#coalition manhunters review

[legionofmyth]

Can you handle the power of the new O.C.C.s in Rifts Manhunters?

Curious about the powerful new O.C.C.s in the Rifts Coalition Manhunters Sourcebook? Learn how these new classes can change the game and create unforgettable characters! From stealth assassins to elite enforcers, these O.C.C.s offer fresh gameplay options you won’t want to miss. Watch now and start building your next unstoppable character! #RiftsRPG #OCC #CoalitionManhunters #TabletopRPG #PalladiumBooks #CharacterCreation #TTRPG

Rifts Ultimate Edition Rifts Coalition Manhunters Sourcebook Heroes of Humanity This video dives into the powerful new Occupational Character Classes (O.C.C.s) introduced in the Rifts Coalition Manhunters Sourcebook. Want to build an unstoppable character? Watch now to learn about the game-changing O.C.C.s that will transform your next Rifts campaign! The Rifts Coalition Manhunters Sourcebook…

[mitigatedchaos]

2 question. 1 what was the idea behind clint manstock. 2 I’m not sure what the joke/idea behind the trans/religion post was.

Clint Manstock is a hypothetical highly prolific writer of pulpy detective fiction and science fiction, presumably from the late 1960s to around 2010, with dates applied to contextualize the non-existent stories as belonging to a particular cultural period.

For making a joke, it's not necessary to write the entire book, but just an excerpt, or even the title.

For instance, the most famous Clint Manstock post:

The year is 2056.  My name is Kal Royan, and I’m a gender hunter.  My job is to bring those who traffic in illegal modifications of the gender synthesis implant to justice.  Or at least, what they call justice. - opening lines of Clint Manstock’s The Manhunters (1972)

This hypothetical book was published in 1972, shortly after Ursula K Le Guin's 1969 genderbending The Left Hand of Darkness.

He is, in a sense, hopping on the bandwagon, but also in this case he's closer to the leading edge than with some of his other books. Clint Manstock books aren't necessarily good, though.

(The 1970s are also a time where there is more scientific uncertainty generally, more belief in things like ESP or experiments that wouldn't survive review today like the Stanford Prison Experiment.)

There's a lot going on here, but the punchline is the title of the book.

It's not just the play on words. What's the (primary) gender being regulated? It's right there in the title. Men. People talk a lot about regulation of women, but they also talk a lot about male violence, male sexuality, male competition, male hierarchy... so from an insurance-minimization standpoint, and from a blind "anti-oppression" standpoint, we could imagine a society that has set things up so that there are few men in the first place.

Such a society would not be lesbian, but sexless.

Regarding the 2019 post you're asking about,

“Certainly,” the man said, “it may seem to be in contradiction, but if I do this…”

The central sci-fi technology at play is a computer which estimates political coalitions and ideology. Political coalitions are based on a feedback between ideologies and interests. The interests and beliefs of different coalition members aren't always in alignment with each other, so every coalition will have some tension. (This may be the source of the "contradiction" mentioned here, but not necessarily.)

The presentation board even paused with a twirling icon for a moment, before the node finally came loose, and Mr. Blanstak dragged it to the other side of the board. …dropping it in a category named “religion.”

Previously, transgenderism was pursued as 'transmedicalism,' defining transgender people as a tiny minority of the population who were experiencing a diagnosable medical disorder. In this frame the rights and privileges granted would be similar to those for someone with a disability. This implies a pretty significant amount of institutional gatekeeping.

However, while the medical establishment is influential, this left the status of transgender people ambiguous (just how far can you go with a doctor's note?). As such, activists pushed for the idea of transgenderism as a 'basic human right,' with unlimited gender self-identification.

This is a bit of an all-or-nothing strategy. If activists win, they get to teach their gender views in public schools as fact. This places them above all the established religions, on the same level as the implicit peace bargain between those religions. If they lose, even the medical framework could collapse.

Positioning transgenderism as a 'religion' is a kind of fallback position. The United States has pretty substantive protections against religious discrimination, so both medical procedures and presentation would receive legal protection. However, this would be a demotion to one valid worldview among multiple competing worldviews, and rules on teaching the view in public schools would be similar to teaching "Christians believe X," not just teaching "X".

(In practice, this approach wouldn't work, as religious beliefs are generally understood as being about the supernatural, and people generally don't believe in transgenderism as supernatural.)

In this case, the reclassification causes a whole bunch of cascading updates to the ideology and coalitional makeup throughout the system.

“So you’re saying,” I said, “that this was the latent equilibrium all along?”

The perspective character asks if this is the future, because this isn't his technology and he's more of a normal guy, so he's thinking that this is the big ideological change.

Blanstak looked at me over his shoulder. “There are many semi-stable equilibria, Mr. Whipple. The matter of entering one is choice.”

However, in this case the technology's creator is using the shift as more of a demonstration not merely of the technology, but of the idea that there are other self-reinforcing states of society that can be reached.

It is likely that the book would follow on the consequences of such a technology, however...

excerpt, unpublished Clint Manstock manuscript, 1991

It wasn't considered good enough to actually publish.

[biofunmy]

In ‘City on a Hill,’ a Crime-Ridden Boston Before the ‘Miracle’

In Showtime’s new crime drama “City on a Hill,” Jackie Rohr is a cocaine-snorting, corrupt and racist F.B.I. veteran who longs for the days when the “bad men” were in power, and Decourcy Ward is a principled new assistant district attorney from Brooklyn, determined to “rip out the [expletive] up machinery” in 1990s Boston.

The characters — played with flamboyant vigor by Kevin Bacon and simmering fortitude by Aldis Hodge — shouldn’t like each other, or even be able to work together. And for much of the pilot episode, they don’t.

But one morning last April, as Bacon and Hodge filmed a scene for a later episode in Decourcy’s office — actually a set at Steiner Studios in Brooklyn — the mood was different. The characters were on good terms, maybe even kind of pals.

Decourcy shared his uneaten eggs with Jackie. (In between takes, Bacon joked about being too full to partake in the handsomely stocked craft services.) Both sported shiners on their faces but they didn’t give them to each other; Decourcy’s came from a confrontation with a church minister, Jackie’s from an “alcohol-induced haymaker” at the V.F.W. When their easy chatter was interrupted by a distressing call Jackie received on his period-appropriate oversized mobile phone, Decourcy expressed concern and moral support.

Decourcy and Jackie “don’t trust each other, but kind of need each other,” Hodge said later during a phone interview. “They both represent two sides of the same coin. One is a dark looking into the light, one is a light looking into the dark.”

That could be the tagline of “City on a Hill,” which takes place during a time when crime rates and racial tensions in Boston were exceedingly high until a coalition of community groups developed an anti-violence mission that would prove successful in the late ’90s.

[Read our review of “City on a Hill.”]

The show was created by the relatively unknown writer (and Boston native) Chuck MacLean, but it sports an impressive pedigree of Hollywood veterans, including the executive producers Ben Affleck, Matt Damon and Barry Levinson. It’s a sprawling ensemble piece that’s part procedural and part machismo-fueled interracial buddy tale: Decourcy and Jackie are brought together through their mutual interest in taking on a family of armored car robbers in Charlestown led by Frankie Ryan (Jonathan Tucker). By the end of the pilot, they’re swapping personal stories and strategizing how to build a potentially career-defining case over drinks in a bar.

Their dynamic may call to mind Tibbs and Gillespie or Murtaugh and Riggs, but the show’s origins lie in “The Town,” the 2010 crime thriller Affleck co-wrote, directed and starred in, which also centered on criminals in the working-class, heavily Irish Charlestown neighborhood.

Affleck was inspired to develop “City on a Hill,” he wrote in an email, after “doing so much research for ‘The Town’ and not being able to tell the scope and scale of the story the research yielded.” The series offers a more expansive means “to explore the city and in particular what was going on politically, socioeconomically, racially and culturally at the time I kind of came of age there,” he wrote.

Affleck tapped MacLean, a self-described “bum from Quincy, Mass.” with an unmistakable accent to match, who had worked with Affleck’s brother, Casey, on a script for a movie about the Boston Strangler that never got made. The veteran writer and producer Tom Fontana, who specializes in character-driven dramas set in distinct environments (“St. Elsewhere,” “Homicide: Life on the Streets,” “Oz”), was impressed by the pilot and came on as the showrunner and an executive producer after “City on a Hill” was picked up by Showtime.

While this high-wattage project is MacLean’s first foray into TV, his fascination with Boston history — his home in Los Angeles contains “wall-to-wall” crime and newspaper memorabilia stretching back to the 1930s — made him a good fit for Affleck’s vision.

“I didn’t want to spend five years talking about bank robbers and I don’t think he did either,” MacLean said. “So we started talking about the different things that were going on in Boston in the early ’90s.”

A lot was going on. The city was plagued by violent crime and racial tension, generating plenty of headlines that the series occasionally rips from, à la “Law & Order.”

It begins by citing the notorious case of Charles Stuart, a white Bostonian who in 1989 claimed that a black gunman attacked him and killed his pregnant wife. More than two months passed — during which the police went on a manhunt and Stuart eventually identified someone as the attacker from a lineup — before Stuart’s story fell apart. His brother Matthew went to the police and outed him as the real killer.

The incident exacerbated the already tense relationship between law enforcement and the black community. “The Boston police and the city of Boston — from the end of World War II, there was at least one time in every decade where they became a national embarrassment,” MacLean said.

“The Stuart one was the first time that I think the circumstances lined up that it was particularly bad, but then in the aftermath of it, it allowed for a lot of good to happen,” he added. “That’s the theme that I wanted to look at.”

MacLean, 33, was a child during the era of “City on a Hill.” But the journalist and author Michele McPhee, a writer for the show, was then a young investigative reporter at The Boston Globe, and recalls well the city’s struggles during those years.

“A little girl gets shot off a mailbox,” McPhee said. “Jermaine Goffigan — whose face I’ll never forget — he’s counting Tootsie Rolls from Halloween, still in his costume, when he gets hit by a stray bullet.”

“The city had had enough,” she added.

Jackie and Decourcy serve as the thematic entry point, their unlikely partnership an explicit allegory for the Operation Ceasefire program — also known as “The Boston Miracle.” Black clergy members, police officers, probation officers and outreach workers — once unaligned with one another — joined forces under the direction of the Harvard University criminologist David M. Kennedy to focus on black youth in high-crime areas. After it was carried out in 1996, Boston began to see a decline in homicides, and similar programs were replicated in other cities like Cincinnati with success.

“These two characters are polar opposites,” Fontana said. “But for at least a period of time, [they] need each other and are willing to overlook certain things in an effort to achieve something greater.”

The show’s creative team is primarily white, a liability for a story that aims to authentically portray a time and place defined largely by racial tension. (This season there was one biracial writer, J.M. Holmes, and one Latino writer, Jorge Zamacona.) But “City on a Hill,” doesn’t shy away from depicting its setting’s deeply ingrained racism: Within the first minute of the first episode, Jackie flippantly slings around the N-word.

“That was the world I grew up in,” MacLean said.

But, he added, he spoke frequently with Hodge and Lauren E. Banks, who plays Decourcy’s wife, Siobhan, about their perspectives. “As much as I wanted my story told correctly, I wanted everyone else’s involved in this to be told correctly,” he said.

Hodge said he “chimes in quite a bit” when it comes to the show’s depiction of Decourcy, who is partly inspired by Boston’s first black district attorney, Ralph Martin.

“That’s something that’s a priority going forward, just to get more black voices in the writer’s room,” he said. “Unless you’ve actually been the victim [of racism], you actually don’t know what it is.”

Stories about such fraught but fruitful partnerships risk turning a racist like Jackie into a sympathetic figure by having him work well with Decourcy. But in the early episodes, at least — the first 3 of 10 were made available in advance — the show is less about Jackie learning to not be a terrible human being than Decourcy’s struggle to take down the (white) status quo without becoming like it.

Decourcy is the “hero of the series” who must “deal with the devil” Jackie, MacLean said.

For Hodge, the question is: “How far will he go before he turns into Jackie Rohr?”

As for Jackie, a defining quality, Bacon said, is that he’s “so narcissistic that his belief that the ends justify the means” allows him to behave unethically. (The character is a loose composite of the F.B.I. agents H. Paul Rico, who was indicted on a charge of murder shortly before his death; John Connolly, who aided the mob boss James (Whitey) Bulger; and Dennis Condon.)

The creative team strove for authenticity in depicting the city of Boston as well, even though it almost never actually films there.

The pilot was shot in and around the city, but the production moved to New York once the series got picked up — exterior scenes were shot in Staten Island, New Rochelle, White Plains and the Bronx. (A few scenes have since been filmed in Boston.)

This decision came down to practicality: Boston lacks soundstages and the city is generally “much prettier now than it was” in the ’90s, said McPhee, who served as a kind of Boston credibility consultant.

“I was getting ready to eye-roll and say, ‘Oh God, we’re never going to get Boston,’” she said. But she was impressed with the attention to detail, adding, “There’s a set that represents [the] Bromley Heath [apartments] that I felt like I was walking through the halls of Bromley Heath.”

(“Believe me, it wasn’t my decision,” MacLean said of the move to New York.)

It’s too early to know whether there will be a second season of “City on a Hill,” though MacLean said he’s plotted out five seasons’ worth of material for the leads. According to Affleck, the plan is to move the action from Charlestown to Roxbury if the show gets renewed, and then to a different neighborhood each season, similar to the “The Wire” and its thematically distinct chapters.

“You meet two people from Boston who talk, they never talk about Boston — they talk about the neighborhood where they’re from,” MacLean explained. “The neighborhood is their vision of what Boston is.”

Sahred From Source link Arts

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[njawaidofficial]

'Death Note': Netflix Movie Is What Happens When Filmmakers Don't See Race

http://styleveryday.com/2017/08/27/death-note-netflix-movie-is-what-happens-when-filmmakers-dont-see-race/

'Death Note': Netflix Movie Is What Happens When Filmmakers Don't See Race

American adaptations need to realize that multiculturalism, not high production value, is its greatest strength.

[Warning: This story contains minor spoilers for Netflix’s Death Note.]

Like fellow manga adaptation Ghost in the Shell, Netflix’s Death Note has been dogged by whitewashing criticism since castings were first announced. In translating Japanese source material for an English-language audience, Hollywood renditions have unfailingly employed white protagonists, despite the existence of English-speaking Americans of Japanese or other descents.

Unlike Paramount’s Scarlett Johansson-starring flop, though, director Adam Wingard’s Death Note transplants the setting from Japan to the United States (specifically, Seattle – where, it must be said, Asians are the second-biggest racial demographic in real life). Still, the casual Netflix surfer who watches Death Note unaware of its history is unlikely to notice the absence of Asians – other than a white American cop’s inexplicable decision to name his son “Light,” Wingard successfully erases all traces of cultural context from his film. Unfortunately, he does too good a job with it, because Death Note takes place in a country wholly unlike our own.

In Death Note, teen serial killer Light (Nat Wolff) is pursued by the mysterious private detective L, a fellow teen genius as defined by his behavioral quirks as he is by his staggering intellect. It’s hard to imagine a more fitting actor for the American L than Lakeith Stanfield, a breakout for his eccentric performance as Darius in FX’s Atlanta and surely one of the most idiosyncratic and gifted talents of his generation. And the prospect of seeing a young black L lead an international coalition of law enforcement and intelligence officers on a manhunt for a global mass murderer is full of rich dramatic promise and adds potential layers of commentary to the original mono-cultural Japanese version.

But L’s blackness is never addressed, often distractingly so. When Light’s father Detective Turner (Shea Whigham) meets the great L, masked by a pulled-up turtleneck, he says, “I figured you’d be older… and that I could see more of your face.” Turner the character may have refrained from noting L’s race out of a sense of politeness, but Death Note’s curious color-blindness is to its own detriment. The film offers several visuals seemingly without awareness of their resonance in the real world: a hooded L appearing on the national news, L brandishing a gun as he chases Light through the streets, Det. Turner putting L in a chokehold. It’s not that those images are offensive to include; on the contrary, they are startling and fascinating and could have elevated Death Note, if only the filmmakers understood their import. As Indiewire’s David Erlich wrote in his Death Note review, “Why go through all the trouble of setting Death Note in America if you’re not going to set it in the real one?”

Obviously, Death Note is supernatural fantasy. But great speculative fiction bends physical circumstances and rules while reflecting real-world truths about the human condition and how we interact with one another. That’s why audiences can easily suspend disbelief about rich white people who hypnotize and hijack black bodies through neurosurgery, and yet the most terrifying part of Get Out is near the end, when a police cruiser comes upon the bloodied black male protagonist on a lonely road. Director Jordan Peele understood that we don’t watch movies and TV shows in a vacuum.

Wingard ambitiously compared Death Note to Martin Scorsese’s Oscar-winning The Departed, based on Hong Kong’s Infernal Affairs. But The Departed succeeds because its characters don’t just happen to be white. They are specifically white: The film uses Infernal Affairs’ cops-and-gangsters premise to tell a story steeped in Boston’s Irish-American community. It has the ring of authenticity.

Death Note is what happens when filmmakers are color-blind but not color-conscious. In many cases, color-blind casting has been used to justify certain decisions, such as when Hellboy executive producer Christa Campbell explained that film’s recent decision to cast white Brit Ed Skrein as Japanese-American comic-book character Ben Daimio. “Someone comes and does a great audition [to] get the role,” she wrote in a now-deleted tweet. “Stop projecting your own shit onto us. We are all one. We don’t see colors or race.”

And that’s a shame, because America’s greatest storytelling strength isn’t high production values. It’s multiculturalism — access to an array of backgrounds and identities, and an ability to find out what happens when they collide. It’s a huge advantage that multicultural nations have over more culturally homogenous ones. Death Note, like all the manga adaptations that have come before it, fails to make use of this tool, reducing its primary task to linguistic shifts and superficial face swaps.

Death Note

[legionofmyth]

The shocking truth about Rifts Manhunters—are you prepared?

What are the Coalition Manhunters hiding? Discover the truth behind these elite enforcers in the Rifts universe! This video uncovers their brutal missions, dark secrets, and the fear they instill across the wasteland. Don't miss out on learning what drives these dangerous warriors—watch now! #RiftsRPG #Manhunters #CoalitionStates #PalladiumBooks #TTRPG #RiftsLore #RPGSecrets

Rifts Ultimate Edition Rifts Coalition Manhunters Sourcebook Heroes of Humanity This video uncovers the truth about the mysterious and dangerous Manhunters from the Rifts Coalition Manhunters Sourcebook. Ready to learn what really drives these shadowy figures? Watch now to uncover the truth behind their deadly purpose! In this video, we explore the origins, missions, and hidden agendas of the…

[legionofmyth]

What secrets lie within the Rifts Coalition Manhunters Sourcebook?

Rifts Ultimate Edition Rifts Coalition Manhunters Sourcebook Heroes of Humanity This video provides an exciting overview of the content found in the Rifts Coalition Manhunters Sourcebook by Palladium Books. Dive into the secrets of the Coalition States and discover how Manhunters operate within this dangerous world – watch the video now! Explore the in-depth lore, powerful O.C.C.s, and terrifying…

[legionofmyth]

Player Tips & Tricks: Magic / Psychic O.C.C. Skill Selection in Rifts RPG

🎲 Unlock the secrets of Practitioner of Magic and Psychic (Mystic) character O.C.C. skill selection in the Rifts TTRPG by Palladium Books. #RiftsRPG #PalladiumBooks #Rifts #PostApocalyptic #ScienceFiction #TTRPG

Rifts Ultimate Edition Rifts First Edition Master the art of Practitioner of Magic and Psychic (Mystic) character O.C.C. skill selection in the Rifts RPG with expert player tips & tricks. Unlock the secrets of character creation in this renowned tabletop game by Palladium Books. Step into a world where imagination knows no bounds, where infinite possibilities await at every turn. Rifts, the…

[legionofmyth]

Player Tips & Tricks: Adventurer & Scholar O.C.C. Skill Selection in Rifts RPG

🎲 Master the art of Adventurer & Scholar (Vagabond) O.C.C. skill selection in the Rifts RPG with expert player tips & tricks. Unlock the secrets of character creation in this renowned tabletop game by Palladium Books. #RiftsRPG #PalladiumBooks #Rifts #PostApocalyptic #ScienceFiction #TTRPG

Rifts Ultimate Edition Rifts First Edition Master the art of Adventurer & Scholar (Vagabond) O.C.C. skill selection in the Rifts RPG with expert player tips & tricks. Unlock the secrets of character creation in this renowned tabletop game by Palladium Books. Step into a world where imagination knows no bounds, where infinite possibilities await at every turn. Rifts, the iconic role-playing game…

[legionofmyth]

Player Tips & Tricks: Men at Arms O.C.C. Skill Selection in Rifts RPG

🎲 Master the art of Men at Arms O.C.C. skill selection in the Rifts RPG with expert player tips & tricks. Unlock the secrets of character creation in this renowned tabletop game by Palladium Books. #RiftsRPG #PalladiumBooks #Rifts #PostApocalyptic #ScienceFiction #TTRPG

Rifts Ultimate Edition Rifts First Edition Master the art of Rifts RPG O.C.C. skill selection with expert player tips & tricks. Unlock the secrets of Men at Arms (Headhunter) character creation in this renowned tabletop game by Palladium Books. Step into a world where imagination knows no bounds, where infinite possibilities await at every turn. Rifts, the iconic role-playing game by Palladium…

[legionofmyth]

GM Tips & Tricks: How to setup encounters in the Rifts RPG by Palladium Books

🎲 Unlock the secrets of thrilling encounters and master the art of world-building in the Rifts RPG with this comprehensive and immersive setup guide! #RiftsRPG #PalladiumBooks #Rifts #PostApocalyptic #ScienceFiction #TTRPG

Rifts Ultimate Edition Rifts First Edition Unlock the secrets of thrilling Rifts encounters and master the art of world-building in the Rifts RPG with this comprehensive and immersive setup guide! Step into a world where imagination knows no bounds, where infinite possibilities await at every turn. Rifts, the iconic role-playing game by Palladium Books, is a gateway to unparalleled adventures…

[legionofmyth]

3 BEST decisions by RIFTS game masters

🎲 #Rifts by Palladium Books – Dive into our video revealing the top 3 BEST Game Master decisions that will ignite your campaigns with unparalleled excitement! #GameMaster #DungeonMaster #PostApocalyptic #TTRPG #PalladiumBooks #scifi

Rifts Ultimate Edition Rifts First Edition Dive into our video revealing the top 3 BEST Game Master decisions that will ignite your campaigns with unparalleled excitement! Step into a world where imagination knows no bounds, where infinite possibilities await at every turn. Rifts, the iconic role-playing game by Palladium Books, is a gateway to unparalleled adventures that will ignite your senses…

[legionofmyth]

3 BEST choices for new RIFTS players

🎲 #Rifts by Palladium Books – Unleash your imagination and embark on the ultimate gaming experience with these three BEST new player choices. #GameMaster #PalladiumBooks #PostApocalyptic #TTRPG #HowTo

Rifts Ultimate Edition Rifts First Edition Unleash your imagination and embark on the ultimate gaming experience with these three BEST new player choices. Step into a world where imagination knows no bounds, where infinite possibilities await at every turn. Rifts, the iconic role-playing game by Palladium Books, is a gateway to unparalleled adventures that will ignite your senses and transport…

[legionofmyth]

3 MISTAKES new RIFTS game masters make

Rifts Ultimate Edition Rifts First Edition Let’s look at three game master mistakes new Rifts GM’s make. Step into a world where imagination knows no bounds, where infinite possibilities await at every turn. Rifts, the iconic role-playing game by Palladium Books, is a gateway to unparalleled adventures that will ignite your senses and transport you to realms beyond comprehension. From the depths…

[legionofmyth]

3 BAD CHOICES new RIFTS players make

🎲 #Rifts by Palladium Books – Step into a world where imagination knows no bounds, but be careful of these three BAD choices new players make. #GameMaster #DungeonMaster #PostApocalyptic #PalladiumBooks

Rifts Ultimate Edition Rifts First Edition Let’s take a look at three bad choices new players make in the Rifts tabletop RPG! Step into a world where imagination knows no bounds, where infinite possibilities await at every turn. Rifts, the iconic role-playing game by Palladium Books, is a gateway to unparalleled adventures that will ignite your senses and transport you to realms beyond…

[legionofmyth]

Convert a Nightbane Character to a Rifts Character - [Palladium Books]

🎲 Watch the step-by-step process used to convert a character from Nightbane to Rifts using the Rifts Conversion Book. #Rifts #Nightbane #SciFi #RPG

Rifts Conversion Book One – [PDF]Watch the step-by-step process used to convert a character from Nightbance to Rifts using the Rifts Conversion Book. Get ready for an epic adventure through the multiverse with Rifts Dimension Book #02: Phase World! This must-have supplement for the popular Rifts tabletop roleplaying game takes you to new dimensions, where you’ll encounter strange and powerful…

[legionofmyth]

Rifts Conversion Book #1 - An Overview

🎲 Page after page of rules and stats for bringing other Palladium characters, magic and powers into the multi-dimensional realm of Rifts Earth. #PalladiumBooks #Rifts #TTRPG

Rifts Conversion Book One – [PDF]A revised, expanded and updated edition of Palladium’s number one supplement for Rifts®. Page after page of rules and stats for bringing other Palladium characters, magic and powers into the multi-dimensional realm of Rifts Earth. Conversion rules for Palladium games in general. Conversion rules for Palladium Fantasy® and magic. Conversion rules for Heroes…