#contrived? i think could be the word for it.

[warlocksoup]

⋆.˚⟡ ࣪ ˖ AKAASHI KEIJI undone ⋆.˚⟡ ࣪ ˖ CHAPTER ONE: evidence

HOW TO TRICK THE LOVE OF YOUR LIFE INTO DATING YOU BY DATING SOMEONE ELSE (YOUR BEST FRIEND)(JUST PRETEND THOUGH)

STEP ONE: GET YOUR MOST PUSHOVER, IN LOVE WITH YOU FRIEND TO AGREE

She tries to say no, at first, for the sake of preserving at least some of her dignity. But it’s Akaashi. She was always going to say yes, eventually.

“I dunno,” she pretends to muse, slumped out on the couch with her fingers deftly moving from button to button on the controller in her hands, eyes narrowed at the television screen in front of her. “Do you really want to start out being like, deceptive? Doesn’t seem like the best way to get a girl’s attention.”

Akaashi groans, head dropping back and his arms thrown up, exasperated and defeated. “Yeah, I know, but I’ve tried everything else, and nothing gets her attention. But if she sees you, a pretty, cool girl, going out with me, then maybe she, another, pretty, cool girl, will start to see me as someone dateable.”

She snorts. “Are we in junior high? What the fuck kind of logic is that?”

He drops on the couch opposite her. “I know, it’s just,” he pauses, and sighs, “I’m desperate.”

She allows herself a string of self-lambasting thoughts, centered mainly around how pathetic she is for that selfish lurch in her chest. To say yes would be to take advantage of her best friend’s desperation, allowing him to play pretend and act out some of her most suppressed fantasies, for some plot to get the girl that, in the end, probably won’t work. She swallows and tries to make him change his mind once again. “I really don’t think this would even work, Kaashi.”

“Yeah, but I’m driving myself crazy,” he insists as her thumbs start to button-smash frantically, “and you’re the only person I trust enough to do this with. I know it’s stupid I just have to try something.”

She’s reached the end of her protests. The screen in front of her flashes red, and the word DEATH splays across her vision; she sighs. Her head lops to the side, and she blinks at a wide-eyed, completely desperate Akaashi. “Fine.”

STEP TWO: START PLANTING FALSIFIED EVIDENCE

Akaashi’s hand is intertwined with her. She stares down at it and tries to memorize it. The way his fingers look pressed into her skin, how it feels. The warmth. The callouses. The way their forearms press together and settle in the space between their thighs. Her nail polish is chipped. His thumbs are wide. The slight rocking of the train slightly rocks them, and their bodies move in tandem without trying.

Akaashi leans back slightly and uses his free hand to take a photo.

“Here,” he says after a moment of contemplation, shoving his phone in her face. “How does that look?”

Maybe she looks for too long, but there’s something off about it. It looks so much more contrived, converted to pixels on the screen of his phone. Or maybe it’s just that it’s harder to pretend this isn’t a ploy for someone else’s attention when his affection is documented like that. When she looks at her hand in his in a photo it’s a reminder that this is simply evidence captured just to inspire jealously.

Her eyes drift between the screen and the hands between her. He hasn’t let go yet, which she’s trying not to read into. “Yeah, that’s good.”

“Good,” he says, his thumb tapping against her knuckle. She watches as he opens Instagram. “Should I tag you?”

She shakes her head. “No, let people wonder who it is, at first. Maybe she’ll ask.”

This brings a slight smile to Akaashi’s face, and it makes her feel oddly sick.

Ever since he asked her, she’s given into a few delusions, considering it a serious possibility that this could just be Akaashi’s convoluted, roundabout way of getting closer to her. An excuse to hold her and post pictures of her and maybe even kiss her, eventually. That maybe he wants her just as badly as she wants him.

But no amount of mental gymnastics or bending of logic can deny that unabashed giddiness at the mere suggestion that she might speak to him. It’s hard for her to deny, when he talks to her like it’s nothing, when he holds her hand like it’s nothing.

She swallows and bounces her knee. “What are you going to tell people? I mean, like, when they ask about how we got together.”

Akaashi shrugs. There’s something loading on his phone screen as he lowers it to look at her. “I dunno. Maybe that one night we just like, hooked up and then decided to date.”

“That’s it?”

“Yeah, is that bad?”

“No,” she offers with a slight shake of her head. It feels bad. It feels the same way food poisoning or maybe the plague would. But she can’t logically explain that one, so she just says, “That should work, I guess.”

STEP THREE: LEAN INTO THE RUMORS GOING AROUND (THAT YOU STARTED)(ON PURPOSE)

INSTAGRAM akaashikeiji has tagged you in a post!

INSTAGRAM kuroo_tetsuro: bro that’s for sure you in akaashi’s post kuroo_tetsuro: since when are you guys going out???

IMESSAGE yukie: you and akaashi are dating?? since when??

IMESSAGE iwa: so were you planning on tell me that you started going out with someone?

INSTAGRAM heyheyheybokuto commented on akaashikeiji’s post: HOLY SHIT IS THAT WHO I THINK IT IS? alisahaibi commented on akaashikeiji’s post: aww so cute! love you two

IMESSAGE kaashi: holy shit did that just work

The constant buzzing of her phone provides a pretty consistent distraction from her essay on the socioeconomic conditions of the working class that led to the Bolshevik revolution. Her head is swirling with thoughts of Akaashi’s post and the failed provisional government.

Her face drops to her hands, and her phone continues to buzz on the desk beside her, just as her laptop screen goes dark, nudging her unfinished essay out of her thoughts.

She takes a moment to press the palms of her hands into her eye sockets, enjoying the pressure and the way shapes sprout up behind her closed eyelids. Akaashi’s sitting out in their living room, probably, phone in his hands staring at notification from Alisa.

He’s probably going through her account, looking through her posts, careful not to let his thumb slip and like something on accident. He’s probably smiling down at her smile, heart pounding in his chest as he thinks about her and whatever comment she left on his post.

Akaashi’s been in love with her this whole time. For as long as they’ve been friends, for as long as she’s known him; his love for her completely integrated into his personality. When prompted to list what he likes about her, he will ramble about her sweetness and beauty and her intelligence. He will list off things that Alisa has and she lacks: grace in social situations, a distinct and unique sense of style, her ability to read and understand the people around her so easily.

It seems like, everything there is to Alisa, Akaashi loves it. Whatever it is.

Her phone buzzes again. She reaches for it.

IMESSAGE iwa: you can tell me about things, yknow

Her tongue twists in her mouth, and her head bangs. It crosses her mind, briefly, that this is a bad idea, and the fallout is not worth the maybe few weeks where she can hold Akaashi’s hand and pretend that he feels an ounce of what she feels for him.

She clicks on the notification from him, the post he tagged her in, and is surprised to see her own face, grinning back at her, bare-faced and nose scrunched. There are freckles on her face she didn’t hadn’t ever noticed before. She didn’t know he had this photo. He captioned it: My pretty girl.

It’s worth, she decides instantly. It’s so immediately worth it.

She opens up her photos, and scrolls passed blurry photos of crowded whiteboards and half-eaten vegetarian lunches to find a photo of Akaashi. One of him just outside their apartment in the middle of last winter taken when he wasn’t paying attention. He’s smiling, eyes crinkled and glasses falling down his nose as he buttons up his jacket. It’s a favorite of hers, as indicated by the small white heart in the corner. Every time she sees it, she smiles.

Without stopping to think of how both wrong and vulnerable it feels, she posts it, matching it to his. My pretty boy. Undeniable evidence planted.

taglist: @charlotterosea13 @quikhs @mdmraz @mollyrolls @nazwrites-2002 @hanadulsetaad @nokjhg @alexithemiyatic @kvrokasaa @wyrcan @baylz @soobin1437

[keenma]

nothing more than a personal opinion but english dub for anime series? make me cringe so damn much.

[dragon-ascent]

I think it would often…strike you, that you’re romantically involved with a god.

Like you’d hold Zhongli’s hands, running your thumb across his knuckles, equally aware of the rough underside that makes his palms. Palms that built his nation from the ground-up, forged countless divine yet deadly weapons to uphold peace, and vanquished friend and foe alike to protect what was his.

And here he is now, those same hands gently squeezing yours, then sliding up your arms and chastely mapping their claim on you; and finally, snaking around your waist and pulling you into a slow and tranquil dance.

When Zhongli speaks in that smooth, silky baritone, you often imagine how this was once the voice that issued commands of massive proportions, words that had to be carefully contrived and spoken, for they could make or break the future.

Now with you, he finds pleasure in recounting silly anecdotes – and a bit of singing, too, as he’s found he’s taken quite the liking to serenading you with melodic poetry.

And don’t forget his eyes; his beautiful, mesmerising golden eyes that serve as the curtain to layers and layers of history. Eyes that had to be ever-watchful, vigilant, lest even a moment of relaxation could mean destruction. He’s witnessed the eventide of tragedy and the dawn of hope, playing impartial where it mattered.

And now, those eyes are honeyed with love, corners crinkling every time you speak to him, his gaze etching you in gilded ink in his photographic memory.

…naturally, thinking of these aspects makes you want to explode (out of love), and your dear, sweet, darling husband Zhongli can only watch in confusion as you try and fail to articulate yourself on the matter.

I know I haven’t written a proper piece in a while but, rest assured Zhongli is all that takes up my brain space! He makes me want to squat on the floor and scream

[occamstfs]

Chauffeur Swap

Another epistolary TF ! Cocky office worker to an equally cocky gym bro, trait swap + IQ Drain aplenty -Occam

Monday May 6th

Morning 

I’m beyond thrilled that I’m finally being looked at for a promotion. I’ve worked my ass off for this company ever since I graduated and I am not going to let this chance slip through my fingers. It’s such a good gig, in the week leading up to them filling the position they’re letting us use the company’s chauffeurs as just one little hint of the luxury this promotion will afford us.

At least, that’s what I thought before my driver arrived to pick me up and I saw what a slob of a man my driver was! I mean my word! I thought it was a prank or something else untoward! I’m sure he could tell too, I could not muster even a shy smile, nothing to do but grimace. God and that was before I got in! He must have just been an Uber hired or something because it smelled like a locker room in there! Truly vile!

God willing this is a one off occurrence, hate to get the oaf in trouble. Though judging by the state of his hygiene though he clearly needs to be taught a lesson somehow! I mean even with this job I couldn't afford to buy cologne enough to hide that stink- perhaps some dog-strength febreze- Ha!

Evening

Godddd fuck! The last thing I needed after such a stressful day was to be greeted by that animal’s face- worse yet, his SCENT! I underestimated just how grueling this interview charade would be. It is just one final hurdle to the big leagues though. I will leave petty contrivances like suffering through this unpleasant car ride behind.

Just to make the time pass with greater speed I put forth some small talk. Not like I could hold my breath near long enough to make a difference, and it couldn’t hurt to vent about what a hassle the day had been hm? After this though he started talking about himself and fwoh- could I not care less about whatever surely protein-fart based drivel or beer-brained diatribe he launched into. 

Perhaps this is unfair, I did not deign to listen to him. So perhaps he’s better than he seems. But who could blame me, sitting in that car was punishment enough to earn me tuning him out. And! And! For him to have the benefit of the doubt surely he could at least wear deodorant! Hm. Unless he is trying? God that would be depressing, to be so, ugh- I continue to hold out hope I never see him again

Tuesday May 7th

Morning

Mm, I simply must develop a better poker face if I am to continue to suffer in this odor for the week, god forbid even longer- I have prepared accordingly however, yesterday no one mentioned it at work but I swear I kept smelling it, him, all day? Same when I got home, just everytime I calmed down from work bam! I smelled this horrid car ride. I am bringing my cologne to work with me, I plan to put it at lest once more when I arrive at work.

It’s just, Why is this my problem right! I don’t know what his problem is, but I don’t see why I have to suffer because of it right? I should not have to deal with someone like this, he’s supposed to be working for me. I uh, it’s not like I think I’m better than him I just, well I am better than him. Hm, I lost my train of thought. 

Ugh, I keep spacing out today- I’m sure it has to do with my twice-daily rides with, hm. I don’t even know his name. It’s? You know I don’t care. I just need to take it easy, I’m not letting this fucking dude-bro pitstain of a man bother me this much! I’m getting my bag and he is not worth a second further of my, uh, attention.

Evening

I have a headache and I don’t know how it is his fault but it has to be. This whole thing is setting me on edge, I need to chill about Ben. That’s right Ben! I got his name, I actually told him about my headache and he told me that he usually meditates to clear his mind- which crazy that someone so, despite all appearances, mindful treats his body like a sty but- Well not a sty I suppose, or at the very least a well built one- 

Ah, that’s not quite appropriate is it. God he is hot though. Honestly sitting there just breathing in his, uh, scent, helped with the headache. Wait no, it was the meditation, God, why can I not stop thinking of his fucking B.o. My headache was gone but now I feel I’m beginning to run a fever, or at the very least I need to turn down the AC or something-

Better not affect my work tomorrow.

Wednesday May 8th

Morning 

Not gonna be a good one. I fucking woke up late which ive literally never done before! I barely got myself up and ready in time and didn’t realize until the car but I didn’t bring my cologne with me. It turned out to be the least of my problems however as when I got in his car I fully spilled my coffee all over the backseat. Hopefully this will mask his putridity because I now have to sit in the front with him for the ride.

He must know. He has to know it has to be some kinda sick, uh, fetish or something. Its untendable untenable. god get your shit together Jacob. Its so hard to focus on anything else now that Im sitting right by him. I need to talk to someone about this, fuck its like hes exposing his pits on purpose. He wants me to stare at him, i bet. Bet he gets some sort of sick rise out of me. Im sure him and all the other chauffeurs probably get together and jack off about how repulsive and, uh, strong they all are.

God Fuck! Get me out of this car im losing my mind! Need to, ill just get some work done on the commute, should help i think. God its getting hot in here again or something, so help me if this fucker starts actively sweating im gonna lose it

Evening

i just couldnt get anything done today i dont know what was fucking up dude? it was just so hot in there and i mustve forgotten to put deodorant on this morning, people kept complaining but i didnt even notice? i guess i was sweating more than usual, but like, it was so hot in that office and my clothes felt weird, tight almost. As if tho, lol im sure no one even really noticed that i was off.

OH speaking of, Ben really put himself together on the ride home today. He was wearing a button up and everything, must have seen how nice im living and got his shit together! Maybe ive been to hard on the douche? nah car still smelled like shit haha! Or i think it did? didnt really notice it until like halfway thru?

Fuck my clothes are so tight all of a sudden, godd its so hot actually. I look fucking huge in this tiny little monkey suit- almost like Benjamin ha- as if id stoop so low, even if i started getting massive not like id be dum enough to be on his level lol

Thursday May 9th

Morning

Fuckin couldnt find ANYTHING this morning dude! it was like someone came in and took or hid everything i need for work today. ended up having to just fuckin leave for the car without a suit jacket- pretty sure ive got an extra in my office tho so were chill there. mm probably shouldve shaved tho lol

Oh yeah the files! i had some reports that i needed to bring in but totally couldnt find them! Turns out benjamin had them the whole time it was weird, guess i left them last night. but he was like such an ass about it, like he knows anything though the uh, jock, jerk uh. hes actually dressed better than me rn isnt he. Finally threw on a dress shirt, surely inspired by me haha- pulling it off quite well too, his chest hair peaking up through mm-

Fuckkk dude my cocks kinda getting hard looking at him, starting to smell musty in the car too, wait oh shit i didnt even notice that it didnt reek when i got in! weird that its starting to stink now tho whats up with that, looks like hes finally noticing tho ha! its nice to see him finally react to how bad my uh, no how I GOD, how bad fuckin’ he stinks obviously. whatever, ive got more important stuff to think about.

Evening 

okay work was like, not fuckin chill today. idk what was up but like, every little thing i did today just wasnt good enough apparently like okay?? you know me, if something seems off clearly, fucking OBVIOUSLY it uh, i? god my head just keeps going blank i dont get it, im just. Huh, kinda smells like Ben all of a sudden, oh fuck lol my pits have completely sweat through my shirt-

None of this matters anyway though bro! Because i just had the BEST sesh with Ben after work!! honestly the work shit doesnt even bother me, shouldve seen me its like i am a natural at this shit i was getting a pump like ive done it a hundred times. im sure it smelled like a locker room on the ride home lol

OH! I didnt even say, it was all ben’s idea!!! he said the gym always helps him when uh, things get too hard to think about and fuckk bro hes so right. hes so, lol i almost said hes so smart- he definitely knows how to work out though, he kept helping me with my technique but im prety sure he just wanted an excuse to touch me- 

not that im complaining LMAO- every time he did it was like i felt myself getting stronger, and less worried about all those yes-man suit fuckers! hed adjust my arms and i would feel my biceps just suddenly pump larger, hed bump his hands into my pecs while spotting me and theyd just force the bar up even faster, wish hed just go ahead and grab my cock lol

theres time yet too- gonna crash at his place tonight! hopefully ill get to see him put his magic fingers and tight body to use cause fuck bro idk if it was the pump or what but i dont think my balls have ever been this blue, like any time i try to think about, oh ughh, work i just. mm everything in my body just begs me to fucking blow a load- 

Friday May 10th

Morning

fucker just went to bed early- got me all riled up and then i had to jack off alone. felt way better than usual tho, my cock seems bigger to lol, dk whats up with that. wanted to try again this morning but ben was just on my fucking ass trying to get me out the door 

i didnt have any of my clothes, duh, so i just threw on some of his, crazy how much they fit me? they even kinda already smell like me lol. he actually put a suit on which seems wild, funny that i look like a slob and he looks like some uh, fancy guy. Like i should right? uhh is my headache coming back? lol idk but looking at him in that fucking suit sure is making it hard to focus-

ben said i can just change n stuff when we got to the office, its why hes dressed up. ill go ahead and drive us and then hell just run up and get my clothes, idk if theyll fit tho? feel like im larger than i was for some reason- oh yeah my massive fucking pump lol- 

mh speaking of pump, maybe while hes up there ill have time to jack another one out, not like anyonell see or care ya? like its a problem im about to be the fuckin alpha of this company or uh, something. itll be done before hes back, only evidence will be cum stains on his clothes lol. ugh it smells so fucking dank in here i might just cum without touching it lol

Evening

shit man, dont know what i was doing? i feel like i was supposed to go into work today but ben says from now on im just his driver. which easy gig right lol? doesnt even care that i dont shower huhuh-

he got his big promotion today!!! he looked so smug and hot when he came down to tell me, and he promised wed have some fun about it when he got home tonight- just gotta drop him off at some stupid fancy dinner ill probably hit the gym while hes there. gotta keep it up or ill look like some fucking dweeb

plus that means ill get the car totaly filled with my bo- hell fuckin love that, after he gets a good whiff no way wil he not want to fuck then and there huhuh fuck, kinda needs to get that exercise in now that hes doing whatever bitchass shit they do all they day up there needs to give in and just fuck me finally its been so, ugh long and my balls feel so full, and im sweating so much god im fogging up the windows loli better be careful i need to keep it together until then urgh- 

god i just smell so fucken hot

[skzdarlings]

mine ; lee minho x reader

original ask: requested by @tattywood. “Can you please do ❛ you're mine. you've always been mine. ❜ with Lee Know? I just know you’ll come up with something amazing! 🩶"

pairing: lee minho/reader content info: another pair of star-crossed lovers lol. reader is kissed by a different guy without her permission. possessive sex. unsafe sex. lots of biting and marking and grabbing. word count: 3700 words.

masterlist. part of the valentine’s day stories series. credit to prompts. requests are closed.

-

You finally escape.

When the date is over and your supposed boyfriend leaves, you run out the back door.  Your parents are distracted, waving goodbye to your boyfriend as he pulls away in his expensive car.  They chat between themselves on the front porch of the family estate. 

“Such a remarkable young man,” they say.  “So wholesome.  So intelligent.“

So rich, is what they really mean.  Because he is not wholesome; he is a bully and a bigot at the best of times.  He derides anyone he deems beneath him, which is just about everyone.  He is also not intelligent, as true depth of intellect is revealed in conduct.  Someone that cruel and ignorant is not intelligent.  You have engaged in more stimulating discourse with birds.

But he is wealthy.  Your parents picked him for you and have been forcing the relationship along, contriving dates without telling you he will be there, inviting him into your home, encouraging his empty and shallow affection.  You encourage nothing, sitting stiffly whenever he touches you: an arm slung around your waist, a hand on your lower back, a kiss on the cheek.

Maybe you were naïve to think it would not escalate before its time, that you could bear it cordially until his interest withered and died.  Foolish.  He is not here for you but your name.  He does not care how you feel.  He does not care if you want him.  He wants the money and connections and power, sharing a bed with your parents through you.

Today he cornered you when you were alone.  He backed you into the wall and kissed you.  An unwanted kiss is a disgustingly slimy thing, all tongue and teeth and the bad, unfamiliar taste of a vile man’s breath.

Your whole unlived life flashed in your mind’s eye.  Every second was irredeemably awful.

So you run.  Out the back door, to the garage, weaving around your father’s cars.  Your old bike is hooked on its rack and you lift it down with some grunting effort.  You are dressed for a date, wearing a pristine ivory dress your mother picked, white lace stockings, and delicate flats.  It is not the ideal outfit for riding a bike.  It is a pretty but flimsy thing.  Summer nights are warm but there is a crisp breath on the wind as the sun sets. 

But if you stop for even a second, even just to change clothes, even just to catch your breath, then you will never get away. 

You swing onto your bike and escape via the back lane.  It is a long ride across town but your adrenaline propels you onward.

It is very obvious when you have crossed into new territory.  Across the park trail and over the railroad tracks is a different world.  The houses get smaller, more ramshackle, junk piled around the fully abandoned abodes.  Even the lived-in homes have old trucks and rusted goods stacked on their lawns.  It is a consequence of impoverished anxiety, hoarding in fear of one day having nothing.

Indeed, a very different part of town. 

Your parents are probably furious they cannot find you, but they will assume you ran to a nearby friend’s house.  If they knew where you really were, which friend you went to see, they would surpass furious and venture all the way into horror. 

But they are far away now.

You feel nothing but relief as the air changes.  You know it is the chill of a summer night as the sky turns blue, but it convinces you the air is clearer.  You exhale and feel as though you are releasing a breath that you have been holding all day.

Your journey takes you to a familiar yard.  You remember the first time you ever visited, standing so small and uncertain on the front steps, waiting for a kiss you actually wanted.

A kiss that never came.  

You park your bike against the side of the house.  You walk up the front steps on shaky legs, weak from speedy riding.    

You open the screen door to knock on the inside door.  While you wait for an answer, you fiddle with your appearance, adjusting any evidence of wind-swept dishevelment.

Oh, you are so nervous.  You were so hellbent on just getting here, you did not register any feeling beyond determination. But now you are standing on this porch in your flimsy white dress, the sun set, the day done.  You are doing something you should have done a long, long time ago and suddenly fearing you are far, far too late. 

No answer comes.  You knock again.

Your stomach forms a pit you hope you will eat you whole.  Is he ignoring you?  No.  The windows are shut, the blinds closed.  He cannot even see you.

You take a step back.  Even with everything sealed shut, you should be able to see a hint of light.  The house is small, a single story.  There are only so many places he could be.

He isn’t home, you realize, first with relief that he is not ignoring you, then with dejection.  Of course he’s not home, you tell yourself.  What were you even thinking?  Silly girl.  Riding all the way out here, expecting him to be sitting around and waiting for you.  He has a life of his own.  He probably doesn’t even think about you.  You’re pathetic.

You know you are being a little melodramatic.  Your emotions have been running at an extreme all day.  They finally become too much to bear.  You sit down on the steps and cry. 

Some time passes.  You eventually calm yourself enough to wipe your eyes.  You feel the cold more acutely now, wrapping your arms around yourself for warmth. 

You are not sure what to do now.  You refuse to go home, knowing what awaits you.  You have nowhere else to go. Your future is murky, which is still more comforting than the vision of it when your boyfriend forcibly kissed you.   

You sigh.  You know if you wait long enough, your friend will come home and help you.  Even if he doesn’t want you, even if he can be a bit standoffish at times, he has the warmest heart you know.  You met doing volunteer work, in fact.  You know he will help you like he would help anyone in need.

It does not mean you do not feel pathetic, curled up and shivering on his porch steps.  You are debating a course of action when a truck rolls into the yard with a flash of headlights and a noticeably hiccupping engine.  It pulls around the side of the house.

You stand and take tentative steps to follow.  You are still and quiet as the rough rumble of the truck comes to a wheezy stop. 

The driver door flies open.  He jumps out, cursing.  Your breath catches and all your hypotheticals dissipate in wake of the reality of him.

Lee Minho.

He is wearing his old, dusty leather jacket, something of a signature piece due its reliability.  His jeans are torn at the knee, likely a legitimate tear and not a fashion statement, his old work boots a bit scuffed.  He is a working man of limited means and nothing functional goes to waste.  

He is beautiful as ever.  Dark hair falls across his forehead and he pushes it back with a forceful rake, the softer pieces fluttering forward again.  He has an athletic frame, but delicate features despite his near-perpetual scowl.  When he does laugh, it is a hilariously boisterous sound.

He is scowling right now.  Cursing to himself as he stomps around the beat-up truck.  He wears a carabiner with a bundle of emergency tools, grabbing a miniature flashlight to guide his way.  He props open the hood and starts rustling around inside.  He curses again, then he puts the light away so he can reach inside with both hands.

You do not mean to startle him.  You thought he might have seen you, observant as he is, but apparently the truck has him distracted.

“Minho,” you say. 

You cannot see him too well in the dark, but you hear the distinctive thud of metal as he undoubtedly smacks his head on the open hood.  He curses louder this time. 

There is a small light on the side of the house.  You step towards it at the same time. 

He is rubbing the back of his head, frowning, but he comes to a total stop when he sees you.  His eyes widen ever so slightly, his brows drawn in confusion.  He stares intently at you. 

“Hi,” you say.

He just keeps staring. 

“Um. I was just in the neighbourhood,” you say.  “I wanted to see you.  I hope you’re doing well.”

He drops his arm and it swings at his side.  He continues to stare at you, the furrow in his brow more intense. 

“Right,” you say.  You feel a catch in the back of your throat.  Fortunately, you have cried all your tears and will not make a fool of yourself in front of him.  More of a fool, that is.  You want to say so many things but you cannot think of a single word that suffices. 

I missed you so much, you think.  I think about you every day.  Have you thought about me?

It sounds so clingy and pathetic.  Your boyfriend derides such women and their neediness.  Minho is not a man like that, though.  He has never spoken so disparagingly about someone.  You know that, but the words catch nonetheless. 

You exhale a shaky breath, looking aside at nothing. 

“I’m sorry,” you finally say.  “I probably shouldn’t have come here.  It’s been months since we last spoke.  I know we’re not really friends anymore.  I just had no where else to go and I…”

“You were crying,” he says. 

You look at him.  His expression has not softened.  It is still that same scrutinizing stare.  His gaze is intently locked on yours, on eyes that must show the evidence of your crying. 

You wipe your face quickly, embarrassed.  Your gaze lifts when he takes a small step towards you.  He reaches for you, as if he means to wipe your eyes himself, but then he catches the sight of his own hand, covered in black grease from the truck. 

“Shit,” he says, and snaps his arm back. 

“Minho,” you say, your heart fluttering just from the suggestion he was going to touch you.  A small touch from him means more than anything. 

“Princess,” he says, an old affectionate nickname for you, though he speaks it rather dryly.  He is still frowning.  “Are you hurt?”

“Maybe,” you say.  When he reacts physically, his shoulders stiffening, you quickly add, “Not like that.  Emotionally, I mean.  I just… I think I ran away from home.”

“You think,” he says flatly.

“Well, I didn’t really think it through, to be honest,” you say shyly.  “I just… I couldn’t stay there anymore.  You know what they’re like.” 

He flinches as if the memory comes with a strike.  You feel embarrassed, remembering too. 

You and Minho became fast friends through your mutual volunteer efforts.  You thought nothing of inviting him to a neighbourhood party at your parents’ house.  He wore his nicest shirt and fresh pants, but as soon as everyone found out where he came from, they wanted nothing to do with him. 

You are embarrassed to say you did not even notice at first, naively taking politeness for granted.  He had to explain it to you, then you saw their two-facedness everywhere and felt horrible.

You stayed on his side of town after that, at least until your parents put their foot down.  They didn’t want you developing feelings for that kind of boy.   You insisted he was just a friend, even while already in love with him.  His biting wit and good heart had you in thrall. 

You were in denial about your parents being bad people.  You wanted to believe they had your best interest at heart.  They were just set in their ways.  They wanted a good life for you.  You told Minho to just give them time.  He let you go.  They introduced you to your new boyfriend the next day. 

Minho takes a breath.  He shoves his tongue into his cheek, looking pensive.  You are thinking of something to say when he nods his head. 

“You look cold,” he says frankly.  “Let’s go inside.”

You nod, following him to the front steps.  He grabs the porch rail and jumps the steps in an effortless swing.  You shuffle behind him while he unlocks the door. 

He says nothing, just nods at you.  You follow him through, closing the door while he bends down to unlace his boots.  He kicks them to the side while you step softly out of your flats.  When you meet each other’s eyes, you feel a spark. 

You stood in this very spot a few months ago, almost nose to nose, arguing about your parents and what to do.  You knew, deep in your heart, the conversation was not about a mere friendship.  You both had stronger feelings, but you were both scared to act on them given your precarious circumstance.  He did not want to risk everything while you were indecisive.  You wanted to keep everything. 

You have lived a life of great privilege and you are used to getting everything you want.  You have had to confront reality, that you cannot always have everything.   

So, if you can only have one thing, you want him. 

He looks at you with the same dark passion as then.  Your heart skips beats under his intense gaze. 

“You’re here,” he says. Maybe the same memories flicker through his mind.  He tips his head, looking at you so closely, like he cannot believe you are real.   

“Yes,” you say softly, clasping your hands in front of you. “I’m here.” 

“To stay,” he says.

“If you’ll have me,” you reply.  Your heart is beating so hard, it is a wonder he cannot hear it.  Your legs feel even weaker than before, but this time is has nothing to do with bicycles and everything to do with him. 

He swallows, his throat bobbing.  He sniffs and looks aside while idly tugging his jacket.   

“And your boyfriend?” he says, glaring at the far wall. 

Your heart sinks.  It is your turn to swallow. 

“You know about that?” you ask. 

He laughs, not that gleeful sound you know but a sharp cackle.  He looks at you incredulously. 

“Of course I know,” he says.  “I don’t always stay on my side of the tracks.  Sometimes,” he speaks with sarcastic wonder, “I get to repair houses for the pretty rich people.”  He huffs, shaking his head.  “It’s fine,” he says.  “You should be with someone like that.  He’ll give you the house.  The car.  I bet your parents love him too.”

“I don’t want those things,” you say, bearing his bitterness because you understand what he is feeling.  You lift your chin and look him in the eye.  “You’re right, my parents do love him.  But I don’t.  He’s shallow and unkind.  And you—”  Your voice catches.  “You, Lee Minho, are anything but that.  You are everything.  And I… I love you.  I always have.”  You drop your eyes with this confession, suddenly overwhelmed with the sheer emotion pouring out of his gaze.  “I know it’s been a while,” you say.  “I don’t expect you to have waited for me.  I just—”

He laughs again.  It is still dry, but not so sharp.  You glance at him. 

“Princess,” he says. “Don’t tell me you seriously think I could just forget about you.”  He shakes his head.  “It’s like you don’t even know me.  I should kick you out just for that.”

You realize he is joking, the faintest hint of something warm melting his scowl. 

“I can’t give you that life,” he says seriously. 

You step towards him, holding his gaze, pouring as much emotion back at him.  He exhales, blinking quickly, long lashes fluttering as he looks at you. 

“I have no idea what we’re gonna do,” you admit.  “But I know I want to figure it out.  With you.  And no one else.” 

He smiles and it makes you smile.  Then he reaches for you, but stops when he once more remembers his dirty hands. 

“Shit,” he says again, then takes a step back.  “Let me just—”

You take him by the wrist and yank him towards you.  He follows your guidance, his breath catching when you plant his hand on your hip.  It will leave a big black stain on your perfect white dress, the shape of his hand in a possessive grip on your body. 

It is more effective than any word.  He swoops in and kisses you, his other hand cupping your other hip with the same deliberate possessiveness.   You are certain this horrid little gown will be destroyed and you do not care one bit.  You wrap your arms around his neck and kiss him back. 

“You’re cruel,” he says between kisses.  “Torturing me for so long.  I wanted to kill that man.  But I thought he made you happy—”

“He disgusted me,” you say.  “He kissed me without my permission today.”

“What.”  That stops the kiss and he looks at you with that scowl again.  “I’ll kill him,” he says without any hesitation. 

You just laugh a gentle laugh, shaking your head.  You twist a longer tuft of his hair around your finger, making his tense shoulders go soft as he leans in. 

“You don’t have to kill him,” you say.  “Just make me forget him.” 

Oh, Lee Minho is such an awful tease all the time.  Of course he goes back to just staring at you with a contemplative air, making you wriggle and wonder in his arms.  You whine his name, trying to kiss him, but he dodges it.  Your whimpering makes him laugh, because of course it does. 

Then he gets very serious.  Your heart sends a bolt of heat shooting through your body.  Your thighs press together. 

He presses his forehead to yours.  You gasp when you feel his fingers on your back, the careful slow touch as he tugs your zipper down.  The flimsy dress slides off your body as he steps back to look at you.  You shiver, gazing back at him.  His stare is unflinching as he peels off his jacket and tosses it aside.  His hands are already much cleaner, the distinctive print of his palms still plastered to your dress.  He wipes the rest on his own shirt then tugs it off and tosses it to the side. 

He smirks and wiggles two come hither fingers at you, walking backwards.  You follow him slowly, then give chase when he cackles and runs.  You follow him into the bedroom where he literally sweeps you off your feet.

“And you say I’m cruel,” you tease.   

He closes the door with a firm snap then leans you against it. 

“You are,” he says.  He looks down your body while running his fingers through his hair.  “You are.” 

Then he gets on his knees, first one while he tugs your panties down, then the other, when he hooks your leg over his shoulder and put his mouth on you.  He does not tease anymore, swiftly finding all the ways to make you moan his name.  You are scared your leg will buckle under you when he makes you come, but he holds you steady. 

Then he stands up and cups your face, kissing you deeply, making you taste yourself on his tongue.  It is a good kiss, everything a kiss should be, hot and hungry, slow and deep.  It makes you tingle with aftershocks, blinking at him with delirious pleasure when he pulls back.   

Minho can be loud, can be boisterous, can be scathing.  He can also speak gently, in such a soft, light rasp.  It makes your head spin.   He speaks like that now.    

“This is how it is,” he says, then kisses you again, licks into your mouth.  When you moan, he moans back.  “I make you sigh,” he says.  “I make your pussy wet.  I make you come.  Just me.”

“Yes,” you nod, clinging to him when he carries you to the bed.  “You, Minho.” 

He lays you down, kneeling between your open legs.  They are still quivering from your orgasm.  He looks at you, hungrily, while opening his belt.  He rips it out of his jeans and tosses it behind him, then unzips while leaning down to kiss you.  He dives past your waiting mouth to kiss your throat, biting marks under your jaw, on your neck, on your tits.  You grab his head, hands in his hair, arching your back under his desperate mouth. 

“You’re mine,” he says.  “You’ve always been mine.”

He holds your hips while thrusting inside you.  You imagine his hands leaving a permanent mark, just like that stained dress, a claiming that forever marks you as his.  He fucks you so steadily and deeply, holding you possessively, gasping your name and how good you feel while he takes you. 

“Perfect,” he says in that dreamy voice, rubbing you softly while fucking you hard. It makes you come around his cock, clenching tight, which makes him moan into your mouth.   “Mine.”

You wrap your legs around him.  You lay chest-against-chest, holding each other.  Your nails scratch his back, no doubt leaving your own marks, your whole body littered with his kisses and bites.  There is not a single inch of you that is not branded by him. 

“Yes,” you say.  “Always, Minho.”

Saying his name sends him over.  He comes inside you, claiming you even there, then stays inside you after while you kiss. 

You stay in his arms all night, making love and sleeping then making love some more.  When the sun rises, you wake to him holding you, stroking your cheek affectionately. 

He kisses your forehead and you nestle comfortably against him, happy to be home. 

[prince-liest]

FULL MOON WAS EVERYTHING I COULD HAVE POSSIBLY WANTED

I was sooooo ready to be disappointed with the miscommunication trope in this episode, but it was PERFECT. It didn't feel silly or contrived, it felt like a hell of a lot got actually communicated and the issues arose from, y'know, the characters themselves having issues. Also, the soundscaping for that last scene was so fucking good. Starting with the music that fully did not match Blitz's intended mood, then transitioning to dead silence and then the added echo to their voices when they entered the last room, AAAAAAAAAAAAAAAAA—

I just. Everything that I wanted to get said got said! Stolas actually properly expressed his feelings, Blitz got pissed about it in a way that made clear where his personal issues lie, and then Stolas made it clear that that was a super unfair way to think of him, which is something that's been bothering me for a W H I L E. Apology Tour seems like it's going to be Blitz apologizing, which I didn't think it was gonna be just due to the preview shots, but is exactly what I actually wanted. Stolas has genuinely done his fucking best and it was good! It was really good!!!!!!

A lot of stolitz's relationship has been Stolas doing his best to communicate and Blitz just outright ignoring the words coming out of his mouth in favor of his own assumptions and I am delighted that finally it has come to a head in a way that allowed both of them to get their word in.

(Also honorable mentions to Blitz begging for the book BREAKING MY FUCKING HEART, Loona semi-inadvertently making Blitz's insecurities like 10x worse, and Loona + M&M being absolutely fantastic in every way during the fight scene!)

10/10 painful episode, but the pain was extremely cathartic. I feel like a wound has been lanced.

[fatesundress]

⭑ observations. tom riddle x reader

part ii here.

summary. you've been going to hogwarts for four months, and find this whole school-wide obsession with tom riddle a little bit ridiculous, and a little bit contrived. surely not all the rumours are true...

tags. smut (minors dni -_-), fem anatomy, fingering, reader who is soooo in denial, trying to worm into tom's brain like a parasite and failing miserably (me projecting), i think reader is implied to either be short or tom is implied to be tall, ooc tom because i am so far from the belief that he would ever just spontaneously hook up with someone but… it is what it is.

note. this is my first post so support is much appreciated!! god forgive me, i've never written smut in my life, and it's safe to assume any smut i write within hogwarts is a university au — these people are all 18+ tyvm. also, i tried my best to make reader fairly neutral, but it's late, and if i've fumbled over some description bc i'm sleepy i shall fix it in the morning ♡

word count. 5.1k

Your first observation is that nobody has Tom Riddle quite right.

He’s beautiful, yes (obvious, repetitive, shallow), and undeniably intelligent (being paired with him in Potions has proved that in a matter of weeks), untouchable (this one is a bit interesting), and, above all, unusual. The latter you like the most. It makes you feel unabashedly exceptional in all the very unexceptional gossip about him. No one ever uses that word to describe him. A rarity of charisma and charm — austere, refined, and clinically polite. Unusual has a negative curve to it that most people don’t attach to the elegant litheness of Tom Riddle, but your observations cannot be stated without the word.

It’s prompted and peddled by Selwyn’s much-too-enthusiastic vehemence in the wake of your first.

You narrow your eyes at her and say it again, no less certain than the first time. “Tom Riddle has not had sex with half the school.”

It’s a bit of a jump. Some necessary context is removed.

Riddle, once more, rarity of charisma and charm and austere blah blah blah, has been rumoured since you arrived this year from your last school to be some silent conqueror, oh-so nimble with his hands and nimbler even with his other appendages, and you — you’ve only been here four months and it’s laughable how many people believe it.

Backtrack to untouchable (this one everyone agrees is a primary characteristic of Tom Riddle, there’s no debate there) and the reason you find it interesting. Untouchable doesn’t exactly work if everyone in the bloody castle has been touching him this whole time. And it’s not as if he could hide it, not as if people wouldn’t be giddy to tell their friends of their exploits with the beautiful, revered Head Boy. And such exploits would be whispers among the halls in a matter of hours. You’ve considered this, with almost scientific determination, and it’s impossible. Tom studies all day, and when he isn’t studying he’s corralling Slytherin first-years away from forbidden corridors, attending to Dippet’s newest errand, escorting third-years to Hogsmeade, dining with the Slug Club, and — point is, someone would have noticed by now if he was disappearing into broom closets with a new lay every weekend.

But Selwyn shakes her head, because this rumour is such an integral part of Tom’s allure. He is, somehow, both untouchable and a master at touch. Distant until he isn’t, and then he can break you apart with practised, perfect hands. It’s all very mythical.

“Look,” she says, “maybe if I’d only been here four months, I’d think so too, but everyone else knows—”

“Maybe it’s because I’ve only been here four months that I have the objectivity to recognize how ridiculous you all are. He’s not a god, Selwyn, he’s a scholar, and an obsessed one at that — has it ever actually occurred to you he might not have had sex at all?”

This, now, is sacrilege. 

Selwyn gapes at you, and you shake your head in surrender before you burst out laughing at how offended she looks. “Fine, whatever. Consider the matter dropped. I give up.”

You don’t really give up. It’s very fun research.

Your second observation is that unusual is not an apt enough word for Tom, and maybe you don’t possess the vocabulary to think of one that is.

You’re in the Restricted Section. This is unrelated to your Tom research, and perfectly sanctioned, with a key granted by the librarian who you feel sorry to admit you have not remembered the name of, and the library, by all means, is still open. It’s a late Thursday night, but not past curfew. You’re there with a study partner you rather wish you weren’t — Gregory Godefrey, Gryffindor (the alliteration is nauseating), and the only half-decent fellow in your Ancient Runes class, but not especially bright. You feel more like his tutor than his partner. In short, the regular books on the topic you’re writing your end-of-term essay on are slim pickings, and thus — Restricted Section.

“So,” you say, “the scriptures might look the same, but they’re written in vastly different time periods, so the meaning has changed. If you were to charge a spell with one of Ashe’s runes now, there’s almost no doubt you’d get a completely different result.”

“I don’t get it,” Godefrey grumbles sleepily into his sleeve. “How’s anyone meant to use runes if they can just change like that?”

You sigh, shaking your head. “Any magic can change, Godefrey. Half of the stuff we learn is based on intention and skill. Uagadou barely even uses wands — all of this is arbitrary.”

“My head hurts.”

“Then… just… just go to bed. I’ll finish up here and we’ll try again on the weekend.”

He grins with heavy eyes, lugging his bag over his shoulder and leaving you a packet of sherbet lemons you bitterly wish he’d pulled out sooner. “Wicked — you’re the best. See’ya.”

“See you…” you mumble, unwrapping one and popping it in your mouth.

You don’t stay for long, twirling the key to the Restricted Section around your finger as you tuck your books back into their shelves.

“It’s ten past curfew,” says a voice from behind you, all cool, measured authority, and you nearly collapse.

You stare up from where you’re grabbing onto your knees for balance, your heart halfway out of your chest.

Tom Riddle is there, his Head Boy badge somehow still glittering in the dim light of the library, and it’s only by the half-smile quirking at his lips that you can detect his words weren’t some sort of threat.

“Right, thanks.” You gather your breath. “I was just leaving.”

“Pity about Godefrey.”

You blink. Having worked with Tom in Potions since September, you’ve become perfectly adjusted to speaking to him… only about Potions. He indulges in polite small talk, he smiles freely, but your distance from him is the same as it is with everyone else, if only for the fact that, you suppose, you aren’t actively pursuing anything closer.

Oh. That is interesting — would he be so easily intrigued? It’s a bit cliché, but you suppose he is too.

You’re making an awful lot of assumptions from the words ‘pity about Godefrey,’ and then, you don’t actually have a damn clue what Tom could mean by that.

“Sorry?” you ask.

“Godefrey,” he repeats. “I assume you’re being made to tutor him.”

Right. He must have seen him on his way here. That would make sense.

“No, actually. It’s entirely voluntary — he’s my study partner for Ancient Runes.”

His chin lifts in some nearly imperceptible way, smiling still, and you know he’s a polished thing, an unusual thing, but it reads as an especially fake smile then. “Ah.”

… Oooookay?

“Well —” you start, a mechanical smile of your own forming — “curfew, then.”

The charm fixes onto his face like a damn ornament. You want to flick it away with your finger. “Of course. I’ll see you in Potions?”

You nod, leaving the key behind the librarian’s desk as you slink awkwardly away. Into the corridor. Off to bed. Yet another note to scrawl on the enigma of Tom Riddle.

You see him again first thing in the morning. You’re yawning into the archway of Slughorn’s stuffy classroom, eager to dump your bag over your table and empty the many contents necessary for today’s lesson. 

There’s one girl, the oldest of the Lestranges, who glares daggers into the back of your head every class. Tom is, as always, nonplussed, asking you about your morning as you both prepare your phials and ingredients. You can’t help but shake your head at him this once, a bemused smile on your lips as you glance between him and the Lestrange girl.

“Have I offended her somehow, or is it just that I’m paired with you?”

He laughs under his breath. “I daresay that is the offense.”

You can’t help it. You’re mumbling to yourself in amazement at the bizarre, borderline cultish devotion this school has to Tom Riddle. “Unattainable commodity that you are, Riddle…”

“Well," he begins, his smile small but his voice amused, “I hope you don’t think of me as quite that far outside your grasp."

You freeze.

Are you — have you missed something? Has your casual (really, very casual and not at all unwarranted or peculiar) research for the sake of dispelling Selwyn’s obsession skewed your memory of Tom? Has he always said things like this to you? Have you always read into them like this?

One of his eyebrows rises, and it might be his notorious flattery — but if so, he makes it sound like an obvious truth, and you stammer over the jar of foxglove in your hand. Then you look away, unscrew it, do well not to put too much weight on his words.

“Hm. I have no need for you to be within it, Riddle." You say it with all nonchalance you can muster. To spit it at him in some aggressive dismissal would be to treat it like a big thing. 

It isn’t a big thing. He’s talking to you like he talks to everyone else.

But you catch the barest flicker of disappointment on his face, a flash of something that might even be annoyance. Then, though, it’s gone, and he’s back to that same unshakable, confident smirk.

As the lesson proceeds,  he’s once again the sharpest thing in the room.

You watch for him in the library that weekend, a bit distracted while you and Godefrey study. Without your guidance, there isn’t much studying occurring at all. Godefrey is sort of skimming the pages of a textbook, yawning, as always, like he’s never had a good night’s sleep in his life, and you’re suckling sherbert lemons until the roof of your mouth feels raw.

“What was it you said about Calarook’s Method?”

Your eyes snap from the empty doorway to Godefrey’s face. “Huh?”

“Calarook’s Method.”

“Oh.” You sink boredly into your seat, twirling your quill between your fingers. “It revolutionised the usage of runes globally. She incorporated — um — a much simpler means of translating the scriptures for different methods of magic.”

“Ohhhh, I remember now. Did you write that down?”

“Yes, Godefrey, I wrote it down.”

The final hour before curfew dwells agonisingly longer than it should. It feels like three, at least, until you’re packing your things and bidding Godefrey goodnight, tired legs dragging you down the corridors.

And then you straighten. You stand tall. (You’re absolutely normal about the sight before you.)

Tom smiles at you as he turns the corridor to approach.

“On patrol?” you ask in a friendly tone.

You’re… friends, right? Being someone’s Potions partner for four months qualifies as some degree of friendship, does it not? After all, he did say not to think of him as too far outside your grasp. That was a line if you’d ever heard one, but — you could be Tom’s friend the way everyone is his friend: wholly detached until you were needed.

“Leaving detention,” he answers with a timbre to match.

Your eyebrows raise at that.

“Leaving the second-years I watched in detention, I should say.”

You shake your head. “I should have known.”

“And you?”

“Studying again.”

“Ancient Runes?”

“Mhm.”

“...With Godefrey?”

“That is the concept of a recurrent study partner, yes. It’s recurrent.”

He doesn’t look very much like he appreciates your sarcasm.

“So, then,” you mutter, clearing your throat. “Curfew, I suppose.”

“You performed well in Potions today,” he says after you. It feels like the sort of thing someone says when they don’t want someone to walk away.

You bite your cheek between your teeth — such assumptions will get the better of you. Such assumptions will lead you down a path of crude, obsessive analysis (though you suppose you’ve been doing that all this time, haven’t you?) where you think, in some unspooling knitwork, that there are really only a select few reasons he could want such a thing. Your mind draws to the irresponsible conclusion, as he walks toward you again, a new glint in his eyes, that it’s exactly the sort of thing someone says before rumour has it they disappear into the nearest broom closet with the one they approach. This, you’ve decided an observation ago, Tom Riddle does not do.

“Thank you,” you say carefully. “So did you.”

“We make for a good pair, don’t you think?”

Crude, obsessive analysis. “Slughorn certainly does.”

“And I am asking you.”

He stops a respectable, inviting space before you. His weekend attire is a grey jumper and black slacks, his dark hair in its regular, pristine waves, hands laced behind his back. Everything about him is a request to be met, and not to step forward and close the distance himself. Close the distance, pristine waves, inviting space — you’ve lost your damn mind. You sound like Selwyn. The sugar of a whole packet of sherbet lemons has rendered you imbecilic. You’ll be off to bed, then — sleep this absurdity off.

“Of course, Tom,” you say with a polite smile. “It’d be hard to disagree with the grades I get in that class.” You grab onto your bag to have something to do with your hands, to perhaps signify you’ll be making your exit now.

He seems a bit amused to have to contort himself through the specifics of his meaning. “I was referring to our… rapport.”

“Rapport?”

“We work well together. We communicate efficiently.”

We communicate efficiently? Damn if you couldn’t suddenly make sense of the rumour he’d be applying for the DADA post in the future — that one was definitely true.

“Yes, we do.”

He steps closer. “And I remain far outside your grasp.”

You blink, and there’s a stark, sinking feeling as your eyes drift over the unmarred ivory of his skin, his jaw, his throat, his — no, absolutely not his hands — and you let yourself wonder for the first time if the rumours, albeit exaggerated, have even a shred of truth to them. One exploit, perhaps, to satisfy his endless curiosity. Something academic, like — oh, God, like the way you’ve been studying him for weeks. His hands carving a path down someone’s body to etch it in his memory, another skill added to his arsenal, a new way to work his fingers without a wand, a new way to work his mouth without a word.

It’s only a moment that you wonder it. Some flash of pictures in your head. It is, nonetheless, a moment far too long, and one you don’t know that you can return from.

Tom looks at you from under his eyelashes with an expression that suggests he's the only one in on a very funny joke, and the air is… different. Thick like the Potions room but in a way that’s entirely unfamiliar, not cloudy with the steam of cauldrons but hazy with the proximity of him, cologne and quill ink and something you can’t catch because you’re trying too hard to breathe it all in at once.

But he steps forward again, and seems to say in the slow way he moves, that if you’ll let him, he'll place a hand on your shoulder, and if you’ll allow that — well — then he'll move that hand up to gently frame your cheek. And then, and you no longer consider yourself at all versed in the realm of Tom Riddle, but you think you know what’ll come next.

You allow all of it. You know very well in advance you’re going to allow all of it.

And still, like it’s a surprise, you shiver at the feeling of his hand on your cheek, at the gleaming, certain look in his eyes. Your gaze flickers to his lips for just a second (a fleeting, tiny second you pray fruitlessly he doesn't notice) but his lips curl into the barest of smiles. Something so like him, small but unrestrained, like it never had any hope of growing bigger, but then — you’ve seen the way he grins at you sometimes when you say something stupid in class — you know he’s capable.

“You know what I'm going to do, I assume," he says quietly. It's not a question, per se — more of a statement, and he keeps his eyes fixed firmly on yours as he says it. He's so close you can feel the warmth of his breath. And then he leans in so slightly it might be imperceptible if you weren’t staring, holding your damn breath. “Are you going to let me?"

“I..." You're humiliated to find you are actually struggling to speak. His lips are so close to yours you can feel the ghost of them, can imagine what they might feel like on you. Your mouth is very dry. “We’re… friends, right?”

His voice only wavers for a moment, even as his lips inch ever closer to yours. His voice is tauntingly low, and there's an intimate sort of smile there, a chastising, humorous gleam to his eyes. “Friends," he breathes, and then his lips do close that short distance, and you feel the barest trace of his mouth against yours — his lips, soft and supple against your skin. A moment's kiss. Gone as quickly as it came. “Should we be friends?”

You gape at him, breathing far too heavily for such a chaste kiss, and you imagine your eyes are blown wide, and you lick your lips for a reminder of his taste but it isn't enough. You don't think before standing on your toes to find his lips again. Of course, Tom is stood impeccably straight, his chin almost pointedly jutted so that he can look down at you, and you actually — it's horribly embarrassing — you groan, or whine, or make some sound of blatant discontent at the fact that your kiss doesn’t reach him.

To his credit, his laugh is a very small one. Had it been the other way around you would have been far less forgiving. “I suppose the answer is no, then?" he says, with the implication that the next move might be yours.

“Tom," you as good as hiss (really very foolish of you to use the word forgiving to describe Tom Riddle), “you're being... you're being mean." And you refuse to make the first effort again, even though you probably appear to be a train wreck, your chest is heaving, and you... you want him.

“Am I?" he asks, and he tilts his head to the other side, almost as if to get a better look at you. “How so?" You think he's enjoying himself far too much. But he remains where he is: close enough for you to reach him if you would just yank him toward you and be done with it, and far enough away that you can't take that step without giving him the win.

You stare at him for a long moment, and then with teeth gritted so tight you might chip one, turn to walk away. Tom makes some very hollow, annoyed sound at your stubbornness, and thank god you feel him behind you: soft, lulling, not so immovable as you. 

You stop. His fingers brush your hair to the side. His mouth hovers over the skin of your neck. You shudder.

“Tom..." you sigh, half-exasperated, half-sighed, half-surrendered, but he doesn't answer or stop or do so much as acknowledge your mumbling. He only presses forward, until his breath is right by your ear and his lips, soft, gentle, are against the junction of your exposed neck, and you feel his mouth, the gentle pressure of his lips against your skin... so tender, so light that it doesn’t feel at all like something merciful.

It feels singularly, purposefully cruel.

Your third observation (if you can manage the thought) is that Tom is driven by your reactions. Every little mewl, every shudder, every gasp, he wants more of. He wants whatever you're willing to give him, and you suspect it wouldn’t be hard for him to take it all. Every movement of his hands, his mouth, his — oh, oh no — his tongue, abide by whatever you respond to most. He draws in patterns. He stops. Appreciates the speed of your pulse on the curve of your throat for a moment and then tastes it again. It doesn't seem like he particularly cares what he gets out of it. The intrigue for him is having the proximity (he greatly enjoys that you’ve allowed him it) and capacity (that, you think, he’s always had) to make you fall apart.

He's spinning you then, so you're pressed facing the wall, his chest against your back, and the way he whispers against your skin makes you shiver. You dare to think he feels it, his chest heaving against your back, his breath warm and steady by your ear. And as he kisses you you can't help but imagine what might happen if he were just a few inches lower, if he were to sink to his knees, kissing the soft flesh of your chest, and down, and down, and down…

Your eyes flutter closed, and it's clear you like what he's doing by the sound that escapes you — something loud enough for him to stifle your mouth with his palm. Perhaps a little too much. Perhaps you’ll be embarrassed about it later. But right now his tongue is brushing against your skin again, and there’s something very dizzying and hot that starts with his mouth on your neck and works its way down until it's a challenge just to stay standing. You wonder if he can tell just how weak in the knees you are right now, whether that only makes him push forward, and —

And that must be it. He must know, because you think you're trying to say something but you can't form the words, and he has to feel the reverberations with his teeth bracketing little violets on your neck, he must feel the way your legs buckle, how you're held up only by the weight of him behind you.

He must know.

He pushes forward, his fingers bury in your hair, and he pulls your head back slowly — not necessarily to expose you further, but to better see your face. Your eyes lock with his over your shoulder, and there's that hunger there, lips swollen with the print of you... and his voice, when he speaks, is as if he's only barely stopping himself. “Do you want me to stop?"

You shake your head before you think he’s actually finished the question, swallowing the cotton-dry feeling in your throat. No, no — him stopping is the very last thing you want — you feel entirely rational and not at all melodramatic in saying you might just die if he stops. You want more, and he's looking at you like that’s the only thing he’s ever wanted.

He bites down gently on your neck, and you gasp as your knees finally go out from under you (you almost think he planned for this with how quickly he catches you), and you wonder if he'll do something you can't bear; if you'll be reduced to a mewling, drooling mess before he's finished with you.

Your fourth observation — which really is the last one you can muster before it starts to melt into something else — is that you make him human in the only way he can understand: panting into him, fingers in his skin, white-hot and damp at the centre of his obsession. The object of his affection. You make him understand something more singular than ambition. 

Want.

And then his spare hand is dipping past your skirts, and you dig your fingers into his wrist — the combination of the hardness pressed against your back, his hands marking a path to forbidden territory, his finger curling into your mouth as his lips continue their assault on your neck — it's too much. It’s deliriously, disastrously not enough. Your vision is starting to blur.

His fingers stop at the curve where your thighs part and you bite gently down on him to quiet the noise that wants to escape you. He hums against your throat, continuing to kiss and lick and bruise you. You're dazedly aware of the cool air on your thighs as your skirts halo your waist, the heat inside, the shudder as his fingers find your core, and carefully begin to circle you. You feel self-consumed, immolated, devoured and spat out again. You feel like you're still falling, and Tom is the only force that keeps you standing.

He draws in slow, expert patterns — and you think, nonsensically, somewhere very distant where you still have sense, that they can’t be expert, he must have read something or observed some — oh. He’s pushing the thin fabric aside until his fingers are pressed directly against your flesh, and he makes a satisfied noise in the back of his throat as the evidence of how much you need this soaks his fingers, as they begin to sink in without resistance. Oh. Right. You don’t remember exactly what you were saying. 

You gasp at the feeling of having him inside when they finally curl into you. 

His finger is pulled from your mouth with a small pop, and you can’t even really muster the capacity to be embarrassed by the lewd, wet sound of it. He watches you over your shoulder, at his fingers vanished between your legs, at the drool clinging to the digit he’d quieted you with. He’s smiling into your neck now, proud and grateful all the same.

“Mine,” you think he murmurs, but it’s more something you feel than hear, some vague, hazy consonants pressed to your throat. It would be very like him, so you decide that yes, that’s probably what he said. And there’s something funny about it — the idea of being his — about what it means for him to want you so badly that he says it out loud. It feels a little bit like he’s yours, too.

Tom’s breathing is harsh, the fingers inside you moving as if they have a will of their own. Every muscle in your body constricts and squeezes around them; every cell, every neuron, comes roaring to life; and you’re fucked. You’re so completely fucked. His teeth scrape against you again, wholeheartedly pleased. This is what he wanted to see — the utter loss of you — when you are nothing but sensation, barely aware of your limbs as they slump against him. Tom is it; Tom is the only thing you can think of.

Tom is, inexplicably, upsettingly good at this.

“Look at you," he says softly. And his touch changes; it becomes slower, more deliberate and careful.

You’re trembling hopelessly. The way you coil and collapse under his touch is just further encouragement. He doesn't even bother to speak anymore, only pants, his eyes half-lidded, his lips swollen and slick when they attach to your throat again. Your whole body is on fire, and he's the one setting you alight — there is not a single inch of you that is not alive with the feeling of him, and you can barely breathe through the slow, heavy rush of it. 

You think you cry at the divine curve of his fingers carving inside you, slow and soft and then intense — when you grip his arm for more friction, and one of his hands is coming up to wipe a tear away but the feeling flares in your abdomen and you're only half aware of it, really — you think your eyes have rolled back. You think you've gone somewhere else. 

He keeps you just on the precipice, just shy of losing control, just far enough to leave you craving for more.

“To—Tom," you sob, gasps cleaving his name in two — you're on the brink of something incomprehensible, building inside you to something you can't help but think is about to shatter, your eyes clenching shut as you grip him so hard you're certain your fingers will leave marks. “I'm gonna—"

“I know," he breathes against your neck, hands running a familiar path along your body; he's so very, very proud that he's made you like this. He just barely bites into the spot above your collar, curls his fingers, and then you’re falling — something unfurls inside you and can’t be collected, something hot and depthless that your hands can’t clutch at from where they’re clinging so desperately to him — and you think, coming down from it with trembling, debilitating ecstasy, that he looks very much like he’d be proud to make you like this over and over again.

You're flattened, and that triumph in his eyes — the absolute satisfaction of seeing you this way, of knowing that that he's the one that did it to you — that feeling fills your mind and makes you collapse even more, makes you want to melt and flow into liquid at his feet; to give in, do whatever he says, even if all he says is just be like this for him.

He slowly removes his fingers as you come down, and your eyes are blinking for focus when he turns you around, his thumb coming up to brush over your bottom lip and you sigh at the taste of yourself as he pushes it inside your mouth. His other hand brushes away the damp, stray hairs that have fallen across your face, almost reverently, a silent worship as he takes you in, appreciates everything you just gave him.

He smiles gently at your half-blinking, half-vacant expression, his thumb still in your mouth; he watches you for a long moment in silence. His eyes are heavy-lidded and he's got a small quirk at the corner of his mouth as he pulls his thumb away and swipes it once more over your lip.

You're still not quite sure you can find words. Still not sure they'd form right as your tongue darts over the residue of Tom's finger and you flush impossibly hotter at the feeling of your own arousal on your mouth. Tom fixes your hair behind your ears and it doesn't seem like he's ready to stop taking you in in this state — your hair wild,  lips swollen, throat bruised and dress askew — and he leans in so tenderly it startles you, pressing a faint, almost imperceptible kiss to your forehead.

“Tell Godefrey he’ll be needing a new study partner. I think you’ll find yourself committed elsewhere." And with that he turns on his heel, perfectly composed, and disappears into the darkness of the midnight corridor.

Oh God, you think, and you’re too stunned to even react as you watch him vanish. It takes you a moment before you regain your senses, and you can only just manage to sputter out a breathless, miserable sigh into the air before you.

You are so completely, utterly fucked.

[thattimdrakeguy]

I HAVE BEEN READING ZDARSKY BATMAN, AND I HAVE DECLARED: I FREAKING LOVE IT!!

I'm reading the Batman Zdarsky run in reverse. That way if I see any bull I can back out at anytime: and to be honest--besides a few things. I really enjoy it

LIKE YO, THAT IS JUST STRAIGHT UP TIM DRAKE RIGHT THERE. It knows who he is as a character. his motives, it's great.

Screw the people complaining "oh why is tim still robin :((", THIS IS WHY HE IS STILL ROBIN. Because this is when he's at his BEST. When he gets to hit his character purpose, WHEN HE GETS TO BE HIM AT HIS MOST HIM. It's FANTASTIC.

Reading in reverse because I know I hated the first story, it was so contrived and ridiculous.

But this--this is some good shit.

Tim being an underdog fighter, having to use his wits to win the fight? MY DAWG, MY DUDE, MY GUYS, MY GALS, MY THEMS, MY THEYS, THIS IS SO TIMMY DRAKE. This is so damn Tim Drake, guys. Oh, my gosh, I am loving this so far.

Dick has his temper back? And trust me, he isn't normally like this. But he's hitting a limit AND IT'S SOMETHING NEW, NOT JUST A REFERENCE. HE'S ACTUALLY DOING SOMETHING HE'D DO, 'CAUSE HE'S AT HIS LIMIT. That's wonderful, man. That is so wonderful.

Plus Tim is the heart of the Bat-Family again? This feels like someone actually went back to read these characters before writing it. I'm not saying everything is perfect of course, but these high marks are exceeding all my expectations. And I STOPPED reading comics because of how the beginning of this run destroyed any hope I had.

You guys have no idea how much I'm enjoying the few issues I've read. Besides the cussing (I remember after a bit they decided Tim was someone who used funny words instead of proper cusses), this feels like the Tim I know and love during the era I especially loved him.

Tim comparing himself to his predecessors? Tim not being a natural? A WRITER REMEMBERING THAT?? It's been so long since I've seen that! Most writers treat him like he was another prodigy when he wasn't. AND THIS GUY REMEMBERED THAT!

I shouldn't be so happy at just seeing Tim do Tim things, and serving his character purpose. BUT YOU GUYS HAVE NO IDEA HOW LONG IT'S BEEN SINCE A WRITER KNEW WHAT TIM WAS SUPPOSED TO BE LIKE.

Only complaints I have is that Jason feels like a typical Bat-Family member, and not the sketchy outsider that he is. Making him so close makes his character more bland in my opinion. And Steph is--also generic af unless she's wacky quirky...which is a characterization I hate for her, because she started off so damn interesting, but they made her a freaking trope instead, which is such a disservice to her, but she barely does anything so far, so whatever I guess. Doesn't mean much.

--

This is the first honest thing I've seen that I hated.

No

Not this

This isn't the Bat-Family

This is a sitcom world the fandom wants to be the Bat-Family and some comply with

They're not a sitcom. The conflicts, and uniqueness of the characters is what makes things feel alive and well.

This stuff is cheap fanservice for the fanon demographic that doesn't buy comics to begin with.

Fanon doesn't belong in canon.

--

I mean sure Tim could be drawn smaller, the gag of him looking 12 when he's nearly 18 doesn't work when he's bigger than Damian who is 15 (and contrary to some bullshit comics isn't meant to be small. that was a random thing added for writers who aren't clever to write better humor. it actually contradicts things that were already established).

Don't see the big deal though for most of this.

Can't wait to find it, though. Oh boy.

This whole obsession with Zur Batman, is way over done though. So--I wouldn't be shocked if that was the problem, because my golly does that plot point not seem to be stopping--and it was there from the start and part of the reason why I didn't read it 'til now.

Good Tim tho, at least. So heehee, yey for that--I think--I guess.

Oh, well.

It let me peak at a pseudo-version of an AU I made up years ago. So that's pretty freaking cool.

Always a plus.

And redoing Red Robin story beats but better? Normally I'd hate references to Red Robin, 'cause that changed the perception of so many characters for the worst, but ayy, a bit of redemption isn't bad.

Man, just seeing simple stuff like Tim and Bruce being good ol' classic Batman and Robin warms my heart. It's been so long since Batman and Robin has acted like a proper classic Batman and Robin. It's dynamic that's been sorely missed by many.

OH, MY GOSH, WHY DID THE FIRST STORY HAVE TO STINK SO BAD. THIS STUFF IS GREAT.

Like, DUDE, this is such a Tim thing for him to do!!

And he's showing emotion?? He's crying like how he does?? Because he's not a typical Bat-Family member who just angsts his way through?? THEY'RE MAKING HIM STAND-OUT AGAIN BY MAKING HIM, HIM??

WHY DID THE FIRST STORY HAVE TO SUCK SO BAD?? THIS IS GOOD SHIT.

Like this part is why I originally stopped reading, not because Bruce should think Tim is his soldier, and not his son, THE FREAKING OPPOSITE.

But because the original story has Bruce acting weird when unneeded, just to say this was so unneeded, and adding in all these stupid corny Bat-Family moments was so groan worthy.

This run started off with a story that was a total turn off for me.

To end up being a run that could've kept me enjoying DC, rather than running away from it from as far as I have.

Chip Zdarsky started off awful, but really, he ended up great.

And I've seen people complain about his run, and TRUST ME, there's stuff to complain about. But I have only ever seen the stuff worth complaining about, or stuff I WOULD complain about.

WHEN MOST OF THE RUN IS GOOD

At least when Tim is around.

Go figure.

Maybe I should've paid sole attention to how he wrote Tim and nothing else at the very least for that first story.

'Cause even in the first story, Tim was well-written--it's how cheap the rest of the story telling was in that first story that turned me off--and the weird knew about the movie plans that I am still fully judging harshly. (Love the new Superman film suit, though)

[txttletale]

could you elaborate on your thoughts on boom and 73 yards ( i agree with you i am just struggling to put into words why.)

boom was whatever. the initial conceit of the doctor being trapped and having to stay calm was really cool! i really like that. the ambulances that euthanize you if you're not deemed worthy of medical care and the tacky chatgpt hologram ghosts were both really cool ideas. it just doesn't stick the landing for me, the twists are contrived and fall apart given any thought whatsoever. like what the fuck were any of the soldiers Doing if there just straight up weren't any enemies. it's a twist that sounds cool to say more than it has any meaningful impact on the story or the stakes. i guess 'the arms manuifacturer created a fake conflict' is the intended emtional stakes there but that would hit like a hundred times harder if it was an actual conflict between two factions and people were dying, right? like if anything sending a christian militia to blow themselves up tae fuck on a nowhere planet instead of presumably killing actual living people is an improvement, surely?

also the resolution was dumb as fuck lol i am a huge hater of power of love saves the day shit not because i'm a cynical misanthrope but because it never fails to make me say 'oh so i guess nobody ever loved anybody before lol' and this is no exception like if one chatbot can shut down the whole operation beacuse he loves his daughter are we meant to believe that no other parents or hell nobody who loved anybody else for any reason died in this fake war before? it's cheap and schmaltzy and unearned. anyway the first twentyish minutes of this are all-time great doctor who and gatwa/gibson were incredible in it but it absolutely falls apart into a confused pileo f some of the worst Moffatisms at the end

73 yards on the other hand was incredible! obviously like it requires you to approach it with a different mindset to most of doctor who, right, doctor who usually furnishes you with the big explanation scnee where the doctor says 'well the ghosts were actually particle wave vectorforms created with the necros radiation from the god-king's techsceptre' or whatever--this is the usual narrative mode of sci-fi--but 73 yards is fantasy, right, this is the twilight zone, this is 'wouldn't that be fucked up?'. i interrogate the technical and logical specifics of boom so much when i think about it because that's the language boom is speaking, boom is framing itself within this logical, a-to-b worldview, the satisfying click-together puzzlebox. but 73 yards is a nightmare or a folk tale, right? kate stewart¹ says it herself, 'when faced with the inexplicable, we make up rules and apply them to it'.

so yknow reading it that way it all clicks together beautifully, right, (apart from russel t davies' embarassing swing and miss at Political Commentary in the middle. we get it davies you wrote years and years. we know. trust me we know). the doctor and ruby disrupt the binding circle, free mad jack, and are punished -- the doctor, as perpetrator, with being banished (perhaps in jack's place) and ruby with her worst fear coming true constantly, until ruby defeats mad jack, re-sealing him and fixing what she broke, at which point the circle rewards her by reversing the punishments. and the core horror i think is very effective and unsettling! the idea that there is something that someone could say to turn everyone against you, the closest people to you in your life, your own family, the institutions that are meant to deal with the exact problem you're having--that's fucking terrifying! and yknow i think especially as an autistic trans lesbian something that speaks to me a lot

so yeah. i think that boom establishes its logics and framework and then trips and falls onto its face while 73 yards does the same and then makes perfect use of them. that said i think in 20 years people who are autistic about doctor who will be like 'did you know in the 2020s there were two episodes in a row where the doctor caused the entire plot to happen by stepping on something' and thjatll be the main thing they're remembered for

[purpledemonlilyposting]

Lily is making throwaways to talk to herself now cause she's too afraid to turn anons back on.

[Lily's post]

There are so many golden nuggets in here. Since these are both most likely Lily lets look at a few!

Lily's media takes are beyond just bad, she asserts that the creators of children's cartoons are dangerous extremists for perceived bad messaging in their works that Lily just makes up.

Even without that Lily's takes on symbolism, metaphor, and just basic narrative structure are worth examining because they are some of the most bizarre and ignorant many of us have ever encountered.

But no one "orients their life around you", Lily. It just feels that way because you sit in your subsidized apartment on the internet all day ordering Door Dash from a Subway you could easily walk to. I'd say get some sun but you'd probably turn to ash like a vampire.

As for me? I do something you're incapable of: putting on a show.

No one cares you're trans, Lily. Get over it. Plenty of trans people exist in online nerd culture. You can't hide from the consequences of your own words and actions by using your demographic as shield.

Pfft. They could try. Go ahead. Make videos about me. Hell, Lily, unlike you I don't even hold or delete comments. The little anklebiters who like to lecture me in my comment section don't seem to realize I'm the one allowing them to be there expressing their stupid ignorant opinions because that aligns with my principles.

Lily doesn't make a video about me because she knows I'd just react to and laugh at it. And with any luck YouTube has taken her ability to copyright strike away because she's used it maliciously 9 times.

Also retard. Just say retard, Lily. Not "tradigrade" not "child left behind" not "fetal alcohol syndrome". Just say retard.

You clearly want to. And are bitter you can't because of the insular audience you've cultivated.

This is how I know it's you because only Lily Orchard could be upset I criticized the bland Antarctica anime for being a bland Antarctica anime the sole focus of which is to get 4 teenage moeblobs on a big technical ship. Which is written by a middle aged man who does nothing but moeblob shows and directed by a woman who does nothing but moeblob shows. They both worked on No Game No Life, Lily. You know. This:

The one with the 11 year old loli in love with her step brother. Actually Lily it sounds right up your alley. You should watch it next.

Antarctica show is so full of so many plot contrivances. Why does Shirase just carry her wad of Antarctica cash everywhere and dropped it so carelessly? It's sure convenient that her and Kimari just happen to go to the same school and Kimari happens to hear her loudly wailing about the money in the bathroom. How does Hinata, a 16 year old high school drop out who works in a convenience store think she can even hope to afford this trip? Where are her parents in this anyway? We never see them.

The girls only get on the trip in the first place because another girl who is a child star vlogger just happens to be also going and just happens to contact them wanting them to go in her stead. And after making friends with them she tells her mother that she won't go without the other 3 girls but... the rest of the expedition that adamantly refused to let them on before just suddenly agrees to take them? Because this one minor celebrity and her manager mom who isn't even going said so? Takako only wanted to go to Antarctica because it just sounded neat, she's not an artic researcher, or engineer, or anything that would justify her being out there (a woman in STEM? Perish the thought says 50 year old Jukki Hanada I guess) and she died out in a blizzard trying to get a laptop to email her daughter who she has now left motherless for no good reason. And this is only ever treated as heartwarming and not idiotic.

Face it Lily. The entire show exists just to get 4 teenage girls on a big ship so otaku men can enjoy both brainless moeblobs and technical ship porn. The show sure likes to emphasize over and over how the girls are joshi kosei too. Why couldn't the show have been about the trip of the adult women (who incidentally also act like brainless teenage girls in the show)?

Yeah you guys aren't winning against me on Utena lol. Here, have my post where I have the video walking people through the episode itself. If you want to ignore the actual text of the series in order to appear morally forthright that's your own problem:

And everyone on the bus clapped, and that Asian woman's name? Albert Einstein. What does this have to do with anything except poisoning the well by linking this unsourced incident in peoples' minds to Ant and I?

Also it's Twitter. So Twitter is bad and unreasonable here, but they're not bad and unreasonable when they're squawking at me over a classic anime they've never even watched. Or squawking at Ant cause "L-L-Lily is totes a Native trans woman?? So you can't criticize any of the batshittery that spews constantly from her face hole??"

Ah now we're on to Lily's response to herself.

Oh look out Ant, Lily's got damning screenshots she just can't show anybody right now.

Probably similar to when she happily accepted a screenshot from Poppy of Poppy being creepy to Courtney and tried to blame Courtney for it.

Lily you attract attention when people talk about you because the wider nerdy internet knows your takes are insanely bad. And they know your takes are all tangled up in your personal dramas and heinous actions. They can tell. You're not as subtle as you think you are.

I cut together my response to your bad Utena takes in your 2023 Steven Universe video on a whim and slapped it on my completely unestablished personal YouTube account. It got 5k views in a few days. That's how disliked you are.

Nobody knows who I am but you sure copyright struck 4 of my livestream VODs trying to take my channel down. The 4 VODs where I most talk about your blatantly obvious incest fetish at that. Nobody knows who I am but I've gained 10k subs in 6 months primarily from dunking on you. Because I'm better at YouTube than you are.

And people do bitch at me for saying retard constantly. And you know why I keep doing it? Because the ones who most often tell me not to are some of the most annoying, entitled, self-righteous, puritanical control freaks and it's an easy way to weed them out.

By the way have fun trying to find a lawyer within 10 days who will tell you "Why yes, Lily, you can absolutely copyright these videos of yours full of footage that belong to Viacom, Netflix, Amazon, Toei Animation, Dreamworks, Activision-Blizzard, and many more!"

[vegaseatsass]

My Stand-In Episode 10

Just a few scattered notes of things I have on my mind.

I have been very very very obsessed with the moment where Joe breaks up with Ming after Ming's mom went in on them. See, originally I took Joe at his word: He's tired. He's tired of the constant melodrama, the neverending battle just to exist. Ming and his family already killed Joe once, he just wants some quiet contentment and to not feel like he's fighting for his life every time he holds his boyfriend's hand. Honestly, I really loved that, that their breakup this episode wasn't a contrived fight full of blame and accusation, but was simply Joe realizing he's too exhausted and walking away.

But then it hit me like a load of bricks, that no, actually. Joe didn't end things in that moment because he wants peace and quiet. He left before Ming could hurt him again. He left because he didn't believe Ming would stand up to his mother or his family - or more like, he didn't want to let himself start hoping he could, and get disappointed. Since the funeral, Ming has been giving Joe everything he ever wanted Ming to give him and more (I mean if you don't count "respecting his boundaries" as something Joe wants but 1. Ming is kiiiinda starting to get there by the end of this ep lmao? 2. I'm talking about everything Joe wants to feel from Ming on a visceral level, more than what would make his relationship safe and sane). Ming has been telling Joe over and over again that he loves him, showing Joe over and over that he chooses him, showing Joe at every turn that Tong is nothing to him. No matter how much Joe or Ing push Ming or test Ming, Ming just keeps coming back and reaffirming his commitment to Joe, adapting to who Joe is now and offering him anything and everything he can give, sincerely, determinedly vowing to put him first. Joe has been trying so hard not to let himself want it or believe in it, but by the time they're in that meeting room with Ming's mom, he is back in honeymoon mode with Ming, truly starting to believe he gets to have the kind of relationship (two-sided. equal. where Joe is taken care of and spoiled and chased, not just the caretaker and spoiler and chaser) it used to feel too greedy to dare hope for.

And then Ming's mom reminds him of how easy (Joe thinks) it will be for Ming to pull the rug out from under him again, and send it all crashing down. Just like in his first life in honeymoon mode, when he realized Ming was here for Tong and not him, that this relationship that was making him feel so whole and safe was all a lie.

Like with something as big as breaking with a family that will never accept his sexuality, Joe has no instinct to "test" Ming or give him an ultimatum. I don't actually think it's with real disappointment in Ming himself that Joe gives up on Ming choosing him before Ming even gets the chance to try. I think Joe is probably completely sympathetic to the choice he expects Ming to make, and intellectually, doesn't begrudge it of him, the way he would (or should) begrudge so many of the actual terrible things Ming has done to him. But it still hurts so much to have reality force its way into their bubble, and remind Joe that even Ming trying his absolute hardest can't protect Joe from feeling that crushing loss again. So he takes himself away from the situation before it has the opportunity to hurt him again.

Idk if I'm getting at why I'm so obsessed with this, but there's just something to me about how happy Joe must have been feeling at Ming's side, to need to proactively remove himself from the situation to avoid getting his heart shattered like those mugs. Like "I'm tired" means "I can't do these high-lows anymore. I can't feel this good and have it taken away again." This is exactly why he's been trying so so so hard to freeze his heart around Ming: So he's not vulnerable to the particular kind of hurt he never recovered from in his first life.

And I just find it very moving that the source of that hurt this time isn't Ming making disastrous choices. It's something neither Ming nor Joe has control over. And Joe knows that! But it still hurts too much to hope and want things.

Meanwhile, Ming is like: Hope and want whatever you want, beloved. I am now Mr. Makes Shit Happen. I can do anything as long as you're alive in this world.

Which is another thing I've been thinking a lot about. Sol and Ming both trying to make themselves into these superperson supershields so things will be Different This Time, and smacking up against some natural end limits to their abilities. For Sol, no matter how hard he turns himself upside down trying to make himself into someone Joe can pick instead of Ming, the attraction will never be there, and Ming always WILL be there, reminding Joe of his feelings for him. For Ming, the limit on his absolutely determined devotion to Joe is his family. And Sol and Ming, both trying so hard to be bigger and more than they are, when they come face to face with their limit still refuse to back down. No matter how laughably futile it is.

To me, Ming standing there looking all tiny at the bottom of the stairs with his dad looming at the top is the equivalent of how manically out of his element trying to do the impossible Sol was in episode 9. But just like Sol, Ming can't stop now. No matter what happens in episode 11, Ming has to try to fight this impossible fight. Neither of them is willing to leave anything on the table after losing Joe once before.

Idk I wonder if they will have to work together before the end hahaha... we'll see.

I had more thoughts but this is once again a monster post so I will end by simply reiterating how amazing and hilarious I think it is that Tong tried to get Ming to pay him HUNDREDS OF MILLIONS OF BAHT for the privilege of removing the only source of happiness from his life. Like come to the meeting room, Ming! Let's make a deal where you go back to being depressed and alone, and give me all the money I want! Surely this will work out in a way where we can both walk out satisfied! The lion the witch and the audacity of this bitch <3 <3 <3 <3

[handofmidas-writes]

I didn't hate season 4. Or the love triangle. Let me explain.

Okay. Listen. Listenlistenlisten.

I know everyone is pissed about season 4. I hear you. I get it. I don’t think anyone is thinking that this was a well-executed season. Not by any stretch of the imagination.

But hear me out.

The bones of the thing are good in principle. The arc makes sense at the heart of it. Again, hear me out.

MAJOR SPOILERS AHEAD. YOU HAVE BEEN WARNED.

The entire series is about saving the world by stopping the apocalypse. And as all the Fives in the deli have shown, the apocalypse is due to the Hargreeves siblings’ very existence. Reginald has fucked over every iteration of the kids to bring back his wife who died as a result of her own actions in creating marigold. He couldn’t give her up, and he was willing to rip universes apart to get her back. Five has tried time and time and time again to save his family, ad infinitum. He knows how to solve the problem, but he can’t bring himself to do it. Until this Five. They are, as we here on tumblr love to say, doomed by the narrative.

Five also says the universe loves balance. We saw this in season 3 with the kugelblitz. They were an impossibility in the universe and the kugelblitz formed to solve the problem by eliminating them. Impossibility for impossibility.

One of the Fives founded the Commission to solve the problem. It happens every time.

Abigail’s purpose through the whole season is to ensure the Cleanse, to reset the universe to the correct timeline. She shouldn’t be there. The kids shouldn’t be there. They are a direct result of Reginald releasing marigold into the world to enact his plan of resurrecting Abigail. The universe is trying to return to homeostasis, balance itself. And in every iteration, it needs to rid itself of the marigold, the substance that shouldn’t exist in the first place.

Ergo, the principle is sound, in my opinion.

The execution was shit, as I’m sure we all can agree.  I don’t like that they cease to exist, necessarily, and I think there were other avenues they could have taken to avoid that. But I can stomach it.

The shit storm is certainly in the characterizations. They did almost everyone dirty in some way or another. I think it could have been saved with a few more episodes, but we know that Netflix sucks like that and the season definitely suffered after the strike. I won’t be going into all of the characters just now since I’m apparently a loquacious bitch and don’t have the space. (And I know this is all being screamed into the void anyway. None of y’all will be reading any of this lol.)

Here’s where I’m going to ruffle feathers. I buy into the whole Diego/Lila/Five thing. And here’s why. (Cut here because this bitch got real long. Like 1.5k words long. Oops.)

The first episode is called “The Unbearable Tragedy of Getting What You Want.” Is it a slightly contrived Now That We’re Not Superheroes Our Normal Lives Kind Of Suck thing? Absolutely. Has it been overused in basically everything ever? You bet. Does it kind of work here? Yeah, actually.

These people legitimately don’t know what to do without powers. They’re coming fresh off the heels of trying and failing to save the world 3 different times. That takes adjustment. A lot of adjustment.

Lila and Diego fall into parenthood, which is a huge thing in and of itself. It’s not surprising that Diego turns into the stereotypical suburban dad, the breadwinner because that’s what he thinks his role should be. It doesn’t fully make sense that Lila turns into a housewife, but I can see her trying to throw Diego a bone and trying to make up for how she’s treated him in the past. Not to mention proving herself as a mother.

It makes sense for Lila to want to get out of the house and do her own thing, without her kids and her husband. It makes sense for Diego to resent his low level job when all he’s wanted to be is a badass and a hero.  Their frustration about their family life is understandable. Being a family is a lot of effort. There’s a loss of freedom when people become parents. And these are two headstrong people who have things to prove to themselves, to make sure they show up for their kids. Which leads to breakdowns in taking care of themselves and their relationship to each other.

Now, the sticky bit comes in with the whole love triangle. I know folks hate the subway subplot. Here’s the thing, despite how it was executed, it makes sense, too.

It’s an interesting way to portray the Many Worlds Theory and it’s plausible enough that Lila and Five connect in this way because of their shared knowledge of the Commission. It makes sense that they explore it together.

Which leads me to this: Five is incredibly lonely. He spent 40 years alone in an apocalypse and tried everything in his power to get back. He fell in love with a mannequin because she was the only thing keeping him tethered and sane-adjacent (sweet Dolores, we’ll never forget you, queen). He was desperate and alone and persisted because he had to.

He joined the Commission to try and stop said apocalypse and then inadvertently ended up in another. He’s tired of trying to save his family over and over and now he’s not sure there’s anything he can do to save them this time. And now here he is, stuck in the labyrinthine Subway of Fuckery with Lila and they can’t get out. Lila who has the same training as him, the same knowledge base, who went with him to the remnants of the Commission in season 3 and tried to save them all. Let’s call them frenemies, I guess.

And now here they are. Stuck together and feeling helpless. Enduring every fucking thing under the sun, watching each other’s backs, and they only have each other. And they’re tired. They’ve been searching for a way home for six fucking years. So, they decide to stop running and catch their breath. I won’t say it’s an inevitability, but Five is so lonely and scared. And Lila is lonely and scared and without her children. But they’re safe with each other, and they take comfort in each other, and it’s so easy to blur those lines.

So yeah, they end up together in the now infamous cottagecore greenhouse with the strawberries. And they try not to think about Diego. Is it right of them to do this? Well, no. But are people messy as hell? Yes. And are their actions understandable? Also yes.

So, to me, when Five finds the notebook and keeps it hidden from Lila, it tracks. Because he’s so fucking scared of what’s going to happen now. What if they still can’t make it back? What if they can’t save the world this time? What if it all comes down around his ears again? So he hides in easy domesticity and thinks about the solace they’ve found in each other.

And Lila, understandably, blows up when she realizes Five has hidden this from her. Because for her, this was a way to cope. To survive, as she says. She loves her children. And she loves Diego. She didn’t stop loving them. She couldn’t stop loving them. But she might just love Five, too. And isn’t that scary as hell?

People are many faceted, my friends. Does it make what she did morally right? Of course not. But does it make sense? I truly think it does.

The limited number of episodes is one of the largest contributors to the half-baked-ness of it all. There’s not enough time to flesh out a proper resolution to the whole thing. Which led to Diego’s hunch from episode 2 of Lila cheating with Greek guy/Five accidentally being correct foreshadowing. Which then resulted in a heavy confession from Lila in front of the entire family (which I was digging, just like the siblings, tbh). And then the boys started throwing punches and the whole love triangle thing went completely down the shitter (a dubious and debatable statement, I know).

So, that leaves us with Lila who is now in the middle of two brothers. Said brothers are now physically fighting out bad blood and pent up frustration. And only part of it is due to Lila.

Diego’s character is criminally underdeveloped. He was always halfway between the underdog and class clown and his characterization in this season falls spectacularly flat in all aspects. He’s a character who has fought to prove himself over and over again, and is still trying to do that here, but nothing really lands. Diego and Luther are comic relief mostly. And Diego’s role, unfortunately, ended up being a stick in the spokes of a sloppy love triangle and pretty much nothing else.

Five is obviously the favorite in Blackman’s eyes. Five is knowledgeable. Five always has an idea. Five is the one the family looks to for answers, more often than not. Five is the one who almost always opts to save his family in some way, shape, or form. And this has resulted in Five being sad and helpless, in a way. He has been building this emotional bomb for decades and across timelines without any real release or acknowledgement. So Blackman chose to have Five get his emotional release in the form of “a love story” with Lila. Doing it this way, with the limited number of episodes, left Diego’s part woefully inadequate.

No resolution really takes place here. Diego kind of “wins” insofar as he convinces Lila to take their family to the subway and she takes his hand first when they all say goodbye. Five gets the teary “I hate you for this,” after she ends up choosing self-sacrifice with the others, which we know means “I am so incredibly sad and I hate that you told us the truth because it means everything ends for real this time and I’ve had to let my family go.” Then she holds his hand, too, showing that all is forgiven, here at the end of all things.

There’s definitely not a resolution for Diego, and it can certainly be inferred that he still pretty much hates Five’s guts. I get the feeling that Five is just resigned to finally ending the cycle. He knows he’s hurt Diego badly and I think he does feel bad for it, but it’s not translated into the final scene, which leaves the whole situationship hollow and earned it the well deserved hate for hilariously poor execution.

So that’s it, friends. That’s my unpopular opinion and way too many words justifying it. I surprisingly have more I could blather on about, but I’ll spare y’all from including any more in this post. Thanks for coming to my Ted Talk.

And for a final palate cleanser for those of you who do not care about any of this: I think we deserve a side plot of Five and Derek the Twink from the CIA. The true OTP. (Also Brisket Five, who is the real MVP.)

[crocutacanidae]

A homestuckie and a echo(fvn) enjoyer?! This means you are legally required to give all the echo cast classpects since you know everything ever about echo and homestuck, so, Please. tell -m-e- us what chunter's aspect is.

Chunter's a prince of blood

mired in cyclical suffering, given to destroying everything he has, gods speaciealest little boy? It's so obvious to me

As for the others,

Leo- Knight of Hope

Carl- Heir of Space

Tj- Mage of Life

Jenna- Seer of Heart

Flynn- Thief of Rage

Leo's so entirely like me, he gets my exact classpect. i used to hate him for it but now I love him for it

Carl I used to think could be Mind or Life aspect-wise, and possibly a bard classwise. Hell, there's an argument to be made for Witch of Space. Carl's hard to get a grasp on when it comes to these things. He's so often a non-actor in the story, but his inaction comes across as self-serving sometimes. His route lends the most credibility to both the Mind and Life aspects, in relation to Carl's need to decide what he wants without input from others as well as the decisions which granted him his family fortune. Actually. Witch of Mind Carl. Final answer.

Tj is pretty defined by his knowing of the details of the tragedy which changed everyone's life. Mages are prophets whose words both harm and benefit them. Tj is damned if he says the truth and damned if he doesn't. Keeping it in burns him and yet keeps things the way they are. Saying it frees him and yet causes everything to collapse.

Jenna's Classpect I saw coming from the beginning. Biased as she is, her every word on the conduct of her friends is correct. She manages to see through to the heart of Echo but fails to see it as anything of worth. It's a place she hates with her whole being, I think. Her problem isn't if she can see, but whether she can judge it fairly

Flynn i also saw from the beginning. Rage concerns actual rage, but also arbitrations, tangents, and contrivances. Flynn seeks to cut through all the bullshit that rage represents, which is honestly a pretty Light thing to do, but i believe he shares more in common with Blood and worldly suffering than with Breath and detatched idealism. Thieves struggle to be good, but I don't think that's flynn's thing completely. He wishes to join the two versions of his persona that exist, but this doesnt map very cleanly onto any class. Thief it is

[phantoms-lair]

80

Danny Phantom x Video Game

"Condor you will be assigned a partner for this mission. Code name Potoo. He's from another agency, he'll meet you in Spain." To be honest, he was expecting someone like Krauser. What he wasn't expecting was... "Condor to Roost. That is a child." "Come again, Condor?" "Code Name Potoo is literally a child." There was no visuals on over the ear pieces, but he could imagine Hunnigan's pursed lips. "Our other branch indicated the despite his appearance, Codename Potoo wasn't a child." Our other branch was trying to get out of some shit. Because that was a child. "I don't supposed they'd be willing to offer said agents files?" "They're...classified beyond our clearance?" Hunnnigan sounded puzzled, as well she should be. They were a mission to rescue the President's daughter. Nothing should be beyond their clearance. "I think a closer look is due at our other agency. Condor out." Leon took another look at the black haired teenager who was glaring at him. Mostly looking at the shape not quite hidden under his turtleneck. Leon's money was on some kind of control collar or bomb to ensure complicity. Mission one, save Ashley. Mission two, save Codename Potoo

~

Leon had been a cop for all of one day. And maybe it was egotistical, but he felt he'd been a better cop in that one day than those two were in their entire career. They didn't question the boy on the investigation. They didn't notice the collar he was wearing. They seemed very unconcerned that people had been disappeared here lately. And when one didn't come back in a timely manner from his pee break, he'd sent Leon and the kid. If it was just Leon he'd hoped it was because they HAD noticed things were wrong and this was all contrived to separate Leon and the kid so they could make sure he was okay. But no, they were just lazy. Any attempt at communication with the kid had been met with glares and Leon wasn't entirely sure he could talk. But he couldn't blame him. Look what the government had done to him, why would he trust one of it's agents?

But the further they got into the woods, the worse a feeling he had. This place felt wrong in way he couldn't put into words. He wasn't sure if he felt better or worse wen they found the house. Leon called out several times, but didn't get an answer. He apologized when they found the old man who lived there, but the kid tensed. And good instincts as he noticed the missing officers bloody id on the ground. The old man might have taken him by surprise if the kid hadn't throw a bowl off the table surprising him. Leon leapt to his feet with a spin kick that knocked the man into a wall, his neck hitting at an odd angle. The kids hands flew to his mouth. "I'm sorry you had to see that." Leon felt no regrets about killing a man who'd come after him with an ax, but doing so in front of kid was a different matter. No matter what that kid may have been forced to see prior. "It looks like one of our guides is hurt an might need medical attention. I'm going to look for him, okay?" The kid nodded, pale but still in the game. A scream lead them to the basement. Leon took lead on the search and couldn't help but draw his gun when they found him. It was the one bad habit he hadn't been able to break from Raccoon City. No matter how much it had been drilled into him that when he saw a bloody corpse that the corpse itself was not a threat, that's where his gun automatically trained. Thankfully the corpse stayed where it was. He had to get the kid out of there. "We need to stay quiet." Leon instructed. "Let's get back to the car and report this. The kid nodded, all signs of defiance gone. They moved back to the stairs, only to have the man form earlier be blocking their path. Broken neck and all. "Not again," Leon griped, earning a confused look from the kid. Still, it wasn't hard to put the dead man down again, and grab the kid to head for the car. Their path was interrupted though, by a door smashing open ,and two men leaving the previously locked off area and right down their escape route. Okay, new plan. Gesturing to be quiet, he headed down the hall towards the new area. He had to look back a few times to make sure the kid was following him, he moved so quietly. his stealth skill must have been why he was put on the mission. Sadly the new area didn't have an exit, so they went up the stairs to a small room. Leon quietly locked the door behind them. "If anyone tries to get in, barricade the door with that bookshelf." The kid nodded. Leon looked around and a small planning area caught his eye. On it were pictures of Ashley and a map of Valdelobos, with a lake marked. "Condor to Roost. I've found evidence that our target, Baby Eagle, is in the village." "Our intel was correct." Hunnigan sounded pleased. "Continue your search and I'll find what I can about the area." "Anything on the other agency." "Need to know only," Hunnigan said with an amount of frustration that mean like him, she apparently didn't need to know. "Right, Condor out." Leon shut off his comm right as there was a thud of an ax against the door. The kid was good to his instruction and slammed the bookcase down, far more easily than Leon thought he would. "We need to get out of here." Leon explained. "Follow me." He kicked out the window and dove through it. He turned to catch the kid only to find him landing by his side. He pulled them out of sight before the attackers could finish breaking down the door and see where they went. "Kid, is it going to hurt you if I take that collar off?" The kid recoiled, eyes full of fear. "I won't if it will hurt you," Leon assured. "But...I knew this girl named Sherry. She'd be about your age now. She was infected with a deadly virus and received a cure. The government wanted to take her, to make her into a weapon. And the only way they'd agree to leave her alone was if someone else took her place. Me." The kids eyes widened. "I wouldn't let them do that to Sherry. And if there's anything I can do to get you out of here, I will."

He could see hope and fear warring in his eyes until finally the kid pulled his turtleneck down, careful not to touch the medical monstrosity around his neck. Leon gulped at the sheer amount of trust he was being shown. The metal sent what felt like small shocks through his fingers as he worked on it. But the mechanism wasn't complicated and soon gave a satisfying 'clunk' as the lock unlatched.

The kid grabbed the collar flung it away as far as he could. Leon couldn't help but wince as his flesh hissed upon touching it. What had seemed like a minor irritant to him seemed to be caustic to the kid. The boy gasped for breath and made the first vocal sound Leon had ever heard him make. A sob. He collapsed to his knees and Leon caught him, holding him gently and telling him it would be okay, he's free, the government will never touch him again. The moment was broken by a cry of "¡Agarradlo!" "I'll hold them off." Leon said. "You get back to the car. Tell the officer there we were attacked and his partner is dead. When he goes to get back up flee." He lined up his shot but was interrupted by a blast of green whizzing past him and hitting the villager in the face. "I don't have to take orders anymore." The kid said shakily. "And...I want to help that girl." "This is going to be really dangerous, kid." Leon warned, trying to be nonchalant about the glowing green fire in the kids hands and eyes.. "Believe me. It's a step up from the experiments." The kid said dryly. "They were planning to torture and experiment on me till there was nothing left. They just thought using the control collar to force me on this mission would get them more funding. And my name's not kid. It's Danny." "Okay Danny. If you want to bail at any point, I'll get you out of here." "No need, I can escape just fine on my own - once Ashley's safe."

He didn't exactly plan on taking Danny's word for it, but the green fire definitely upped his survivability odds. Hopefully together they could save Ashely too.

[sgiandubh]

Has Purv deactivated her account? Couldn't handle this past weeks events perhaps 🤧

Dear Deactivate Anon,

I could not care less, but I highly doubt it. You can't teach an old hand new tricks.

On another planet, though, things are getting interesting:

This Anon is just a crude copy and paste of the original Anon sent to me yesterday: https://www.tumblr.com/sgiandubh/753697137088495616/hello-im-a-huge-ol-fan-and-just-recently-came?source=share

You can see the copy and paste very clearly in the area I underlined in red. 'Anons doing the rounds', my foot - this confirms you read everything I post (and copy a LOT) and this also confirms you lie. The user calling you out only sent that Anon to me, upon my request.

So you see, Madam, I can confirm every single word written by the one who really sent that Anon first as a DM to me, thinking probably that I would screencap it, but wishing to remain Anon. I explained her my house rules and kindly asked her to go Anon, if she wanted me to post her message. And yes, this is the ONLY exception I am going to make to my complete non disclosure rule, as far as DMs go, in agreement with her. Also, the reason I shall not screencap our very interesting convo. As all of you know, safety and confidentiality are of paramount importance to me.

What happened afterwards with that Anon is out of both our hands, Anon and I. Either you or someone you know copy/pasted a twisted version of it and sent it to you(rself). I cannot even start to tell you how dishonest your gesture is. Inserting yourself in a conversation that was not meant to include you, just in order to post your endless, contrived braggadocio about you being a genius and all the rest of us, idiots ... I really, really have no words.

I would have readily accepted the blogger's irritated reply, were it not for this tiny detail:

Sock account, of course. Followed me very recently (yesterday?), but I couldn't tell you when, exactly. Now, I know who my two Dutch readers and friends are and they surely do not need a secondary account to read me or get in touch with me.

I am not very sure what the fuck is going on, here. Oh, sod it, I sure am.

PS: for the other doll who posted that other comment, on that blogger's page, calling me an S only - you lie and you know that very well. But you people are so fucking narrow minded, that you need a troll to tell you what to think. Get a life, seriously.

[apassingbird]

something about how the word rushed is suddenly used now that the finish line is finally hopefully in sight and sure maybe it stems from this unsettling feeling of what happens once i get what i want and a slight fear of missing the chase or worrying about it reaching a stalemate but there's also something about how you can tell a lovestory from beginning to end in just over three minutes or less than a hundred words without it feeling rushed or contrived or people pleasing and something about how this particular story is a story that's been told over the course of six seasons where circumstances and outer forces and not right now have continously been added and added and added until it felt like it was a completely different story all together but it was still there underneath it all like a small seed pressed into earth just waiting for the right moment to arrive so it could grow and unfurl and turn into this beautiful colourful thing it was always destined to be and somehow i don't think any part of that story feels rushed at all