#clocale

[auvra]

May you have a good year

[ramuneda5149]

clocale nation rise and shine (not my main cale ship but I enjoy it)

[autistme]

the clocals in the NWFT demos are so fun

[chokherbalii]

DID YOU KNOW THAT TURTLES BREATHE OUT OF THEIR ASSES IN A PROCESS CALLED CLOCAL RESPIRATION

WHOT OMG !! 😭

[delicatelyfantasticninja]

Was testing the ‘get text from a thing’ option that my phone’s camera has but it didn’t get all of my handwriting as words necessarily. If you’re interested, here’s what it picked up.

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[santacruzuno]

El lunes comienza la obra de cloacas para el sector aledaño a la terminal

(Gallegos) El lunes comienza la obra de cloacas

El Intendente Grasso se reunión con vecinos del barrio y anunció la realización de la obra de extensión de la red que incluirá una bomba elevadora. De esta manera se da solución a un reclamo histórico de ese sector de la ciudad. n la tarde del viernes el Intendente Pablo Grasso junto al Secretario de Obras Públicas Arquitecto Lucas Otín y el Director de Mantenimiento de Redes Pluvio Clocales…

[jokermatt]

Vworp! Vworp? Click-bait of course – we all know the Doctor Who experience will never end! Still though, in one corner of Cardiff Bay, it has.

The BBC’s Doctor Who Experience closed this weekend, ending the fourth permanent, but significant exhibition in the world’s longest running science fiction show’s history. A permanent exhibit to the corporation’s premier franchise that’s suddenly become a whole lot ephemeral. But just as its creation was made possible by the show’s huge resurgence in the middle of last decade, as much as the rise of ‘experience’ entertainment, its demise doesn’t signal the end of Doctor Who‘s so-far 54-year journey.

There’s no doubt that Doctor’s Who‘s lost some of the sheen it recovered 12 years ago, just as it waxed and waned over the 26 years of its original run. After its 2005 return, kids were talking about that weekend’s show on the bus to school on a Monday morning, for the first time in decades. Those kids of 9 or 10 are now 21 and 22. Times change, even for an ever-changing show like Doctor Who. Audiences change along with their Doctors. And so do Doctor Who exhibitions.

The Past

The first permanent exhibition to Doctor Who was set up at the seat of the Marquesses of Bath, the stately Longleat. Alongside the growing safari. It set the standard walk-through of costumes, props and exhibit cards that were as close to an immersion that young and old fans could get, whilst ocassionally hosting some events, like the 20th anniversary party in 1983. Longleat was big on those big anniversaries, running from 1973 until 2003, and was my first visit to a Whobition – a word I will never use again.

Like Behind the Sofa at London’s defunct Museum of Moving Image, which I visited during thatsame mid-1990s period, my strongest memories remain, in no particular order, Daleks and the blister packed Dapol models in the shop afterwards. Count them down: Seventh Doctor, Tetrap, Mel… It’s worth noting that my few brushes with Doctor Who as a child it bloody petrified me. Being scared is a great thing. My first memory – although it may appeal to some fans – is Colin Baker land-drowning at the cliffhanger of the penultimate episode of The Trial of  Time Lord. I grew up on the coast, but not near hand quick-hand-sand.

Along the South Coast, Brighton’s Palace Pier (the only one left, horizontal) hosted a small, but prestigious and official exhibition in 2005. The lean years of the show’s prolonged hiatus between 1989 and 2005 had been partially bridged by Longleat and the resurgent Blackpool exhibition. originally open as a permanent installation from 1974 to 1985, that Golden Mile exhibition folded in 1985 not for a regeneration but a “re-evalutation”, coincidentally during the show’s 18-month mid-80s hiatus. Its second life ran from 2004 to just before the show’s anniversary in 2009 – but I never made it to either incarnation.

Back to Dapol, the factory that gave us those distinctive 1980s action action figures, enabling children everywhere to recreate Time and the Rani,  hosted is own exhibition, Dapol Dr Who Experience, between 1994 and 2003 in Llangollen. I never made it to that either, although the figures persist.

In 2008, with the show at peak Tennant and its fourth television series since returning, a well put together show was hosted at Earls Court Exhibition Centre for just under a year. Never intended as permanent, coincidentally that ended in the year of Specials – a hiatus by any other name.

Then in 2011, London Olympia2 hosted the brand new Experience, a new interactive development of the old props and history format. It ran for one year, before relocating to Cardiff to replace the semi-permanent Doctor Who Exhibition Cardiff that at the capital’s Red Dragon Centre that ran between 2005 and 2011. The London Experience was a whole different level. While it ended with a comprehensive tour of props, costumes and merchandise, the main draw was the interactive storyline that dragged willing family groups through a ready-made storyline, combining pre-recorded film with the Doctor himself, animated sets, classic monsters and a ground-breaking 3d segment that recalled early IMAX trips to that new dimension.

Of course, it was all helped by marvelous zeitgeist. It opened in the prime of the new series’ first reboot, with the arrival of the Eleventh Doctor, tying directly into storylines set out by the show’s fifth series and picking up from the three-dimensional vortex promos that accompanied that new era. But as well-knitted into the fabric of the show as it was, enhancing the immersion, it was always going to be the dating element. As the ‘cracks in time’device that effectively brought us into the show collapsed into a tangle of on-screen plotting over inconsistently broadcast series, it became a piece of historical interest far more quickly than the old exhibits ever had. As with many of the new era exhibitions, items would arrive as series were made, disappearing as they were recalled. it was a natural rhythm, when the series ran consistently.

In summer 2012 the Experience opened in Cardiff Bay, in a new 3,000 sq m building at Porth Teigr, handily near to the BBC’s Roath Lock studios, where Doctor Who is produced, aiding the ins and outs of props. Expected to attract up to 250,000 visitors a year, it was hailed as a further coup for the Cardiff Bay development and a further boost for the clocal economy delivered by temporal rift. I visited that incarnation of the Experience once at its opening in London, then in Cardiff, accompanied by, after a rain-soaked run, a trip around the TARDIS studio itself.

And then last month I took a trip to Cardiff for one final, sign-off visit to the Experience.

The Present

With the arrival of the Twelfth Doctor, the dated crack in time plot was deemed just that bit too passé. That earlier trip had served up some nice moments in its guided urgency, not least a trip into the off-screen Dalek civil war which went just a little way to explain the quick repealling of the multi-coloured New Paradigm Daleks in the show. As of 2014, a new storyline written by Joe Lidster brought things up to the Twelfth Doctor, making use of some sets – anachronistically the early Eleventh Doctor TARDIS remained – and twisting the scripted journey, spattered with some great scripting, but lacking the buzz of the television linked original, into a new shape.

As fun as it was – if you ever think it isn’t amazing, picture that desolate ’90s hole when the show’s fire was tended by a mere few thousand fans – there remains something wonderfully BBC about it all. The concept, not as strong in the Capaldi era as the former Smith Experience, was a little tattered around the edges come the end, the staff almost imperceptibly haggard. Camera phones are forbidden on the journey, but there was surely a day when enforcing that rule fell into the concept.

the Experience should haev soared to the end, but that seldom happens in Who. Like the show itself, 12 years on from its glorious resurgence. A trail traipsing between Angels lacked bite, the visit to the underside of the TARDIS was missing some sparkle (really, because it recalls the awful Journey to the Centre of the TARDIS). There was nothing to match the Dalek fighting in the first, but the pepper pots gave it a go, as we sought suspiciously kryptonion shards that could sort the merry temporal mess out. Perhaps the highlight lay in the past. While the 3d finale wasn’t as captivating and centre-stage as the previous version, it ended on Totter’s Lane, where the story began. There it broke through into the exhibition, with the TARDIS set and production notes of 1963, brought to screen for the 50th anniversary with An Adventure in Time and Space.

As Steven Moffat always propounds, a little too much, Doctor Who‘s a show about change. And time for change it is. So the Experience ends with its second and final Doctor. Concept experiences remain strong, perhaps stronger now than when it opened – certainly in London. In Cardiff, although filled by the promotion surrounding its final summer, its shelf-life is apparent. A root around the Experience merchandise shop, highlighted it. Pride of place fell to the new Mr Men tie-in range, but everything else felt flat and familiar. It’s a luxury for the brand, where every T-shirt, DVD and mug once gleamed new.

The trick remains in the exhibition that follows the tour, wonderful, expansive and still continually updating, it’s a far cry from the crawl past zygons and krynoids at Longleat or through Cassandra on Brighton Pier. The fad for the Experience is likely to stick and develop. Doctor Who and BBC Worldwide will return to the theme. But as contrary and awkward as the show it celebrates, it’s the exhibition that retains the ageless class. And unlike the walkthrough, it’s a photographers’ dream. I’ll miss these unscripted trips tothe past. Until the next time. The next Experience.

The Gallery

Out of the Vault

Ring upgrade

Bakers hands

Angel Power

Mummy shake

Morbius claw

Cyber heads

Cyber legion

War Doctor TARDIS

Console

Clara memorial

Recreating The Leisure Hive

Sleepy

Hanging Silents

Mr Sweet

Classic Daleks

Classic Daleks

New Paradigm Daleks

Bloody Monks

New Mondas

Emperor Davros

New Davros

Season 18 Console

Facing the Raven

Special Weapons

Exterminate?

Blue cat future

Console

Blue doors

Console room mood

HDoctor Who Experience – hello Menoptera!ello Menoptera!

Invasion of Earth

The Beginning

The News 23 November 1963

Out of the Vault

Ring upgrade

Bakers hands

Angel Power

Mummy shake

Morbius claw

Cyber heads

Cyber legion

War Doctor TARDIS

Console

Clara memorial

Recreating The Leisure Hive

Sleepy

Hanging Silents

Mr Sweet

Classic Daleks

Classic Daleks

New Paradigm Daleks

Bloody Monks

New Mondas

Emperor Davros

New Davros

Season 18 Console

Facing the Raven

Special Weapons

Exterminate?

Blue cat future

Console

Blue doors

Console room mood

HDoctor Who Experience – hello Menoptera!ello Menoptera!

Invasion of Earth

The Beginning

The News 23 November 1963

Doctor Who: End of the Experience Vworp! Vworp? Click-bait of course - we all know the Doctor Who experience will never end! Still though, in one corner of Cardiff Bay, it has.

[awsexchage]

C++初心者がDockerで開発環境をつくってみた https://ift.tt/2GXTRRY

C++で開発するのにMac上で開発環境を用意していたのですが、Dockerコンテナで開発したほうが何かと便利そうだったので試してみました。

前提条件

# Dockerがインストール済み > docker --version Docker version 18.09.1, build 4c52b90 > docker-compose --version docker-compose version 1.23.2, build 1110ad01

Dockerイメージの作成

> mkdir 任意のディレクトリ > 任意のディレクトリ > touch Dockerfile > touch docker-compose.yml

Dockerfileを用意することで、OSやライブラリのインストールを行うようにしました。 そうしておくと異なる端末間で開発環境を揃えるのが楽になります。 今回はUbuntu Linuxを利用しています。build-essentialというパッケージでg++、gcc、makeなどの開発に必要となるパッケージ一式をまとめてインストールすることができます。 cmakeやclangなどはお好みで。

Ubuntu – trusty の build-essential パッケージに関する詳細 https://packages.ubuntu.com/trusty/build-essential

Ubuntu 14.04 に gcc、gdb などの開発ツールをインストールする – Qiita https://qiita.com/moris/items/02c01a239b9701336260

CMakeなにそれ？な方は下記をご参考ください。

C++初心者がMacでCMakeを利用してみる – Qiita https://cloudpack.media/45881

Dockerfile

FROM ubuntu:18.04 RUN apt-get update && \ apt-get install -y git build-essential cmake clang libssl-dev

docker-composeを利用するようにして、拡張性良くしています。 データベースなどが必要になったら都度コンテナを追加して対応できます。

docker-compose.yml

version: '3.3' services: dev: build: . volumes: - type: bind source: . target: /cpp-dev

Dockerイメージをビルドして実行します。

> docker-compose build (略) Successfully tagged use-docker_dev:latest > docker-compose run dev bash # g++ -v Using built-in specs. COLLECT_GCC=g++ COLLECT_LTO_WRAPPER=/usr/lib/gcc/x86_64-linux-gnu/7/lto-wrapper OFFLOAD_TARGET_NAMES=nvptx-none OFFLOAD_TARGET_DEFAULT=1 Target: x86_64-linux-gnu Configured with: ../src/configure -v --with-pkgversion='Ubuntu 7.3.0-27ubuntu1~18.04' --with-bugurl=file:///usr/share/doc/gcc-7/README.Bugs --enable-languages=c,ada,c++,go,brig,d,fortran,objc,obj-c++ --prefix=/usr --with-gcc-major-version-only --program-suffix=-7 --program-prefix=x86_64-linux-gnu- --enable-shared --enable-linker-build-id --libexecdir=/usr/lib --without-included-gettext --enable-threads=posix --libdir=/usr/lib --enable-nls --with-sysroot=/--enable-clocale=gnu --enable-libstdcxx-debug --enable-libstdcxx-time=yes --with-default-libstdcxx-abi=new --enable-gnu-unique-object --disable-vtable-verify --enable-libmpx --enable-plugin --enable-default-pie --with-system-zlib--with-target-system-zlib --enable-objc-gc=auto --enable-multiarch --disable-werror --with-arch-32=i686 --with-abi=m64 --with-multilib-list=m32,m64,mx32 --enable-multilib --with-tune=generic --enable-offload-targets=nvptx-none --without-cuda-driver --enable-checking=release --build=x86_64-linux-gnu --host=x86_64-linux-gnu --target=x86_64-linux-gnu Thread model: posix gcc version 7.3.0 (Ubuntu 7.3.0-27ubuntu1~18.04) # clang --version clang version 6.0.0-1ubuntu2 (tags/RELEASE_600/final) Target: x86_64-pc-linux-gnu Thread model: posix InstalledDir: /usr/bin # cmake --version cmake version 3.10.2 CMake suite maintained and supported by Kitware (kitware.com/cmake). # git --version git version 2.17.1

一通り開発に必要そうなツールがインストールされたことが確認できました。

ビルドして実行してみる

実際にソースを用意してビルド＆実行してみます。

カレントディレクトリをコンテナの/cpp-devにマッピングしていますので、ソースはコンテナ外から編集してもおｋです。

コンテナ外

> mkdir src > touch hoge.cpp > touch CMakeLists.txt

src/hoge.cpp

#include <iostream> int main() { std::cout << "Hello! World!" << std::endl; return 0; }

CMakeLists.txt

cmake_minimum_required(VERSION 3.10) add_executable(hoge hoge.cpp)

ビルドしてみます。ビルドはコンテナ内で行います。

コンテナ内

# mkdir /cpp-dev/src/build # cd /cpp-dev/src/build # cmake .. (略) -- Configuring done -- Generating done -- Build files have been written to: /cpp-dev/src/build # cmake --build . (略) Scanning dependencies of target hoge [ 50%] Linking CXX executable hoge [100%] Built target hoge # ./hoge Hello! World!

はい。無事にビルドして実行することができました。

まとめ

Dockerコンテナを用意することで、手元の端末に依存せずに必要な環境を用意することができるのでいい感じに開発することができそうです。

参考

Ubuntu – trusty の build-essential パッケージに関する詳細 https://packages.ubuntu.com/trusty/build-essential

Ubuntu 14.04 に gcc、gdb などの開発ツールをインストールする – Qiita https://qiita.com/moris/items/02c01a239b9701336260

C++初心者がMacでCMakeを利用してみる – Qiita https://cloudpack.media/45881

元記事はこちら

「C++初心者がDockerで開発環境をつくってみた」

February 25, 2019 at 12:00PM

[seowarlocks]

Money For Beginners

[auvra]

I don't think I can color this cause I feel it deep in my bone marrows that it's gonna be ruined once I do.....so I present this.

I love it as is.

[cminoldo]

En la apertura del período legislativo se mostró cauto con los anuncios de obras, pidió paciencia a los vecinos, y apuntó a la herencia recibida. Durante la noche del primero de marzo, el intendente Luis Picat dirigió su mensaje anual en la apertura del año legislativo del Concejo Deliberante de Jesús María y en el que sinceró algunas realidades del municipio local en función de lo que pretende hacer durante su gestión. Limitado por la incertidumbre de las grandes obras de infraestructura que tienen que financiar los gobiernos de la Nación y de Córdoba, sumada a la realidad de que el 60% del presupuesto local se destina a pagar los salarios de los trabajadores municipales, Picat hizo hincapié en los esfuerzos que su equipo viene haciendo para hacer más eficiente el uso de los escasos recursos disponibles. Sus anuncios vinieron precedidos de un informe que divulgó con anticipación y en el que aseveró que había heredado un déficit de $ 89 millones por parte del gobierno anterior. “Sé que es un año de mucha reestructuración, austeridad, prudencia, y de definiciones a nivel nacional y provincial respecto a las obras que priorizarán. A nivel nacional hemos presentado 15 proyectos, a nivel provincial se está trabajando en 2 megaobras.  Sólo quiero comentarles que no paramos de gestionar y esperamos que Jesús María sea beneficiada con alguno de estos proyectos”, explicó Picat sobre sus expectativas para algunas obras de envergadura. Además de esperar la prometida obra de ingreso a nuestra región -que incluso está en el presupuesto provincial- con duplicación de calzadas, rotondas, y cruces sobreelevados y subterráneos, Picat aguarda la financiación mediante un crédito del BID para la concreción de mejoras y ampliación de la planta de tratamiento de efluentes clocales. Pero con fondos propios, el jefe comunal aspira a invertir más de $ 92 millones en maquinarias y obras de pavimentación para concluir los barrios San José Obrero, 17 de Octubre, Bulgheroni, San Isidro y Los Nogales. También invertirá $ 56 millones para desarrollar el Plan Director de Agua con el que piensa resolver los problemas cíclicos de algunos barrios que llevan años esperando que el servicio se preste sin tantas interrupciones. En ese ítem, destacó que con una inversión y en tiempo récord la Dirección de Saneamiento terminó la obra de bombeo de Latinoamérica y construyó una nueva estación de bombeo para Sierras y Parques. “Cuando asumimos a este barrio se le llevaban por día 20 viajes de camiones con agua de la acequia, hoy ya no es necesario”, detalló el intendente

Fuentes de trabajo

“Sé que en lo social hay mucha demanda laboral, mucha demanda insatisfecha”, dijo Picat antes de ratificar la creación de la Agencia de Desarrollo Económico que trabajará con el objetivo de vincular a empresas y nuevos puestos de trabajo. Según detalló, ya están encaminados proyectos que van a generar ingresos para más de 74 familias e intermediaciones laborales para otras 26 personas. ¿En qué consisten esos proyectos? Hay propuestas de empresas tecnológicas, de la industria de la alimentación, y del turismo con el que se pretenden en primera instancia generar 25 puestos de trabajo y $ 15 millones en ingresos. Y se anunció la organización de un Festival de invierno en el que se trabajará para sostenerlo y que se transforme en diez años en una referencia igual que el de enero. Además del Festival y la Municipalidad, intervendrán actores del sector privado. Finalmente, se acordó con el Centro Comercial la eximición del pago de la tasa comercial por 6 meses para nuevos comercios y emprendimientos.

[shgseafood]

역시 지방내려갈 때는 롱다리지.......ㅎㅎ #건어물 #안주 #출장 #오징어 #대왕발 #스몰비어 #롱다리 #쥐포 #오다리 #버터 #철판구이 #치킨 #슬립망고 #동대문 #망고 #오발 #서울 #문어발 #obal #철판구이오징어 #먹방 #응답하라 #문어 #푸드트럭 #롱다리 #오잉 #오장군 #오후의발견 #백족 채널에서 만나는 오발 이야기 창업준비 노하우, 사업아이템, 세무상식, 프렌차이즈 등등 다양한 이야기를 나눌 수 있습니다. . 📱카카오채널: https://story.kakao.com/ch/obal 📱OBal 쇼핑몰: http://storefarm.naver.com/obal 📱 네이버검색창 [ OBAL ] 모바일 홈페이지: http://samheung.modoo.at 📱 폴라: http://www.pholar.co/album/1078493/158823/?t=486095355904&locale=ko&clocale=ko_KR 📱카카오스토리 https://story.kakao.com/shseafood 🖥 블로그: http://blog.naver.com/shtseafood 🖥 다음블로그: http://blog.daum.net/shtseafood

[fedralaldia]

EN UN REPORTAJE RADIAL: Chapino hablo sobre el inicio de importantes obras y de otras cuestiones de interés ciudadano

EN UN REPORTAJE RADIAL: Chapino hablo sobre el inicio de importantes obras y de otras cuestiones de interés ciudadano

El Jefe de Gobierno Municipal, Gerardo Chapino, contó sobre la próxima iniciación de la construcción de 100 viviendas del Programa de Emergencia Hídrica, otras del IAPV, la probabilidad de que en mayo se comience con los trabajos en el Colector Clocal Sur, traslado de Lagunas Decantadoras, y la toma de créditos internacionales para la compra de maquinarias. También se refirió a la seguridad…

[auvra]

[auvra]

[auvra]

Its what Clopeh wanted, I dont make the rules