#chowchilla

[oldshowbiz]

1971.

Five years before the horrific Chowchilla school bus kidnapping, the opening of this episode of Monty Nash seemed to predict - or perhaps inspire - it.

The second half was filmed at Franklin Canyon Reservoir in the same spot where the Brady Bunch went camping and where Andy and Opie went fishin'

[mind-muck]

[fans-on-the-run]

The Black Phone, Finney Blake, and the Chowchilla Kidnappings

So I was jumping onto another post about how quickly Finney seems to go back to school after being kidnapped, witnessing a murder, killing a grown man with his bare hands, and talking to ghosts. It's a lot. And yet, there he is and we have no idea how much time has passed.

The Black Phone takes place in 1978. You know what happened two years earlier? The Chowchilla kidnappings.

This scared the shit out of me when I was a kid. Three loser rich kids kidnapped an entire fucking BUS full of kids in a summer school program who were being driven home after a trip to the local pool. The kids were taken hours away from town, and put in a trailer that was underground. They were, essentially, buried alive.

They got out. Rather swiftly too, and found by some quarry workers. (Two of the rich brats were sons of the quarry owner.) Then they were sent home. Hurray! Everyone was saved!

...This turned out to be the biggest study of PTSD in kids to that point. They all suffered, and their parents for the most part, didn't get them help because they were too ashamed to admit they needed it.

Now, from that real case, we go back to Finney Blake. This kid is already repressing a hell of a lot of trauma. Dead mom, abusive dad, lost his best friend. And then the Grabber gets him, he sees Max die in front of him, ect. If they make a sequel that's nothing but Finney's trauma, I would think that was fair.

And remember what a conservative ass his dad probably is. HIS son doesn't need any s*ssy therapy, of course not. So the PTSD and the anger will fester, and grow. Eventually, it will come out. How, who knows. But it won't be pretty.

[squawkoverflow]

A new variant has been added!

Chowchilla (Orthonyx spaldingii) © Rick elis.simpson

It hatches from brown, deep, distinctive, female, loud, male, northern, orange, pale, prominent, robust, small, sturdy, terrestrial, and white eggs.

squawkoverflow - the ultimate bird collecting game          🥚 hatch    ❤️ collect     🤝 connect

[piboss-314]

Jennifer Brown Hyde of the Chowchilla 27

I watch 48 Hours often and was truly dumbfounded after watching an episode tonight. It was about the 1976 kidnapping of an entire school bus of children in Chowchilla California. Not only was the entire event a blessing by God but as a survivor (6 year old Jennifer) was asked a question after recovery “why do you think they did it?” her answer literally floored me! In my educated opinion her…

[infamousandunforgivable]

[angelkarafilli]

Original vintage grapefruit citrus crate label 1930s

Original vintage commercial advertising label. These labels were pasted on the ends of wooden crates packed with oranges lemons apples and other fruits and vegetables. These colorful crates were shipped nationwide via the railway system to be sold in the local markets. Packers and growers would order labels from printing companies that specialized in this work, these companies employed commercial artists in large numbers. The artists were not paid well, and rarely received any acknowledgment for there creations. Most commercial use of labels ended during wwii due to commodity rationing and shortages. The cardboard box was adapted to ship fruit and labels were almost completely phased out by the 1950s.

Found on:https://www.etsy.com/listing/566894176/original-vintage-grapefruit-citrus-crate

[alliswyattonthewesternfront]

oh, and he took CREDIT for the escape??? fuck you, Ed Ray!!!

watching a documentary on the Chowchilla kidnapping, and holy shit the adult bus driver is a useless coward. sorry that isn't very charitable of me, and i am not done yet so my opinion may change, but how are you gonna let a group of children stage the escape and dig you out of a subterranean prison. just sitting there and letting a 14-year-old dig you out alone.

[shrillman]

marko from black angel is THEE girldad omg

[rbm77]

Professional Remodeling Services In Chowchilla, CA

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[semisweetstuffs]

In the latest episode of Grim Fandango I feed a bird.

Full video:

[may-bonne]

oh fuckkkk what if mia and dom were sisters?? i need to think about this extensively. obviously dom is the one who had to step up and be the son jack toretto never had so is that her job because she's older or because mia came first and staked her claim to being the girl? or did he never want a daughter at all and dom had to shield mia from that? either way they're having sex when dom gets out of chowchilla. dunno why this took me so long when giving brian a pussy was the solution to the mia/brian issue. i can't handle this right now though i have to finish lust for life

[squawkoverflow]

A new variant has been added!

Chowchilla (Orthonyx spaldingii) © sirkendizzle

It hatches from brown, deep, distinctive, female, loud, male, northern, orange, pale, prominent, robust, small, sturdy, terrestrial, and white eggs.

squawkoverflow - the ultimate bird collecting game          🥚 hatch    ❤️ collect     🤝 connect

[leonardcohenofficial]

as is tradition here are my top nine new-to-me watches of the year—in no particular order (l-r, top row to bottom row):

the african desperate (martine syms, 2022) not a pretty picture (martha coolidge, 1975) anatomy of a fall (justine triet, 2023) the girls (mai zetterling, 1968) network (sidney lumet, 1976) the year of the cannibals (liliana cavani, 1970) all the beauty and the bloodshed (laura poitras, 2022) straight on till morning (peter collinson, 1972) microhabitat (jeon go-woon, 2017)

i hit 150 total films and my continual goal of half of the films by women and nonbinary filmmakers, and still definitely need to keep up with deliberately seeking out films by directors of color! feel free to tell me your faves if you’ve seen any of these 🖤👀🎬🍿🎥

i'll tag @privatejoker / @wanlittlehusk / @majorbaby / @edwardalbee / @draftdodgerag / @lesbiancolumbo / @frmulcahy / @nelson-riddle-me-this / @firewalkwithmedvd and anyone else who'd like to share their top watches of the year!

full list of films for the year is included below, favorites are bolded in red:

Farewell Amor (Ekwa Msangi, 2020)

Hell Camp: Teen Nightmare (Liza Williams, 2023)

Blacks Britannica (David Koff, 1978)

New Year, New You (Sophia Takal, 2023)

Family Band: The Cowsills Story (Louise Palanker and Bill Filipiak, 2011)

The Color Purple (Blitz Bazawule, 2023)

The Apology (Alison Star Locke, 2022)

Close (Lukas Dhont, 2022)

Unintended (Anja Murmann, 2018)

Other People’s Children (Liz Hinlein, 2015)

Omega Rising Women of Rastafari (D. Elmina Davis, 1988)

The Gypsy Moths (John Frankenheimer, 1969)

Be My Cat: A Film for Anne (Adrian Țofei, 2015)

Insomnia (Christopher Nolan, 2002)

Chowchilla (Paul Solet, 2023)

Intimate Relations (Philip Goodhew, 1996)

Monument (Jagoda Szelc, 2018)

After Sherman (Jon Sesrie Goff, 2022)

Remnants of the Watts Festival (Ulysses Jenkins, 1980)

Network (Sidney Lumet, 1976)

The Taking of Pelham One Two Three (Joseph Sargent, 1974)

Down Low (Rightor Doyle, 2023)

Our Father, the Devil (Ellie Foumbi, 2021)

The Zone of Interest (Jonathan Glazer, 2023)

Youngblood (Noel Nosseck, 1978)

Joy Division - Under Review (Christian Davies, 2006)

Being Frank: The Chris Sievey Story (Steve Sullivan, 2018)

Sun Ra: A Joyful Noise (Robert Mugge, 1980)

Fanny: The Right To Rock (Bobbi Jo Hart, 2021)

Depeche Mode: The Dark Progression (Alec Lindsell, 2009)

Kraftwerk And The Electronic Revolution (Thomas Arnold, 2008)

Blank City (Celine Danhier, 2010)

Oliver Sacks: His Own Life (Ric Burns, 2019)

Monster (Hirokazu Kore-eda, 2023)

Black Is Beltza (Fermín Muguruza, 2018)

Werewolf (Ashley McKenzie, 2016)

The Humans (Stephen Karam, 2021)

Relative (Tracey Arcabasso Smith, 2022)

The Believer (Henry Bean, 2001)

Lost Angel: The Genius of Judee Sill (Brian Lindstrom and Andy Brown, 2022) 

Animals (Collin Schiffli, 2014)

Scott Walker: 30 Century Man (Stephen Kijak, 2006)

Novitiate (Maggie Betts, 2017)

Hunger (Henning Carlsen, 1966)

Late Night With The Devil (Cameron Cairnes and Colin Cairnes, 2023)

The Stunt Man (Richard Rush, 1980)

New York Doll (Greg Whiteley, 2005)

The Iron Claw (Sean Durkin, 2023)

Your Fat Friend (Jeanie Finlay, 2023)

Scarred Justice: The Orangeburg Massacre 1968 (Bestor Cram and Judy Richardson, 2008)

Targets (Peter Bogdanovich, 1968)

Uptight (Jules Dassin, 1968)

Messiah of Evil (Gloria Katz and Willard Huyck, 1973)

Plastic Paradise (Brett O’Bourke, 2013)

You Hurt My Feelings (Nicole Holofcener, 2023)

Pretty Poison (Noel Black, 1968)

The Shout (Jerzy Skolimowski, 1978)

Shakedown (Leilah Weinraub, 2018)

Class of 1984 (Mark L. Lester, 1982)

Betty: They Say I’m Different (Philip Cox, 2017)

Beautiful Boy (Felix van Groeningen, 2018)

Anatomy of a Fall (Justine Triet, 2023)

Gimme Shelter (Albert Maysles, David Maysles, and Charlotte Zwerin, 1970)

The Beach Boys (Frank Marshall and Thom Zimny, 2024)

High and Low (Kevin Macdonald, 2023)

Brats (Andrew McCarthy, 2024)

I Saw The TV Glow (Jane Schoenbrun, 2023)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Altered States (Ken Russell, 1980)

This Closeness (Kit Zauhar, 2023)

How To Have Sex (Molly Manning Walker, 2023)

American Commune (Rena Mundo Croshere and Nadine Mundo, 2013)

Look In Any Window (William Alland, 1961)

Private Property (Leslie Stevens, 1960)

We’re Still Here: Johnny Cash’s Bitter Tears Revisited (Antonino D’Ambrosio, 2015)

The Wobblies (Stewart Bird and Deborah Shaffer, 1979)

Last Summer Won’t Happen (Tom Hurwitz and Peter Gessner, 1968)

Goodbye Gemini (Alan Gibson, 1970)

Keyboard Fantasies: The Beverly Glenn-Copeland Story (Posy Dixon, 2019)

The Most Beautiful Boy in the World (Kristina Lindström and Kristian Petri, 2021)

The Passenger (Carter Smith, 2023)

The Boys Who Said No (Judith Ehrlich, 2020)

Synecdoche, New York (Charlie Kaufman, 2008)

Karen Carpenter: Starving for Perfection (Randy Martin, 2023)

...And Justice For All (Norm Jewison, 1978)

I Used To Be Funny (Ally Pankiw, 2023)

Badlands (Terrence Malick, 1973)

Straight On Till Morning (Peter Collinson, 1972)

The Same Difference: Gender Roles in the Black Lesbian Community (Nneka Onuorah, 2015)

Thanksgiving (Eli Roth, 2023)

Sorry/Not Sorry (Caroline Suh and Cara Mones, 2023)

Am I OK? (Tig Notaro and Stephanie Allynne, 2022)

Joan Baez: I Am a Noise (Maeve O’Boyle, Miri Navasky, and Karen O’Connor, 2023)

No Direction Home (Martin Scorsese, 2005)

Shutter Island (Martin Scorsese, 2010)

Water Lilies (Céline Sciamma, 2007)

The Strings (Ryan Glover, 2020)

The Crucible (Nicholas Hytner, 1996)

Woman of the Hour (Anna Kendrick, 2024)

The Platform (Galder Gaztelu-Urrutia, 2019)

Tabloid (Errol Mark Morris, 2010)

Will & Harper (Josh Greenbaum, 2024)

Miller’s Girl (Jade Halley Bartlett, 2024)

Give Me Pity! (Amanda Kramer, 2022)

Landlocked (Paul Owens, 2021)

Perfect Love (Catherine Breillat, 1996)

Not a Pretty Picture (Martha Coolidge, 1975)

Seeking Mavis Beacon (Jazmin Jones, 2024)

Renfield (Chris McKay, 2023)

Compulsion (Richard Fleischer, 1959)

An Angel At My Table (Jane Campion, 1990)

Longlegs (Oz Perkins, 2024)

Rare Beasts (Billie Piper, 2019)

Nightman (Mélanie Delloye-Betancourt, 2023)

The Changin’ Times of Ike White (Daniel Vernon, 2020)

The Substance (Coralie Fargeat, 2024)

The Year of the Cannibals (Liliana Cavani, 1970)

Fanatical: The Catfishing of Tegan and Sara (Erin Lee Carr, 2024)

The Loneliest Planet (Julia Loktev, 2011)

Marjoe (Howard Smith and Sarah Kernochan, 1972)

Witches (Elizabeth Sankey, 2024)

Angela (Rebecca Miller, 1995)

The Morning After (Richard T. Heffron, 1974)

Beach Rats (Eliza Hittman, 2017)

Last Summer (Catherine Breillat, 2023)

The Fits (Anna Rose Holmer, 2015)

Hold Your Breath (Karrie Crouse and Will Joines, 2024)

What Comes Around (Amy Redford, 2022)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Priscilla (Sofia Coppola, 2023)

The Girls (Mai Zetterling, 1968)

Sweetie (Jane Campion, 1989)

Victim/Suspect (Nancy Schwartzman, 2023)

The African Desperate (Martine Syms, 2022)

Les Nôtres (Jeanne Leblanc, 2020)

A Sacrifice (Jordan Scott, 2024)

All the Beauty and the Bloodshed (Laura Poitras, 2022)

My Name is Not Ali (Viola Shafik, 2011)

Committed (Sheila McLaughlin and Lynne Tillman, 1984)

Chained (Jennifer Lynch, 2012)

The Hour of Liberation Has Arrived (Heiny Srour, 1974)

All Power To The People! (Lee Lew-Lee, 1997)

Night Moves (Kelly Reichardt, 2013)

Destroyer (Karyn Kusama, 2018)

Late Night (Nisha Ganatra, 2023)

The Year Between (Alex Heller, 2022)

Loved (Erin Dignam, 1997)

Girl In The Picture (Skye Borgman, 2022)

Microhabitat (Jeon Go-Woon, 2017)

Dear Ex (Mag Hsu and Chih-yen Hsu, 2018)

[inthefallofasparrow]