#closing scenes though.... don't talk to me

[profundcherrylady]

SINGLE DAD!SAE ITOSHI

A/N: This isn't my usual content, but I was thinking about this scenario and I had huge baby fever so I couldn't NOT write it. I love Sae too much y'all. Also sorry for any spelling mistakes english ain't my first language.

Warnings: Mentions of death and grieving, Sae tries forcing his daughter to either eat her vegetables or go to school hungry (he doesn't go through with it)(this is a very brief scene but it could still be triggering to some people). STILL MOSTLY FLUFF I SWEAR.

Contents: Sae being a girl dad fr, y'all can't change my mind on this one, also Rin being an uncle. That's pretty much it. A little ooc (Rin mostly)

"Papaaaa" Mao complained, her voice echoing across the house and making Sae drop the dishes he was washing and walk across the house into her room to see what was going on... this time. Although he had a pretty good idea given her recent tantrums.

"Can't sleep?" he inquired, but he knew the answer as soon as she saw her curling up in her little bed and pouting, her doe teal eyes looking up to him as if to give him pity. "No, Mao, you cannot come sleep in my room."

"Why not?!"

"You've already been sleeping there all week... come on, you're a big girl, you can sleep on your own room."

"But I wanna be with you..." he sighed. It had seemed she had inherited his stubbornness, because sometimes it felt like there was just no way of making her change her mind when she was set on something. He leaned against the door a little, thinking about what to say that may change her mind.

"I know I was away for a while the last couple of weeks and I understand you missed me, but I can't have this conversation with you every single night."

"Why do you go away in the first place..."

"You know why, I have to for work." he countered, "And do not ask me why I can't bring you along, we've talked about this countless of times before. I don't go away for fun. If I bring you with me, you'll want to go everywhere with me and then you'll get fussy and mad because I'll be working all the time, or worse, you'll get bored to death in the hotel. Believe me, staying here is best for you when I go on business trips."

"But I just wanna be with you!!" his eye almost twitched in annoyance at the sight; he knew that tone of voice all too well. It was another tantrum coming his way, but still, he tried to remain calm for her sake.

"You're with me now."

"So can I sleep in your room?"

"No." then she threatened to start crying. He let out a low, defeated huff, holding back the urge to roll his eyes. She just wasn't giving up, was she? Pushing himself off the doorframe, he looked back at her before speaking. "Fine. Come on."

"This is the last time." he knew damn well that was a fat lie, but he still had to at least pretend to be firm. She would grow up to be a spoiled child otherwise, or at least that's what he was used to tell himself.

The little girl beamed, quickly jumping out of bed and running towards her father. She hopped with her arms up towards him asking to be carried, to which he complied. He wrapped his arms around her small frame and lifted her up, watching as she clung onto him as if he just came back from war or something. Could he really blame her, though? She had lost her mother and he was away all the time; it would be strange if she wasn't feeling lonely.

"Papa, sing me a song." Sae reconsidered his life decisions for a moment there, not gonna lie, but how could he honestly say no to those pleading eyes?

"Fine..." he sighed, his voice soft and low as he began humming whatever song he could think of on the top of his head. Still keeping a secure hold on her, Sae began rocking his daughter to further lure her to sleep. He held her with one arm so that he could close the door of her room, the soft click assuring him that everything was in order, and then started walking a few steps towards his.

By this point, little Mao was sound asleep on his arms, and he almost chuckled at the thought of his daughter refusing to sleep until she was with him. He carefully opened the door a few meters away and walked quitely to the bed, trying his best to not wake up the sleeping child on his arms, and set her down to rest. Once tucked in and comfortable, he let out a sigh of relief. Finally, the brat was asleep and he could be at peace. She could be so clingly and energetic sometimes... not that he cared that much, even though her restlessness was exhausting, it showed that she felt safe and loved enough to be her enthusiastic self around him without any regrets.

It was weird to him, like an unfamiliar sense of pride that surged at the sight of her young daughter bouncing around and playing endlessly. He would often look at her and think about how different her personality was from his, and how much it reminded him of her mother. Sae tried not to though, as he despised comparing his daughter to his late wife over and over again, but sometimes he just couldn't help it. From the way she smiled to the color of her hair... they were just so alike each other. He still kept all the memories from her close to his heart, which in a way made him feel guilty. Sae knew just how much his daughter yearned for a maternal figure; someone to talk to and educate her about girly stuff that he may not understand. He would watch her staring at the other kids with their moms and act like it really wasn't a big deal to avoid making him feel like he wasn't enough, but Sae knew better. It was obvious to him that his daughter absolutely adored him, and he was sure she thought he was enough, but he also knew that she missed having a mom. She missed her mom. He missed her mom too.

Normally he would avoid talking about it. It had been hard enough trying to explain to this small child that her mom wasn't coming home that night, or ever, let alone process his own grief at the loss of the only woman he once loved. If he cried, he had to do it when his daughter wasn't looking, because the last thing he needed to add to his worries was worrying his daughter to the point of avoiding everything that may set off a bad mood on him. It wasn't her fault, he just felt his heart break everytime he took her home and she pointed at a framed picture of her mom exclaiming 'Mama!' Or 'Hey mama', 'I'm back, mama', 'Miss you, mama'. He would hold back his tears and take a deep breath whenever she tried asking if she could visit her mom in the place she was at (as he initially had told her it was a place where she couldn't come back), having to explain carefully that she couldn't. She would get mad and ask why a bunch of times, but he didn't have the heart to tell her 'She's dead' straight up. He really tried to just give her an excuse like that she was sleeping forever or something, as if she was in the sleeping beauty, but then she just began asking if a true love kiss from him would wake her up. She was a child, after all, and she hadn't quite grassped the concept of death yet.

He let himself watch her sleep for a few moments, sinking in the stillness of the night. Taking care of a young child made this moments rare, and he treasured whatever rest he could get. He reached out to the nightstand and picked up the heater remote, pressing a couple of buttons to turn it on a bit; just enough to keep the room warm, as he knew nights at that time of the year could become fairly cold and he didn't want his daughter getting sick. And as expected, she got very evidently more comfortable as the room became warmer, falling into a deeper state of sleep. She had only carried her favorite bunny plushie from her room to hold onto and apparently that was all she needed to fall asleep. He plopped himself onto the bed as well and fell asleep almost instantly from the exhaustion of the day, not even caring about closing the door or the half-washed dishes he left on the sink or even the fact that he hadn't even changed his clothes. He was DONE for the day.

Although, the next day he most definitely regretted it.

He had to wake up early and finish cleaning all the mess his daughter had left throughout the day, plus now he had to make breakfast, wake her up and get her to school. Sae was a rather organized person and he would normally not find himself in this type of situation, but it seemed like ever since he became a father he was running short of time for everything no matter how much he tried to plan in advance.

"Morning." Sae greeted his still somewhat sleepy child as she yawned and climbed the chair infront of her to eat. "Slept well?"

"Mhm..." Mao mumbled, rubbing her eyes with one arm while she still clung to her favorite plushie with the other. He placed a plate on the table for her and then one for him, along with his usual morning coffee and the only damned brand of juice that she liked for some reason and that he had to drive for an hour to buy.

"Come on, eat. You have preschool today."

"Can't I skip? It's snowing so muuuuch." the kid dropped her head onto the table and sighed, clearly displeased about going to school.

"Apparently it's not snowing enough to cancel your classes. Now, please, eat."

He watched intently as his daughter took a close look at the food, pouting and feeling now rather down since she wasn't allowed to skip school. She took a couple of bites of her breakfast and she had a few sips of her juice, then she pushed her plate a little to indicate she was done.

"Thanks for the food." she was about to get off the table when she was interrupted by her father's stern voice.

"Not so fast. There is no way you're full with just that."

"Yeah I am..." such an obvious lie.

"Why aren't you eating? And I want the truth."

She pouted, AGAIN, before reluctantly giving an answer.

"It has green peppers on it..." and there you have it; this was the real challenge of Sae's day.

"I told you, they're good for you."

"But they're gross! Can I eat something else please?" this is Sae's life now. Even winning a soccer match was easier than getting his daughter to eat her vegetables.

"Mao, I spent a lot of time making breakfast for you, can you please finish your food? You still need to get ready to go to school. I don't have any time to make you more breakfeast; I have to go work."

"But... I really don't like them... please?" that was the last straw for him. He didn't mean to sound cruel, but he was tired and didn't know what else to say.

"Mao Itoshi, you're staying on this table until the last bite of food on your plate is GONE. If you don't, you'll go to school hungry and I'm not making you anything else after I pick you up. You are eating this one way or another." he almost instantly regretted the harsh tone of voice he had used, as he saw his kid's eyes begin watering. He passed his hands through his face in exasperation, took a deep breath, and walked around the table to pick her up. He exhaled, trying his best to remain calm before speaking to her again, as he could feel Mao's tears on his clothes and the little shudders she made at the effort to hold back tears. Sae patted and passed his fingers through his daughter's hair in a poor attempt to soothe her, but the damage was already done. She was holding thay bunny plush in her arms like a lifeline. "Sorry, okay? I didn't mean to be so hard on you. I woke up early to make your breakfast and you just took a few bites of it... I got frustrated, but that wasn't a reason to force you to eat something you don't like. I'm just saying, green peppers aren't the end of the world; they can be tasty."

"I guess I can eat them..." he sighed.

"No, you'll just be eating them out of guilt. You shouldn't do things you don't want to just because you're afraid of someone's bad mood." he thought for a moment. Mao eating the green peppers wasn't the ideal result now, she was hurt and vulnerable and that would only teach her that she should fear and comply which wouldn't end well on the long run... still, he did spend his time making her breakfast and didn't want it to go to waste. "Tell you what. I'll eat the green peppers for today, if you promise you'll at least try them next time, and I'll find another recipe to try to make them taste better. Sound good?" she nodded, still hiding her face from him by pressing it against his clothes. "Good. Now, I really don't have more time to make you more breakfast, so let's pick out the stuff you don't like just this once, and only this one time. I seriously need you to try to learn to eat your vegetables."

"...'kay."

"Let's hurry then; you still need to get ready for school."

Sae for sure was missing having some help on the raising of his daughter. He would never admit it though, he would try and pretend parenting was the easiest thing in the world when in reality he was fighting for his life everyday trying to shape this little human into a good person, and refraining from helping her while she failed at tying her shoe countless of times before admiting she didn't know how to do it (this is why he only buys her velcro).

He left the tiny sparkling pink shoes on the ground as he heard the doorbell, then looked at the clock hanging from the wall nearby. 8:14am, who in the world was it this early? Sae indicated his daughter to stay still on the couch before walking towards the door, and right after seeing the face on the other side he furrowed his eyebrows in surprise.

"Rin? What are you doing here?" his little brother then proceeded to push him aside and step inside as if it were his own house.

"Move, I didn't come here for you." his eyes traveled the room and eventually fell on the little girl sitting on the couch, and in a blink of an eye he had lifted the little girl up and hugged her tightly. Despite her surprise, she could obviously recognize her only favorite uncle.

To everyone's surprise, Rin absolutely adored his niece. Sure he had problems with his older brother but he didn't have to take it out on an innocent child that had done nothing to him. Besides, she was so adorable and bubbly and so NOT like Sae. Rin sometimes would stare at her in amazement, wondering how it was possible that this was truly Sae's spawn; yet the teal eyes and lower lashes were unmistakable. She was an Itoshi alright.

"Umclw Rwin!" her voice came out muffled, as she was currently being burried on his chest, but the sentiment was there.

"What are you doing here?" Sae was straight to the point, not caring about his cold tone of voice this time. And he says he doesn't have favorites.

"I just came back from my morning run." the younger Itoshi explained, still not looking at him in the eye. "Thought I'd stop by to say hello."

"To her."

"Yes, I didn't want to talk to your pathetic-"

"Language."

"Shut up."

"Don't hug her when you're still sweaty and gross, she just took a bath." he continued scolding Rin, earning a groan of frustration from him.

"Your dad is so annoying." his niece giggled at the obvious beef between his dad and uncle. She didn't really understand it but it was funny from her point of view. "Such lukewarm rules he has."

"Lukewarm!" she repeated.

"Rin, stop teaching her those words. Mao, say bye to your uncle; we have to get you to school."

"Awwwwww, can he come with?"

"Fine, whatever will get you to actually go to school. Rin, let's go."

"Don't boss me around." he complained, walking with his niece on his arms towards the door and setting her down. "Let's put on our shoes, shall we?" he took the shoes Sae had set down earlier and helped the kid put them on with ease. Of course, he had dealt with this countless of times before. Sae had the bad habit of using him as a free nanny for whenever he had to travel, which was often.

"Uncle Rin, how do you go running with all this snow? It's so cold!"

"When you run, you sweat and then it doesn't feel so cold." he finished tying the kid's shoelaces and took her by the hand, then Sae picked up a scarf wrapped it carefully around her neck.

"Don't take it off." he warned, watching as she began squirming to get away from the scratchy scarf. "It's cold out, I don't want you getting sick."

"Okay, papa." he gave her a quick kiss on the forehead before taking her free hand and not so subtly making Rin let go of her as he finally opened the front door. They were quickly hit by the cold winter air, and Mao shuddered a little at the sudden change in temperature.

Stil, Sae made sure his hand was holding hers tight and that she kept herself on his field of vision. There would be someday in the future where she wouldn't need him to hold her hand; he had to treasure these moments and not let her go while he still could.

[rootspiral]

Agatha All Along deep dive: episode 5 part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4])

I was so looking forward to brighten this particular scene, it's the darkest yet and it's such a beautiful one it's a pity to miss even one detail

oh no lilia stop being so cute????

have you ever seen jen with a bigger smile? and she's quiet as usual, it's almost like more than the ride she's enjoying how much fun her friends are having. especially lilia, those two have been forming a bond that is equal parts bickering and a growing respect

I'm just glad alice had this moment of pure unadulterated joy before it came all crashing down

agatha is very, very quiet. despite never letting herself feel anything freely, she takes a moment to close her eyes and enjoy the beauty of it all

she looks back at rio, so sensual and confident

how can kathryn hahn convey so much with so little time? her breath catches at her sight. and then worry and fear take hold and she gives the tiniest shake of her head, as if she's forbidding herself to entertain any kind of thought about rio. she looks away. the blood moon behind her spells disaster

meanwhile billy is that kid who has the time of his life hanging out with the teachers during a field trip

I want to personally thank aubrey plaza for every acting choice she made as rio, but ESPECIALLY for this witchy laugh

(I just brightened the salem seven witch vomiting bees and it's actually pretty impressive! but I don't want to trigger any insect haters around here) (I love insects though so please talk to me about spiders if you want)

they couldn't get a good look at the cabin before rushing in and I couldn't either until now, do we know if it's something from Agatha's past? did she use to live there?

I'm salty that alice had to die in these stupid clothes

So. I think this trial is the most fucked up and humiliating yet. Billy knew nothing about jen except superficial facts, so he put her in a scenario that matched her work aesthetic, more of a personal insult than a wake up call (compare it with the broom lilia just made for her: roots and flowers, something that speaks about jen's work, beliefs and traditions.)

Alice's trial was entirely based on lorna, we know billy is a big fan so he ran with that concept creating something that really shook alice, and not in a good way. she was forced to sit in her dead mom's house and wear her clothes for god's sake. she took it as the Road wanting to teach her a lesson, when it was just a teenager with the grace and subtlety of a newborn puppy.

Now, agatha. billy doesn't know a thing about her because she's private to the point of paranoia. he has gathered that there's something in her past about a dead child and that's probably what makes her grumpy, so he... tried to make her talk to nicky. with a fuking oujia board. Despite having had his share of shock and trauma billy inevitably has a kid's point of view re: death, and even more so because he's functionally immortal. death is something that happens to other people, or far far away in the future. he thinks he's giving agatha much needed therapy, when he actually put a grown woman in child's clothes and made her relive her traumas for everyone to see.

btw I'm not in any way saying that the trials are bad writing. they are brilliant writing. they're just tragic and fucked up behind the funny exterior, just like agatha herself. sorry for the rant.

I mean I wouldn't be opposed to that. we could put billy back in a closet for a little while and get down and dirty with it. and ooh there's a little leaf on rio's shirt, I hadn't noticed it!

jen's retainer always SENDS me

agatha's face when she realizes it's her trial

agatha is irrevocably, eternally linked with death in all its forms

looks like rio is playing along and setting the scene, but she's also doing something more subtle that only agatha understands: she's provoking her, and it's becoming more personal and hurtful. she's testing and punishing more than she used to. she is growing angrier.

agatha wants to tell rio to fuck off but knows she deserves it. agatha is NOT happy to be in this trial for reasons that go beyond what everyone present (except rio) assumes, but she'll bite the inside of her cheeks until they bleed before she shows any of it

the way he says it with a straight face too (again, NO PUN INTENDED. forgive me joe, I would never)

oh great alice has only thirty minutes to live

everyone looks worried and on their guard, rio has her whole knife out, playing along. agatha is STILL trying to look cool and casual, it's painful to watch. girl is panicking, hard

meanwhile billy is always bringing a whole different energy, he's playing and having fun! think back to the second episode when they met lilia and then jen and alice for the first time. billy had no clue about the tension, the fear and hate between them and agatha. right now he's still more excited than scared. he's about to have a rude awakening.

do not taunt the spirits, AGATHA.

lmaooo. this motherfucker.

another moment when billy sounds chillingly cruel. being jigsaw without realizing it

I'm not pointing it out every time but whenever agatha does this with her arms she's really, really really nervous

what does agatha do when she's scared or overwhelmed? she puts on a show. like clockwork. and rio has already guessed what's about to happen

I really want to continue this so there will be more later today, stay tuned!

go to episode 5 part 3

[mintaikk]

Why Morpherine should be canon

Remember: all of these are just MY opinion. In all honesty, I just want Morph's feelings for Lpgan to addressed instead of just burying it immediately. That's all I'm asking, I'm not even asking them to get into a relationship. Morph's VA even agrees that Morpherine doesn't even need to be canon, and that their friendship should be explored more. But, these are just my reasonings on why it would be good for morpherine to be canon.

It would put an end to the not love triangle between Jean, Scott, and Logan

Love triangle has been going on for a while now, and I think we're all sick of it. I like that it let's us see a softer side of Logan, but Jean isn'tinterested! She's been with Scott since high school, and there's no way in Hell that she is going to leave him.

What sucks to me is that the fact that nothing has really been where he develops abd is able to get over his crush. I get it. Feelings are hard, and they don't go away. But, nothing is going to be done with this except useless pining and have Jean kiss him for some fucking reason. I literally just want Logan to get over Jean. That's it. He gets over Jean, and find someone thar actually likes him in that way.

And that's Morph bcuz the entire post is about :).

It already has good buildup

Half of this section was just stolen from a post made by @waywardsou2 bcuz I haven't watched the original series in a while and they put it perfectly lol.

Morph and Logan were best friends, with Logan famously saying that, "He [Morph] is the only one that could ever make me laugh." But (in literally the first episode lol), Morph dies protecting Logan from a sentinel. And Logan was fucking PISSED. He didn't like Scott before, but I think Morph dying contributed to his dislike for him even more, since he believes that Scott's decision is the reason that his best friend was killed. He then goes to grieve and then later avenge Morph ("This one's for you, Morph!" Slayed so hard with that line tbh). Later, when they find out that Morph is alive, but under Sinister's control, Logan is the first one to offer and go out to rescue them, even though they all think that Morph betrayed them. He says that "He's the only one that could ever make me laugh", quote and also mentions that he's "not giving up on him again." When Logan goes to talk to Morph, the purple around Moeph'a eyes dissappear, and only return when Logan isn't around, so they're already shown to be pretty close.

Another thing is that when Morph and Logan are fighting, Morph turns into Sabretooth and Jean to get under Logan's skin. It's already and open secret among the X-men thst Logan has feelings for Jean, but he hadn't told anyone about Sabretooth. Morph turning into Sabretooh implies that Logan gold Morph about him. I find it sweet that Logan trusted Morph enough to tell them about Sabretooth.

Morph wanted to get revenge on the rest of the team, but with Logan, they just explained what they were going through. And Logan understands them because he wants them to feel better.

And then, in X-men 97, they're just attached by the hip and are literally always seen together. Morph cheers Logan up when he's upset, Morph is always the first one to save him, etc. They're even like this in the comic, being the first one to notice that Wolvie is upset during Scott and Jean's baby shower.

Oh yeah, the thing that made me go "HOLD UP" and got me into this ship: Morph's (confirmed) love confession to Wolverine.

And that fuckass shower scene.

We could just leave it at that, but I'm a fanfic reader and writer, meaning that I latch onto ANY angst I can find. So, here's the stuff this scene implies.

-The illusion of Logan was made by Mr. Sinister when he was bringing out the worst fears of the X-men. And Morph’s worst fear? Logan finding out their feelings for him, and Logan finding them repulsive

-Mr. Sinister is aware of Morph's feelings for Logan, which implies they've had feelings for him for a while now

Those two things are very important for me, and just adds to their relationship more. Imagine a scene where Morph tells Logan expecting him to be grossed out by him, but instead, Logan accepts them and hugs them or smthn. I'd honestly cry if I saw that.

Happy ending for the gays :D

So, so many stories of unrequited gay love or "burying your gays." I don't think they're gonna kill Morph as a lot of their time was spent being dead, but I can see them being rejected by Wolvie. Which is completely fine! Again, I'm not saying that they need to be together! Having a scene like this or this would be great!

But also, I think a lot of people are just tired of having gays get unhappy endings in media, be that rejection for a straight relationship or just straight up dying. Morph's VA believes that it's important to have a gay character be rejected by a straight guy since it's happened to so many people in real life, and I do agree with it! But also, this is fiction, and escapism, and goddamnit, people just want their favorite characters to be happy!

Good queer rep

Imma br so fr: Marvel shows and movies are shit when it comes to queer representation. It's getting better, but it's still shit. It's either a one-off comment or queerbaiting. Apparently, Loki is genderfluid? That's great! Would've been nice to actually see! Bucky Barnes is implied to be bisexual (he mentioned a lot of tiger photos on Tinder, tiger photos are mostly posted by men, it implies he was looking at men's profiles on tinder) but again, that's only implied, and you gotta dig deep to realize it, so really, only people who are actively looking or are in those communities know. America Chavez is gay, (haven't read her comics, but I think she's also gay in the comics :D), but I didn't even know that until I saw it on the wiki. I don't feel like going through all of it, so here are some links to posts that talk about it. Link 1, Link 2, Link 3

Honestly, it'll boils down to wanting to appease the cishet male audience.

X-men is a bit different though, as the series was literally MADE to be woke. Like, here's a post I made that talks about it bcuz I don't feel like repeating myself. Except Marvel shows are cowards, so they'll probably tone-down the wokeness. Smthn about "Wolverine can't be queer bcuz he's mainstream" and they gotta appease that cishet audience! Except that's exactly WHY it would be great for Wolvie to be in a queer relationship! Because he's mainstream! He's already a super popular character, and having him be queer would be great, because a lot of queer people will look up to a character that they already liked before! Straight men have a shit ton of characters that represent them. What's wrong with queer men having a character thar can represent them? Same with lesbians, bisexuals, trans people, literally anyone under the queer umbrella.

I latched onto Morph so heavily because they're nonbinary and gender-nonconforming, which matches my gender expression so heavily. And if I can be so extremely happy with a character that gets a couple minutes of screen time being queer, imagine how happy people will be when a main character whose in a queer relationship gets even more screen time?

Also, Wolvie dated the literal actually Hercules in one comic. Don't come at me yall, it can happen.

And if Marvel wants to add queer rep but is still shy about it, Morph would be a great start. It's like putting little kids into the shallow end of the water because the deep end is scary.

Morph only exists in the X-men cartoon and Exiles comics. Unless you're this tiny community on tumblr, no one gives a shit about Morph. When people think about their nostalgia for X-men 92, no one thinks of Morph. Their ass literally DIED in the first episode, wasn't even in the goddamn intro, and only appeared for like, 6 episodes, and they didn't even exist in the comics. So, paring up with Wolverine would be the "safe" option. It wouldn't be like pairing up Bucky with Sam or Cap (no matter how many people would love that), because no one knows who Morph even is. People would say, "Oh, Wolverine got with Morph!" and most people would reply with, "Who?" Safer option so less people get mad. Just dipping a foot into the pool of queerness, lol.

Yeah, it sucks that there has to be a "safe" option, but I'm also very attached ti this ship and Marvel needs to learn that queerness isn't some evil thing that drives away customers.

Tldr; Morpherine should be canon bcuz It would put an end go the Jogan love triangle, it already has good buildup, it leads to a happy ending for the gays,

[myechoecho]

When the Phone Rings, ep 3

What has come sharply into focus is how Sa Eon is losing control where Hee Joo is concerned. Not only was Hee Joo kidnapped and nearly died, now he has to deal with her "kidnapper" who knows seemingly knows more about Hee Joo than he does and now Sang Woo is back and he's jealous. It's too much and he's cracking.

The episode again shows that neither one of them knows the other as well as they think. Both of them showing sides of themselves they have previously kept hidden from one another. He's making her breakfast, getting her snacks and suggesting she apply to be an interpreter at the Blue House. She's standing her ground and talking back. More importantly, they are communicating.

I adored the bed scene. I doubt Hee Joo would have been confident enough to fight with the lights and yank her pillow back before now. Much of this stems from her initial anger with him but he's also confusing her with his actions. I loved how Sa Eon explained that the house was not safe, and he wanted her to sleep soundly. He's also apologized for what he said when she was kidnapped.

Nobody does a bad parent like a kdrama. Hee Joo's mom was awful even before we found out what happened. Hee Joo was in some sort of accident with her step father's son and her mother's main concern was why did she survive. Flat out saying that she should have died instead of the son and that Hee Joo's life was worth less than others. It was her mom who told her to remain mute, as a ploy for sympathy to stay with the Chairman. To stay mute forever.

Hee Joo even now does not speak to her mother when they are alone or on the phone. Her mom seemingly likes having a mute daughter since she doesn't ask her to talk. Interesting that Sa Eon's mom said selectively mute when referring to Hee Joo. The only time that Hee Joo speaks is when she is alone with her dad or by her self (kidnapper guy does not count) so why say selectively mute?

I do have a suspicion that Sa Eon knows she can speak. I base this on nothing.

One thing we learn is that Hee Joo's sister is also deaf. This makes me very curious as to what their relationship is. Hee Joo's mom obviously does know sign language. It's not clear if the Chariman does. So does that mean Hee Joo and In A had a close bond because only they could speak to one another. Did In A teach Hee Joo sign language?

As much as I love Hee Joo, she is out of her depth with the kidnapper. Did she really think the kidnapper would not know she had the phone? I get that she was running off of anger and but having that phone is dangerous. Now she has to deal with the kidnapper and Sa Eon who thinks she's the kidnapper. I don't know how she'll handle that. It's also apparent that the kidnapper is not the brains of the operation there is some one else pulling the strings.

The kidnapper threatened her in the worst possible way though her dad was not harmed. I absolutely adored that when she was at her lowest, feeling most alone Sa Eon came to be by her side and declared her his wife in front of everyone. Sa Eon has repeatedly said to her to "stay by his side" - he's showing that he will stay by her side.

Both of them are prisoners in a way; some of that is self imposed most of it is because of their families or their trauma. The kidnapping has jump started them breaking out and becoming more true to themselves and each other.

side note: this show makes me grateful that my car is a "dumb" car - no touch screen, gps, push to start, no apps to connect to my car. Heck I don't even have a remote to unlock the door. It's not even that old a car but it sure feels like it compared to cars now.

[dcdreamblog]

Did Zatara's adventures in the 40's and with the All-Star Squadron inspire the comic strip character Mandrake the Magician, or was that just a big coincidence?

I'm going to say no for the fairly obvious reason that Mandrake's newspaper strip began publication about 4 years before anyone in the general public had ever heard Zatara's name. Though this does grant me the ability to talk about how Zatara was viewed early in his career as one of the first Mystery Men.

(A still of Zatara from a lost television variety show. Fun Fact, this frame makes Zatara the first Mystery Man, and thus modern superhero, to appear on television)

The Zatara family were always stage magicians, having brought the practice over from Italy when they immigrated just after the Civil War. Young Giovanni was entrusted with the bag of tricks assembled by his grandfather Luigi Zatara, a famous vaudeville and pre-vaudville entertainer.

Giovanni at some point discovered real arcane talent, manifested through his iconic quirk of casting spells simply by speaking his intentions backwards. On the first night of his performance a fire on stage that he was able to put out with his magic inspired him to use his powers for the betterment of others.

Because he was the first "public" mystery man, appearing on the scene when the Crimson Avenger and the Sandman's world rocking debut was still a year or more off it means that the earliest records of his public persona are...strange.

He very quickly made his services available to local police and got into a very public game of cat and mouse with the Tigress, the first true supervillainess. He sold newspapers that was for sure, but nobody really had the terms to describe him.

He's sort of treated in those early days like a Sherlock style civilian detective, a captivating eccentric chasing after equally eccentric criminal personalities with his unique set of skills (obviously no one at that early date believed his magic was real)

It wasn't until after the Mystery Man became public, the JSA was formed, and indeed the All Star Squadron manifested that Zatara made the conscious choice to lean INTO that label. He wasn't even drafted by the All Star Squadron's original sweep. He marched himself up to the front door and volunteered.

This means that, for the war years he holds a fascinatingly weird series of roles. His identity was obviously never private and he continued touring and selling out shows all over the US, Canada and Britain (Even a tour of Australia and New Zealand in '44) with the USO.

He was really the only Mystery Man of his era to be a 100% public and open figure. Lord only knows what might have happened in the aftermath of the HUAC trial if he hadn't already been forced out of the public spotlight because of arcane complications and later the birth of his daughter Zatanna.

I don't really have a closing point here, he just fascinates me. Also I've seen his daughter perform and it is always, ALWAYS worth the money. If Zatanna is coming to your town, get a ticket, leave your skepticism at the door and let her blow your god damn socks off.

[walkingstackofbooks]

I know this is cursed but. Please rank DS9 characters in order of how Dominant or submissive they’d be during kink scenes? I feel like we could write whole essays analysing what those guys do in bed tbh.

Oh my god, cackling, is this really what you all think of me? :P (Yeah, no, that's fair 🤣)

This was actually so interesting to think about! I was finding it very hard difficult to decide on an order on initial vibes alone, so I wrote up my headcanons for them all first - and a few of them are surprising even to me! Also there are so many switches/not really into it so the middle is really very fuzzy.

1 - Ezri Yeah, definitely a surprise to find her at the top of my list, but I so really think she'd get a kick out of the dom scene (and mostly dislike subbing). She's just got that quiet powerful energy that makes you want to be in her thrall, and being joined and having Jadzia's memories alongisde her own just makes her more confident that she's good at what she does. She wouldn't dom for brats though. (Also partly why she's so nervous at asking Julian out, she doesn't feel she's got a good read on his dom/sub energy...)

2 - Sisko If he was into it, I can only see him as a dom. He made captain because he's good at commanding, and he likes it, and I think that would carry through into the bedroom. But honestly, he probably wouldn't be interested in power play in the first place.

3 - Jadzia She's a great dom for sure, but I think she enjoys exploring new things way too much not to be a switch? Plus, Worf like to think he's a dom, and she's happy to humour him from time to time. More dom than not, though, and she's definitely a brat when she subs.

4 - Worf I've definitely said this before, but Worf thinks he's a dom. He's a Klingon warrior, etc etc etc, "obviously" if anyone's domming, it's him. I don't think he's that good at it, but Jadzia finds it endearing, so it's fine. And I think he likes it when Jadzia takes charge, but he never actually refers to that as "subbing" in his head... Idk, I just don't think he'd be able to relax enough to really let himself be submissive, even though I think he'd enjoy it if he were able to. (I also don't think he's particularly into power play, either, tbh)

5 - Garak Ohh, another difficult one... I think subbing would be really good for him, if he could let his guard down enough for it. And he'd have to be in the right mood to dom - at times, he'd really enjoy it, at others, it would hit too close to home and he'd be holding off a breakdown until whenever his partner left. I think he'd *want* to dom, though, even if he knows it'll trigger him, because he does enjoy breaking the other person down and hurting them. (Not that he'd think of it as "triggering" to himself, of course.)

6 - Odo I really cannot see him being into it. No rating. [Edit: I came back to re-evaluate after writing Kira but no. Even for her, it's really not something he wants to try.] [Edit: Fuck, he would dom for Quark though.]

7 - Miles Again, not sure he'd be into power play for itself, but he enjoys playing his role for a partner who's into it. Keiko, I think is a switch with a slight preference for domming, so he's been a sub more often than not. I think his favourite part of it is giving aftercare when he's been a dom :3 (something something good-cop-Miles-bad-cop-Keiko domming the hell out of a dazed Julian)

8 - Julian Disclaimer - I exclusively read sub!Julian, so I'm biased XD But trying to think about it objectively... I think he's a switch. Like Jadzia, he enjoys exploring new things too much to really stick to one or the other. I do think he'd have hangups over how much he enjoys domming though, what with his secret fear of going bad... And being a sub allows him to relax and not have to think and just relish in all the sensations and I think he'd love being slowly taken apart bit by bit...

9 - Kira Sure, she screams dom at first but I pegged her as a sub a few weeks back and now I've really talked myself into it. I think she could dom, but unlike Sisko, while she's very good at being in command, I don't think she intrinsically enjoys it, and letting someone else be in control would give her the chance to relax. It would take her a while to allow herself to explore it, but once she got there, she'd find a space where she can be soft and gentle and cherished - and hurt, and soothed.

10 - Quark Oh my god he's such a sub, right? Not that he'd ever tell anyone but he LOVES being told what to do and ordered around. In theory he's a brat, but it never lasts for long - he becomes a pliant submissive wreck too quickly. (Okay now I'm considering if Odo would break his definitely not rule for Quark and... Yeah, actually 😅 Why would their dynamic change just because they're having sex?)

[shiyosugi]

• ARRANGEMENT •

No one would be happy when they are told that they will be married off to someone they don't even love or know. That was what Reo Mikage felt too, but he couldn't really do anything about it. He thought that he would at least be nice to his fiancee but what if his fiancee was a "genius" actress?

• chapter 1 ��� fem!reader• sfw • 3rd person point of view •

Reo watched as his fiancee was getting dolled up for a scene of her project from across the room. He still couldn't believe that she was his fiancee. He was expecting some well-known woman to be his fiancee or maybe someone from one of his father's old business partner but her?

[F/N (M/N) L/N]. A famous teen actress, her father was one of Reo's father's old business partner, but he had never really got the chance to talk to her personally. [F/N] was a very good actress in his opinion. He had seen some of her interviews before and she seemed to be kind?

This was not his first time visiting her while she's on work, he himself found acting to be fascinating and she was one of the reason why he thought so. She was a passionate one, everytime she was casted for a new film, you can tell that whatever role she would be playing, she will nailed it.

Everyone knew she was kind and friendly, but Reo saw otherwise. When with him, she was a little cold and a little distant. She did not fall easily for his compliments which came straight from his heart. Barely talk to him. Though he can't blame her, everytime they got the chance to talk, she was exhausted and barely awake when he drove her to her place, so she can't process his words properly.

Today was no different, or so he thought. She finished her shoots earlier from planned. 7 p.m. that was faster than usual.

"Good work," he tried to lighten her mood a little which didn't work as he was met by her droopy eyes. Right. "Come on. Let's get you home," he suggested as he gently guided her out from the building to his car.

He opened the door and closed it after she got in, as he got to the driver seat, she suddenly spoke to him, "Can we have dinner first?"

That question caught him off guard which was obvious with the way he looked at her with confusion. She saw his face then shook her head, "Nothing, nevermind. Just send me home." She huffed quietly.

"No no no no. Of course, let's have dinner first. Where did you wanna eat?" Reo immediately responded after he saw the annoyed look on her face. Besides, they never have time to get to know each other more so he thought that this will be a nice chance to start.

"Anywhere... I don't mind..." she mumbled.

He stared at her for a moment before getting an idea and started to drive away from the place. [F/N] didn't know what to expect, she was exhausted from her today's activity and had absolutely zero energy to argue or think properly. Just as she was about to doze off, Reo gently held her shoulder, keeping her awake.

"Come on, don't fall asleep now," he said gently. "I will go out for a moment, you wait here," he said before getting out the car. She didn't even bother to look around as she looked down at her hands that were holding her phone. The sleepy girl turned on her phone and tried to scroll through social media to make her stay awake.

A few minutes later, he came back with takeout. Curious, she finally looked out of the window to see that they stopped in front of a restaurant. Not a fancy one, just a basic one with full of ordinary citizens. At first, she didn't think much of it not until she realised that this restaurant was her favourite restaurant before she started her acting career. Shocked and confused, she turned to him who was smiling.

"I bought us fried rices. I remember that you mentioned it before on one of your interviews about your favourite restaurant and food, and I thought that this might lift your spirit up," he spoke with the softest tone she could have ever heard.

She had listened to some soft and low voice before, thanks to her role as a female lead for a romance film before, but his hit different. Maybe because his was directed to her and not to make things more interesting and intense for the sake of their acting. She didn't even realise that her cheeks were turning slightly red. She was touched that he would notice that or the fact that he watched her interviews and remember what she said.

She snapped back into reality and rubbed the back of her neck, "Thanks... I am craving it for a while now..." She admitted as she took the plastic bag from him and placed it on her lap, holding onto it for a while, a faint smile could be seen on her lips.

He smiled as he saw her smiled to him for the first time, even though it was subtle. "If you want, we can eat it now. Right here in the car. I had a feeling that you are not in the right mood to eat outside, considering your popularity and how tired you are," he suggested as he took one of containers out from the plastic bag.

She thought about it for a moment, looking at him before smiling more. She felt very grateful for his gesture, she didn't even remember the last time she was treated with such a raw kindness and care before. "Thank you, Reo. I appreciate it," she said happily before taking out the container as well, along with plastic spoon and started eating, followed by Reo.

They didn't realise it, but they were having a date right at this moment. Eating together in the car silently, but he didn't mind the silence, seeing her overjoyed by something as simple as getting her favourite food was enough for him. He knew that for her, his kind gesture was not something simple, it was something significant for her.

The golden boy learned something new about his famous actress fiancee.

[wurmzirkus]

writing pattern game

Rules: Share the first line of your last ten published works or as many as you are able and see if there are any patterns! (from most recent to least recent, starting from the top)

got tagged in this (ages ago ofc) by both @raylangivins and @tallahasseemp3. y'all flatter me so much considering how incredibly talented you are!! also y'all have no idea how much i love getting asked about my writing so thanks very much :3

1. crater:

It's cold outside, and already dark by the time Alana makes it home. The train was late, so she spent twenty minutes shivering at the station, looking at her phone every thirty seconds, watching the zero amount of messages and notifications pour in.

2. cypress save me:

Space is cold. 

He knew this before. He went through an awful lot of training every time they sent him up there, and he’s been on his fair share of spacewalks, too. He never got tired of it once, but it's impossible to forget how cold it was out there. 

Space is cold. Kepler’s hands have always been warm.

3. too little, too late:

Kepler is standing in the middle of the hangar bay, keeping his eyes to the floor. Riemann left a couple minutes ago, Young has better things to do, and Jacobi… 

Jacobi is right there. 

4. breathing in your dust (shoutout to NAMMI!!)(honestly, I'm pretty sure i didn't even write this line):

He hung up. The absolute bastard just dropped that on him, and hung up.

5. confetti:

Jacobi is in the middle of making dinner when it becomes too much.

He’s cutting carrots for his stupid fucking soup. It’s hot next to the stove, so there’s a bit of sweat glistening on his forehead, and he doesn’t turn around when he says, “Will you just leave me alone.”

Kepler doesn’t leave.

6. hang on past the last exit:

“Those are going to kill you.”

It’s cold in the room. The window has been open for the last twenty minutes, and Kepler is on his second cigarette. 

7. whumptober prompts:

Kepler looks pathetic. His suit is crumpled and soaked, his hair is sticking to his face and the ends of his once-white sleeves are red with blood. 

He looks at Maxwell without speaking. Determined to commit this look to memory and never forget, Maxwell looks back. 

8. did you think it would be like this:

Maxwell doesn’t notice Kepler in the door for fifteen minutes. She doesn’t see why he doesn’t announce his presence right away - if he wants something, what’s stopping him from walking over to her desk and asking for it? - but she figures he has a point to make. 

A point Maxwell will ignore, because she doesn’t need it right now. 

9. wasteland, baby:

He finds her on the bridge.

10: a mirage in sickness and health:

For as long as she can think back, Maxwell has always spent her time convincing people. 

She could make them think all kinds of things, but the only thing she ever really cared about was getting them to realise she was worth it. 

That she shouldn’t be brushed aside, that she had too much to say to wait her turn to speak. 

tagging @imperial-evolution, @agentmika, @dansnotavampire, @haunthouse, aaaaaand @bananawanis

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[manglam-marfach]

dyke!Chilaios has me understanding breeding kink all of a sudden

[best-enemies]

Got to season 7 on my CSI rewatch and I need to talk about the final scene in s07e11, where Grissom is saying goodbye to Sara before leaving to go on his sabbatical. I mean, look at him. Look at what he does with his hands. *Agressively* Look at himmmmm. He's just a little puppy in love. And he does this right before whispering, "I'll miss you". I'm afraid I'm not gonna make it y'all

[peppermintmochafem]

<3 little diary post

[claire-starsword]

Authentic Story of the Shining Force - Saint Fencer Max - Chapter 3

Translation notes:

So, uh. Elliot's name is rendered with two t's in the og game, but a single one in the GBA version. I had never paid attention to that at all until I had already edited all these pages, and I don't care enough to change it.

Cain's sword causes an explosion here. In the game, it is indeed capable of summoning flames.

This is a perfect illustration of how I feel about these names, but I do wonder what the actual intention was, since Cain is supposed to be already gone. The original image is even cut off weirdly in the middle of the text, and i don't think it's a problem with the scan, since every scanned page has a black border showing that the paper itself doesn't cut there. I wonder about the production of this thing, but i'll wait until i translate the author's comments before saying more.

The map in the previous chapter was very accurate to the beta map of the game. The smaller map here showing Rindo however looks off, the coast is different, and there seems to be a river directly to the north of Rindo, as opposed to the path to Shade Abbey. Perhaps fitting since Shade is skipped here.

Metaphaluna, huh? Needlessly to say, the country of the gods/Ancients is called only Metapha in the final game. Also, in this panel, it pops up as an alternate reading for 前世紀 (ancient times), not the name of a country specifically. I chose to romanize the last part as "luna" for three reasons. One is that the continent of Rune is actually rendered as Lune in at least two guides. I take romanizations from JP guides with a grain of salt since they sometimes look bad/unnatural, or are inconsistent (Pelle's name for example has been romanized as both Peil or Payle depending on the book). I checked though, and town names however are consistent in both the books I've seen romanizing things. The second reason is that the beta map used at this point has a fairly noticeable crescent moon shaped island right in the middle. In the final game, we can't know exactly where Metapha is, because you only teleport there. But I wonder if this island had something to do with it at some point. The third reason is simply I saw no better reason. Metaphalna and Metapharuna would be just as valid, but don't have any meaning to them.

The biggest equation next to Tao as she explains the magic types is very clearly a E=mc². Look close.

I've retranslated Elliot's scenes from the game thinking it would be relevant to these notes. Now I feel it really isn't, but you get more content so you should be happy.

My main point with that is that Elliot does not say anything about Cain in the game. In the GBA version, Balbazak does try revealing Max, Cain and Darksol's identities before dying, but that's not a thing in the og. So yeah I really translated a bunch of stuff for nothing this time! Except not because Darksol is awesome in that scene and everyone should get to see it.

Now let's talk about Otrant. I have mentioned before that Otrant's gender is never explicitly said, and they speak in a mostly gender neutral way (I feel like there's a few masculine patterns in some lines, but I'm not confident enough to say for certain). What I hadn't noticed is that they also use lipstick in the games, which is probably what sparked these observations to begin with, but i'm uh, occasionally not smart. In any case, if any of these aspects were done at this point in development the artist here sure ignored them, and drew a regular old man who gets called an old man. They hate to see an androgynous boss winning.

I don't recall Otrant's third eye being called "Eye of Truth" anywhere else, but the manual of the game does say it can see the past and the future.

Otrant's naming of the Shining Force is a bit more elaborate here, but the wording is very similar to the actual game.

Finally, let's play spot the cameo!

We've got Gong, Zylo, one of the birds, and probably Anri. Easy.

Here, besides the obvious three who were actually introduced in the story, we again have a bird, Anri between Ken and Hans, Gong to the right, and Mae and Gort behind Luke. If you read the pre-release page you know that Gort was meant to be Mae's servant at some point, so this might be why they're together, or it's just coincidence because they still join around the same time in the final game. More importantly, to Ken's left we have...

Some guys. Who are these. They could be made up by the artist (there will be another case of this), but I find it curious that the artist had to do that when there are so many character to pick from, and he clearly wanted to depict official characters here. For one, there's evidence that Earnest was already designed at that point in development. However, that link also shows that Vankar didn't have a portrait by that time at least, and Vankar would have already joined by this point in the story. So could the bald centaur here be a beta Vankar, or the artist's interpretation of Vankar via unfinished art? Maybe, but just a guess in the end. Mostly I'm just fascinated by how detailed this guy is compared to even Mae and Gort's cameos. The other guy isn't so i don't think about them nearly as much.

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!

[vamptastic]

apologies in advance to anybody else who is emetophobic. anyway the accursed beasts (my dogs) threw up like a gallon of water on the floor and also some undigested grass. which is really cool. and really fun to help clean up. and i stepped in it barefoot accidentally which made me momentarily feel as if i was trapped in the stomach of a whale. And I will now have disgusting intrusive imagery of it in my head for the next couple days even though the actual thing was not that gross

[sttoru]

·.⌇ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. you’ve been one of sukuna’s many concubines for quite a while now. yet, you still cannot get rid of the jealousy in your system whenever he interacts with the other women in his harem.

wc. idk around 1 to 2k

tags. true form!sukuna x concubine!female reader. angst (hurt to comfort), fluff, suggestive at the end. heian era. you call sukuna ‘my lord’. reader gets called ‘brat, little girl’. size difference. no part2, don’t ask i beg. not beta read.

“get back here, brat,” sukuna raises his voice as he follows you. he isn’t one to care about others’ emotional outbursts, yet here he is, chasing you after you’ve poured out your heart to him.

you don’t know why you’re this upset. you do know, however, that it’s childish of you to walk away mid dinner. you should’ve just stayed seated and refuse to let the thoughts consume you.

now you’re speed walking down the hallways of the estate—your legs carrying you as fast as they can without actually making a run for it. your mind keeps replaying the ‘unsettling’ scene that caused you to flee.

you remember it vividly. the sound of sukuna’s low, amused chuckle. how intrigued it was because of something another concubine told him—how he stopped chewing to say something back to her. which he rarely does.

hell, you’ve never seen him laugh around his other concubines.

“i do not wish to talk to you right now, my lord,” you reply, voice raised so the distance wouldn’t make it a hassle for the king of curses to hear you. you know that feisty attitude of yours entertains sukuna to no end.

he raises an eyebrow once he’s heard your voice; how it’s dripping with envy and hurt. you’ve never reacted like that before—at least not in his presence. it made him want to figure out why and how.

though, he can easily guess the reasoning behind your sudden defiance.

“oh, that so?” sukuna hums. he’s lenient with you this time around. he could catch up to you in under a split second, but he decides to give you that sense of accomplishment first before completely destroying it. he walks after you slowly, your fast steps being the same tempo as his slow pace.

you don’t answer. you’re stubborn. you have no right to feel jealous. you are a fairly new concubine—only a couple months ago did you join sukuna’s harem. yet, the time spent with him was precious.

he treats you differently. everyone notices that. everyone tells you the same. you know he does by the way he lets you off the hook with most stuff you say and do.

you don’t know what you did to gain his favouritsm, but it’s addicting. his attention is addictive. real addictive.

you had sworn not to develop any unneccessary feelings for that ruthless sorcerer. but, with the way sukuna treated you so gently behind closed doors, it was impossible not to.

you eventually reach the doors to your chambers. you slide them open and wish to close them behind you, only for a big hand to halt those movements. you freeze in place and refuse to look up at the owner of that said hand.

“look up,” sukuna demands. his voice causes goosebumps to appear on your arms, but you still don't budge. he clicks his tongue. that’s your first warning. two more and your punishment will be carried out, “we can do this the hard way too if you want.”

you turn your head, your fingers curling around the material of your kimono. you really should not feel this way about a little interaction between sukuna and his other concubine. that is none of your concern. what he does with those other women is none of your concern.

and yet. . .

“i don't want to,” you retort. sukuna walks into your room with a sigh. each step he takes forwards, you take backwards. your back finally bumps against the wall next to your bed.

sukuna towers over you, his tall and big frame making you feel vulnerable. especially with the way those red eyes of his are staring down at you. he crosses all four of his arms before speaking.

“tell me what’s running through that head of yours,” sukuna inquires sternly. he isn’t playing around anymore, you can tell. you glance the other way—knowing that he will laugh at you the moment you tell him why you’re upset.

you have a feeling he knows the reason behind your tantrum anyway.

“it’s nothing of importance, my lord,” you shake your head and relax your tense shoulders to make you seem less upset. your words have some truth in them—you don’t think your feelings of envy hold any value to him.

sukuna sighs again. he’s trying his best not to be annoyed at you. you’re his favorite and he wishes not to sadden you any further. he steps forwards, one hand moving to cup the side of your face.

his rough fingers play with a string of your hair, “i’m not stupid, little girl. i don’t like it when my woman is in distress.”

your heart skips a beat. this is what confuses you—how he can go from stern to gentle and vice versa. it’s surprisingly unexpected, which makes you long for more. even if his behaviour is confusing.

you look up at sukuna. your eyes meet for the first time in a good couple minutes. the corner of sukuna’s lips curls up into a satisfied smirk. that’s one step closer to getting you to open up.

“now,” the king of curses lowers his head to your eye level, the proximity all the more nerve wracking. he holds your jaw super tightly out of the blue. it makes you whimper.

“spit it out.”

there it is. the duality of the man strikes once more. you swallow the spit that’s been building up in your mouth. you bite your bottom lip lightly, trying to gather and form the right words to explain yourself.

sukuna wouldn’t understand. he’s a cold-hearted man who doesn’t care about such ‘trivial’ matters. he’ll just call you stupid, pathetic or whatever other derogatory term.

you stop your thoughts for a moment.

“it’s really just a stupid thing,” you mutter. your fingers curl around sukuna’s wrist—the one hand he’s using to firmly hold your jaw. you take a deep breath in, “i did not like it when you, errr. . . when that woman talked to you at the dinner table.”

your voice is clearly dripping with jealousy. pure, pure jealousy. and for what? because he talked to his other concubine. you feel stupid. you thought you discarded your personal feelings for the sorcerer before you the moment you turned into one of his many women.

“that woman?” sukuna tilts his head, feigning ignorance. that little grin on his face tells you enough. he’s playing with you like some form of entertainment. well, technically you are.

he wants you to be specific. he’s forcing you to be by acting like he doesn’t know what you’re talking about.

in all honesty, sukuna’s already forgotten what that woman had said to him. it wasn’t and still isn’t worth remembering. all he can recall is your adorable facial expression when you saw him interact like that with his other concubine.

that little frown on your face was priceless. it makes him want to keep teasing you.

“you know who i am talking about, my lord,” you huff, trying to look away, but get stopped by sukuna readjusting his grip on your jaw. he firmly yet gently taps your cheek once and you know what it means.

“attitude,” sukuna warns with a quick hiss. he can let you say whatever you want to him, but you also have some limits regarding which tone you use with him. you apologise quietly under your breath.

the king of curses nods in satisfaction before releasing the grip on your jaw. his large hand trails down to your neck, thumb rubbing up and down your throat, “so, my little girl is mad at me because i talked to another concubine of mine, huh?”

you nod mindlessly. sukuna can easily get you to comply with him—to obey his every word, simply with his actions. the terms of endearment he uses are the cherry on top. they slip off his tongue so easily with you.

“tsk tsk,” sukuna shakes his head. his hand is now on the back of your head, fingers tangled into your hair. he’s staring down at you with a smug expression. he knows he’s got you wrapped around his finger, “how childish of you.”

you knew that would be one of the things he’d say to you. what you didn’t expect is for him to go for a kiss right after. his lips land on yours firmly, and to no surprise, you instantly return the gesture.

your arms wrap around his neck—your chest pressing against his. sukuna wastes no time in picking you up and letting your legs encircle his waist. he’s not pulling away for air to breathe and you don’t either.

“you’re going to listen to me, yeah?” sukuna murmurs between passionate kisses. he’s holding onto you tightly with two arms, his free hands roaming over your body whilst he pins you against the wall.

when you whimper out a weak, high-pitched ‘yes, my lord’, he smirks against your mouth before turning to kiss your neck. he slightly bites the skin to make sure you’re paying attention to him.

“i don’t remember what that woman said,” sukuna continues, nearly out of breath because of the kisses he’s leaving all over you. he easily grabs both your wrists and pins them above your head on the wall, “i was too busy lookin’ at a much prettier concubine of mine.”

he pulls back a little so he can look you in the eyes. you’re panting and embarrassed by what he just said. one of his hands finds your face again, tracing the shape of your mouth.

“my favourite,” sukuna whispers whilst licking his lips. you can see it in his eyes: he’s silently planning out how he’s going to remind you of your place. your place as his favorite concubine.

he dips his head back down, aiming for the valley between your breasts. he closes his eyes before sucking on the surrounding flesh;

“guess i’ll be nice for once ‘nd show you just what it means to be my favorite so that you’ll never dare forget it again.”