#chink chaps for men

[sazaartack]

Key Benefits of Chink Chaps for Men

One of the main benefits of chink chaps for men is the protection they offer. Made from tough leather or artificial materials, these chaps protect your legs from problems, scratches, and the elements. Whether you're riding through thorny bushes or working in the barn, chink chaps offer a necessary barrier between you and potential risks.

[illusioninfnty]

Sex and Violence

Pairing: Joel Miller x Reader Summary: he fucks you like he hates you Word Count: 776 Warnings: non-graphic smut, angst, mean!Joel, toxic relationship, character study (of reader? maybe Joel?)

Just a little drabble that became much angstier than expected. whoops.

Masterlist || Read on Ao3 || Part two

Joel Miller’s hands are rough, calloused, and all-consuming when they choke you out.

Your face will often sting for a while after he slaps you. His coarseness is a comfort to you. There are no surprises in Joel’s hostility.

He fucks you like he hates you, and you relish in the sensation of it.

(In moments only like these, you wish he did just so you could feel more.)

He always brings you out into the wilderness, the middle of nowhere, surrounded by the dead and the decaying and the dying. You never tell him that you want to leave death behind. He slaps you and you allow your face to sink into it instead.

Your hearing becomes muffled from the asphyxiation, the overload of sensation that happens before death, but you know the shape of his lips all too well when the curses roll off his tongue. His breathing is heavy, his jaw clenched and pulsating when he glares down at you. His gaze sends heat down your body, already throbbing with the need for more. More of him, more of the animosity, more proof that you’re still living. Not one of them.

You love seeing—feeling—his anger, his resentment, his torment. He lets it all out on you, on your body, on the fucking. Joel doesn’t make love to you, doesn’t have sex with you. He fucks you, fucks you until you’re out a breath and forget who you are, where you are. Being fucked is fulfilling. Being fucked by Joel Miller means you have value, you evoke the intensity he hides away and shares with no one else. An obsession, you hope. But hope doesn’t exist anymore. Instead, you take pleasure in being fucked because being fucked gives you a purpose in a world where none seems to be found.

The dirt beneath you is hard and withered, yet it provides you with a twisted sense of comfort as Joel presses you deeper into it, and him deeper into you. He restrains you so harshly, so much so that you know nothing can get you under his grip. You know he’ll keep you safe under his hatred. 

You crave his lips on your skin. They look as dry and chapped as your own feel when you bite them. You never ask to touch his. He never lets you. He won’t ever stay long enough for you to run your fingers over them, to feel the cracks they leave behind, where he hides the only chinks in his armor from you. He only lets you experience his hands, his stomach, his cock.

You think about what might be going through his head. You like to believe you have him figured out, imagine him when he’s not consumed by malice. But you never tell him that. He would leave if he knew you thought about him, were attached like this. You think a lot of things about him, but you know the bodies he killed understand him more than you do.

He ignores you entirely when you two become one, when you don’t know where you end and he begins. He sheds your clothes and your skin goes along with it. You reveal your insides to him, and he takes them in their entirety. Joel is a taker, and you are a giver. Your vulnerability scares you. To be vulnerable means to be ready for death, but perhaps the fate bestowed upon you is already worse. Perhaps Joel sees that too, and releases what he lets build up, lets consume him, on a person past the point of no return.

But Joel doesn’t see you. He sees through you. He sees what he needs. He sees a body to fuck, a person to dominate, an outlet of his pain. He uses you just as much as you wish you could use him. You see a protector, a savior, a reminder of who you used to be. You’re perverse to be wanting him like this, but so is he, in those moments when the men who linger around you disappear and you pretend like they never existed. You don’t feel guilty. Instead, you feel envious. Envious they saw a side of him you would never be allowed to.

He fills you up entirely. He always does, taking all that he can without giving you himself. Joel is selfish, you realize, but his selfishness makes you feel wanted, feel powerful, even as your capabilities are taken away from you. Under his control, you can finally rest. Finally.

When the world is gone, when you can’t say you’re living but surviving, you can only find peace in his violence.

[peterparkour001]

 Keeping Your Assless Chaps for Men in Top Condition

Assless chaps for men are a unique style of clothing primarily worn for aesthetic and functional purposes. They consist of leather or fabric trousers that are open at the back, leaving the buttocks exposed. Originally designed for horseback riding, assless chaps for men have since become a fashion statement and are often worn by performers, bikers, and individuals looking to make a bold statement.

Proper care and maintenance of assless chaps for men are essential for preserving their appearance, functionality, and longevity. Without regular attention, these garments can become worn, faded, or damaged, detracting from their appeal and comfort. By implementing a care routine, you can ensure that your assless chaps for men remain in top condition, allowing you to continue enjoying their style and practicality for years to come.

Understanding Assless Chaps

What are Assless Chaps and Their Origins

Assless chaps for men, also known as "chinks" or "batwing chaps," are a type of protective clothing traditionally worn by horseback riders. They consist of sturdy leather or fabric trousers that cover the legs but leave the buttocks exposed. The design of assless chaps for men dates back to the days of cowboys and ranchers in the American West, where riders needed protection from brush, thorns, and weather conditions while still maintaining freedom of movement.

Different Styles and Materials Available

Assless chaps for men come in various styles and materials to suit different preferences and purposes. Traditional leather chaps offer durability and a classic Western aesthetic, while modern versions may feature synthetic materials for added flexibility and ease of care. Additionally, there are variations in design, such as fringe detailing, decorative stitching, or adjustable straps for a customized fit. Whether you're a rodeo rider, motorcycle enthusiast, or fashion-forward individual, there's a style of assless chaps for men to suit your needs.

Importance of Care and Maintenance

Enhancing Longevity and Durability

Proper care and maintenance play a crucial role in extending the lifespan of your assless chaps for men. By regularly cleaning and conditioning the material, you can prevent premature wear and tear, ensuring that your chaps remain in top condition for years to come. This not only saves you money in the long run by reducing the need for frequent replacements but also allows you to continue enjoying the comfort and protection that well-maintained chaps provide.

Preserving the Appearance and Functionality

Assless chaps for men are not only practical but also serve as a fashion statement for many individuals. Proper care and maintenance help preserve the aesthetic appeal of your chaps, keeping them looking clean, vibrant, and free from unsightly stains or blemishes. Additionally, regular maintenance ensures that the functionality of your chaps remains intact, allowing you to move freely and comfortably without worrying about any structural issues or damage compromising their performance.

Impact on Comfort and Safety While Wearing

Comfort and safety are paramount when wearing assless chaps for men, especially during activities such as horseback riding or motorcycle cruising. Neglecting care and maintenance can lead to discomfort due to stiffness, odor buildup, or deterioration of the material. Furthermore, poorly maintained chaps may pose safety risks, such as weakened seams or compromised protective features. By prioritizing care and maintenance, you can ensure that your chaps not only look great but also provide the comfort and safety you need for your adventures.

Conditioning and Moisturizing

Importance of Conditioning Leather Chaps

Conditioning leather chaps is essential for maintaining their suppleness and durability. Over time, leather can dry out and become stiff, leading to cracks and tears that compromise the integrity of the material. By regularly applying a high-quality leather conditioner, you can replenish lost oils and nutrients, keeping the leather soft and flexible. This not only enhances the comfort of wearing your assless chaps for men but also extends their lifespan, ensuring long-lasting enjoyment.

Recommended Products and Techniques

When it comes to conditioning leather chaps, it's important to choose the right products and techniques to achieve optimal results. Look for a conditioner specifically formulated for leather garments, preferably one that contains natural oils such as neatsfoot oil or lanolin. Apply the conditioner evenly to the surface of the chaps using a soft cloth or sponge, working it into the leather in a circular motion. Allow the conditioner to penetrate the leather for a few minutes before wiping off any excess with a clean cloth. Repeat this process periodically to keep your chaps in prime condition.

Applying Moisturizer to Prevent Drying and Cracking

In addition to conditioning, applying a moisturizer to your assless chaps for men can help prevent drying and cracking, especially in harsh or dry climates. Look for a leather moisturizer that contains ingredients like beeswax or shea butter, which help seal in moisture and provide a protective barrier against environmental damage. Apply the moisturizer sparingly to the surface of the chaps, focusing on areas prone to dryness or cracking. Allow the moisturizer to absorb fully before wearing or storing your chaps to ensure maximum effectiveness.

Proper Storage to Prevent Damage

Proper storage is essential for maintaining the integrity of your assless chaps for men and preventing damage over time. When not in use, store your chaps in a cool, dry place away from direct sunlight and moisture. Avoid storing them in plastic bags or airtight containers, as this can trap moisture and promote mold growth. Instead, opt for a breathable fabric garment bag or hang your chaps on a sturdy hanger to allow for air circulation and prevent creasing or deformation of the material.

Hanging vs. Folding

When it comes to storing your assless chap for mens, you may be wondering whether it's better to hang them or fold them. While both methods have their benefits, hanging your chaps is generally recommended to help maintain their shape and prevent wrinkles. Use a padded hanger to support the weight of the chaps and avoid stretching or distorting the material. If hanging is not an option, you can fold your chaps carefully, avoiding sharp creases or bends that could weaken the leather or fabric over time.

Avoiding Exposure to Sunlight and Moisture

Exposure to sunlight and moisture can cause significant damage to your assless chaps for men, including fading, discoloration, and deterioration of the material. When storing your chaps, choose a location away from windows or other sources of direct sunlight to minimize UV exposure. Additionally, avoid storing them in damp or humid environments, as this can promote mold growth and cause the leather to become stiff or discolored. By taking these precautions, you can help preserve the appearance and integrity of your chaps for years to come.

Conclusion

Recap of the Importance of Care and Maintenance

In conclusion, caring for and maintaining your assless chaps for men is essential for ensuring their longevity, preserving their appearance, and enhancing your comfort and safety while wearing them. By following the tips outlined in this article, you can extend the lifespan of your chaps, prevent damage, and continue enjoying their style and functionality for years to come. From regular cleaning and conditioning to proper storage and repair, each step in the care and maintenance process plays a vital role in keeping your chaps in top condition.

Encouragement for Readers to Implement the Tips Provided

We encourage readers to take action and implement the tips provided in this article to care for their assless chaps effectively. Whether you're a seasoned rider, a fashion enthusiast, or simply someone who appreciates the unique appeal of assless chaps, investing time and effort into their maintenance will pay off in the long run. By prioritizing care and maintenance, you can ensure that your chaps remain in pristine condition, allowing you to make a bold statement with confidence and style.

By incorporating these practices into your routine, you can maximize the lifespan of your assless chaps and continue enjoying their benefits for years to come. Thank you for taking the time to learn about the importance of care and maintenance for assless chaps. Here's to many more adventures in style!

[apoemadaykeepsthehoesaway]

Trench Duty

- Siegfried Sassoon (1886-1967)

Shaken from sleep, and numbed and scarce awake,

Out in the trench with three hours’ watch to take,

I blunder through the splashing mirk; and then

Hear the gruff muttering voices of the men

Crouching in cabins candle-chinked with light.

Hark! There’s the big bombardment on our right

Rumbling and bumping; and the dark’s a glare

Of flickering horror in the sectors where

We raid the Boche; men waiting, stiff and chilled,

Or crawling on their bellies through the wire.

“What? Stretcher-bearers wanted? Someone killed?”

Five minutes ago I heard a sniper fire:

Why did he do it?… Starlight overhead—

Blank stars. I’m wide awake; and some chap’s dead.

[petrajanelle]

Check out this listing I just added to my Poshmark closet: CHINKS CHAPS Custom Handcrafted Leather NEW Men’s Women’s Rodeo Ranch Horse Cow.

[imnotwolverine]

The Englishman JACK - CHAP 1

Chap 1 The Name Is Jack | Chap 2 >

Summary: Jack travels to his new employer and Bunny tries to get away.

Word count: 4.657 (17 min. read)

Disclaimers: Strong language, misogyny, mention of relationship with great age gap, lots of cigarettes and “the thrill of the chase”.

--

Call Me Jack

--

Lipstick stains and cigarette buds were all that was left of her. The woman who made him into a man. The room he stood in now felt strangely unwelcoming. Like he was a stain himself. Black and bold in this lavish palace of beige and gold, on the top floor of the Parisian Grande.

The smog of cigar smoke and traffic jams was rising up through the ceiling-height windows, starting yet another day in this crazy paradise called Paris. The city had somehow always felt pompous to him, just like this apartment. Buffed gold furniture, heavy beige curtains, the scent of patchouli and sex lingering deep in its essence. It was the french way, she would have said. But she was no longer here. And he was not here to stay.

Thumbing over the precious jewels that had once graced her stretched out earlobes and wrinkled swan neck, he remembered the time he had accidentally teared one of these off. She had simply laughed at his eagerness. But he had felt great shame, crawling around on the beige carpet to look for one of the missing pearls.

I’ll buy a new one, my boy.

My boy. Years had passed since then. Since that moment. And she had made her boy into a man.

All he now had to do, was avenge her.

--

It was the same thing each and every morning, it seemed. The metal bullet shells chinked as they were cleaned away by the butler on the next terrace. With heavy strokes of the broom the morning silence was broken. But the world didn’t seem to mind. All was quiet. The birds were hushed, the sun was struggling and wisps of mist drifted lazily over the rolling Tuscan hills. Like the Italians themselves, nothing here seemed to be eager to get started with the new day.

Even the three bodyguards that were stationed on the far edges of the porch seemed to be more asleep than awake. Dressed in their sharp black suits they rose from the mists like great Greek statues, squared shoulders turned to stare out in the distance. What they were looking at exactly, was anybody’s guess; for the next 10 miles or so, the land was pretty much entirely owned by Bunny’s family, the Maniari’s.

Sighing quietly, Bunny sat back in her black and white cushioned chair, making the mists curl away for a moment. The northern porch hardly had the best view; a large wall hid most of the gorgeous landscape. But it was all she was allowed in terms of “freedom” as she had her breakfast session out here in the morning chill. As usual she was dressed to a tee, floral blue sundress and pretty magazine-style hair indicating she had been up at least a few hours already.

She was so very different from her family, who wouldn’t wake before the sun was high and the remnants of last night’s “hunting games” were cleaned and cleared. In fact she was..bored. Was a woman of her station even allowed to be bored? Here be Bunny, the ridiculously rich and perfectly cared for mobster misses! Bunny, the woman who had it all but wanted even more! She snickered to herself. Would the wax melt off her wings if she too would try to touch the sun? Just out of mere curiosity whether it would hurt? Would she drown in the seas and for once be done with this? This..this...ugh.

Knowing she was no Icarus by any means - it was the lack of waxen wings on her back, she figured, she flicked back some of her brown locks. The men who stood on the far ends of the porch seemed truly dazed today. A rough night perhaps? Having finished her last bite of marmalade on toast - also so very un-italian, she tapped the ash of her cigarette onto the ashtray next to her plate.

Would they notice if she’d fly off? It was a good question to pose in a world where men turned a blind eye on so many things. Squinting her eyes, Bunny took another long suck of the ashen delight between her fingertips. These men truly did seem blind. Or at least sleepy. Heads were hanging slightly limp and from the soft beeps coming from Number One’s walkie talkie, it was clear he was definitely not paying attention.

Her father had once said that these men were stationed near her for safekeeping. But Bunny knew better. She knew they were just as much here to keep her from running off. Away from this golden cage with its marble floors and far too expensive crystal chandeliers. But these poor men couldn’t help it either. They probably had played a late night of poker with Big - something you simply couldn’t win even if you had all the good cards in your hand. Life simply wasn’t fair like that. Not here at least.

Quietly slipping from her chair, her dress brushing through the mists, Bunny snuck back inside - to get out.

These dresses are only getting shorter, huh? With a devious little smirk Jack settled back in the cushioned airplane seat. He watched as one of the flight attendants shuffled by with her demure little smile. The plane was about to take off, heavy engines rumbling on the taxi strip. But first, he’d let one of these sky angels do the honours. And, looking up, apparently the lady of choice had come to her calling. Italian presumably, he saw her lips curl in a semi-flirty smile.

‘Good afternoon.’ - Her French accent was horrid. ‘May I please assist you with your seatbelt?’ She was already leaning over before Jack could object. Not that he would. Settling back a little more, he let her tiny hands clutch around the metal clasp. It was a challenge to get the thing tugged around his luggy hips. But he didn’t protest as she bent over a little more. If anything, he let the opportune moment run its course as the taxiing plane rolled over a pesky little bump. Enough for him to bump into her in consequence, the little accident followed up by a polished act of surprise on his end. A warm, steadying hand on her hip was all it took to turn the woman into a blushing, flustered mess. She chuckled and apologised with that same awful little accent.

Not that he cared. With a suave, calm smile he settled back, thanking her in perfect Italian. And with that the deal was sealed; he had ensured that this flight would be just as delightful as this woman’s dress implied..

You know what they say. Can’t let a good thing get away.

‘Found anything?’

The two men stepped into the beams of the car’s headlights. The night around them was muddled black, heavy rain clouds obscuring the skies. It was one of those moments where a seeing man could feel blind. Though these men didn’t seem to be concerned with the dark. Sharing a handshake, muddied feet slushing in the red earth, they greeted one another. One of them showed a slight limp.

‘No -’ The limping man coughed raggedly. ‘Nothing.’

‘And the footprints?’

‘Dead end.’ His cough continued and he spat on the ground, bloody mucus seeping into the crimson soil.

‘Brother..’

‘We’ll find ‘em. Just give me more time.’

The other wished to object, but a soft crack in the bushes on their left disturbed them. Someone was there. An intruder. Hidden in that pesky veil of night. With a grumble the healthy man grabbed for his gun. But the limping men stopped him.

‘Brother? Let me..!’

A church bell rang in the distance, silencing them. Twelve times the heavy copper tolled, announcing midnight, and the end of their fleeting meeting.

‘Whomever it was, we can’t chase ‘em.’ The limping man sighed. ‘And rain’s comin’.’ He coughed again and grasped the other man’s sleeve. ‘Let’s go. Ghosts aren’t worth bullets.’

Was there something like the thrill of being chased? Bunny clutched the steering wheel of her trusty blue cake tin on wheels, squealing with excitement as it slipped in the puddles of last night’s thunderstorm.

Much like the weather - the air now clean and fresh, she felt a renewed energy in her bones. This could very well be the time she’d succeed. The time she’d finally get away.

She had omitted all the non-essentials. She had learned by now that it was key to not act suspicious. Learn the patterns and only then take the leap.

The last time had failed catastrophically. Apparently she had been too obvious with her packed suitcase at the ready. Not even a lie about a personal safety plan with all the gang violence going on was enough to dissuade her father from her intentions. She could still feel the ache in her buttocks from the spanking she had received.

So yes. She had learned. She had learned to be more inventive. And now here she was. Smirking. With a sideglance she looked to the backseat of her trusty little Fiat. A small designer bag lay there discarded. Barely noticeable to the male eye, but packing much more than just the usual feminine essentials. In fact this bag held none of the usual make-up items and hair spray. It held passports, roadmaps, money and a well-thought out escape plan. She was ready. She was. Right?

Clutching the steering wheel a little tighter, she looked back at the road. And just in time. With a panicked foot on the brakes she slid through the mud, barely managing to evade the unamused looking vintager who had just stepped onto the road after inspecting his vineyard.

‘Fuck.’ Bunny muttered quietly, keeping the slower speed long enough to raise an apologising hand at the man. It was the new one. The new vintager, the other one deceased some years ago. The other wine makers had refused to take on this piece of land. And none would say it aloud, but the reasoning was simple; it was the only small trip of land that separated the Maniari estate from the Luchesse estate. Two mobster powerhouses trying their best to overrule the other; you simply didn’t want to be in the middle of that.

And now Bunny had nearly killed the one person who had dared to take on the challenge.

Trying her best to calm her racing heart, Bunny looked back to the road ahead of her. She couldn’t make a mistake now. Not when she was so close to getting out. So close to freedom. Because that’s what she wanted, right? She was ready, right? Clutching the steering wheel she pushed the gas pedal a little deeper again, forgetting for a hot minute to look back. And in doing so, she missed one essential little cue in the shape of a rushing car behind her.

The thrill of the chase was back.

Jack gritted his teeth. Not even the lovebites in his neck or the linger of sweet perfume could calm his nerves. He was hours away from Florence. Hours away from pretty city women, good coffee and proper infrastructure - the roads all red mud around here.

Jack was also not sure whether this rental he had received from that car dealer was set up for failure, or that it was just misfortune that had killed the engine. Either way: he was stuck. Stuck in an idyllic picture of green winelands covered in a thick blanket of ethereal mists. A dreamscape, the likes he had seen on postcards sent by his good friend Luigi. Those cards had often described trivial things, until a week ago, when Jack received a request. And if it weren’t for their friendship, it would be for his own devices that Jack found this trip to Tuscany to be a perfect way to spend some time. One plane ride, car drive and engine failure he was here. Stuck as a bug in a rug. Or in this case stuck with a car in the mud.

‘Fuck.’ He grumbled, turning off the radio that was bleating on about some local seismic activity. He wished right now he had accepted Luigi’s offer to have him chauffeured to the estate. But Jack was a proud man, and a man of resolve. Besides, he enjoyed driving in most cases. It gave a sense of freedom, of power. Engines rumbling, the windows rolled down.

But that would be for another time. First he had to find a new means of transportation.

Swinging open the door he stepped out into the morning mists, nostrils flaring out to breath in the biting cold that licked around his heated skin. Perhaps he shouldn’t have worn his fine calf leather shoes, he mused, looking down at the mud splatters as they painted a red dotted work of art over the recently polished noses.

Gritting his teeth again he cued a cigarette to his lips and turned around the back of the car, picking up his suitcase and hat before starting his way down to the nearest village.

Bunny knew she had failed when she turned the roundabout. With a flash of black and white the sleek suit of Number Four was hard to miss from behind his steering wheel. And he was far too close for comfort. Especially with him driving the Mercedes-Benz, its engine rumbling like a dark horse to match his steely gaze.

Taking a swift turn, Bunny changed plans. Straight roads were omitted and made way for the local Saturday market, her car soon disappearing in the hustle and bustle of cows, chickens, cabbages and coffee.

Nervous hands thrummed on her steering wheel as she moved at a snail’s pace through the meandering crowds. It was terribly busy, and that made the market both a blessing and a curse all in one. Old nans with hunchbacks, young children playing soccer, farmers marketing their produce; any other time this would have been a lovely place to be. But right now Bunny had no time to wait for the cows before her to cross the street. And so with a quick flick of the wrist she escaped her car, bag in her hand as her swift feet zipped past the meaty backsides of two brown cows before she vanished into the misty morning mayhem.

Her heartbeat was racing. Fluttering like a little bird caught in too small a cage. Sweaty hands clutched onto the bag in her arms as she apologised to a leather faced man she bumped into, his large chest already puffing up before he turned to scold her for not “using her godgiven eyes”.

‘Scusi!’ She scampered away, little mules clicking on the paved village square. She had made sure that, though practical, her clothes wouldn’t have raised any suspicion on her family’s part. And with her always wearing something rather fashionable, today was no exception. Her calf-length blue summer dress waved around her legs as she brushed past the flower stall sales men, their hands waving around in the air to catch her attention.

‘Miss! Miss! Why the hurry?! Good morning, good morning!’

She wished to throw them a wistful smile, but her eye caught on to a blur of a neat suit on the other side of the square instead. Another mobster? Really?! Keeping her green eyes transfixed on the man who was trying to chat up with one of the salesmen, she noted he was different from the others. Brown suit covered up to his calves in mud and with his handsome face contorting in agony, she saw him turn away from the salesman. She had never seen this man before. He looked foreign, his skin far less tan than most Italians and his eyes a shade of Mediterranean blue. He could very well be one of the American movie hunks she used to fawn over. Cary Grant, Humprey Bogart. His slicked back dark hair and chiseled cheeks by no means inferior to the legends of the silver screens.

But there was no silver screen here. And Bunny had no time for funny business. She had to figure out what to do. Go home and act like nothing happened? Try again later? Or get out on foot and hope that her father’s henchmen wouldn’t use their bloodhound like noses to track her down. 

Feeling cold shivers run up her spine she wished to grasp for her bag, only to realise it was no longer hanging down her hip. There went the last of her plans. Washed down the drain, like the fish scales washed by the fishmonger behind the tall, handsome stranger. Who, strangely enough, had disappeared.

‘Good morning signora.’ A warm honeyed voice brushed past the shell of her ear and without looking, Bunny darted off. Did Number Four get backup? Or was it one of them? Fuck-fuck-fuck. With hasted feet she pushed past a group of women doing their daily shopping, disturbed eyes looking her up and down before they stepped aside for the mobster daughter’s pursuer.

‘GET OFF ME!’ Bunny exclaimed when she felt a hand on her arm, her hands raising up to throw in a punch if need be. But it wasn’t Number Four who stared back at her. It were heavy dark eyebrows, risen near comically onto the handsome stranger’s face.

‘I am..profusely sorry milady! I…’ Blue eyes blinked at her before he reached out a familiar item to her: her bag. Bunny exhaled. It was just her bag. Her bag! Her.. She snapped her eyes back at him. Who was this?

‘Thanks.’ She grabbed for the bag, only to see his hand wrap a little more tightly around the tan leather.

‘Wait a moment…’ He narrowed his eyes and terror was back in Bunny’s bones. Fuck. Was he with them?! She tugged a little more fiercely on the bag, but it didn’t budge. Oh please let go! Please let go! She pulled and pulled, but she was no match to the hidden muscles beneath the man’s well-cut suit. He smirked.

‘Are you..the Maniari sister?’ His accent finally clicked; foreign indeed. British, most likely. Was it the man her brother had mentioned to be visiting soon? Frowning, Bunny looked back at the man, only to realize another two suits had popped up in the corner of her vision. She had to make haste. Now.

‘Follow me and find out.’ She breathed, using her momentum to pull her bag free from his hand before running in the direction of a narrow alleyway between the houses. Fresh laundry was hanging from lines that crossed above her head, casting the street in a misty play of shadows, waving over her escaping form.

As half expected, the man continued to pursue her, muddied soles following her in close proximity.

‘Where are we going?’ His voice remained level despite the exertion and Bunny cast him a side glance. He jogged easily behind her, eyes looking up and around the narrow street. She wasn’t sure whether he was nervous about onlookers, or just admiring the change of scenery.

With a sharp turn they entered an even smaller alleyway. But just as she was about to make another right, she saw men rush past. And from the looks of it they were most definitely looking for her. Sharp suits, eager eyes. Within an instant she had pressed her back against the wall, making the stranger half bump into her.

‘In a bit of trouble?’ He smiled. ‘Do tell me it’s not a stolen bag, for…-’

‘Shut it.’ Nervously looking around herself, Bunny decided to keep heading straight, passing through another alleyway where a few women were hanging out carpets to give a pounding. Dust circled up in the air, offering a perfect getaway for their retreating feet.

Some streets later Bunny found herself back at the other side of the square. And if she wasn’t mistaken, her car wouldn’t be far from here. With nimble feet she moved through the crowds that were returning home after their shopping. Arms full of fresh fish, bread and vegetables; it was a challenge to not knock anything out of hands as she zipped past.

Staying hidden in the shade of the narrow passage, she eyed the street where her car was left in the middle of the road. No suits were seen, but that didn’t mean they weren’t there. Over her shoulder, the stranger watched along with her. Was he really not with them? Or was this just play pretend and would he be there to push her into their arms at the opportune time? Feeling her heart thump in her ears, Bunny pressed back into his chest, wishing to back away. And thankfully he did so too, sidestepping so they could remain hidden in the shadows of the buildings surrounding them.

‘Bunny, right?’ He whispered, looking at Bunny’s mildly flushed face. She was a beauty with her brown haired bangs and sparkling green eyes. And a feisty one too. With a scowl she looked back at him.

‘And you are?’

‘A tall dark handsome stranger?’ He tried, smiling. She rolled her eyes quietly and looked back at the square. As half expected one of her father’s henchmen had stepped out from one of the alleyways, shaking his head at someone who didn’t wear a suit. They were everywhere. Why had she even been so stupid to try and get out? Who did she think she was?

‘God have mercy.’ She whispered, shaking her head in defeat. This might just have very well been the last time she’d be allowed to even be outside. Here be Bunny, the mobster misses who became a prisoner in her own home. Woopti-fucking-doo.

‘May I suggest something?’ Jack eyed the little blue car that was left alone as the mobster henchmen ran into another street to continue their search.

‘Shoot.’

‘Charming woman you are.’ He teased.

‘Don’t push it.’ She looked back into his blue eyes, expectantly, waiting for him to dish up his idea.

‘I drive, you lay low and once at home you better have a really good excuse for your father.’

Bunny snarled. There went the last of her plans.

‘Papa!’ Bunny kissed her father’s cheek with perhaps a touch too much enthusiasm. Would he notice she was faking it?

‘Bunny, dear.’ Augusto leaned back a little to brush a loving thumb over his daughter’s face. He seemed quite oblivious to whatever had just transpired.

‘Sleep well?’ She asked, stepping back so her father could move to his desk where a recently lit cigar was waiting. Thick smoke curled up to the high ceiling of the dark, wood panelled office. And from the half-closed shutters and slow movements of Augusto it was clear he was having a particularly rough morning. Or hangover. Or perhaps both.

Waiting in the door opening, Jack shifted on his feet. He was painfully aware of the disheveled state of his shoes and pants. And all that running may have very well ruined his hair too. Keeping his hat in the crook of his arm he looked around the room. So this was it. The lion’s lair. The heart of the operation. Jack was just about to be addressed by the mobster lord who had settled back in his desk chair, when rushed footsteps echoed through the smooth marble hall. The mobster lord frowned and looked up and over Jack’s shoulder, where a heavy breathing bodyguard shot an exasperated look at Bunny.

‘YOU!’ The man wanted to step past Jack, but the Englishman was smooth in “accidentally” obstructing the doorway, eyebrows raising in feigned shock.

‘Apologies!’ Jack bowed slightly, making the bodyguard scowl even more. Apparently more people were having particularly rough mornings. Jack smiled inwardly and watched as Bunny stepped back to side with her father, her eyes betraying just how nervous she was despite her cool facade.  

‘She was out, boss.’ The man pointed a reproachful finger at the brunette. ‘You little devil --’

Augusto inhaled sharply, face souring. ‘Out?’ He looked up and Bunny flinched. Augusto was an impressive looking man. Thin silver streaks framed his rugged looking face and his eyes flamed with passion, madness or both. Standing up with a pained groan he looked down at her, her feet wishing to shuffle back, but bumping into a small garbage bin instead.

That’s what she was to her father in this moment. Garbage. His face melted into complete and utter displeasure. ‘And what, daughter sweet, were you doing..out?! HMM? Wasn’t I clear?!’

‘Papa..I just..I wanted to --’

‘NONE OF THAT.’ Augusto inhaled from the cigar between his fingertips and let the smoke fume out through his nostrils. He looked like a raging bull, eyes wild as he looked back at the bodyguard, then Jack. Jack looked back at Augusto with level eyes, keeping them trained on the mobster lord with an unfazed expression.

‘And you?’

‘Your daughter was kindly enough to pick me up when I had car trouble.’ Jack stepped forward and bowed confidently. ‘Jack Wa--’

‘Are you a fool?!’

Jack raised back up and saw the mobster had turned back to his daughter, making Bunny shrivel smaller and smaller every passing second. She shook her head.

‘How..ugh..how are we ever to find you a husband? This insolence! You are just like your mother. You women you!’ He gripped Bunny’s face between digging fingertips and studied her for a second, snarling: ‘I’ll deal with you later.’ He let go, leaving small red marks on her skin as she rushed past Jack and outside of the room. Jack swallowed. He knew that Luigi’s family were mobsters. He had never cared much for it. All rich people seemed to have their flaws. Their peculiarities. And he was a friend of the family right? But perhaps that had just now been completely and utterly ruined.

‘And you must be Walker.’

Jack quickly returned his attention to Augusto. ‘I am.’ Jack nodded solemnly, keeping a straight face as the bodyguard turned on his heel and looked Jack up and down. His eyes lingered especially long on his sodden trousers, red mud dried like bloody splatters on the brown wool fabric around his calves.

Oh, how he wished he could have changed into a different suit before meeting Augusto. First impressions mattered, you see. 

‘Do not be nervous.’ Lucia smiled, squeezing her fingers around his bicep. ‘It’s just men. Stupid, silly, rambunctious men. They wouldn’t know a good thing even if it hit them straight in the face.’ Her silvery eyes glanced over at the bellboy who kept a straight face, staring in the direction of the elevator doors as they zipped up to the 11th floor of the Parisian Grand.

‘I’m not nervous.’ Jack looked down at her. All silvery haired class wrapped in a black satin gown. She was breathtaking. ‘Not for them at least. I’m nervous for..you.’

‘Me?’ She chuckled softly. ‘Oh sweet darling. You do not realize what a gem you are. The men in my life never cared for their women the way you do.’ She sighed and looked down at the ring on her finger. Wrapped around the smooth black tuxedo jacket, it sparkled like a star in nightly skies. She missed the one who gave that ring to her. But he was gone. And were it not for Jack, she’d feel rather alone - and terribly bored.

‘And your husband?’

‘Well. What can I say. He was a man. I loved him. I fought him. I hated him. And then he died.’

Jack swallowed as the elevator’s bell dinged, signalling they had arrived at Lucia’s suite. The place where he’d meet her family - and perhaps in a way become part of her family too.

‘Remember to be better than them my boy.’

‘It’s Jack, madame.’

‘I know, I know.’ She laughed and the doors slid open. Her fingers tapped comfortingly on his arm before they strode out into her palace of gold and glitter. ‘But you’re still my boy...Jack.’

--

Chap 2 >

--

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[smokeybrandreviews]

Smokey brand Movie Reviews: Full Shares

I have one helluva backlog of films to work through but, between those and other distractions, i am having just the dickens of a time getting through them. I’ve started Uncut Gems three different times but the tension, man, it stresses me out way too much. I have to take breaks in between and just forget about where i left off so i need to start over. I have to say, though, the twenty to thirty minutes i have seen is absolutely excellent. In the meantime, while i muster enough nerve to actually finish that film, i wanted to revisit one of my all-time favorites. Way back when i first saw this movie, it gave me the same intense, stressed out, panic i feel watching Gems. Alien changed the way that I interacted with film and, to this day, it’s one of maybe a handful of movies to ever illicit true fear from me. I saw it, for the first time as a young kid of maybe six or seven, in a late night showing on TV and i remember even the broadcast edit spazzing me the f*ck out. Imagine my apprehension seeing the theatrical cut fr the first time a few years later. As i got older and learned to appreciate the moving parts of film individually, i came to love Alien even more. Not only is it actually terrifying. it’s one of the best built movies i have ever seen and carries the template for bad-ass film like a badge of honor. Cats say the sequel, which i’ll get to in a later review, is better than the first, but i wholeheartedly disagree. This movie is easily top three all-time for me and here’s why. I have to tell you from the outset, this movie is perfect in my opinion. There  are no flaw so don’t expect any negative, just me gushing about the excellence within.

The Outstanding

The very best aspect of this movie is easily Sigourney Weaver’s portrayal as Ellen Ripley. My goodness, was this character absolutely amazing. When people think of Ripley, they often remember Cameron’s version of her from Aliens. To most people, Ripley is that chick, strapped down in a power loader, calling the Queen Xenomorph a b*tch to her face. That is, undeniably, iconic. Ellen Ripley solidified the template for strong, female, lead with that scene. But Ripley didn’t start out that way. She had to earn that title and it began with her battle for survival in the original Alien. Ripley began as an undermined, kind of by-the-book, Warrant Office, just trying to get back in time for her daughter’s eleventh birthday. Over the course of two hours, we watched Ripley evolve into the absolute unit that she is known for and the nuanced portrayal of that evolution by Weaver shows us the harrowing journey with an almost visceral vulnerability. Ellen Ripley is not a character, she is a person. You feel for this woman and her struggle. You root for her. You gasp when she fails. You want her to survive. To get attached to a film character so completely is testimony to the excellence of that actor’s performance and Sigourney Weaver turns one in for the ages. Not bad for a twenty-year-old’s second film appearance, first speaking role.

You can’t speak about Alien without the iconic imagery provided by the nightmares of H.R. Giger’s art. The raw, horrifyingly sexual, disgustingly organic, yet wholly bizarre vestiges of the LV-426 hive were incredible. That initial pan of the fossilized Space Jockey fused to his pilot’s seat can’t help but inspire very real awe. I imagine seeing that reveal on an Imax screen and it is absolutely riveting. More so, entering into the hive itself, wit all those corridors woven from steel and flesh, leading into the pitfall trap full of the waiting, legitimately alien eggs illicit a feeling of primal terror. Those things are nothing like anything terrestrial. They are just familiar enough to inspire curiosity from the audience but uncanny enough to trigger apprehension. Absolutely brilliant but the true genius, the source of constant panic, belongs to the adult xenomorph, itself.

Big Chap, as the production team called it, was a miracle of effects work. The suit was custom built to fit the near seven foot frame of Bolaji Badejo but it was his physicality that lent an organic presence to the techno-organic monstrosity. That original Xenomorpgh was wildly terrifying to me. Even at my young age, i weathered Freddy Krueger, Michael Myers, and Jason Voorhees, with rather stoic aplomb but the Xenomorph sent me into a panic. I had legitimate nightmares about this thing which had never happened before. Giger had created a creature of such instinctual terror that you has no choice by to fear it and that sh*t is amazing.

I touched on how excellent Ellen Ripley was as a character, giving well deserved credit to Weaver’s portrayal but, like all classic characters in storytelling, Ripley began on the page. The writing for Alien is some of the best i have ever had the pleasure of experiencing. Every character, every scene, every aspect, of this story is tight. Dan O’Bannon deserves all credit for this classic script. He wrote a story filled with characters and suspense, never identifying male of female unless absolutely necessary. I miss when films were films and not soapboxes for gender politics. It’s amazing how timeless and iconic characters can become when you’re not trying to push a goddamn agenda.

Now, O’Bannon’s script is excellent but it took a true visionary to bring it to life. Ridley Scott was that creative. Alien was Scott’s second directorial effort and he was able to craft a visual narrative far beyond what his tangible experience would dictate. Scott is a true visionary. The way he saw O’Bannon’s script was incredible. I mean, the vistas of the Derelict Ship, the sanitized halls of the Nostromo, that whole retro-futuristic look, the abject terror and repugnant reversal of sexuality with the Alien; All of that is Scott. O’Bannon gave this man one helluva blueprint but Scott built a goddamn monument of cinema in his own right.

The sound design in this film is absolutely classic. The hisses from the alien, the clacking of the computers, that harrowing voice from MOTHER during the adrenaline packed climax; Every sound, echo, pitch, and clank is perfectly administered to embellish the hellish visuals onscreen. I’ll never forget the first time seeing Brett’s death scene. The subtle sway of chains giving way to the impactful sound of those water droplets hitting his face, lulling you into a false sense of security, only to see the Xenomorph puncture his skull. That mixture of screams and rattling chains was haunting, brilliant use of sound for a horror set piece and testament to it’s voracity.

I spoke at length about Sigourney Weaver’s casting and performance but literally everyone is outstanding in this film. being an original script, not based on any existing media, you had an open template to create these characters. In a sense, casting for this type of project is even more tantamount than building a cinematic adaption of a novel or comic. This film is going to be known for these characters, for this world, going forward and Alien nailed this sh*t. Aside from Weaver’s star-turning performance as Ripley, John Hurt turned in a rather endearing outing as Kane, the first victim of the Xenomorpgh. Tom Skerritt was probably the biggest name in the film so everyone thoight that his character Dallas would be the lone survivor. Nope. Veronica Cartwright’s Lambert was woefully unraveled, specially during the Chestburster scene and Ian Holm’s Ash is easily unnerving his uncanny valley-esque performance. Harry Dean Stanton’s Brett was a man of few words but my second favorite performance in this entire film belongs to Yaphet Kotto. His portrayal as the aggressive, outspoken, incredibly loyal, Parker, endures to this day. These characters are all incredibly written and skillfully performed, bringing characters to life that will endure through time.

This movie came out in 1979, man! It is four decades old an can still give anything created today, even with out advances in effects work and film techniques, a run for it’s money. That is testament to the deft hand and expert precision in the construction of this movie. It’s rare that a film can be so timeless and it’s easily the first i have ever seen to capture that high mark. There are others like that; Jurassic Park, Twelve Angry Men, Jaws, The Godfather, To kill a Mockingbird, Star Wars, but even those classics show chinks in the armor. Not Alien. That Retro-futuristic design is absolutely timeless and fits in with any era of cinema.

The world Alien created was ripe for elaboration. The franchise, alone, produced three sequels; Each an amazing look at different film styles, directorial vision, and cinematic genre. Aliens is arguably one of the greatest sequels ever and has a completely different tone that the first. Some would ay it’ even better than the first. I wouldn’t but others do. There have been books, comics, games, and so much more based on this world. Alien: Isolation is easily the best game ever made based on the franchise and it stars that eleven-year-old daughter turned adult woman, Amanda Ripley, in a similar situation as her mother. Let me tell you, bad-assery must run in the family because Amanda was just as dope as her mom during her own gauntlet. And just like her ma’s adventure, Amanda’s outing stressed me out to no end. I loved the Earth War comic growing up and the introduction of Ripley 8 was something special. She was kind of ridiculous in the fourth film, Alien; resurrection but the comics did 8 much better justice. Speaking of artificial constructs, i would be remiss if i didn’t mention the absolutely charming android Xenomorph, Norbert, and his predecessor, Jeri, but my favorite hybrid is definitely Eloise. That’s not to mention the excellent stories with in the Aliens versus Predator mythos. I’m not going to get too heavy into that lore but you’d be hard-pressed to find a more amazing, female protagonist, outside of Ripley, than Machiko Noguchi; The human Japanese woman, blooded by the Elite Leader Yautja, Broken Tusk, given the title of Little Knife by the space-faring Predators. Ma is a f*cking machine and it’s a crime AvP ignored her story for what we eventually got in cinemas. Hell, there are even aspect of the Prometheus portion of this universe that i like, even though i don’t particularly like the film, itself. Elden is a dope character with a ton of potential for the overall lore going forward. There is so much excellent material in the Aliens expanded universe; Characters, concepts, worlds and more. The expansive nature and reverence for this universe rivals that of Star Wars, none of which could be possible without the inspired execution of the original Alien film.

The Verdict

What can i say? Alien is a goddamn masterpiece. From the second those titles slowly manifest to the exploration of LV-426, to the claustrophobic panic of the Nostromo, to Ripley’s triumphant yet uncertain fate in the end, i absolutely adore every aspect of this movie. Everything about this movie is deliberate and amazing. The performances are all excellent, everyone does an exceptional job. The set design is gorgeous and in the case of the alien hive within the Space Jockey’s ship, disgustingly beautiful. Giger’s art as perfect for this film but his design for Big Chap, the original Xenomorph design, was absolutely unnerving. The first time i saw it onscreen, i was both enthralled and horrified. To see the massive beast, in the few glimpses you got between some of the most excellent lighting ever captured on film, was incredible. There are shortcomings, sure, all films have them but i don’t believe them to be a negative. The pacing can be a little dragging at times but it’s absolutely necessary to build atmosphere. I thrive on slow burn films like The VVitch or Blade Runner 2049 and it was Alien that taught me patience in film can be a virtue. I cannot praise this film enough. For me, Alien is as close to perfect as can be. This easily gets my highest recommendation. If you’ve never seen Alien and appreciate sheer psychological terror, beautiful sets, brilliant direction, awe inspiring shots, and some of the best sound design ever captured on film, you’ll love this movie.

[luxe-pauvre]

What she was trying to drown, really, was noise. The chink of beer mugs in pubs infested by men; the casual bonhomie of men discussing science in their male-only common room at King’s. Franklin found most of her male colleagues “positively repulsive.” It was not just sexism - but the innuendo of sexism that was exhausting: the energy spent parsing perceived slights or deciphering unintended puns. She would rather work on other codes - of nature, of crystals, of invisible structures. Unusually for his time, Randall was not averse to hiring women scientists; there were several women working with Franklin at King’s. And female trailblazers had come before her: severe, passionate Marie Curie, with her chapped palms and char-black dresses, who had distilled radium out of a cauldron of black sludge and won not one Nobel Prize but two; and matronly, ethereal Dorothy Hodgkin at Oxford, who would later win her own Nobel for solving the crystal structure of penicillin (an “affable looking housewife”, as one newspaper described her). Yet Franklin fit neither model: she was neither affable housewife nor cauldron-stirrer in a boiled wool robe, neither Madonna nor witch.

Siddhartha Mukherjee, The Gene

[alfalfadesperado]

Caboodle – The whole thing. Also called “kit and caboodle.”

Caboose – A ship’s cooking-range or kitchen.

Cady – Hat

Cahoots – Partnership, company or band. “Those to are in cahoots together.”

Calaboose – Jail.

Calamity Jane – Obviously the hard-cussing, heavy-drinking frontier woman, but is also a gambling term for the Queen of Spades.

Calash – A covering for the head, usually worn by ladies to protect their head-dresses when going to evening parties, the theatre, etc.

Calf Slobbers – Meringue on the top of pie.

Calibogus – Rum and spruce-beer.

Calico – A paint horse.

Calico Queen – Prostitute.

California Collar – A hangman’s noose.

California Prayer Book – Gambling term for a deck of cards.

California Widow – A woman separated from her husband, but not divorced. (From when pioneer men went West, leaving their wives to follow later.)

Callin’ – Courting.

Calk – Sharp points of iron on horse or ox shoes to prevent their slipping on ice.

Came Apart – A horse bucking.

Candle-light – Dusk. The dance will start at early candle-light.

Canister – Gun

Canned Cow – Canned milk.

Cannon – A revolver

Can Openers – Spurs

Can’t Come It – Cannot do it. “You can’t come it over me so.”

Caporal – The ranch foreman or roundup boss.

Cap the Climax – To beat all, surpass everything.

Cardinal – The name of a woman’s cloak, from the red or scarlet habit worn by cardinals.

Carryall – A four-wheeled pleasure carriage, capable of holding several persons.

Cash In – To die.

Catalogue Woman – A mail order bride.

Catawampous –  Fiercely, eagerly, awry, cockeyed, crooked, skewed. Also “catawamptiously.”

Catawamptiously Chawed Up – Completely demolished, utterly defeated.

Catch A Tartar – To attack one of superior strength or abilities.

Catch a Weasel Asleep – Referring to something impossible or unlikely, usually used in regard to someone who is always alert and seldom or never caught off guard. “You can’t sneak up on that dude any sooner than you can catch a weasel asleep.”

Catgut – Rawhide rope.

Cattle Baron – A cattle owner with numerous herds of stock, welding power and influence in an area.

Cattle Kate – A female cattle rustler.

Cats-Paw – To be made a cats-paw of. To be made a tool or instrument to accomplish the purpose of another.

Catstick – A bat used by boys in a game at ball

Catty-Cornered – Diagonally across. “The Courthouse is catty-cornered from the drugstore.”

Cavort – To frolic or prance about, to be lively, having fun.

Cat Wagon – A wagon that carried prostitutes along cattle trails

Cayuse – A cowboy’s steed.

Causey – A causeway, or way raised above the natural level

Cavallard – Caravans crossing the prairies.

Caveson – A muzzle for a horse.

Celestial – A term used in the West to refer to people of Chinese descent; the word derives from an old name for China, the “Celestial Empire.”

Chalk – Not by a long chalk. When a person attempts to effect a particular object, in which he fails, we say, “He can’t do it by a long chalk.”

Chap – A boy, lad, a fellow.

“I hear America singing, the varied carols I hear …” — Walt Whitman, 1860

Charivari – (Commonly pronounced shevaree.) – A custom of serenading the newly married with noise, including tin horns, bells, pans, kettles, etc. This “serenade” is continued night after night until the party is invited in and handsomely entertained.

Chaw – Chew.

Chaw Up – To use up, demolish.

Chickabiddy – A young chicken. Used also as a term of endearment for children.

Chew – Eat

Chew Gravel – Thrown from a horse.

Chip – The money drawer in a bank.

Chink – Money.

Chinking And Daubing – The process of filling with clay the interstices between the logs of cabins.

Chirk – To make a peculiar noise by placing the tongue against the roof of the mouth, to urge horses on. Also refers to people as cheerful, good spirits, comfortable.

Chisel or Chiseler – To cheat or swindle, a cheater.

Chitlins – Fragments, small pieces. Also, refers to Chitterlings.

Chitterlings – The intestines of a pig that have been prepared as food.

Chock – To put a wedge under a thing to prevent its moving.

Chock Up – Close, tight, fitting closely together.

Chock-Full or Chuck-Full – Entirely full.

Choke Strap – A necktie.

Choke the Horn – To grab the saddle horn, something no cowboy wants to be seen doing.

Chop – A Chinese word signifying quality, first introduced to mariners in the China trade. Soon became a common word of seamen applied to fine silks, teas, tobacco, etc.

Chopper – The cowboy who cuts out the cattle during a roundup.

Chow – Food, dinner.

Chuck – To throw, by a quick and dexterous motion, a short distance.

Chuck – Food.

Chucklehead – A fool.

Chuck-Line Rider – An unemployed cowboy who rode from ranch to ranch, exchanging a bit of news and gossip for a meal. Also called a “grub-line rider.”

Cowboys gathered around the chuckwagon ready for “chow” on the ranch, 1887

Chuck Wagon Chicken – Cowboys humorously used the term for fried bacon.

Chuffy – Blunt, surly, clownish.

Churched – Expelled from church.

Churn Twister – A derogatory term for a farmer.

Claw Leather – To grab the saddle horn, something no cowboy wants to be seen doing.

Civism – Love of country, patriotism.

Civilizee – A civilized man, one advanced in civilization.  

Clap Or Clap Down – To set down or charge to one’s account.

Clap-Trap – An artifice for attracting applause, used chiefly in theatrical or political events. Later, applied to someone’s mouth that constantly makes noise.

Clean his/your plow – To get or give a thorough whippin’.

Clean Thing – Denotes propriety or what is honorable. “He did the “clean thing” and turned himself in.”

Clip –  A blow or a stroke with the hand. Also refers to running away – to “cut and run.”

Clitchy – Clammy, sticky, glutinous.

Clinch Mountain – Rye whiskey.

Clodhopper – A rustic, a clown.

Close-Fisted – Stingy, mean.

Clothes-Horse – A frame-work for hanging clothes on to dry after they have been washed and ironed, in the form of an opening screen.

Clothesline – Rope.

Clout – A blow or strike, usually with the fist.

Clum – Past tense of climb.

Coal-Hod – A kettle for carrying coals to the fire. Also called a coal scuttle.

Cocinero – The camp cook – also called “coosie” and “cusie.”

Cocked Hat – To knock someone senseless or to shock him completely. Old Joe knocked him into a cocked hat.

Coffee Boiler – Shirker, lazy person. (Would rather sit around the coffee pot than help.)

Coffin Varnish – Whiskey.

Coil – Rope.

Cold as a Wagon Tire – Dead.

Cold Meat Wagon – A hearse.

Colors – The particles of gold gleaming in a prospector’s gold pan.

Cooling yer heels – Staying for a while. “He’ll be cooling his heels in the pokey.”

Come a Cropper – Come to ruin, fail, or fall heavily. “He had big plans to get rich, but it all became a cropper, when the railroad didn’t come through.”

Compressed Hay – Cowchips.

Conniption Fit – A fit of hysteria.

Consumption – Tuberculosis.

Continental – The money issued by Congress during the Revolutionary War. It eventually became synonymous with anything worthless.

Converter – A preacher.

Cookie at the Chuckwagon

Cookie – Ranch or cattle drive cook.

Coon’s Age – A long time.

Coosie – The camp cook.

Coot – An idiot, simpleton, a ninny.

Copper – A copper coin such as the American penny or British.

Copper a Bet – Betting to lose, or being prepared against loss. “I’m just coppering my bets.”

Copperhead – Northern person with Southern, anti-Union sympathies.

Corduroy Road – A road or causeway constructed with logs laid together over swamps or marshy places.

Corks – The steel points fixed under the shoes of horses, in the winter, to prevent them from falling on the ice.

Corn-Cracker – The nickname for a native of Kentucky.

Corn-Dodger – A kind of cake made of Indian corn, and baked very hard.

Corned – Drunk.

Corn-Juice – Whisky.

Corral Dust – Lies and tall tales.

Cottonwood Blossom – A man lynched from the limb of a tree.

Cotton To –  To take a liking to.

Countrified – Rustic, rude.

Couldn’t hold a candle to – Not even close.  “She couldn’t hold a candle to that beauty across the room.”

Coverlid – A bed-quilt, counterpane.

Cowboy Cocktail – Straight whiskey.

Cowboy Up – Tuff-up, get back on yer horse, don’t back down, don’t give up, and do the best you can with the hand you’re dealt, give it all you’ve got.

Cow Chip – Dried cow manure.

Cow Grease – Butter, also called “cow salve.”

Cowhand – A cowboy, also called cowpoke, cowprod, and cowpuncher.

Cowhide – A particular kind of whip made of raw hide; it is also called a raw-hide. Term also refers to flogging with a cowhide – “to cowhide.”

Cow Juice – Milk

Cow-Lease – A right of pasturage for a cow, in a common pasture.

Cowpunching – Driving the cattle to market.

Cow Sense – Intelligence.

Cow Wood – Cowchips.

Crack – Most famous, best.

Cracked – Crazy.

Cracker – A small hard biscuit.

Cracker – A poor white person of the South, named after the crackling whips used by rural Southerners. There are several definitions of this word dating back before the 17th Century, however this was the definition in the Old West, and could have been derived from “Cracker Cowboys” of Florida, which used whips and dogs to capture cattle instead of lasso’s.

Crackerbox – A rodeo rider’s term for a bronc saddle.

Cracklings – Cinders, the remains of a wood fire

Crack Up – To brag or boast.

Cradle-Scythe – Called also simply cradle. A common scythe with a light frame-work, used for cutting grain instead of the sickle.

Crambo – A diversion in which one gives a word, to which another finds a rhyme. If the same word is repeated, a forfeit is demanded. It also refers to drinking.

Crash – A coarse kind of linen cloth used for towels.

Crawl His Hump – To start a fight.

Crazy as a Loon – Very crazy.

Creepmouse – A term of endearment to babies.

Crimany – Exclamation of surprise.

Critter – Creature, varmint. Sometimes used to describe a contemptible person.

Croaker – Pessimist, doomsayer. “Don’t be such an old croaker.”

Crock – The black of a pot; smut, the dust of soot or coal.

Crocky – Smutty.

Crooked As A Virginia Fence – A phrase applied to anything very crooked; and figuratively to persons of a stubborn temperament.

Cross-Grained – Perverse, troublesome.

Cross-Patch – An ill-tempered person.

Crotchety – Whimsical; fanciful.

Crotchical – Cross, perverse, peevish.

Crowbait – Derogatory term for a poor-quality horse.

Crowbar Hotel – Jail.

Cruller – A cake made of a strip of sweetened dough, boiled in lard, the two ends of which are twisted or curled together.

Crumb Castle – A chuckwagon.

Crumb Incubator – A cowboy’s bed.

Crummy – The caboose of a railroad train.

Crusty – Sturdy, morose, snappish.

Cubby-Hole or Cubby-House – A snug place for a child. Later, also used to denote any small space.

Curly Wolf – Real tough guy, dangerous man. “Ol’ Bill is a regular curly wolf, especially when he’s drinkin’ whiskey.”

Curmudgeon – An avaricious, churlish fellow, a miser.

Curry Favor – To seek or gain favor by flattery, caresses, kindness.

Curry the Kinks Out – To break a horse.

Cush – Sweet fried cornmeal cake. Also called “cushie.”

Cuss Words – The swear words back then are pretty much the same as they are now, though they were not used as prevalently back then.  Profanity was frowned upon by polite society and old west cowboys rarely would swear in front of a lady.

Cut A Caper – The act of dancing in a frolicksome manner

Cut a Dash or Cut a Swathe – Make a great show; to make a figure.

Cut A Figure – To make an appearance, either good or bad.

Cut And Come Again – Implying that having cut as much as you pleased, you may come again; in other words, plenty; no lack; always a supply

Cut And Dried – Ready made.

Cut And Run – To be off, to be gone.

Cut Didoes – To get into mischief, frolicksome.

Cut Dirt – To run; to go fast.

Cut a Path – Leave, go.  Are you ready to cut a path out of here?

Cut a Rusty – To go courtin’.

Cutting out from the herd in 1907.

Cut a Swell – Present a fine figure. “He sure is cutting a swell with the ladies.”

Cut His Suspenders – A departed cowboy.

Cut Of His Jib – The form of his profile. “I knew him by the cut of his jib.”

Cutting Horse – A horse with the ability to cut cows out of a herd.

Cut Up – To criticize with severity; as, “he was severely cut up in the newspapers.”

Cut Up Shines – To cut capers, play tricks.

Cut Stick – To be off, to leave immediately and quickly.

Cutter – A one horse sleigh.

[smokeybrand]

Smokey brand Movie Reviews: Full Shares

I have one helluva backlog of films to work through but, between those and other distractions, i am having just the dickens of a time getting through them. I’ve started Uncut Gems three different times but the tension, man, it stresses me out way too much. I have to take breaks in between and just forget about where i left off so i need to start over. I have to say, though, the twenty to thirty minutes i have seen is absolutely excellent. In the meantime, while i muster enough nerve to actually finish that film, i wanted to revisit one of my all-time favorites. Way back when i first saw this movie, it gave me the same intense, stressed out, panic i feel watching Gems. Alien changed the way that I interacted with film and, to this day, it’s one of maybe a handful of movies to ever illicit true fear from me. I saw it, for the first time as a young kid of maybe six or seven, in a late night showing on TV and i remember even the broadcast edit spazzing me the f*ck out. Imagine my apprehension seeing the theatrical cut fr the first time a few years later. As i got older and learned to appreciate the moving parts of film individually, i came to love Alien even more. Not only is it actually terrifying. it’s one of the best built movies i have ever seen and carries the template for bad-ass film like a badge of honor. Cats say the sequel, which i’ll get to in a later review, is better than the first, but i wholeheartedly disagree. This movie is easily top three all-time for me and here’s why. I have to tell you from the outset, this movie is perfect in my opinion. There  are no flaw so don’t expect any negative, just me gushing about the excellence within.

The Outstanding

The very best aspect of this movie is easily Sigourney Weaver’s portrayal as Ellen Ripley. My goodness, was this character absolutely amazing. When people think of Ripley, they often remember Cameron’s version of her from Aliens. To most people, Ripley is that chick, strapped down in a power loader, calling the Queen Xenomorph a b*tch to her face. That is, undeniably, iconic. Ellen Ripley solidified the template for strong, female, lead with that scene. But Ripley didn’t start out that way. She had to earn that title and it began with her battle for survival in the original Alien. Ripley began as an undermined, kind of by-the-book, Warrant Office, just trying to get back in time for her daughter’s eleventh birthday. Over the course of two hours, we watched Ripley evolve into the absolute unit that she is known for and the nuanced portrayal of that evolution by Weaver shows us the harrowing journey with an almost visceral vulnerability. Ellen Ripley is not a character, she is a person. You feel for this woman and her struggle. You root for her. You gasp when she fails. You want her to survive. To get attached to a film character so completely is testimony to the excellence of that actor’s performance and Sigourney Weaver turns one in for the ages. Not bad for a twenty-year-old’s second film appearance, first speaking role.

You can’t speak about Alien without the iconic imagery provided by the nightmares of H.R. Giger’s art. The raw, horrifyingly sexual, disgustingly organic, yet wholly bizarre vestiges of the LV-426 hive were incredible. That initial pan of the fossilized Space Jockey fused to his pilot’s seat can’t help but inspire very real awe. I imagine seeing that reveal on an Imax screen and it is absolutely riveting. More so, entering into the hive itself, wit all those corridors woven from steel and flesh, leading into the pitfall trap full of the waiting, legitimately alien eggs illicit a feeling of primal terror. Those things are nothing like anything terrestrial. They are just familiar enough to inspire curiosity from the audience but uncanny enough to trigger apprehension. Absolutely brilliant but the true genius, the source of constant panic, belongs to the adult xenomorph, itself.

Big Chap, as the production team called it, was a miracle of effects work. The suit was custom built to fit the near seven foot frame of Bolaji Badejo but it was his physicality that lent an organic presence to the techno-organic monstrosity. That original Xenomorpgh was wildly terrifying to me. Even at my young age, i weathered Freddy Krueger, Michael Myers, and Jason Voorhees, with rather stoic aplomb but the Xenomorph sent me into a panic. I had legitimate nightmares about this thing which had never happened before. Giger had created a creature of such instinctual terror that you has no choice by to fear it and that sh*t is amazing.

I touched on how excellent Ellen Ripley was as a character, giving well deserved credit to Weaver’s portrayal but, like all classic characters in storytelling, Ripley began on the page. The writing for Alien is some of the best i have ever had the pleasure of experiencing. Every character, every scene, every aspect, of this story is tight. Dan O’Bannon deserves all credit for this classic script. He wrote a story filled with characters and suspense, never identifying male of female unless absolutely necessary. I miss when films were films and not soapboxes for gender politics. It’s amazing how timeless and iconic characters can become when you’re not trying to push a goddamn agenda.

Now, O’Bannon’s script is excellent but it took a true visionary to bring it to life. Ridley Scott was that creative. Alien was Scott’s second directorial effort and he was able to craft a visual narrative far beyond what his tangible experience would dictate. Scott is a true visionary. The way he saw O’Bannon’s script was incredible. I mean, the vistas of the Derelict Ship, the sanitized halls of the Nostromo, that whole retro-futuristic look, the abject terror and repugnant reversal of sexuality with the Alien; All of that is Scott. O’Bannon gave this man one helluva blueprint but Scott built a goddamn monument of cinema in his own right.

The sound design in this film is absolutely classic. The hisses from the alien, the clacking of the computers, that harrowing voice from MOTHER during the adrenaline packed climax; Every sound, echo, pitch, and clank is perfectly administered to embellish the hellish visuals onscreen. I’ll never forget the first time seeing Brett’s death scene. The subtle sway of chains giving way to the impactful sound of those water droplets hitting his face, lulling you into a false sense of security, only to see the Xenomorph puncture his skull. That mixture of screams and rattling chains was haunting, brilliant use of sound for a horror set piece and testament to it’s voracity.

I spoke at length about Sigourney Weaver’s casting and performance but literally everyone is outstanding in this film. being an original script, not based on any existing media, you had an open template to create these characters. In a sense, casting for this type of project is even more tantamount than building a cinematic adaption of a novel or comic. This film is going to be known for these characters, for this world, going forward and Alien nailed this sh*t. Aside from Weaver’s star-turning performance as Ripley, John Hurt turned in a rather endearing outing as Kane, the first victim of the Xenomorpgh. Tom Skerritt was probably the biggest name in the film so everyone thoight that his character Dallas would be the lone survivor. Nope. Veronica Cartwright’s Lambert was woefully unraveled, specially during the Chestburster scene and Ian Holm’s Ash is easily unnerving his uncanny valley-esque performance. Harry Dean Stanton’s Brett was a man of few words but my second favorite performance in this entire film belongs to Yaphet Kotto. His portrayal as the aggressive, outspoken, incredibly loyal, Parker, endures to this day. These characters are all incredibly written and skillfully performed, bringing characters to life that will endure through time.

This movie came out in 1979, man! It is four decades old an can still give anything created today, even with out advances in effects work and film techniques, a run for it’s money. That is testament to the deft hand and expert precision in the construction of this movie. It’s rare that a film can be so timeless and it’s easily the first i have ever seen to capture that high mark. There are others like that; Jurassic Park, Twelve Angry Men, Jaws, The Godfather, To kill a Mockingbird, Star Wars, but even those classics show chinks in the armor. Not Alien. That Retro-futuristic design is absolutely timeless and fits in with any era of cinema.

The world Alien created was ripe for elaboration. The franchise, alone, produced three sequels; Each an amazing look at different film styles, directorial vision, and cinematic genre. Aliens is arguably one of the greatest sequels ever and has a completely different tone that the first. Some would ay it’ even better than the first. I wouldn’t but others do. There have been books, comics, games, and so much more based on this world. Alien: Isolation is easily the best game ever made based on the franchise and it stars that eleven-year-old daughter turned adult woman, Amanda Ripley, in a similar situation as her mother. Let me tell you, bad-assery must run in the family because Amanda was just as dope as her mom during her own gauntlet. And just like her ma’s adventure, Amanda’s outing stressed me out to no end. I loved the Earth War comic growing up and the introduction of Ripley 8 was something special. She was kind of ridiculous in the fourth film, Alien; resurrection but the comics did 8 much better justice. Speaking of artificial constructs, i would be remiss if i didn’t mention the absolutely charming android Xenomorph, Norbert, and his predecessor, Jeri, but my favorite hybrid is definitely Eloise. That’s not to mention the excellent stories with in the Aliens versus Predator mythos. I’m not going to get too heavy into that lore but you’d be hard-pressed to find a more amazing, female protagonist, outside of Ripley, than Machiko Noguchi; The human Japanese woman, blooded by the Elite Leader Yautja, Broken Tusk, given the title of Little Knife by the space-faring Predators. Ma is a f*cking machine and it’s a crime AvP ignored her story for what we eventually got in cinemas. Hell, there are even aspect of the Prometheus portion of this universe that i like, even though i don’t particularly like the film, itself. Elden is a dope character with a ton of potential for the overall lore going forward. There is so much excellent material in the Aliens expanded universe; Characters, concepts, worlds and more. The expansive nature and reverence for this universe rivals that of Star Wars, none of which could be possible without the inspired execution of the original Alien film.

The Verdict

What can i say? Alien is a goddamn masterpiece. From the second those titles slowly manifest to the exploration of LV-426, to the claustrophobic panic of the Nostromo, to Ripley’s triumphant yet uncertain fate in the end, i absolutely adore every aspect of this movie. Everything about this movie is deliberate and amazing. The performances are all excellent, everyone does an exceptional job. The set design is gorgeous and in the case of the alien hive within the Space Jockey’s ship, disgustingly beautiful. Giger’s art as perfect for this film but his design for Big Chap, the original Xenomorph design, was absolutely unnerving. The first time i saw it onscreen, i was both enthralled and horrified. To see the massive beast, in the few glimpses you got between some of the most excellent lighting ever captured on film, was incredible. There are shortcomings, sure, all films have them but i don’t believe them to be a negative. The pacing can be a little dragging at times but it’s absolutely necessary to build atmosphere. I thrive on slow burn films like The VVitch or Blade Runner 2049 and it was Alien that taught me patience in film can be a virtue. I cannot praise this film enough. For me, Alien is as close to perfect as can be. This easily gets my highest recommendation. If you’ve never seen Alien and appreciate sheer psychological terror, beautiful sets, brilliant direction, awe inspiring shots, and some of the best sound design ever captured on film, you’ll love this movie.

[sazaartack]

Elevate Your Riding Experience: Choose Our Chink Chaps For Sale

Our chink chaps for sale offer excellent value without negotiating on expertise. With modest pricing and outstanding durability, you’ll find that spending on our chaps is a smart choice for any rider. Visit our website now and get the finest deal on these things. 

[deniscollins]

In U.K.’s Clubby Parliament, Abuse Complaints Became Weapons

In Great Britain, Party whips, who historically served as a clearinghouse for complaints about officials’ behavior, were also responsible for protecting the party from damage — and for persuading or coercing the members of Parliament to get in line. If you were a Party whip, what would you do if a member of Parliament’s employee reported sexual harassment: (1) Report the matter to police, (2) do nothing to protect the Party’s reputation and use the complaint to get favors from the Parliament member, (3) something else, if so what? Why? What are the ethics underlying your decision?

A spreadsheet began to circulate last week among journalists covering Britain’s Parliament, matching up the names of three dozen Conservative Party officials with brief descriptions of misconduct.

The unsubstantiated allegations, collected by Conservative Party researchers, ranged from the routine — “handsy at parties,” “perpetually intoxicated” — to the unconventional: “Video exists of three men urinating on him”; “likes to have intercourse with men who are wearing women’s perfume”; and “paid a female to be quiet.”

A dam-burst of accusations has engulfed Westminster over the last 10 days, released by the revelations about the sexual misconduct of the Hollywood power broker Harvey Weinstein.

Complaints about leading political figures have accumulated for years, in part because of the power asymmetry within the halls of Parliament. Young staff members who surround British lawmakers have no independent personnel body to appeal to if they have complaints. Instead, they are told to inform party whips, in-house disciplinarians who were widely believed to stockpile compromising information for their own purposes. Newspapers, for their part, have often sat on reports of abuse rather than risk libel claims.

This was the landscape that the journalist Jane Merrick surveyed 14 years ago, after a member of Parliament tried to kiss her after a lunch interview.

But the Weinstein exposé and its aftermath have unsettled the old system. Last Wednesday at 5:30 p.m., Ms. Merrick called the prime minister’s staff to report the 2003 episode. Ninety minutes later, the lawmaker — Michael Fallon, the defense secretary — stepped down, saying he had “behaved inappropriately in the past.”

“It’s exhausting, challenging something so powerful as a political establishment, that is self-protecting and self-preserving,” Ms. Merrick said. “To try to get a chink in that armor is so exhausting.”

On Tuesday, the crisis apparently encompassed a death: Carl Sargeant, who was dismissed as a minister in the Welsh government last week amid allegations of sexual misconduct, was found in his home, apparently a suicide. He had denied any wrongdoing.

The scandal has hit Prime Minister Theresa May at a difficult time, as she struggles to control warring factions in her party and break free from a deadlock in negotiations for Britain’s exit from the European Union, known as Brexit. On Monday, she promised to create a cross-party body to investigate complaints of misconduct, something some female lawmakers have sought for years.

Hanging over Mrs. May’s head are allegations against her deputy and longtime friend, Damian Green, the first secretary of state. Mrs. May called for an investigation into the case last week after a Conservative Party activist wrote that he had touched her knee and sent her suggestive text messages. Mr. Green has called the allegations by the activist, Kate Maltby, “untrue” and “deeply hurtful.”

Mrs. May has also ordered a Cabinet Office inquiry into Mark Garnier, her international trade minister, who has acknowledged asking his assistant to buy sex toys. In all, about a dozen members of Parliament, eight from the Conservative Party and four from Labour, are under investigation. One Tory, Charlie Elphicke, was suspended after “serious allegations” were referred to the police, the party has said. He has denied any wrongdoing.

“Britain’s political class feels pretty fragile right now,” said Tom McTague, the chief Britain correspondent for Politico and author of “Betting the House,” a new book on this year’s general election, in which the Conservative Party lost its overall majority, although it managed to cling to power.

“When something like this starts to get going, they just feel out of control,” he said. “The M.P.s don’t know where this is going. They don’t know how many allegations are going to come. They don’t know how to get on top of it.”

The episodes have unfolded against the peculiar structure of Britain’s Parliament: The 650 members of the House of Commons hire, employ and manage their staff personally, as if they were small-business owners.

Jess Phillips, 36, a Labour member of Parliament who worked with victims of sexual abuse before entering politics, recalled showing up on her first day in 2015 and asking a senior colleague where her employees should turn with workplace complaints.

“They said, ‘There is no place,’” she said. “I said, ‘Well, what if that was the case?’ I got a shrug in response. I see a lot of young women working here, around very powerful people, and I worry.”

Ms. Phillips began receiving calls from employees with complaints 10 days ago, she said, and has heard from one or two people every day since. Many of the complaints fall well short of a criminal threshold.

“The truth of the matter is, to me, the varying degrees didn’t matter,” she said. “There is a cultural problem where people are using their power for sexual gain, or to hold over women who work in here.”

Party whips, who historically served as a clearinghouse for complaints about officials’ behavior, were also responsible for protecting the party from damage — and for persuading or coercing the members of Parliament to get in line. According to political legend, past whips collected compromising information in a “black book,” to be used as leverage at some future point.

Tim Fortescue, who served as the Tory chief whip in the 1970s, told the BBC that he had often helped lawmakers who feared prosecution.

“It might be debt, it might be a scandal involving small boys, or any kind of scandal,” he said. “We would do everything we can, because we would store up Brownie points. It’s a pretty nasty reason, but it’s one of the reasons. If we could get a chap out of trouble, they’d do as we ask forever.”

Over the weekend, the home secretary, Amber Rudd, herself a former whip, denied that parties had withheld reports of wrongdoing by members of Parliament.

“I don’t recognize some of those more lurid stories that are told about the sort of things whips knew and did,” she said. “I just don’t recognize it.”

But Ms. Merrick, who last week brought forth her complaint from 2003, said she saw no recourse when Mr. Fallon, then a member of Parliament, tried to kiss her after a working lunch, leaving her feeling “so humiliated and so ashamed.”

One of the main reasons she said nothing, she said, was that she was “scared of the whips,” who, if displeased, could prevent her from getting any political news.

“This behavior is reported to whips all the time,” she said. “If there is a new system in place, the whips will still be able to collect information, but staff and journalists will be able to report it openly, rather than it becoming part of the game of snakes and ladders that the whips are controlling.”

On the night last week when Mr. Fallon stepped down, she said, there was no sense of triumph, but instead the sense that she had set right a 14-year-old error.

“These are M.P.s who have gone from public school to Oxford to Commons and have never been challenged, never been questioned,” she said. “I suppose it’s like a muscle that you’re trying to make work.”

[chkingonpride]

Leather Chaps

This is actually the fashion world: the gorgeous models, the runways, the photographers, and also the clothes. Fashion isn’t just what we should put on, it’s also the way we describe ourselves around the world. When you are deciding which fashion is perfect for you, take time to think about your figure and elegance and how you need to be perceived. Style…..! What is available in style? Different patterns of dresses, new fashionable clothing’s and accessories. If you are putting on leather apparel, you’ll be the one that includes a ‘great new look’. Leather fashion encompass an excellent assortment of Quality Leather Apparel – leather jacket, biker, fur coat, vest, skirt, pants, halter, shorts and accessories by having an outstanding service .

The greatest trend within the fashion market is “LEATHER”. The has emerged with trendy leather apparels and accessories for dashing women and men. Leather chaps are a crucial part of anyone’s wardrobe when they ride on the motorcycle. Many think that this is just an adjunct, even though they are doing look great, you should note that they’ll also safeguard your legs if you need to lay your bike lower when you’re on the highway. This attractive bit of clothes are extremely functional, and many would contemplate it necessary.

Chaps are sturdy coverings for that legs composed of leggings along with a belt. They’re buckled on over pants using the chaps’ integrated belt, but unlike pants other product seat and aren’t became a member of in the crotch. They are made to shield you for that legs and therefore are usually made from leather or perhaps a leather-like material. They’re most generally connected using the cowboy culture from the American west like a protective outfit for use when riding a horse through brushy terrain. Nowadays, they’re worn for practical work purposes as well as for exhibition or show use.

Full-length leather chaps are attached in the waist using the seat missing to permit connection with the saddle and also the rider’s legs are fully engrossed in the seam around the outdoors from the leg for comfort. These aren’t generally worn in British riding even though they can offer a great resource of comfort and warmth. Half chaps, as suggested by its name, are put on the low legs. Everybody can be created from a number of materials, and therefore are worn for further comfort when riding. Usually chaps are fitted having a zip or Velcro lower the outdoors from the leg having a strap underneath the feet to lock them into position. When worn with Jodhpur boots they assist to limit chafing between your saddle and also the calf and stop Jodhpur boots from rising up

Leather chaps are often worn over jeans jeans or any other pants of heavy material. They their very own belt, in most cases are fitted round the sides, resting underneath the belt looped the pants. Aside from chinks and armitas, which are made to fit over the boot, most chaps are lengthy, fitting within the boot and draping slightly within the vamp from the boot (see shoe). Some designs are cut to hold lengthy in the heel and nearly cover the whole boot aside from the foot. Batwings, chinks, and shotgun chaps fit firmly but easily round the leg, with shotguns ongoing to suit carefully completely lower the calf, though not too snug regarding limit free knee movement. The shotgun design is flared in the ankle to match the rider’s boot. Batwings and chinks aren’t attached round the leg underneath the knee.

Generally whenever you take a look at these different leather chaps you will notice they’re appropriate for both women and men. The way in which these chaps are made would be that the entire leg area is taught in chaps. The chaps are guaranteed round the waist right in front. You’ll however discover that the seat of those leather chaps isn’t found.

To create putting on these leather chaps simpler you will notice that the edges from the chaps have zippers put on them. This makes it simpler that you should place your legs in to the chaps. Generally while you will notice that biker gangs are recognized to put on these leather chaps you will find other people who will want to see how these leather chaps will appear in it and how they think.

The most crucial item you need to take a look at when you’re searching for leather chaps may be the cost. while there are various stores where one can purchase these chaps they’re typically costly. The cost of those products goes lower after a while and new stock is bought in to the stores.

from http://valest.net/2017/01/leather-chaps/

[learningtoheallearningtolove]

Leather Chaps

This is actually the fashion world: the gorgeous models, the runways, the photographers, and also the clothes. Fashion isn’t just what we should put on, it’s also the way we describe ourselves around the world. When you are deciding which fashion is perfect for you, take time to think about your figure and elegance and how you need to be perceived. Style…..! What is available in style? Different patterns of dresses, new fashionable clothing’s and accessories. If you are putting on leather apparel, you’ll be the one that includes a ‘great new look’. Leather fashion encompass an excellent assortment of Quality Leather Apparel – leather jacket, biker, fur coat, vest, skirt, pants, halter, shorts and accessories by having an outstanding service .

The greatest trend within the fashion market is “LEATHER”. The has emerged with trendy leather apparels and accessories for dashing women and men. Leather chaps are a crucial part of anyone’s wardrobe when they ride on the motorcycle. Many think that this is just an adjunct, even though they are doing look great, you should note that they’ll also safeguard your legs if you need to lay your bike lower when you’re on the highway. This attractive bit of clothes are extremely functional, and many would contemplate it necessary.

Chaps are sturdy coverings for that legs composed of leggings along with a belt. They’re buckled on over pants using the chaps’ integrated belt, but unlike pants other product seat and aren’t became a member of in the crotch. They are made to shield you for that legs and therefore are usually made from leather or perhaps a leather-like material. They’re most generally connected using the cowboy culture from the American west like a protective outfit for use when riding a horse through brushy terrain. Nowadays, they’re worn for practical work purposes as well as for exhibition or show use.

Full-length leather chaps are attached in the waist using the seat missing to permit connection with the saddle and also the rider’s legs are fully engrossed in the seam around the outdoors from the leg for comfort. These aren’t generally worn in British riding even though they can offer a great resource of comfort and warmth. Half chaps, as suggested by its name, are put on the low legs. Everybody can be created from a number of materials, and therefore are worn for further comfort when riding. Usually chaps are fitted having a zip or Velcro lower the outdoors from the leg having a strap underneath the feet to lock them into position. When worn with Jodhpur boots they assist to limit chafing between your saddle and also the calf and stop Jodhpur boots from rising up

Leather chaps are often worn over jeans jeans or any other pants of heavy material. They their very own belt, in most cases are fitted round the sides, resting underneath the belt looped the pants. Aside from chinks and armitas, which are made to fit over the boot, most chaps are lengthy, fitting within the boot and draping slightly within the vamp from the boot (see shoe). Some designs are cut to hold lengthy in the heel and nearly cover the whole boot aside from the foot. Batwings, chinks, and shotgun chaps fit firmly but easily round the leg, with shotguns ongoing to suit carefully completely lower the calf, though not too snug regarding limit free knee movement. The shotgun design is flared in the ankle to match the rider’s boot. Batwings and chinks aren’t attached round the leg underneath the knee.

Generally whenever you take a look at these different leather chaps you will notice they’re appropriate for both women and men. The way in which these chaps are made would be that the entire leg area is taught in chaps. The chaps are guaranteed round the waist right in front. You’ll however discover that the seat of those leather chaps isn’t found.

To create putting on these leather chaps simpler you will notice that the edges from the chaps have zippers put on them. This makes it simpler that you should place your legs in to the chaps. Generally while you will notice that biker gangs are recognized to put on these leather chaps you will find other people who will want to see how these leather chaps will appear in it and how they think.

The most crucial item you need to take a look at when you’re searching for leather chaps may be the cost. while there are various stores where one can purchase these chaps they’re typically costly. The cost of those products goes lower after a while and new stock is bought in to the stores.

from http://valest.net/2017/01/leather-chaps/

[sazaartack]

Chinks for Kids: Perfect Gear for Young Equestrians

When searching for chink chaps for sale, it's vital to select reliable providers that offer an extensive range of sizes and styles. Several online stores deliver an outstanding range of kid’s chinks.

[sazaartack]

Chinks for Kids: Perfect Gear for Young Equestrians

Durability is another significant factor when choosing chinks for kids. High-grade materials, such as leather or tough synthetics, confirm that the chinks resist the rigors of riding and outdoor activities.