#cope with my opinion

[wickedstitchingworkshop]

hey indie devs

i hate hollow knight, i'm so done to see other games just snatch mechanics from it blindly, hk has gameplay flaws such as cheesy bosses, bad platforming, unclear hitboxes, slow paced unfun fighting, useless obscure mechanics, dumb map which infuriates me. And all this crap mixed with an interesting story, mind-blowing lore and graphics and incredible atmosphere, which probably can only be compared with games by From Software

i want to see someone makes 3d lowpoly metroidvania with nice parkour like in doom eternal, actual puzzles, like in crosscode or portal and mechanics that are deeper than overused charms, stat collectibles and "rpg skill trees" with no rpg behind them

i believe there are indie devs who share my vision and can make a game that will beat damn hollow knight and give new breath to the genre

[nechto221b]

[bunnirabbits]

not sure if i want nanami to be a super experienced older man who will take the reigns in bed straight away, or a poor, overworked soul who’s never gotten the chance to lose his virginity so i can hold his hand and stare lovingly into his eyes as he cums inside a woman for the first time.

[shsl-heck]

Thinking about the Chevalier interlude, specifically the inaugural team of Wards. Like in universe, they sell it to this first group of kids (and presumably the rest of the world) as a place for second chances, to find friends and mentors who understand what youre going through, where you can learn to use your powers safely while making good memories. The kids broadly seem to believe in these noble intentions of course, but what really gets me is that I've seen readers buy into it!

"Oh, it's such a tragedy that the Wards program became this awful thing that traumatizes kids even more, and expects them to die for the sake of civilians! It's fallen so short of what it was originally supposed to be!"

No it has not??? The fact that the triumvirate and Hero are saying it has this noble goal doesn't make it true. The Wards was pretty clearly always a way to increase the amount of bodies the prt could throw at threats, and we know this because it was started by the fucking Triumvirate as a part of the Protectorate! Alexandria literally came up with the idea of the Protectorate to legitimize the power of capes, and have a consistent source of heroes Cauldron could throw at problems. That is the whole reason for the PRT/Protectorate existing. So when we have this group of children brought in a subsidiary, there are 2 real options.

1). Cauldron and Alexandria decided they would be really niceys and created this program with no intentions other than helping these kids out.

Or 2). As things got worse, they realized the Protectorate didn't have enough manpower to do what they needed, and so they expanded it to include children (the demographic most prone to triggering). That way, they greatly increase the number of capes who they can send to fight and die as needed, and the ones who do survive their tenure in the Wards will be better trained when it comes time to join the actual Protectorate.

At the risk of sounding conceited, I think the second one is far more likely based on everything we know about Cauldron. Maybe it was originally a little nobler, and the goal was just to create more well trained heroes and cut back on young villains, but there's no way Alexandria, Doc Mom, and Contessa didn't factor in the ability to sacrifice the kid heroes if it improved their chances of success. That was absolutely a perk at minimum.

That's the real tragedy of the inaugural Wards. The kids were lured in with promises of safety, comraderie, and second chances like lambs to the slaughter. All the while, Alexandria and Cauldron knew that many (if not most) of these children would suffer abuse by the prt (like in the case of Reed), die, or face a fate worse than death like poor Mouse Protector. It's horrifying! The idea that they didn't know the danger these kids would be in is literally inconceivable. Especially when one of you is also the head of the prt! They knew, and they didn't care. It improved their chances at the end of the world, and so they did it no matter the cost.

[moeblob]

The reason Paul still asks for Right on cases is partly because Right is a good detective and then mostly they both make really inappropriate comments at crime scenes and NO ONE ELSE APPRECIATES THEM. So Right unfortunately is like "man, sure wish I had that guy around so I could be tacky".

[autisticredhood]

In The Dream House by Carmen Maria Machado page 5 / Batman #614 / Detective Comics #790 / In The Dream House / Detective Comics #790 / Batman #614 / In The Dream House / Batman #410 / Batman #428 / In The Dream house / Batman #617 / Detective Comics #790 / In The Dream House / Detective Comics #790 / Batman #618 / In The Dream House / Detective Comics #790 / Batman #614

ID under

[ID: Several photos weaving together text and comic panels. 

First image is of text that reads “The memoir is, at its core, an act of resurrection.”

Second image is a panel of Jason’s face on the ground in watercolor art style from Batman: Hush. He is wearing the Robin domino mask and his mouth is parted open. He is splattered with blood. A blue caption reads “Jason.”. The panel is overlaid in red. 

Third image is a cropped panel of Bruce and Cass in front of Jason’s grave. Bruce is saying “He would have been eighteen today.” 

Fourth image is of text that reads “Memoirists re-create the past, reconstruct dialogue.”

Fifth image is of Bruce and Cass surrounded by graves as Bruce is saying “But he was brash. Impulsive. Headstrong. Never looking before he leapt…I knew that, but I didn’t stop him because he wanted it so badly. He wanted too much to prove something.”

Sixth and seventh images are cropped panels from Batman: Hush with Batman in watercolor art style. The sixth image has blue captions that reads “No matter what differences we’ve had through the years, I’ve always known that Dick had a gift. Jason only had…rage.” In the seventh image the captions are “Jason never had the skills that Dick had. I should never have let him put on that costume.” 

The eighth image is text that reads “They summon meaning from events that have long been dormant.”

The ninth image is of two panels from Jason’s post-crisis Robin run in the 80s. The first panel is of Bruce’s face with the Batman cowl pulled down. He’s saying, “Hardly, the other Robin would’ve done the same thing…You two really are two of a kind.” The accompanying panel is an up close shot of Jason’s grinning face in the Robin suit. He’s saying, “Thank You, Mister Wayne. Mind if I stay up awhile and do some homework?”

The tenth image is of two panels from Death In The Family of Bruce cradling Jason’s dying mother, Sheila. In the first panel Shiela is saying with many ellipses between her words, “He turned out to be such a good kid all his problems and he still turned out good.” In the second panel she is saying, “He threw himself in front of me. He took the main brunt of the blast.”

The eleventh image is text that reads “They braid the clays of memory and essay and fact and perception together, smash them into a ball, roll them flat.”

The twelfth image is a panel from Batman: Hush that is cropped to only show a caption that reads “Jason saw being Robin as a game. It’s probably what got him killed.”

The thirteenth image are of two panels from Bruce and Cass at Jason’s grave. The first panel is a cropped shot of Bruce saying “Yes. Maybe if I’d put an end to his attempts, he’d be getting ready to go off to college…” The following panel is of Bruce and Cass standing as dark silhouettes against a red sky with the angel statue of Jason’s grave looming over them. Bruce is finishing his thought from the last panel and saying, “Or just having a normal life…”

The fourteenth image is text that reads “They manipulate time; resuscitate the dead.”

The fifteenth image is of two panels from two different comics. The first is from Batman: Hush in modern comics art style and not watercolor. It’s a cropped panel of Tim Drake in the Robin suit yelling, “No matter what he says, Jason’s death still haunts him. Why else would he keep Jason’s costume so prominently in the cave?” The second panel is a cropped image of Barbara Gordon on the BatComputer screen from the same issue of Bruce and Cass visiting Jason’s grave. She’s contacting Bruce before he goes to the graveyard, saying, “Maybe you’re busy...Look Batgirl just came by. She seemed…upset. I don’t know what happened, but…if this is about what today is, then…Just Know I’m here if you need…”  

The sixteenth image is of text that reads “They put themselves, and others, into necessary context.”

The seventeenth image is a panel of Bruce and Cass in the graveyard. Bruce is saying, “But he’ll never have that. Maybe it’s not too late for Stephanie.”

The eighteenth and final image is an edited panel from Batman: Hush in watercolor style again. It is a close up of the R symbol of the Robin suit with blood stains on it. The panel is overlaid in red again. The edit is a blue caption from the same issue that is added to above the R symbol. It reads Batman’s inner monologue of “For these reasons, I’ve carried the burden of responsibility for Jason’s death.”

End ID.]

[an-eldritch-peredhel]

I’d love to hear your thoughts on what Eldritch peredhel entail

-@@outofangband

Sorry this took so long @outofangband and thank you for asking this I am! Delighted! And am preemptively putting a read more down because I cannot shut up about they <3

alright I'm just gonna put stuff and headcanons down as they occur to me so expect low-moderate levels of coherency

shapeshifting is an obvious one (gets weaker down the generations) but because my brain is Like This I have caveats!

thanks to my whole peredhil things=gender allegory that my brain spit out without my permission I've long struggled against my inherent feeling that while they can shapeshift they don't like it

but because I'm now aware of my brain's reasoning I can say it's because of ✨fantasy dysphoria✨

that's oversimplifying, obviously, but peredhil already have so much issues with working through who and what they are and compromising between body and mind and spirit that actively choosing to change into/present as something/someone who They Are Not is. Not usually their cup of tea.

As a whole they tend to have specific forms that they prefer as being closer to themselves, and distinct enough that it doesn't feel like they're faking something they're not

(changing to look like a different person, or a edited version of themself is Very Very not fun unless either explicitly for disguise or shenanigans)

(the exception to this is that Luthien can make herself look almost perfectly human without any real issue. she doesn't do it often but especially as she ages she likes to catch glimpses of her reflection and get both excited and sappy. this is in contrast to making herself look almost perfectly like an elf which makes her feel like her skin is on fire.)

(Also I'm pretty sure all of them can flip their agab presentation while only feeling varying degrees of off, and even then it's a different feeling than the shapeshifting dysphoria. Dior and Elwing are the two who I think mind it the most)

They all have the (agonizing to write) trait of feeling very distinct relationships to their species in their body vs soul/mind vs spirit/fea and they all feel it very differently! This isn't exclusive to Luthien's line but the maia blood does make it worse.

Oh! This is a new headcanon of mine actually but!

They all have faces that are very very hard to capture in image. They are the bane of portrait artists (and, to a degree, sculptors) everywhere because the art never looks accurate to life

It's not blatantly off it's just. missing something? Or something was added? maybe it's a little too wide, or narrow, or long, or short, in one place or another

It's not unrecognizable but if you've ever seen the subject in real life you can just tell

It's especially bad with Luthien (and Daeron) and Dior (to a lesser extent) because everyone literally sees them differently, as in their features will be slightly different depending on what each person finds attractive/aesthetically appealing and beautiful

(not a lot, again, it's not unrecognizable, but there has never and will never be any accurate depiction of Luthien as she was as a person)

(as a concept, though, as the most beautiful creature to have ever existed in Arda, a little of her image exists in every portrait lovingly made of a beloved spouse, every child's drawing of their family, in biological sketches of songbirds and field mice, in a sculpture of a stranger's face. Daeron remembers his sister perfectly, but he collects these regardless)

(Arwen, Luthien come again, isn't described as such by her grandparents. Galadriel and Celeborn both knew Luthien, and while Arwen and her father both look as closely to her as genetically possible, to those who actually know them both it's nothing more than uncanny family resemblance. Luthien was to most a concept personified, Arwen is a person with concepts imposed on her.)

The list of people who have seen Luthien how she actually, physically, defaultly is, essentially consists of Melian, Daeron, Beren, and Dior

Beren doesn't see her as she is right away because he doesn't know her right away, but they learn about each other and she shows herself and he sees her and by the time she rescues him from Tol-im-Gaurhoth there are no echoes on her face

(He's always a little bit haunted that he nearly died without realizing he'd never quite seen the truth of her before)

Neither Thingol or Beren can quite see their own features on their children's faces. They clearly take after their mothers, after all!

(This leads to much affectionate eye-rolling on Melian and Luthien's part)

Hair stuff!

It's alive! kinda! it's definitely not normal hair!

It moves a lot on its own. Sometimes like a breeze is blowing where there isn't one. Sometimes more like tentacles. It depends on its mood.

They've got some very pretty traditional cosmic horror vibes swirling around on their heads. It's very sparkly and colorful but in a Forbidden Shrimp Colors that your brain is unable to comprehend way so it reads as iridescent black mostly, or holographic white, where applicable

Luthien's hair actually is a glimpse into space, Daeron's is a glance at a star

(Luthien's magic hair cloak survives, I think, into the 4th age and beyond, though if anyone/anything has found it they certainly don't know the origins of the beautifully intricate living star map. It has seen the reign of countless north stars, yet the lines always point to the same coordinates- where the ancient, sunken, ruined remains of what once was Tol-im-Gaurhoth lay)

Speed round!

Fangs and talons and horns oh my! Are they tooth and keratin and bone, or are they petrified wood and gem and stone? Yes!

They all smell a little like ozone and a lot like petrichor, flowers, and Green. If you've smelled green you know what I'm talking about. Also, unfortunately, like bird. Birds don't smell great, especially wet bird.

Weird Foresight Powers++

(Most of them don't have actual foresight, but all of them are more in-tune with the Song than is natural for an incarnate)

Their eyes glow, most notably in the dark, unless the irises turn black as they sometimes do. They are also all unnaturally bright versions of the less-spooky parent's- Dior's are gold, Elwing's are blue-green like a tropical sea (Elured and Elurin split the color between them- ultramarine and emerald), Elrond and Elros have pale star-gold, Elladan, Elrohir, and Arwen all have silver.

(Daeron and Luthien being the exception again, because I decided they have Melian's eyes before I decided this, and I don't know what color eyes Thingol has. Watsonianly: Melian's spooky genes overwrite a lot. Luthien's genotype is probably much closer to his than her magically overwritten phenotype)

Their sclerae turn black and their pupils white, on occasion, usually when using powers

They don't bleed right. It's a little too red for an elf, a little too light for a human, and it shines strange as it beads like quicksilver on the skin

They have very shiny, cool skin. Luthien looked like her's was silver plate under a stretched stocking, the rest toned it down from there but it's still noticeable.

The Song is. Attached to them. They are all very much Main Characters. Their lives have a clear story arc with symbolism and narrative parallels. They are all subconsciously aware that their lives are a fairytale, whether tragic or no, and yes this has many Implications and affects. They are not the only ones like this, but they are the only ones who, to some level, know they are in a story.

This is the fundamental separation between them and everyone else.

The difference in how they perceive themselves between heart soul and spirit is very difficult to explain and understand, but not impossible to someone who knows them and is willing to put in the work.

The life-long knowledge that they are Important to the Song and their every choice and event they experience and their mere existence serves a greater purpose in a way that most other people simply do not- that's very, very isolating.

No one else can understand how they see the world. Very very few people are willing to try, and even fewer in a way that's not frustrating. There is a reason most of them find only one person to latch on to outside of their family, and a reason they hold on through hell and high water.

(This is about being neurodivergent)

[katyspersonal]

Regarding previous post about disco horse: I really appreciate that everyone is actually talking for once, but a kind of jab happened on my mental health so I have to step away. It isn't from this post, but the reason is sort of connected

Again, I personally find no problems with the DLC except for how Radahn ship came from nowhere and can justify how that comes. But regardless of how many things anyone else dislikes about the DLC: you are valid to hate it as much as you want, but when you start insulting people who loved/accepted/justified the DLC as "media illiterate fromsoft dickriders who keeps coping even after the honeymoon phase passed" and variation I draw the line. There are many ways where other fans can find reason where you didn't and there is potential in new lore that you won't use. Absurd how some people are still willing to support illusory narrative that Radahn Redditor simps are the "worst" part of the fandom when not even at their most arrogant and annoying they can dream to reach HALF of the toxicity cultish Miquella/Malenia fans have, over the awful crime of having different readings, opinions and priorities.

And yes, I know it is inevitable that Tumblr and Twitter fans WOULD make a moral/intellectual/maturity contest out of how people feel about the DLC (🤡🤡🤡), but it hurts when people I actually don't want to butt heads with who start to approve of this mentality. Like, okay cool. Wallow in your elitist toxic pool of Ledas while we, "pathetic dickriders" go and "cope" somewhere else, hope everyone is more comfortable this way 🤦‍♂️ I am tired of getting hurt through endless passive aggression and I have my limits. It is just always hurtful to finally rip the bandage, even IF it is to the better. I need a hiatus for a longer time, albeit for a different reason now

[askyuuandco]

If the First Year's Had a Pokemon Team. In my opinion

Ace's Pokemon Team

Deuce's Pokemon Team

Jack's Pokemon Team

Epel's Pokemon Team

Orthro's Pokemon Team

Sebek's Pokemon Team

My Yuu's Pokemon Team

Grim's Pokemon Team (lol)

[dove-tears]

AU/What-If scenario where Isaac is found and saved just in time before he suffocated in his chest, and his mother (luckily) still having enough sanity and common sense to know that she must rush her son to the ER ASAP when he fainted in her arms. Because of his need for recovery after his near fatal incident and his mother's inability to support him financially, the hospital volunteers to take care of Isaac and let him stay for the meantime in their youth care program.

During his stay there, Isaac goes through the numbing aftermath of his delirium and everything that had happened, and in his wearied, fatigued confuzzled state after having experienced all his trauma, vivid escapism and oxygen deprivation, learns to eventually reflect and understand, thanks to other peers, that what happened was never his fault and that his home life was not deserved nor normal, and that he mustn't let his thoughts override reality. Slowly but surely being able to find some peace, comfort and happiness to just be a kid again and work through his struggles during and after his recovery, finding safety and a new feeling of home in his new environment.

There is more depth to it and much more that I want to do with this AU, as it is something I have been fixating on for a couple of days now, but that is the basis of it :)

[neixins]

[ID: a panel from "yona of the dawn", showing gija slapping jaeha's arm in a panic as he yells, "j... jaeha! jaeha—! a bug! there's a bug!" as jaeha, exhausted, remarks, "if we're together, i won't have time to pass out." a text post by dykemd is edited into the corner; it reads "everybody masc till the roach starts flying [unamused face emoji]". end ID.]

[aprofessionalwithoutstandards]

Sticking this on here even tho it's a general Sitewide Problem - I'm sick of people making excuses for retroactively adding more bigotry into tf2. It feels like people are only capable of thinking about marginalized people (especially "in the past") as our suffering, so writing a gay character, or a trans character, or a black character, or etc. must involve them suffering somehow. People go to such fucking lengths to pull hypothetical marginalized people out of their ass who LOVE writing about characters like them experiencing hate crimes as "coping", but In My Opinion your coping should not involve publicly making a bunch of joke characters from a comedy video game get called real slurs that affect people in real life. Even if your point is "bigotry is bad", not every single fucking thing that has a black character or a gay character in it has to be About Bigotry. You all let white characters just be characters, but the minute you wanna put Demo tf2 in your fanfiction you need to take some great stand against racism and choose to do this by portraying him suffering. I don't care if it's to show that Racism Bad - you NEED to learn to love marginalized people more than you hate bigots. Never mind everything I could say about how actually no, it would not be "period accurate to the 1960s" for everyone to constantly be spewing or facing racism and homophobia. Acceptance and taking stands against bigotry aren't new concepts. Your "historically accurate" tf2 fanfic has done absolutely nothing except show a bunch of already marginalized people that our suffering is more important than our joy. In My Opinion

[plantsjustwannahavefun]

As someone who has kind of convinced themselves Izzy is gonna die at the end of S2, could you share your reasons why you think he won't? I'm sure a lot of us who think he's doomed could use some ideas as to otherwise. And who do you think is being buried in that grave scene in the Behind the scenes video? I'd love to hear your thoughts!!!

Hey, first of all, this is the first ask I’ve ever got, so thanks ☺️

Okay, so, there’s been so many posts recently with much more elaborate and better-argued takes than mine, and I can’t really take credit for anything I’m going to say here because none of these thoughts are original, really… but anyway.

I was surprised how quickly and strongly people seemed to have latched onto the “Izzy’s gonna die” train based on, as far as I'm concerned, nothing more than a couple of vague BTS bits and a general sense of foreboding caused by previous experience with stories like these.

First of all, the BTS pictures and videos. Namely the bit where Izzy seems to be lying down and the one with the grave. It’s a massive stretch at best. I think Izzy’s likely to get injured at some point, but this could literally be anything, we can’t even see what’s going on. This could be a fuckery. At one point Ed is holding out his hand stained with blood, but we don’t even know whose blood it is. Same for the grave. Izzy isn’t the only crew member missing from the ring of people standing around it. We know there’s going to be a big battle in E08, so it's not surprising someone would die, but there’s simply no proof and not at all likely it would be Izzy.

Also, think about it. Izzy’s a sailor. Sailors typically get burried at sea. The only other place I could imagine him wanting to be buried at is next to his family in England, but that might just not be feasible, so he’d most likely get burried at sea. The way I see it, he’d much rather rest on the ocean floor than some random beach in the Republic of Pirates, a place he claimed to hate in S01.

Another thing: the creators of the show know how rabid this fanbase is. They knew we were going to painstakingly pick apart and overanalyse every single frame of every morsel of promotional content we could get our hands on. So far they’ve gone to great lengths to avoid major spoilers. They even changed Ed’s line in the trailer where he said “and, more importantly, no more Izzy” (replaced it with “no more Stede”) in order not to reveal the plotline of Ed shooting Izzy, even though that line was pretty vague and could have been up to interpretation. So how likely is it that they would reveal a major character’s death in several frames of BTS material? Just not very likely at all, I’d say.

Then I’ve seen a few people argue that the writers want to get rid of Con because doing the CGI for the unicorn leg is too expensive and inconvenient. I’m calling bullshit on that one too. Admittedly, I don’t know much about CGI, but Con literally just has to wear a green sock over his boot or something like that, and it’s not that hard to frame it in a way that makes his leg less visible. So far we’ve had a lot of shots with him just sitting there, or where he was filmed from the waist up. I imagine it wasn’t easy for Con to mimic moving like he was missing a leg, but he nailed it perfectly, and he seemed to have an easier time walking around in episodes 6 and 7 compared to ep 5, so he won’t have to keep up the severe limping to the same extent. At this point Izzy is the third major character after Stede an Ed. There’s no way they’d get rid of him just because of a minor cinematographic inconvenience like that.

And then there’s the fact that nobody actually dies in this show except for the villains. David Jenkins took the “bury your gays” trope and turned it into “make your gays unkillable”. This is literally the show that gave us recreational gut stabbing. There’s only a couple of exceptions, but they were all very minor characters or, well, a bird… I really liked Ivan, but he was easily the least important character out of all the crew members, and probably the only reason his death was offscreen was because the actor quit after S01. There’s no indication that Con wants to quit, it’s obvious he’s having the time of his life with this role, so it’s very unlikely he would sacrifice it for some other project.

What OFMD does love, on the other hand, is characters appearing to die, only to end up surviving against all odds. That’s, like, its signature trait by now. None of us really believed Lucius was going to die, even though logically it was extremely unlikely he wouldn't just drown immediately. They didn’t even bother to explain it properly, that’s how little this show cares for realism. And we love that about it. Izzy himself has already had not one, not two, but THREE instances like that: the dream sequence scene, getting shot in the leg, then surviving his suicide attempt. If he happened to actually die for real now, that would just be bad storytelling.

Speaking of storytelling… That’s really the main reason I don’t believe Izzy’s going to die. I know a lot of people are hung up on the whole “his narrative arc is complete and he has served his purpose as a character” thing, and in any other show that might be true, but not this one. OFMD isn’t just a show, it’s a love letter to the queer community. Izzy is now a representation of a queer person discovering himself and being accepted into the found family. He figuratively embodies the spirit of the Revenge. The physical unicorn figurine was destroyed, but the crew managed to use something “broken” and give it a new life. If the show did this only to kill Izzy off right afterwards, that would feel like a slap in the face. It wouldn't complete his character arc, it would undo it. It would be way worse than another show killing off some character that simply happened to be gay. It would feel like killing a character off specifically because they finally found some happiness in being gay, right after reaching the peak of their personal development as a queer character. It would feel deliberately mean rather than merely thoughtless.

And it would make the very first scene of S2 kind of meaningless, too. That dream sequence specifically showed us what was not going to happen. Izzy wasn’t going to stand between Stede and Ed anymore. Izzy and Stede weren’t going to be enemies anymore. Ed wasn’t going to melt into Stede’s arms and immediately forget all that’s happened. And Izzy isn’t going to die. Simple as that.

[ace-dodo]

Amerie and me are literally the same person, look

She got suddenly dumped by her friends? I got suddenly dumped by my friends!!

Almost no one by her side? Same here!

She ended up hanging with ppl she never thought would hang out with her?? Omgs samesies!!!!!

At the end the reason why she got dumped didn't really justify it???? Omgs. Same!!!!

Now that she's back with the friend that dumped her she's anxious af and feels like it will suddenly happen again??? Dude. Same.

[magnusbae]

somebody is getting spanked lectured tonight :)

[winter-kh-sideblog]

“Kairi shouldn’t be a main character because she only Theoretically wants the power of being a keyblade wielder, she doesn’t *actually* want the burdens of being a Main Character, she just wants to live in peaceful times at home with her friends, so its best if they just leave her behind” . do you guys think that Sora genuinely wakes up every day like “yippee im so glad its the apocalypse, i sure would hate to have a break or a quiet moment with my friends, so so glad to see another day of my friends being manipulated into killing each other, ” or what. how do people keep acting like this is saying anything. do you guys know about tropes and stories. give kairi a sword