REMEDIATION
This is my take on the brief and what I and my mum thought scottish culture was to us as individuals and to us as mother and daughter. I used a lot of my upbringing and how i viewed living in scotland to my advantage to really find a theme that worked for me and made me feel good about my work. I also looked and what people in my life see Scotland as, many seeing it for the scenic beautiful country it is. So here you have my take!
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final
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Standing stone experiment with cardboard print
I was thinking about the material which we can do recycle to reduce the rubbish. My house has got so many cardboards so I decided to do relief print with them.
It looks quite easy but actually it was harder than I thought. Especially the parts which had to peel of the top layer. I could manage to use a couple of different texture so excited to print out!
First, put relief ink for background.
Then, add gray stone colour.
Compare to the Lino cut or wood block print, the details are really rough and bold but I think showing the textures was a success.
Maybe next time, I will reduce the bumpy texture areas and more smooth areas would be better to show texture on and off.
I also think this board is more interesting than the print. It’s like a 3D print.
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REMEDIATION
this is my mind map for my ideas for scottish culture, I tried to look at everything that i thought was scottish culture and not just what other people think it is! I also got the help of my mums thoughts on it and my girlfriends to see if i could link what they think to how i feel.
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Last but not least this is my final print! This is my favourite because i feel like it brings across the message i wanted in a abstract way. I also feel this will work well as a riso print! I love how this turned out, i like the very blacked out areas and i like how the flames are white to show that flames are shining brighter than the souls that were taken. The cork keeping the bottle sealed shows the lack of interest and research that went into showing our painful past, our past of killing many many innocent people, mainly women, just from the fear of them having power.
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This is a big print of one of my ideas, again i really like this one but i don’t feel it conveys the message i wanted, it’s too open to interpretation and i feel like people won’t realise it is about witches, let alone scotland.
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These are the sketches of my two explored ideas. The first one is more of a trippy witches hands plus a skeleton. I tried to bring forward the idea of they have eyes in their hands, like they see all. The skull represents the dead souls that they communicate with, and all the lives of innocent women that were taken just because of the fear of women with power, aka witch powers.
The second idea which i chose in the end is a bottle filled with the past. It’s engulfed in flames with a centre piece witch hanging by her neck. There’s also loads of faces, completely blank and some without actual faces. All of this is meant to represent all the death and despair these witches in the past must of gone through and how our countries past has treated not just witches but also women.
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i created my witches hut into a lino, i actually really loved this but i knew it wasn’t enough for a final piece.
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My insperation for this blocks project was Tom Hazelmyer, he is a musician and printmaker. He started up printmaking after he came out of a monthlong meningitis/encephalitis-induced coma, doctors told him to go home and do Sudoku puzzles to regain his motor skills and brain function. He basically said "Screw that" to the doctor. “Veronica had a school project at home, some carving stuff, and we got some linoleum slabs and I started dickin’ around with it,” Hazelmyer said. “The brain damage was such that writing and some other stuff was scrambled up. So you have to relearn how to do everything, think about doing it while you’re doing it, and it’s to the point now where I can write backward upside down.”
Hazelmyer became “completely obsessed” — a phrase he uses often to describe his many projects. His office walls overflow with new prints by his artist alter-ego HAZE XXL.
I think what really struck close to me about his artwork is how much he adores the process of lino, I've loved lino for years and seeing someone just pick it up and instantly adore it is really great to me. I also adore how dark and blocky his prints are, its very similar to how i've always done lino prints and the familiarity feels really nice, especially as an insperation.
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I continued to look a bit at more modern witches, i wanted to see the contrast between how we’ve viewed witches from around the 90s onward to how they used to view them way back when there was still witch trials
It’s interesting to see how differently we now view them, they aren’t seen as a bad thing anymore, we now embrace witches and many people go to witches for tarot readings and such.
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