#confined space training in Melbourne

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Why Is Confined Space Training So Crucial? 

Confined spaces, characterised by limited entry and exit points and restricted airflow, can pose severe risks due to the potential accumulation of hazardous gases, lack of oxygen, or other dangerous conditions. Whether it’s a maintenance hole, storage tank, tunnel, or any other confined area, understanding the principles of ventilation is paramount. Therefore, confined space training is mandatory. 

Understanding confined space training 

A confined space is much more than a small space. Occupational Safety and Health Regulations or OSHA defines a confined space as an enclosed, restricted or partially enclosed space which: 

is not designed primarily as a workplace 

is at atmospheric pressure during occupancy and 

has limited means of entry and exit 

Also, such a space: 

Has an atmosphere containing or likely to prevent potentially harmful levels of contaminants; 

has or is likely to have an unsafe oxygen level or 

Is a nature or is likely to be of a character that could contribute to a person in that space being overwhelmed by an unsafe atmosphere or contaminant 

Due to this complex definition, there have been several incidences where supervisors working in a confined space failed to identify a confined space and allowed their workers to enter and work in the area without the necessary precautions. 

Confined spaces are full of risks 

When training personnel on confined space safety, it’s important to cover topics such as recognising and understanding potential hazard signs, proper ventilation, PPE requirements and selection, pre-entry checks, controlling environmental conditions before entry, and emergency planning.

Additionally, with confined space training, employees must be trained on when and how to use specialised equipment such as fall protection gear or monitoring equipment. Companies can reduce the risks of accidents and fatalities by properly training and familiarising them with the potential hazards they could face in a confined space. 

Confined spaces often have poor or narrow ventilation, which allows hazardous gases in the atmosphere to develop quickly, especially if the area is small. The hazards are only sometimes obvious and may change from one entry into the confined space to the next.

Planning and preparing for the job is vital to ensure that work is conducted safely and efficiently. Training courses can help workers gain a greater understanding of the potential hazards that come with working in a confined space. 

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Maximize Efficiency with Crane Hire in Melbourne: A Game-Changer for Construction Projects

In the dynamic world of construction, efficiency is key to success. Every minute saved translates to increased productivity and cost savings. One of the most effective ways to boost efficiency on construction sites is through crane hire in Melbourne.

With its versatility, capacity, and speed, crane hire has become a game-changer for construction projects in Melbourne. In this blog post, we'll explore how crane hire can maximize efficiency and revolutionize your construction projects.

Versatility and Flexibility

Crane hire offers unmatched versatility and flexibility for construction projects of all sizes and complexities. Whether you're working on high-rise buildings, infrastructure projects, or residential developments, there's a crane solution to suit your needs.

From tower cranes for vertical construction to mobile cranes for flexible maneuverability, Melbourne crane hire companies provide a wide range of options to cater to diverse project requirements.

Increased Productivity

Time is money in the construction industry, and crane hire can significantly boost productivity by streamlining operations and reducing manual labor. With the ability to lift heavy loads with precision and speed, cranes expedite tasks such as material handling, equipment placement, and structural assembly

. This allows construction teams to complete tasks more efficiently and stay on schedule, ultimately accelerating project timelines and delivery.

Cost-Effectiveness

Contrary to common misconceptions, crane hire can be a cost-effective solution for construction projects, especially when compared to purchasing and maintaining a crane outright. By opting for crane hire, construction companies can avoid hefty upfront investments in equipment, as well as ongoing expenses related to maintenance, repairs, and storage.

Additionally, crane hire allows for greater financial flexibility, as costs are typically calculated based on usage and duration of hire.

Safety and Risk Mitigation

Safety is paramount in the construction industry, and crane hire plays a crucial role in minimizing risks and ensuring a safe working environment. Melbourne crane hire companies adhere to strict safety standards and regulations, providing trained operators and well-maintained equipment to mitigate the risk of accidents and injuries on site. By entrusting crane operations to experienced professionals, construction teams can focus on their tasks with peace of mind, knowing that safety is prioritized.

Enhanced Site Accessibility

Construction sites in Melbourne often present challenges in terms of space constraints and accessibility. Crane hire offers a solution to overcome these obstacles, allowing construction teams to efficiently navigate and operate in confined or hard-to-reach areas.

Whether it's lifting materials to upper floors of a building or maneuvering around tight corners, cranes are designed to adapt to various site conditions, optimizing workflow and minimizing disruptions.

Environmental Sustainability

In an era of increasing environmental awareness, crane hire in Melbourne aligns with sustainable construction practices by reducing carbon emissions and minimizing environmental impact.

Modern crane models are engineered for energy efficiency and utilize advanced technologies to optimize fuel consumption and emissions. By choosing crane hire services over traditional construction methods, companies can contribute to a greener future while achieving their project goals.

In conclusion, crane hire in Melbourne is a game-changer for construction projects, offering unparalleled efficiency, productivity, and safety benefits.

By leveraging the versatility, cost-effectiveness, and environmental sustainability of crane hire, construction companies can overcome challenges, accelerate progress, and achieve success in their endeavors.

If you're looking to maximize efficiency and streamline operations on your next construction project, consider the transformative power of crane hire in Melbourne.

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How Mini Loader Hire Can Revolutionize Your DIY Home Projects

Are you ready to take your DIY home projects to the next level? Imagine having the power to effortlessly move materials, dig, and level the ground with precision and ease. This is where mini loader hire comes into play, offering you the capability to tackle tasks that once seemed daunting.

From landscaping and excavation to construction and renovation, a mini loader can revolutionize the way you approach your home improvement ventures.

In this blog, we'll explore the myriad ways in which affordable Mini Loader Hire Melbourne can empower you to accomplish more in less time, all while adding a sprinkle of excitement to your DIY endeavours.

Let’s dive in and discover the game-changing benefits of integrating a mini loader into your next project!

Introducing Mini Loaders:

One such equipment that can revolutionize your DIY home projects is the mini loader. A mini loader, also known as a compact utility loader or a mini skid steer, is a versatile piece of machinery designed to handle various tasks around your property.

Mini loaders are smaller in size compared to traditional loaders but don't let their size fool you. These compact machines pack a punch when it comes to power and performance. They come equipped with a range of attachments that allow them to perform multiple functions, making them an indispensable tool for any DIY enthusiast.

The Benefits of Mini Loader Hire:

Now that we understand what mini loaders are, let's explore how hiring one can revolutionize your DIY home projects:

Versatility: affordable Mini loader hire Melbourne can be used for a wide range of tasks, including digging, trenching, levelling, lifting heavy materials, and even snow removal. With the right attachment, you can transform your mini loader into a powerful tool that can handle almost any job around your home.

Ease of Use: Unlike larger construction equipment, mini loaders are designed to be user-friendly. They typically have simple controls that can be easily mastered by DIY enthusiasts with minimal training. This means you don't need to be an expert to operate a mini loader effectively.

Manoeuvrability: Mini loaders are compact and have excellent manoeuvrability. Their small footprint allows them to access tight spaces and navigate through narrow paths with ease. This makes them ideal for projects in small yards or confined areas where larger machines cannot reach.

Saves Time and Effort: By hiring a mini loader, you can significantly reduce the time and effort required to complete your DIY projects. The powerful engine and various attachments enable the machine to perform tasks quickly and efficiently, saving you valuable time and energy.

Safety: Mini loaders are designed with safety in mind. They often come equipped with features such as roll-over protection systems (ROPS) and seat belts to ensure operator safety during operation. Additionally, their smaller size reduces the risk of accidents compared to larger machinery.

Cost-Effective: Purchasing heavy machinery for occasional use may not be cost-effective for most homeowners. Hiring a mini loader allows you to access top-quality equipment without the high upfront costs associated with purchasing it outright.

Hiring Tips:

If you decide to affordable mini loader hire Melbourne for your DIY home projects, here are some tips to ensure a smooth experience:

Research and Compare: Before hiring a mini loader, research different companies in your area and compare their rates and services. Look for reputable providers with positive customer reviews.

Choose the Right Attachment: Determine the specific tasks you need the mini loader to perform and select the appropriate attachments accordingly. This will maximize the machine's capabilities and enhance its efficiency for your projects.

Ask About Training: If you are new to operating mini loaders, inquire whether the rental company provides training or guidance on how to use the equipment safely and effectively.

Carefully Read Rental Terms: Before signing any agreements, carefully read the rental terms and conditions. Pay attention to factors such as rental duration, insurance coverage, fuel requirements, and any additional fees that may apply.

Maintain Proper Safety Measures: Always prioritize safety when operating a mini loader. Familiarize yourself with the machine's safety features and follow all instructions provided by the rental company.

Conclusion

In conclusion, incorporating a affordable mini loader hire Melbourne into your DIY home projects can revolutionize the way you tackle various tasks around your property.

From versatility and ease of use to manoeuvrability and cost-effectiveness, these compact machines offer numerous benefits that can enhance your DIY experience.

So, next time you have a project in mind, consider hiring a mini loader for optimal results!

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Informed Decision-Making: Choosing the Right Lifting Equipment, Forklifts, and Electric Pallet Stackers for Hire in Melbourne

When it comes to enhancing productivity in warehouses, construction sites, and various industrial settings, having the right lifting equipment is essential. Melbourne, a thriving hub of business and industry, offers a plethora of options for lifting equipment hire. Among these options, forklifts and electric pallet stackers are key players. Making informed choices in selecting the right lifting equipment can significantly impact your operations' efficiency and safety.

Understanding Your Needs

Before you delve into the world of lifting equipment hire, it's crucial to assess your specific needs. Take a close look at your operation's requirements, including the type and weight of materials you'll be handling, the layout of your workspace, and any special features or attachments you may need.

Forklifts for Hire in Melbourne

Forklifts hire melbourne are the workhorses of material handling, capable of lifting heavy loads and transporting them efficiently. Melbourne offers a wide range of forklifts for hire, each designed for specific tasks.

Counterbalance Forklifts: These are the most common type of forklifts, known for their stability and versatility. They're excellent for general material handling tasks.

Reach Trucks: Reach trucks are designed for use in narrow aisles and high racks. If your workspace has limited space for maneuvering, these forklifts are a great choice.

Rough Terrain Forklifts: Ideal for outdoor use and rugged terrains, these forklifts are equipped with sturdy tires and a robust design, making them perfect for construction sites.

Pallet Jacks: Also known as pallet trucks, these are excellent for moving palletized loads on a smaller scale.

Choosing the right forklift melbourne depends on your operational needs. Ensure that the forklift you select is capable of handling the weights and dimensions of the materials you typically deal with. Safety is paramount, so make sure your forklift rental comes with all necessary safety features and that your operators are properly trained.

Electric Pallet Stackers: A Versatile Option

Electric pallet stackers are another indispensable tool for material handling, particularly when it comes to moving pallets within confined spaces. These stackers are not only efficient but also environmentally friendly due to their electric power source.

Walkie Stackers: These stackers are designed to be operated by a person walking behind them, making them a versatile choice for a variety of indoor applications.

Rider Stackers: Rider stackers allow an operator to stand on a platform while operating the equipment, which can help increase productivity for certain tasks.

Straddle Stackers: These are suitable for handling wider loads, such as double pallets or oddly shaped items.

Electric pallet stacker are known for their ease of use and maneuverability. When considering electric pallet stacker hire in Melbourne, ensure that the equipment you choose is appropriate for your workspace's layout and the size of the loads you'll be handling.

Factors to Consider

When making an informed choice for lifting equipment hire, consider the following factors:

Budget: Determine your budget and explore options within that range. Keep in mind that while cost is important, it should not be the sole determining factor. Quality and safety should be your top priorities.

Safety: Ensure that the equipment you hire is well-maintained and equipped with necessary safety features. Also, make sure your operators are trained in the safe use of the equipment.

Maintenance and Support: Inquire about the maintenance and support services provided by the equipment rental company. Regular maintenance is essential to keep the equipment in good working condition.

Duration of Use: Determine how long you'll need the equipment. Most rental companies offer flexible rental periods to accommodate your specific needs.

Availability: Check the availability of the equipment you need, as certain types of forklifts and electric pallet stackers may be in high demand.

Conclusion

In Melbourne, making informed choices when it comes to lifting equipment, forklifts, and electric pallet stackers for hire is paramount for the success of your operations. Consider your specific needs, budget, safety requirements, and maintenance support when selecting the right equipment. By doing so, you'll ensure that your business operations run smoothly and efficiently, ultimately contributing to your overall success.

To know more ...

Contact us : All Lift Material Handling & Construction

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Hiring most professional house cleaning services within your budget

Do you need to stay your home clean and fresh? It is very easy and simple. Explore for one in the entire most effective services urban center on-line to stay your house clean and recent throughout a family gathering or a celebration. There square measure several services in urban center to stay your hones sparkling clean.

There square measure a number of stuff you should confine mind before hiring a service. The primary factor is that the price. You’ve got to seek out the most effective service in cheap costs and additionally they deliver their work with smart expertness in their work.

There square measure several house cleansing services on the market and therefore the trick lies to find the most effective service that suits your has to the optimum. One in all the most effective strategies to spot the most effective cleansing services urban center is to raise references. The most effective cleansing services can have a listing of references to produce their purchasers as a credit of their consistent performance.

Customers typically suggest smart corporations with whom that they had smart expertise in terms of performance, quality of labor and cheap rates. The web site of fine cleansing services urban center should have references and trustworthy testimonials from their purchasers. You can also opt for Carpet Cleaning Melbourne within your budget.

Rummage around for an organization that have advanced and latest technology equipment in their cleansing service. Your cleansing service company should be able to clean each nook and corner of your space like doors and windows, floor and frames and additionally guarantee all the carpets square measure fully vacuumed. So what are you waiting for get in touch with most leading and trustworthy company so that you can get Commercial Cleaning Melbourne?

The most advantage of hiring skilled cleansing services urban center is their expertness and therefore the perfection in their work that Associate in nursing amateur is unable to attain. There’s a colossal distinction within the quality of labor provided by a cleansing skilled when put next to self-cleansing. Regionally owned and operated corporations offer a top quality of service. House cleaner’s square measure professionally trained to try to deep cleansing in their service.

So no need to worry as cleaning is very important to live a happy and cheerful life. So hire cleaning professional right now!

Source: - https://sites.google.com/view/carpet-cleaning-melbourne-/commercial-cleaning-melbourne

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Earthmoving Equipment Hire - Important Things You Need To Know

When you are working on a major construction or renovation project, you always need to clear the land of objects that form obstacles. Irrespective of how enthusiastic you are about such do-it-yourself projects, it is just not possible for you to own every piece of equipment required for the job. Land clearing equipment often includes large dumpers, trenches, excavators etc. Fortunately, you can rent the earthmoving equipment and clear large stones, tree stumps and other objects that come in the way of sprucing up your outdoor space.

It is essential to note that, even with all the important know-how about construction techniques, one still needs the right earthmoving equipment, especially while working on particular terrains and at certain heights. Here are some machines that are generally rented for land clearing jobs:

• Mini dumpers-these machines help you access confined spaces on your property between fences, around corners and in-between obstacles. They help clear small mounds of earth easily and quickly. • Mini loaders are used where you need that 'extra bit of grunt' for example, for moving large piles of earth and transporting heavy construction machines and equipment. • Mid-level projects like earth moving, landscaping etc call for skid steer loaders • Larger projects like building demolitions and road constructions, drainage building and renovations call for excavators or self-propelling trenchers.

You must reserve such equipment in advance, especially during certain seasons, to hack it for greater demand later. There may be cases wherein you do not know exactly the kind of equipment you are looking to hire; many companies have trained and knowledgeable staff members who will be able to assist you in such events. Even if they do not have the machines you are looking for; they will guide you to the right place to obtain them. 

If you have never used a certain kind of earthmoving equipment before, the staff members of these companies would be willing to assist you in showing handy tips and tricks to get the best results. Specially written and easy-to-understand user manuals are also available upon request. Using these, one can get the necessary instructions and advice. read this article travaux publics Gers

Furthermore, most dealers have user-friendly policies such as 'pay-if-use'. In any land moving and construction project, circumstances always arise when one might not need to use particular equipment at all. Also, when you hire a certain type of equipment you might need accessories that may or may not get utilized. Taking this into account; the rental companies have come up with friendly policies that can help you save money and time. You simply need to bring the equipment back to the Melbourne dealers and not get charged for it.

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What Role Does Confined Space Training Play? 

Start Training

A confined space is either enclosed or primarily enclosed and has a reasonably foreseeable danger to workers of fire, or explosion, asphyxiation or drowning. It may be small and restrictive place for the worker, or it could even be farther and larger such as a grain storage silo with hundreds of cubic metres of capacity.

That is why confined space training is so necessary. Once you have found out whether your entry is defined as a confined space or not, it is reasonably practical to accomplish your task without entering the area, you should establish a safe work system. 

Establish Safety Plans for Every Confined Space Worksite 

A confined space safety plan should encompass an assessment of the workplace layout, surroundings, potential dangers, entrance and exit protocols, proximity to emergency services, and additional pertinent factors. The blueprint should detail job-specific strategies for different safety roles and responsibilities, training and inspection protocols, and warning signs of potential threats.

Having comprehensive and proficient safety plans aid in preparing your team to respond to unexpected situations with calmness and efficiency. If you’re ever unsure of your safety plans, it’s essential to enlist a professional confined space rescue team for a safety consultation. 

Thoroughly Examine Each Piece of Equipment 

Before deployment, a meticulous inspection of every piece of equipment in your load is crucial. Should any evidence of wear and tear show during the examination, the item should be promptly withdrawn till it’s fixed or replaced.

Establishing a consistent and rigorous inspection routine guarantees that all equipment is serviced or swapped out well before any foreseeable need. Confined space training teaches all these crucial aspects. 

Assess the Confined Space Worksite and Adapt Accordingly 

It’s essential to compare the actual confined space worksite to how it was evaluated initially in the safety plan you created. Bad weather conditions, rush-hour traffic, or unforeseen circumstances can affect your rescue plan.

Additionally, it’s essential to conduct air sampling to detect any hazardous gases before entering the confined space. If you encounter a situation where the site conditions do not align with your safety plan, adjust and adapt accordingly! 

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Benefits of Crane Trucks in Melbourne

In the dynamic construction industry of Melbourne, efficiency and safety are paramount. Crane trucks have emerged as indispensable assets, facilitating various lifting and transportation tasks with ease.

As Melbourne continues to witness rapid urbanization and infrastructure development, the demand for crane trucks has surged. This article explores the remarkable benefits of crane trucks in Melbourne.

Increased Productivity

In Melbourne's bustling construction sites, time is of the essence. Crane trucks significantly enhance productivity by streamlining the lifting and transportation of heavy materials and equipment. With their robust lifting capabilities and maneuverability, crane trucks expedite construction processes, enabling projects to meet deadlines efficiently.

Enhanced Safety Measures

Safety is a top priority in Melbourne's construction industry. Crane trucks adhere to stringent safety standards, equipped with advanced features such as load monitoring systems, outriggers, and stabilizers. These safety measures minimize the risk of accidents and injuries, ensuring a secure working environment for construction personnel.

Versatility and Adaptability

One of the key advantages of crane trucks is their versatility. They can navigate through tight spaces and uneven terrain, making them suitable for a wide range of construction projects across Melbourne. Whether it's lifting steel beams on high-rise buildings or transporting heavy machinery to remote sites, crane trucks demonstrate remarkable adaptability.

Cost-Efficiency

Crane trucks offer cost-effective solutions for construction companies in Melbourne. Unlike traditional cranes that require extensive setup and dismantling, crane trucks are ready for operation upon arrival at the site. This saves valuable time and labor costs, making crane trucks a preferred choice for projects with tight budgets.

Improved Accessibility

Melbourne's urban landscape presents unique challenges in terms of accessibility. Crane trucks overcome these challenges with their mobility and reach. They can access confined spaces and elevated areas, providing construction crews with unprecedented access to different parts of the site. This accessibility enhances efficiency and minimizes disruptions to surrounding areas.

Environmental Sustainability

In an era of heightened environmental consciousness, crane trucks in Melbourne are designed with eco-friendly features. They utilize fuel-efficient engines and incorporate technologies to reduce emissions and noise pollution. By prioritizing sustainability, crane trucks contribute to Melbourne's efforts towards a greener and more sustainable construction sector.

Frequently Asked Questions (FAQs)

Are crane trucks suitable for both residential and commercial construction projects?

Crane trucks are versatile and can be used in various construction settings, including residential, commercial, and industrial projects. They offer flexibility and efficiency, making them suitable for a wide range of applications.

What types of materials can crane trucks lift?

Crane trucks are capable of lifting a variety of materials, including steel beams, concrete panels, prefabricated modules, and heavy machinery. They are equipped with different attachments and lifting mechanisms to accommodate various loads.

Can crane trucks be rented or leased in Melbourne?

Yes, crane trucks are available for rent or lease from reputable equipment rental companies in Melbourne. Renting or leasing allows construction companies to access crane trucks without the upfront costs of purchasing. Operators should undergo comprehensive training and certification to operate crane trucks safely.

Conclusion

In conclusion, crane trucks play a vital role in Melbourne's construction industry, offering numerous benefits in terms of productivity, safety, versatility, cost-efficiency, accessibility, and environmental sustainability

. As Melbourne continues to thrive and expand, the demand for crane trucks is expected to grow, driving innovation and advancements in construction technology. By leveraging the capabilities of crane trucks, construction companies in Melbourne can optimize their operations and achieve successful project outcomes.

[vermonthire]

Efficient Scissor Lift Hire Services for Your Project Needs

Welcome to our comprehensive guide on efficient scissor lift hire Melbourne services. In today's fast-paced world, where time and efficiency are of the utmost importance, it's crucial to have access to reliable equipment that can help you complete your projects effectively.

This blog aims to provide you with all the necessary information to understand the benefits and considerations when hiring a scissor lift for your project needs.

I. Understanding Scissor Lifts

A. Definition and Function:

A scissor lift is a type of mobile elevated work platform (MEWP) that uses a folding support mechanism to raise and lower a work platform vertically. It consists of interlocking cross-sections that resemble a scissor mechanism, hence the name. Scissor lifts are commonly used in construction, maintenance, warehousing, and other industries to provide safe and efficient access to elevated work areas.

B. Types of Scissor Lifts:

There are several types of scissor lifts available in the market, each designed to meet specific requirements. Here are some common types:

1. Electric Scissor Lifts:

These lifts are powered by electricity and are ideal for indoor use. They produce zero emissions, operate quietly, and have lower maintenance requirements compared to other models.

2. Diesel Scissor Lifts:

Diesel-powered scissor lifts are suitable for outdoor and rough terrain applications. They offer higher lifting capacities and can handle uneven surfaces with ease.

3. Rough Terrain Scissor Lifts:

As the name suggests, these lifts are designed to navigate challenging terrains, such as construction sites. They have sturdy tires, 4WD capabilities, and a robust construction to handle rough conditions.

4. Indoor Scissor Lifts:

Indoor scissor lifts are specifically designed for use in confined spaces, such as warehouses or narrow aisles. They are compact, lightweight, and offer enhanced maneuverability.

II. Benefits of Hiring a Scissor Lift

A. Cost Savings:

One of the primary advantages of hiring a scissor lift or Mini Loader Hire Melbourne is the potential cost savings. By opting for a rental, you eliminate the upfront cost of purchasing the equipment. Additionally, you save on maintenance, storage, and depreciation expenses, as these responsibilities lie with the rental company.

B. Accessibility and Flexibility:

Scissor lift rentals provide easy access to elevated areas, allowing workers to reach heights safely and efficiently. Different models offer varying reach heights and platform sizes, ensuring that you can find the right equipment to suit your project requirements. Whether you need a compact lift for a narrow space or a rough terrain model for outdoor work, there is a scissor lift rental available to meet your specific needs.

C. Time Efficiency:

Time is a valuable resource in any project. Scissor lifts can significantly reduce project timelines by providing quick access to elevated work areas. With a rental, you can have the equipment delivered and set up promptly, allowing your team to start working immediately. This increased productivity can lead to faster project completion and improved overall efficiency.

III. Factors to Consider When Hiring a Scissor Lift

A. Safety Features and Training:

When renting a scissor lift, it's crucial to prioritize safety. Look for lifts that come equipped with essential safety features, such as guardrails, emergency stop buttons, and anti-slip platforms. Additionally, ensure that the rental company provides proper training to your operators to ensure they understand the equipment's safe operation.

B. Load Capacity Requirements:

Evaluate your project's load capacity requirements before choosing a scissor lift rental. Consider the weight of the workers, tools, and materials that will be on the platform. Select a lift model with a sufficient load capacity to ensure safe and efficient operation.

C. Rental Company Reputation:

Researching the reputation of the rental company is essential to ensure you receive reliable equipment and excellent customer service. Look for companies known for maintaining their equipment to high standards, providing prompt support, and offering competitive pricing. Reading customer reviews and seeking recommendations can help in making an informed decision.

IV. Tips for Maximizing Scissor Lift Efficiency

A. Proper Maintenance and Inspection:

To ensure optimal performance and safety, it's crucial to conduct regular maintenance and inspections on the scissor lift. Before each use, inspect the equipment for any signs of damage or wear and tear. Follow the manufacturer's guidelines for maintenance and address any issues promptly to avoid downtime and ensure reliable operation.

B. Operator Safety Protocols:

Prioritize operator safety by enforcing essential safety protocols. Operators should wear appropriate personal protective equipment (PPE), such as hard hats and safety harnesses. They should also adhere to weight limits, avoid sudden movements, and stay vigilant while operating the scissor lift.

C. Efficient Work Planning:

To maximize the use of a scissor lift rental, plan your work tasks efficiently. Coordinate with other teams or contractors to ensure smooth workflow and avoid unnecessary delays. Prioritize tasks that require the use of the scissor lift to optimize its utilization and keep the project on schedule.

Conclusion:

Efficient scissor lift hire Melbourne services offer numerous benefits, including cost savings, accessibility, flexibility, time efficiency, and enhanced safety. By opting for a rental, you can access reliable equipment without the upfront costs and maintenance responsibilities. When considering a scissor lift rental, keep factors such as safety features, load capacity requirements, and the reputation of the rental company in mind. Happy lifting!

[neuelib]

MAY DAY POETRY PICKS

From the confines of a cramped rented room along the rhythms of machines growling. As statistics, as slaves, as ants, as lazy sloths. Our May Day Poetry Picks: poetry by and about the working class.

1. Ruminating life and death from a cramped rented room

Walking along the thin line separating life from death is Xu Lizhi’s poem titled “Rented Room”. Xu worked for Foxconn, a technology company based in Shezhen, China, one of the major producers of Apple’s iPhone. In 2014, the migrant worker took his life jumping out of his dorm window, one of the numerous suicide attempts by Chinese factory workers struggling with harsh workplace conditions while barely making ends meet. 

The poem below was among those collected by his friends and published in the Shenzhen Evening News posthumously. It was translated through the Nào project.

出租屋 Rented Room

by Xu Lizhi

十平米左右的空间 A space of ten square meters

局促，潮湿，终年不见天日 Cramped and damp, no sunlight all year

我在这里吃饭，睡觉，拉屎，思考 Here I eat, sleep, shit, and think

咳嗽，偏头痛，生老，病不死 Cough, get headaches, grow old, get sick but still fail to die

昏黄的灯光下我一再发呆，傻笑 Under the dull yellow light again I stare blankly, chuckling like an idiot

来回踱步，低声唱歌，阅读，写诗 I pace back and forth, singing softly, reading, writing poems

每当我打开窗户或者柴门 Every time I open the window or the wicker gate

我都像一位死者 I seem like a dead man

把棺材盖，缓缓推开 Slowly pushing open the lid of a coffin.

2. Cutting the bullshit 

Capturing the essential bullshit of all tedious, repetitive work, Jim Waters’ nihilistic take on the mundanity of work contains more numbness than anger. Statistics was originally published in Poems for Workers, an anthology showcasing poems for working class readers.

Statistics

by Jim Waters

I'm tired of listening to sun-shine talk, This pie-in-the-sky stuff, This travesty on patient toil;

Let the Jesus-screamers, The open-shop artists, And their ilk. . . Hook their fat necks over a flying emery wheel For. . . . eight. . . . long. . . . hours; And to the beat and whir of machinery,

                            Chant this:

"I work to get money to buy food to get strong, So I can work to get money to buy food and get strong.". . . Then, maybe, they will understand Why the church pews are empty,  And men die for unionism.

3. Commuting from work in the rough hours

Ratri Ninditya’s poem “Ursula” is a raw, candid sensory journal of a coming-home-from-work trip any "poor, unfortunate soul” from and around Jakarta would deem familiar. We can almost feel the sweat dripping.

Read more from Ninin in her 2019 poetry book, Rusunothing.

Ursula

by Ratri Ninditya

di pinggir sudirman kau punguti kecoa-kecoa setengah matang. koyo berlubang sudah menempel di lehermu 1 minggu, dan kamu selalu tertidur di 76 dengan kepala tertempel di dada.

mau pergi ke mana, bu?

jalan raya beraroma minyak goreng, hujan asam, keringat sales unicef pantang menyerah. pernahkah tusuk gigi bekas siomay nyangkut di rambutmu karena dilempar orang dari atas jembatan? aku pernah. selokan itu tak pernah melaju lebih cepat. semacet malam jumat. mengalir di dalamnya wajah-wajah yang terlupakan, belum sempat diterimakasihkan.

mereka yang reyot sebelum kehidupannya sendiri dimulai. those poor unfortunate souls. this poor unfortunate soul. kita jadi tikus-tikus yang malu dengan jembrewi sendiri. makan, olah raga, makan lagi, lalu mati.

tubuhmu terbungkus botol plastik. transparan dan statik.

4. Marking inequalities and stark contrasts—with dignity

Contrasting one worker-related experience to another with prowess, Ernest Jones points at how workers are considered fitting for growing food and undeserving to eat them, how it is acceptable for them to make clothes and to not afford wearing them. This work is powerful as it captures Jones standing on his dignity through a declaration of his principles—”too low to vote the tax, too low to touch the spoil, but not to pay and kill the foe.” “The Song of the Classes” sings like a chant, emphasising on the burdens and expectations put upon workers with so much taken away from them to the point that they appear to deserve nothing. 

Jones was a working-class male suffrage leader who was imprisoned in 1848 for his seditious speeches. This poem is also available in the Poems for Workers anthology. 

The Song of the Classes

by Ernest Jones

We plough and sow—we're so very, very low        That we delve in the dirty clay, Till we bless the plain—with the golden grain,        And the vale with the fragrant hay. Our place we know—we're so very low.         'Tis down at the landlord's feet: We're not too low—the bread to grow,         But too low the bread to eat.

Down, down we go—we're so very, very low,         To the hell of the deep sunk mines, But we gather the proudest gems that glow         Where the crown of a despot shines. And whenever he lacks,—upon our backs         Fresh loads he deigns to lay: We're far too low to vote the tax,         But not too low to pay.

We're low—we're low—mere rabble, we know,       But at our plastic power The mould at the lordlings’ feet will grow       Into palace and church and tower Then prostrate fall—in the rich man's hall,        And cringe at the rich man's door: We're not too low to build the wall,         But too low to tread the floor.

We're low—we're low—we're very, very low,      Yet from our fingers glide The silken flow—and the robes that glow       Round the limbs of the sons of pride. And what we get—and what we give—      We know, and we know our share: We're not too low the cloth to weave,        But too low the cloth to wear.

We're low—we're low—we're very, very low,     And yet when the trumpets ring, The thrust of a poor man's arm will go      Through the heart of the proudest king. We're low—we're low—our place we know     We're only the rank and file, We're not too low to kill the foe,        But too low to touch the spoil.

5. Confronting the pains of physical work in the intimate exchange between humans and machines

The ramifications of capitalist exploitation are real and most of the time physical. Through this poem, Xu Lizhi creates a narrative on work using the body—both workers’ and machines’—as a starting point. 

On each line, as machines go to sleep, emotions disappear into dust, stomachs turn hard as iron, ore separating machines peel the skin, we witness a total, brutal, industrialist catastrophe involving the human body and machines, where it becomes hard to tell which from which.

最后的墓地 The Last Graveyard

by Xu Lizhi

机台的鸣叫也打着瞌睡 Even the machine is nodding off

密封的车间贮藏疾病的铁 Sealed workshops store diseased iron

薪资隐藏在窗帘后面 Wages concealed behind curtains

仿似年轻打工者深埋于心底的爱情 Like the love that young workers bury at the bottom of their hearts

没有时间开口，情感徒留灰尘 With no time for expression, emotion crumbles into dust

他们有着铁打的胃 They have stomachs forged of iron

盛满浓稠的硫酸，硝酸 Full of thick acid, sulfuric and nitric

工业向他们收缴来不及流出的泪 Industry captures their tears before they have the chance to fall

时辰走过，他们清醒全无 Time flows by, their heads lost in fog

产量压低了年龄，疼痛在日夜加班 Output weighs down their age, pain works overtime day and night

还未老去的头晕潜伏生命 In their lives, dizziness before their time is latent

皮肤被治具强迫褪去 The jig forces the skin to peel

顺手镀上一层铝合金 And while it's at it, plates on a layer of aluminum alloy

有人还在坚持着，有人含病离去 Some still endure, while others are taken by illness

我在他们中间打盹，留守青春的 I am dozing between them, guarding

最后一块墓地 The last graveyard of our youth.

6. Exploring surrealist cities (and selves)

Originally appeared in Subbed In, Bullen’s "City Exchange” set in Birraranga (Melbourne, Australia) is a surreal encounter with the city, without the self. 

City Exchange

by Brianna Bullen

I order my eyes off Amazon, my spine off eBay and a cochlear implant straight from Coles. Falling apart in reverse has never been so seamless. We talk about moving to the city (permanently, in parenthesis: city as a homogenous w/hole because we can’t see the specific suburbs yet) but it’s crumbling in its own catharsis, a release from structure and history. I’m nostalgic, neurotic and in the process of learning semiotics, signifying nothing and searching for home and meaning in a postcard, the latest neurochemical upgrade and failed relationship. The advertisement on the high-rise for GMHBA glitches to a teaser trailer flickers to Coca-Cola: the duality of (hu)man. I take The Frankston line between Southern Cross and Flinders train rides my liminal stage where I can watch people yawn in the latest fashion and flick through a book page or two on the commute which won’t be remembered. I turn twenty-three, twenty-four, twenty-five Body machine the old biological clock running in analogue and cellular death. Not a teenager, or a young adult: am I a human yet? I now feel the cynicism I only used to perform now too apathetic to bother expressing the dissatisfaction in vogue. I flicker in industrial space, vague.

7.  Condemning dreadful nine-to-five jobs

Disclaimer: It is never 9 to 5.

Letter to John Martin (1986)

by Charles Bukowski

August 12, 1986

Hello John:

Thanks for the good letter. I don’t think it hurts, sometimes, to remember where you came from. You know the places where I came from. Even the people who try to write about that or make films about it, they don’t get it right. They call it “9 to 5.” It’s never 9 to 5, there’s no free lunch break at those places, in fact, at many of them in order to keep your job you don’t take lunch. Then there’sovertime and the books never seem to get the overtime right and if you complain about that, there’s another sucker to take your place.

You know my old saying, “Slavery was never abolished, it was only extended to include all the colors.”

And what hurts is the steadily diminishing humanity of those fighting to hold jobs they don’t want but fear the alternative worse. People simply empty out. They are bodies with fearful and obedient minds. The color leaves the eye. The voice becomes ugly. And the body. The hair. The fingernails. The shoes. Everything does.

As a young man I could not believe that people could give their lives over to those conditions. As an old man, I still can’t believe it. What do they do it for? Sex? TV? An automobile on monthly payments? Or children? Children who are just going to do the same things that they did?

Early on, when I was quite young and going from job to job I was foolish enough to sometimes speak to my fellow workers: “Hey, the boss can come in here at any moment and lay all of us off, just like that, don’t you realize that?”

They would just look at me. I was posing something that they didn’t want to enter their minds.

Now in industry, there are vast layoffs (steel mills dead, technical changes in other factors of the work place). They are layed off by the hundreds of thousands and their faces are stunned:

“I put in 35 years…”

“It ain’t right…”

“I don’t know what to do…”

They never pay the slaves enough so they can get free, just enough so they can stay alive and come back to work. I could see all this. Why couldn’t they? I figured the park bench was just as good or being a barfly was just as good. Why not get there first before they put me there? Why wait?

I just wrote in disgust against it all, it was a relief to get the shit out of my system. And now that I’m here, a so-called professional writer, after giving the first 50 years away, I’ve found out that there are other disgusts beyond the system.

I remember once, working as a packer in this lighting fixture company, one of the packers suddenly said: “I’ll never be free!”

One of the bosses was walking by (his name was Morrie) and he let out this delicious cackle of a laugh, enjoying the fact that this fellow was trapped for life.

So, the luck I finally had in getting out of those places, no matter how long it took, has given me a kind of joy, the jolly joy of the miracle. I now write from an old mind and an old body, long beyond the time when most men would ever think of continuing such a thing, but since I started so late I owe it to myself to continue, and when the words begin to falter and I must be helped up stairways and I can no longer tell a bluebird from a paperclip, I still feel that something in me is going to remember (no matter how far I’m gone) how I’ve come through the murder and the mess and the moil, to at least a generous way to die.

To not to have entirely wasted one’s life seems to be a worthy accomplishment, if only for myself.

yr boy,

Hank

An audio version is available here.

8. Asking difficult working class questions

From one of our favorite poets Gratiagusti Chananya Rompas is this poem asking difficult, working class questions. Set at a metropolitan mall, Anya describes the whole consumerist brouhaha as she verbalises the personal terror of discomfort lurking in the everyday.

Berada di Sebuah Mall Pada Suatu Akhir Pekan

by Gratiagusti Chananya Rompas

kadang aku perlu beberapa detik untuk memutuskan eskalator berjalan atau berhenti aku tak mengerti orang orang di depan dan di belakangku ingin pergi ke mana mereka berbaris berseliweran mendorong bayi bayi mereka di dalam stroller atau mengejar anak anak mereka yang sudah pandai berlari aku menggandeng anakku tangannya kecil dan lembut menuntunku membelah lautan orang orang yang tak kukenal itu

kadang orang orang diam tetapi suara mereka tumpang tindih dengan suaraku sendiri kadang orang orang begitu banyak bicara tapi aku tak mengerti apa yang mereka katakan beli selusin donat dapat potongan setengah harga kalau beli selusin donat? siapa yang akan makan begitu banyak donat di rumah? beli satu set alat masak dapat diskon 25% kalau punya kartu kredit dari sebuah bank tapi aku hanya perlu centong? beli semangkuk nasi daging lengkap dengan minum bisa beli boneka seharga 75 ribu? apa hubungan antara makan siang dan boneka? beli frozen yogurt small dapat 1 topping, medium dapat 3 topping, tapi large dapat 3 topping juga? beli makanan dengan kartu anggota bisa dapat satu makanan gratis tapi harus top up dulu tidak bisa pisah bill? yang gratis bisa yang paling mahal mbak?

anakku sayang, tolong antar mama keluar dari sini

dan di dalam mobil dalam perjalanan pulang mobil ini bergabung dengan mobil mobil lain seperti gorong gorong yang mampat

aku harus berkedip dua kali karena aku merasa permukaan jalan di jalur sebelah yang masih kosong terlihat mengalir seperti sungai yang airnya hitam.

9. At last—embracing rage

What’s a May Day poetry list without the angry verses? In “Canned”, Jim Waters exclaims in great fury a slogan we can all relate with—to hell with you!

Canned

by Jim Waters

          To hell with you!

          You ain't the whole earth, 

          Not by a damn sight!

You sneak around shaking your fat paunch shouting: "I'm losing money . . . hurry-up . . . pull-out. . . "Step-on-it!" . . , and you "can" anybody that talks back. I've seen your kind before—always losing money—Riding in limousines, showing off on the golf links, And talking open shop at the Union Club.

On Sunday you go to church and tell everybody What a nice employer you are. . . On Monday you go blue in the face cursing your men.

          You can't bull-doze me!

          To hell with youl

          You ain't the whole earth, Not by a damn sight!

Bonus poems

We’ve added four poems to this post that were not included on our Instagram version of May Day Poetry Picks. “Self Inquiry before the Job Interview” by Gary Soto, “Coal Deliveryman” by Ramón Cote Baraibar, and ultimately another work from Xu Lizhi, “I Swallowed An Iron Moon”, just because.

10. Self-Inquiry before the Job Interview

by Gary Soto

Did you sneeze? Yes, I rid myself of the imposter inside me. Did you iron your shirt? Yes, I used the steam of mother's hate. Did you wash your hands? Yes, I learned my hygiene from a raccoon. I prayed on my knees, and my knees answered with pain. I gargled. I polished my shoes until I saw who I was. I inflated my résumé by employing my middle name. I walked to my interview, early, The sun like a ring on an electric stove. I patted my hair when I entered the wind of a revolving door. The guard said, For a guy like you, it's the 19th floor. The economy was up. Flags whipped in every city plaza In America. This I saw for myself as I rode the elevator, Empty because everyone had a job but me. Did you clean your ears? Yes, I heard my fate in the drinking fountain's idiotic drivel. Did you slice a banana into your daily mush? I added a pinch of salt, two raisins to sweeten my breath. Did you remember your pen? I remembered my fingers when the elevator opened. I shook hands that dripped like a dirty sea. I found a chair and desk. My name tag said my name. Through the glass ceiling, I saw the heavy rumps of CEOs. Outside my window, the sun was a burning stove, All of us pushing papers To keep it going.

11. Coal Deliveryman

by Ramón Cote Baraibar

translated by Craig Arnold

Like finding a bar of aluminum wedged in a bull’s jaw. Like discovering in a sea chest a short obsidian head. Like looking through a padlock   and seeing an undeserved dawn. As impossible as all these, as melancholy and lonely, was it to see the green truck that with the punctuality   of a sacrament delivered the coal each month. On the slope its strained   heart would announce itself vociferously, at the brink of death, and it   would stop in front of the house as if to deliver the agonizing news of   the fall of Troy. And then a man, wrapped in sacking, would pitch   his cargo, resonant and angular, into an orange-painted crate.

Like opening a Bible and finding three leaves of laurel. Like lifting   a stone and remembering someone’s name. Like finding the same   snail again a hundred miles away. As impossible as all these, as melancholy and lonely, would it be to find, fifteen years later, the same coal    deliveryman carrying on his trade, bent from the strain, determined   to show the heavens that a man might do that job his entire life, that   he scraped in the mines, that he stole thread from his wife to sew his   sacking, that he dreamed of infinite excavations, of tunnels, and that   they might forgive him for not having done more than that.

12. I Swallowed An Iron Moon

by Xu Lizhi

I swallowed an iron moon

they called it a screw

I swallowed industrial wastewater and unemployment forms

bent over machines, our youth died young

I swallowed labour, I swallowed poverty

swallowed pedestrian bridges, swallowed this rusted-out life

I can’t swallow any more

everything I’ve swallowed roils up in my throat

I spread across my country

a poem of shame

[jeremystrele]

11 Affordable, Emerging Painters To Start Collecting Now!

11 Affordable, Emerging Painters To Start Collecting Now!

Art

by Sally Tabart

‘Sunday Morning’ by Lucy Roleff.

‘Satin and Blueberries’ by Lucy Roleff.

Artist and musician Lucy Roleff in the studio. Photo – Kim Landy.

‘Heirloom’ by Lucy Roleff.

Left: A Window. Right: Gemini by Lucy Roleff.

Lucy Roleff

Inspired by objects and arrangements in her daily life, Melbourne based Lucy Roleff taught herself how to paint from YouTube videos! Describing her style as ‘painterly realism’, Lucy likes to paint simple, domestic spaces that straddle the worlds of familiarity and grandeur. ‘I really enjoy the meditative practice of mixing colour and laying down brushstrokes’, she says. ‘There’s also a particular pleasure that comes when a painting starts to work – it’s very special!’

As if being a supremely talented painter wasn’t enough, Lucy is also a classically trained folk musician and composer! There’s a melodic feeling to her still life scenes as well – you can almost hear music drifting through an open window just out of frame. Dreamy.

Price point

Ranging from $780– $2,400

Where to find it

A TDF Collect solo show later this year… stay tuned!

Artwork by Bronte Leighton Dore.

Artwork by Bronte Leighton Dore.

Artwork by Bronte Leighton Dore. Right: Portrait of artist Bronte Leighton Dore. Photo – Robin Hearfield.

Artwork by Bronte Leighton Dore.

Artwork by Bronte Leighton Dore.

Bronte Leighton Dore

Bronte Leighton Dore paints landscapes, still life and portraits.  Her works are spontaneous and gestural, with an intuitive use of colour. Citing nature as her primary inspiration, Bronte’s work captures the ‘immersion of being in a moment’.

As a shortlisted artist in the prestigious 2019 Wynne Prize (the Archibald Prize’s cousin for landscape painting), Bronte is certainly on the rise!

Price point

Smaller pieces are $1,100 while the large scale works are around $4,800.

Where to find it

A solo show at Martin Browne Contemporary in April and Edwina Corlette Gallery in November.

Artist Charlotte Alldis in her Brunswick studio. Photo – Amelia Stanwix.

Artwork by Charlotte Alldis.

Artwork by Charlotte Alldis.

Charlotte at work in the studio. Photo – Henry King.

Charlotte Alldis

Young Melbourne-based artist Charlotte Alldis likes to make a mess. ‘My work is playful, silly and imaginative’, she describes. ‘It involves storytelling of characters and feelings’. Wobbly flowers, sunbeams and rainbows in wonderfully bright colours are frequent guests in her paintings, murals and textiles, bouncing into each other and welcoming the viewer with big grins and sleepy, starry eyes. 

Look out for a more in-depth profile on Charlotte and her work on TDF in next few weeks!

Price point

Varying depending on size and medium.

Where to find it

Charlotte and two of her best friends recently started their ‘Making A Mess’ workshop series for people to come together and explore mark making, constructing and creative expression, all free of judgement. Keep up with them via their Instagram.

Artwork by Charlie Ingemar Harding.

Artwork by Charlie Ingemar Harding.

Portrait of Charlie Ingemar Harding. Photo – Tim Hardy.

Charlie Ingemar Harding

Charlie Ingemar Harding’s artwork feels both casual and serious at the same time. There is a sincerity in his paintings – these are works that don’t immediately announce themselves, but draw you in the more time you spend with them. Like a comfortable conversation, without many words exchanged.

Working across a variety of different mediums, from oil paintings to raw textile compositions, It’s hard to pigeon hole Charlie’s style into a specific genre, because it changes all the time. At the moment, he’s found himself consumed by textile works. ‘The works are large and immersive, whereby the viewer can traverse freely across vast areas of material until reaching a loose thread or seam solidified in composition,’ he explains. ‘They sit in space, unobtrusive, quiet, breathing in and out contemplative air.’

Price point

Varying dependent on the work.

Where to find it

Charlie is building a body of textile works that he plans to show in the near future. In the meantime, keep up with him on Instagram. 

Artwork – Elynor Smithwick.

Artwork – Elynor Smithwick.

Artwork – Elynor Smithwick.

Artwork – Elynor Smithwick.

Elynor Smithwick

It’s hard to believe that Elynor Smithwick only graduated from her Honours year at the Victoria College of the Arts in 2019!

Her quiet, intimate oil paintings have a nostalgic quality about them – places that you might have been before, or scenes that feel a bit familiar. ‘The settings are usually in a time and place you can’t quite put your finger on’, Elynor tells. In her last two bodies of work, she’s looked to old family photographs as her anchor. ‘Usually I find my inspiration in small things, looking out windows, going on walks, returning somewhere, closing my eyes’, she says. 

Price point

Around $400 – $800

Where to find it

A group show of 12 painters at George Ponton Gallery, opening on May 20th. A joint exhibition in Mount Buller showing works created on a six-week residency from the Mount Buller Residency award, opening July 18th. And, a group show at Stockroom Gallery showing works created in Kyneton under the Macfarlane Fund residency, opening November 14th

Emma Currie working on a large piece in the studio. Photo – Amelia Stanwix.

Artwork by Emma Currie.

Artwork by Emma Currie.

Artwork by Emma Currie.

Emma painting in the studio. Photo – Amelia Stanwix.

Emma Currie

We first profiled Melbourne-based artist Emma Currie’s work in late 2019, ahead of her inclusion in our end of year show, ‘Art and Artefact’, where her painting was one of the first to be sold! Emma makes abstract figurative oil paintings, using bold, geometric shapes and colours to depict the female form. Dynamic and soft at the same time, Emma’s work is a beautiful balance of hard edges, and feminine fluidity.

‘I’m inspired by the geometric lines found in Picasso’s cubist work, and I often reference Matisse cut-outs’, Emma says of her key references. ‘I also love contemporary Spanish photographer Carlota Guerrero‘s work and find myself drawn to her Instagram feed when I’m feeling creatively blocked.’

We’ve said it before, and we’ll say it again – Emma Currie is one to watch!

Price point

Anywhere between $800 and $4000 depending on size.

Where to find it

A TDF Collect solo show… just around the corner!

Artwork by Gabrielle Penfold.

Artwork by Gabrielle Penfold.

Left: Portrait of artist Gab Penfold. Right: Artwork by Gabrielle Penfold.

Artwork by Gabrielle Penfold.

Artwork by Gabrielle Penfold.

Gabrielle Penfold

Gabrielle Penfold’s joyful work feels just like drinking a cocktail at sunset on a beach in Italy – bright, carefree and full of potential! Bouncing between still life and landscapes, and sometimes dabbling in abstraction, Gabrielle’s sweet scenes are inspired by traveling to places rich in history and culture. ‘It’s in those places ideas are fed to me’, she says. ‘I will always refer back to my photographs, sketches and books when in the studio.’

Price point

Smaller works start at $800

Where to find it

Contact Gab via her website.

‘Horse-tail sheoak beneath clouds’ by Ileigh Hellier.

’24 hours at Henbury Meteorites Conservation Reserve’ by Ileigh Hellier.

‘Small Trees’ by Ileigh Hellier.

‘Sky Trees Pool’ by Ileigh Hellier.

Ileigh Hellier

‘I’d describe my work as playful, colourful representations of the Australian landscape’, says Newcastle-based artist Ileigh Hellier. Her smudgy, colourful paintings depict loose representations of the natural world – not just what she sees in front of her, but what’s up in the sky and below the ground. Layers of topography are laid flat in a brilliantly fresh and elegant, yet childlike way.

There’s a little bit of abstract Ken Done present in Ileigh’s paintings – and as it happens, Ken is at the top of the list of artists she admires. Ileigh is a finalist in the 2020 Glover Prize, an annual art prize for landscape paintings of Tasmania.

Price point

Around $300 – $850 (and varied depending on gallery commissions)

Where to find it

You can see Ileigh’s work in the Glover Prize finalist exhibition, opening March 6th at the Falls Park Hall in Evandale, Tasmania.

An abstract group show at Allison Kate Bellinger Gallery in Inverell, NSW.

A show Purple Noon Gallery on the Hawkesbury River, NSW, opening on April 4th. A show at Back to Back Galleries in Newcastle, NSW, opening July 10th.

Artwork by Niah Mcleod.

Artwork by Niah Mcleod.

Niah McLeod

From a distance, Niah Mcleod’s paintings look like broad patterns in subtle gradient hues. Look closer and you’ll notice each tiny dot or line painstakingly pressed to canvas, to form incredibly powerful rippling movements. Inspired by the sky and the stars, water and the earth, Niah’s works are meticulous and moving.

As a mum of two kids, painting is what gives Niah a sense of belonging. ‘I feel like I can show the world just a tiny, beautiful piece of Aboriginal culture’, she describes. ‘I’m also very lucky to learn my native Language (dhurga) and to teach it to my children through painting, and that to me is everything.’

Price point

Between $550 – $14,500

Where to find it

A group show at Kate Owen Gallery in Sydney opening on May 9th.

Artwork by Seth Searle.

Artwork by Seth Searle.

Artwork by Seth Searle.

Artwork by Seth Searle.

Seth Searle

Seth Searle’s oil paintings including portraits, still life and interiors demonstrate excellent control of her medium. Her moody, quiet works elegantly highlight hand gestures, distortions through glass and pattern with apparent ease!

Seth finds inspiration in writers who explore the confines of gender roles, like Maggie Nelson and Virginia Woolf.

Price point

$900 – $1400

Where to find it

Seth will be in a joint exhibition with her good friend Lucy Roleff (see above on this list!) at BOOM Gallery in September.

Photo by Thea Anamara Perkins.

Photo by Thea Anamara Perkins.

Photo by Thea Anamara Perkins.

Photo by Thea Anamara Perkins.

Thea Anamara Perkins

Thea Anamara Perkins explores her identity as an Arrernte and Kalkadoon woman, but her practice also forms an investigation into art-making itself.

Thea brilliantly captures light and a surprising level of detail in the thick, broad brush strokes of her landscapes and portraits. Inspired by the art of Central Australia, she has worked with Tangentyere Artists including Sally M Nangala Mulda over the last couple of years.

‘I think of art as a forum of ideas, and creativity is a way of grappling with the vast abstract world’, says Thea.

Thea was listed for the Archibald Prize in 2019 for her portrait of contemporary artist and family friend Christian Thompson. An incredible feat for an artist still in her 20s!

Price point

Around $2,000 – $3,000

Where to find it

My Imagination group show on NOW until March 14th at Edwina Corlette Gallery.

**Please note that the price-guides quoted here are representative of the time of publication, and may be subject to change. 

[katamdrainage]

Sewer Replacement Services Melbourne - Our teams are trained and certified in Height Rescue Services Melbourne and Confined Space Services Melbourne.

[forrestyoga]

Hoop Spotlight: Jai Hunter

Name: Jai Hunter

Location: Townsville, Queensland, Australia

Forrest Yoga Training: I did my teacher training with Ana in Sydney in 2015 and my mentorship with Sandra in the UK in 2016.

Website/facebook page: https://www.facebook.com/TsvYogaHub/

Jai’s FY practice explained in 3-5 words: Grounded and Connected! ALIVE!

Upcoming Events: Assisting Ana in Melbourne, Australia March 10-12th! 

Where she teaches now: I currently teach at Townsville Yoga Hub in Townsville, QLD

What brought Jai to Forrest Yoga: I was in Sydney doing an assisting course and a girl told me to read Fierce Medicine. I had never heard of Ana at this stage, however something told me to order the book. Within 3 pages I knew I wanted to spend an intense period of time with this woman and learn all I could from her. Alas, Ana had never been to Australia so I put the idea in the “too hard” pile. Little did I know the universe had another idea when 3 days later an email popped through, from my yoga studio, saying Ana Forrest was coming to my area to do – you guessed it - a teacher training. Without ever having done a Forrest class I jumped online and paid my deposit. I had no idea what I had let myself in for, and when I mentioned what I had done numerous people asked if I was mad and if I knew what I was letting myself in for. I allowed myself to be guided by spirit and it has been the most incredible journey ever since.

One of Jai’s most memorable Forrest Yoga moments - on or off the mat: I am a go-getter – I make things happen and I push and I push until they happen. Forrest is helping me lean back a little, to let go and trust rather than push, push, push! I was practicing in one of the morning intensives during teacher training, and it was a back-bending practice which I normally attack with gusto – we got to bow with a strap over the roll – and it was way too much for my emotions this morning but I fought and I fought. Finlay Wilson [an assistant at the training] put one hand my right shoulder and said, “Stop! Just stop. Its ok.” And as I stopped I realized that no-one had ever said that to me before and genuinely meant it. That it would be ok if I just stopped! His hand on my shoulder supported the words to stop and my heart melted and by body stopped with a deep sense of relief and surrender. I will never forget that.

Which teacher has inspired Jai the most: Sandra is the most beautiful and generous teacher I have had the blessing of learning from. Her compassion and ability to hold space is incredible. When she adjusts, you are taken to places that don’t exist and feel held with such an incredible sense of gentleness. Her knowledge spans lifetimes.

What Forrest Yoga ceremony practice/song Jai loves, and why:  I LOVE “Witchita” as it takes me back to mentorship where 8 incredible women came together to create an energy that was unlike anything I have felt before. We would run and dance and sing and howl before each morning practice. We would then laugh, cry, giggle, fall over through practice yet be fully supportive of each other. These are friendships and bonds that will never be severed and run so deep in our veins that even on other ends of the world we are deeply connected.

From corporate life to Cobra Pose:  Forrest has changed my life! Before I found Forrest I was a Financial Analyst in Sydney working for Dan Murphys Online. I was numbing my pain of a mediocre life with alcohol and I was getting sicker and sicker every day. My body ached, I was cranky and I was on a downhill spiral that was spiraling fast. 

Something clicked in Teacher Training and I found myself in a ball of tears for the entire day. I realized that I had no real idea of who I was but I knew for sure I wasn’t doing what I loved. That day I went into see my manager and after 10 years of life as an accountant I handed in my notice and made the decision to teach full time. I surrendered fully and the universe answered by placing a studio owner on the mat beside me who asked me to move to Townsville to teach at her studio.

I continue to do Forrest because it opens my mind to the possibilities around me, opens my body so I can feel, and allows the miracles of life be fully and 100% felt and experienced.

A cause or social issue that Jai stands for and believes in: I believe that more has to be done to stop the unfair inhuman treatment of vulnerable children. I recently learned that 80,000 children in India go missing a year. It is a topic which crumbles my heart – so much that it physically hurts. I cannot comprehend how people have so little regard for other people especially those innocent, vulnerable little souls. I can’t believe that others think they can control, belittle, use others for their selfish gains.

Mending the Hoop: For my homework I volunteered at the ladies correctional centre in Townsville which was one of most intimidating and scary things I have ever done. I was shaking the first day I went – I made my partner drive me to the prison and wait for me. ☺

I came out beaming that day and nearly a year later I am still volunteering every week unless I am away on training or holidays. It has been so amazing to work closely with these ladies to help them feel free within the confines of the prison walls. It has been rewarding to allow the ladies to see an alternative for addictive behaviors, to teach them breathing, the power of the pause and to find the quietness in the noise. I am so blessed to have this opportunity, and I believe I get just as much from it as the ladies do. It is very rewarding work. Without Forrest, I would NEVER have done anything like this.

 The world is hurting because too many people feel trapped, feel like they have to put up with unhappiness. My advice for anyone is to get quiet, and listen to where your soul is guiding you. The soul whispers but distractions scream so you need to get quiet to hear.

Use your practice to connect to your heart, use your practice to find the strength to follow your dreams and use your practice to teach you to breathe through the obstacles on the way.

~ Aho

[micaramel]

Artist: Cyprien Gaillard

Venue: Sprüth Magers, Los Angeles

Exhibition Title: Reefs to Rigs

Date: February 11 – April 19, 2020

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

  Video:



Cyprien Gaillard, Ocean II Ocean (trailer), 2019, 00:36

Images courtesy of Sprüth Magers, Los Angeles/Berlin/London

Press Release:

Monika Sprüth and Philomene Magers are pleased to present Reefs to Rigs, an exhibition of new sculptures and photographs by Cyprien Gaillard, as well as his most recent film, in a presentation that connects with the Los Angeles gallery’s particular site above a future LA Metro station and across from the La Brea Tar Pits. At this intersection of urban infrastructure and prehistoric matter, Gaillard’s works emphasize the cyclical, era-spanning interactions between nature and human industry, made visible and palpable through materials encountered across the world.

On the ground floor of Sprüth Magers, Los Angeles, large wall-based sculptures circumscribe the gallery space, composed of impossibly thin limestone panels atop honeycomb aluminum structures. Swirling constellations of fossils are embedded within each panel, as is the cryptic logo of the New Jersey Transit commuter rail line (with its interlocking “N” and “J”) that connects the state’s cities and towns with the New York City metroplex. The works’ thick aluminum substrates, which protrude from the wall, lay bare the industrial, fabricated nature of each sculpture, as do inlaid screws, whose placement across one of the stone panels recreates—on a one-to-one scale—those found around the windows of a New York MTA subway car. This same arrangement is materialized in pink coral inlay in several other panels.

These machine-made elements of Gaillard’s new sculptures contrast with the natural aura of the stone itself, which ranges from smoky black to yellow-gold to delicate pink, and whose fossils testify to the existence of an ancient ocean bed at their original quarry sites across what is now considered Asia. Colorful and vibrant in their fossilized patterns, the limestone veneers seem to grow outward from the wall like a layer of sediment atop the aluminum panels, mimicking a natural growth overtaking an industrial ground. The title of the exhibition, Reefs to Rigs, is a nod to the long-running project Rigs to Reefs, which leaves decommissioned oil rigs intact so that they might harbor new layers of coral and other forms of marine life. By flipping the phrase, Gaillard in turn imagines a cyclical reversal of this purportedly beneficial, but politically fraught, program.

The pulsing beat of steel drums urges visitors upstairs to encounter Ocean II Ocean (2019), Gaillard’s film that premiered last year in the 58th Venice Biennale. The film is divided into two main sections that follow upon each other in an infinite loop. In the first, Gaillard’s camera focuses on fossils encrusted in the underground walls of metro stations in Russia and the former Soviet Bloc, such as Moscow, Saint Petersburg, Kiev, Tblisi, and Berlin. Constructed by the Communist Regime as a propaganda tool to celebrate Soviet power and ingenuity, the stations are clad in marble quarried from various Soviet mountain ranges. As in Gaillard’s new sculptures, the fossils speak to the prehistoric, watery histories of the sites that generated these materials; brought together from so many different places and periods, they coexist in these final, politically loaded locations.

The other half of Ocean II Ocean follows MTA subway cars on a journey across tracks, through bridges, onto barges, and then out to sea, ceremoniously dumped into the Atlantic Ocean in an effort to benefit aquatic life—glimpses of an artificial reefing program whose goals in many ways mirror those of Rigs to Reefs. Diving below the water’s surface, the camera captures marine animals moving among the steel carriages. Moreover, the frenetic energy of the film’s soundtrack, produced by Gaillard from samples of recordings of a steel pan orchestra, connects these stainless steel carcasses with the percussive sound of steel, as if its vibrations might be emanating from the train cars themselves.

Known for their carnivalesque echoes, steel pans are historically from Trinidad and Tobago and traditionally made from discarded oil barrels, whose original contents relate both to the creation of fossil fuel and to the contemporary pollution and demise of underwater life. Connecting Ocean II Ocean’s two segments is a lush, albeit deceptive, vortex that is revealed to be a stainless steel New York public toilet, mid-flush. Its flowing movements link the work’s segments and avert any breakage in sound or image, emphasizing the cyclical nature not only of Gaillard’s film, but also of the shifting cycles of draining and rising that the world’s oceans have experienced and continue to undergo.

In a series of new Polaroid diptychs, Gaillard pairs views of public restrooms with double-exposed compositions shot in Stockholm that extend the layered impulses of the film and sculptures. Glimpses of Sea God (Sjöguden), a public sculpture by the Swedish artist Carl Milles, meld with images of the Stockholm underground, creating two layers of visual sedimentation. The subway stations’ staircases and platforms seem to stream in and out of the sea monster’s mouth.

Connected both thematically and materially, Gaillard’s film and sculptures make apparent the recurring, tidal movements both of oceans and of the earth’s interactions with human history. Geology is corrupted, brought down to a mundane urban context, and elements are displaced and transformed over time. Water and shells, through fossilization, naturally become stone and fuel; which are in turn carved and pumped out of the earth via human extraction and technology; only to be shipped around the world and then returned to a subterranean existence in the walls of subway stations and the ocean floor. At the same time, Gaillard’s new bodies of work look past the confines of human time frames toward the deep time of geological consciousness, considering a past that extends far beyond human existence, and perhaps a future that does as well.

Cyprien Gaillard (b. 1980, Paris, France) lives and works in Berlin and New York. The recipient of numerous awards, including Best Experimental Short at the Melbourne International Film Festival (2016), Preis der Nationalgalerie für junge Kunst (2011), and Prix Marcel Duchamp (2010), he has had solo exhibitions worldwide at TANK Shanghai (2019), Accelerator Konsthall, Stockholm (2019), Museum Tinguely, Basel (2019), K20–Kunstsammlung Nordrhein- Westfalen, Düsseldorf (2016), Julia Stoschek Collection, Düsseldorf (2015), MoMA PS1 (2013), Hammer Museum, Los Angeles (2013), Fondazione Nicola Trussardi, Milan (2012), Schinkel Pavillon, Berlin (2012), Centre Georges Pompidou, Paris (2011), KW Institute for Contemporary Art, Berlin (2011), and Kunsthalle Basel (2010). Major group exhibitions include the 58th Venice Biennale (2019), Cleveland Triennial (2018), Martin-Gropius-Bau, Berlin (2018), Fondation Louis Vuitton, Paris (2018), ARoS Triennial (2017), The Red Brick Art Museum, Beijing (2017), Hirshhorn Museum and Sculpture Garden, Washington, DC (2017), Hayward Gallery, London (2016), 13th Biennale de Lyon (2015), 54th Venice Biennale (2011), Gwangju Biennal (2010), and 5th Berlin Biennale (2008).

Link: Cyprien Gaillard at Sprüth Magers

from Contemporary Art Daily https://bit.ly/3aAW0iw

[npachristin1-blog]

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