#chittod

[webflairs]

Rani Padmavati Johar Real Place – रानी पद्मावती का जौहर कुंड

जब रावल रतन सिंह के युद्ध में हारने की खबर किले के अंदर पहुँची तब रानी पद्मावती और उनके साथ अनेकों राजपूतानियाँ किले के गुप्त मार्ग से ज़ौहर कुंड तक पहुँची और रानी पद्मावती के नेतृत्व में आग से धधकते कुंड में छलांग लगा दी।

रानी पद्मावती के ज़ौहर की गाथा आज भी चित्��ौरगढ़ शहर के आम लोगो के बिच प्रशिद्ध हैं।

Check full post: Rani Padmavati Johar Real Place

[pavitrtimes]

Tejaswini Lonari's Journey in Bigg Boss Marathi

Today we are going to talk about the vivacious and spirited, Tejaswini Lonari, known for her impeccable performance in the renowned reality television show – Bigg Boss Marathi.

Who is Tejaswini Lonari? Tejaswini Lonari is an accomplished Indian actress notable for her remarkable work in Marathi cinema and television. Known for her roles in Chittod Ki Rani Padmini Ka Johur and Devmanus, Tejaswini's journey led her to grace the stage of Bigg Boss Marathi, one of the most popular reality shows on Indian television.

Entering the Bigg Boss House Tejaswini entered the Bigg Boss Marathi house with a dynamic personality and a fire in her eyes. Her entry into the Bigg Boss house was met with surprise and delight, charming the audience and her housemates alike with her effervescence and lively persona.

Performance and Tasks Throughout her stay:

Tejaswini displayed a consistent dedication to all the tasks assigned by the Bigg Boss. Unfortunately, she had to leave the show after suffering a fracture in her right hand Audience’s View The audience cherished Tejaswini's audacious spirit and applauded her courage to voice her views fearlessly. Her down-to-earth disposition also earned her huge admiration from viewers.

Conclusion Tejaswini Lonari's journey in Bigg Boss Marathi was a roller-coaster ride of emotions, filled with highs and lows. Her participation in Bigg Boss Marathi showcased the resilient and strong side of this talented actress, earning her incredible love and respect from her fans.

Tejaswini Lonari was and continues to be an inspiration both inside and outside the Bigg Boss house, showcasing how one can be graceful under pressure and always stay true to oneself no matter the circumstances.

[indiesole]

INDIES TOP 500 GOLDEN HINDIS ! - PART 2/2

FROM BOLLYWOOD’S GOLDEN ERA (1948 - 63) :

Yt Link:

Apna Desh (49)

Baazi (51)

Bank Manager (58)

Shri Krishna Vivah (54)

Kavi Kalidas (60)

Nausherwan-e-Adil (54)

Dushman (57)

Baarish (59)

Tangewali (55)

Maa (52)

Dhool Ka Phool (59)

Dil Deke Dekho (58)

Aansoo (53)

Pyaar Ki Raahen (59)

Duniya Gol Hai (55)

Piya Milan Ki Aas (61)

Naata (51)

Bin Badal Barsaat (63)

Rikshawala (60)

Post Box No 999 (58)

Chalti Ka Naam Gaadi (58)

Opera House (61)

Naqli Nawab (62)

Pyaar Kiya Toh Darna Kya (63)

Abe Hayat (55)

Saqi (52)

Chor Bazar (54)

Suhag Sindoor (61)

Hill Station (57)

Bluff Master (63)

Do Dooni Chaar (63)

Tumsa Nahi Dekha (57)

Mashaal (56)

Ram Hanuman Yudh (57)

Veer Durgadas (60)

Surang (53)

Shokhiyan (51)

Jai Chittod (61)

Tipu Sultan (59)

Razia Sultana (61)

Rahi (52)

Veer Rajputani (55)

Sangram (50)

Oonche Log (61)

Chhatrapati Shivaji (53)

Phool Bane Angaray (63)

Baadbaan (54)

Bara Dari (55)

Chirag Kahan Aur Roshni Kahan (59)

Dil-e-Nadaan (53)

Shaadi (62)

Bahu (55)

Nazrana (61)

Joru Ka Bhai (57)

Detective (58)

Devar Bhabhi (58)

Mehlon Ke Khwab (60)

Apradhi (49)

Teerandaz (55)

Nai Maa (60)

Joru Ka Bhai (55)

Jabse Tumhe Dekha hai (63)

Aashiq (62)

Sardar (55)

Miya Bibi Raazi (60)

Parvarish (58)

Hyderabad ki Nazneen (52)

Adhikaar (54)

Kali Ghata (51)

Ghar Ghar Ki Baat (59)

Chhoti Bahen (59)

Aanchal (60)

Ardhangini (59)

Sansar (51)

Maa beta (62)

Shair (49)

Talaq  (58)

Aas (53)

Vachan (55)

Jungle Ka Jawahar (53)

Jalpari (52)

Insaaniyat (55)

Miss India (57)

Jab Pyaar Kisise Hota hai (62)

Durgesh Nandini (56)

Bhagam Bhaag (56)

Reshmi Roomal (61)

Zindagi Aur Khwab (61)

Pyar ki Pyas (61)

Paisa Hi Paisa (56)

Kinare Kinare (63)

Kundan (55)

House No 44 (55)

Kohinoor (60)

Apna Hath Jagannath (60)

Aandhiyan (52)

Chaar Dil Chaar Raahen (59)

Usne Kaha Tha (60)

Girlfriend (60)

Ek Phool Chaar Kaante (60)

Azaad (55)

Farishta (58)

Naag Padmini (57)

Sampoorna Ramayan (61)

Neelam Pari (52)

Circus Queen (59)

Jagir (59)

Barood (60)

Bewafa (52)

Do Roti (57)

Zara Bachke (59)

Aas Ka Panchhi (61)

Tu Nahi Aur Sahi (60)

Bharosa (63)

Ek Dil Sau Afsane (63)

Sindbad The Sailor (52)

Ghar Basake Dekho (63)

Kangan (59)

Soorat Aur Seerat  (62)

Pehli Jhalak (55)

College Girl (60)

Chacha  Chowdhary (53)

Changez Khan (57)

Baaz (53)

Phir Subah Hogi (58)

26 January / Bharati (56)

Sone Ki Chidiya (58)

Anjaan (56)

Khazanchi (58)

Shikari (63)

Dhanyawaad (48)

Zameen Ke Taare (60)

Reporter Raju (62)

Bandi (57)

Parivar (56)

Mr X (57)

Jhumroo (61)

Boot Polish (54)

Chhalia (56)

Shiv Kanya (54)

Albela (58)

Kitna Badal Gaya Insaan (57)

Gyarah Hazaar Ladkiyaan (62)

Naya Andaz  (56)

Faraar (55)

Pyar Ki Jeet (48)

Kashti (54)

Jhanak Jhanak Payal Baaje (55)

Burmah Road (62)

Forty Days (59)

Dhaake Ki Malmal (56)

Laxmi Narayan (50)

Sudarshan Chakra (56)

Amaanat (55)

Inspector (56)

Anand Math (52)

Chandni Chowk (54)

11 O’ clock (48)

Buzdil (51)

Dulari (49)

Meenar (54)

Masoom ( 60)

Maya Bazar (58)

Mr & Mrs  55 (55)

Singapore (60)

Sheesh Mahal (50)

Masoom (60)

Heer (56)

Paapi (55)

Rakhi (62)

Rustom Sohrab (63)

Maa Baap (50)

Raagini (58)

Shabnam (48)

Beqasoor (50)

Jhumroo (61)

Meri Surat Teri Aankhen (63)

Patanga (49)

Badi Bahen (50)

Kalpana (60)

Janampatri (49)

Babar (60)

Badi Maa (48)

Ek Saal (57)

Miss Mary (57)

Shrimatiji (52)

Jadoo (51)

Payal (57)

Ek Hi Raasta (56)

Akeli Mat Jaiyo (63)

Pyar Ka Sagar (61)

Bandish (57)

Miss Mala  (54)

Marine Drive (55)

Maa Baap (60)

School Master (59)

10 O’Clock (58)

Afsar (50)

Jaali Note (60)

Patita (55)

Bindya (60)

Nadaan (51)

Ek Ke Baad Ek (60)

Tumsa Nahi Dekha (57)

Tamasha (52)

Shirin Farhad (56)

Man Mauji (62)

Parasmani (63)

Paristaan (49)

Anokha Pyaar (48)

Krorepati (61)

Jhoola (62)

Bazooband (54)

Rani Rupmati (59)

Hum Bhi Insaan Hain (48)

Jailor (58)

Bus Conductor (59)

Lagan (55)

Pardes (50)

Rami Dhoban (53)

Chalis Baba Ek Chor (53)

Suhagan (54)

Vidya (48)

Musafirkhana (55)

Agra Road (57)

Kathputli (57)

Naujawan (51)

Ustaadon Ke  Ustaad (59)

Lajwanti (58)

Kal Hamara Hai (59)

Baap Re Baap (55)

Ghar Ki Laaj (60)

Aurat (55)

Poonam (52)

Shararat (59)

Boyfriend (61)

Railway Platform (55)

Chori Chori 56)

Ek Jhalak (57)

Badal (51)

Anpadh (62)

Aaram (51)

Chaar Paise (55 )

Rakhi (49)

Mayurpankh (54)

Naache Naagin Baaje Been (60)

Amar Prem (48)

Passport (61)

Mujhe Jeene Do (63)

Baap Beti (54)

Chandralekha (48)

Ek Do Teen (53)

[shankarjaikishanfansassnintl]

#shankarjaikishanfans pay their tributes to veteran film Music Director SHRI NATH TRIPATHI #sntripathi ( 14 th March 1913 - 28 th March 1988 ) on his 110 TH BIRTH ANNIVERSARY TODAY. S.N.Tripathi was a versatile all-round Artiste who besides being a talented Music Composer was also an Actor , Director , Singer , Story & Screen Play Writer and Film Maker from the Thirties to the Eighties. Classical greats then ranked him along with Naushad sab, Vasant Desaiji & C.Ramchandraji as the best Classical Music Composers of those days.The great #Chitragupt ji was Assistant to him and also sang under his baton. His favourite Lyricist was Pandit Bharat Vyas and together they gave some Immortal Melodious songs in Historical & Mythological films.Some less heard but Melodious gems are appended. (1)" Thane Kaajaliyan banaloon " Rajasthani folk song by Lataji & Mukeshsab - Veer Durgadas ( 1960 ). (2) " O Pawan Vaeg se Udane wale ghode " . Lataji in Jai Chittod ( 1961). (3) " Un per Kaun Kare ji Vishwas " - Lataji - Rafisab dwand Geet from Kavi KALIDAS ( 1959 ). Tripathiji lived in an old building - Rasik Vila at M.G. Road , Vile-Parle East, Mumbai. Laxmikant Pyarelal who also lived nearby were then ( 1963 ) struggling for a break. They used to wait for Tripathiji in the passage landing outside his 1 st Floor home. A kindly lady Mrs. Sunanda Jaykar on the 2 nd Floor used to give them tea / coffee / snacks as they waited patiently for the Composer. Ultimately their perseverance paid off . Parasmani was offered to S N Tripathiji ,who being unwell at that time , recommended LP to the Producer. And the rest was history LP. 🙏🙏🙏 Details Courtesy Shrikant Basrur 14-3-2023. https://www.instagram.com/p/Cpx-EW0yaJh/?igshid=NGJjMDIxMWI=

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[dhambha4707]

स्वाभिमान अमर रहे ।।जय राजपूताना।। Follow:- @drapearc #beinghukum #beingthakurain #banna #rajput #rajputana #saurastra #hkm #bapu #maharana #chittod #darbar #gujarati #ombanna #thikana #pratap #baisa #talwar #sword #being_hukum #thikana #bhavnagar #king #kunwarsa #kshatrani #udaipurdiaries❤ #jaimatadi🙏 #darbar Thought:- @drapearc (at Bhavnagar) https://www.instagram.com/p/BqR0ZVNHwzr/?utm_source=ig_tumblr_share&igshid=1syucvecfvy8c

[news27channel]

महिला कांस्टेबल और दुष्कर्म की पीडिता का ऑडियो हुआ वायरल, Chittod Gardh ...

[deepikascupcakes]

PADMAVATI The Goddess Queen

In the 12th and 13th centuries, the Sultanate of Delhi - the kingdom set up by the invaders was nevertheless growing in power. The Sultans made repeated attack on Mewad on one pretext or the other. Here we may recollect the story of Rani Padmani who was the pretext for Allah-ud-din Khilji's attack on Chittod. In those days Chittod was under the Rule of King Ratansen, a brave and noble warrior-king. Apart, from being a loving husband and a just ruler, Ratansen was also a patron of the arts. In his court were many talented People one of whom was a musician named Raghav Chetan. But unknown to anybody, Raghav Chetan was also a sorcerer. He used his evil talents to run down his rivals and unfortunately for him was caught red-handed in his dirty act of arousing evil spirits.

On hearing this King Ratansen was furious and he banished Raghav Chetan from his kingdom after blackening his face with face and making him ride a donkey. This harsh Punishment earned king Ratansen an uncompromising enemy. Sulking after his humiliation, Raghav Chetan made his way towards Delhi with -the aim of trying to incite the Sultan of Delhi Ala-ud-din Khilji to attack Chittor.

On approaching Delhi, Raghav Chetan settled down in one of the forests nearby Delhi which the Sultan used to frequent for hunting deer. One day on hearing the Sultan's hunt party entering the forest, Raghav-Chetan started playing a melodious tone on his flute. When the alluring notes of Raghav-Chetan flute reached the Sultan's party they were surprised as to who could be playing a flute in such a masterly way in a forest.

The Sultan despatched his soldiers to fetch the person and when Raghav-Chetan was brought before him, the Sultan Ala-ud-din Khilji asked him to come to his court at Delhi. The cunning Raghav-Chetan asked the king as to why he wants to have a ordinary musician like himself when there were many other beautiful objects to be had. Wondering what Raghav-Chetan meant, Ala-ud-din asked him to clarify. Upon being told of Rani Padmini's beauty, Ala-ud-din's lust was aroused and immediately on returning to his capital he gave orders to his army to march on Chittor.

But to his dismay, on reaching Chittor, Allah-ud-din found the fort to be heavily defended. Desperate to have a look at the legendary beauty of Padmini, he sent word to King Ratansen that he looked upon Padmini as his sister and wanted to meet her. On hearing this, the unsuspecting Ratansen asked Padmini to see the 'brother'. But Padmini was more wordly-wise and she refused to meet the lustful Sultan personally.

On being persuaded by her husband Rana Ratansen, Rani Padmini consented to allow Ala-ud-din to see her only in a mirror. On the word being sent to Ala-ud-din that Padmini would see him he came to the fort with his selected his best warriors who secretly made a careful examination of the fort's defences on their way to the Palace.

On seeing Padmini, in the mirror, the lustful 'brother', Allah-ud-din Khilji decided that he should secure Padmini for himself. While returning to his camp, Allah-ud-din was accompanied for some way by King Ratansen. Taking this opportunity, the wily Sultan deceitfully kidnapped Ratansen and took him as a prisoner into his camp and demanded that Padmini come and surrender herself before Allah-ud-din Khilji, if she wanted her husband King Ratansen alive again.

The Rajput generals decided to beast the Sultan at his own game and sent back a word that Padmini would be given to Ala-ud-din the next morning. On the following day at the crack of dawn, one hundred and fifity palaquins (covered cases in which royal ladies were carried in medieveal times) left the fort and made their way towards Ala-ud-din's camps The palanquins stopped before the tent where king Ratansen was being held prisoner. . Seeing that the palanquins had come from Chittor; and thinking that they had brought along with them his queen, king Ratansen was mortified. But to his surprise from the palanquins came out, not his queen and her women servants but fully armed soldiers, who quickly freed ; Ratansen and galloped away towards Chittor on horses grabbed from Ala-ud-din's stables.

On hearing that his designs had been frustrated, the lustful Sultan was furious and ordered his army to storm Chittor. But hard as they tried the Sultans army could not break into the fort. Then Ala-ud-din decided to lay seige to the fort. The seige was a long drawn one and gradually supplied within the fort were depleted. Finally King Ratnasen gave orders that the Rajputs would open the gates and fight to finish with the besieging troops. On hearing of this decision, Padmini decided that with their men-folk going into the unequal struggle with the Sultan's army in which they were sure to perish, the women of Chittor had either to commit suicides or face dishonour at the hands of the victorious enemy.

The choice was in favour of suicide through Jauhar. A huge pyre was lit and followed by their queen, all the women of Chittor jumped into the flames and deceived the lustful enemy waiting outside. With their womenfolk dead, the men of Chittor had nothing to live for. Their charged out of the fort and fought on furiously with the vastly Powerful array of the Sultan, till all of them perished. After this phyrrhic victory the Sultan's troops entered the fort only to be confronted with ashes and burnt bones of the women whose honour they were going to violate to satisfy their lust.

These women who committed Jawhar had to perish but theirmemory has been kept alive till today by bards and songs which glorify their act which was right in those days and circumstances. Thus a halo of honour is given to their supreme sacrifice.

[rajasthantourplanner]

Rani Padmini - A legendary beauty Queen  of Chittor

Rani Padmini - A legendary beauty

In the 12th and 13th centuries, the Sultanate of Delhi - the kingdom set up by the invaders was nevertheless growing in power. The Sultans made repeated attack on Mewad on one pretext or the other. Here we may recollect the story of Rani Padmani who was the pretext for Allah-ud-din Khilji's attack on Chittod. In those days Chittod was under the Rule of King Ratansen, a brave and noble warrior-king. Apart, from being a loving husband and a just ruler, Ratansen was also a patron of the arts. In his court were many talented People one of whom was a musician named Raghav Chetan. But unknown to anybody, Raghav Chetan was also a sorcerer. He used his evil talents to run down his rivals and unfortunately for him was caught red-handed in his dirty act of arousing evil spirits.

On hearing this King Ratansen was furious and he banished Raghav Chetan from his kingdom after blackening his face with face and making him ride a donkey. This harsh Punishment earned king Ratansen an uncompromising enemy. Sulking after his humiliation, Raghav Chetan made his way towards Delhi with -the aim of trying to incite the Sultan of Delhi Ala-ud-din Khilji to attack Chittor.

On approaching Delhi, Raghav Chetan settled down in one of the forests nearby Delhi which the Sultan used to frequent for hunting deer. One day on hearing the Sultan's hunt party entering the forest, Raghav-Chetan started playing a melodious tone on his flute. When the alluring notes of Raghav-Chetan flute reached the Sultan's party they were surprised as to who could be playing a flute in such a masterly way in a forest.

The Sultan despatched his soldiers to fetch the person and when Raghav-Chetan was brought before him, the Sultan Ala-ud-din Khilji asked him to come to his court at Delhi. The cunning Raghav-Chetan asked the king as to why he wants to have a ordinary musician like himself when there were many other beautiful objects to be had. Wondering what Raghav-Chetan meant, Ala-ud-din asked him to clarify. Upon being told of Rani Padmini's beauty, Ala-ud-din's lust was aroused and immediately on returning to his capital he gave orders to his army to march on Chittor.

But to his dismay, on reaching Chittor, Allah-ud-din found the fort to be heavily defended. Desperate to have a look at the legendary beauty of Padmini, he sent word to King Ratansen that he looked upon Padmini as his sister and wanted to meet her. On hearing this, the unsuspecting Ratansen asked Padmini to see the 'brother'. But Padmini was more wordly-wise and she refused to meet the lustful Sultan personally.

On being persuaded by her husband Rana Ratansen, Rani Padmini consented to allow Ala-ud-din to see her only in a mirror. On the word being sent to Ala-ud-din that Padmini would see him he came to the fort with his selected his best warriors who secretly made a careful examination of the fort's defences on their way to the Palace.

On seeing Padmini, in the mirror, the lustful 'brother', Allah-ud-din Khilji decided that he should secure Padmini for himself. While returning to his camp, Allah-ud-din was accompanied for some way by King Ratansen. Taking this opportunity, the wily Sultan deceitfully kidnapped Ratansen and took him as a prisoner into his camp and demanded that Padmini come and surrender herself before Allah-ud-din Khilji, if she wanted her husband King Ratansen alive again.

The Rajput generals decided to beast the Sultan at his own game and sent back a word that Padmini would be given to Ala-ud-din the next morning. On the following day at the crack of dawn, one hundred and fifity palaquins (covered cases in which royal ladies were carried in medieveal times) left the fort and made their way towards Ala-ud-din's camps The palanquins stopped before the tent where king Ratansen was being held prisoner. . Seeing that the palanquins had come from Chittor; and thinking that they had brought along with them his queen, king Ratansen was mortified. But to his surprise from the palanquins came out, not his queen and her women servants but fully armed soldiers, who quickly freed ; Ratansen and galloped away towards Chittor on horses grabbed from Ala-ud-din's stables.

On hearing that his designs had been frustrated, the lustful Sultan was furious and ordered his army to storm Chittor. But hard as they tried the Sultans army could not break into the fort. Then Ala-ud-din decided to lay seige to the fort. The seige was a long drawn one and gradually supplied within the fort were depleted. Finally King Ratnasen gave orders that the Rajputs would open the gates and fight to finish with the besieging troops. On hearing of this decision, Padmini decided that with their men-folk going into the unequal struggle with the Sultan's army in which they were sure to perish, the women of Chittor had either to commit suicides or face dishonour at the hands of the victorious enemy.

The choice was in favour of suicide through Jauhar. A huge pyre was lit and followed by their queen, all the women of Chittor jumped into the flames and deceived the lustful enemy waiting outside. With their womenfolk dead, the men of Chittor had nothing to live for. Their charged out of the fort and fought on furiously with the vastly Powerful array of the Sultan, till all of them perished. After this phyrrhic victory the Sultan's troops entered the fort only to be confronted with ashes and burnt bones of the women whose honour they were going to violate to satisfy their lust.

These women who committed Jawhar had to perish but theirmemory has been kept alive till today by bards and songs which glorify their act which was right in those days and circumstances. Thus a halo of honour is given to their supreme sacrifice.

[rvtalksmedia]

"Bhadaria library" Thar ke registaan me 16 feet neech

“Bhadaria library” Thar ke registaan me 16 feet neech

Rajistan ki khoobiya

Registaan ko koi wajhse jana jata hai marubhumi ne es desh ko koi surveer diya hai. Iske sath he yaha ke kile,raj mahal aur khas kar umaid bhawan palace,hawa mahal,chittod ka kila bhut prasidh hai. Yaha par upasthit 1,70,000 sq.km ka thar ka registaan duniya ka 17th sbse bada registaan hai.Registaan ka etihas bhi bhut gauravshali raha hai . Isi bhumi par pannadhai jaise ek…

[expressvartha]

ചെന്നൈ-ബംഗളൂരു വ്യവസായ ഇടനാഴി കോയമ്പത്തൂര്‍ വഴി കൊച്ചിയിലേക്ക് നീട്ടാൻ കേന്ദ്ര അംഗീകാരം

ചെന്നൈ-ബംഗളൂരു വ്യവസായ ഇടനാഴി കോയമ്പത്തൂര്‍ വഴി കൊച്ചിയിലേക്ക് നീട്ടാൻ കേന്ദ്ര അംഗീകാരം

ദേശീയ വ്യവസായ ഇടനാഴിയുടെ ഭാഗമായി കോയമ്പത്തൂര്‍-കൊച്ചി വ്യവസായ ഇടനാഴി ഉടൻ യാഥാർത്ഥ്യമാകും ഇടനാഴിയുടെ ഭാഗമായി വികസിപ്പിക്കപ്പെടുന്ന രണ്ട് സംയോജിത നിര്‍മാണ ക്ലസ്റ്ററുകളില്‍ (ഐ.എം.സി) ഒന്ന് കേരളത്തിലെ പാലക്കാട് മേഖലയിൽ മറ്റൊന്ന് തമിഴ്നാട്ടിലെ സേലത്തും.

ചെന്നൈ-ബംഗളൂരു വ്യവസായ ഇടനാഴി കോയമ്പത്തൂരിലേക്കും അവിടെ നിന്ന് കൊച്ചിയിലേക്കും ദീര്‍ഘിപ്പിക്കാന്‍ കേന്ദ്രസര്‍ക്കാര്‍ തീരുമാനിച്ചു.…

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Chittod ghad

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चित्तौड़गढ़ के किले का इतिहास | Chittorgarh Fort History in Hindi

Chittorgarh Fort – चित्तौड़गढ़ किला/Chittod Ka Kila: एक ऐसा किला जिसने सबसे अधिक खूनी लड़ाईयां देखी, जिस किले में सबसे अधिक जौहर हुए, हम बात कर रहे हैं. राजस्थान के प्रसिद्ध चित्तौड़गढ़ के दुर्ग की Rajasthan Fort History का यह सबसे महत्वपूर्ण किला हैं.

चित्तौड़ की गिनती भारत के सबसे बड़े किलों में से की जताई हैं. इसे यूनेस्कों की विश्व विरासत सूचि में भी शामिल किया गया हैं. मध्य कालीन राजस्थान इतिहास में यह मेवाड़ राज्य की राजधानी हुआ करता था. इस पर गुहिल एवं सिसोदिया वंश का शासन रहा. 180 मीटर की ऊँचाई पर बना यह विशाल किला 691.9 एकड़ भूभाग में फैला हुआ हैं. आज हजारों की संख्या में पर्यटक चित्तौड़गढ़ के किले को देखने के लिए आते हैं. चलिए इस किले का इतिहास जानते हैं.

चित्तौड़गढ़ के किले का इतिहास | Chittorgarh Fort History in Hindi

वीरता, त्याग, बलिदान, और स्वाभिमान का प्रतीक चित्तौड़ का किला स्थापत्य की दृष्टि से भी विशिष्ठ हैं. किले के सम्बन्ध में प्रसिद्ध लोकोक्ति ”गढ़ तो चित्तौड़ बाकी सब गढ़ैया” किले की सुदृढ़ता और स्थापत्य श्रेष्ठता की ओर इंगित करती हैं.

राजस्थान का गौरव और किलों का सिरमौर कहलाने वाला चित्तौड़गढ़ का किला अजमेर खंडवा रेलमार्ग पर चित्तौड़गढ़ जक्शन से 3 किलोमीटर दूर गम्भीरी एवं बेडच नदियों के संगम तट के निकट अरावली पर्वतमाला के एक विशाल पर्वत शिखर पर बना हुआ हैं. समुद्रतल से इसकी ऊँचाई 1850 फ़ीट हैं. क्षेत्रफल की दृष्टि से इसकी लम्बाई लगभग 8 किलोमीटर व चौड़ाई 2 किलोमीटर हैं.

दिल्ली से मालवा और गुजरात को जाने वाले मार्ग पर अवस्थित होने के कारण मध्यकाल में इस किले का सामरिक महत्व था. चित्तौड़गढ़ के किले के निर्माता के ��ारे में प्रमाणिक जानकारी का अभाव हैं. वीर विनोद ग्रंथ के अनुसार मौर्य शासक चित्रांग ने यह किला बनवाकर अपने नाम पर इसका नाम चित्रकोट रखा था.

उसी का अपभ्रशः चित्तौड़ हैं. मौर्य वंश के अंतिम शासक मानमोरी से आठवीं शताब्दी में गुहिल वंश के संस्थापक बप्पा रावल ने इस पर अधिकार कर लिया. दसवीं शताब्दी के अंत में मालवा के परमार शासक मुंज ने चित्तौड़गढ़ किले पर अधिकार कर लिया. तत्पश्चात ग्याहरवीं शताब्दी के पूर्वार्द्ध में यह गुजरात के चालुक्य शासक जयसिंह सिद्धराज के नियंत्रण में चला गया.

बाहरवीं शताब्दी में चित्तौड़ पर पुनः गुहिलों का आधिपत्य स्थापित हो गया. 1303 ई में इसे अलाउद्दीन खिलजी ने हस्तगत कर लिया. 1326 ई सीसोदे के राणा हम्मीर ने गुहिल सिसोदिया वंश को प्रतिस्थापित किया. 1568 से 1615 ई तक यह किले मुगलों के अधीन रहा. 1615 ई की मेवाड़ मुगल संधि के परिणामस्वरूप यह पुनः गुहिल वंश को प्राप्त हुआ. तब से 1947 ई तक इस पर मेवाड़ के गुहिल सिसोदिया शासकों का ही अधिकार रहा.

चित्तौड़गढ़ दुर्ग का इतिहास- Chittorgarh Kila History In Hindi

चित्तौड़ के किले के साथ 1303 ई में पद्मिनी के जौहर एवं गोरा बादल की अप्रितम वीरता एवं 1534 ई में राणा सांगा की पत्नी कर्णावती का जौहर तथा 1568 ई में जयमल व पत्ता की पत्नियों के जौहर एवं इन वीरों के साहसिक बलिदान की गाथाएं जुड़ी हुई हैं. ये चित्तौड़ के तीन साके कहलाते हैं.

चित्तौड़ के किले में प्रवेश के लिए सात प्रवेश द्वार बने हुए हैं. जो क्रमशः पाउलपोल, भैरवपोल, हनुमानपोल, गणेशपोल, जोडला पोल, लक्ष्मण पोल और राम पोल हैं. भैरवपोल व हनुमानपोल के मध्य जयमल और कल्ला राठौड़ की छतरियाँ बनी हुई हैं.

चित्तौड़ के किले में अनेक पुराने महल, भव्य मंदिर, कीर्ति स्तम्भ, जलाशय, पानी की बावड़ियाँ, शस्���्रागार, अन्न भंडार, गुप्त सुरंग इत्यादि हैं. रानी पद्मिनी का महल, नवलखा भंडार, कुम्भ श्या�� मंदिर, समिद्धेश्वर मंदिर, मीरा बाई का मंदिर, तुलजा भवानी का मंदिर, कालिका माता का मंदिर, श्रंगार चौरी आदि स्थापत्य स्मारक दर्शनीय हैं. यह राजस्थान का सबसे बड़ा लिविंग फोर्ट हैं.

Places To Visit In Chittorgarh

कुम्भा महल- चित्तौड़गढ़ के किले यह एक प्राचीन महल था, जिसका महाराणा कुम्भा ने जीर्णोद्धार करवाया तथा एक आकर्षक रूप में इसे पुनः खड़ा किया. कुम्भा द्वारा इसका निर्माण कराए जाने पर इस महल को कुम्भ महल के नाम से जाना जाता हैं. त्रिपोलिया तथा बड़ी पोल से इस महल के दर्शन किये जा सकते हैं. इस महल के पास पन्नाधाय तथा मीराबाई के महल भी हैं तथा इसके आगे सूरज गोखड़ा, जनाना महल, कंवरपदा बने हुए हैं.

पद्मिनी महल-महाराणा रतनसिंह की पत्नी का नाम रानी पद्मिनी था. वह अपने सौन्दर्य के लिए विख्यात थी. पद्मिनी को पाने के लिए ही अलाउद्दीन खिलजी ने 1303 में चित्तौड़ पर आक्रमण किया था. इसी के नाम पर यह महल बनाया गया है इसके पास ही पद्मिनी तालाब तथा जल के मध्य में एक जल महल भी खड़ा हैं.

रतन सिंह महल-ये पद्मावती के पति थे.

फतेह प्रकाश महल-महाराणा फतेहसिंह का यह दोमंजिला महल हैं. जिसकी छत पर चारो तरफ सुंदर बुर्ज बने हुए हैं. आज यह एक संग्रहालय के रूप में पर्यटकों के लिए खोला गया हैं.

कालिका माता मंदिर-भगवान् सूर्य को समर्पित यह आठवी शताब्दी का मंदिर हैं.  कई बार इस मंदिर की मरम्मत करवाई गई थी. अब यह काली देवी मंदिर के नाम से विख्यात हैं.

समाधीश्‍वर मंदिर– यह भगवान् शिव का मंदिर है जो ग्याहरवीं सदी में गुजरात के परमार शासकों द्वारा बनाई गया. मंदिर में त्रिमुखी शिव की प्रतिमा स्थापित हैं.

बाप्पा रावल – Bappa Rawal

मेवाड़ के इतिहास में बप्पा रावल का नाम बड़े सम्मान के साथ लिया जाता हैं. इन्होने मेवाड़ के गुहिल वंश की स्थापना की, जिस वंश ने कई सदियों तक मेवाड़ पर शासन किया.

विजय स्तंभ – Vijay Stambha

यह एक विजय स्मारक था. जिसका निर्माण महाराणा कुम्भा ने महमूद खिलजी पर मिली विजय के उपलक्ष्य में कराया था. इसे कीर्ति स्तम्भ भी कहा जाता हैं. चित्तौड़गढ़ के किले में यह एक दर्शनीय स्थल हैं. 122 फीट की उंचाई के इस स्तम्भ में आठ मंजिले हैं. तथा इसे चित्तौड़ की सबसे ऊँची इमारत भी माना जाता हैं.

यह भी जाने:-

चित्तौड़ की रानी पद्मावती की कहानी

महाराणा प्रताप पर निबं��

महाराणा राजसिंह का इतिहास

राजस्थान के दुर्ग व किले

राजस्थानी संस्कृति परम्परा एवं विरासत

राजस्थान का इतिहास संस्कृति परिचय की जानकारी

आशा करता हूँ दोस्तों Chittorgarh Fort History in Hindi का यह लेख आपकों पसंद आया होगा. यदि आपकों चित्तौड़गढ़ फोर्ट हिस्ट्री पसंद आई हो तो अपने दोस्तों के साथ भी शेयर करे. आपके पास इस तरह के किले के इतिहास, दुर्ग की जानकारी हो तो हमारे साथ शेयर करे. Hihindi पर आप इस तरह के और लेख पढ़ सकते हैं.

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Reefer Container for Dairy Products

Shipping containers are classified into three main categories, namely dry containers, reefer containers, and tank containers.

Reefer containers for dairy products is fast becoming the most popular choice. The other alternatives to reefer container are dry containers and tank containers. Dry containers are the most commonly used containers and are used in the transportation of bulk cargo, whereas reefer containers are used for transporting perishables such as fruits, vegetables, and dairy products, among others.

Dairy often require cool facilities and are stored around 55°F a need which is met by reefer containers for dairy products.  Less number of organized 3PLsector means that as much as 75 percent of truck owners have a fleet of less than 5 vehicles. Crystal Group is one of the very few 3PL supply chain players in the country , who have a pan India network of cold-stores which are connected by a very large fleet of reefer vehicles.

The Government of India is one of the driving forces in developing the cold-chain industry and supports private participation through various subsidy schemes and grants. The exact structure of each cold chain varies significantly depending on product and customer requirements; however, the underlying objective of an efficient cold chain system is to safely transport temperature-sensitive products in such a way that it minimises wastage, maintains the quality and characteristics of the product and limits external or internal contamination. This is a big relief in terms of tax exemption to the cold chain operators as this facility was only available to the farmers at farm gate but not to the cold chain operators.

Milky Mist Dairy Food Pvt Ltd., Chittode, TN, has emerged one of the most preferred brands delivering premium quality dairy products. Reefer vehicles play a major role in their day-to-day operation to transport our products from our facility to various distributor points.

*URL: http://www.crystalgroup.in

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