#corporate landscaping

[huariqueje]

Corporation Beach - David Grose

American , 1922 - 2016

Silkscreen print , 20 x 26 in.

[effira]

He hit the juckport 1 trillion$

based on this gif i keep sending to everyone but especially @bongocongocaveman which is based on this tweet

[mendfri]

Welcome to Grand Rapids, Chippy!!!

Goodies from the amazing @colliholly 💖

[adrianicsea]

this never would have happened in rob mcelhenney’s minecraft movie

[liquidchocolatecake]

currently captive audience to a knock down drag out fight in my brain between desire to respect the wishes of the creator and not look for anyone redistributing the comic and god i fucking miss wonderlab i miss wonderlab so much you have no idea i want wonderlab back so bad

[toastytrusty]

thinking endlessly about how romans main relationships outside of the family in later seasons are lukas and mencken, and how their dynamics with rome foil each other both narratively and in-universe. lukas represents them selling waystar, represents emotional vulnerability, represents freedom. mencken, on the other hand, represents them keeping the company, represents the toxic façade of who you Need to be, represents remaining trapped. the way romes emotions fuel the contrasting dynamics between them is endlessly fascinating

lukas, upon his second time meeting rome, immediately continuously attempts to talk abt deep kinda personal/emotional stuff, which rome shut down because he's afraid of self expression, even though deep down he craves connection. this probably scares him, so, especially after logan's death and lukas' reaction to it (on one hand being a dick and not pushing back the meeting, on the other hand trying in his own autistic way to connect and empathize with their loss, as well as being real about how awful logan was), roman distances himself. he feels pushed to the edge of his sanity and reverts to what comes most naturally to him, you guessed it, eeeemotion. he freaks out at lukas on the cliff, in his head burning any bridge built between them, which tbf he pretty much does. but to lukas, this is almost like a win for him. he's been trying to encourage roman to open up to him since they met, and he finally did! so the $5 price bump is almost like a congratualtions or a reward, as well as a spiteful fuck you. narratively it takes them one step closer to selling the company, roman's emotion being what puts him there, and in this case it's being appreciated. really, rome wants out of the company; he wants to sell and he wants to be free of it and all the pressure and expectation that comes with it.

whereas mencken was always very business-focused with roman; joking and laughing in a detached, not very real way. his focus was always succeeding and going far and not really caring how he got there, and i think that's part of why roman liked him. there was no expectation to be genuine or actually connect; he could just put on his brave face and do what they felt needed to be done. when he pushed lukas away because things got too real, he continued seeking out mencken because mencken was easy to appeal to in that way he so often does; changing himself to suit there needs. he puts mencken over everything else that mattered in his life (relationships with his family members mainly he doesn't gaf about The Economy) because he didn't have to be real with mencken. it was all just the blind pursuit for power he didn't really want and a security he felt more threatened by than anything, because he got too far in and set his sights on something (or more accurately kendall set his sights on something, and who was rome to protest?) and had to acheive it. so when the façade breaks, and mencken sees him for the first time not as the charming, witty, businessman, but as the damaged person who just wasn't built for the world, he walks away, no longer looking to protect waystar, or roman. love and sensitivity and emotion are all weaknesses to mencken, weakness he had previously not seen in roman, but now that he had it was too late. rome couldn't pretend forever and mencken bailed, handing waystar (and roman!! becase their ties to waystar are through roman!!) back to lukas and the gojo deal on a silver platter.

this inadvertantly pushes roman back towards freedom, and, in a way, back towards lukas. he told mr emotions to fuck off and ran away to be his self absorbed emotionless husk with someone who wanted nothing more from him, but that didn't work out too well. he can't stay in the cage that is waystar, he can't spend all of his time being someone he's not; it's exhausting. lukas represents his ability to acheive freedom from the toxic environment of waystar, as well as the fact that he will eventually have to confront reality, and mencken represents his unhealthy, and ultimately doomed to fail, coping mechanisms and avoidance behavior. when he tries to twist his perspective of the people around him to make them seem like good people (logan, MENCKEN), lukas shuts it down (at least with logan; i don't think the two of them ever talk abt mencken) and makes rome confront the fact that they aren't, and when rome is so deep into being someone he isn't, lukas encourages him to be himself, whereas mencken condemns him for it

[inreverievvv]

Recent photography!

Taken on my 2005 Canon PowerShot S80, none of these are edited, my camera just does weird stuff with the colour sometimes

[liyazaki]

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[honeydewcorporation]

Trying my hand at Pixel Art! Apparently when you have dreams rendered in the style, it's a sign! This is my favorite shot from the dream rendered in glorious 150x150 pixels

[fruitsofhell]

Idk who's gonna step up and absolutely torch the live action snow white movie alive when it comes out but I wanna be one of them. You cannot even begin to comprehend how much of a spit in the face it is to the entire medium of animation and the positive artistic legacy of Walt Disney studios that they're making that abomination. I have an essay waiting in the wings about how thoughtfully the original Snow White was constructed in relation to blending the humanity of live action with the elevated stylization of animation, and I may either just post it ot twist it into something about the live action remake if I wanna sit on it.

Hell, I was going through a personal project of watching every Disney film and taking notes and I might actually start posting those to get ahead of the disgusting ass live action trend. They already said they're making a Bambi remake and I'm so serious, my entire personality will shift, I will become the hater to end all haters, and a lover of the og to the highest degree.

I'm so disgusted by the live action remake trend, it's anti-art, it's anti-humanity and a shameless display of sheer corporate greed and disrespect from Disney on every conceivable level.

[rabbitcruiser]

The General Motors Corporation was founded on September 16, 1908.

[fourteenfifteen]

people like to talk abt stem as being clinical and emotionless and spoiling the wonder of the world but working as an engineer has filled me with more wonder than ever i walk around all day going oh my god humans made this!!!

[renegadeer]

We need communism in the OSC

I know this sounds controversial, but I think that a communist approach to the community would do good for it.

I want communism because shit like "jacknjellify LLC" and "adamations Inc." should NOT exist.

The OSC is a community of creators, artists, creative minds, not pseudo-corporate slop that queerbait, scam, take advantage of the gullibility of the viewers (mostly MINORS. KIDS.) and get away with ableism, racism, transphobia, ZIONISM (YES, ZIONISM.) because a horde of brainless manchildren will defend them because they want their consumer product. These motherfuckers are turning what used to be a community of free creators into a cesspool of useless competition in which the ones who capitalize win and take advantage of their "popularity".

Jacknjellify and Adamations make THOUSANDS of dollars through their mediocre, ableist, queerbaity, soulless corporate shitty ass shows and low-quality merch that, by the way, is manufactured by exploited children in factories with POOR LIFE CONDITIONS. And that's also how it relates to the real-life horrors of capitalism.

What do most of OSC creators get from their shows? NOTHING. NOTHING. While these ableist greedy zionist leeches capitalize and exploit children, both in a psychological and physical way although indirectly, honest creators get NOTHING.

And don't get me started on the meetups. The meetups, the most soulless, corporate, CLASSIST thing that came out of this "OSC elite". Screening episodes to only a selected, privileged part of the community, episodes that 95% of the OSC have been waiting for months - no, YEARS. And screening them in only one country, ignoring how most of the OSC either cannot afford to buy tickets for a screening or lives on the totally different side of the earth. This is CLASSISM, by definition. This is why I also thank the leakers who gave us the episodes we've been waiting for that are being kept from the masses in favor of a privileged elite.

These companies are turning into Disney, and I do not say this with a positive connotation. The OSC is made of people, not consumers, and it's time everyone learns it. In a matter of years they're going to come after you, small creators who make a heartfelt show to get nothing in return, and you, viewers who yet do not realize these companies are taking your money and taking advantage of your gullibility.

We DO need communism in the OSC because class war is everywhere, even where you least expect it, even in a small Internet community. We DO need communism in the OSC because our art is not a tool of capitalism and it should not be used as such.

Hey Quick Question have you Ever Taken an economics class? Actually, scratch that. Have you Ever Taken a Step Outside?

[scrumptiousbirdqueen]

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[seventeendeer]

seeing an interesting conversation happening on tumblr right now where one group of people are like “we have to convince staff the current userbase is SUFFICIENTLY FINANCIALLY EXPLOITABLE, everyone BUY CRABS LIKE YOUR LIVES DEPEND ON IT GO GO GO” + another equally zealous group going “we have to STOP GIVING TUMBLR MONEY so staff will know who’s REALLY IN CHARGE AROUND HERE, we have to HIT THEM WHERE IT HURTS, NO MORE CRABS UNTIL THEY LISTEN TO US”

can’t help but wonder if this tug-of-war-ass situation is not going to end with a net zero change in income for tumblr. can’t help but feel maybe the only people bothered will be the folks wasting money on crabs that do not spark joy + people missing out on crabs that would spark joy

[infiniteartmachine]

a painting of two men standing on top of a hill