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samcarpentersgirlfriend · 2 years ago

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Hi!!!! Could you do some MickeyxFem!Reader headcannons on what he’d be like as a boyfriend?

MICKEY ALTIERI AS YOUR BOYFRIEND 𖤐₊˚.

thank you for the request!!

warnings: swearing, brief mentions of making out + possessiveness

⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦ ⊹ . * ꙳ ✦ ⊹

- SUCH A FLIRT omg but it works because he’s unsurprisingly super smooth with it

- it doesn’t matter how long you’ve been dating, he’ll hit you with a line that has your checks heating up and your mouth dropping ever so slightly

- which only serves to make him more cocky - he loves it when he has such a visual and profound effect on you - it makes him even more attracted to you in a weird sort of way

- will judge your taste in movies ruthlessly but if anybody else dares to do so he won’t let it go and will start a very heated argument on your behalf

- speaking of movies, you’re definitely his muse so to speak and uses you as the inspiration for the majority of his films

- make-out sessions in the back of the movie theatre obviously

-loves watching you get ready to go out - whether you’re putting on an outfit or doing your makeup, mickey will just stand leaning against the doorframe and watch you intently

- “mickey, what are you doing?” “what? nothing, nothing at all. as you were, babe.”

- will help you pick out outfits to wear when you need advice AND will come shopping with you for fun - he may grumble and complain under his breathe but you both know he’s secretly having a good time

- one of his biggest turn on’s is when you wear his clothes - he loves that it lets everybody know that your his girlfriend

- even though he has possessive tendencies, mickey isn’t really the jealous type - he trusts you and isn’t an insecure person, so he’s confident in the relationship the two of you have

- however, that doesn’t mean he isn’t incredibly defensive and protective when it comes to you - he’s not afraid to make scene if somebody won’t get the hint and leave you alone

- has told you numerous times that he would kill for you but you tend to just smile and brush him off, assuming he’s joking

- because why wouldn’t you? even though he can be abrasive and even straight up rude to others, he’s never been anything but sweet and attentive to you

- LOVES psychical touch - whether it’s his hand in your back pocket, on your thigh or his arm round your waist, he can’t get enough of it

- also strangely chivalrous - pays for you when you go restaurants, holds the door, giving you his coat he sees you even slightly shiver ect

- will pretty much help you with anything you ask him to

- a total little shit, obviously - he’ll ask you stupid questions just to be annoying and to see your reaction

- definitely a party person and will drag you to the dance floor

- refuses to let you walk home alone after a date. even if he has plans, he’ll push them back to make sure you get home okay (even when you tell him this isn’t necessary)

- will come back from class, lay his he’s head your shoulder and dramatically bitch about the people that he doesn’t like (it’s actually quite entertaining)

- “babe, they said that sequels suck! I mean, can you believe it? I mean, they obviously have shitty taste in movies but come on, it’s like they’ve never even seen T2! and then cici fucking cooper said I have a hard on for cameron- can you believe it? who the hell does she think she is?” “but mick, you do have a hard on for cameron.” “yeah, but it’s only okay when you say it!”

- on a related note, mickey’s a total gossip. when the two of you are just laying in bed, he’ll tell you rumours about people you’ve probably never even heard of

- can be very clingy at times

-kisses kisses so many kisses all of the time (he’s obviously the best kisser)

- will not hesitate to shut you up with a kiss

- obviously can be very manipulative without you even realising it - he’s a master at it, doing it so subtly that you don’t even it’s happening

- it’s one of the reasons why you barely fight, and on the rare occasion you do, mickey will convince you that there’s not even a problem and that the two of you are made for each other and shouldn’t be wasting time on stupid fights

- definitely they type to sing in the shower AND takes ages in the bathroom getting ready to the point that your banging on the door

- more into sentimental gifts than anything more “flashy” - for example, he’ll buy you an exact replica outfit or accessory of something your favourite movie character wore, or buy you a signed poster that he spent hours trying to get

#scream x reader #scream x you #scream imagine #mickey altieri x reader #mickey altieri #scream 2 x reader #scream 2 #mickey altieri x y/n #timothy olyphant #timothy olyphant x reader #fanfiction #scream fanfic #scream headcanons

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behindthescreamz · 1 year ago

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neve campbell as sidney prescott, courteney cox as gale weathers, and sarah michelle gellar as cici cooper in a promotional photoshoot for “scream 2” (1997)

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venus-haze · 2 years ago

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Girls on Film (Mickey Altieri x Reader)

Summary: As a film studies major at Windsor College, your junior year is proving to be an eventful one as the eponymous Ghostface begins targeting fellow students, some who you consider friends. You try to focus on your classes, mainly the short film project you’re working on with Mickey Altieri, who your professor inexplicably paired you up with despite the two of you having almost polar opposite views on the medium.

Note: Female reader, but no other descriptors are used. You’re also into gross out movies because I wanted a strong contrast to Mickey’s “blame the movies” thing and also irony…as you’ll see. This is an extremely dark fic, so look at the warnings before deciding whether to read this. Also, you know and I know that Mickey didn’t kill Randy, but in the context of the fic, the reader-character doesn’t know that. Do not interact if you are under 18 or post thinspo/ED content.

Word count: 4k

Warnings: One-sided rivalry (Mickey hates your guts). Discussions of “gross” movies and themes. Descriptions of violence. Major character deaths. Sexually explicit content which involves non/dubcon, knifeplay, bloodplay, sadism (slight masochism). Do not interact if you are under 18.

Film Theory went from okay to off the walls when Mickey Altieri decided to make the argument that movies could be responsible for people’s actions. Using the brutal murders at the early Stab screening in town as an example was in poor taste when it had just happened the night before. It wasn’t even that you disliked Mickey, having met him in your Introduction to Film History course. He was pretty funny, and the two of you had a lot of the same classes together, moved in the same social circles.

He’d expressed similar views before, but never so egregiously. You couldn’t believe a fellow film student would have such a regressive view of cinema. It was asinine to even entertain the idea, but you couldn’t let the conversation go on without giving your two-cents to your peers.

“CiCi’s right. That exact thinking is what led to the Hays Code.”

“Bonnie and Clyde was one of the first post-Code movies to make it big. It showed there’s profit in glorifying crime and violence,” Mickey said. “The decade after it came out was the golden age of serial killers.”

“Oh sure, I watched one too many John Waters movies, and now I’m having sex in confession booths,” you said, earning snickers from your classmates.

“Thank you,” Randy said. “I don’t think anyone was eating dog shit after watching Pink Flamingos.”

“Maybe Ghostface got the idea for the phone calls from Serial Mom,” one of your classmates quipped.

“Kathleen Turner’s character in that was inspired by serial killers. She read true crime books and collected paraphernalia,” Mickey argued.

“I’ll do you one better and raise you John Waters himself,” you said. “The guy has a morbid fascination with the Manson Family to the point where he incorporates references to them in almost all of his movies. He hasn’t committed any mass murders.”

“No, he just makes movies that make people wanna puke,” another classmate said.

Mickey opened his mouth to speak again, but was interrupted by Sidney and Hallie rushing to the classroom door, looking for Randy. Unable to keep the class’s attention after that, your professor dismissed everyone.

CiCi made her way over to you, giving you an exasperated look. “Reagan-era politics have really poisoned some of these people’s critical thinking skills.”

“Tell me about it,” you agreed.

CiCi had been in a lot of the same classes as you your freshman year, and the two of you became fast friends over your similar taste in movies and distaste for closed-minded people. She was a big Lee Grant fan, wanting to make candid documentaries about tough social issues too.

You had some time to kill before your next class, so the two of you made your way to one of the empty picnic tables outside and continued the discussion, which had quickly turned into mutual ranting. Her point about the Slumber Party Massacre movies being directed by women was cut short when you realized you’d have to book it across campus to make it to Film Production II in time.

It was one of the higher level courses for film students who were looking to make feature films rather than focus on screenwriting or making documentaries. Among the prerequisites for Film Production II were Screenwriting I and II. In theory, everyone in the class would have two or three short film scripts ready to be adapted for an advanced Film Studies class. Few films were ever solo projects, so you weren’t surprised when your professor told everyone on the first day of class to prepare to be partnered up for the project, which would count for most of the course’s grade.

When you walked into the classroom, your professor handed you a slip of paper with two names on it. Yours and–of course. You almost had to laugh at the irony. Mickey. His attitude toward you could be unpredictable. Some days would be fine, and others it was like the two of you were about to bite each other’s heads off.

Speak of the devil. You watched his reaction to the slip of paper when he walked in. Unreadable, even when his attention turned to you.

“Is Sidney okay?” you asked when Mickey sat next to you.

“As okay as anyone can be in this situation. That cop from Woodsboro’s here—Dewey, he’s keeping an eye on her.”

“That’s good.”

“So, let’s get started on this thing I guess. Any ideas?”

“Okay cool. I’ve been thinking about it for a while, and my strongest script is ‘The Tongue Remembers’.”

He scoffed. “The one about the cannibal girl who gets lobotomized?”

“Well, we could take the easy route and make a porno,” you snapped. “Not that it’d be very long.”

“Knowing you it’d be snuff.”

“Whatever. We’ll do one of yours, but I get to do casting and set design.”

“Easy enough, ‘Stakeout’ has four characters,” he said, digging through his backpack for a copy of the script.

You flipped through the script, scanning the first few pages to jog your memory. An action-comedy about a group of criminals who knew that they were being staked-out by undercover cops, unaware that one was within their midst. Mickey’s comedy writing was fast-paced and genuinely funny. You’d told him so in your peer review of his script in Screenwriting II. The reviews were anonymous, but the effort was still there.

Most of the reviews for ‘The Tongue Remembers’ were positive, with criticisms of some minor plot points that helped you make the whole script stronger in the long run. The review you appreciated most tore the damn thing apart, but gave detailed explanations for the suggestions given, all of which were so good you almost wanted to seek out who the source was. A handful of people didn’t care for your script at all, objecting to the plot altogether. You quietly suspected Mickey was one of them.

You tried to shake the tension that had settled over you and Mickey following the exchange just a few moments prior. At least it’d be good experience for dealing with inevitable assholes as you worked your way up in the film industry. It was tough to make it without connections, and even tougher for women.

By the end of class, the two of you agreed to meet in the library the next day and start planning casting and a general production schedule. Mickey had more editing experience than you did, but you wanted to sit in on the process after initial production of the short film was over. He begrudgingly agreed, and you left the classroom for the dining hall in a sour mood.

When you walked into the crowded dining hall for dinner, you spotted Randy and rushed over to join him. More often than you’d like, he’d have to be the mediator when you and Mickey would really get into it. At least he seemed to find it amusing.

“Hey, is everything alright?” you asked.

He handed you a plate that already had two slices of pizza on it and grabbed one for himself. “Besides the whole ‘Ghostface is back and people are being murdered’ thing? Can’t complain. How about you? Get your partner for Production II yet?”

“Yeah. Mickey.”

Randy laughed. “Nice. I’m sure that won’t be a disaster.”

“I don’t want it to be! I even said we could do one of his scripts.”

“Which one?”

“That action-comedy he wrote, ‘Stakeout’,” you said as the two of you sat at an empty table. “It’s a good script. He’s a great comedy writer. I’m just pissed he wouldn’t even consider ‘The Tongue Remembers’.”

Randy nodded in acknowledgement. “I liked that one. You did a good job of making the cannibals sympathetic. Strong ending too. I’m not so sure it’d go over well at Windsor’s student film fest. Lotta weak stomachs.”

“Last year’s winner was a fucking romcom.”

“So you give the cannibal a love interest. Go a little further than Texas Chainsaw 2.”

“I’m not trying to win awards. I wanna make art.”

“You gotta sell out before you can make art. That’s the industry, kid,” he said, patting your shoulder sympathetically. “Are you gonna be at the Delta Zeta whatever party tonight?”

“Delta Lambda Zeta? I don’t think so,” you said. “I gotta find people to be in this movie.”

It turned out to be one of the best decisions you could have made, because you ended up with a list of people interested in a role in ‘Stakeout’. More pressing, however, was the news that Ghostface had made an appearance at the party, after killing CiCi in the Omega Beta Zeta house. Your stomach dropped at the news. Just a few hours before her death you’d been talking to her. It didn’t matter that she wasn’t connected to anyone from the original Woodsboro killings, the students who were killed at the Stab premiere hadn’t been either.

In a small college like Windsor, news traveled fast, and by the time you finished eating breakfast, you’d heard that Sidney, Randy, Hallie, Derek, and Mickey had all spent the night at the police station following the attack.

You didn’t want to ask Randy if you were a suspect. Your film taste alone would put you at the top of the list by default. As much as you understood the reasoning considering the last Ghostface duo’s obsession with horror movies, it didn’t mean everyone who watched them would be inclined to commit murder, despite what Mickey thought. Besides, who would your accomplice even be? Derek or Hallie would be too obvious. Gale Weathers was cutthroat, but not in the literal sense. Randy or Dewey would be a devastating twist if the goal was to mess with Sidney that much more. You felt bad. This type of thing was fun in the movies. You couldn’t imagine it being your life.

Making your way to the library, you weren’t sure whether or not Mickey would actually show up after spending all night in a police station, but it didn’t hurt to go anyway and get other work done.

To your surprise, he sat down across from you a few minutes after you’d agreed to meet. He was wearing the same clothes as the day before, dark circles under his eyes.

“Jesus have you even slept? We can do this another day.”

“Spare me your concern.”

“Look, I don’t want this project to be miserable for either of us,” you said. “Between Film Theory and Production, I was kind of being a bitch yesterday.”

“It was really that porno comment that hit me deep. I’m no two-pump chump,” he said with a smile.

“Alright, alright. I’m sorry,” you laughed. “Oh, I have some people interested in three of the four roles for ‘Stakeout’.”

“Already?”

“I wanted to make it up to you.”

He was silent for a moment, placing a hand on your arm and squeezing gently. “I’m sorry about CiCi. I know she was your friend.”

“Thanks,” you whispered, trying to keep it together. The last thing you wanted was to break down in the middle of the library.

The two of you planned to do a test shoot in one of the theater’s empty practice auditoriums over the weekend. The main stage was being used for the theater department’s annual play, but Mickey pointed out that ‘Stakeout’ mostly took place in one room anyway. You went ahead and booked the auditorium on the library computer for about three hours, just to give enough time to work out any kinks and not worry about being interrupted.

While Mickey was going to spend the following couple of days getting props together and making any last minute changes to the script, you would finalize the cast since he approved of your choices, surprisingly. At least, you were going to, until Randy ended up dead not long after CiCi.

You spent a day locked in your dorm room, partially out of paranoia and also in the depression of losing two of your close friends within days of each other. It was getting serious. Randy had survived Woodsboro. If he wasn’t off limits to Ghostface, no one was.

By Saturday, you’d debated bailing on Mickey and not bothering to show up for the test shoot. You decided against it. Moping wouldn’t do you any good.

He looked shocked to see you when you walked into the auditorium. You felt bad your progress on casting stalled. His friend had died too, but he had his shit together enough to bring a box of props and the camera.

“Are you sure you’re good to shoot today?” Mickey asked from behind the camera, set a few feet from the stage.

“Yeah, I’m fine,” you said, your voice cracking a bit. “Really, it’s all good.”

“We don’t have to–”

You shook your head. “Let’s do this.”

“Alright,” he said, though he didn’t sound convinced. “You mind locking the door?”

“Okay.” You walked back to the door, locking it. “I got two of the leads for ‘Stakeout’ down, Frank and Alex. I know Frank wasn’t our first choice, but Greg backed out.”

“No problem–shit, I forgot something in the props box over there,” he said, adjusting the settings on the camera. “Could you get it while I finish setting this up? You can’t miss it.”

“Sure,” you said, making your way over to the cardboard box Mickey had brought with him. It took a lot to rattle you, but as soon as you looked in the box, your skin crawled. The Ghostface mask stared back at you, eyes empty black holes. The same ones your friends saw before they died. “Mickey? This better be some kind of stupid joke.”

You turned around to find him less than a foot behind you. Camera set to record. Knife in his hand. Dangerous gleam in his eye as he took a step toward you.

“Last minute change—unprofessional, I know—but I decided to go in a different direction for our short film,” he said, a sadistic grin spread across his face. “You’re gonna be the star. Too bad you won’t be able to see it.”

Just as you began to scream, he put his hand over your mouth, holding the knife to your throat. “Don’t be a diva on me now. You just say what I tell you, okay?”

You nodded frantically, vision blurred by the tears that flowed freely from your eyes. In your desperation, you accidentally nicked your own skin against the knife, whimpering at the small cut you’d self-induced. Mickey snickered, his gaze shifting from you to the camera lens.

He moved his hand from your mouth, though his thumb rested on your lower lip. Slowly, he pushed it between your lips. Fuck this. Fuck him. You bit down until you tasted copper, earning a sloppy slash across your chest that made you cry out in pain, releasing his thumb.

He looked at his hand in disbelief and then at you, a grin spreading across his face. “You’re gonna fight back, huh? You wanna play that game?” he said, an unnerving laugh escaping his lips.

Feeling bold, you spit his own blood in his face. In his moment of distraction you grabbed the knife, managing to pull it from his hand. You stumbled back, holding out the knife with a shaky hand.

Despite you having the weapon, he still seemed smug, amusement in his eyes as he lunged toward you. You wildly swung the knife, cutting his abdomen as you crashed to the ground. He climbed on you, grabbing at your flailing arms as you tried to keep him away with the threat of being cut again.

“I’ll kill you! Fucking bastard!” you screamed. “You killed my fucking friends!”

“Do it!” he taunted. “C’mon, I wanna see you try.”

In your struggle to stab him, you lost your grip on the knife, and it slid across the stage. The both of you froze. You used this moment to push him off of you, scrambling to retrieve it. He threw a punch to your back. The wind knocked out of you, violent coughs clawing their way out of your lungs. He took the opportunity to stand up as you lay on the ground in pain.

Still, with the adrenaline pumping through your veins, you grabbed for the knife, hissing as your fingers wrapped around the blade and cut deep into your skin. It didn’t matter. You had to do the most with it while you had it in your grasp.

You held the knife up in a weak defense as he kicked your stomach. When he moved to kick you again, you slashed his leg, pulling the blade from his flesh and watching as blood quickly stained his pants.

The wild look in his eye intensified, and he dropped down, his hips straddling yours. You could feel his hard cock press against your core as he shifted. And he said you got off to fucked up shit.

With one hand, he applied pressure to your throat as the other held down the arm you were holding the knife with. You released your grip on the knife as black spots clouded your vision. You could vaguely hear it fall to the ground when his hand released your throat, and you sucked in a much-needed breath. He picked up the weapon, a triumphant grin on his face. You were fucked.

He sat up, lazily dragging the knife down from your chest to your hips. “You probably should’ve killed me.”

“You think I wasn’t trying?” you wheezed.

“You put up a good fight. I’ll give you that.”

“Don’t act like you don’t love it.”

“And you don’t? I saw the thrill in your eyes every time you raised this at me.”

“It’s self-defense!”

“You tell yourself that, babe,” he said, leaning down to kiss you, only for him to stop to whisper, “Try something, and I swear to god I’ll knock your teeth out.”

You were having trouble breathing. He probably crushed part of your trachea. At least you put up a good fight. You lay still as he kissed you, not making an effort to kiss him back until he pressed the blade against your throat. Even then, you let him take the lead, your lips passively responding to his as he deepened the kiss, slipping his tongue into your mouth. He wasn’t a bad kisser. Shame he was a serial killer. It took everything in you not to bite down on it like you had his thumb. You didn’t have the energy to fight back. Knew he wasn’t bluffing about your teeth either.

He pulled away from you, a string of bloody saliva hanging from your lips that he swiped with his injured thumb. Bringing the digit to his mouth, he licked it. You grimaced at the sight.

“C’mon, babe, I thought you were into this kinda thing,” he teased.

“That’s all pretend. It’s not real,” you argued softly.

You gasped as he cut through your top and bra, digging the blade into your abdomen. He traced the tip of the knife around your breasts, watching in amusement as you began to cry. The cool air in the room and metal brushing your nipples made them hard. He used his free hand to pinch and pull at one, eliciting pained whines from you. Your teary gaze was fixed on the knife, though.

“Why don’t you give me a big smile for the camera and tell me how bad you want me to fuck you?”

“Screw you!” you shouted hoarsely.

He scoffed, pulling the knife away from your breasts and holding the blunt side between his teeth as he unzipped your jeans. You squeezed your eyes shut as he pulled the denim down your limp legs, leaving you in only your panties. His index and middle finger pressed against the cotton, rubbing a bit at the wet spot in the fabric.

A pleased noise came from his throat. “So you are into this kinda thing.”

He snapped the elastic waistband against your hips. You moaned. Your eyes shot open, face heating up in embarrassment.

The knife was back in his hand, though the gleam of the blade lowered, down, down, until you felt it pressed against your inner thigh. He dragged the blade across your sensitive skin until the only thing between it and your pussy was the thin fabric of your panties. You felt like your heart was going to explode from your chest.

“Stop. Mickey, please don’t—oh my god—“ you babbled. “Please—Mickey, I’m sorry—“

“You gonna do what I say?”

“Please fuck me, Mickey. I want you to fuck me so bad.”

“That’s better, baby,” he cooed mockingly.

You heaved a sob of relief as you felt him pull the knife from your panties. Closing your eyes again, you reckoned your impending doom with yourself, trying to ignore the sound of his zipper. The rustling of fabric. The air on your bare pussy.

“Time for the real show.”

Mickey played with your clit while he leaned down to kiss you again, devouring your involuntary moans with a triumphant smugness.

“The rest of them were messy and painful, just like in the movies,” he said softly, confusing you for a moment before you realized he was talking about his other victims. “I didn’t hate them, though, so I’ll blame this one on violent porn.”

“Mickey, I won’t tell anyone,” you tried. “This can be our secret. I—I like it, really.”

He groaned, pushing his hard cock between your folds. A pained cry escaped your lips as his length filled you. He hardly gave you any time to get used to him inside you as he began thrusting at a brutal pace.

“Keep going,” he hissed through gritted teeth.

“You feel so good, Mickey. Your cock is so—fuck—I don’t want anyone else.” You struggled to get words out, your brain overrun by the pain and pleasure that competed to cloud your senses.

“You’re not getting anyone else.”

Your eyes drifted to the knife in his hand as he pounded into you, nervous about what he was going to do with it next.

“Look at me, baby,” he ordered.

Your fearful gaze snapped to his, cruel and unforgiving. He kept rubbing circles on your clit, so fast it was almost too painful. That’s what he wanted, though. For you to hurt. Made him feel better, get off quicker if you hurt. It was almost too easy for him, the way your body betrayed you so quickly, wet with slick so he hardly had to do a thing before claiming your cunt.

Your pussy squeezed his cock, a silent encouragement with each thrust against your will. His breathing was heavy, sweat dripping from his forehead, yet he showed no signs of letting up on you. Bleeding, aching, you weren’t sure how much longer you could take the abuse.

“I want you to ruin me, Mickey.” You meant it. If this was how you were going to meet your end, it might as well be as brutal as the dark scenarios your mind sometimes wandered to after watching a particularly bloody film. Maybe he was right. Maybe the movies were to blame. “Fucking wreck me.”

He shuddered, his thrusts getting sloppy. “Fuck–Jesus fucking–”

His grip around the knife handle tightened as he came, knuckles white as he stabbed it into the floor, mere inches away from your face. You jolted, fear and adrenaline sending you over the edge. Your orgasm wracked through your body, muscles tensing, the sensation pulsing through your wounds, making them feel like they were on fire.

You nearly blacked out, but you held on long enough to feel him bottom out inside you. His head hung over yours as he caught his breath. Tilting your head up a bit, you kissed him. Softer, more intimate, hopefully enough to throw him off.

You reached for the knife next to you, but he pulled it out of the floor before you could.

“Nice try,” he said, breaking the kiss.

He stood up and walked away. For a moment, you thought he was going to just leave you there. You weren’t so lucky. He returned with Ghostface regalia in hand, looking down at your bloody body beneath him with a grin.

Mickey brought the voice modifier to his mouth. “Now, who wants to die for art?”

#mickey altieri x reader #ghostface x reader #slasher x reader #ghostface #mickey altieri #scream 2 #scream #slasher fandom #slasher community #scream franchise #scream movies

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softichill · 1 year ago

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The Sounds of Nightmares unofficial transcript

Chapter 3 - The Theater of the Mind

(Once again made with @queen0fm0nsterz!!!)

Chapter 1

Chapter 2

-------------

[Click]

[Otto sighs, shifting]

OTTO: Noone vanished last night.

[Another sigh]

OTTO: As she slept, I was monitoring her ultradian sleep cycle. There was no REM/NREM oscillation; instead, involuntary spasms grew progressively worse. [shift] As I was about to wake Noone, her… body… evanesced. For a split instant- then returned, calm as can be.

OTTO: [deep breath, loud exhale] Lacking sleep, I can’t be sure I wasn’t hallucinating. Yet the image of her sheets deflating… is imprinted upon my mind. [Sigh] After yesterday’s session, no less, when she claimed to hear this:

[Click, tape plays]

Recording of NOONE: “The faraway drifts near. Tread long, then, sink deep. Two flows from one, and here, is whole again.”

[Click, tape stops]

OTTO: A coincidence? [light clinking of ceramic/glass] Or, synchronicity? …(Scoff) Is that that bloody moth again?!

[Loud smack, Otto sits back down]

OTTO: Riddle piles upon riddle, and answers continue to elude. [Tape rewinding] I’ll sift through every word if I must.

[Intro plays]

[Click]

[Loud clicking and clacking, electric humming, Otto screwing something in]

OTTO: [Humming drops, returns] It’s clear. Noone’s symptoms go beyond parasomnias. [Continuing to build] Her retellings are too detailed, vocabulary too advanced, as if derived from the oneiric itself.

[Humming raises in pitch, clicking]

OTTO: However, what I find impossible to believe is that Noone’s seen who you saw, Cici. [Chair creaks, clattering] If two people, without any contact, shared the exact same observation, is it proof of transpersonal dreaming?

[Otto’s building continues]

OTTO: But such implies concurrence! And these dreams are years apart! Then… no. [buzzing picks up] I cannot be taken to metaphysical backwaters. Sounding like my old professor. [building] I’ve remained balanced over the years by clinging to the notion that my recollection of what happened years ago was wrong. [click, humming gets loud again] But now, those memories are coming home to roost.

[Clicks, electronic humming, building stops]

OTTO: [Shift] Before I began at the CPI I promised to finish this apparatus. I let it fall away, convinced that attempting it was fool’s work. Now struggling to put myself in her shoes, well. Fool me twice.

[Humming gets louder, buzzes out completely as it shocks Otto and he lets out an “Oh!”]

[A small pained noise from Otto before he starts to put the apparatus away]

[Door opens]

OTTO: (Gasp) Noone! [Scoff, he walks away from the recorder] You’re meant to wait outside.

NOONE: (Far away) What are you working on?-

[Audio cuts]

[Click, blank noise]

[Audio starts again]

OTTO: We’ve come to know each other better over the past weeks, haven’t we?

NOONE: Because we’re friends! That’s why. And, friends tell each other things.

OTTO: Friends. That’s right. One of the absolutes I’ve come to realize is that, the more time you spend with someone, the harder it becomes to hide who you really are. The only exception to this rule is with the company of oneself- we willfully hide what we’d rather not face. Like, the Candleman you mentioned seeing, under hypnosis.

NOONE: I don’t like that.

OTTO: What?

NOONE: Hiding things from myself.

OTTO: Nobody likes it. That’s why it’s important to reveal your inner face. “Depth analysis”, we call it. And so, I’d like you to think of this session as a dialogue with your unconscious mind- you are asking the questions, not me.

NOONE: …Asking myself questions?

OTTO: I’ll help! But, as you go, I’d like you to try. So! This… Candleman. Did you see him again?

NOONE: I-I did.

OTTO: And what was this meeting like?

NOONE: …He was much clearer. Not just him, everything about it. My nightmare.

OTTO: Elaborate, please. Was it worse? More vivid?

NOONE: What’s it like- Uhm… as if I’m watching a film, that I’m also the star of. And when I woke… it was here, in the Coppy, that felt more like the dream.

OTTO: Hm, more palpable. The Candleman-

NOONE: I can’t talk about him without the rest. …If this is an interview with myself, might I begin where I want?

OTTO: Of course! Let your imagination run. But don’t be afraid to interact with the dream. This is an important step in our process- the dialogue. Bring together the divided parts of yourself.

NOONE: …The mirror.

OTTO: Pardon?

NOONE: The one off your shelf. If I’m meant to speak to myself, well…

OTTO: [Pause] …Patients aren’t meant to have mirrors, but, here you are, my bright girl.

[Otto gives her the mirror]

OTTO: Begin as you please.

[Pause]

NOONE, Narrating: …In the dark… a hand let go of mine.

[Slip noise, Dream!Noone gasps. Dream ambience begins.]

NOONE: Opening my eyes, I lay on hot concrete, staring up at a sky with- no sun. And… before me was, endless grey, broken by- yellow lines of paint, all the way to the horizon!

NOONE: Standing, in that carpark, I heard a silence. So silent, my own heartbeat was a marching drum in comparison. …It was followed by… a loneliness, so lonely, I could hardly bear it. I had to turn away.

[Dream!Noone walking on gravel]

NOONE: Behind me, I was glad to see a building! A shopping mall, so large I- I felt half my normal size. Its doors opened, [sliding gravel] and I ran to them.

[running footsteps, transition from gravel to tile. Doors close behind Dream!Noone.]

NOONE: Inside the promenade, [lights click on] the lights flicked on, one by one, greeting me as the PA speakers came alive with music.

[Tinny, slightly off-sounding mall music]

NOONE: It had been ages since I’d visited a shopping center. I didn’t know where to start!

OTTO: You saw no need to find an exit right away?

NOONE: I felt like I was in good hands. But many shops were closed, though. There were no doors, and… no displays in the windows. Or, there must have been a private entrance, because- I could see shadows beyond the glass.

NOONE: …A-after passing by several shops this way, I grew disappointed, but that’s when… a cowboy’s voice came over the speaker.

COWBOY, slightly overlapped with Noone: “Sale at Jujube’s Toys! Dolls, games, puzzles, and more! Ground floor by the fountain!”

NOONE: I could see that fountain in front of me! And on the other side, was… a bright green storefront, with bubbles floating out the entrance.

[Dream!Noone walking over, doors hiss as they open. Different tinny music.]

NOONE: Shelves and- shelves of wonders lined the shop! The toys on the first shelf were very old, but… deeper shelves held the same toys I had back home, and deeper ones held exactly those I’d wish for, even Little Lotty Potty! But… these Lotties had black eyes, not blue. And their skin was… yellow, like autumn leaves.

NOONE: The shop owner wasn’t present, so… I grabbed one and began playing on the carpet.

[Dream!Noone humming Six’s Theme. Doll makes automated noises.]

NOONE: But, it didn’t take long for me to grow… bored. That was the first time I… I felt too old for dolls.

OTTO: (distant-sounding) Maturity is natural as you approach adolescence. The brain loses interest in things once held dear.

NOONE: The idea of growing up made me sad. And as if reacting… Lotty’s dress became wet. The doll was doing as its name said, but… [doll chattering] the liquid was- dark and thick. I put her down to find something else. But the choices were almost too many! Towering shelves extending deep in- the gloom of the impossibly long shop!

NOONE: I settled on the games section, but, most were meant for two. Suddenly, a staticky whisper said,

Voice, overlapping with NOONE: “I’ll play with you.”

NOONE: I-I thought it was the shopkeeper, but… nobody was around. My eyes fell upon a jewelry-making kit, with a red necklace on the cover. I took the box back to where I left Lotty, only… she was gone. The shelf above, where the other dolls had been, was completely empty too. I wanted to make the jewelry, I really did, but… I felt weird, so… I put it down. Then, the PA crackled, a woman’s voice this time:

Voice, ov. NOONE: “Jujube’s Toys is now closing.”

NOONE: [Lights clicking off] The lights shut off, bubbles stopped… and, the last thing I saw before exiting… [toy train noises] was the train set crashing to a stop. [quiet fake bell ringing, toy engine stops]

[Dream!Noone walking out of the store]

NOONE: The promenade was empty, still. Each step [steps become echoey] echoed across the walls and floors, which were- pearl white, and had patterns like… veins.

[steps and music continues]

NOONE: I came to three sets of stairs, side-by-side, leading to the next floor. I chose one, and, reaching to the top, I saw another open shop. Mademoiselle’s… (saying it wrong) bijottery.

OTTO: (still distant) Bijouterie. But, regardless- you could read this?

NOONE: Yes. The letters were quite big.

OTTO: …Have you been able to read in your dreams before?

NOONE: I’m not sure. That’s not a question I would ask myself, though, Otto.

OTTO: Apologies.

NOONE, Narrating: The glass case in the center of the room… pulled me in. Full of… gold, and silver necklaces. Hanging in the middle, was… an enchanting red pendant. And before you ask, yes, it was just like on the box at the toy store. T-The PA came on again,

Voice, ov. with NOONE: “A free gift to all little girls 10 and under!”

NOONE: Without asking, I put the necklace on, glowing, like a ruby teardrop. With my gift, I set to leave, but… someone must’ve left the speaker on because… I heard arguing.

NOONE: (overlapping) “Don’t overdo it!” Said a first voice, followed by a second, (overlapping) “One more prize can’t hurt!”

[something being set down, wheels across tile, whoosh]

NOONE: From the back room, a rack of dresses rolled out. All, exactly my size.

[Dream!Noone looking through the dresses]

NOONE: It’d been ages since I’d been allowed to pick out my own dress. The telly people chose them for me. These ones were very pretty, with lace and, and bows and stitching but, one… it… it was the plaid dress I wore the day I arrived at the Coppy. How could my dress be here? [lowering pitch of voice, asking questions to herself] Your real life doesn’t have to mix into your dreams Noone, why now?

OTTO, interrupting narration: (astonished) Pardon?

NOONE: (giggling) I’m asking myself questions. Well, the only explanation is that they could see inside my head.

OTTO: I’m not sure that’s logical.

NOONE: Let me finish! Please. You’ll see.

NOONE, narrating: Back out on the promenade, the shop gates began to slam shut. [Gates slamming] I was worried the mall was closing, but on the floor above, a set of spinning bright lights came on [Lights turn on]. The music stopped and, the PA crackled with a sing-songy voice,

Voice, ov. with NOONE: [music] “Showtime’s patrons! Our daily motion picture will begin shortly. Hot popcorn’s popping and the seats await in the playhouse!”

NOONE: [Lights shutting off] The rest of the mall went dark, making the lights more enticing to follow.

[Dream!Noone walks across the mall]

NOONE: The lobby was- red from floor to ceiling. Buckets of popcorn overflowed on the concession stand. I grabbed one, and hurried to push open the huge golden doors leading into the theater.

[Running steps, doors creak. Slightly off organ music plays.]

NOONE: The velvet seats went for rows and rows, full of people. A spotlight hit the stage, illuminating an organ, but… there was no organ player. Only tall curtains swaying in some breeze. I tiptoed down the aisle, and sat centered with the screen. The chair seemed to hug me, and the room fell dark [crunching] as the first buttery bit hit my tongue.

[Music stops playing, sounds of projector booting up]

NOONE: Without adverts or introduction, the film began. Images of… trees on fire and… white hooves galloping. I recognized the picture instantly because I’ve seen it a hundred times. “The Healing Horn”. [Movie plays] Only the scenes were out of order, and the unicorn… her horn was misshapen, like… a rotten tree branch. The evil prince’s face, too, was… was wrong.

NOONE: Feeling out of place I – I looked around. The audience, I… I realized, was not people but… mannequins.

NOONE: All of a sudden, a familiar scent entered the dream. Ocean. I was no longer alone. The dusty projector light made it difficult to suss, but a few seats over… was the Candleman. His eyes and mouth were… deep black pits inside a mess like a wet gunny sack, sagging down the floor. Without turning, he spoke.

[Growing noise stops]

OTTO, interrupting abruptly: He – what?! [Shifting] What did he say?

NOONE: [Sighing] It was like a – a voice underwater. The words could hardly escape the folds of skin. He repeated them to me.

NOONE as the FERRYMAN, glitching: “The faraway drifts near. Tread long, then sink deep. Two flows from one, and here, is whole again.”

OTTO: And then? [shifting in the chair] What else?

NOONE, as the FERRYMAN: “Here. Here. Here.”

NOONE: He just repeated over and over.

OTTO: There must be more! Try, try! Interact with the dream!

NOONE: There was no more!

OTTO: (raising his voice) Ask who he is, ask what he wants!

NOONE: (raising her voice) It doesn’t work that way!

OTTO: You were right there! Don’t tell me you did nothing?! Not a damn thing!

NOONE: Stop!

OTTO: [farther away] I’m beginning to doubt you’ve seen this Candleman! [Noone struggling] Perhaps you’ve invented the whole story!

NOONE: Please, stop- my head!

[Otto hisses (gets hit?), sounds of something being knocked over, Noone runs out of the room.]

[Otto huffs and stops the tape]

[Click. Blank noise. Another click]

[Various shifting noises. Silence. Door opens and someone walks, then closes it]

OTTO: [far away, stern] What are you doing? With the mirror. [Steps] You’re up to something, but we’ll let it slide. I know girls like you.

[Shifting]

OTTO: You’re upset with me, aren’t you? [plastic clacking] Here. A pill for your headache. (Sigh) Earlier, that was… awfully…[Otto sits] that- that was not how friends act. Sleep has evaded me too. I’ve grown worried, trying to… please, forgive me. I’d very much like to hear the rest. I won’t interrupt, you have my word.

[Silence.]

NOONE: … Fine.

OTTO: So… you were in this theater with him.

NOONE, narrating: … All kinds of pictured* flashed on the screen, and then he was gone, leaving me alone again. Or so I thought. The projector flickered in the booth. I dashed up, and found the door ajar. A new voice came over the PA, angry. “No patrons in the projection room!” The door was stuck, but I pushed and pushed. The PA boomed,

VOICE, ov. with NOONE: “You must not enter!”

[Crashing, door opens]

NOONE: The projector I saw first was shaped like… a deformed eye. Then, my attention fell to… the mass on the floor. [Slimy sound] A brain? A heart? …No. It’s muscles pumped and pumped, and its tubes ran into the walls. The voice came, both from inside the room and over the PA:

VOICE, ov. with NOONE: “Happy day, No One.”

NOONE: It… it knew my real nickname. The ones kids at school scribbled all over my books. How? Because it was in my head. …I asked, “You’re the one who’s been talking? All those voices?”. Then, I saw countless film cans around the room, and understood. It was so alone, it took to imitating. Then it said,

VOICE, ov. with NOONE: “Are you going to leave? Like all the others?”

NOONE: I managed a… “Yes”. The thing began pulsing and, upset, it sort of cried out.

VOICE, ov. with NOONE: “So many, they take what they want and go, or get snatched away or worse!”

NOONE: It paused, then went on,

VOICE, ov. with NOONE: “Whatever you desire, it’s yours.”

NOONE: … But I didn’t want anything from it. The PA belted,

VOICE, ov. with NOONE: “The pendant! You wanted that!”

NOONE: The pulsing worsened until another voice came within the first,

VOICE 2, ov. with NOONE: “You’ve driven another away!” [Not overlapping, repeating: “You’ve driven another away!]

NOONE: I felt bad for it. Or them… this place had been warped by pain, and wanted so badly to keep me. Even the walls began throbbing. What could I do?!

[Noise intensifies, Dream!Noone breathes heavily]

NOONE: I – I ran. Down the stairs, out of the theater.

[Dream!Noone runs away]

NOONE: On the promenade, the lights were flashing so as to be dizzying. The PA screeched,

VOICE, ov. with NOONE: “Everyone needs someone! Don’t leave me alone!”

NOONE: The walls began to cry that dark thick liquid, pooling around me, I looked up. From the floor above, the Candleman stared, pointing at my chest. At the pendant. I flung it down into the liquid, then he reached a hand toward me and –

[All noise stops]

NOONE: And all faded, as the PA sobbed,

VOICE, ov. with NOONE: “Don’t take her! Not this one, too…”

[Narration stops. Silence. Shifting]

OTTO: T-There was um… uh, e-excuse me, a curious phrase. “Warped by pain”. Is that how you feel, sometimes?

[Silence]

OTTO: Noone? Are you still angry with me? Or… distracted by the mirror?

NOONE: Behind my ear… there’s… a sore.

OTTO: Is that why you wanted the mirror all along?

NOONE: [Hum] It’s like the ones I used to get. I need to see it.

[Shifting]

OTTO: Nothing’s there. It’s red because you’ve been picking at it.

NOONE: …I have one more question for myself. Why do I have these dreams? Water sickness, that’s my answer.

OTTO: Noone. It’s wiped out of your system. There have been no known reinfections. It’s in your mind.

NOONE: (with increasing distress) What if the cure is the cause? I never had nightmares or headaches before all of this, before going on telly, before – before this! –

OTTO, interrupting: (whispering) No, no, come, come, come, come here, my girl. [Shifting, Otto hugs Noone] You’re not sick. You’re perfectly fine. You’re a perfectly wonderful little girl. This time I will protect you.

[The mirror falls on the ground and breaks]

NOONE: I’m sorry! I’m sorry, uh, you were squeezing so tight and… it slipped.

[The mirror shards are picked up. Otto throws them away]

OTTO: You asked why you dream. The truth? Nobody knows. My studies always assumed they were more than the brain’s way of filtering unconscious thoughts. But I had no answer either. An old professor of mine thought he did. He believed dreams come from an ever shifting plane, a quiddity of consciousness.

NOONE: Quidd-i-ty…

OTTO: Quiddity. The essence of a thing. In this case, a semiatangible plane outside the mind.

NOONE: Is it the same as mutual dreams? I don’t understand.

OTTO: My colleagues didn’t either. I’ve flip-flopped over the years, but I figured it was impossible to prove.

NOONE: Will I ever get rid of them, then? Will I ever leave the Coppy?

OTTO: You must understand, you are a unique case. I want to let you go, as soon as –

NOONE, interrupting: I’m better?

OTTO: (sighing) Yes. As soon as you’re better. [Otto stands, picks something up] Now –

NOONE: I know, I know. (Lower pitch, mimicking Otto) “Sweets for my sweet”. …Do I have to go back to my room?

[Sounds of plates]

OTTO: I’ve- got to tidy, [wrappers] and, you reminded me there’s something I need to find. On you go. I’ll come by later.

[Shift, audio cuts]

[Audio starts]

[Otto looks through papers, and sighs]

OTTO: Ah, I found it. The paper that stained my professor’s career. Kept it all these years, hoping and dreading there was truth in these words…

OTTO, reading: “We know now that there is no center to the universe. Previously we thought it was the Sun, before that we thought it was the Earth. Our species always insists that ours is the quintessence of experience. Yet scientific observation proves our folly ad nauseum. If geocentrism took centuries to disprove, the question is not if but when the same will happen to reality itself. That which we are equipped to perceive may not be the only world. Let alone the predominant one.”

[Click]

[Outro plays]

------------

*This is what she actually says. I have no idea why.

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