#closing scenes though.... don't talk to me

[harmonysanreads]

PUPPY PHAINON IS SO REAL OMG

i think it be so funny (extremely sexy) if he goes absolutely feral because his love got hurt on the battlefield

i'm talking absolute carnage, not a soul alive, people being genuinely scared because wtf man (bonus if his partner only got a minor flesh wound hehe)

Your lover has been acting... strange recently.

Though, the abnormalities have been so conveniently spaced, so intertwined with inconveniences that they could be brushed off as mere coincidences — in hindsight, at least. You'd be found guilty of this practice, as it becomes second nature to assume the best of people that can bear one's trust. There appears the occasional incident, where you find yourself second guessing that faith instead and question the normalcy of this particular genre of human behavior.

“Will you tell me now, who did this to you, melite?”

You find that you need to use force in order to push down the flinch that almost crawled all over your skin, unaccustomed to this tone of his.

You push yourself closer, your nails dig a bit harder into the fabric covering his arm ; sensing his gaze towards your direction. Your grasp is more labored than it should've been, you can feel the tendons beneath your grip flexing in barely held restraint. Murmurs follow their way to your ear, unintelligible in fear of feeding further the hero's wrath.

“I have been telling you this since the beginning, Phai.” in spite of your effort, exasperation bleeds into your words.

You glance from behind Phainon's shadow — pointedly at that — towards the knuckle tight grip he has on the fellow's skull. ‘Unfortunate’ probably does not suffice to describe this random pedestrian's situation. You're not given more time to ponder the validity of that claim as something reminiscent of a crack drifts to your ear, alerting you to hasten.

“It wasn't this man, it wasn't any human to begin with! You have to believe me, please.” you tilt your head and make sure to secure his gaze, ripples of discontent appear on the once placid ocean.

You knew it wasn't exactly unusual for one's protective instincts to be provoked in relation to a loved one, but for it reach this magnitude was concerning in your book. Especially so considering their increasing appearances, over the most mundane matters at that.

The Chrysos Heirs aren't known as without their fair share of eccentricities, you suppose they are suited for ones destined to be heroes. But every new scene over a scratch against a surface, a person standing too close, a different gaze lingering too long has you questioning if Phainon's ‘protectiveness’ can really be excused for long.

Perhaps the helplessness in your eyes had finally pushed through the layers of rage bubbling in his head and the contact with your skin had weakened the flames, as he loosens his clasp on the man's head, before shoving him aside with enough force to make you feel the kick of your heart against your ribcage.

You don't get to check the man's condition as Phainon takes your hand in his previously occupied one, his thumb ghosts over the scratch across its back, the swift difference unnerves you for a second.

You know not to waste your breath though, catching the implications. “It... was that pillar.” you avert your eyes upon feeling his caress halt.

“...Which one?” his curt inquiry alerts you. His fingers flex and relax around yours, you can no longer hear the crowd.

You bypass a breath to grasp his collar, caution clouds your mind. The abruptness of your action startles Phainon, as he meets your frown.

“Don’t.” you warn, the realization that makes itself known on his countenance at your order proves your hypothesis to be correct.

“But that pillar deserves it, melite.” something similar to a pout softens his face and at last you find traces of the Phainon you are so familiar with. “If it's hurt you once, it will do it again. Isn't it better to just remove it to avoid that scenario?”

You let go of his collar and rest your palm on his cheek, unable to restrain the sigh that escapes your lips, “Phai, the pillar is an inanimate object.”

He leans into your touch, you're certain he would've melted from it had it not been for the embers of his previous fury keeping his senses sharp, “So?”

You steer yourself away from face-palming, “So, I'm saying that you shouldn't make more of a scene that you've already had. I just want a peaceful evening with you, okay?”

He blankly stares at you for a moment, digesting each syllable. Only when the ‘with you’ reaches his ears does he seem to have sobered up. Phainon nods, taking your hand from his face to press a kiss on the scratch marring the skin. You notice his eyes straying, you would've missed it completely had you not been paying attention — a side-eye towards the fellow now scrambling away.

You've succeeded in preventing any major incident from occuring today, but your power in maintaining the consistency of this endeavor remains uncertain.

I tweaked the scenario a bit because it was funnier in my head orz but overprotective Phainon is so delicious, ty nonnie!

[rafecameronsversion]

between comfort & chaos || j.m

part 2 to baby, no attachment

your feet hurriedly moved away from the scene, breathing heavily as your head continued to repeat at how "cool" he had pretended to be in front of his friends. that was not the jj you have become so familiar with, not the one you've held, certainly not the one you shared intimacy with.

not getting so far, you hear his voice behind you. it was desperate and it cracks through the noise of this bonfire. "y/n! please, wait!" jj yelled, attempting to reach you.

you didn't turn around, continued to walk away as you couldn't trust yourself to stop. you didn't trust yourself enough to look at him, to hear what reason he throws your way now.

"y/n!" his footsteps now pounded against the sand, faster of pace and is inching closer towards you. jj's calloused hands brushed against your arm, shrugging him off as you forced yourself to keep moving

"leave me alone, jj." you spoke, cold and steady, even though your chest found it hard to breathe.

"just- please, let me explain!" he pleads, cutting in front of your path as he stepped toward you. his face was flushed, his blond hair messy from the salt air, and his blue eyes were now filled with something similar to regret.

you crossed your arms, scoffing at him as you refused to meet his gaze. "explain what, jj? how i'm just a girl you talk to 'sometimes?' you said it perfectly clear there is nothing between us." you shook your head, your tone sharp. "i don't need to hear it, jj."

he winced at your words like they hurt him physically, and for a moment, he stood there as his gaze flitted from you and across the ocean as he figured out how to fix something he didn't know how to fix.

"i-i didn't mean that, y/n." he said quietly, his voice rough.

"sure sounded like you did," you scoffed, finally meeting his gaze. "you didn't even hesitate, jj. you said it like... it was the easiest thing in the world!"

his hands came up to run through his hair, a telltale sign of his frustration. "i'm a coward, okay?" he blurts out. "i...i panicked. i didn't know what to say and u screwed up. but, y/n, i didn't mean it. i never meant it."

you stood there, arms cross and unmoving.

"you think you don't mean anything to me? i care about you so much. i can't... i can't stop thinking about you. can't stop wanting you. but i'm terrified! i have nothing, y/n. you deserve more than this, more than me." he spoke, his voice cracked and he was desperate.

the raw honesty in his voice made your anger falter, you stared at him. caught between the chaos of wanting to believe him, or to protect yourself from more heartbreak

"then why would you say that?" you spoke quietly, afraid how your voice could betray you if you spoke a little louder.

"i'm scared, y/n." he admitted, his blue eyes piercing into yours. "we... we come from different families, i'm afraid that you'll realize that i have nothing, and that i screw everything up and you'll leave me for good."

your heart clenched, and for a moment, the world seemed to hold its breath.

"you think i care about that, jj!" you cried out, your voice cracking. "if this—" you gestured between the two of you, "—was real, you would know i don't care about what 'you have' or 'don't have'."

"it is real!" he said, his voice breaking. "i'm sorry, but you have to understand. i can't give you anything half as good as the life you live right now."

you sigh, looking down and pinching the bridge of your nose.

"you know i don't give a fuck. all i wanted was you, jj. and to hear you act like we were nothing, it hurts." you admit, a frown on your face. the tears you'd been holding back has spilled over.

his eyes look guilty as he noticed your tears, he immediately closes the distance and pulls you into a into his arms, a comforting hug as he rubbed along your back.

"please... i'll make it up to you, just don't leave."

you stayed in his arms for a moment, before pulling away. "jj..." you murmured, your voice barely above a whisper. you pulled back, just enough to see his face. his eyes were red-rimmed, his lips trembling slightly. "you can't keep doing this—pushing me away, then you ask me to stay. it's confusing, and it hurts."

"i know" he said, his voice thick with guilt. "i don't want to hurt you, princess. it's just... i've never had something this real, and i'm so damn scared of losing it i didn't stop to think that i might have."

"then stop." you spoke softly, looking into his eyes and searching for the raw truth. "if you care about me as much as you say you do, then let me in. stop letting your fears win."

he nods adamantly, "i will, i swear. i won't push you away, i'm trying."

you sighed, your heart aching but hopeful. you took his hand in your own. "but if we're doing this, it's all in. no half-measures—that is what i don't deserve."

he squeezes your hand, nodding as he whispers a soft yes.

"i'm all in, i promise."

── .✦ ᝰ.ᐟ

tag req! @voidangxls

[lilcathsmith]

Bones Season 10? Finished!!

I enjoyed this season a lot more than recent seasons. Bones and Booth were (for the most part) a lot more at ease with each other and the more personal side of the majority of episodes were a lot lighter and easy to watch.

That being said.... SWEETS 😭😭😭 Spoiler Alert: knowing about your favourite character dying 5 seasons in advance does NOT make it easier to watch and in all honesty I think it fucked me up more than I thought it would, I didn't watch any episodes for a while (about a week).

I don't think it helped that Aubrey was brought in so close after (*before) he died, I didn't even get an episode to get used to Sweets not being there and also why does Aubrey look so similar to Sweets 😭 That being said, I do love Aubrey, he's kind of cocky and maybe a bit arrogant but he's funny and he cares about Booth SO MUCH (also that scene with him and Christine was so cute).

The Cam and Arastoo plot with Arastoo going back to Iran was hard and I hated seeing Cam so worried about him (and are they actually broken up or just on a break? I'm confused?).

And finally Angela and Hodgins and Paris 🥺 I love that both of them were so willing to give up their dream for the other (although I am so glad that they decided to stay bc I don't know how I would have handled the last two seasons without them, I do hope they go at the very end though).

Episode Highlights:

- The Conspiracy in the Case: Booth in prison felt unnecessary? He was literally in prison for like 10 minutes I just feel like it didn't add much (except more trauma for Booth 😎👉). And those last 5 minutes were painful!!! I was fully convinced that Sweets was safe for at least another episode bc surely they wouldn't kill a character off with only 5 minutes to go? Oh how wrong was I! I actually threw my phone to the other side of my bed in pure distress and just lay there for 10 minutes crying.

- The Lance to the Heart: ow ow ow ow ow 🥲 I was crying every 5 minutes at this episode. Christine saying "uncle Sweets is taking me to the park" RUINED ME and everyone singing Sweets favourite song at the end I was absolutely done 😭

- The Corpse at the Convention: Now I don't know whether it's because I've watched too much CSI BUT why is everyone still allowed to work on cases when THEY ARE LITERALLY SUSPECTS? Hodgins was literally there analysing evidence in a case he was an actual suspect in and it stressed me out! But this was a pretty good episode.

- The Lost Love in a Foreign Land: This episode was sad 😔 The scene where Booth is talking to all the women was heartbreaking and when the translator just looked at him and said "Do you really need me to translate this?" just devastated me.

- The Puzzler in the Pit: Seeley Lance Sweets Wick 🥲 I'm fine, totally completely, fine.

- The 200th in the 10th: I LOVED THIS EPISODE! It was so fun and different, I loved everybody's alternative roles and the bit where Angela and Hodgins were flirting was so cute.

- The Eye in the Sky: oh this episode pissed me tf off! I was certain it was going to be the start of a Booth Addiction Relapse plot and then when he arrested the guy instead of placing the bet I was RELIEVED AND SO HAPPY and then 5 minutes later he ruined it and I was so disappointed :((

Onwards to Season 11! (*31 episodes left bc I've already watched 3 episodes of season 11🙃)

New crime show obsession?

I've finally decided to dive into the world of Bones and I'm going to take you on the journey with me! So here goes!

☆☆☆

I've watched the pilot and am immediately into it. I'm intrigued by the focus of the show as when I'm watching CSI I find the scenes where they recontruct a victims face from the skull really cool and the people who do irl and soooo talented!

Also, the opening scene? The skull in the bag? Obsessed!

Already in love with Brennan and Booth's dynamic, feels very Finn/Russell - there's been some angst in the past that we haven't let go of - I'm excited for their back-and-forth-banter.

Straight away, I like Brennan and Riva, they're funny and cool and I hope they have as good of a relationship as this first episode has shown.

I probably won't write my thoughts on EVERY episode, maybe do mid-season and season finale summaries idk we'll see!

[vonbabbitt]

Throwing this in, though I know you have a post saying you're taking a break: I quite like Tetro. The story is exciting, and incredible. You've done an amazing job piecing everything together, and it has lead to me pretty seriously looking into following the footsteps of this project with a story also told in this audio format, since you demonstrated so clearly not only how this was possible, but how this could be done so well for a Killing Game specifically. The latest events, the latest death, as made me incredibly sad, and I feel a lot of emotional turmoil over losing both victims. But despite that, I have enjoyed the loving, losing, and worrying for the future. That's amazing. All of it is amazing. I have my theories and conclusions about who may be guilty and who isn't, but based on the posts I read, I mainly wanted to express an amount of thankfulness that the series exists at all. It's even lead to me writing fanpieces for some character interactions, and I imagine I have a few more in me from all that's gone on. Not only that, but the hard topics of this series have meant a lot to me. Yanagi and Tsuno have especially felt really close to home. The stories they talk about and the things they deal with matter in my own life. And the series as a whole has made me cry over stuff that mattered to me much more than any other media has done in the last year or so, maybe longer, in even broader strokes. All the characters don't just feel like people one could meet, but people I have met. People I have known. And some of those conversations feel just like ones I've had in my own life. You've done something incredible, and the writing has connected to me deeply. And though I can only speak for me, I doubt I'm alone in this. Thank you for this project, and thank you for sharing it so broadly, freely, and completely. Thanks for writing it, and writing daringly, maturely, and earnestly. At least, such are the ways I would describe it.

I hope I can cross paths with you sometime in the future over a creative endeavor. But in the meanwhile, I'll be tuned in to whatever you do for this, and for whatever comes next. As these things are called asks, if you do decide to respond: Who on Tetro is your favorite? Is it the same from when you were initially writing it? And what lead you to choose an audio drama as the medium in question? Thanks, and see ya at the trial.

thank you very very much, im extremely glad that youve been able to connect with my writing on that level and i hope that others have as well! i really enjoyed the writing process for tetro so its always really cool for me when others can enjoy my story as well

also, my favourite is hama! that changed a lot during production, but ive settled on hama as my goat forever i think. sorry to all the other favs i abandoned along the way

i chose the audio drama format because ive always really liked being able to picture things. when i was a kid, i used to fall asleep to audio books every night, and i really liked being able to picture the characters and stories as they were happening. i would always be so disappointed when id go to watch a movie adaptation of a book i liked only to see that everything looked different from in my head lmao.

i also think audio is a really fun format for this type of story! it was a fun challenge to get my points across without having visuals to back my writing. i didnt have very much faith in my ability to do this at first. tetro was originally planned to have a narrator because i didnt think id be able to tell a story without one. when i realized my writing could stand on its own, i took out the narrator and just let myself carry it as best i could. i think it made for some really fun opportunities where the impact of a scene just wouldnt have been nearly as strong if there had been visuals or narration.

i think [Ice Fairy] is a highlight of tetro in terms of audio storytelling - same with [Good Child]. having only audio forces you as the viewer to take a moment to figure out what's happening, which in turn gives you an "oh shit" realization moment that really helps the impact of a scene like [Ice Fairy] or [Good Child]. there are still some more really cool examples of tetro utilizing its format left to come - i hope you enjoy them when they do!

[skipper19]

Imagine this...

It all led to this moment. You gave him your everything, and it still wasn't enough. He lied to you for months and kept his intentions from you for so long. You were never to trust him or anyone, again. First, it was your father. He sold you to the heroes for their horrid experiments. You were sure the people behind it were called the "hero committee," but that was an estimated guess, of course. When you were in the program, you were kept in the dark. You were isolated from the others, you had no one, and you were a nobody. Your number had been 62. You only received a sort of name when you were taken into the Liberation front. Or the LoV, as they used to be called.

That's where you met him: Hawks. There was something about him you felt drawn towards. Perhaps it was his golden eyes or his ruby red wings. Maybe it was his personality. He had a way of pinning you to your seat with a look, yet lulling you into a sense of comfort with his smile. You could tell there was more to him than what he was leading on. It didn't take long for you both to talk. Talking turned into something deeper. You didn't know what to call it. You spent so long under the thumb of the heroes that until you were able to escape, your skills in basic interactions were slim to none. Hawks taught you things. He didn't call you a number. He gave you pretty nicknames that made your stomach flip. His soft touches were so different from what you had been conditioned to.

Everyone could see it. The way you both were attached at the hip. Every mission was spent by one anothers side. You trusted him with your life. You had started to.. love him.

But then it all began to crumble and fall. You had been taught to watch behaviors and assess people like they were your prey. It was instilled into you, drilled almost as deep as the robotic body parts the heroes had forced on you. You watched people. Perhaps that's why you got along so great with Hawks; or Keigo, as he revealed during one of your more quiet cuddle sessions. That was the night he made love to you. He taught you what touch could feel like beyond hugs and kisses. He made you feel things that reminded you that you are human. The constant voice in the back of your head telling you, reminding you that you're not a monster. At least, not by choice.

It had been 4 months before you realized his behavior was..off. Maybe it was before that, and you just wanted to ignore it. You didn't want to believe something could be wrong. His behavior, his mood, and the twitch in his eyebrow when he saw other villains hurt heroes. You could see it. Clear as day. Clear as it can be for someone so close to him, like you. At least, you thought you were close. He had been inside of you and explored your emotions and desires. He reached into your soul and pulled on strings you didn't know were there. He helped you find yourself. And you figured out who he truly was a little too late.

The wind had always been your friend. It gave you fresh air and made you shiver. There was always something so heartwarming about the shiver that made you feel like a kid again. Movie scenes flashed in your head, movies Keigo had introduced to you. And pictures of autumn leaves and Thanksgiving pop into the images. Keigo mentioned he wanted to take you somewhere for the holiday. Somewhere private and peacful. Maybe travel to a place with beautiful waters and calm forests. He promised to take you. Though now, as you stood on this roof overlooking the city, images of such a blissful dream faded from your mind. The wind had always been your friend. That is what matters right now.

"Please don't do this. I swear to God I was going to tell you. " He didn't matter. His words were a lie. They had to be. There was no way he cared about you, claimed that he loved you, and lied to you for months.

"I was stupid to believe you. I should have listened to the voices in my head. They protected me before you came along.." The words were so soft, you almost didn't want to say them. A part of you wanted to forgive him. Forget the lies and the betrayal and run into his arms. You wanted to comfort him. The scars on his face were so fresh. His wings were still so torn and burnt. But the hurt you felt deep inside blinded you. You couldn't let this go. Not now. You couldn't let another man hurt you and get away with it.

His footsteps were hesitant and desperate. He looked at you with such guilt and regret. It was eating him inside. He could lose his wings. They used to make him who he was. But when he met you, it all changed. You were his everything. You were the reason he kept fighting against the villains. But he was the reason he kept being a spy hidden from you. If you knew he was still on the heroes side, you would have never trusted him in the first place. He didn't know much anymore. Who was right or wrong. But he knew he loved you.

"Baby, I swear to God I was going to tell you. I just didn't want the heroes to find out about us, and I couldn't risk my secret being told to the villains. I love you -" He whispered, his voice cut off as tears formed in his eyes. "I love you so damn much. You made me feel human again! I felt like I could be myself around you. That's something I've never felt before. With no one else." He begged. His voice was desperate and hoarse. And you wanted nothing more than to run into his arms. You wanted to believe him, but you were so hurt. If he loved you, why didn't he trust you with his secret?

"I've been lied to before. I know how this works. And now the Liberation front doesn't want me anymore. They think I was helping you. I've lost everything because of you." You said harshly, tears falling down your face. Keigo shook his head, swallowing his sobs. "No! No, I'm right here. I do love you, dove. Please, believe me. Step away from the edge and come with me. We can leave. We can just go. We'll be together, off in the cabin that you said you wanted. We can finish teaching you how to write cursive a-and I'll help you build that garden you wanted. We can grow as many tomatoes as you want! If you just..step down. I'm begging you." You couldn't stop the tears from falling from your cheeks. Tears scattered the city below, mixing with the light rain of the afternoon skies. You wondered if this is how it was supposed to be.

"I wanted that with you before you broke me. Before you lied and took advantage of my lack of emotions -" You said bitterly. "No! I never once took advantage of you. I am not your father, remember? You told me he abandoned you with the hero committee. I would never do that to you. I would never leave you like that, dove. You're my everything." He said sternly, stepping forward in determination. You could almost hear the truth in his voice. But the wind was so much louder tonight.

You turned to face him, your heel resting on nothing as you stood on deaths door. You could see past the wind. The truth is so evident in Keigos eyes as he pleaded with you. But if he lied to you once, couldn't he just do it again? "How can I believe you? After months of lying to me. To my face. How do I know I can trust you not to lie to me again?" Your voice was so soft, Keigo almost couldn't hear you. Almost. He just shook his head. "I.. I don't know. But I do know I would do it again if I had to. If it meant keeping you safe, I would lie again and again. Because I can not lose you. Not after I've found you." He was telling the truth. You could see it on his scarred face. The same cheek you loved to caress. Now marred in scars because of Dabi.

"Please just come to me. Let me take you away from all this." You wanted to step away from the edge. You wanted to accept his words and rush into his arms. But the wind has always been your friend. And it was a jealous thing, it was. It pulled and pulled until you were falling into its arms again. It was so loud, your eyes were tearing up. Keigos' face was the last you would ever see, but the wind would stay until the very end.

[lemotmo]

I agree with all of this, "hope this helps" 🤣🤣. It would not be cheating at all and even if it was cheating I still wouldn't care 😅. Where do you sit on this topic?

Q. Let me start by saying I desperately want Buddie together but I have a growing suspicion that they're going to insinuate or outright show that they kissed at the bachelor party and that would taint them from go for me because putting them together through cheating, especially on a character the show established had turned into a really good guy, is so unnecessary and disgusting and ruins them right off the bat.

A. I wasn't going to reply to this ask but I have several similar asks currently sitting in my inbox so I'm going to respond even though this person is clearly a tommy trying to pretend to be a Buddie. How are you all still so bad at all of this nearly a year on? Your ask is a completely disingenuous take. If having them kiss at the bachelor party ruins them from the start for you then you don't 'desperately' want them together. You don't want them together at all and I don't know why you feel the need to pretend that you do. When the bachelor party takes place Buck and Tommy had been on ONE very bad date. Yes, they had a conversation where Buck said he wanted to try again but they were not a couple. You can't cheat on someone you've had one date with. Furthermore the show definitely didn't establish that Tommy had become some stand up remarkable human being, that is laughable. He was a sexist racist when they needed him the first time around for Chim and Hen, and he was a gay man the second time around when they needed someone for the coming out storyline. That's it. The show didn't care to establish anything else about him. The fact he left Buck standing on a curb after he understandably panicked a bit during their first date and then told Buck Abby went crazy when he dumped her pretty much illustrates though that he wasn't a great guy.

Forcing real life moral codes onto fictional characters is always a recipe for pain though. You can't do that. The very nature of the media they exist in doesn't allow for real life moral rules to always be followed. Real life people don't always do the right thing. Expecting fictional character to do so is ridiculous. Drama comes from their mistakes so television shows will always have them screw up and make bad decisions every now and again. I don't want them to have kissed at the bachelor party because I don't want their first kiss to be a flashback, but I won't be terribly bothered if that is the route they take because it's not that big of a leap to make. They made a point of making both of them drunk, Oliver mentioned in an interview while talking about filming the karaoke scene that everyone needs a little liquid courage now and then. They made a point of releasing the deleted scene with Eddie telling Chris about how he met Shannon and what he liked so much about her when they first met. The show then intentionally had the bachelor party mirror that story with Buck talking all night long and showing how close and intertwined they both were all night long. The karaoke song even fit the callback of that story from Eddie. We also cannot ignore the fact that Eddie basically blew up his life following the bachelor party so going back and showing that something did indeed happen between the two of them that night would not be some astronomical story leap. I have said from the beginning they filmed way too much content and spent way too much money for those scenes to just never come up again or be shown. I don't think we're getting the actual karaoke scene but I do think we might get some of the other scenes in a flashback of some kind but we don't know that for sure. That New Year's Day post was definitely an intentional choice and it was certainly an interesting choice, but it doesn't necessarily indicate anything bachelor party related is coming. It could just be one more thing to add to the growing belief that Buddie is very much coming though.

Lastly, even if Buck and tommy had been in a full blown years long relationship and the show had Buck and Eddie get together by cheating on him I still wouldn't care or be angry. They could murder him, chop him up and dispose of the body and I would call it the most romantic thing ever. I genuinely don't care about him at all. Hope this helps ☺️

Thank you Nonny! 🤗

As for where I stand on this topic?

Listen, I grew up on soap operas where everyone cheated on everyone.😋 It never bothered me. In fact, it brought some extra tension and I love that in a show. So I don't really care one way or the other.

But also, Tommy wasn't his boyfriend at that time. They were trying things out and so far Tommy had proven himself to be a bit of an ass. So no, if we find out that Buck and Eddie kissed or made out during that bachelor's party? I will cheer.🙌🙌🙌

I've been here since te beginning. They need to get this show on the road and if this is the way they have chosen to go? I'm fine with it.

¯\_(��)_/¯

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[wurmzirkus]

writing pattern game

Rules: Share the first line of your last ten published works or as many as you are able and see if there are any patterns! (from most recent to least recent, starting from the top)

got tagged in this (ages ago ofc) by both @raylangivins and @tallahasseemp3. y'all flatter me so much considering how incredibly talented you are!! also y'all have no idea how much i love getting asked about my writing so thanks very much :3

1. crater:

It's cold outside, and already dark by the time Alana makes it home. The train was late, so she spent twenty minutes shivering at the station, looking at her phone every thirty seconds, watching the zero amount of messages and notifications pour in.

2. cypress save me:

Space is cold. 

He knew this before. He went through an awful lot of training every time they sent him up there, and he’s been on his fair share of spacewalks, too. He never got tired of it once, but it's impossible to forget how cold it was out there. 

Space is cold. Kepler’s hands have always been warm.

3. too little, too late:

Kepler is standing in the middle of the hangar bay, keeping his eyes to the floor. Riemann left a couple minutes ago, Young has better things to do, and Jacobi… 

Jacobi is right there. 

4. breathing in your dust (shoutout to NAMMI!!)(honestly, I'm pretty sure i didn't even write this line):

He hung up. The absolute bastard just dropped that on him, and hung up.

5. confetti:

Jacobi is in the middle of making dinner when it becomes too much.

He’s cutting carrots for his stupid fucking soup. It’s hot next to the stove, so there’s a bit of sweat glistening on his forehead, and he doesn’t turn around when he says, “Will you just leave me alone.”

Kepler doesn’t leave.

6. hang on past the last exit:

“Those are going to kill you.”

It’s cold in the room. The window has been open for the last twenty minutes, and Kepler is on his second cigarette. 

7. whumptober prompts:

Kepler looks pathetic. His suit is crumpled and soaked, his hair is sticking to his face and the ends of his once-white sleeves are red with blood. 

He looks at Maxwell without speaking. Determined to commit this look to memory and never forget, Maxwell looks back. 

8. did you think it would be like this:

Maxwell doesn’t notice Kepler in the door for fifteen minutes. She doesn’t see why he doesn’t announce his presence right away - if he wants something, what’s stopping him from walking over to her desk and asking for it? - but she figures he has a point to make. 

A point Maxwell will ignore, because she doesn’t need it right now. 

9. wasteland, baby:

He finds her on the bridge.

10: a mirage in sickness and health:

For as long as she can think back, Maxwell has always spent her time convincing people. 

She could make them think all kinds of things, but the only thing she ever really cared about was getting them to realise she was worth it. 

That she shouldn’t be brushed aside, that she had too much to say to wait her turn to speak. 

tagging @imperial-evolution, @agentmika, @dansnotavampire, @haunthouse, aaaaaand @bananawanis

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[manglam-marfach]

dyke!Chilaios has me understanding breeding kink all of a sudden

[best-enemies]

Got to season 7 on my CSI rewatch and I need to talk about the final scene in s07e11, where Grissom is saying goodbye to Sara before leaving to go on his sabbatical. I mean, look at him. Look at what he does with his hands. *Agressively* Look at himmmmm. He's just a little puppy in love. And he does this right before whispering, "I'll miss you". I'm afraid I'm not gonna make it y'all

[wereh0gz]

Sonic au where everything's the same except the werehog was feral during unleashed. Nothing else abt the plot changes bc at his core sonic is still himself BUT he's more Creature. Bigger, fluffier, can't talk, overall more animal-isms. Yeah

[peppermintmochafem]

<3 little diary post

[claire-starsword]

Authentic Story of the Shining Force - Saint Fencer Max - Chapter 3

Translation notes:

So, uh. Elliot's name is rendered with two t's in the og game, but a single one in the GBA version. I had never paid attention to that at all until I had already edited all these pages, and I don't care enough to change it.

Cain's sword causes an explosion here. In the game, it is indeed capable of summoning flames.

This is a perfect illustration of how I feel about these names, but I do wonder what the actual intention was, since Cain is supposed to be already gone. The original image is even cut off weirdly in the middle of the text, and i don't think it's a problem with the scan, since every scanned page has a black border showing that the paper itself doesn't cut there. I wonder about the production of this thing, but i'll wait until i translate the author's comments before saying more.

The map in the previous chapter was very accurate to the beta map of the game. The smaller map here showing Rindo however looks off, the coast is different, and there seems to be a river directly to the north of Rindo, as opposed to the path to Shade Abbey. Perhaps fitting since Shade is skipped here.

Metaphaluna, huh? Needlessly to say, the country of the gods/Ancients is called only Metapha in the final game. Also, in this panel, it pops up as an alternate reading for 前世紀 (ancient times), not the name of a country specifically. I chose to romanize the last part as "luna" for three reasons. One is that the continent of Rune is actually rendered as Lune in at least two guides. I take romanizations from JP guides with a grain of salt since they sometimes look bad/unnatural, or are inconsistent (Pelle's name for example has been romanized as both Peil or Payle depending on the book). I checked though, and town names however are consistent in both the books I've seen romanizing things. The second reason is that the beta map used at this point has a fairly noticeable crescent moon shaped island right in the middle. In the final game, we can't know exactly where Metapha is, because you only teleport there. But I wonder if this island had something to do with it at some point. The third reason is simply I saw no better reason. Metaphalna and Metapharuna would be just as valid, but don't have any meaning to them.

The biggest equation next to Tao as she explains the magic types is very clearly a E=mc². Look close.

I've retranslated Elliot's scenes from the game thinking it would be relevant to these notes. Now I feel it really isn't, but you get more content so you should be happy.

My main point with that is that Elliot does not say anything about Cain in the game. In the GBA version, Balbazak does try revealing Max, Cain and Darksol's identities before dying, but that's not a thing in the og. So yeah I really translated a bunch of stuff for nothing this time! Except not because Darksol is awesome in that scene and everyone should get to see it.

Now let's talk about Otrant. I have mentioned before that Otrant's gender is never explicitly said, and they speak in a mostly gender neutral way (I feel like there's a few masculine patterns in some lines, but I'm not confident enough to say for certain). What I hadn't noticed is that they also use lipstick in the games, which is probably what sparked these observations to begin with, but i'm uh, occasionally not smart. In any case, if any of these aspects were done at this point in development the artist here sure ignored them, and drew a regular old man who gets called an old man. They hate to see an androgynous boss winning.

I don't recall Otrant's third eye being called "Eye of Truth" anywhere else, but the manual of the game does say it can see the past and the future.

Otrant's naming of the Shining Force is a bit more elaborate here, but the wording is very similar to the actual game.

Finally, let's play spot the cameo!

We've got Gong, Zylo, one of the birds, and probably Anri. Easy.

Here, besides the obvious three who were actually introduced in the story, we again have a bird, Anri between Ken and Hans, Gong to the right, and Mae and Gort behind Luke. If you read the pre-release page you know that Gort was meant to be Mae's servant at some point, so this might be why they're together, or it's just coincidence because they still join around the same time in the final game. More importantly, to Ken's left we have...

Some guys. Who are these. They could be made up by the artist (there will be another case of this), but I find it curious that the artist had to do that when there are so many character to pick from, and he clearly wanted to depict official characters here. For one, there's evidence that Earnest was already designed at that point in development. However, that link also shows that Vankar didn't have a portrait by that time at least, and Vankar would have already joined by this point in the story. So could the bald centaur here be a beta Vankar, or the artist's interpretation of Vankar via unfinished art? Maybe, but just a guess in the end. Mostly I'm just fascinated by how detailed this guy is compared to even Mae and Gort's cameos. The other guy isn't so i don't think about them nearly as much.

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!

[vamptastic]

apologies in advance to anybody else who is emetophobic. anyway the accursed beasts (my dogs) threw up like a gallon of water on the floor and also some undigested grass. which is really cool. and really fun to help clean up. and i stepped in it barefoot accidentally which made me momentarily feel as if i was trapped in the stomach of a whale. And I will now have disgusting intrusive imagery of it in my head for the next couple days even though the actual thing was not that gross

[sttoru]

·.⌇ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. you’ve been one of sukuna’s many concubines for quite a while now. yet, you still cannot get rid of the jealousy in your system whenever he interacts with the other women in his harem.

wc. idk around 1 to 2k

tags. true form!sukuna x concubine!female reader. angst (hurt to comfort), fluff, suggestive at the end. heian era. you call sukuna ‘my lord’. reader gets called ‘brat, little girl’. size difference. no part2, don’t ask i beg. not beta read.

“get back here, brat,” sukuna raises his voice as he follows you. he isn’t one to care about others’ emotional outbursts, yet here he is, chasing you after you’ve poured out your heart to him.

you don’t know why you’re this upset. you do know, however, that it’s childish of you to walk away mid dinner. you should’ve just stayed seated and refuse to let the thoughts consume you.

now you’re speed walking down the hallways of the estate—your legs carrying you as fast as they can without actually making a run for it. your mind keeps replaying the ‘unsettling’ scene that caused you to flee.

you remember it vividly. the sound of sukuna’s low, amused chuckle. how intrigued it was because of something another concubine told him—how he stopped chewing to say something back to her. which he rarely does.

hell, you’ve never seen him laugh around his other concubines.

“i do not wish to talk to you right now, my lord,” you reply, voice raised so the distance wouldn’t make it a hassle for the king of curses to hear you. you know that feisty attitude of yours entertains sukuna to no end.

he raises an eyebrow once he’s heard your voice; how it’s dripping with envy and hurt. you’ve never reacted like that before—at least not in his presence. it made him want to figure out why and how.

though, he can easily guess the reasoning behind your sudden defiance.

“oh, that so?” sukuna hums. he’s lenient with you this time around. he could catch up to you in under a split second, but he decides to give you that sense of accomplishment first before completely destroying it. he walks after you slowly, your fast steps being the same tempo as his slow pace.

you don’t answer. you’re stubborn. you have no right to feel jealous. you are a fairly new concubine—only a couple months ago did you join sukuna’s harem. yet, the time spent with him was precious.

he treats you differently. everyone notices that. everyone tells you the same. you know he does by the way he lets you off the hook with most stuff you say and do.

you don’t know what you did to gain his favouritsm, but it’s addicting. his attention is addictive. real addictive.

you had sworn not to develop any unneccessary feelings for that ruthless sorcerer. but, with the way sukuna treated you so gently behind closed doors, it was impossible not to.

you eventually reach the doors to your chambers. you slide them open and wish to close them behind you, only for a big hand to halt those movements. you freeze in place and refuse to look up at the owner of that said hand.

“look up,” sukuna demands. his voice causes goosebumps to appear on your arms, but you still don't budge. he clicks his tongue. that’s your first warning. two more and your punishment will be carried out, “we can do this the hard way too if you want.”

you turn your head, your fingers curling around the material of your kimono. you really should not feel this way about a little interaction between sukuna and his other concubine. that is none of your concern. what he does with those other women is none of your concern.

and yet. . .

“i don't want to,” you retort. sukuna walks into your room with a sigh. each step he takes forwards, you take backwards. your back finally bumps against the wall next to your bed.

sukuna towers over you, his tall and big frame making you feel vulnerable. especially with the way those red eyes of his are staring down at you. he crosses all four of his arms before speaking.

“tell me what’s running through that head of yours,” sukuna inquires sternly. he isn’t playing around anymore, you can tell. you glance the other way—knowing that he will laugh at you the moment you tell him why you’re upset.

you have a feeling he knows the reason behind your tantrum anyway.

“it’s nothing of importance, my lord,” you shake your head and relax your tense shoulders to make you seem less upset. your words have some truth in them—you don’t think your feelings of envy hold any value to him.

sukuna sighs again. he’s trying his best not to be annoyed at you. you’re his favorite and he wishes not to sadden you any further. he steps forwards, one hand moving to cup the side of your face.

his rough fingers play with a string of your hair, “i’m not stupid, little girl. i don’t like it when my woman is in distress.”

your heart skips a beat. this is what confuses you—how he can go from stern to gentle and vice versa. it’s surprisingly unexpected, which makes you long for more. even if his behaviour is confusing.

you look up at sukuna. your eyes meet for the first time in a good couple minutes. the corner of sukuna’s lips curls up into a satisfied smirk. that’s one step closer to getting you to open up.

“now,” the king of curses lowers his head to your eye level, the proximity all the more nerve wracking. he holds your jaw super tightly out of the blue. it makes you whimper.

“spit it out.”

there it is. the duality of the man strikes once more. you swallow the spit that’s been building up in your mouth. you bite your bottom lip lightly, trying to gather and form the right words to explain yourself.

sukuna wouldn’t understand. he’s a cold-hearted man who doesn’t care about such ‘trivial’ matters. he’ll just call you stupid, pathetic or whatever other derogatory term.

you stop your thoughts for a moment.

“it’s really just a stupid thing,” you mutter. your fingers curl around sukuna’s wrist—the one hand he’s using to firmly hold your jaw. you take a deep breath in, “i did not like it when you, errr. . . when that woman talked to you at the dinner table.”

your voice is clearly dripping with jealousy. pure, pure jealousy. and for what? because he talked to his other concubine. you feel stupid. you thought you discarded your personal feelings for the sorcerer before you the moment you turned into one of his many women.

“that woman?” sukuna tilts his head, feigning ignorance. that little grin on his face tells you enough. he’s playing with you like some form of entertainment. well, technically you are.

he wants you to be specific. he’s forcing you to be by acting like he doesn’t know what you’re talking about.

in all honesty, sukuna’s already forgotten what that woman had said to him. it wasn’t and still isn’t worth remembering. all he can recall is your adorable facial expression when you saw him interact like that with his other concubine.

that little frown on your face was priceless. it makes him want to keep teasing you.

“you know who i am talking about, my lord,” you huff, trying to look away, but get stopped by sukuna readjusting his grip on your jaw. he firmly yet gently taps your cheek once and you know what it means.

“attitude,” sukuna warns with a quick hiss. he can let you say whatever you want to him, but you also have some limits regarding which tone you use with him. you apologise quietly under your breath.

the king of curses nods in satisfaction before releasing the grip on your jaw. his large hand trails down to your neck, thumb rubbing up and down your throat, “so, my little girl is mad at me because i talked to another concubine of mine, huh?”

you nod mindlessly. sukuna can easily get you to comply with him—to obey his every word, simply with his actions. the terms of endearment he uses are the cherry on top. they slip off his tongue so easily with you.

“tsk tsk,” sukuna shakes his head. his hand is now on the back of your head, fingers tangled into your hair. he’s staring down at you with a smug expression. he knows he’s got you wrapped around his finger, “how childish of you.”

you knew that would be one of the things he’d say to you. what you didn’t expect is for him to go for a kiss right after. his lips land on yours firmly, and to no surprise, you instantly return the gesture.

your arms wrap around his neck—your chest pressing against his. sukuna wastes no time in picking you up and letting your legs encircle his waist. he’s not pulling away for air to breathe and you don’t either.

“you’re going to listen to me, yeah?” sukuna murmurs between passionate kisses. he’s holding onto you tightly with two arms, his free hands roaming over your body whilst he pins you against the wall.

when you whimper out a weak, high-pitched ‘yes, my lord’, he smirks against your mouth before turning to kiss your neck. he slightly bites the skin to make sure you’re paying attention to him.

“i don’t remember what that woman said,” sukuna continues, nearly out of breath because of the kisses he’s leaving all over you. he easily grabs both your wrists and pins them above your head on the wall, “i was too busy lookin’ at a much prettier concubine of mine.”

he pulls back a little so he can look you in the eyes. you’re panting and embarrassed by what he just said. one of his hands finds your face again, tracing the shape of your mouth.

“my favourite,” sukuna whispers whilst licking his lips. you can see it in his eyes: he’s silently planning out how he’s going to remind you of your place. your place as his favorite concubine.

he dips his head back down, aiming for the valley between your breasts. he closes his eyes before sucking on the surrounding flesh;

“guess i’ll be nice for once ‘nd show you just what it means to be my favorite so that you’ll never dare forget it again.”