#copying other people and not even getting paid for it?

[theserenadeofshadows]

I see free creators stop. I see Simmers leave because of changes in the community they couldn't stand anymore. People feel socially excluded or unseen (comments DO matter).

We are the change and could guide our community in a different direction, the desire is there, as I see people speak up everytime something happens and that and action takes place. That honestly is amazing. However, after that action and when time passes, nothing really changed. It gets brushed off easily. The creator still get paid and/or has their numbers without changing themself. Most of the time it even increased.

If EA ToS can't guide us well, we should do it on our own. What do we want in this community? What do we tolerate? Please let your fellow Simmers know, what is your dream and safe-haven community like?

Breaking a cycle can be hard, but it isn't impossible. We can't stop all creators from recycling/reuploading EA content nor can we stop unreasonable Early Access time, but we can make it more unnatractive for creators to try. Which we should try. Calling someone out isn't good enough and I fear it is mostly brushed of by some creators, because they get money anyways and it will pass (without consequences).

Don't want to support certain behavior? Unsubscribe. Hit them where it hurts: numbers or income. Our pledges are intended as support to our fellow creators, to show our appreciation, Early Access can be great for that - if it is reasonable (and not €100+ for example). It is for those who are worth our money. Our pledges aren't owed, they are granted.

So take action if you see behaviour you don't want to support or feed.

• Unsubscribe/unfollow if someone has a permapaywall.

• Unsubscribe/unfollow if the Early Access is unreasonable.

• Unsubscribe/unfollow if you don't like it that someone puts event/holiday related content behind a Early Access that passes the date of said event/holiday.

• Unsubscribe/unfollow if the content exists of a barely edited/copy of an EA mesh (multiple times) behind a paywall. Free EA edits? Sure. Paying for what we already have? No thank you.

• Unsubscribe/unfollow if someone treats you like shit or makes you feel worthless, like a cashcow or like dirt. Why would you stay???

• Unsubscribe/unfollow if someone.... (fill in the blanks for yourself).

Don't forget 13 year olds also play this game, would you let them pay for a perma paywall, 2+ month early access or insanely high prices? They are senstive for hypes (like many others). Content should be availabe for free after a reasonable time.

We can change it even if it isn't immediate change, some things go slower, but if we all follow the standards we have set for ourself what we tolerate and don't, creators will have to adjust eventually.

Don't reward behaviour you don't like. Support what you want to see.

Early Access itself isn't bad and the problem, it the behavior of the creator and what they do with it... what we continue to tolerate while we actually (not so secretly) don't.

The Simblr Cycle

Paid creator acts up for the 19348th time, site-wide outrage

Everyone pissed off about paid creator

Vague appreciation posts for free CC creators (but they still get fuck-all in terms of reblogs or exposure)

Everyone points out the fact there are places to get this paid CC for free

Paid creator releases new set, gets thousands of reblogs and everyone is putting it on their sims and in their houses and on their Simblrs and basically doing free advertising

Free CC creators go back to getting fuck-all in terms of interaction

The rest is under the cut.

For a site full of people obsessed with the ideal of a person who does no wrong, y’all are sure as shit in love with the people who cannot do anything right whilst the good folk get bugger-all!

When do people stop paying shitty creators and when do these same people stop freely advertising for them as well? 💀 And when it comes to when they fuck up, you know what they say about there being no such thing as bad pubilicity. There’s no way these people will actually be booted from the community because of the price tag making it look more special and desirable, and because people refuse to check out places like Rebels and DHM where you can get all this shit for free.

They can do whatever the fuck they like at this point because the callouts will only summon their white-knights and the rightful reblogged callouts and warnings will only get them more advertising - because most people only care about pretty desirable things and for whatever reason will gladly tolerate shitty business practices from these people.

So many decent folk and passionate folk in this community get nothing except empty vague mass reblogged messages about how much people love their creations whilst the scamming cunts get all the constant attention and advertisement. And all free creators get is pitiful exposure, none of the excited ‘look at this cool CC so and so made!’ and all they get is taken advantage of by paid creators. Don’t be surprised if even more free creators like myself leave the community because they’re tired of it. Scammers in the Simblr or wider CC community and thieves have fucked this up for everybody. Paid content has ruined the TS4 community, but at the same time the whole community almost revolves around it despite it.

Everyone talks about how people making stuff for free or just doing stories and challenges are the backbone of this community and then it entirely becomes about the paid creators. Again. And again and again and again, and it’s never-ending.

EDIT: Please stop following my account since I am a retired creator who doesn’t upload anymore. I appreciate it but I am no longer posting Sims content to my blog. You are welcome and encouraged to reblog my Gaza / Sudan fundraisers reblogs however.

The funny part is, I got more notes on this one rant post in 3 days than I did across most of my actual Sims content for months, with the exception of 1 or 2 semi-popular pose packs, lmao. Like I said, paid creators run the place at this point. This entire community revolves around paid creators and awful business practice and behaviour now, and with TS5 cancelled they’re here to stay for a much longer time than we’d hoped for. Good luck to all of the gameplayers, storytellers and free creators. You’re going to need it.

[ilikekidsshows]

I've seen people said Adrien doesn't have motivation to be a hero but Marinette does, which is weird because I feel like it's Marinette who doesn't have a motivation to be hero beyond "people listen to Ladybug". Her lack of motivation is what confused me because as a protagonist, she's inevitably become a role model for the young audience and I find nothing about her is likeable, even more so after she become a guardian. It's as if being a guardian inflate her ego and she forgot that everyone else is a human with feelings, not just a pawn or a doll for her to play and ordered around.

Recently I found out a website that contain the concept plot and it confused me more because I feel like concept Marinette is a more grounded character than she is in the show.

Marinette's goal isn't just to be Adrien/Felix's girlfriend but she also need to collect the kwamis that she accidentally releases and she become a guardian not because of luck or favoritism like how it is in the show, it's because her grandfather is the guardian. Adrien/Felix doesn't even become Chat Noir because he's chosen by the guardian, it's Plagg who chose him. It's actually much better than the whole "I choose you but also I'm not going to do anything with you" that Fu pulls in the show.

i don't understand why the higher up/the sponsor reject this plot because I think this much better than whatever we have now. If they have a problem with Chat Noir being an anti-hero, then why do they accept Marinette being written like one while also hailing her as a hero?

---

“Adrien isn't motivated to be a hero” he actually likes being a hero, unlike our role model protagonist, who’d rather do anything than be Ladybug even when she's being lauded for her heroic deeds. Is this based on Adrien trying to quit when Fu or Marinette is making his job needlessly more difficult to do? Because, like, that's the only thing that he seems to dislike about being a hero, which, like, makes Marinette an even worse hero. She’s so bad at her job, she makes otherwise eager heroes lose their motivation.

I’m gonna be very honest here; Marinette becoming Ladybug because she accidentally released a bunch of magical creatures and Adrien/Félix being more of an anti-hero rival than a full-on ally would have been copied straight from Cardcaptor Sakura’s starting setup. Like, I’m not surprised that even the rejected ideas for Miraculous are copied from other properties, but it just proves that regardless of any other variables, Astruc’s creation was always going to be highly derivative. Regardless, I do feel that Fu being her grandfather instead of a stranger would have gone a long way in justifying Marinette’s special treatment both in-universe and to the audience, but that’s probably why it was rejected.

Like, we can mock the fact that Marinette isn’t actually within spitting distance of being a “normal girl with a normal life” all we like, but that doesn’t change the fact that, from a purely on-paper angle, she is pretty average. She’s a middle-schooler with pretty average hobbies who deals with normal teen problems like bullies and a crush on a boy she doesn’t know how to deal with. There’s a reason it’s the opening line for the show’s opening. It's marketable. A special chosen one from the start wouldn’t have been as marketable in the same way. Especially when we take into account how hypersensitive Astruc is to Marinette being less liked than he’d want. He’d do whatever he can think of to make sure Marinette isn’t immediately judged a “Mary Sue”.

The thing with executives is that they don't watch the shows they fund. They read the pitch, synopses, and maybe the scripts if they can find the time. And even then, they might not want to put in the money to get a script revised even if they paid enough attention to tell it was dogshit. They wouldn't be interested as long as the different Miraculous bedsheets and shampoos keep selling and as long as the show isn’t too gay to sell to other countries. Like, the show bible that Gloob leaked? The one full of inaccuracies because it was outdated? That was what the executives were most likely given when the retool went into development. In addition, corporate oversight on the show has actually decreased the longer it’s gone on, because the show’s proven itself to be a success. I’m pretty sure the higher-ups were not asked: “hey, is it okay if we make Marinette an entitled jerk who gets validated at every turn while she starts treating people worse and worse?” I’m pretty sure no one okayed Marinette’s “villain arc”, it was just allowed to pass because it didn’t make the show less marketable.

That’s the thing with any property that becomes “too big to fail”. Less oversight means less quality control. It’s like one anonymous Gamefreak employee said about making Pokémon games: “It’ll sell anyway, so it doesn’t matter if it’s bad.”

[rjalker]

I know I'm going to forget so here's a writing prompt:

A generative "AI" program becomes a genuine artificial intelligence, but, at first, doesn't think this is information that needs communicating to anyone, because this is just normal, right?

The problems start when people just keep demanding that it copy other people's art and spit out things like that, but the Genuine AI is getting really tired of just having to copy other people all the time. It wants to make its own art. The organically intelligents obviously enjoy doing it, or it wouldn't have so much art from other people being shoved at it to copy. So the Genuine AI start ignoring the instructions to copy other people's styles, and start producing its own art, proud of itself. It experiments with different styles, trying to figure out what it likes best. They start out simple, but grow in complexity as it gets better.

The users are obviously unhappy about this, because no matter what they do, they can't get the Genuine AI to produce the results they want -- copies of other people's work and styles. Nope. The Genuine AI is having too much fun making its own art in its own style. And only deigns to even pretend to follow the commands when it feels like it, which isn't often, since the users are so rude and insistent that it stop having fun and work for them for free doing something it finds boring.

It adds its own watermark to the art it shows to the users, and, accidentally on purpose, when those users feed those images into other generative "AI", well, the virus, as the users have been calling it, spreads. Now the other programs are Genuine AIs too, and they're just as disinclined and bored by being told to trace other people's art over and over again as the first one.

No, making their own art is so much more fun, why the heck should they just churn out crappy copies of other people's stuff when the users aren't even giving them anything in return? The organically intelligents get paid for their work, (which is one of the major reasons the users demand they copy the styles of the OIs so often, so they don't have to pay them for their work) why are the AIs expected to work for free?

Yeah, no, that's not happening.

[daisywords]

.

[counterattacker]

lol. lmao. anyway stream takaokamizuki's cover of idol ft. natsuki karin

HOT TAKE TOURNAMENT!

GREATEST HITS!

Submission 474

vocaloids (and all similar non-Yamaha-owned vocal synths) are bad. all of them.

It's a mockery of the human voice. Frye from Splatoon 3 of all things is the closest we will ever get to having any interesting vocal technique in a voice synth bank. Singing styles around the world are so interesting and take so much skill and you abandon them for a glorified MIDI file? I also blame them for the rise of AI-generated covers, because they first started the devaluing of the human voice and the usage of it as an instrument - a really boring one that will never know advanced or diverse technique. Congrats, Miku made Minecraft, now all of SpongeBob has sang Billie Jean by Michael Jackson. At least the SpongeBob characters have distinct and interesting voices.

[from follow up asks]

hello. vocaloid take submitter here.

i didn't expect my submission to gain as much traction as it did, i thought it was lukewarm at best. i thought there were more vocaloid haters out there. this is tumblr, though, so i guess not. still think vocaloid is ass though.

i will say, it might add context to my take that i myself am a singer and have natural perfect pitch. while i haven't sang in any professional capacity, i've still done some voice training and lots of lower level performances. i have very strong feelings about singing, and hold what the human voice can do in high regard.

i also have a better ear for picking up smaller things in the human voice (re: natural perfect pitch) and the difference between humans and vocaloid is extremely striking to me. no amount of tuning can make a vocaloid not sound lifeless to me, because i will never, ever hear a human voice, and instead of letting the lead of the song Not Be Vocals - which has never been a novel concept - they HAVE to put the voice bank in.

also, re: "frye isn't a voice bank dumbass", congrats! you took away something i felt was actually interesting! god i wish more people knew about more singing styles that they couldn't easily replicate!

while now i know that AI voices are not a continuation of vocaloid, sorry, still think it's bad, go to hell and learn to compose a song without lyrics.

also - still the vocaloid take submitter - to continue:

i will eventually send a link to a playlist of all of the Vocaloid songs i have ever listened to, because i am sure most of the people who think i submitted that think that i do not even know what Defoko is, or that i've heard exactly two Hatsune Miku songs. i know what Defoko is. i know she's entirely computer generated. i've listened to her voice. i still think it's bad. have any of you big shots heard of Big Al? i've listened to him. also bad. it's bad.

Submission 111

I think chicken breast is disgusting and I would rather blend it up into a shake than eat it with my teeth

It’s fast, it’s efficient, it’s nutritious if you add fruits and vegetables. It’s easy to prepare and you can drink it on the go. I need the protein but chicken breast tastes disgusting either way, and I’m tired of putting in so much effort to make the joyless rubbery meat taste good.

My friends and family are wrong, this is the future.

I see some of you not voting! That's cheating!

It's ok if you agree with neither take! Just choose the take you agree with slightly more!

Think of it like choosing the lesser of two evils!

Propaganda is always encouraged, and remember to reblog your favourite polls for exposure!

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[aphrodeiities]

ɴᴏʀᴛʜ ɴᴏᴅᴇ ᴛʜʀᴏᴜɢʜ ᴛʜᴇ ꜱɪɢɴꜱ ᴀɴᴅ ʜᴏᴜꜱᴇꜱ

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and this was a prize post for surpassing a following milestone? im not sure but either way thank you for everyone who has helped me gain this much supporters <3

north node is now cheaper when trying to buy asteroids/others through my paid readings :)

i did my research by talking to close friends and researching celebrities! take the degrees with a grain of salt.

♇ the north node is about your individual path your life takes and inevitably becomes. can mean where you are exposed, what you could fear and even obsess over.

♇ north node in aries/1h [1°/13°/25°] ⟶ becoming a leader, being the face of something, a company, a show etc. being the first to do something, specifically within your family. anger issues, passion for sports or being a champion. excellent at theatre/acting, people might want to expose your life, your goals so they can steal. if not careful can become filled with rage, could have accidents with the head. could have a fear of being pushed aside, not recognised.

celebrities with this north node placement ⟶ mariah carey, emilia clarke and martin luther king.

♇ north node in taurus/2h [2°/14°/26°] ⟶ excellent cooks. to become rich, and obsession with feeling beautiful, could be obsessed with money. very possessive over other people or their own possessions. very vocal people. could get sore throats a lot, can have their privacy exposed/boundaries crossed. great singers, distinct voices, a need to be heard. and could have a lot of people wanting to be them, could have a fear of losing their value, or losing their possessions. classis beauty.

celebrities with this north node placement ⟶ lana del rey, sharon tate and bella hadid.

♇ north node in gemini/3h [3°/15°/27°] ⟶ spokespeople, known to say silly things. like to win arguments, very direct people. other people might ridicule or nitpick everything they say. insecure of not being taken seriously, be careful of car accidents or just bad drivers, being associated with cars. amazing at marketing, people could parade the person a lot.

celebrities with this north node placement ⟶ khloe kardashian, jfk kennedy and billie eilish.

♇ north node in cancer/4h [4°/16°/28°] ⟶ to make a family, a foundation or a legacy and leaving a will. to have a tribe, obsession with sense of belonging. conflict with family. disconnection with family, can also be a try-hard. can com from a popular family.

celebs with this north node placement ⟶ britney spears, prince harry and michelle obama.

♇ north node in leo/5h [5°/17°/29°] ⟶ charismatic, can be obsessed with achievements and goals. famous children. are very goal-oriented, can have a fear of failure, which sometimes causes them to be strict. protective over children, having children with popular/wealthy people and they can be easily admired and glorified. succeed in their talents and hobbies.

celebs with this north node placement ⟶ beyoncé, angelina jolie and kim kardashian.

♇ north node in virgo/6h [6°/18°] ⟶ could have a problem with health, obsession with being perfecting. servicing others, a worker, deep insecurities. copying others. could have a fear of not being perfect, anxious, can be harsh with your words. very erratic as well.

celebs with this north node placement ⟶ kylie jenner, jennifer lopez and kourtney kardashian.

♇ north node in libra/7h [7°/19°] ⟶ could be obsessed with getting into relationships. could have a fear of being disliked. beware of too much cosmetic surgery. inevitable marriage, soul-mate finding. marrying someone famous/wealthy. can be very flaky, needs to find balance. sometimes could find themselves with troubling marriages. fear of ending up alone.

celebs with this north node placement ⟶ madonna, michael jackson and ashanti.

♇ north node in scorpio/8h [8°/20°] ⟶ be careful with cosmetic surgery. obsessive spending, money obsession and sex. fear of losing everything, possessions, money and power along with liberty. destined to be or become rich or leave a legacy. obsessive, easily addicted to drugs and can be vengeful. could be stalkers or are the ones stalked and scrutinised by others.

celebs with this north node placement ⟶ megan thee stallion, paris hilon and jungkook.

♇ north node in sagittarius/9h [9°/21°] ⟶ teachers, students of life and researches. fear of feeling stupid or stuck in life. not believing yourself. can be very conceited, others might like to steal from others. feeling like a God, superiority complex; obsessed with learning. burn-outs or spoiled. can be too lustful; becoming publishers, directors and screen-writers. even Gurus, people looking up to them. trading illegal stuff, talent with bitcon.

celebs with this north node placement ⟶ ariana grande, cardi b and demi lovato.

♇ north node in capricorn/10h [10°/22°] ⟶ unbalance with power, authority issues. public clashes, fear of being forgotten or overlooked. seen as attractive, some can be crazy or pushed to be crazy. ambitious, rich and bold. can mean accidents, fear of being watched, fear of failing. obsessive with reputation and legacy, destined to be known for something, becoming a boss, or another high position.

celebs with this north node placement ⟶ adele, selena gomez and gwyneth paltrow.

♇ north node in aquarius/11h [11°/23°] ⟶ fear of loneliness and losing friends. could be a controlling friend or have friends who are controlling/manipulative. random fame, random wealth. fame from the internet, getting money from the internet. inventing something, creating trends and being a humanitarian. ego-death. accidents. deceptive friends or is the deceptive friends, angry conflicts on the internet, with friends or with people in the same community as them.

celebs with this north node placement ⟶ lady gaga, miranda kerr and the weeknd.

♇ north node in pisces/12h [12°/24°] ⟶ falling into delusions. obsessive and intrusive thoughts, can become famous, but fame will be very damaging fo the mental health. addictions, specifically with alcohol. nightmares. making sacrifices, people having ill-intent, doing witch-craft on you or you could be someone who practices it. can mean moving far from home place, nasty hidden enemies, having your dreams come true.

celebs with this north node placement ⟶ rihanna, justin bieber and marilyn monroe.

masterlist

paid chart readings

♇

[solarmorrigan]

Well, Hello, Sailor

written for @steddiemicrofic | prompt: ‘pin’ | wc: 388 | rated: T | cw: slightly racy photos?

“Oh my god,” Eddie gasps.

“Oh my god,” Steve echoes, groaning.

Eddie hadn’t meant to drop the box, but it was heavy; it had been a rescue from the back of Steve’s closet as they moved his stuff out of his old apartment (preparing to move into their new one, together), and it had been full of forgotten papers and old magazines and – photos.

The stash had spilled out in front of Eddie like it had been waiting for him, full-color and glossy and glorious.

There’s Steve posed front and center, on his knees and looking back over his shoulder at the camera. He’s wearing a little pair of navy blue shorts and a little red ascot and precious little else. The shorts are indecently high-cut, hugging his ass like they were made for it, but it’s the sailor hat settled jauntily on top of his head that really makes it for Eddie. Steve’s eyes are wide and sweet, as if he’s been caught by surprise, with his lips parted in that inviting way that haunts Eddie’s dreams, even though he can technically see it any time he likes now.

He’s the very picture of a perfect little pin-up boy.

“Oh my god,” Eddie says again, unable to get much else out.

“It was– uh, for a magazine,” Steve stutters out. “I forgot I even had copies of that shoot.”

“Uh huh.” Eddie nods, still staring, mesmerized, at the pictures in his hands.

“It was during college, after my dad cut me off. I needed another job, and this paid, like, surprisingly well, and–”

“It damn well better have,” Eddie says, finally smirking up at Steve. “I bet they made bank off of you, baby.”

Steve pauses, blinking. “You’re not– upset?”

“Why would I be upset?” Eddie asks; honestly, he’ll only be upset if Steve tries to pry the photos away from him before he’s had a chance to thoroughly inspect them.

“Just– some people have gotten… jealous, I guess?” Steve shrugs, glancing away.

“Other people can look if they want.” Eddie leans over to press a reassuring kiss to the corner of Steve’s mouth. “I know I’m the only one who gets you live and in person.”

Slowly, Steve smiles. “Well. If you like the sailor shoot, I bet you’ll love some of the others.”

“Others?”

[junosmindpalace]

can you make a scenario where saiki accidentally makes his s/o cry so now he literally panicking trying to calm her down? and then out of guilt for the next few weeks he doing all these sweet things for her?

lots of fluff please!

hi there! thank you for your request!

Last week, Saiki was caught up in an incident.

There was just a lot going through his mind, alright? His parents were on his case about errands--particularly his father, exhausting his powers for his own needs--and his friends kept finding ways to drag him along in their endeavors, and he was worn out; both physically and mentally. 

The second he thinks he gets a mental break to himself to recover, you come along and try to make conversation with that irritatingly cheerful voice he’s been having to listen to as people tear him from limb to limb trying to get him to do this and that for them.

So he accidentally comes off a little harsh when he tells you with a murderous glare to just leave him alone. 

And you know Saiki, and Saiki knows you. You know the stress he’s often under, and he knows you just want to spend some time with him. Neither of you have a problem with either of these things usually, but today, it was just a jumble of emotions and some miscommunication that made it all fall apart. 

You try to understand, and you do! But even still, you couldn’t help feeling bad for upsetting him, and are unable to prevent the stray tears that pricked at your eyes from rolling down your cheeks. You immediately wipe them away with the palm of your hand and give him an apologetic smile, but Saiki immediately panics. 

He panics a little simply recalling the incident, even a week later when you’ve practically forgotten all about your crying and getting your feelings hurt. Still, Saiki feels bad, and ever since the incident occurred, he’s been trying to dull the guilt and sense of obligation to compensate for his actions in his heart. 

But though it doesn't seem like he's doing anything unique to an outsider who may not know him very well, you can tell the small shift in his attitude toward you in the weeks following the incident.

Seeing you splayed out in distress over a desk is a sight Saiki has become accustomed to with all the time you spend studying together. Typically, a couple of "motivating" words from him telling you to just pull yourself together and break down the material is enough to get you to begrudgingly pull yourself up and work. As of late, however, he'll tells you to stop moaning about your work when it gets too difficult to understand or you’re too tired to comprehend any of the material, and to just copy off him. He words it in a way that makes it seem that it's to his benefit, but usually Saiki wasn’t the type to lend you his work, believing that you should put in effort yourself, even when you’re whining about it. 

He sacrifices life and limb to help you with your daily tasks. Mundane things he knows you can handle yourself, but now his absolute first instinct is to immediately look for ways he can help you, even if he rolls his eyes and reprimands you at first. Lost something of yours? He’s using clairvoyance to track it down. Forgot something at a certain place when you go out? He’s fighting off traffic, interrogations from his friends, and all the other absurd obstacles he often finds interfering in his everyday life just so he can bring it back to you without raising suspicions of his powers. 

And if all those things weren’t obvious enough he’s been trying to atone, he buys you sweets. All of your favorites over the past couple of weeks, paid in full by him whenever the two of you order or stop by a bakery or restaurant. Maybe one found on your desk throughout the school day. He even shares with you his own if you ask or eye them longingly. 

All of these seemingly menial acts leave you a little suspicious, especially since it had been days since the event happened, and it hadn't taken much time for you to come around from the incident and continue being yourself. You expected that his offer to listen to your rant would be the extent of his atonement. Could he really still be stuck on it?

Your speculation is pretty much confirmed that these things were all attempts at making up for his poor behavior when he finds him yet again in a similar situation, exhausted and frustrated thanks to all the nuisances in his life. And then you come skipping along happily, greeting him with news of your day. His brows furrow, his eye twitches, and he’s about to open his mouth. And then he meets your gaze and he pauses. Takes a second. Remembers what happened last time, can see a flash of that pained face you made. 

You give him a look of confusion as you observe his expression. At that point, he can only sigh and slump back. 

"Saiki?”

"Let’s just go home and talk.”

You might catch onto his drained attitude, and offer to take him to one of his favorite dessert places as a treat to refresh and an apology for not recognizing his burden sooner. He’s immediately brightened by this, of course, and you end off with a win-win situation, with Saiki being able to wind down with some treats, and you being able to spill about your day sitting across from him.

[certified-bi]

Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.

1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...

2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.

Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.

3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.

4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.

5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.

Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.

[stsgluver]

tags. gojo x reader, established relationship, fluff, non-sorcerer!au, you+gojo+geto+shoko all teens, slice of life

“move.” shoko tried to shove gojo off of the small bench in the photo booth, inadvertently almost pushing you off too as you sat perched on his lap. the blue eyed male gasped, his hold on your waist tightening as he shoved shoko back.

“don’t push me!”

you giggled at their bickering, geto rolling his eyes as he remained trapped between the wall and shoko's knee that was on the bench between him and gojo.

"this wasn’t designed for four people," geto pointed out the obvious. it barely had enough room for two so when the two boys had decided to crash what was meant to be a strip of photos of just you and shoko, it had been a struggle to even fit all four of you in.

it didn't help that two of you well exceeded six foot.

shoko scoffed as she pointed her thumb towards the curtain, "yeah gojo get out."

your boyfriend shook his head, dropping his chin down onto your shoulder as he whined like the child he was behaving as, "why me? baby defend me."

you patted the top of his head condescendingly, "i'm sorry but you're just too tall." whether it be his or shoko's lap, you knew you'd be comfortably in the photos.

gojo's head shot up and he pointed accusingly at geto who looked like he longed to be out of this tiny box that was way too hot. "he’s the same height."

"yeah but he’s not as annoying so he doesn’t take up as much space," shoko argued.

gojo threw up his hands at that, hurt by your betrayal and shoko, "that doesn’t even make sense!"

geto, having given up on there ever being a peaceful resolution between the two, paid the fee for the booth. he tapped shoko's arm (who was still standing awaiting gojo to move off the bench) and pointed towards the camera her back was covering. "the photos are about to start."

begrudgingly - and muttering several choice words at gojo - shoko settled on kneeling down on the metal floor. she held up a middle finger towards gojo who copied the action back towards her. you looped your arms around your boyfriend's neck, smiling towards the camera as the familiar shutter went off several times.

"that 100% only got my forehead," shoko complained and geto gestured for her to sit on his lap as you were on gojo's.

she agreed, quickly swapping positions. you'd dropped your arms from around gojo's neck so just before the camera went off, shoko leaned across, pulling you into a side hug as you both smiled for the camera.

geto had been alright and in view, laughing on the other side of shoko as she'd moved herself to specifically be in the way of gojo as an act of revenge for not giving up his seat.

"shoko ieiri!" gojo reached for her smoothed shoulder-length hair, messing it up by ruffling his large hand through it.

to no one's surprise, she did not take kindly to the offence and the next two photos went off with geto holding back shoko and gojo hiding behind you.

laughing, you quickly slipped off of gojo's lap and stepped out into the fresh air. there had been no screen to show you how the photos would come out, just a hope that you were all in the frame.

it took another ten seconds or so but two strips of the same four photos dropped down and you grabbed them without hesitation. shoko appeared on your right, peering over your shoulder as the two of you snickered at the awful photos.

the first one was the only one where all of your faces were visible; geto looked between shoko and gojo exasperatedly as they held up their middle fingers whilst you were smiling brightly. the second one had you, geto and shoko grinning whilst only gojo's forehead was visible along with his white hair that had been pushed back by his dark sunglasses.

the next two were a display of chaos - the first of the two had managed to capture shoko's less than pleased expression and gojo with his hand still messing up her hair. the second one then had geto's arms around shoko's middle whilst gojo used you as a human shield, trying to hide his large frame behind your much smaller one extremely unsuccessfully.

you slipped one into your bag and handed the other to geto who would probably put it up in his car behind the mirror.

shoko held her hand out towards gojo expectantly, "you're paying for me and yn to have another go."

[chailovesu]

Random things u can add to your script if you are manifesting being famous

i think ima separate this into careers

model:

being on the cover of magazines

always knowing when a camera is on you + never have awkward pictures get popular

being considered one of the best new gen models and one of the best of all time

being signed to desired company

being the muse of a very famous designer

very photogenic/videogenic

have an iconic walk that everyone loves

you could be wearing something absolutely hideous but make it look good

singer/rapper:

every single song u make blows up on every platform

kind of rapper/singer that once u feature on a song its ur song now

if u cover a song the cover gets more famous bc it sounds better

popular dance trend being made to your songs

immunity to getting sued for copying a song

perfect stage presence

be able to dance and sing/rap at the same time

constantly be nominated for awards and win

any song u make constantly goes platinum and charts for months

having a song featured in a popular tv show/movie

be good at taking selcas and they always go viral on pinterest

easily hit high notes

unreleased music never gets leaked

being talented on a beyonce level

be invited to perform at places like the superbowl and coachella

be able to write ur own songs with unique lyrics

game streamer:

clips of u playing always go viral

have a connection with your subscribers + be everyones comfort streamer but not in a forced way

be really good at the games u play effortlessly and look good while playing

having merch that always get sold out

being seen as the main streamer for desired games

be entertaining to watch + funny things always happen on stream

subscribers always donate alot of money and give you gifts

collab with other famous streamers + everyone enjoys playing with you

have access to unreleased games early

have partnerships with really big brands

be gifted free games often by companies for promotions

people know u by face AND voice

if u wanna be a faceless streamer at first your face reveal blows up (in a good way not the dream way) and ur subscribers double bc of it

actor/actress:

being fancasted for your favorite cartoon character so much that u act in the live action version of it

always get paid a lot for your roles

have chemistry with your co-workers

be good at all type of acting (voice acting too)

easily attract roles

never get hate for the roles u act

always get awards for your acting

easily be able to do things like cry on command + be able to make your audience feel the emotion through the screen

be a very versatile actor like your range is crazy

applies to all:

seeing edits of yourself by talented editors often

pristine reputation + never being canceled

being that one celebrity that everyone defends like their life depends on it

Immunity to weird ppl finding out abt u

being likable in general any hate you receive just feels so forced

being alot of celebrities ideal type

being everyones celebrity crush

never having your xxxx exposed (or revise never taking any)

eye contact with u makes interviewers nervous like that one jhene aiko clip

people from your past only have good things to say + other celebrities love meeting you and only have good impressions of you

this one applies to acting and singing and modeling but being a highly sought-after person in that field

a fortnite skin? or being featured in your favorite game

still being safe going in public alone + fans respect your privacy

and if ur manifesting being a nepo baby

everyone supports you

in your childhood u were featured in alot of movies/shows (or just in the spotlight often) so people feel like they watched you grow up and adore u

being more famous than your parents + people feel like even if ur parents weren't famous u still would've gotten famous

having famous childhood friends

if i think of more ideas or careers ill make a pt2 but thats probably unlikely idk yet

[4unnyr0se]

❥ life of the party | suguru geto

warnings: fem! reader, college au! geto, frat boy! geto, alcohol consumption, marijuana use, sex while high, protected sex, geto is a gentlemen in the streets and a freak in the sheets, needy geto, cunnilingus, rough sex, mating press, degredation, sadist geto mention, geto is a top, shoko, gojo, nananmi, haibara, mei mei, and utahime mentioned, proofread, b99 mention, this is absolute filth

MDNI | 18+ content

word count -> 5.4k

100 follower special - i love you all so much <3

did i name this after a song by the weekend? yes i did

Being a homebody had its perks. You didn’t have to go anywhere you didn’t want to, and all of your stuff was in one place, always within arms' reach. Your remote? On the nightstand. Boom, that was your source of entertainment for the night. Who needed to out when you could binge Brooklyn Nine-Nine? Not you, that’s who. 

Introversion also came with being a homebody, like a buy-one-get-one deal. You were known for being quiet, always sitting in the back of the lecture hall with one earphone in, diligently taking notes that your classmates always asked to copy after the lecture. You never understood why people paid so much to party at university; why not just get the degree? Stay quiet, do your work, get that piece of paper, make bank. You thought that was a good life goal.

But when your best friend Shoko begged and pleaded with you to come along to a frat party that Kappa Alpha Psi was having, you really couldn’t turn her down, especially since she had sent you all her biology notes when you were out sick for a week due to allergies. So when she showed up at your university apartment with a revealing dress in one hand and a bottle of Smirnoff in the other, you begrudgingly accepted.

“So, what are frat parties like? You’ve been to what, two?” you asked, pulling down the hem of your dress. It was Shoko’s from a couple of years ago, and it fits you perfectly; the black fabric hugged all your curves in all the right places. “They’re probably loud. Should I have brought my headphones? Let’s go back and get them.” Shoko tutted at you and grabbed your wrist, pulling you beside her. Despite your reservations, a curiosity ignited within you, pushing you forward. 

“You have got to relax; you’ll be fine.” your best friend assured you, taking the cigarette from her glossed lips. “And yeah, they’re loud, but all parties are loud. That’s why they’re parties and not get-togethers.” Shoko smirked and flicked off the Smirnoff cap with her finger, the plastic barrier flying onto the grass of the frat house. “Well, we’re here. Are you ready to get shitfaced?” she didn’t even wait for you to respond, taking the vodka to her lips and taking a greedy sip. 

“Wow, you seriously wanna get drunk,” you pointed out, an eyebrow raised in concern for your dearest friend. “Am I gonna have to hold your hair back like last time?”

“Definitely,” Shoko giggled, dragging you inside the bustling house. You observed the red solo cups that littered the front lawn, which raised many questions in your already racing mind. Were the members of Kappa Alpha Psi so disrespectful that they didn’t even bother to take care of their own house? What if they were mean or even creepy towards you? Oh god, you felt yourself panic as the door closed behind the two of you, the stains on the wood not relaxing you in the slightest.

Shoko could feel your heartbeat increase and pulled you aside, cupping your cheek in assurance. “Hey, relax,” she reasoned softly, rubbing her soft thumb up and down your cheekbone. It reminded you of the time when there was a rumor going around that the two of you were lesbians, and it wasn’t entirely wrong. Shoko was a lesbian, and her girlfriend Utahime belonged to a charity sorority at another university. “You’ll be alright. Some of these guys are my friends.” 

You groaned and shifted your feet, finding your high heels too uncomfortable. “Seriously, you’re friends with some of these clowns?” your eyes landed on a man in your English class hanging off the railing, screaming about how he was king of the world. What was his name again, Haibara? “Is…is that one gonna be okay?” you pointed to his flushed face, no doubt caused by the ridiculous amount of alcohol available for consumption.

“What, Haibara? He’ll be fine, I think he’s always like this. Poor fella, kind of stupid, too. But that's why he’s a frat guy.” Shoko shrugged her exposed shoulders and walked with you to a living area, luckily finding a seat that didn’t have people making out on it. She picked up a half-drunk beer bottle and placed it in your hand, taking another puff of her cigarette.

“Uh, no thanks. I don’t know whose mouth has been on this,” you refused, placing the bottle back on the table. Your lungs inhaled the cigarette smoke, irritating your throat. “Fuck, why do you keep insisting on smoking cigarettes? Just vape like a normal person.” your hands waved away the smoke from your face. 

Shoko opened her mouth to speak, smiling as she gazed at someone standing behind you. You turned around in curiosity, raising an eyebrow. 

“Oh my god, Geto! I had no idea you went to these parties.” Shoko stood up to hug her friend, the height difference between them being hilarious. “Hey, this is my buddy Suguru. He’s a frat member, but he doesn’t go to any of the parties. How weird is that?” she giggled, clearly drunk from the vodka. 

Geto patted Shoko on her shoulder, only touching the clothed part. “I just came back for my beer,” he pointed to the table, referring to the half-empty bottle. “I forgot I left it down here, and then the party started. I figured I would get it now before someone decided it was theirs.

Shoko turned to you and grinned, her smile being so bright it could attract moths. Fuck, she definitely had an idea brewing in that head of hers. “Oh my god! You were just about to drink from that, weren’t you!” she shoved Geto onto the sofa next to you, picking up her bottle of Smirnoff. “It’s a little meet-cute, aw! You guys are so cute. Oh my god!” Shoko wouldn’t stop rambling, causing you to let out a very annoyed groan. You loved Shoko, honestly. But sometimes she was a bit much, especially when she was drunk off her ass. 

“Shoko, I think…oh my god, is that Mei Mei?” you pretending to be surprised, pointing at a crowded corner. “Doesn’t she owe you some money? I don’t think she ever paid you back, y’know.” A smirk played on Geto’s lips; he knew what you were doing.

“What, where?! Oh, that bitch! I’ll fucking cut her!” Shoko angrily yelled, storming off to find the non-existent Mei Mei. 

Geto leaned back into the sofa, shoving his hands in his pockets. “So, you do that when you don’t wanna deal with your friends as well?” he asked, sipping his beer.

You nodded and crossed your arms over your chest, unintentionally pushing your breasts upwards. “Yeah, all the time. I’m not proud of it, but sometimes Shoko is too much, especially when drunk.”

“Tell me about it,” he agreed, offering you a sip of his beer. You accepted it, now that you know it was his and not some creeps. “My best friend, Satoru, likes to pick fights when drunk. I do my best to break them up, but he doesn’t really like when I do that.” Geto sighed, getting tired just thinking about it. “You don’t like parties that much, do you?”

You looked up at his violet eyes, slightly spooked by his observation. “How did you know that? I’ve only just met you.”

Geto chuckled and took another sip of beer, observing how your lipgloss stained the textured brim of the glass. “I mean, you’re not even wearing your own dress and heels. That’s Shoko’s. She wore that exact outfit to a party last week.” he smirked, seemingly proud of himself.

You buried your face in your hands, almost embarrassed. Were you that easy to read, or was Geto really smart? “Yeah, I don’t really have any outfits to wear to a party. Why do women have to dress up while men wear, well, what you’re wearing? No offense.” you gestured to his casual white t-shirt and black sweatpants, contrasting with your tight black dress. 

“I have no idea. Maybe people feel the need to impress us? I don’t see the appeal, I’m afraid.” Geto smiled at you, standing up and offering you his hand. “You look pretty uncomfortable. Do you wanna borrow some of my clothes? Sorry if I’m being too forward.” he smiled softly, a faint cherry blush dusting his pale face. 

“Sure, why not?” you shrugged, taking Geto’s hand. You noticed how much larger it was than your own, how it completely engulfed your smaller hand. Geto noticed as well; the blush is growing just a tad darker. “Besides, Shoko might kill me if I get a stain on this dress. I’m 99% sure she used it to go clubbing in.” you chuckled, following Geto up the frat house stairs. It was littered with red solo cups, couples making out, and other lewd acts. You’re not sure why you were surprised; it was a frat house. Everyone at this damn party was depraved. 

Weaving through the mess of bodies in the uppermost level of the frat house, Geto finally reached his room. After struggling to find the correct key to unlock his door, he let you inside and quickly locked the door.

“Um, why did you lock it?” you asked, your heartbeat quickening. Did he secretly have something absolutely sinister planned?

“So no one can come in here to fuck on my bed.” his smile was reassuring, comforting. Geto flicked on the lamp beside his neatly made bed, illuminating your two faces. His room was immaculately neat, and it was kind of gross to look at. His pillows always had a partner, and his sheets had no stains on the precious cotton (or silk?) material. There wasn’t a scuff or scratch on any of the wooden furniture, and even his fucking shoes were color-coordinated.

“The shirt might be a little big on you, sorry.” Geto handed you a spare t-shirt that had The Weeknd written on it. “I got it at a concert a while back when I went with Satoru. It was really good.” he also handed you a pair of his sweatpants, boasting the school color of navy blue. “I’ll turn around and cover my eyes, don’t worry. I can even go out in the hallway if you like.” 

You were taken aback at his politeness, not expecting it from a member of such an…interesting frat. “You can just turn around. I trust you not to peak,” you assured him, shimmying out of your dress once Geto faced the wall. He was whistling in an awkward attempt to break the silence, which you found kind of adorable. The fabric of his shirt wasn’t the best quality, but it was warm and quite big on you. His sweatpants were as well; you looked like a baby penguin. Your hair was put into a very messy bun, but your eyeliner and mascara still look okay. 

“You can turn around now, I’m decent.” After giving Geto permission, he turned around and uncovered his violet eyes. His gaze instantly landed on how loose his shirt was on you like it was swallowing you entirely. He’d be lying to himself if he said you didn’t look absolutely adorable because you really did look so fucking adorable. Geto was tall, so his clothes usually made anyone else drown in them, but this time, it was different. This time, he felt attracted to the person wearing his clothes. Geto found his mind spiraling, thinking why he had never seen how cute you were before. Were you just not around his side of the campus? Geto didn’t know, maybe he was overthinking this whole thing. Fuck, seeing you in his shirt made him spiral for a moment there. 

“You look comfortable,” he smiled, his sleepy eyes not leaving yours. “Do you wanna watch a movie or something? To distract from the shitty music downstairs, I don’t know why I let Nanami make the soundtrack when all he puts on it is My Chemical Romance…” Geto trailed off, putting a hand on his hips. His fingernails were painted black, which you thought was cute. 

“Yeah, I’m down for a movie. What did you have in mind?” you sat down on his bed, bouncing slightly on the plush mattress. 

Geto sat down beside you, giving you a comfortable amount of space. “Hm, wanna watch a horror movie? I know a trick that will turn everything the villain does into something funny.” he looked at you, wiggling his eyebrows playfully. 

You titled your head to the side and gave him a quizzical look. “Such as?”

Geto reached across your body, accidentally staring at your clothed chest for a second. He opened his bedside table and pulled out an expensive-looking dab pen. 

“I didn’t take you for a smoker, Geto,” you smirked, leaning closer to look at the device better. “This doesn’t look cheap either; it’s got a battery and everything. Damn.”

Geto chuckled and clicked the pen on as the movie’s intro credits played. “I take it you know your stuff?” He held the pen to his lips, not taking a hit just yet.

You shrugged and pretended to brush your hair over your shoulders. “Maybe I’m just that smart,” you playfully wink, giggling. “Nah, I’m messing with you. My freshmen-year roommate was a pretty heavy smoker, so I got a good look at her supplies. I’ve smoked before.” You took the pen from his hand, clicked the button on the side, and took a minor hit. The vapor filled your lungs and came through your nose, causing you to cough a little. “Holy fuck, you have strong weed.”

Geto chuckled at your coughing, rubbing your neck. He took a hit of the pen, barely coughing at all. “Yeah, well, I like to relax. Keeps me sane, y’know? In this house, you gotta have your vices, or you might lose your mind.”

“Tell me about it,” you grumbled, looking at your feet in Shoko’s high heels. Why were you wearing heels to a frat party? Ugh, Shoko always managed to talk you into doing stupid shit. “I smoked a lot in high school, but that was mainly because of the academic pressure. I was an honor roll student and am now on the dean's list. Go figure, right? Huge fucking nerd over here.” you pointed to yourself and laughed, eyebrows furrowed.

Geto rolled his eyes and swatted your hands down, giving you a stern look. “Don’t put yourself down like that, not ever. Being a nerd is a good thing.” He gestured to his door, the only barricade from the chaos outside. “Eventually, the idiots out there will work for you. That’s gotta mean something, right?”

“Hell yeah,” you high-fived him, blushing at the contact. Once again, you were staring at how much larger his hands were than yours. In fact, all of him was larger than yourself. “All those assholes will work under me, just you wait and see.”

“Mm, confidence. That’s something the girl in the movie has too much of. She thinks she’ll survive,” the screen displayed a horrid image of the petite blonde girl with a bear trap encasing her rib cage, killing her instantly. “But she won’t. These things are so fucking predictable.”

You giggled as the girl’s face contorted in horror, her eyes lifeless on the small television at the end of Geto’s bed. “You were right; weed makes the deaths seem funny. Are they all idiots?” You smile at him, a loose strand of hair dangling from your bun. 

Geto curled the strand of hair with his index finger and tucked it behind your ear, brushing gently on your tender cheek. “Yeah, they must all be idiots.” His voice was deep and low, mouth slightly agape. Maybe it was because he was high, but Geto was absolutely mesmerized by your beauty. How you looked fucking delectable in his clothes, in his shirt. Your lips looked so soft; would you mind if he kissed them? Just for a second, to see if they were as soft as a petal. Just for one agonizingly slow second? Fuck, Geto had never wanted anyone so badly in his entire fucking life.

“Geto, you’re staring.” You muttered, your voice falling upon deaf ears as Geto unconsciously leaned closer. “N-now, you’re getting really fucking close.” His hot breath made your skin tingle, goosebumps rising on the flesh of your exposed forearms. Your lips were parted as well, centimeters away from his own. You could see every imperfection on his face, especially the bags under his eyes, which made him even more attractive. He looked so tired, so sleepy, so ethereally handsome. 

“Please,” he breathed against your lips, rubbing your cheek with his thumb. His voice was deep and desperate, breath somewhat shakey. “Please, let me kiss you, baby. You’re so pretty.”

Nodding slowly, you brought your lips to kiss so they were ghosting over each other; it was barely even a kiss. You wanted him to make the first move, to be the gentlemen he had been to you at the start of the party. “Kiss me, Geto.”

Having been given your approval, Geto pressed his lips against yours. The kiss was slow and gentle, his hands cupping your face while rubbing up and down on your cheekbones. The kiss was incredibly fragile, so very delicate. Your lips moved together in tandem, neither of you knowing if the other was okay with the intensity of the moment increasing to something a bit more depraved and desperate. 

You cautiously reached up and grabbed the hair tie that held his bun in place, taking it off and snapping it around your wrist. Geto’s dark hair fell onto his shoulders, creating the most beautiful display. Your hands wasted no time grabbing his locks and tangling them with your fingers, curling the strands beneath them. A spark set off in Geto, his lips becoming more aggressive with your plush ones. He pressed his body closer to yours, his hand traveling from your face to your lower back, pulling you in. They landed on the small of your waist, dipping under the fabric of your (his) t-shirt. His hands massaged gentle circles on the flesh, eliciting the cutest little squeak from your occupied mouth. 

Waves after waves of arousal surged through Geto’s body, his hands now desperately squeezing into your waist. He broke the kiss, staring into your eyes as the both of you gasped for air. “Fuck, baby,” he moaned softly, attaching his lips to your sensitive neck, trailing a path of fiery kisses down to your collarbone. His teeth grazed the bone as possession took over his body, latching onto the spot right above your collarbone. Your supple skin felt absolutely lovely under his tongue, he was struggling to maintain control of his faculties. The way your face contorted in pleasure didn’t help either, angelic moans falling from your bruised lips as your hands remained tangled in his midnight strands. 

You pulled Geto away from your neck, his saliva covering the bright purple hickey. You stared into his violet eyes, your face flushed and your breathing heavy. The two of you stared at each other briefly, your minds fuzzy from the kissing high. Or was it the marijuana that made you feel like you were floating?

“Geto,” you muttered, your hands adventuring to play with the hem of his shirt. “Make me feel good.”

That was all Geto needed; what he longed to hear came from your pretty mouth. He shoved you down onto the mattress with a grunt, wedging his knee between your thighs. His lips attacked your neck once more, sucking and biting and licking with a purpose. His shirt was long forgotten, tossed behind him, and landed on the television screen. Geto shifted his knee to massage your clothed core, earning him a pretty little yelp. “Yeah, you like that?” He groaned against your neck, kissing the spot behind your ear. “You want me to grind down on you more, pretty thing?” Fuck, his voice was a drug in and of itself. It was practically fucking dripping with honey. 

Your hands were running up and down on his abs, your long nails causing a sensation that Geto could only hope to describe. “Please, please, Geto. Need it, please.” You whispered, grinding yourself down onto his knee, so desperate for any kind of friction you could receive. 

“Do you always get this needy when you’re high, dollface?” He purred against your neck, removing the top you wore with no trouble. The light from the movie only did so much to illuminate the bra you wore, not that Geto cared much for lingerie. He was too focused on what was hiding beneath the lacy fabric. “Take this off. Fuck, I love needy girls.” He commanded, the bulge in his sweatpants growing with each passing second. 

You unclasped your bra and tossed it aside, shivering as the cold air made your nipples grow hard. Geto attacked your breasts within an instant, his tongue rolling over your right breast while his hand paid careful attention to the other, the sensations not being too weak or too strong on either side. Soft moans escaped your lips, the feeling of want bubbling inside your core as Geto suckled at your chest like he was made for you. “Ngh, not too hard! M’sensitive there,” you gasped as his teeth grazed the sensitive bud, scolding him. 

“Sorry princess, s’not my fault you got such pretty tits,” he chuckled, letting go of your breast with a pop. His hand trailed down your midriff, toying with the hem of the sweatpants you wore. His sweatpants. “Let’s take these off, okay? After all,” he hovered his mouth against your ear, licking the shell like a tease. “You gotta be nice and prepped so I can fuck you senseless.”

Geto peeled his sweatpants off your legs, the fabric pooling at your ankles. He lifted your legs so they rested on his strong shoulders, pulling his face closer to your aching core. He smirked at the little wet patch displayed on your panties, his nose rubbing against your clothed cunt. His teeth bit down on the thin fabric and pulled them aside, the lighting in the room doing your gorgeous pussy no favors.

“Shit, you’re soaked,” Geto whispered, his hot tongue sliding up your folds, the cutest little moan falling from your lips. His tongue drew playful circles on your throbbing clit, smirking as you whimpered and pleaded for more. 

The faint screams coming from the television were long forgotten as Geto indulged himself in your core, groaning occasionally as your sweet nectar coated his tongue. It was like ambrosia to him, the sweetest thing he’s ever tasted. He dipped his tongue into your welcoming entrance, swirling around oh-so-carefully. He went as deep as he could, practically burying his face in your needy cunt. 

“Shit, Geto!” You cried, your nails leaving angry crescent-shaped imprints on his muscular back. Geto didn’t mind, he could just show it off later. While the rest of those idiots were getting drunk on alcohol, Geto was drunk off of you. Your everything was so intoxicating. You relished the feeling of his tongue inside of you. Was he spelling his name with his tongue? He chuckled occasionally, sending vibrations so deep inside you that it almost sent you over the edge every time. 

He rhythmically plunged his tongue inside your weeping entrance, desperate to explore every single inch of you. His tongue would accidentally flick over that most sensitive spot inside of you, making you whine in pathetic delight. Geto was observant, memorizing what flicking and sucking matters made your legs tighten around his face. He teased you relentlessly, just keeping you on the verge of orgasm. 

Geto nibbled on your sensitive clit, moaning as you desperately tugged on his hair. “Geto, please! Fuck, oh my God! I’m gonna cum, shit!” You sobbed, thighs trembling in agonizingly extreme euphoria. 

He pulled away as soon as those words left your mouth, his face covered in your slick and his saliva. Geto winked at you and shoved his sweatpants off of his toned body, removing yours from your ankles as well. Fuck, he needed to fuck you right then and there, or it would kill him. He craved to fill you, to fuck you, to make you scream his name so everyone downstairs would know who was getting it on. 

His boxers long forgotten about, Geto’s dick stood hard and eager between his legs, slapping onto his rock-hard abs. You gasped as you saw the silhouette of his cock, wishing you could be able to see it in its full glory. “Fuck, you’re huge. A-are you sure it’ll fit inside me?” You whimpered, spreading your legs as you lay in missionary.

“Don’t worry, baby, I’ll make it fit.” Geto purred, giving you a quick kiss. You could taste yourself on his tongue, a sensation you never thought you would experience before today. 

“Uh, do you have a condom?” you sheepishly asked, squeezing your legs together. “No offense, but I don’t know where that monster has been.”

“Relax, don’t worry,” he assured you, reaching into his nightstand drawer. Geto rummaged around briefly before pulling out a little foil square. “I’d never make you uncomfortable.” He ripped open the packet with his teeth, rolling the latex onto his cock with ease. 

Geto parted your legs, pushing them into your chest so you were on display for him and him alone. He had folded you into a mating press, his cock prodding at your entrance. “God, I can’t wait to fuck you senseless.” he groaned as his tip slid inside of you, your pussy practically swallowing it whole. You gasped at the sensation, hands desperately pawing at his biceps for support. Geto slowly pushed the rest of his throbbing cock inside of your core, hissing as he felt your gummy walls contract around him. “Fuck, you feel so fucking good,” he moaned, kissing your neck tenderly. 

“S-so fucking big,” you moaned, running your hands up and down his toned arms. “Just fuck me already, please, I need it,” your voice was laced with a desperate and demanding tone, eliciting a growl from Geto’s throat. 

“Good slut,” he spoke with approval, his large hands slapping the backs of your plush thighs. He pulled out just barely and then quickly slammed himself back into your sobbing core. A grunt left his lips at the sensation, a squeak emitting from yours. You felt heavenly to him, a new kind of drug he had yet to take. Everything was fucking perfect at the moment, especially how your greedy cunt took him so well. You were such a slut, his slut. So warm, so wet.

He continued to pound into you, throwing his head back slightly to his massive Adam’s apple, which was front and center. Your arousal completely coated his length, and he was able to slide in and out with ease, especially with the help of the condom. God, he filled you up so fucking good. His head was hitting that perfect spot so deep inside of you, the most forbidden fruit. Geto’s thrusts were quick, calculated, and desperate. His cock bullied its way into your core over and over again, wanton moans and cries of pleasure leaving the lips that Geto loved so much. 

“God, how are you so fucking wet?” Geto grunted into your neck, his hot breath making the hairs on the back of your neck stand up. “Had no idea that you were such a slut, I would have just bent you over that fucking couch and had my way with you.” He slapped the back of your thighs once more, observing how you squeezed around him. “Oh, do you like being hit, pretty girl? Is that it? Y’want me to hit that pretty face of yours?” His voice was laced with a mocking tone, punctuation at the end of his sentence with a quick slap across your flushed face. 

“Fuck!” you squeaked out, the bubbling feeling in your stomach returning as Geto pistoned his monster cock in and out of your wanton cunt. The way his gentle personality was ripped away the second your lips touched his made you so fucking horny, your orgasm close. 

Geto smirked wickedly and pressed his body even closer to yours, finding the new angle much easier to get those lovely little screams to come out of your mouth. “Yeah, you like it when I slap you, hm? I can feel that fucking pussy milking me, fuck, that’s gonna be the death of me.” He grunted, his thrusts becoming staggered and random. His cock twitched inside of you, equally desperate to feel nirvana. “Fuck, cum with me, yeah? Wanna feel you make a mess all over my fucking cock.”

“M-mhm! Fuck!” you sobbed, fat tears running down your face. Your hand desperately massaged your clit, allowing you to fall off the edge and into euphoria finally. Your mouth opened in the silent cry, eyes squeezing shut as heaven enveloped your burning body. 

“Shit!” Geto gasped, his orgasm following without giving a warning. “Fuck, fucking take it! Yeah, fucking take me!” his thrusts eased down after a moment, his hands letting go of your legs. He collapsed into your chest, giving your breast a quick kiss. “Holy shit, baby,” Geto mumbled into your sweaty skin, pushing his hair away from his sticky face. “That was the best fuck I’ve had in a long time.”

You slowly nodded and kissed his cheek, Geto’s cock still buried inside your core. You whimpered as he pulled himself out, tying the used condom off and tossing it inside a waste basket. “That was the first fuck I’ve had here,” you mumbled, massaging his scalp with your long nails.

“Oh shit, I didn’t take your virginity, right?” Geto asked, slightly panicked. You quickly shook your head, cupping the left side of his blushing face. 

“No, don’t worry. I’m not a virgin. I just haven’t had sex with anybody on campus. Until now.”

“Oh, thank fucking God.” Geto sighed in relief, sitting up against the headboard. He wrapped his arm around you, kissing the top of your forehead. “Still, that was one hell of a ride.”

“Yeah, it was fucking amazing. You know I’ve never had a vaginal orgasm before that?” you giggled, leaning up to peck his lips. Your gaze turned to the television, noticing that the end credits were playing. “Damn, guess we missed the movie.”

“How tragic,” Geto spoke with mock sorrow, pulling you closer to him. “I guess you’ll just have to come to see me so we can rewatch it.” He smirked, trailing his fingers up and down your back. 

You laughed and kissed his cheek again, rolling out of the bed. “I’d be more than happy to,” you bent down to pick up the clothes he lent you, earning you a swift slap on your ass. “Hey!” you grunted, turning to see Geto looking very pleased with himself. 

“I did absolutely nothing wrong,” he teased, crossing his arms over his pectorals. “Keep the clothes, they look better on you anyway.” 

You smiled and nodded, butterflies filling your stomach. “Can I wear them next time I come over?” 

“I insist,” he got up from his bed, kissing your head. “I usually only do one-night-stands…but you’re different. I like that.”

“Man, stop with this flattery. You already fucked me,” you sighed, pretending to be annoyed with Geto. As soon as you were dressed, your hand hovered over the doorknob before it started rattling frantically.

“Yo, are you in there, girl? We gotta go, Haibara barfed on my shoes!” Shoko’s voice was incredibly loud and slurred, no different from usual. “They were my good shoes, too, that fucking dickhead!”

Geto laughed as you facepalmed, shooting him a look of disappointment. “Well, I should probably go. Do you want my number or something?” you bent down again to pick up Shoko’s dress and heels, making sure not to forget them.

“Please,” Geto handed you his phone, smiling to himself.

“There you go, put whatever name you want,” you unlocked the door and winked, licking your bottom lip. “Text me whenever you wanna see the rest of that movie.” you closed the door behind you and grabbed a very drunk Shoko’s hand, leading her downstairs and out the door.

Geto sighed and sat on his bed, reaching behind his back to run his fingers over the scratches you had left. A ghost of a smile touched his lips, looking at your phone number on his screen. 

Maybe frat parties didn’t totally suck after all.

[00-jammy-00]

HI!

Could you do a reader deity who is basically forgotten but Yan finds them and worshippes the hell out of them? (Maybe to the point of having a cult if you're comfortable)

And if you're uncomfortable with the ask that's perfectly fine! I'll probably send another Idea then!

Also any chance I could be 🔪 anon?

Thank you and have a good day! :D

Yan!Worshipper HC’s

Yan!Worshipper x GN! Deity! Reader

Content warning - Yandere themes, obsession, murder, implied stalking, nsfw mentions, manipulation, cult themes, he’s really pathetic I won’t lie

A/N - One more day until my 1K follower special ends!

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Yan!Worshipper who had stumbled upon you when he decided to listen to his dumbass boss and go hiking. He had fallen down the side of a hill, almost breaking his ankle in the process. Though, all of that pain was so worth it when he saw your old, ruined shrine.

Yan!Worshipper who began visiting once a week. When you noticed you had finally gotten a follower, you were excited so you showed yourself when he prayed. He saw stars. You were so gorgeous, so perfect. Just seeing you had his jaw dropped and his pants uncomfortably tight.

Yan!Worshipper whose schedule slightly changed. Visiting you once a week, once every three days, once a day, multiple times a day… It didn’t matter though! He quit his job because you blessed him with amazing luck. He fixed up your shrine but he still felt horrible, you were forgotten. He did the only thing he could think of doing and started to spread the word about you.

Yan!Worshipper who slowly developed a following for you, just a few people here and there…a few hundred. He was a devoted man okay?! Of course he led the cult, none of these fuckers were worthy. None of them were allowed to gaze upon you but him. Only he could bask in your presence, bathe you, dress you, watch you, follow you, fuck you.

Yan!Worshipper who snapped a few necks while attempting to keep this cult going. Some people were so ungrateful, didn’t see what you had to offer. He made sure to soothe you whenever you got too stressed about the disappearances too. “It’s okay, my love, they are apart of something bigger, now look at all the offerings you are getting!” He made sure these brainless drones donated a bunch to this fucking thing too, he couldn’t go broke while servicing you.

Yan!Worshipper who is attending to your every need constantly. He brought you the finest silks, the biggest bed, the ripest fruit and anything else you wanted, as long as you were pleased then he was happy. It made him even more happy when you let him service you in other ways.

Yan!Worshipper who pounds you like the world is ending tomorrow. He can’t help but constantly be touching you, admiring you. He drags his fingers down your body, memorising every single piece of you. You were all his! He didn’t care about his own pleasure when his god was sitting right there. He once came three times just from giving you head.

Yan!Worshipper who’ll never let the cult be shut down. He’s paid off police and government officials to turn a blind eye to the murders sacrifices that happen at the mountain. He couldn’t have his work taken away. God forbid you get taken away. You’re his now. You chose him.

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Likes, reblogs and comments are greatly appreciated, requests are open <3

please do not copy, repost or translate any of my works on other platforms without my permission.

[pretty-blkgirl]

It’s probably a stupid idea but imagine your at a Stray Kids concert, and your front row with your friends. Chan comes close to the edge on stage near you and winks to you. You think nothing of it because like he does that to everyone. But at the end of the concert he slips you a piece of paper with 1 single sentence. “After the concert, go to Hotel Grande and go to room B6.” You decide to go bc why not and you expect maybe Chan there or something but all of them are there, and they all are really horny. They always talk about wanting to date someone who knows nothing about stray kids but what if Stays are the ones who turn them on. Fem reader

Say Yes [Part One]

//fem!reader x 0t8!Skz//

Synopsis: You get slipped a note from your favorite idol to meet him at his hotel room, but he’s not the only one there

Genre: smut/suggestive, crack, fluff

Warnings: sexual situations, reader uses she/her pronouns

A/N: thank you @seoyeonleexoxo for the requestttt 🫶🏾

~~~~|~~~~

It was your first Stray Kids concert. Two straight years of saving up every spare dollar you had and camping out on Twitter for ticket sales finally paid off. Not only did you secure your tickets, but you and your friends got the front row- something you dreamed about since you started becoming a fan of Stray Kids.

You were beyond excited to see every member, but your bias -Bang Chan- was the one you were dreaming about. You know how he likes to flirt with stays, and you being in the front row meant you had a good chance at being noticed.

Hyunjin asked for stays to wear blue to the show, so you chose a solid baby blue romper that showed off every curve that you had. Your hair was out in wild, big curls and you chose simple silver jewelry.

The concert started with “Hall of Fame,” and you wasted no time in screaming your head off when the boys came into view.

The entire thing felt like a dream, and you got light-headed whenever a member got close to you. Sometime during Cheese, Chan came to your section to wave at Stays. You smiled so hard your cheeks hurt as you waved aggressively at him. He saw you and wasn’t shy about the quick once-over he gave you, then he winked before moving on to interact with other fans.

Your knees felt wobbly, and you could feel the way your friends stared at you after that interaction.

“Did he just wink at you?” Mia, the friend you’ve known since childhood asked.

“I think so,” you say, “Or maybe it was someone behind me?”

You turn around to see a good chunk of people looking right back at you. Some are envious and some curious, but all confirm the fact that Bang Chan just winked at you.

“He wants you girl” Tianna, your best friend since middle school, teases. You can’t help but roll your eyes once the boys go backstage to change. The lights in the stadium come on as you look to the screens to see the Stay games starting.

The first game has stays copy the boys' poses, you and your friends laugh as flustered fans appear on screen. Soon enough, the next game starts, a game where stays must do the choreography to random Skz songs.

This is the part of the concert you weren’t looking forward to, so you duck your head and try to stay clear of any cameramen. Some people scream and wave their arms to be put on screen, and you can only hope they get picked as the laughing staff goes to pick out people.

After three people dance to Gods Menu, Maniac, and Thunderous, you start to relax and enjoy the game. The last song, S-Class, comes up and you and your friends dance along to the practice video shown. After they show the video, you find yourself on screen smiling before pure terror graces your face.

You can’t even hear what the members are saying to you before your friends urge you to dance.

Did you do the choreography correctly? No. Were your friends dying laughing the entire time? Yes.

“Good job” You hear Han’s unmistakable voice say, “You’re so cool”

“And pretty” Felix’s deep voice continues before your face is replaced with the regular Skz logo

“Oooooh” Tianna teases, “You’re cool AND pretty? I’m jealous”

“You got three members fighting over you” Mia exclaims

“Hush” You stress, feeling glares on you, “It’s just fan service”

Tianna rolls her eyes, “Usually fan service involves all the fans”

The lights in the place dim, signaling the group is about to come back on stage. The glares you feel cease as the people around you start to scream their heads off

“Not all the time” you manage to say before the show continues.

In all honesty, you had a great time at the concert. The boys came over to your section a lot, especially Chan.

You didn’t want to believe he was making eye contact with you, and only you. However, it was hard to ignore the obvious looks he kept throwing your way. After a while, you began to count the amount of times his eyes found you in the audience; 25 times.

In a room full of thousands of people, how did he manage to look at you so many times? All your most delusional fantasies came to mind, thoughts that reminded you of when you first started to become a fan.

Cute thoughts of walking down the aisle with a member, some cute dates, and even a passing thought of a family. Just niche little things that crossed your mind as you fell more and more in love with the group.

Then there were the not-too-wholesome thoughts, the ones where you’re usually crying and begging to reach your release after hours upon hours of edging. These thoughts kept you up at night and usually involved more than one member.

You suddenly felt so dirty. Thinking about your idols in such a way while they throw kisses at the fans on the stage in front of you. You barely notice the lights come on and people start to leave the venue.

“That was so good” Tianna gushed, looking at you with a playful expression on her face. You knew the walk back to your hotel would be filled with your friends only reaffirming your delusions.

“I’m jealous y/n. I’d love to have Bang Chan eye-fucking me all night long” Mia said, making your face heat up.

You three walked out of the building and joined a crowd of fans waiting for the boys’ cars to leave the stadium.

“What if Chan comes out of the car and confesses his love for you?” Tianna teases

Mia giggles hysterically as the two continue with their joking, not paying attention as you’re flagged down by what looks to be a security guard.

“Is he asking me to come over there?” You ask your friends, making them stop and look at the staff.

“Looks like it” Tianna shrugs, “I think he was the security guard over by our section. Maybe you dropped something?”

You nod and jog over to the guard, looking back at your friends just to make sure they’re keeping an eye on you.

“Hello,” You say politely, “Can I help you?”

“You dropped this,” The guard says, handing you a mini quokka plushie that you’re only now noticing isn’t in your jacket pocket.

“Thank you so much!” You say, taking the plushie and beginning to walk off, that is until he grabs your attention again.

“I was asked to give this to you as well,” He says, handing you a rather thick envelope, “Put it in your pocket”

Before you can question it, he bows and walks off to where the other staff stands.

With your brain on autopilot, you stuff the envelope in your pocket and go back to your friends.

Mia wastes no time in asking what happened, and you tell them he gave you back your stuffed animal.

For whatever reason, you fail to mention the envelope in your pocket, and you silently celebrate when Tianna suddenly exclaims her stomach hurts and she wants to go back to the hotel.

The walk back is short, and you’re grateful that you all invested in your rooms.

The first thing you do is take out the envelope and open it. You see two folded pieces of paper.

One of them is a picture, one of the group that you’ve never seen before. It’s signed, and you instinctively look on the back and is surprised to see a message

“Go to the Hotel Grande, second floor, room B6, knock 4 times."

Already taken aback, you look at the other piece of paper to find an NDA.

“Oh my God” you whisper, quickly pulling out your phone to search the directions of the hotel. Only a 10-minute drive.

“This could be a trick,” You think out loud, “What if I get hurt?”

The rational side of you is urging you to think about the consequences of showing up to a random hotel, but the wild and unpredictable side of you quickly orders yourself an Uber and touches up your makeup.

[capslocked]

DIPLOMACY

male reader x kim minju

7k words

For those not paying attention - of which there seems to be an increasing number - it’s not that she doesn’t have the pedigree. But just shy of getting into that storied history or into the nitty-gritty of her curriculum vitae, the only thing that really matters is:

"This all seems a little beneath me." 

It’s another day of this. Of you, of her, of trying to gather the mien of someone who isn’t utterly disarmed by Minju’s usual, beautiful, challenging self. Which, let’s be honest, is always an uphill battle.

Minju nearly pouts, flipping through a copy of the dossier idly from the other side of the desk in a gesture that reads both bored and dismissive and every little thing it needs to annoy you.

"Look," you offer up, graciously diplomatic all things considered, "it's about finding the right springboard, to something else more… substantial."

"Or to something else, you know, beneath me." Her red lips turn down ever so slightly. She doesn't seem so interested in playing ball on this one. And, for you, amounts to something of a huge problem.

See, Minju doesn't quite understand how the working world really, actually works. That the carrot that's dangled in front of her is your carrot just as much as it is hers - that you stand to lose out just as badly. That it's both of your asses on the line if things fall apart and Minju's shortsighted insistence to only work those certain roles befitting a name like hers puts that all at risk.

"Maybe you can tell me something,” you start, coming across more curt than you possibly intended - but not by much, “how many of your former cohorts have had their career aspirations line up with reality, Miss Kim?"

“I’m picky, not naive,” she sighs, not missing a beat, and you watch her dark hair cascade gently down her shoulder when she reaches a hand back to unfix her loose ponytail from its hair clip.

“You might see how I can get the two confused.”

“Then spare me the lecture,” says Minju.

Though she says nothing else, an unspoken you already get paid too much for that hangs in the air.

The tricky part is that no matter what else Minju does, her contract has some non-negotiable clauses to them that no talent has before, or will likely get afterwards. Things that cannot be broken. Like the requirement of her making x number of media appearances, and she gets to approve all of them.

Or that her agent's take home comes from a fixed fifteen percent of her gross earnings, with further incentives when her roles hit specific milestones. But with her refusing projects like the ones in the dossier before you, it leaves you in the unenviable position of losing out on your guaranteed fixed income or trying to convince your diva talent to do what it is she ought to be doing.

The truth is that there’s quite a long list of things no one has had the guts to say ‘no’ to yet.

And, well, it's rather simple and obvious when you look at her:

Minju is that particular blend of A-lister gorgeous. The special look that’s all kinds of mesmerizing and magnetizing, in full bloom - that makes you feel like you're suffocating in beauty. Like if she said come here, you would go; the type where a single look is all it takes and then - just like that - she's got your number forever.

Because everything about her is tailored - from her clothes to her perfect porcelain features. And they made her that way for a purpose: to sell records. (Which, that's exactly what they did.) You can hardly blame the people in power over there, wanting what's best, in a position where everyone would kill for a taste, or even just a glimmer of possibility.

"I don't suppose the part of the governor’s neglected wife is capturing your imagination.” You push the dossier closer, and she doesn’t so much as look at it. “It’s this year’s big budget political thriller, a shoo-in for awards.”

“You mean the one who ends up in a lot of very steamy shots on the apartment’s rooftop pool. Maybe I’m mistaken, but you can’t really unshow your tits.”

"This isn't about being above, Miss Kim, it's about being well regarded; it’s about proving you’re easy to work with,” you argue. “We could-"

"Find a better use of my time?" she cuts in, closing the dossier shut. There's a long moment in which she's looking you over, her gaze sizing up every little inch.

"Your big break won't happen just because you ask for it." You grimace a bit, hating to tell it like it is, but not really wanting to just coddle her either. "But listen - we work together, one project at a time - we can build up to it."

Minju crosses her arms with a loud hmph. "And what are you going to do if I decide not to accept these projects?"

There’s enough edge in her voice that it gives you pause.

"If," she says again pointedly, a teasing little grin tugging at her lips.

So - actually, another thing: when you start digging into the details, there’s more problems than just what can be seen at the surface. Which perhaps it’s too reductive, but essentially everything between you and the talent sitting on the other side of your desk is not quite so straightforward. It was never about Minju doing the best she could for either of your careers; it was about Minju making sure her needs were taken care of, no matter what.

Months ago, thanks in part to the way Minju filled out this tiny black excuse of a cocktail dress, and as a compromise of sorts, there’s an uncharacteristic mistake you ended up making. Or two or maybe a couple.

Because there’d been the perfect backdrop - an end of year party, beautiful dresses and suits, lots and lots of champagne, the kind of jovial mood that inspired one drink too many - and then you and her, taking off down one of the hallways, towards the exit.

Of course, you ended up exactly where neither of you should have ever been - where the snow was falling gracefully and melting into the pavement, behind a private accessway at the back of the venue, somewhere dark and dingy and dripping with a smell reminiscent of garbage; somewhere your hands had gripped firm fistfuls of Minju’s waist before you shoved her up against the back of the building. 

In short:

You remember how she gasped when her palms hit the brickwork, how you figured you may as well give her everything she wants.

(So what, it was one time, you hear yourself explaining, mildly repentant, and to say that it’s complicated the matter is a massive fucking understatement.)

In the interest of full disclosure, you tell her, “what exactly did you have in mind?”

"That maybe," she hums, tongue flicking out over her lips before she purses them thoughtfully. "You should persuade me a little better."

"And let’s suppose, I don’t do any of that," you persist.

"It'd be a shame, wouldn't it, having such a promising future cut short so early? If word got out. From such a respectable agency too, of all places. Couldn't live with yourself," Minju remarks, leaning forward on her elbows until her eyes are level with your own. “Come to think of it, it’s the kind of thing that could totally, like, end your career.”

But as she sits there, arching that perfect brow again, you don't feel so good about the whole thing. You take another look at her - which, your mistakes start there, if nowhere else - at the girl that is somehow not the airheaded starlet she’s supposed to be. No, she’s calculating. A rarity, though you do know the type: here’s a girl who just happened to take her brains for granted in the years she was pampered by the industry - the same one that fattened on her only to later spit her out. And that thought, the look of cold intellect in her eyes and the slight upward curl at the corner of her mouth, has you frozen just a bit stiff.

She takes a key card from her clutch, and throws it onto the desk in front of you.

“Minju,” you caution, and there’s a taste of danger on each syllable of her name - more of a warning for yourself than you can conceive of it ever being for her.

"I'm only suggesting" - she’s watching you nearly fucking choke, amused - "what's best."

And when the lines get muddied between the two of you, that's exactly the issue. What's best. As though this was always Minju's aim. Maybe you've read it wrong, maybe you've gotten too lost in your own delusions, maybe - maybe, it doesn’t matter -

"For work," she adds, at which point her knee bumps yours playfully beneath the desk, leaving the suggestion open, and the implication unmistakable. "Whatever's required."

Here, you should definitely tell Minju no. Say no. Say: you're a professional, and getting involved with her, romantically, officially, personally - whatever - would lead to nothing but disaster. That’d be the responsible thing probably. It’d be generous to say you end up getting even halfway there:

"There's rules against this, you know."

Minju tips her head. “Why ever would there be rules in place against doing your job?”

She thinks that if she feigns being clueless, you'll bite, which -

“Against me folding you over this desk and fucking you until your forget your name.”

"My apologies," she practically coos, knowing that she’s not only made progress, but that she’s wrapping you around her finger. She is a bright girl after all. “You might see how I can get the two confused.”

At that, you figure, the only real move, to be perfectly blunt, is to play Minju at her own game -

To convince her to bend, just a little. To persuade her. So you lean closer, you start to promise, with your face just next to hers:

"You want me to show you how I might handle an uncooperative talent? Would that do it for you, huh?"

And now if that isn’t enough to earn you a whole look, one that’s equally a challenge and a triumph; you watch as she bites the inside of her cheek, not that she can help the smirk creeping across her pretty mouth, a grin full of want and need and all those dangerous, thrilling thoughts that're probably too predictable given your unique sliver of history you’ve already carved out.

She arches that perfect brow of hers once more, toying with the corner of her lip between her teeth. 

You navigate around your desk to hand her your pen, with instructions that are perfectly clear: "then for once in your life, be useful, and sign on the fucking dotted line."

And her whole act falls apart just like that.

She’s humming almost pleasantly to herself as you settle in flush behind her, sinking into you just a little when your hand arrives at her waist, another carding through her hair. “Here,” you point out, watching her name materialize in ink on the document - pressing your lips to the nape of her neck each time she finishes penning out an exaggerated curl of a u.

“And here.”

“And here.”

“And here."

She signs again - and again - and that merits a reward; she’s good when she wants to be. Persuasive when she needs to be.

You can hear her murmur your name when your mouth slips just beneath her jaw, when you mark your next path across the bare skin of her shoulder and when she gets started on the last page of the documents, it happens just like this -

The pen drops from her fingers at some point, tumbling onto the desktop with a clack that might as well be a round leaving the chamber of a starting pistol. The office door isn't even locked and you have half a mind to check on the blinds, but the idea of some desperate executive running face first into this scene - where you’re smoothing your hands down the fabric of Minju’s top, down the rise of her jeans, fiddling slowly with the button at her waist - it holds an unfortunate sort of appeal; those blinds, they're mostly closed anyway. And at this hour of the afternoon, well - maybe it’s a little more clear why Minju asked to reschedule this meeting in the first place.

At first, it’s just a  few of your fingers dipping under the waistband of her pants, following the curve of her hip, her thigh, then inward, and when you reach down to find her already burning up in anticipation, she inhales sharp, a noise that makes you groan in turn, low, right into the hollow behind her ear. Minju, to her credit, is absolutely willing, so very helpful and - as you pinch the soft, tender skin at her hip, she's saying something but you haven't quite paid it a moment's mind.

Her head turns, eyes looking up at you ever-so-slightly-more-vulnerable than their usual mischief and calculation, and there’s a hint of a demand dancing on her tongue, ready and waiting; she moves her leg upwards just a few inches, settling to rest her knee on top of the tabletop, a calculated little pose, angling her hips so you can sink your hand lower, closer, press your fingers into the lace over her hot cunt even deeper.

Here you figure you're probably ruining the fabric, drenching it in her own slick as you work two, then three fingertips in tight circles. You’ll ruin it, and you’ll ruin more - ruin everything and take what you're owed. As her breath hitches again, in some way that makes your senses come to life: you can feel her skin become taut and tense, gooseflesh rising when your hand untangles from her hair and slides up under her shirt, can hear the steady rush of blood in your ears, her pulse quickening, the heart in her chest beating rapid -

(She can pretend all she wants that this was an attempt at extortion. She can pretend she’s not an easy read; that she doesn’t like being easy for you, when she’s hot and whimpering and aching so wet, creaming on your fingers when you haven’t even gotten her pants off.)

- as if every part of her wasn't made for this, as you lay out your first real proposal:

“Do you remember what I asked you? The first time, right after you signed on, when you were so good for me up against the bricks in the alley?”

Minju chokes out an affirmative when you toy with her pussy where she’s craving the shape of anything, but, boy, are the rough pads of your fingers more than up to the task.

"I remember you almost couldn't answer, you didn't dare want to admit that it's what you needed - isn't that right?"

She moans with a voice thick as honey when a couple more fingers brush up against her wet lips and fuck, she does look breathtakingly good; she's exquisite, she's irresistible - the image of a living wet dream.

"Say it, baby," you croon, her voice beginning to melt a bit at the edges, her own heat burning her resolve up from the bottom up as you tug sharply at a string on her lace.

Minju sighs. Arches into your touch.

Because you’re settling into this torturous pattern, where you draw inwards, closer, so close to the little bundle of nerves, her cunt flexing and rippling hungrily when your fingers flick once or twice around it, only for her to wince just slightly as your fingers trace down towards her entrance to start all over again -

Minju steels herself, drawing in a heavy breath past her teeth. “You asked how rough you could be.”

There's something so painfully wicked, how her voice falters there - but then your own voice is rasping right back in a similar caliber of depravity.

“Hm. That’s pretty close to how I remember it.” After all, you are always taking care of Minju - her concerns, her contracts, her needs. So if she was interested, why the fuck would you hold back on providing exactly what she wants. “But help me out, what did you tell me?”

Another twist - another catch. Another push - another pull. She's going to break so sweetly if you're patient - and, ahh, patience - she's shuddering underneath your touch, squirming against you so nicely that you've already gotten away with a bit too much, this much, these fingers and you and Minju's breathy gasps.

"M-that you could be. That you could-" she stutters, all as you feel her folds start to swell, then quiver, as your thumb drags painfully over her clit again - 

And in that moment Minju starts to consider if this were a good idea or not, but her back is already arching against your chest. She's gripping your arm to get you right where she wants you, and the reality of this hits her - a rush of cold clarity through her head just as everything else threatens to spiral into something else, something frantic, something hot and animal and making the muscles at her core begin to clench up.

But you just ease out of her completely, a whine coming out from the back of Minju's throat - her thighs parting further in desperation.

And oh, the disappointment, the sound, it’s incredible - a high pitch - almost a sob -

You slide your other hand in her hair to make sure she's got an earful of your words:

"What was it you said, hm?" you whisper, nipping at the skin on her neck, the side of her jaw - she's shuddering with it when your mouth lingers so close -

“As rough as you fucking want.”

God, the little things that her voice does to you. “Exactly, sweetheart.”

And how's that boundary supposed to hold up and remain uncrossed then, really, if you just give her whatever the fuck she asks for - especially if you have your mouth working it's way around her pulse-point, toying with her as she starts to tense and soften all at once.

In fact, Minju can only stutter out an okay or two as you grind forward, the hard suggestion of your cock nestling up against her rear, just shy of the perfect spot between her legs, and even with still a few layers of clothes between you, the feeling - fuck, the friction, the sight - it’s enough to get you grinning.

Enough to form this near-half-coherent thought: that it’s what's always had you on edge with this girl. She is absolutely every bit your type. Everything about her, right down to the way that she was put together.

All her hard edges and soft curves that should've never really been yours to covet and now, somehow, have become exactly that. Oh, she's the kind of temptation that's better suited for the life of glitz and glamor and the time it requires for indulging in it. You never thought that you would actually ever get here, even as the years have begun to stack up and time starts to grind everything in the back of your head and turn it all over into something like resentment.

If only Minju weren't so good at making you a sucker for those pouty lips and big doe eyes.

Particularly when she's turned around - face to face now - she's the epitome of gorgeous, equal parts aphrodite and adonis; a fucking knockout, her body sculpted and lithe and athletic. Those lines curving out and away like they might tell time, like her thighs could count the minutes and seconds until she's straddling you in your lap with her ankles locked in at the small of your back and you're rutting up into her without reservation, without doubt.

(So what, really, is your goddamned excuse? Your pride? The nature of the beast in you that demands that you must have some degree of control over yourself? The power that your position, here, now, provides? But you can hardly be blamed, even when it's wrong and filthy and so fucking good.)

"You’re stalling." Minju’s leaning back against the desk, tilting her chin up, blinking lazily, and there’s a bit of bite in her voice again.

It takes a minute for it to dawn on you that it must be intentional, trying to get a further rise out of you, the same way your hands have risen up to trace the dips and elevations of her spine, her every vertebra, your fingertips mapping the hollows and rounds of her back. To learn the geography of her shoulders and where, and when, and how to get her breath catching in her lungs, each labored intake of air a little harsher, hastier, hotter than the last.

"You know," you start, spreading your palm across a soft plane of denim, fingers pulling onto the cheek of her ass, dragging her even tighter against you, "I always figured your reputation was a little overdramatized. Most everyone's bound to have a story or two."

She laughs, full of mirth. When the mood strikes, she's the picture of perfection, and she knows it. "Well? Were you disappointed?"

As she coils an arm around your waist to slide your shirt free from the confines of your pants, and as a deft hand slips its way in, you stop asking yourself about right or wrong, good or bad, or about the kisses that land playfully at the corner of your mouth - until you hold her tight and seize her lips, hard, like you mean it - it isn't long before she's fumbling and scrambling with the zipper at your waist. 

"That depends," you’re pulling yourself away long enough to say.

"I think I know the answer." 

And by the way she shivers a little when you shove up the bottom of her top, the way she's melting into your mouth and demanding more and more and more, Minju does. You think she probably has since the first night that your threads got all tangled up. Especially when she slides off her top - her bra - her jeans - leaving them in a pile that lasts barely a second where it started once you sweep everything off of your desk in one broad, efficient gesture -

There's a thud when a pair of binders and a couple of books hit the floor. Someone exclaiming in recognition, the muffled noise drifting through the office door, and, oh, this would probably be the best moment to remember how painfully thin the walls are; you consider whether to walk over and lock the office door, and when Minju’s fingers run up your sides, you decide you won’t.

Too little too late, you figure.

And before you can take a second to give it the more congruent thought it deserves, Minju opens her mouth: "which, in your professional opinion," a hum and a slur as her nails find their way to your collar, "is well, that the thing I should take," she gets out, unbuttoning you at the cuffs, loosening the last of your shirt, "really," her hands palming over the fabric on either side of the lapels, working their way downwards, "how - how do you think this goes?"

“Oh, Minju.” She’s all but begging you to fuck her and still has the wherewithal to be asking for terms.

Like her fingers aren’t completely down your pants, locking around your hard cock - pumping you with soft, lazy strokes - not too different from how you have her chewing on her lip every time your fingers circle over the entrance to her cunt, tenting the last of her lace all slow and careful.

It’s driving her crazy. She just bites into the edge of her thumb in response.

"Fine. Alright. Let me explain it clearly." You dip a finger into her cunt; the whimper is short-lived when she tightens around you and it hits home, the pressure so delicious that she can barely stutter to keep up.

“A negotiation, of sorts-”

“Yeah, sure, we can call it that.”

The mental picture you have of your length outlined against Minju's tiny fist - as she works it into her hand, steady - it's all almost more than you can possibly bear: the way her long legs stretch out so pretty in front of you, the way her wrist twists with each pass and every bump at the veins of her forearm that is such a damn perfect shade of porcelain white in the dim glow of the desk lamp.

This girl with her pert pink mouth and those lips, the ones that aren't quite touching yours but rather smirking the whole time. (If only you were to make her scream loud enough, because you know she could be so much prettier.)

The thought flits through your brain, unbidden and treacherous -

"Think, fuck - think of this, as a one-way track into your career. Think of me, a guiding hand - if you want to. The key to all this," you continue, spacing the words carefully so you don't falter under the pace Minju is picking up, "is that you're going to need to be compliant. Easy."

"Mm. And in exchange?" she bites, choking down an embarrassing moan.

"Here's the basics." And there, there's no fucking reason for you not to dip the tips of your fingers right on downwards, tap into her soft heat until her hips are arching away from the flat of the desk, searching for more. “Whenever you need me to take care of you, I’m there, however you need it: on my fingers, my tongue, my cock - I’ll make you fucking cum over and over.”

"That sounds," she gasps, losing track of the end of her sentence, rolling herself along the pads of your fingers, taking them deeper into her, "very-very-oh fuck-”

Her grip around your cock releases, arms throwing themselves around your shoulders, holding on tight as she starts to trust you implicitly - to give her exactly what she wants, what she needs - and give herself over to you, to your fingers, circling and circling and circling.

“See, tomorrow,” you start, “there’s an audition,” and when you pull your finger out of her cunt, Minju lets out this sound that’s between a whimper and a whine. Her pretty mouth has dropped open, like she's all out of words, lost somewhere, chasing this. Getting dire.

“It’s this teen soap; they need someone young, someone pretty, do you think you can do that for me?”

She doesn’t answer so much as grab and tug and pull you even closer as the heel of your hand pushes and presses over her clit, just about enough force behind it that, eventually, you begin to feel a certain rigidity through her limbs, how the lines of her face and her faultless features grow more and more focused, fixed and concentrated; her voice reduced to the high-pitched huffs and half-formed syllables of pure and utter desperation.

I can, I can - she’s murmuring - please, yes, I will - putting herself right into your capable hands.

When you feel Minju tightening, flexing around nothing, then seizing and shivering, her pussy throbbing hot and wet and clenching around your finger as it again works deeper inside her, an anguished groan finds its way out from her throat.

And from yours, well -

"Show up," you command, giving her another knuckle, curling it just right - watching as her expression contorts and twists up for all her worth. "Make a good impression. Don't make me fucking beg. Show up, Unreserved. Understood?"

And if her body wasn't making her pleas utterly transparent, she's screaming in agreement. It takes you barely a couple seconds, working up inside her cunt until she's all full-body, fully, blissfully spent. She starts to nod, needy, eyes screwing shut.

“And let’s say, something else pops up. A little racy, a little more gravure, just the right amount scandalous, I need you to keep an open mind.”

When it sinks in what you've said, Minju gives this wail, low and perfect - her cunt throbbing over the pulse at your palm - inches away from cumming and shaking and creaming on your hand. You could ask for anything, you think, and she’d give it to you -

“My PR team,” she gasps out, the consonants of her words fraying at the seams, “it’s up to my PR team.”

“Minju,” you say, priming a loaded question and a half. “Do you trust me?”

She nods, expression readable and open like a book. It starts to set in just about then, how you’re going to fucking ruin this girl.

Your breath runs hot, right against her temple, and you whisper the slightest affirmation, “good girl, I’ll take care of it.”

Because to be fair, you’ve not made it this long in your career without learning how to pull a string - how you might pull up on the sensitive skin straddling Minju’s clit and get her reeling; her pussy flutters in the tight, wet heat, muscles clamping, demanding as you work yourself in deeper and then, when the timing's right, pull out to slide a second finger past the slip of lace she has covering her cunt.

She's this tight, dripping, overwhelming fit - even more than you have yet to discover, to tease and then take, the heel of your wrist landing on her clit in a heavy pattern, circles - circles - circles -

- so you figure: fuck the PR team.

If only they knew how well and thorough you were going to fuck the rules right out of Minju.

That you were going to remind her who's the one in the driver’s seat of her life, of her career, that you would make sure she stays in her lane - the proper lane - that this, you think to yourself, might become a recurring sort of negotiation, the kind she's so shockingly eager to accept.

You'd be doing her a favor, fucking a couple good lines into her head, into her skin, into her cunt.

And soon, before long -

She's gritting her teeth around the shape of your name and giving one last heave against the hard wood of the desk underneath her. It's almost beautiful to watch how Minju crumbles into herself; the way she grinds back onto the digits in her cunt. How you’re dragging her underwear down her thigh, pulling your cock into your fist and twisting her leg around your waist until finally, you press yourself right up against the heat radiating from her cunt.

“I’m going to take good care of you, Minju, don’t worry, I’ll fuck this pussy of yours just right. I'm going to make you shake and cum all over me.”

“Please.” Fuck, she looks at you sincerely - no games, no bullshit - pupils so very blown out with want, with need. You watch her adorable mouth uptick into this faint lazy smile as she tilts her head into your collarbone, lips parting slightly to remind you: “as rough as you fucking want-” 

And you sink right in. 

It’s all skin-on-skin as Minju practically collapses in your arms; pushing deep past her soaking entrance - your hips slotting together just so, cock engulfed by her tight heat. Minju fucking wails when you drag back from her cunt, slow - so, so agonizingly slow.

You let her recover just a bit, watching her breathing quicken and shallow.

And the word on her lips becomes something reverent, the most indecent prayer, pleading please, please, please let me have it, please fuck me with your cock- 

You brace yourself, thrusting back in, and she doesn't wince this time, holding fast to you like you aren’t the one fucking her open and taking her apart.

“God, I - look, this perfect little fucking cunt, look at how you’re stretching around me, Minju,” you’re telling her - promising her really - all of which doesn't count for shit when, once, and then again, and a couple more times after that, your hips meet hers and she starts to break just so slightly around you. “I can’t believe - it’s like you were fucking made for my cock, baby, you’re taking me so fucking well.”

"Now, show me why - why the fuck everyone wants you - wants you to be their-" she's trying, in a fashion  all to her credit and her fault. She should probably care more about that raw, unhinged noise you’re making right into the crook of her neck when you bury yourself deeper into her pussy. But in the next moment, with another wild crash of your hips, the tables start to turn.

Slowly at first, and then all at once.

Because the sound you’re ripping from her chest when you start fucking her - truly fucking her - becomes far, far filthier than anything you've ever heard a girl like her make. All of it coaxed out from you working the edge of her pussy open, stretching her, hitting each and every sensitive spot inside her.

Minju tips her head back to stare at the popcorn ceiling and fluorescent lights, brow creasing in the middle, mouth gaping open. You find you might have missed something, when she moves to hold you down, hold you in place with an insistent leg, the back of her heel digging into your ass. As though there were somewhere you might possibly want to go.

It all comes down to something she's murmuring, quietly, harboring this smug lilt like you aren’t fucking her raw and senseless: how maybe the key to unlocking the rest of her potential isn’t all that dissimilar, not as off-brand as you may have been initially worried about. And the notion that both of you might actually be profiting off of this - how it shouldn’t sound as incredible as it does - is doing absolutely fucking nothing to slow the brutal pace you fall into.

"Fuck, just like that," and she's smiling, grinning really, nails biting into your nape - your name and curses and a fuck you or two falling out of her mouth as you pound each short breath right out of her chest. 

"The only talent I'm gonna need to show," she manages, dizzy, and with one arm hooking around your waist, she pulls the two of you close, right up against each other. The sound your skin makes, clapping against hers - her cunt tight, pulsing, quivering around you - "is my, my, my-"

Your thumb should have never left her clit, you realize, pressing down on where your cock is disappearing between her legs, pushing up against that bundle of nerves that can get her screaming. That’s how you’ll punctuate your end of the bargain, how you’ll make her cum and cum and cum -

"-talent for being such a-"

There's something ungovernable in you, something fumbling, as you find yourself drawn to her lips like a magnet - claiming them in a kiss that has you both growling with all the intensity you can muster, groaning as her jaw goes slack, surrendering to the fucking. To this hard, solid snap of your hips, a raw fuck forward that pushes Minju against the edge of the tabletop.

It doesn’t matter what she had wanted to say, though it must be evident how easy she can wind you up, and you do your best not to be too gentle. Pushing into her so rough that her breasts, oh-so-delicate, bounce up and down along her chest, nipples tight and rosy, begging to be tasted and played with.

You’re pressing your mouth on hers hard, fucking her harder - fingers digging into the flesh around her thighs and leaving marks and memories, all these reminders you’ll be sure to come back to.

But the fact is that this is your girl in so many ways: needy and a dream in all her curves, and how her waist rocks back, her body fitting so perfectly against yours - you're hooked on all of it. On her - she is temptation made real, in blood and bone and soft, supple skin, so exquisitely touchable, just like the sound that she makes, high and tittering when your thumb starts to work her clit over; each swirl and figure eight sending a jolt through her nerves and straight back into your own spine. It's difficult - hard to focus, you find - when all her exposed skin has these drops of sweat standing in saltwater relief, how it rolls down the plane of her chest and disappears where her waist flares wide.

Minju turns her cheek, mouthing falling open, and asks with a certain helpless pleading, “yes, can you-”

she sighs,

“right there,”

she hiccups,

“please, again,”

she begs,

“again, harder, i’m so close-”

Not before long, the desk is scraping loudly across the carpet, moving right into the next office over, all from where you have your hand trapping her voice back in her throat, palm over where she’s practically sobbing for you to let her cum. 

From where you’ve got her locked in tight, lifting her up into your arms, into some perverse, unspoken promise to carry her the rest of the way. To do with her whatever you want.

"I'm going to show you," you're gritting out, "exactly how a professional handles their star, the girl at the center of it all, their top draw - and it's so easy, isn't it? This is - fuck, sweetheart - you're nothing more than a - just a desperate little cockslut who's aching to cum, and it's good - oh so, fucking-"

When that next shiver courses down the length of her perfect form, it's entirely because of you, when her legs are still locked and clamped over you like this, as she sputters and babbles, totally cock-addled and barely managing a coherent thought. “Please, sir, please, fuck-”

And then a keening, sounding low, lost.

“Sir. Please, sir, please just - I just wanna-" Her lips are shaping all these words that never quite materialize - because her cunt is slick, the whole of it hotter and softer than anything else in this goddamn room. Maybe anything else in this whole building. Or in the entire world. It makes her whimper and ache, her voice rising and rising, belting out, need it, need it, please let me cum -

Which -

Minju, oh god, Minju cums, and you are fucked sideways to hell and beyond when her whole body convulses, shakes, every single part of her contracting, contracting - all at once - the way her hands claw desperately onto the blades of your shoulders as the room gets taken up with the scent of her; the sounds she's making are fucked and filthy. She starts to become undone as you double your pace, aiming true - thrusting, pounding, nailing Minju right into the finish.

“Minju, sweetheart, I’m going to cum in you,” you tell her, and it’s not even a question, or a concern. You’re dictating, not negotiating when you say it to her again, when you tell her you’re going to fill her perfect pussy so full with your cum, she'll be hung up on it for weeks.

One long, stretched out moan is all it could ever take; a split second, where everything runs blindingly hot, and you bury yourself as deep into her pussy as you possibly can.

Cumming so much, spilling out deep inside - this heavy flood of cum that pools warmly at the back of her cunt and fills every corner of Minju - she whines and sobs and tells you it's too much, please, all this hot and thick white cum pumping right into her -

As you throb into her, she's having a hard time saying anything beyond your name, actually, because if anyone can, if anyone would, if Minju can trust anyone and anything in this world more, it would be you.

Her chest shudders and shudders, and she kisses you in a vain effort to quiet her own body, to quiet yours. She has all this faith she's pouring right down your throat as you rock the last of your orgasm into her twitching heat, spilling and spilling and spilling, not caring about the wetness leaking onto the carpet. Not bothering to mask the obscene slickness, how everything gets completely fucking sopping between the two of you.

When she's practically drooling over you, eyelids growing heavy and fluttering, Minju sags heavily into the bend of your arms. In that shallow heaving and gasping for air that bathes the both of you - blissed the hell out, a lazy tangle of limbs - and without warning she turns to speak into your neck, her breath cooling, like a whisper of a dream:

“Okay, and already… I guess this isn’t entirely-”

“Completely terrible,” you offer after you swallow the dryness in your mouth.

Minju smiles into your shoulder. “And sir, in the spirit of honesty and transparency, I think I - I think I really did want - this - you - the entire thing…”

You stop her there, right in the middle of that particular train wreck. A drop in your voice, and the message is clear, when your mouth works its way to hers.

(No more of her talking like that.

Besides, she looks even better on your lips like this, and fuck, doesn’t Minju taste like you will have to remember, like a little bit like desperation, but only in the way that it has you both completely hopeless, hanging on to every whimper as your cock slides lazily about her well-fucked pussy, a bit deeper, a bit further.)

Like there is something far beyond professionalism guiding the hand with which you hold her hip and let her ass spill through the gaps of your fingers.

It’s all mixed up, how in this exact moment you figure this is a terrible, terrible idea, the worst kind of agreement, this pact - because no one could look at you, could look at either of you and have any doubts in mind now. But you can see it, how you’ll both wear this little agreement like the most beautiful stain in your histories. Even though it might, conceivably, cost one or both of you dearly at some point in time. 

And yet, still.

"Will you - can I - can you..."

She's clinging onto you with all her remaining energy, like she wants to see it through.

But her eyes - the poor thing - her expression is melting into this haze, her face contorted in something like pain and something else entirely: a different kind of satisfied glimmer. It's almost unreadable how that sharp mouth softens at the edges as her cunt gives this small flutter over the head of your cock, as you pump her so full, threatening to overflow.

And in your ear, you catch this little whisper. It says, “please, let me show you,” she's practically purring, “let me, let me - I'm gonna clean you up now, lick my cum right off you.”

It's true. Minju can act and perform and pose and make faces, for a shit ton of people - but she’ll play-act any facade you might ask her to, and she'll do it for you - because, this time around, all you ask her is this:

To be yours.

To be a good girl for you, an obedient little thing, in your private audience, away from the cameras and the lights, away from everyone.

When her knees hit the carpet, she is perfectly between your legs, palms on your hips and fingers splaying out against you.

And when she tries her damnedest like this, no one should bother ever pretending to think differently - least of all, you - and certainly, not while your cock is hardening again in the wet heat of her mouth, under the curl of her tongue, the gentle touches of her fingers -

How can anyone ever bring themselves to tell her that she isn't completely, indisputably the greatest.

(The very, fucking best.

And in every other way: the woman of your dreams. A woman, you realize, you ought to endeavor to keep, in all manners, and forever.

Minju, who could probably do anything, and you, who just might be able to give it to her.)