#comprehension wise
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He’s so pookie lookie mookie frookie tookie
#You get what I mean#Take that caption because I’m too tired to write comprehensible sentences about him#Pretend I wrote something really good or wise#jason todd#red hood#batfamily#dc#batfam#dc comics#comic panel
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The little professor did not take well to the cone of shame
#professor herbie miaocchiato#fortunately she only has to wear it while I washed her donut collar#she attempted to maul me for putting the cone on her but failed due to not being able to reach me#due to the cone#for a more comprehensive health update: she gave me a few scares with gastronomical troubles but mostly seems to be healing well#she has an appointment tomorrow to make sure she hasn't busted a stitch with her refusal to stay on the fucking ground for two seconds#always she is climbing#always she is jumping#it is not wise professor#cats of tumblr#cats
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Not me adding annotations to a book to make it more accessible for my mom when she will read it
#i am once again complaining about italian translators not adding enough context and explainations in queer non fiction books#90% of non queer people or people who do not speak english don't have enough fucking context to get certain things#i need tranlators to add the necessary context to make these books accessible for everyone#olay surely mainly queer people will read a book about going outside the binary but if we want more people to understand us#we need to add the necessary context to make these things comprehensible to everyone#both those who do not have a queer background and therefore have never see certain words and those who do not speak any english#why the fuck are we assuminng everyone reading this knows english and the linguistic and cultural context between certain words#most people i know do not know one word on english and since it's an italian translation you should make it completly accessible for anyone#i don't want people to read this with their phone in their hands to look for meaninga here and there#i have had this complaint before and i will keep complaining#it's frustrating because this book makes the concept of going outside the binary very easy and accessible and the translation is not as good#also the translation of this particular chapter did a terrible job language wise too so i can't expect much#the concept is there but oh boy do a few sentences look like they have been translated with google#so yep i resorted to making my own notes because i want my mom to read this and understand it without here needing to ask me for context#i mean i want conversations to start but not because of translation reasons if you know what i mean#and it would be very unmotivating to read a book that has too many words you don't know bc the translator took things for grated#cris speaks#i am done complaining for now#the og book is super good tho i am happy i am reading it again after so many years#the---hermit
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actually i have changed my mind and i am okay with a standard-issue happy ending for jjk. yes a pyrrhic victory and haunted protags would be excellent, but i was still real mad about nobara when i said those things and she’s okay now. so i’m okay with it. this is because nobara heals all wounds.
#kugisaki nobara#riko.txt#jjk spoilers#sure it’s a little rushed character-wise and still a little janky but idc i’ll take it. plant trio time#i can write a more comprehensive post later. maybe. should the stars align and my hw not make an attempt on my life
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just realised that i mistyped that 😭😭 i meant that p2 was harder mechanically than p1. sorry for the confusion
OHHHHHHH yeah that actually makes more sense
let me real quick provide my evidence and biases about this game(s)
as you can see, I've played a LOT of classic, so take my opinions with a grain of salt bc classic is literally my wife
mechanics wise, classic is very, very simple, buy food on day 1, do every side quest you can, and load up on resources early on. the only difficult parts about this game is how little information it gives and the random difficulty spikes (like the stupid, bad combat) but I've just finished a run without looking at the map or a guide once for Bachelor and it was easy, and I'm about halfway through into a Haruspex run without map or getting a single shmowder and a few other things, and again it's easy. you just need a guide or better yet someone who knows the game to help you through it (I love guiding people through classic I get to lie to make it better :])
But overall, classic is easy and classic is fun, there's just a lot of walking, but it's relaxing and you can strafe, also, quicksaves will help you so much
p2 on the other hand is actually challenging, I have never starved in classic but my first attempt at a p2 run I almost died on day 5 because I had no food. p2 is also much faster and it's actually stressful getting places on time, because in p1, unless you're in the later Haruspex days or day 6 Changeling you really don't have a time limit. I've finished so many quests before the sun even rose.
P2 is also a much more complex game, and the combat feels a lot more impactful and something to be scared of than in p1
oh and the obvious answer that there's actual consequences to dying in p2, you can't just for over and over to get something right like you can in classic, and you can't save everywhere so it's scary to lose all your progress
#pathologic#indigo rambles#this isn't comprehensive but I'm writing this at 2am so keep that in mind#my p1 Artemy is a feral organ harvester and my p2 Artemy runs away from fights and this ks just mechanics wise#its also so so easy to get rep back in classic
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There's something about how, when Lessing was forbidden from publishing polemics, he wrote Nathan the Wise in the hopes of returning to his "old pulpit."
(Herr Moses in Berlin p. 276)
It's true: the play is so didactic it loops back around into being about rhetoric itself. And people keep putting it on—optimistically, skeptically, quietly, absurdly, as if the story itself were an unexpected heirloom, capable of meaning as much as you make of it.
I mean, just—

Theater J (Washington D.C.) 2022

Volkstheater Wien, 2017

Staatschauspiel Dresden, 2024
(Herr Moses in Berlin p. 276)
#also crucially it's sometimes really bad#but that's more a function of the number of adaptations than the potential of the source material#I've gotta get a copy of Inge von Wangenheim's Hamburgische Elegie someday#if you have any recommendations for a comprehensive adaptational history please let me know#gotthold ephraim lessing#g e lessing#lessing#nathan der weise#nathan the wise#rhymes with thaumaturge#also#since it's cited#herr moses in berlin
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I already know how this ends.
you just have to set it in motion.

Older art I firgot to post for a project I'm working on, broom has certainly gotten into more than she bargained for
#osc#object shows#osc art#Art#Drawing#Oc#Oc's#Little tidbit for the realm of torment project#Witches broom#The pumpkin lady#Maybe don't make deals with eldrich deities beyond comprehension#Didn't exactly go too well for spear#The choice is yours broom#Choose wisely.
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ok so im gonna infodump under the cut cuz im insane
warning! this all probably makes no sense and is really really messy
so remember this guy?
ive been reworking him actually ever since last year but i just never found a concept design i liked fully
yeah hes the one im gonna be reworking (and who im probably renaming to Lucius Donovan)
and tbh i still dont have one but whatever im gonna blast you all with his lore or what i got so far atleast (if youve been here long enough he might be a wittle familiar)
anyway he's the founder and sole human worker for a tech company focused on manufacturing robots and prosthetics
he was a prodigy whos been building rudimentary robots ever since he was a teenager, his eldest bot and personal assistant having been around since he was 17
when he started his business, he sought to help humanity using his bots, believing that humans were frail and robotic companions helping them would lessen the burden and help humanities chances of not imploding hopefully
once he started making a name for himself, he got into a huge accident (either caused by his own recklessness or a secondary character that ill need to polish up still) that took his legs, arm and a chunk of his face (mostly around the eyes and frontal lobe and a bit of his mouth)
still figuring out the full extent of the damage but just know his torso didn't go unscathed cuz obviously
most of the damage was obviously from the accident itself but also from getting crushed by rubble
its a miracle he even survived, but he was basically half dead so his bots were the ones to revive him using the tech he had already developed
the accident made him more reclusive and paranoid (not that anyone other than his walls know that cuz we love a guy whos really reclusive and paranoid and hides it all behind a mask of confidence), now adding more security measures to every bot he manufactured, even making it so every bot he had sent him the logs of their every action and everything they saw in case they couldnt identify smth properly
also following the accident he became less empathetic than he already was, making it difficult for him to understand more emotional reasonings behind things
also also following the accident, he began using robotic copies of himself to make public appearances whenever he really needs to cuz he thinks with how he is now he's no longer presentable in a way
and also cuz his paranoia and anxiety is so high he genuinely believes something horrible will happen to him or others as soon as he steps out of his factory that basically doubles as his home at this point due to him doing nothing but work all day
there are a few of these clones just
fucking around in his factory though, specifically in the underground facilities, that work as security
And also a way to bait people who do end up reaching the underground facilities looking to kill him or smth
also due to the nature of his prosthetics (and years of trial and error after the accident to improve them) hes kinda got a pseudo immortality thing going on where all this tech is basically gonna keep his body from failing
anyway he can keep adding more and more tech if something goes wrong
but then that makes him think about how disconnected he is from being human at this point
hes more metal than flesh and that makes him anxious
at what point is he just another one of his bots?
#im gonna write more about him eventually in a more#clean manner#but this is what you get for now#still need to work on the world hes in too cuz ive been debating if these bitches would be fighting some forces beyond their comprehension#cuz i kinda wanna mash a really old story i had when i was younger into all this as well#might make this all really messy though if this wasnt messy enough ough#lucias#i need him to be hunted for sport#i need more opinions on him tbh im not sure how to go about him anymore cuz this is all like...before ive made any major changes to him#story wise...i also feel like none of this makes sense and i should kill him dead this very moment#.txt#oc
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The Portrait of a Lady by Khushwant Singh – Complete Guide for Class 11
The Portrait of a Lady by Khushwant Singh is a heart-warming biographical sketch included in the Class 11 English NCERT textbook Hornbill. This blog post offers a summary of the story, explores the theme of relationship between a grandmother and grandson, and provides word meanings, questions and answers, extract-based MCQs, and important exam-style questions. This guide is designed to help…
#CBSE Class 11 English The Portrait of a Lady#CBSE guide The Portrait of a Lady#Class 11 English chapter 1 notes#Class 11 English chapter wise summary#Class 11 English Hornbill Chapter 1#class 11 Hornbill chapter summaries#Khushwant Singh Class 11 chapter#NCERT Class 11 English solutions#The Portrait of a Lady#The Portrait of a Lady by Khushwant Singh#The Portrait of a Lady character sketch#The Portrait of a Lady Class 11#The Portrait of a Lady comprehension questions#The Portrait of a Lady explanation#The Portrait of a Lady extra questions#The Portrait of a Lady extract based questions#The Portrait of a Lady full analysis#The Portrait of a Lady Hindi summary#The Portrait of a Lady Hornbill complete guide#The Portrait of a Lady important questions#The Portrait of a Lady MCQs#The Portrait of a Lady NCERT solutions#The Portrait of a Lady question answers Class 11#The Portrait of a Lady questions and answers#The Portrait of a Lady summary#The Portrait of a Lady theme#The Portrait of a Lady Urdu summary#The Portrait of a Lady word meanings
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It is simply an absolute fact book advertising based on "this book has dragons and asexual people!" tropes advertised works better than posting a full blurb. People do not read full blurbs, especially for indie books they've never heard of— the best way to reach an audience becomes directly specifying what a reader can expect, because often someone isn't interested in a multi paragraph introduction to a world.... but might go read that blurb if they learn there's trans representation.
Like every author i know isn't crazy about reducing their books to tropes. I also think there's ways to do it better and convey more of the story than just rep/species/trope as a list. But no one is reading those longer ads.
But man! I sure see a lot of complaining about this marketing strategy, usually towards indie LGBT+ books— almost never for mainstream YA or romantasy. And then i see a lot of complaints about mainstream books sucking and a desire for more diverse reads
....but I do not see a lot of people actually looking outside mainstream for diverse books.
I've been guilty of this in the past, but I'm old now, and tired of seeing a bunch of little shits on every author's post going "okay so you mention the representation and some tropes, but what is it ABOUT???" Gee, if only there was some way for us to figure out what the book is about beyond the author-provided trope map? Mayhaps the author-provided link to where the book is being sold, which also contains the blurb? Maybe we do an ounce of work instead of filling ops replies with the same comment?
Maybe we can also acknowledge that trope map/rep-based book advertising gets more attention, and far too many people will see a promo post with full blurb and go "hmmm that's too many words." Maybe we can acknowledge that self-pubbed authors are working with a very different beast in the publishing industry and might need to promo their books in ways you don't prefer, and you yourself can help by clinking a single link? I promise, in the time it takes for you to bitch about a struggling author marketing via a trope map, you could have already read the blurb.
#hope this is cohesive ramble#its a pet peeve bc i also will roll my eyes at “enemies to lovers dragons star magic gay trans doomed relationship ” BUT#like. i have done indie book advertising and folks. people respond to shortlists and avoid comprehensive summaries#if you complain about this be the change and actually read and discuss books and maybe share non trope ads#talking about respecting ads feels super weird but im talking about indie books which are rarely paid ads#usually just promo posts by authors who are not being paid much or anything.#theres so much diversity and variety and originality in the book space but folks. are not reading them#people will still pick familiar ones theyve heard of over new indie stuff. i get it. but then mocking “ew lesbian space werewolves” is sill#yknow. like. wpuld you really have stopped to read a 3 paragraph blurb or would you scroll past?#its very hard in the indie author space. and author space in general.#even mainstream authors arent necessarily getting much to any support esp marketing wise#only a few people really sell overall by getting big word of mouth going which isnt really controllable#anyway a bit of a ramble. maybe rant themed but that makes me sound angry and im not#i dont get much reading done myself either but this post just really is one of those things i feel strong about#bc i see posts joking about this so much
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#Wealthwise.pro#Wealthwise Financial Investment#Wealthwise Investment#wealth wise#investment#financial#Wealthwise Company#Wealthwise Comprehensive Solutions
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Ok be honest. how many of you are reading an above YA level...
#methinks not enough for our age group...#and yes. being in ur 20s and being at a YA level comprehension-wise is below the mean#because YA is not actually for Young Adults its for teenagers we all know this
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I NEED TO IMPROVE MY JAPANESE VOCABULARY I KNOW I CAN DO IT AND I KNOW EXACTLY WHAT STEPS I SHOULD BE TAKING TO DO THAT (kanji writing practice for more precise kanji recognition, reading simple learning tool type things like graded readers or kids' manga with furigana, watching slice of life shows in Japanese with Japanese subtitles on, basic flash card spaced repetition practice) BUT I KEEEEEP NOT DOING ANY OF THOSE THINGS. AAH!!!!!!!!
#suchobabbles#i can *feel* myself improving comprehension-wise#but my vocabulary isnt improving just bc of like. the nature of kanji. its tough to internalize them w/o knowing actual word readings#and none of the stuff i encounter in my day to day will teach me those because ITS FOR ADULTS WHO CAN ALREADY. YOU KNOW. READ#like theres words in my head that i roughly know what they mean when i see the kanji in context. bc of exposure#but i can't remember the word or reproduce it because i dont know how to read/say it
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#I keep saying Cas and Dean were moving together #and Cas got to say 'I was dancing' #so... what was Dean doing? it doesn't get named but we *saw* it. We saw *them*. #I'd argue that we saw Dean's moves more clearly than Cas' even (via @ironworked)
The reason for the ambiguity Misha references--the it could be that, or it could be something else--was the writers writing Destiel into the canon with queer coding, without tripping corporate alarms that would result in a hard no and a full shutdown. Queer coding is still part of canon, although not operating the same way things do when writers have a greenlight to make it expressly clear. They got that for Castiel's confession. Dean's side is still in the ambiguous area but is the same goals and method as with Castiel. People need to learn to add 2+2 and get 4. With Cas, they got a greenlight to make it absolutely clear text. Dean therefore...is only missing that final step. Right along, once the writers started doing the hints, both Dean and Cas were queer coded, and interested in each other. Missing the final piece on Dean's side doesn't make it "imaginary" or fake or not part of the canon that Dean is bi, and in love with Cas. It's that Cas is the only one that got the clear runway to go loud and clear. I think Dean's side isn't subtle. I don't think it's all that hard to spot what the writers were doing. And we also know from a previous statement from Misha that both he and Jensen, and the writers, "leaned into it."
The fact that the denialism about Castiel's side of it is still at ridiculous levels despite that being expressly greenlit and made expressly clear but we still have to wade through denialism about Cas being queer and in love with Dean.
I am not going to have patience with people who play denialism on the queer coding on Dean's side, even if we don't have expressly greenlit openness like with Cas.
This shouldn't have to be such an issue, or people get hate just for reading Dean as bi, let alone the ongoing hatred and denialism about queer Cas in love with Dean. Queer coding exists.
We have multiple confirmations how purposefully the writers set about doing this despite the ceiling placed from above. They were not mocking shippers. They weren't telling you that you're insane for seeing it with one hand while doing Destiel with the other. It's that they couldn't speak. It's that they didn't have a full greenlight. So they pushed it as far as they could. It's real. It's part of the crafting of the series. It's in the text. It wasn't queerbaiting, because the intention wasn't to dangle and rug yank, and not take it seriously, the intention was to put Destiel in there, while having to dodge external obstacles that would stifle it.
More people need to understand how queer coding can be part of canon or the methods creatives in Hollywood still to this day have to resort to for how media and "canon" and queer coding works.
"Cas is gay" is expressly canon and is loudly spoken. I'm still waiting on WBD US to acknowledge it in spn promotional materials, and quit going with this pretending it's not there while they look the other way and permit it, but it's still out there, it's done.
"Dean is bi" is queer coded still, but that doesn't mean we can't say Dean is bi in the canon and in love with Cas, because that is what the canon coded for Dean. It's there. It's not...out there the way Castiel's confession moved things for Cas. But it's there.
Castiel's confession was confirmation on what many people had already noticed and things already built into the story. It wasn't "out of nowhere." It wasn't inserted at the last minute for "pandering." It was the final step in a years long build. Dean's feelings for Cas...had similar build and the next step would be--
#I don't WANNA be miles above people who haven't learned this lesson I want them to be curious/critically thinking and join us#but when you know it you can't un-know it and the manmade horrors of barriers to rep are no longer beyond ur comprehension. it's a start#imo it says EVERYTHING that other countries' media just accept destiel as fact. the hangups started in the US with the official PR#we could follow their example and make no denials about something that fought to be heard. makes it MORE important to get this right#duck season rabbit season but it's viewers made to hate the writers wising up realizing it's CW. yes like the class struggle in miniature#dean winchester#castiel#destiel#spn meta#spn writers#spn is queer#network fuckery#fandom history#fav
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helpful sites for writers
i have a little collection of websites i tend to use for coming up with ideas, naming people or places, keeping clear visuals or logistics, writing basics about places i've never been to, and so on. i tend to do a lot of research, but sometimes you just need quick references, right? so i thought i'd share some of them!
Behind the Name; good for name meanings but also just random name ideas, regardless of meanings.
Fantasy Name Generator; this link goes to the town name generator, which i use most, but there are lots of silly/fun/good inspo generators on there!
Age Calculator; for remembering how old characters are in Y month in Z year. i use this constantly.
Height Comparison; i love this for the height visuals; does character A come up to character B's shoulder? are they a head taller? what does that look like, height-wise? the chart feature is great!
Child Development Guide; what can a (neurotypical, average) 5-year-old do at that age? this is a super handy quickguide for that, with the obviously huge caveat that children develop at different paces and this is not comprehensive or accurate for every child ever. i like it as a starting point, though!
Weather Spark; good for average temperatures and weather checking!
Green's Dictionary of Slang; good for looking up "would x say this?" or "what does this phrase mean in this context?" i love the timeline because it shows when the phrase was historically in use. this is english only, though; i dig a little harder for resources like this in other languages.
#writing#writing tips#writer resources#writing advice#helpful links#etc.#handy#also the magical careers generator#literally used that earlier tonight#also feel free to add to this list @ anyone
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For King and Country is an 18+ period immersion fantasy fic which seeks to combine the extensive background work and history associated with high fantasy titles such as LOTR with more ‘realistic’ storytelling and settings. It may contain distressing content like depiction of regressive attitudes (sexism, misogyny and prejudice), major injury to the characters, character deaths, blood, gore, abuse and optional sexual content. More specific warnings will be given at the beginning of each chapter.
Chapter 1 Out Now! (277k words)
Remember those long summer days when the countryside was green and life was still young, when you were but a little culver and all the world was promised for you.
But summer has ended. Amidst the furore and tumult, autumn crept in unnoticed, finding you unprepared, still a greenhorn.
Now, the old order is dead, yet the Empire endures. In this new and uncertain world, what are you willing to do for your King and Country, O little culver?
Ah little tragedies, that you could not remain in the safety of your family's country manor, that they could not shield you once again from this world.
You must take to the capital at once, like all men and women of good birth, for king and country and the glory of the commonwealth! The spirit of progress and change has swept through the nation. The heady days of revolution are long over, and the streets have been washed clean of blood and filth. Invited to serve in the King's Army and attend university as a ward of the king, you must answer the King’s call. Navigate and become increasingly entangled in the web of intrigue, gossip, violence, and ideas that swirl around the nation. Enter a society radically different from the one you were raised to expect. These are the years that will decide your fate and that of your fellow countrymen. Act wisely, for it is not often that the world is within your grasp.
Features
Fully customize your MC. Choose your pronouns, sexuality, appearance and more. Assume the identity of a citizen of noble birth and experience the story through their eyes.
Romance one of eight ROs or engage in a polyamorous relationship with a pre-selected two of them. The only possible poly route is the Young King and the Queen Ruler.
Practice and specialise in the skills of the King's Army with the option for swordplay, marksmanship, offensive galderquid and diplomacy.
Define your political leanings on the leading issues of your time.
Debate, engage and make allies and enemies with the various competing factions and interests that flock to the city.
Study at Azma University, earning your lecturers admiration for your diligence, intellect, ambition or adventurousness or cruise through relying on your wealth and ability to hide.
Help to stabilize or sabotage the Empire.
Don't lose your head.
Critical Lore*
Talent
Galder denotes the practice of magic within our nation, a discipline requiring extensive study and mastery. The ability to manipulate Galderquid, the fundamental essence of magic, is a rare and intricate skill, demanding years of rigorous training to achieve even moderate proficiency.
Every individual possesses a basic affinity for Galderquid, but those with exceptional potential are identified through comprehensive evaluations conducted by village or city physicians around the ages of 12 or 13. These assessments determine the individual's capacity for advanced magical education.
Upon evaluation, candidates are assigned a national rank based on their proficiency. Those demonstrating exceptional aptitude are offered state-sponsored education at the Azma Univetsity at the age of 18. Others are placed in various other institutions or may pursue private tutelage.
Galder is often referred to as the "fifth philosophy," characterized by its non-intuitive nature. Mastery requires adherence to rigorous methodologies grounded in reason, first principles, and established precedents. The study of Galder encompasses several specialized fields, each with distinct applications and techniques:
Sympathetic Galder: This field focuses on influencing the minds of individuals or animals. It includes practices such as illusion creation, language translation, emotional manipulation, and sleep inducement.
Transmutative Galder: Involves altering the intrinsic nature or form of objects. This process generally relies on the principle that the original and transformed items must possess equivalent 'worth.' The approximate worth of common subjects of transmutation can be found in any good transmutation book.
Invocation Galder: Pertains to the summoning and manipulation of natural elements, including water, earth, fire, and wind.
Clerical Galder: Associated with the Church, this field is predominantly closed practice. However, educational institutions provide instruction in healing and charming, which are also fundamental aspects of clerical magic.
Archery: Involves the use of Galder to manifest a bow and arrows composed of energy. These projectiles deliver significant blunt damage upon impact but they have more varied usage and techniques as taught by bow-masters.
Blade-Use: Similar to Archery, this field focuses on creating blades, swords, or daggers from Galder. These weapons inflict substantial blunt damage but they have more varied usage and techniques as taught by blade-masters.
The Second Civil War
The Second Civil War, also known as the Revolution, erupted ten years ago and lasted for two years, reshaping the political landscape of the realm. The conflict ended with the ascension of King Edmund I of House Wynd, following a tumultuous period of unrest and upheaval. The war’s roots lay in years of widespread discontent under King Wulfric I Wynd, whose governance was marked by controversial policies and growing resentment among the populace.
The immediate trigger for the war was King Wulfric's deathbed decision to legitimize his illegitimate son and name him heir presumptive, bypassing his eldest daughter, who was widely expected to ascend the throne. This unprecedented act enraged both the nobility and commoners, particularly in Redeemist regions, where it was seen as an affront to both justice and religious teachings. Protests erupted across the empire, with laborers and yeomanry deposing officials loyal to the usurper in a series of violent uprisings. Martial law was declared as the disinherited princess rallied loyal houses and nobility to her cause.
The rebellion gained a critical leader in Marshal Walthe Courtney, a veteran of the unpopular Eleven Years’ War. Courtney’s military acumen and strategic alliances with peasant uprisings turned the tide of the conflict. Alongside the Princess’s royal forces, his army executed a series of decisive sieges, culminating in the Siege of the King's Seat, where the usurper was overthrown.
The war concluded with a great council of the great houses instituting sweeping reforms. Though the monarchy was retained, it was bound by a codified constitution, the Grand East Code, ensuring limits to royal power. Tragically, the Princess died on the battlefield, leaving behind a will that named her youngest brother, Edmund, as the rightful heir. She bypassed their older brother, Cassian, whom she described as “too choleric and red-blooded in his aspect for the duties of kingship,” appointing him as regent until Edmund came of age at 18.
The post-war reforms sought to balance power and placate the revolutionary factions led then by Courtney:
Parliamentary Restructuring: The previous weak bicameral parliament that had been unable to prevent the amendment of the Act of Succession was replaced by a unicameral National Assembly with expanded suffrage for yeomanry and laborers owning sufficient land. Eligibility criteria were simplified, and elections were set to occur every eight years.
Military and Noble Oversight: Nobles' heirs were required to serve as wards of the king for 24 months upon reaching the age of 18, receiving military training and living in the capital. This was framed as a means to unite the realm but also served to prevent rebellion and strengthen Edmund's legitimacy.
Expanded Education: Azma University, previously exclusive to the nobility, was opened to all individuals of suitable skill, broadening access to education and opportunity.
General Walthe Courtney, hailed as a war hero, was appointed Lord Protector with sweeping powers to some extent by the demand of the peasant army he'd led. He served as Commander of the Armies and a critical stabilizing force throughout Edmund’s reign and Cassian’s regency. The King’s Council was restructured to include the elected Premier, who could recommend cabinet appointments, although the King retained the final decision. Early in his reign, King Edmund has established a precedent of accepting the recommendations of both the Premier and the Lord Protector, balancing the demands of reformists and royalists alike.
The King's Army and Azma University
The King's Army, colloquially known among the common folk as the Small Army or King's Life Guard, serves as a voluntary armed force in peacetime within the Empire. Its primary role is to function as a national guard, maintaining peace and order across the extensive and diverse territories of the Empire and swear loyalty solely to the King.
During periods of peace, the King's Guard is comprised of volunteers who contribute to the stability of the nation. However, in times of war, the monarch is vested with the authority to implement conscription, thereby obligating the great houses to raise men to fight for their king.
Following the Great Council of 421, significant reforms were introduced regarding service in the King's Guard. Those heirs of great houses are now required to complete two years service and training within the King's Army as wards of the king although this time can be commuted upon ascension as Lord/Lady Paramount of their house. This training is relatively light compared to full military training, designed to balance the economic and educational responsibilities of these citizens with their military duties.
Azma University is a theological university founded in the year 262AR by Trista of Azma, a master of theology and galder and was recognized by the King as a royal college in 289AR. It's Faculty of Theology is unrivaled across the entirety of the world and is considered one of the foremost institutions for education in galder, theology and philosophy.
Azma admits its students on the basis of the national ranking system and the census taken each year, those students with a sufficiently high natural affinity for the study of galder are offered a place in which to study it beyond the common extent offered by tutors and hedge-witches.
Azma has in recent years, following the second civil war and the increase in punishment by religious courts for physicians who attribute false rankings, with an increased student cohort particularly from the yeomanry and international scholars though the large majority of the general cohort remains largely consisted of the children of nobility.
Beyond its Faculty of Theology, Azma University is one of the foremost institutions driving forward the development of innovations regarding farming and building, mechanics and the engine'ering class that has developed in major cities across the Empire.
Situated in the capital city, Azma University benefits from its central location in what is often regarded as a hub of youthful energy and societal activity. Its reputation as a center for young nobles and genteel individuals enhances the college's role as a key venue for social introduction. It is frequently heralded as a place where the most advantageous social and matrimonial matches are made, positioning it as a pivotal institution in shaping the elite's social landscape.
The Empire
The Empire, as it is commonly known, is a vast realm governed by the Nine Paramountcies and the Imperial Household, all of whom rule from the King's Seat. This grand structure of power was forged between the years 23 ANU (Anno Non Unitus, or Year of the Ununified) and 1 AR (Anno Rex, or Year of the King) through the conquests of King Adan I, who earned the title "the Unifier."
From its inception, the Empire adopted an expansionist stance, which has characterized much of its history. This policy of territorial growth has been met with widespread approval among its citizens, largely due to the substantial wealth and resources it has brought to the nation. As the largest empire in the world and the unifier of the continent, it has established itself as the dominant lingua franca of common, further solidifying its influence and stature.
Throughout the Empire's history, the Imperial Household and the title of King have primarily been held by House Galagar, reigning from 1 AR to 399 AR, and later by House Wynd, from 399 AR to 438 AR. There have been instances where other houses acted as regents, temporarily holding the title on behalf of House Galagar, such as House Champion (348 AR-352 AR) and House Abbey (9 AR-13 AR & 154AR-155AR).
Despite its vast wealth and dominance, the Empire has faced relatively frequent rebellions in its paramountcies where calls for independence have persisted. Historically, these uprisings have been met with swift and overwhelming military responses. However, recently in 399AR during the Wyndham Rebellion, King Hendrick the Conqueror succeeded in overthrowing House Galagar and replacing it with his own house who have led the empire since.
*The lore detailed here is accurate but also only extends as far as the protagonist's knowledge of these subjects at the present time of the fic, some detail will be lost or may have been withheld from the MC and they may have misconceptions.
Romances
When the advisors are not praising his good sense, nor the bards his mirth, the church his piety or the poor his generosity, the question emerges just who is King Edmund I Wynd?
The young king thrust into a position of power who uses it as well as he knows how, having learnt from the mistakes of his grandfather and father and the long shadow of war that is still cast over the continent?
Or is he merely the figurehead, installed after a turbulent civil war, a king whose true authority has been surrendered to the councilors around him, contenting himself with the trappings of kingship rather than its substance?
Alas who is to know?
Name: King Edmund I Wynd
Age: 21
Height: 6'5
Appearance: Edmund stands at a 6'5, noticeably lanky although his seemingly permanent jaunty posture appears to cut an inch or two of him. He possesses short bronde hair styled in such a fashion that it appears wind-swept and fashionably ruffled with various products used to achieve the effect. He possesses a lean athletic physique although it is evidently achieved through some sort of diet or exercise for aesthetic rather than being muscles created by years of work. He nearly always has a relaxed expression with a smile and his pale face is framed by his grey eyes.
(he/him) poly-route, solo-route
Tropes: Life of the Party, Commitment Issues
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Could it be that she, the queen consort, wields the true power behind the throne, acting as a surrogate for her kind lord, who never could bring himself to grasp the reins of authority?
She possesses the strength and allure of a king in her own right. Under her vigilant oversight, the king’s armies have routed the empire's foes, and now her gaze turns inward, determined to root out the treacherous elements within the realm.
Yet, amid her march towards peace at the end of a sword, there are those who seek to see her order destroyed. How long can it last? A queen consort without an heir, without children, lacking a direct claim to the throne, aging, and some even question her bond with the king himself.
Name: Veronica Abbey-Wynd
Age: 36
Height: 5'9
Appearance: Veronica stands straight at a tall 5'9 although her heels often push her to 5'11 or even 6'0. She has long wavy chestnut brown hair although more often than not it is in an updo of some sort for practicality. She has a healthy physique with faint lines and wrinkles, with an olive skin as well as doe-shaped deep brown eyes. Somehow a picture of beauty and severity, all the soft lines of her body somehow harsh.
(she/her) poly-route, solo-route
Tropes: scary hot, masc women
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Walthe Courtney, Commander of the King’s Armies and Protector of the Realm, emerged as a formidable figure in the Second Civil War. Leading the rebels with unmatched martial prowess, he earned the acclaim of being the finest swordsman in the land. His valor and leadership were instrumental in overthrowing the usurper-king and restoring order to the fractured realm.
In the aftermath of the bloody conflict, he was celebrated as a folk hero—a commoner who rose to lead his people to victory and bring about a semblance of peace. His contributions were rewarded with knighthood and elevation to nobility, an ode to his honour.
Now, as Protector of the Realm, Walthe ensures the continuation of stability with a steady hand. Yet, despite his efforts, a persistent thorn remains, a challenge beyond even his considerable grasp, casting a shadow over his otherwise successful stewardship.
Name: Walthe Courtney
Age: 43
Height: 5'11
Appearance: Walthe has short, practical wavy black hair streaked with grey throughout, reflecting years of experience and hardship. their muscled, well-built stature is a testament to their years of service. He has warm tanned skin, indicative of his heritage being from the centre of the continent. His light green eyes stand out against his rugged features, with a determined, piercing gaze.
(he/him/they) solo-route
Tropes: The Stoic, No Sense of Humour, Heroic BSoD
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From the day his family and house declared for the usurper-king, it was clear that Lorn Greenspan, the youngest of seven brothers, would be sent away as a ward.
Only eight years old, he had to play his part, leaving behind the familiar chill of his home—its cold peaks and harsh landscape fading from sight. He was a pawn in a conflict he could scarcely comprehend
His father had told him plainly that he must be strong—because until the day their house bent the knee, Lorn would remain a ward, and his father had no intention of surrendering.
Forced to adapt, Lorn became useful, talented, indispensable—not out of love for those his family would call captors, but out of necessity. Now, he stands as your closest advisor and a member of your house in all but name—cool, calculating, indifferent. Yet beneath that icy exterior burns a quiet resolve. Though he never expects his father to yield, he is determined to see his homeland again, even if it means waging war to bring it to heel.
Name: Lorn of Greenspan
Age: 18
Height: 6'0
Appearance: Lorn has a thick head of dark chestnut hair, gently wavy, it is always styled fashionably with pomade and volume. He has a tawny complexion and almost amber, brown eyes that if you didn't know him you'd think were perpetually concerned and caring rather than probing and scanning. Though under his stylish clothes you couldn't tell it, his body is lean and athletic from harsh training.
(he/him) solo-route
Tropes: advisor-turned-lover, secretly-in-love, black cat
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The unbroken line of Galagar Kings may have fractured at Kirston Wall, but the proud Highland rulers never truly relinquished their claim. To them, Hendrick the Conqueror and his descendants are nothing more than traitors. Yet, they understand that a king's throne is grounded in the right of conquest, and so they bide their time, quietly assembling their forces, tempering their men, and honing their blades.
Preparing for the inevitable clash, they drill relentlessly through lashing rain and violent gales, each generation more convinced of their righteousness and the frailty of their enemies. The realm may slumber in uneasy peace, but in the Highlands, war is always on the horizon.
Kent Galagar, the young Lord of Kirston, was shaped by this belief from childhood. His father, his grandfather, and his great-grandfather—all were kings in their own eyes, their thrones stolen by usurpers. To Kent, acknowledging this truth makes you an ally, a friend. To deny it brands you an enemy, destined to be crushed when the time comes.
For Kent, proud, arrogant, and stubborn as he may seem, the world is divided by a simple truth: those who support the Galagar claim, and those who will fall before it.
Name: Kent Galagar
Age: 18
Height: 5'9
Appearance: Kent possesses a mane of thick, raven-black hair, often left loose or tied back with a leather strap. His skin is scattered with freckling, with a pale complexion. He has piercing blue eyes and a gaze that can shift from arrogant levity to fiery determination in an instant. His powerful frame is unmistakable, with broad shoulders and a chest that strains against the fabric of his tunics. His physique is defined—broad-shouldered and muscular, but not overly so, with a build that suggests both agility and power. His movements carry the confidence of someone who knows his strength and is unafraid to use it.
(he/him) solo-route
Tropes: Intense, enemies to lovers, jerk with a heart of gold
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The nobility are arrogant, cruel, greedy, scheming, and foolish—qualities Arfryn has learned all too well through her peripheral access to them. Her current place among them is no accident but the product of the sweat, blood and tears of her entire family.
Born to a guildman father and a common mother from the east continent, Arfryn witnessed firsthand how the shifting tides of national conflict mirrored the fortunes of her own family. Every struggle either bolstered their wealth or teetered them on the brink of ruin, a fate shared by the yeomanry at large.
Her father, Jasper Caldwell, is the first Premier elected from the Small Parliament, a yeoman elevated by the newly enfranchised class. He has—in no uncertain terms—made it clear that his own position hinges on the peace of the realm.
Arfryn, understanding these dynamics, sees through the superficial grandeur of the nobility. Though she finds them to be the very embodiment of arrogance and folly, she is determined to bend them to her will. For now, she plays the game—offering smiles, be gracious, and dance while they are watching.
Name: Arfryn Caldwell
Age: 20
Height: 5'11
Appearance: Arfryn has a striking presence with her rich, deep brown skin and loose, jet-black braids that cascade down her back. Her eyes are a penetrating dark brown, revealing a sharp intelligence behind a charming, amiable demeanor. She dresses in elegantly simple fabrics that highlight her natural grace—always muted and refined to suit her surroundings but always at the very forefront of courtly fashions. At 5'11 her movements are deliberate, blending seamlessly into the nobility’s world, designed to make her easy to like and hard to hold grudges against.
(she/her) solo-route
Tropes: Steel Magnolia, Dark Feminine
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In public Dean Champion is everything a Lady-Knight should be, prodigiously skilled with both galder and weapons, valiant, chivalrous and extremely popular amongst all who meet her or have the chance to witness her in action.
She like many knights is also spoiled to a fault, her suits of armour gleaming and her squire-boys tasked with keeping them so, as they are expensive and extravagant. Indeed she wears them because all people like a performance.
In private, Dean has dedicated herself entirely to her studies at Azma University, determined to learn all there is about the study and practice of galder and perhaps indeed the deeper secrets that only the great masters know—all the better to become both loved and indispensable to the state.
As the younger sibling of a line with many children, she does not expect to ever inherit and nor does she ever want to, she is entirely content with her career as a tourney knight and the life she's lead in the King's Seat thus far. Indeed Dean has long been utterly convinced that she'd make an awful Lady Paramount, she is convinced utterly that all those like her that revel in the spectacle, the fervor of battle and tourney alike are utterly unsuitable for such position.
Name: Dean Champion
Age: 19
Height: 5'9
Appearance: Dean has long deep auburn hair, typically braided for both practicalities sake and fashion, with strands often escaping to frame her face. Her skin is fair as if she'd somehow escaped the sun of both her home and the tourney. Her hazel eyes are bright and framed by dark eyelashes. Dean's build is athletic and commanding, showing off the results of rigorous training and combat practice, yet she carries herself with a grace that befits her status as a renowned Lady-Knight. Her entire demeanor projects a sort of graceful confidence, like that you'd expect of a Prince of ages past.
(she/her) solo-route
Tropes: The Lady and Knight, Knight in Sour Armour
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Fran has long understood that she commands little respect at court—indeed, as a bastard, she finds herself dismissed even within her own family. Yet there is one, a young Lord who is but a child, who gave her legitimacy, who looks up to her, and has earned her unwavering loyalty. Her beloved little brother.
It is for him that she accepted the king's invitation to the King's Seat, to train in the King's Army. She wants to be his eyes, his ears, and his sword.
True loyalty is a rare commodity among the highborn, for what do they owe anyone but themselves and their own appetites?
She is content to endure their scorn and wear the title "Loyal Hound" with pride. After all, what insult lies therein? A good hound is strong, lethal, obedient, loved, loyal, and free to roam so long as it always returns. And return to him she will.
Name: Fran Radwell-Cadderly
Age: 18
Height: 5'7
Appearance: Fran's dirty-blonde hair is cut short, falling just above her shoulders—a length chosen for practicality rather than fashion. Her complexion is fair, lightly sun-kissed from time spent outdoors, with a few sun-spots across her nose and cheeks. Her eyes are a dull blue-green, carrying an intensity that contrasts with her otherwise unassuming features. Her build is lean and wiry, reflecting a life of rigorous training, with a strength that belies her slender frame. Though she dresses simply, her presence is commanding, a blend of quiet confidence and restrained power and it makes her feel much bigger than the 5'7 she stands at.
(she/her) solo-route
Tropes: Guard Dog, Loyal Companion, Golden Retriever
Additional
Dashingdon Demo: out now!
Cogdemos Demo: out now!
Pinterest: not yet available
Art: not yet available
Feedback Survey: not yet available
All Asks and Reposts are appreciated, work will be slow but steady and a demo should be ready shortly!
ask me lore questions please, I have far too many notes on this.
#current wip#interactive fiction#status: wip#choicescript#for king and country#forkingandcountry-if#if demo
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