#conceptually speaking

[tenshiharmonia]

Okay, I know there are much wilder things happening right now, but am I the only one who'd really like to see Razor Rex' "seven fearsome Corpse Cardinals" ?

[bonyfish]

When I was in the operating theater for my top surgery and my surgeon was doing his little last minute adjustments to the arcane sigils that had been drawn on my chest, I made a comment about how it was like he was putting darts in, and he was like, "yeah, I'll go ahead and add some ruching while I'm at it" and I was so delighted and I still think of that little joke when I'm applying my various healing balms

[meteorstricken]

A little something about why Ultima is...fascinating...to me.

I consider myself spiritual-leaning agnostic, and am a long-time "Exvangelical". (2020 crushed any remaining vestiges of dogmatic faith I had left. It was painful.)

But now that I'm detached from any obligation to affirm any dogma, my mind has been left to peruse possibilities...and I have to say that there is no system or theory of belief or unbelief that does not disturb or upset me. I refuse nihilism, but the notion of having meaning imposed upon me from without is despair-making. I hold my autonomy precious. Yet at the same time, I am but one small person. To concoct my own meaning feels impotent and masturbatory.

And then there is the issue of divinity. If the divine exists, what are the qualifications for calling it so? What, if anything, differentiates a powerful hyperdimensional alien from what man would traditionally refer to as a 'god'? Are they simply one and the same?

At last, we arrive at the subject of intent. If the divine does exist, the power differential between them and man leaves no room for reasonable, open-eyed trust. What do we know of eternity? We can barely conceive of it. Why should we trust anything it has to say or any of its promises?

Perhaps there might be eons of paradise as some traditions suggest, and the faith of many seemingly rewarded...but then, the carpet is pulled. Annihilation. Destruction. Torment. All souls, totally and utterly consumed. That which belongs to the divine, theirs to destroy.

Truth is more important than anything; than any comfort we might derive, but it's so out of reach. And even where we might think we have it, there's an untold risk of being dangerously, cosmically wrong.

FFXVI's Ultima touches upon all these themes of existential existential terror and uncertainty, and I simply cannot look away.

[candont]

Ai Weiwei: Fountain of Light (2007)

[wuntrum]

plasma ball vibrator...its called the orb

[aliettali]

look at this glorious ass vase. i feel like I’ve been possessed

[moonshynecybin]

texts vale sends immediately post rosquez proposal

[leafatlaw]

This series felt more of an accidental metaphor for capitalism than anything else. But the thing that’s going to be keeping me up at night for a while is how even when given the power to remake the world in whatever way he wanted to, Evbo was still not able to imagine a world without parkour.

This world was all he’s ever known and even when trying to make it better he doesn’t think such a thing as solid ground can exist.

[yarrowleef]

hey, hold up, hang on

I was doing some random wiki research about Midnight, and I came across this???? apparently there were bonus info videos released with The Last Hope's ebook?

look, this is decade old info, and maybe everyone already knows and stopped caring years ago but like??? I don't think I knew this?? this is news to me!!!

time stamp 1:00 - 2:10

Midnight was supposed to be the twist villain for OotS?? are u kidding me so much of why I remember the last Hope being anticlimactic is because nothing interesting happened, the bad ghosts had been saying "we're going to do a big attack" for books and books, and then they just did that big attack exactly as we had been told and it was the same as any other Big Battle scene and there wasn't really any more interest to the plot. This kind of plot twist might have actually added something interesting to that book!

And Vicky makes it sound like she had this plan for a long time? it was even going to tie back to Midnight secretly having a hand in the badger attack in arc 2?

THIS!? This is why she told Sol that info about the eclipse?? and then never explained why??? Like!!!! is this why Sol was Like That!?? a guy set up to be a big mysterious deal, but then he didn't really do anything and just fizzled out of existence??? because he was conceived of for an idea that was scrapped before going anywhere, but he was already sort of part of a (presumably already started) plot mid PoT so it was too late to cut him 'cause they still needed SOME minor antagonist there to fill pages, right? .... but he had no where to go and no (good) reason to do anything, no ending, since HIS BOSS, his Motive, suddenly stopped existing as a concept??? bro??? no wonder his random tie to SkyClan felt so unfitting as a reasoning for this kind of villain

Erica!! Erica wtf!! I don't care if it felt absurd, absurd is better then underwhelming! so what if Midnight was nice and helpful to some cats, maybe she has complex feelings about certain clan cats despite still secretly wishing to unleash chaos on the society as a whole for personal reasons, heaven forbid there be a complicated villain :'(

anyway I am going to be thinking about this lost timeline forever.

[kenobihater]

my old star wars mutuals are like siblings-in-arms to me. if you've been around since the beginning of my blog back when mando was good and we still posted about it during s2? we've been forever bonded by our shared service in the discourse trenches. if you remember the ENDLESS cult discourse, the frog egg discourse, the birth of dincobb, the recanonization of jaste(r mereel), the helmet discourse 1.0, the finale marking the decline of the show as a whole, the helmet discourse 2.0 post finale, and the birth of dinluke?? man. i would do ANYTHING for you. you get me on a visceral level. our mutualship has been forged in fire and flame.

[bumblingbabooshka]

It's impossible to write a TOS x Any other Series crossover [for me] without having to think about whose lens it's going to primarily be from because the vibe of TOS is so distinct and I think quite different from all series that follow it. The way the characters speak and are presented is so theatrical and of course steeped in the past that I find myself considering if this is, say, Janeway meeting Kirk (through a VOY perspective) or if I should write Janeway as she would appear if she stepped through a portal and was in TOS' universe.

[dirtytransmasc]

[TW implied/referenced rape/forced consent]

did Alicent call for her mother? did she ask her, a woman she thought was so wise and all knowing, why? why it happened to her? why her father betrayed her so? why this man who was so much older than her, looked at her with such empty lustful eyes? did she silently pray for her mother when Viserys raped her, night after night, begging for her to save her? did she imagine her mother walking next to her as she made her way to Viserys's chambers, knowing what was to happen, unable to change her fate? did she scream for her during labor, begging for her to be by her side, to hold her hand, to make the pain stop? did she cry for her mother when she was raising a child, while still a child herself, another on the way, clueless as to what to do? did she ask her for advice? did she beg for forgiveness cause she was failing her children? did she kneel at the Sept till it hurt more than she could bear, trying to feel her mother's arms around her? did she take Aegon? Helaena? Aemond? Daeron? did she take them with her to pray, to get to know her mother? did she have to hold them still and remind them to be quiet in such a place? did she hold them close as she told them stories of her?

did she ever think of Aemma? she must have, she must have when Viserys forced her into the late queen's robes, she must have when he frequently called her by the wrong name, when he sought her hand in marriage before his mourning period had even ended. did she beg for Aemma's forgiveness? was she sorry for what Viserys was doing to her? did she blame herself? did she feel guilty for having a healthy son on the first try, for having 4 healthy babes? did she tell her kids of her? did she share her memories of Aemma with them? did she question how she managed to be with Viserys for so long? how she lost so much cause of that man yet pain and anger never once flashed in her eyes? did she think of the last conversation she heard from her, about the child bed and royal wombs, often?

[neosatsuma]

just had the idle thought, "wow Sophie and Diana will be even more related once they're married to Jack and Stephen, they'll be in-laws," and then I remembered that Jack and Stephen literally aren't . brothers. in any way. 💀 I forgor??

[slitheringghost]

A narrative thread I find interesting is Family As Teachers and how characters influence and mirror each others’ abilities in familial dynamics - particularly in sibling/"twin" dynamics - which is fitting in a society where children’s magical education seems entirely controlled by their families until age 11 when they start Hogwarts and intermittently afterward. This theme is reflected in Ollivander’s words in DH while discussing the mystery of the twin cores and general wandlore with Harry:

"The best results [...] always come where there is the strongest affinity between wizard and wand. These connections are complex. An initial attraction, and then a mutual quest for experience, the wand learning from the wizard, the wizard from the wand"

You even have the three Peverell brothers inventing the three Hallows together to conquer death

Fred and George - as the actual siblings/twins, the most in tune - drop out and invent Weasley's Wheezes together, shared sense of humor via a literal Joke Shop. They find the Marauders' Map ("This little beauty’s taught us more than all the teachers in this school"). This twin duo sometimes turns into a trio - see post about Hermione’s contributions to their inventions in my meta Hermione As Teacher and Connections to Lily (who eventually joins the Weasley family, so like a sister to them); and additionally the twins’ best friend Lee Jordan helping them:

Fred and George Weasley with their friend Lee Jordan, all three of whom were carrying large paper bags crammed with Zonko’s merchandise Fred and George appeared finally to have perfected one type of Skiving Snackbox, which they were taking turns to demonstrate to a cheering and whooping crowd […] Lee Jordan, who was assisting the demonstration, was lazily vanishing the vomit at regular intervals with the same Vanishing Spell Snape kept using on Harry’s potions. (OoTP)

George then mentions utilizing Vanishing into their fireworks: (“Oh, I hope she tries Vanishing them next…They multiply by ten every time you try”). Snape’s skill at Vanishing ties to dynamic with Mcgonagall as she’s shown teaching 5th years Vanishing Spells in OoTP, and later in the book LV’s emphasized as weaker in Conjuration with his conjured shield, unsurprising given Dumbledore was his Transfiguration teacher.

THE MARAUDERS - James and Sirius collaborate on the Marauders' Map (with Remus; shared sense of humor built into it via insulting Snape), two-way mirrors called "twin" mirrors in DH; James's wand is "excellent for Transfiguration", he's a confirmed prodigy and Sirius is equal to him - both Animagi, McGonagall's favorites ("Both very bright, of course—exceptionally bright"), Sirius goes "I don’t need to look at that rubbish, I know it all" re: Transfiguration textbook; looking to create a new identity from his family's Dark magic, Sirius's interest in Transfiguration likely stemmed from James. Equal in DADA (finish the OWL early, "I’ll be surprised if I don’t get Outstanding on it at least" "Me too"), hex people together.

Remus - Dark Creatures interest from his father (Lyall was "a world-renowned authority on Non-Human Spiritous Apparitions" such as "poltergeists, Boggarts and other strange creatures") shown in Remus with Peeves and the Boggart lesson. A possible hint of Remus and Tonks friendship affecting her interests - Tonks helping with a "murderous old ghoul lurking in a toilet" in 12GP.

THE BLACK FAMILY - the Blacks are all brilliant. Sirius and Bellatrix are mirrored in battle implying Bella taught him and/or they dueled together - a connection transferred to Sirius mirroring James and Remus in combat ("Then, with identical fluid movements, they reached into their back pockets" in the prequel; "Then, with one movement, they lowered their wands" in PoA). Same weapons: Knives - Sirius slashes the Fat Lady and tries to stab rat!Peter, gifts a penknife that opens any lock to Harry; Bellatrix tortures Hermione and murders Dobby with a knife (potentially they keep them handy for blood magic - "rusty daggers" in 12GP nearby the crystal bottle of blood).

Bellatrix, Narcissa, and Regulus can all occlude LV and Bella trains Draco. Sirius knows a lot about Dark Arts and Harry's curse scar from the horcrux, Regulus identifies LV's horcrux, Bella is LV's Dark Arts student and given a horcrux.

Sirius and Orion - Orion warded Grimmauld Place, adding "every security measure known to Wizardkind", made it "Unplottable, so Muggles could never come and call"; Sirius maybe used his family's magic on the Map (a tool in part to make Hogwarts safe from teen DEs, and I HC Sirius worked on it most, as Hogwarts was also a home and escape from 12GP to him), role as Secret Keeper, offers GP as safehouse to the Order, undoes its enchantments to let halfblood Harry inherit. Sirius and Walburga both use the Permanent Sticking Charm - Walburga to terrorize and scream bigotry, Sirius to flaunt his differing politics with Muggle stuff.

I HC Bellatrix invented some Dark artifacts in 12GP - the "unpleasant-looking silver instrument, like a many-legged pair of tweezers, which scuttled up Harry’s arm like a spider when he picked it up and attempted to puncture his skin" which Sirius smashes with Nature’s Nobility: A Wizarding Genealogy (fits Harry and Sirius's interaction with Bella later in OoTP) and the "musical box that emitted a faintly sinister, tinkling tune when wound”, making them all "curiously weak and sleepy" until Ginny shuts the lid - placed right next to Merope's locket (esp. as Sirius’s words after this passage parallel Bellatrix in DH). Raised as the heir, Bellatrix likely had similar training and skill in wards as Sirius.

Bellatrix and Voldemort - paralleled in combat ("Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once"), both Legilimens. Her speech about the Dark Arts and learning "spells of such power" while teaching him the Unforgivable curses - she's likely as skilled as LV in inventing curses.

Dumbledore and Grindelwald - "just as precociously brilliant", "even after they’d spent all day in discussion — both such brilliant young boys, they got on like a cauldron on fire", "at last, my brother had an equal to talk to, someone just as bright and talented as he was". Twin imagery with Grindelwald as hilariously described like Fawkes.

Next-door neighbors, knew each other only for a few months, yet Grindelwald’s ideas "caught and inflamed him", Dumbledore’s "ideas helped Grindelwald rise to power". Collaborate on the fascism and Deathly Hallows quest, but not Dark Arts (vs. Snape and Lily share the Dark Arts experimentation but not the fascism). Both on the same level in dueling, can conceal themselves without a Cloak.

Bathilda Bagshot - Dumbledore's Mother Figure/teacher, "impressed by his paper on trans-species transformation in Transfiguration Today" which Dumbledore's shown reading, so she presumably mentored him in Transfiguration, clearly a favorite field (While Dumbledore had few close friends, McGonagall's maybe the closest equivalent to a female friend; echoes Snape with Eileen and Lily).

Elphias Doge - met at 11 on their first day at Hogwarts, "Our mutual attraction was undoubtedly due to the fact that we both felt ourselves to be outsiders". They "intended to take the then-traditional tour of the world together, visiting and observing foreign wizards, before pursuing our separate careers".

While the pair are said to not be intellectually on par, Dumbledore's interests clearly influenced Doge, also implied in Doge writing “his friends benefited from his example, not to mention his help and encouragement, with which he was always generous. He confessed to me in later life that he knew even then that his greatest pleasure lay in teaching.”

Doge on his travels mentions "experiments of Egyptian alchemists" and "escapes from chimaeras in Greece" (fire-breathing lion, goat, serpent hybrid) - echoing Dumbledore as a "Gold Medal-Winner for Ground-Breaking Contribution to the International Alchemical Conference in Cairo" and interest in certain magical creatures and associations with fire (Fawkes, dragon's blood uses, "trans-species transformation" research, bewitches a branch of Gubraithian "everlasting" fire which is Charms related, the Deluminator as a cigarette lighter).

Nicolas Flamel - Dumbledore's Chocolate Card notes his "work on alchemy with his partner Flamel" inventor of the Philosophers' Stone (colored “blood-red”) who taught teen Dumbledore; Dumbledore later enchants the Stone and links it to the Mirror of Erised (only one who wanted to find but not use it could get it, or they’d be shown making gold or drinking Elixir of Life). Albus also means "white", after an alchemy principle.

Marchbanks who examined him in Transfiguration and Charms N.E.W.T.s says he "did things with a wand I’d never seen before", won the "Exceptional Spell-Casting award"; published papers in Transfiguration, Charms, and Potions journals - linked more with wand magic fields.

Snape and Voldemort - From his words in HBP (disdain at Mundungus for not being a real Inferius), Snape likely learned necromancy with LV and enchanted Inferi during the First War (fitting to his vampire vibes).

Potions - LV uses "old piece of Dark Magic" rebirth potion; creates the Rudimentary Body Potion of snake venom, unicorn blood, spells of his own invention. Snape's Potions speech in PS - "the power of liquids that creep through human veins" (reference to potions with human blood?).

LV invents the Drink of Despair, Snape modifies the Elixir to Induce Euphoria (and assigns a dementor essay). Snape’s knowledge of poisons (logic puzzle, undetectable poisons essay, etc) and the bezoar trick as antidote, Tom poisons Hepzibah with a "lethal and little known" poison that passes for sugar to frame a house-elf who can’t carry a wand. Riddle petrifies students with the basilisk, Snape brews Mandrake Restorative Draught for basilisk victims (mandrakes heal transfigured or cursed victims, "an essential part of most antidotes").

LV curses the Gaunt ring, Snape heals that curse (golden potion and countercurse, collaborating with Dumbledore). LV turns the locket into a horcrux, Snape heals Katie Bell from the cursed necklace. LV curses the DADA job and the curse on his name, Snape invents Sectumsempra. LV the most accomplished Legilimens; Snape the most skilled Occlumens (and a skilled Legilimens). LV adds a concealed entrance on the Locket Cave/symbolic Gaunt shack, Snape renovates Spinner's End with two hidden doors (both in locations related to their Muggle childhoods).

Snape and Lily - to a large extent it makes sense that their magical abilities and interests align even more closely than any other duo save the Weasley twins, because they played the role of "family training" for each other for 2+ years. Both outsiders and ambitious with magic as their way out, Lily's joy at magic and Snape views it as an escape from home, closest to siblings living in the same town. Snape's keen on sharing everything (esp. if raised with an idea of how training works in magical families), Lily on knowing everything (and seems to be following Snape's lead on the magical world in a lot of ways).

Eileen clearly taught Snape a lot about wizarding society and I assume some magic, has all her school textbooks and likely some Prince family books/knowledge, with Dark Arts and Potions specialties, which Snape passed onto Lily. But Eileen either wasn't as gifted or intellectual as her son (we only know she's Captain of Gobstones) and/or just too neglectful for the connection to go far.

Snape tells Lily "you’d better be in Slytherin" in the scene he tells James "if you’d rather be brawny than brainy" re: Gryffindor vs. Slytherin, so he thinks Lily falls under "brainy".

Magical power - unsupported flight, Snape's a Legilimens and there's circumstantial evidence of Lily as one in the early memories.

As with J/S, Lily's wand predicts her mutual interest with her best friend/like-a-sibling (of course their main field as Potions which doesn't require much wandwork) - "Swishy, nice wand for charm work", the Prince invents Charms. They "swish and flick" in Charms (levitating feathers), associated with flight. If taking extracanon, willow's an uncommon wand wood with healing power, enables advanced nonverbal magic (Snape heals Dark magic/etc, invents nonverbal spells).

James and Sirius are wary of Lily's wand means she's a skilled duelist and has gotten into fights; Snape invents hexes. Given the theme of duel between brothers, dueling's traditional in magical families, so Snape and Lily likely practice dueled together too with similar methods (Legilimency in combat); though in application, unlike the Marauders at Hogwarts, they'd be fighting on opposite sides.

Slughorn describing the Prince's work as exactly like Lily's at every turn indicates it as collaborative as the above examples of duo inventions - "You’ve got nerve, boy", "That’s the individual spirit a real potion-maker needs", "Unorthodox, but what a stroke of inspiration", "I really don’t know where you get these brain waves", "intuitive", "instinctive" "a natural" - aka she's creative, inventive, unafraid to take risks with and push the boundaries of magic.

The Prince's disdainful "just shove a bezoar down their throats"; Slughorn laughs at the bezoar, says it's exactly like Lily, gives house points "for sheer cheek" - implies Snape and Lily shared sense of humor often consisted of making fun of how purebloods view magic and incorporating their Muggle background into their methods (matches "as there is little foolish wand-waving here, you will hardly believe this is magic"). Snape's interest in poisons led to the bezoar trick which is Dark Arts related, so Lily knowing the same also implies her Dark Arts interest (of course Potions masters, Aurors, Healers, etc all study poisons, but I assume going deeper into it leads to more effective healing, as with Dark curses and cursebreaking skill on the Gaunt ring/etc).

Like Fred and George, Snape and Lily experiment and invent together constantly over summers - Petunia says Lily "came home every vacation with her pockets full of frog spawn, turning teacups into rats" (Potions, Transfiguration) and the Dursleys don't know Harry can't do magic over summers in CoS, an easy lie for Lily to keep up when doing magic often at Snape's house.

Snape evidently came prepared to impress Slytherins - per Sirius, he was always fascinated by Dark Arts, famous for it, knew more curses when he arrived than half the 7th years (likely showing off his knowledge vs. immediately cursing others). Snape's very aware of Muggleborn prejudice (hesitates before saying it makes no difference), yet was set on Lily being in Slytherin for 2.5 years pre-Hogwarts and groans when she's Sorted elsewhere, so sharing his Dark Arts interest with her fits that, expecting she'd need to "get in with the purebloods" along with him, which means making sure she knows as much as he does (see this post).

Snape at nine thinks Lily's the odd one for being fascinated by dementors:

"Tell me about the dementors again." "What d’you want to know about them for?" "If I use magic outside school —" "They wouldn’t give you to the dementors for that! Dementors are for people who do really bad stuff. They guard the wizard prison, Azkaban." (DH)

Cue Snape's monologue about the Dark Arts years later:

“The Dark Arts are many, varied, ever-changing, and eternal [...]" Harry stared at Snape. It was surely one thing to respect the Dark Arts as a dangerous enemy, another to speak of them, as Snape was doing, with a loving caress in his voice? “Your defenses must therefore be as flexible and inventive as the arts you seek to undo. These pictures [...] give a fair representation of what happens to those who suffer, for instance, the Cruciatus Curse” — he waved a hand toward a witch who was clearly shrieking in agony — “feel the Dementor’s Kiss” — a wizard lying huddled and blank-eyed, slumped against a wall — “or provoke the aggression of the Inferius” — a bloody mass upon the ground. (HBP)

They absolutely mutually encouraged each other's interests in forbidden and Dark magic. Snape and Lily learn magic together, their magic individually and together parallels LV's the most, and they directly undo LV's own magic, Snape's instances even utilizing Potions.

Dumbledore expects Snape to immediately know Lily's work vanquished LV ("You know how and why she died. Make sure it was not in vain. Help me protect Lily’s son"), implying he knows Snape and Lily learned similar magic together and expects Snape to ~recognize Lily's style~. Converse to how he speaks to McGonagall the same (?) day:

"After all he’s done... all the people he’s killed... he couldn’t kill a little boy? It’s just astounding... of all the things to stop him... but how in the name of heaven did Harry survive?" "We can only guess," said Dumbledore. "We may never know." (PS)

Lily and Sirius - Sirius is also knowledgeable about curses - knows the countercurse for the biting snuffbox (Wartcap Powder) and examines his hand "with interest"; suggests the Conjunctivitis Curse "as a dragon’s eyes are its weakest point" which Krum who was taught Dark Arts; often the one consulted regarding Harry's curse scar, recognizes Priori Incantatem, Harry writing to Sirius when he wants someone like a parent "who had experience with Dark Magic".

Sirius breaks Black family tradition in undoing wards/protections on 12GP (maybe manipulating a form of blood magic?) to let his halfblood not blood-related godson inherit and block DE Bellatrix out; and Lily creates blood wards that'd traditionally protect a pureblood family house to protect her Muggle family and eventually protects Harry. Mirroring Snape and Lily weaving their Muggle background in their magic, Sirius enchants Muggle objects like the motorbike (and creates an alternate method of flight).

When Harry says "You never heard her, did you? My mum... trying to stop Voldemort killing me... and you did that... you did it" Sirius goes quiet, which may hint at specific knowledge that Lily vanquished LV (also a possible reason for Sirius rereading Lily’s letter in OoTP, when the Order’s trying to figure out what’s up with the prophecy and the Harry-Voldemort connection).

Harry and Ron - "In the end, he chose the same new subjects as Ron, feeling that if he was lousy at them, at least he’d have someone friendly to help him", write up absurd stories for Divination and make fun of Trelawney together. Harry and Hermione elaborated here.

Parvati and Lavender - Divination, both close with Trelawney (vs. Padma in a different house than her twin)

Moody and Tonks (who was "close to Mad-Eye" "his favorite and his protégée at the Ministry"), Bellatrix and Barty (if you accept he was her apprentice), Snape and Draco (“Draco’s favorite teacher”), Xenophilius and Luna - her family training consisting of... conspiracy theories, Luna first shown reading The Quibbler (Most likely Pandora Lovegood was a conspiracy theorist like her husband - "intellectual equals" - and died due to something like believing an explosive Erumpent horn was a Crumple-Horned Snorkack horn)

[invidiatechdemo]

think people should draw more dramatic art of kairi with the damn master xehanort 'some pronounce it kye'' thing especially since like.

"Death... A letter that spells endings." when kairi's game chronologically is the last game in the 'dark seeker saga'. in the world of kingdom hearts her name is literally x-ri basically, and she capstones the series with her presence.

[enobariasdistrict2]

you know they're an undervalued rare-pair but cato and clove actually somehow did so good with only ONE LINE IN THE ENTIRE BOOK. villains with a partnership of convenience. terrifying battle couple that will kill you. an alliance leading to a friendship and making them soft for each other. bonding because they came from a similar background and both want the same things and are experiencing a traumatic event together. their bond humanizing them beyond the heartless villains katniss thought they were. they're a package deal as district partners. clove's death made cato experience true emotional pain and act like a human instead of a monster. they're each other's monsters because (presumably other than their families back home), no one in that arena cared for them except each other.