoms. I've actually got a project ive been working on with them in their little nerd fandoms 😭 Richie obviously was a Star wars kid Eddie was heavily into Star Trek and thinks Star wars is a cheap light show trying to copy the popular show at the time Bill is into dnd but after Georgies death his love for it begins to taper off, he does host a campaign every now and then when the inspiration strikes Stan has started to enjoy Thundercats as it premiers the winter before that awful summer And the group makes obvious Heman references all the time and have arguments over which Marvel character each person in the group would be (Which again could apply to the nerd group of 50s losers) I am in full agreeance that they botched the losers badly in the modern remakes; Ben?? Mike?? Bev?? Its not even funny how badly they were written. I could write a badly written novel about how much they fucked up Mike and Ben. But i still have such a soft spot for the modern remake. They feel more like jerk losers in the 80's, like kids who are bullied and because of that bullying have built a sort of defense mechanism to be pricks back. I would love to have seen more of the micro details King writes for his characters in the modern remakes, but i understand how difficult that is to express it in the movies. Though, personally, i'd watch a 5 hour long movie of The Losers just doing stupid shit to build their character

also im so sorry Kat you got me going and i had to write 30 paragraphs but THANK YOU 😭

#its also heavily because i love with how they wrote Richie and Eddie in the modern adaptions #Genuinely Eddie is my absolute favorite character in media #ive rewritten this response like 20 times because i kept going off about how much i loved him becoming a jackass prick #they dropped the ball hard on everyone else but Richie and Eddie #my beloveds #Im also just one of those annoying mfs who enjoy the 80s setting #WISH they did more with it??#oh wow yeah cool new kids on the block and molly ringwald can we do more than that orrr #incorporate the 80s setting into your characters PLEASEE #i will die on the hill that they are more loveable as annoying kids of the 80s #the rise of crude tv kids #and by die on that hill i mean i love seeing everyones opinions and interpretations :]#<< me trying not to get jumped #it #it stephen king #it 2019 #it 2017 #it chapter 2 #ask box

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daystarvoyage · 9 months ago

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Luz Shouldve Been Dressed By A POC (Person Of Color Or Luz Batista To Show Better Cultural & POC Reprensation)

Hello Tumblers, This is kyoko cane of daystar voyage, as a proud black person who’s genderqueer who makes content creations On Pop culture such as Cosplay & drag, I do talk on Animation & Family Entertainment So glad to get this topic cause what we see on tv can be put into reality, Now (Disclaimer)

I will not accept hate on the daystar voyage anyone who can’t handle different opinions, ship whatever (unless legal) if not walk out or off this spaceship into a asteroid belt and black hole

Don’t hate appreciate.

One more thing I do love my girl Luz pilot outfits, there goals however wish they had time to put patterns into her clothes often, like I said in my hootview

However the female cast had a better closet then her, and I did discuss that in my video, for some time they did make her dress in a shonen archetype, (which I made a post about her hair) or an spicy Latina Which of of course personality wise too, (cause she’s made to be the gender non confirming character) but excuse all that cause in a way, the staff shoulda hired someone whos Either Afro, African American Or Latin to dress this girl.

Oh boy now that im done rewatching The Owl House there’s so much in store soon anyway,

I do feel its time to start this short post, I have a fashion hootview which is the intermission so there’s still a lot to come meantime, finished my rewatch of The Owl House as an animation lover,

youtube

Lets discuss this topic at hand,

2020s animators need to take notes on costuming & style tips to make characters stand out in environments and to treat there characters better in fashion or color coordination,

yes you can have a color coded character and not rely of a main palette to be able to bring out there features & complexion,

Animators need to take notes, how to properly show kids & there audience that good clothing could be put onto a character of any occasion & not have to rely on sexuality or Stereotype (Disney Programs have a hit or miss on certain shows.)

while proper fashion can do justice, that goes into making a franchise and making a product to sell for marketability in retail & consumers.

if the character or product can be sold with a great design if executed flawless by character, design, costuming, and the app that comes within the series,

This goes to the fandom cause there might be future artistsor small indie creators reading this who probably never read, or look up fashion brands, magazines either hot couture or brand clothing and don’t have that knowledge But that shouldn’t stop you from being able to experiment with different color palettes on what goes into your art.

The fandom needs a wake up call that not only is everything’s perfect and people have the right to critic and criticize a show or any form of art.

cause fandoms today has a self righteous way of bullying others of different opinions and ostracizing others and ithas to stop,

Here’s a quick tv trope in color-coded characters, & a Toonsmag article on fashion in animation.

Marketability is a important factor, industries rely on that to make the money off of that series, be a cartoons or projects,

it impacts the character and representation that kids see when they purchase said item and teaching kids, see good representation within media can matter if done right.

Especially POCs if executed well however

DONW BELOW in some cases miraculous ladybug fumbles it hard, at one point had all the poc of color (EXAMPLE limited to alya and nino if not max be lighter tones on there merch.)

You know lighting character's skin tones like Alya and other brown or dark skin characters, on their products & merch (bad ethnic representation award goes to them).

Not to mention the whole Vas underpaid controversy, that’s been discussed countless times.

(still disappointed about there business decisions)

I appreciate the love of anyone who can view and read this article if you gotten this far,

thanks for reading make sure to check my Tumblr and YouTube vlog cause so much of this particular series I’m gonna debunk

The show had a-lot going for it however feel flat including in the fashion department along miraculous ladybug that’s another thing to be discuss OH BOY so anyway

here’s an example of the video game art of Guilty Gear showing great costume progress years later

always educate yourself cause I do want my platform to show variety on what I offer creatively and semi-education-wise to be able to let people be inspired and that you don't need to follow trends, thank you very much seeya on the next space voyage.

#the owl house #toh #luz noceda #lumity #i honestly don't know why amity puts up with luz's bs #molly mcgee #amphibia #Luz nocedas closet is low tier then the female cast #fashion in animation #animation get yourself a fashion magazine educate yourself kids need inspiration in clothing and costuming #dana terrace #amity has a better closet but you know how that is #don’t put glaze over a shows flaws with lgbt representation #anti lumity #toh critic #toh criticism #toh critical #the owl house needed a lot more time in the oven better yet have another bakery make it #animation what are you doing #toh needs to know it’s flaws to be better #Luz noceda is not good ethnic representation neither is Gus #pro shipping #miraculous ladybug #Daystar voyage #Kyoko cane #take notes kids there’s better fashion in animation #the owl house pilot #toh pilot #luz noceda girl wheres the long hair #please get pocs to do black characters only

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annalarissa · 1 year ago

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Jenna Ortega’s fame: a blessing or a curse?

Jenna Ortega, the bright young star of Hollywood, already has a cult of her own - crazy fandom that can make Selena Gomes and Taylor Swift jealous. And tarnish all her great achievements. How did that happen?

About a year ago Netflix released “Wednesday”, which immediately has become one of the most popular series of the platform and a real cultural phenomenon. Wednesday's dance went viral, prompting the teens all over the world to cosplay the goth girl and of course, Ortega, who played the main role in the beloved series, turned from a promising actress into a superstar.

But could we say that fame is a blessing for her? Along with unprecedented popularity, Ortega has acquired numerous aggressive, obsessive fans, most of whom are teenagers living more online than in real life. The behavior of these fans have already turned into a serious problem. Every new project involving Jenna Ortega is dragged into a scandal by the efforts of her own fans that throw absolutely every accusation in the book at her co-stars.

It all started in January, when Percy Hynes White, who played a part in love triangle with her in “Wednesday”, was accused in anonymous tweets of sexual assault, racism etc. The actor denied all the accusations and no legal proceedings followed. Ortega's fans meanwhile organized the massive campaign against White, justifying it with concerns about their idol’s life, both work related and personal. Ortega and White have repeatedly stated that they became best friends during the filming and although the status of their relationship is now unclear, many fans of Ortega continue to campaign against the actor, inciting to harass him on social media. White’s participation in s2 of “Wednesday” is still uncertain.

Martin Freeman was the next to come under fire from Ortega's fans. Freeman is her co-star in the upcoming "Miller's girl" film, where his character, a teacher, has an illicit relationship with his own student, played by Ortega. The first trailer was released recently and immediately caused to resurface the accusation of racism, child abuse etc Freeman has. In less than a day the viral tweet gained more than 13 million views and Ortega's fans actively participate in spreading accusations and inciting the harassment of the actor. And the movie hasn't been released yet! There is every reason to believe that with the release, the hate snowball will turn into an avalanche and Freeman will become the next victim of the cancel culture.

The most ambiguous situation happened around another co-star of Ortega, Toby Wallace, who played her love interest in the recently released Paramount film "Finestkind''. Although Wallace wasn’t involved in anything controversial, did not actively promote the film together with Ortega and even skipped the red carpet premiere of the film, he was bombarded with hateful comments on his Instagram by Ortega's fans, who wished him dead (smt in portuguese), among other things.

Perhaps the situation began to bother Ortega's PR team, because several big fan pages simultaneously called for an end of harassment of this actor, thereby only fueling the interest of others in the issue.

Thus, almost everyone who plays a love interest of Jenna Ortega in the movies finds themselves under attack from the actress' numerous and very active fans. Their actions create quite an unhealthy atmosphere of scandal around the young star, negatively affecting her reputation in the industry, because everyone of her colleagues risks getting bullied and canceled.

Miss Ortega didn’t comment on any of this and fans may see it as full approval, continuing to harass her co-stars on the Internet. Who is next? The release of a new film featuring Ortega and the Weeknd is to be announced soon, and the prospects for the Weeknd, already suffering harsh criticism for his Idol series involvement, are not very sunny.

In the upcoming film Ortega plays a stalker obsessed with the Weeknd’s character, a very controversial role in itself. Let’s just wait and see if he would be the new target for the Ortega’s stan cult.

#jenna ortega #Wednesday #millers girl #finestkind #percy hynes white #martin freeman #toby wallace #the weeknd #bullying #social media #cancel culture #netflix

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