#chen timestamp

[headintheclouds-posts]

Exo as husbands pls

Enjoy :)

Exo as husbands

Suho

The proud husband

To put it simply, this man would do anything for you

If you need something, he will get it

If you’re hungry, he will cook

If you’re tired, he will be your mattress

The moment you became his wife, he sole purpose was you

Likes to talk about you to Exo-l's

As he is the leader of the group, you have become a older sibling type figure to the fans

Which he loves

Date nights together consist of old movies on the sofa with a bottle of red

Likes to sit and reminisce over your wedding photo's

He would just be an amazing husband

Xiumin

The cute husband

He's just a squishy squish

He doesn't really act any different as a husband to when he was your boyfriend

He still teases you

Plus will do anything to put a smile on your face

He will happily do all the cleaning

Because according to him, you do it wrong

As we know, Xiumin likes to drink so I think dates would be a karaoke bar, with you both drunkenly screaming Whitney Houston's 'I will always love you' into a microphone/empty bottle

Always makes you breakfast in bed

You are literally his best friend and being with you is his favourite pastime

Baekhyun

The crazy husband

I wouldn't know whether to say Congrats or good luck

He is a tornado with a beautiful voice and handsome face

But still a tornado

He is also a clingy boy

So expect lots of cuddles/headlocks

Knows how to cheer you up when you're not feeling so great

Expect lots of butterfly kisses to the face

Loves to go long drives with you, just listening to music and talking about life

He's just your number one fan and will make sure you always have a smile on your face

Chanyeol

The protective husband

If you're going out with friends or at a work event, he will be your personal taxi driver

Always making sure you're ok

Also the type to tease you, in a loving way though

Likes to take you on spontaneous dates

He loves to stroke your hair whilst you sleep and looks lovingly at his wedding ring

It fills him with a sense of pride when he does

Loves how your lips feel against his skin

Can’t actually go a whole day without a kiss from you

Marriage with Chanyeol would be filled with loving moments

Kyungsoo

The attentive husband

Actions speak louder than words

Kyungsoo's love language is his actions

He will always make sure you have eaten or that you are hydrated

At first it confused you, like you have managed to survive this long

Then the reality hits you, he’s trying to take care of you

Listens intently to whatever you have to say

Has had the same background on his phone for years and it’s from the day you met

Can’t stand to see you sad

It breaks him inside

Will provide advise whenever you need it

Though he doesn’t always say it, you’re everything to him

Kai

The affectionate husband

He kisses you and holds you any chance he gets

He knew you were his before marriage

But now it’s like official and legal

So he has to show you every chance he can that he loves you

Expect to come home and find the lights dimmed and candles lit

The faint sound of your wedding song playing in the background

Kai would take your hand and pull you close to dance with you

Why am I giggling and kicking my feet rn

He likes to watch the stars with you

Whilst talking about your future

He will do anything to show you how real and unwavering his love is

Sehun

The Impulsive husband

‘Sighs’

You only have yourself to blame for this

You knew what you were getting into and you’re not getting any sympathy from me

You’re now married to someone who I can only imagine has a circus living inside his head

He’s always down to do something fun

Your dates consist of paint-balling and silent discos

Always knows how to cheer you up when you’re having a bad day

I can imagine him being quite a heated kisser

He doesn’t like to sleep alone so he wraps his entire body round you like an octopus

He’s like the worst nurse when you feel sick

But you appreciate the effort

I don’t know why but Sehun just gives me feral vibes

Like it wouldn’t shock me if he lived wild in the jungle like Tarzan

But being with you gives him the sense of home he’s always wanted

You are his world

Lay

The doting husband

Be prepared to be treated like a queen

He has waited for the moment to call you his wife

Now that it’s official he can’t wait to be the husband he has always dreamed of being

Expect long talks into the night

He plans he whole future around you

You’re literally his one and only

Constantly sends pictures to the exo group chat of your travels as a married couple

Wants to show you off every chance he gets

Will sit and write songs about you

Every fibre of his being is you and your happiness

[stan-joe]

hey link click fans just to make your day worse I'm pretty sure the entire last few episodes happened on lu guang's birthday

[sgdlr-asdfghjkl]

Link Click Musical update 143

(March 10th wyh&srb and 11th tcp&dgy encores)

Big big thanks to @chocolatexiaoshi and @/bhd322418 ('钵🐼' on twt) my lovely consultants who translated parts from encore videos 💖🙇‍♂️

I wanted to know what the actors said at certain moments as ad libs and in closing speech, so I asked my fellow Chinese fans for help 🙏 So let me share what I've learnt ^^ (links to both vids I'll be refering to are in the replies).

March 10th, night: Wu Yihan, Shu Rongbo, Qian Anqi

During 'Guiding light', by the end of CXS&LG part, Wu Yihan wishes Shu Rongbo 'Happy birthday!' and hugs him :>

They laugh a lot (more than usual) during the closing speech >< I recommend you watch it, because Qian Anqi starts talking in English at some point (to srb's utter confusion) and along with Guo Zhenyan they insist on singing 'Happy birthday' together, it's cute :>

Around 8:50 timestamp, Shu Rongbo jokes 'If you like our musical, you can help us promote it more. If you don't like it, please send me a message quietly 🙏'

Then Wu Yihan explains they are going to take a picture together (forbday post on musical's weibo). It goes: 'Please turn on your phone's flash and take a photo with us', but according to 钵🐼 he said wrong words. As in being too excited and stumbling on a formula (?), that's why they laugh ^^'

March 11th: Teng Chunpeng, Du Guangyi, Wu Hanglu

Here I was curious about the changed lyrics that were picked in a Valentine's Day Project (@chocolatexiaoshi explained 🌟). The whole song is based on a word play, so it's hard to fully grasp by non-chinese speakers BUT I'LL TELL YOU ANYWAY BC IT'S COOL 😤🔥

The deal with 'Words can't convey the love' is that CXS is possesing Chen Xiao and is supposed to confess to Liu Meng. He starts saying 'I like'-/Wǒ xǐhuān/我喜欢' and backs off by saying a different phrase with similar pronounciation to '喜xi'.

In original lyrics he says sth like 'To do laundry and cooking/ Xǐyī zuò fàn/ 洗衣做饭' in first verse. In second verse it's 'I like your outfit today/Xǐhuān nǐ jīntiān de chuān yī dǎbàn/喜欢你今天的穿衣打扮'.

The special encore version was: 1) 'Scrambled eggs with tomatoes/ Xīhóngshì chǎo jīdàn /西红柿炒鸡蛋', 2) 'I like to add three bowls of rice/Wǒ xǐhuān zài jiā shàng sān wǎn dàmǐ fàn/ 我喜欢再加上三碗大米饭'. It's a reference to how Cheng Xiaoshi loves delicious food, so it looks like he's panicking and starts babbling about food ><🧡

HOWEVER at the very end, Teng Chunpeng says full 'I like you/Wǒ xǐhuān nǐ/我喜欢你'. Which doesn't happen in a main plot script, only this one time (coincidentally when Lu Guang's actor is in place of Liu Meng hmmm).

I hope the translation was comprehensible >< As a reward look at Shu Rongbo and Wu Yihan covering the candle flame with their hands 😭💖 I really really like the imagery, it fits shiguang so well ;w;

Once again, thanks to choco-xiaoshi and Bo🐼 for explaining things to me 💕

Okay byeeee :>

[dtriad]

I came across this bilibili video with commentary on a lot of the actors in Romance of the Three Kingdoms (1994). Adding my own scatter-brained thoughts on some of the featured characters, with timestamps:

Bi Yanjun as Yang Xiu / Li Ru (6:31) - omg TIL they were played by the same actor? I see it now... the power of facial hair & acting lmao. I like Yang Xiu a lot :3 though here he's not overtly obnoxious (affectionate) like Zhai Tianlin's Yang Xiu in TAA

Li Jianyi / Xiu Zongdi as Chen Gong (7:00) - XZD's Chen Gong is /chef's kiss/ I love the final Cao Cao/Chen Gong breakup scene at 白门楼, Cao Cao gazing at his white moonlight who refuses any possibility of surrender/reconciliation (Cao Cao: you'd rather be with Lü Bu than be with me??? HIM??? and now you'd rather die than be with me???)

Cao Li as Lu Su (9:17) - babyface mengmeng!!!!!! way too cute & honest compared to historical Lu Su haha

Gao Lancun as Sima Zhao (10:17) - confession, I still haven't watched the whole thing in order b/c I keep jumping around & picking out scenes/arcs instead, sooooo I have mostly skipped Sima Zhao content... but I love OP's description of Sima Zhao "who seems like he's looking at [others as] trash" lmaooo

An Yaping as Ma Chao (10:53) - 锦马超! Luo Guanzhong: /sweating I gotta spruce up this guy dammit! well good job LGZ I love watching him go after Cao Cao

Chen Hong as Diaochan (11:35) - MY DARLING!!!!!!! I really enjoy all the moments when she darts a glance at Dong Zhuo or Lü Bu to gauge her next move. & LOVE her character song—

Yang Fan / Zhang Shan / Hou Yongsheng as Zhao Yun (12:28) - ZILONG! ZILONG! too many A+ character songs... Zhang Shan's horsemanship was crazy good

Wu Xiaodong as Sun Quan (13:20) - he successfully captures that bearing/air as a ruling lord, but I'm sorry Sun Quan every time I look at you I think 孙十万... pls, let your generals do the fighting 😂 also I am weirded out by the fact he's got a luxurious beard while Zhou Yu goes around w/o one because then he would blow his identity as young Yuan Shao (speaking of facial hair, they dropped the ball with Sun Ce, why didn't he get a beard as nice as Sun Quan's!!)

Zhang Tianshu / Fan Zhiqi as Jiang Wei (14:14) - my young bb 甜姜! my old bb 苦姜! ;_______; ok tbh the thing that bugs me most about the 2010 drama is that they end the final ep with Sima Yi's death and toss in a voiceover "yadda yadda a decade+ later, Shu surrendered, yadda yadda" and THAT'S IT???? BUT WHERE IS THE CULMINATION OF THE TRAGEDY OF JI HAN???? JIANG WEI???? if you don't wanna adapt that part then ok just own it and wrap up the show with a thematically appropriate ending, why even bother to shove the idea of 分久必合 into the voiceover during the last half-minute as;dlkfja;sdlk. anyway wahhhh @ OP's commentary: "姜维是承载着蜀汉的所有美好与激情的存在，但是最后终会化为壮烈与凄凉 [...] 我们会在樊志起的身上看到诸葛亮，看到关羽，看到赵云，看到刘备的影子" ;______;

Zhang Guangbei as Lü Bu (17:15) - hahaha omg he originally intended to audition for Zhou Yu???? ok, especially after reading 《早安！三国打工人》I can't help but admit he's become my poor little muddle-headed meow meow... and ZGB is A+ in this role

Hong Yuzhou as Zhou Yu (18:35) - 美周郎 absolutely deserves that BGM cut at 19:28 /swishes cloak

Wei Zongwan as Sima Yi (20:37) - SO. MUCH. happening beneath the stillness of Sima Yi. he also deserves that BGM cut at 21:24. the ultimate 猫头鹰!!

Sun Yanjun as Liu Bei (23:27) - I like the historical Liu Bei more than ROTK Liu Bei, but major major major props to SYJ for, frankly, elevating ROTK Liu Bei with his portrayal, so 央三 Liu Bei > novel ROTK Liu Bei \o/

Tang Guoqiang as Zhuge Liang (24:31) - YES

Bao Guo'an as Cao Cao (26:46) - HELL YES

this got so much longer than I expected /facepalm

[blackmoonlightexpress]

TTEOTM Master Post

Opinion/Explainer Articles

TTEOTM vs. the Industry: Or Why TTEOTM is much more than a TV show (link)

About the Mixed Responses in China and Why I Think TTEOTM Will Prevail in the End (link)

Clarification: There were never 58 episodes (link)

How TTEOTM made "clam town" famous (link)

Further Reading

Novel English translation: Happy Ending Chapters 127, 128, 129, 130, 131 (credits go to Micha101), Full Novel

Novel vs. TV: Part 1, Part 2, Part 3 (WIP!)

Screenplay: Cut Scenes from the Ending (link)

Worldview & timeline logic (link)

Easter Eggs: Part 1 (plot), Part 2 (production), Part 3 (costume)

Compilations

Viewership Data: TTEOTM is the most viewed non-dangai xianxia drama since Ashes of Love (link)

Costume Count: Luo Yunxi (41), Bai Lu (35), Chen Duling (16), Deng Wei (18), Other Main Characters, The Uncles

Fun Facts: Creative Team, Production (link)

Merchandise: Top 7 Officially Licensed Merch (link)

Promotional Materials: Videos (link), Poster: Main, Dunhuang, Three Lives, Character Portraits

Concept Art: Part 1, Part 2

OST with English subtitles (link)

Complete OST guide with timestamps (link)

Luo Yunxi's many talents (link)

News/Updates

TTEOTM nominated in the 2023 Seoul Drama Awards (link)

TTEOTM finally reached Top 1 TV programme in Singapore (link)

Goodbye message from Luo Yunxi (link)

Goodbye message from the screenwriter He Fang (link)

LuoYunxiActing is #1 trending topic in China (link)

Reddit Episode Discussion Threads

Hostage Prince Arc: 1-6, 7-8, 9-10

Dream Arc: 11-12, 13-14, 15-16, 17, 18

Jing Kingdom Arc: 19, 20, 21-22, 23, 24, 25-26, 27, 28, 29

Cultivation Arc: 30, 31-32, 33, 34, 35, 36, 37, 38, 39, 40

More on r/TilltheEndoftheMoon!

Shui Long Yin 水龙吟

The Official Announcement (link)

What do we know so far (link)

[the-conversation-pod]

The VIIB Awards 2024: Special Class

Finishing with Part 5 of 5 of the Very Important Internet BL Awards, we are handing out our awards for our special class dramas!

We will be awarding Honorable Mentions to shows that did something specifically notable, and we will be awarding awards for Best After School Special, Best Family Drama, and Best Slice-of-Life Drama.

Thank you for spending the last week with us! Please tag us with your own awards!

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

00:00 - Welcome 01:23 - Introduction 03:03 - Interlude: The Beach - Moonlight (2016) 04:18 - Honorable Mention: The Day I Loved You 10:26 - Honorable Mention: Chen Yi and Ai Di 15:44 - Honorable Mention: Sasake and Miyano: Graduation 21:41 - Sixth Man: Mark Pakin Kuna-anuvit 31:33 - Standout Queer Narrative: Moonlight Chicken 38:02 - Standout Queer Narrative: The Warp Effect 41:30 - Standout Queer Narrative: What Did You Eat Yesterday? 2 46:54 - Outro

The Conversation Transcripts!

Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

00:00 - Welcome

NiNi

Welcome to The Conversation About BL, aka The Brown Liquor Podcast.

Ben

And there it is. I’m Ben.

NiNi

I’m NiNi.

Ben

And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.

NiNi

Four times a year we pop in to talk about what’s going on in the BL world.

Ben

We shoot the shit about stories and all the drama going into them. I review from a queer media lens.

NiNi

And I review from a romance and drama lens.

Ben

So if you like cracked-out takes and really intense emotional analysis…

NiNi

If you like talking about artistry, industry, and the discourse…

Ben

And if you generally just love simping…

NiNi

There is a lot of simping on this podcast…

Ben

We are the show for you!

[fanfare sound]

01:23 - Introduction

Ben

And we're back. We have reviewed all of the shows under the more traditional frameworks. We've gone over which talents we were really fond of, which pairings we're really fond of, who we thought did a great job assembling a show, and what were the bangers of the year.

It's time to award the shows so good that they would have skewed the results, or in our estimation, are not primarily driven by romance in a way that makes them fit under the traditional BL criteria.

NiNi

Here in our Special Class Awards, we have three award categories, and each award category can have multiple awardees, which is why it's special. [laughs] 

So our three categories are Honorable Mentions, the Sixth Man Award, and our Standout Queer Narratives Award. In Honorable Mentions, we're going to be acknowledging key contributions to the genre from various filming markets and traditions that are perhaps outside of the main and the ones that we discuss. In the Sixth Man Award, we want to acknowledge the most valuable and versatile supporting actor of the year. And under Standout Queer Narratives, we want to acknowledge queer works that are not primarily romances.

03:03 Interlude: The Beach - Moonlight (2016)

Kevin 

“That breeze feel good as hell man.”

Chiron

“Yeah it do.”

Kevin

“Sometimes round the way, where we live, you can catch this same breeze. It come through the hood and it’s like everything stop for a second ‘cause everyone just wanna feel it. Everything just get quiet, you know?”

Chiron

“And it’s like all you can hear is your own heartbeat, right?”

Kevin

“Yeah…feel so good, man. “

Chiron

“So good…. “

Kevin

“Hell, shit make you want to cry, it feel so good.”

Chiron

“You cry?”

Kevin

“Nah. But it makes me want to… What you cry about?” 

Chiron

“Shit, I cry so much sometimes I feel like I'ma just turn to drops.”

04:18 Honorable Mention: The Day I Loved You

NiNi

So let's start with our Honorable Mentions. And this year we have three. I'll let Ben take you through them.

Ben

The first one I want to acknowledge this year is a show from the Philippines called The Day I Loved You. [Applause sound] I don't think I ever actually managed to write about this show because you're reacting to a show that is fundamentally tragic. I remember watching it with Kyra, and we called it, like, the Nicholas Sparks BL of the year. 

In this show, we have a femme boy who's kind of bullied at school but doesn't seem to care about it. He ends up developing a thing with the new hot guy at the school who's here from Singapore, and there's, like, a love triangle with his best friend. And we realize that the reason why he's been holding back romantically in this story is because he has a debilitating condition that is gonna involve him declining and losing control of his limbs and other mobility along the way. So he's leery of beginning something with someone. 

The way this plays out is really beautiful. There's a richness to the way a lot of the Filipino storytelling is done that I really connect to all the time. Even when I'm not watching BL, I really like Filipino cinema when I have the opportunity to really engage with some of their work. And even though BL in the Philippines has been really struggling with the lack of investment right now. 

This show is really well produced—it's available on YouTube—and takes the dynamics here very seriously. The best friend is not going to be the one who's chosen because he doesn't want his best friend, who he knows loves him, to also go through the ugliness of his decline. His suitor in this eventually pushes past some of these barriers, but the show never downplays the seriousness of Eli's condition. His condition worsens. It is not a pretty experience. But there is this beautiful amount of heart in it. 

This show is the one that has stuck with me quietly all year long. I think about the show at least once a month or so, and have been trying to find a way to properly write about it. In a year where we didn't really have a lot to point to from the Philippines that we really thought a lot of folks should rally behind, this is one of the standouts that I think you all should go back and watch if you can handle a tragic romance, not unlike the experience you might have with a Nicholas Sparks movie or book.

NiNi

So, I have not seen The Day I Loved You because I feel like I am not emotionally capable of watching that right now. It's the same reason I haven't caught up on Eternal Yesterday. There are some things that I'm holding in reserve because I don't think that I have the emotional bandwidth or capacity to handle right now. But I was sort of following along while you and Kyra were doing your watch, and I am looking forward to getting around to it when I have the emotional wherewithal to stand up to the tragedy, because I do sometimes enjoy—I guess ‘enjoy’ is a strange word—but enjoy a good tragic romance. 

I tend to enjoy work from the Philippines, especially when the production quality lines up with the ideas they're trying to espouse. And so, given everything that you've said about it to me up until now, it's on my list. I just don't know when I'm going to get to it.

Ben

I think the production quality is about where The Boy Foretold by the Stars is. It's slightly under Gameboys.

NiNi

I think that's a good spot to land.

Ben

The music's good, like the song that they selected for the intro is a banger. It's called Sweet + Wild by YANCO—such an excellent song.

NiNi

I love Filipino music, as you are well aware, so really looking forward to that.

Ben

It's a really excellently put together little production. There's a lot of heart in the story and it takes its characters and its conceits really seriously, in a way that I found really compelling. And I continue to be really impressed with the way the Philippines explores Catholicism and Christianity inside of BL. It's one of the unique things that the Philippines can do, and I like that they do it well consistently.

NiNi

It's one of the things that draws me to them as well, being a lapsed Catholic myself. Lapsed? Former? What's the terminology these days? Having grown up Catholic, it's one of the things that does draw me to the Philippines, and I feel like I understand a lot of what they are getting into in their narratives and in their characters because of that.

Ben

The Day I Loved You from Regal Entertainment, directed by Easy Ferrer, starring Tommy Alejandrino as Nico, Raynald Tan as Eli, and Rabin Josh as Justine.

10:26 Honorable Mention: Chen Yi and Ai Di

NiNi 

Our next Honorable Mention award is not for a show. It is for a couple coming out of Taiwan from the show Kiseki: Dear To Me, Chen Yi and Ai Di. [Applause sound] It has been a long time, for me anyway, since a side couple completely took over the show from the main couple to the point that I'm kind of only slightly sure what happened to the [laughs] main couple on Kiseki? But I know for sure what happened to Chen Yi and Ai Di. [laughs]

Kiseki was a mixed bag. It was a strange year from Taiwan. Nothing really landed. They did quite a bit that I ended up, in the end, not watching. I think Ben, you watched most of it?

Ben

Unfortunately.

NiNi

It was a very strange year. The only thing that drew me in was Kiseki and then, it was a strange show. I didn't expect something like that from Lin Pei Yu. But the light in the tunnel was definitely Chen Yi and Ai Di, played by Nat Chen and Louis Chiang. 

They play orphans who basically grew up inside the mafia. Chen Yi thinks he's in love with the mafia boss, while Ai Di is in love with Chen Yi. Hijinks ensue. Let's just put it that way. Hijinks ensue. And then Ai Di goes to jail for four years, but before he goes to jail, he and Chen Yi have sex while Chen Yi is, shall we say, altered? And then Ai Di goes to jail and Chen Yi is left with his feelings trying to sort of understand how he feels and where he stands with Ai Di. Then when Ai Di gets out of jail, he's pissed, and trying to keep his distance from Chen Yi. But Chen Yi has now realized how in love he is, and he's not gonna let that stand. 

It is one of the crackheads ships I've ever seen. But also kind of delightful in a way? [laughs] But the important thing is that they really took over the show. I don't mean that in a critical way. I mean that of all the things that were happening on Kiseki, they were easily the most interesting. 

Ben 

So it was a weird year for Taiwan and part of why I wanted to talk about these two is because there's just been less activity from Taiwan and the BL front. Some of that has to do with a lot of complicating factors [laughs] we won't get into on this podcast. But in all the things released—quick aside, there is an interesting project happening right now in Taiwan in that the Friday Taiwanese BLs are being produced by a single company doing a dedicated for BL project. I don't think it's been that great personally, but it's rare that we get dedicated BL commitment in a time slot, and while I don't think the projects have been really strong, the things that Taiwan is good at remain. Like, the overall cast chemistry from Taiwan still remains the best. They are very good at getting the whole cast to believably play off of each other, even in characters who only interact once or twice in the whole show. It is always impressive and especially with the romantic and sexual chemistry. I enjoy the paired chemistry of actors from Taiwan, more [than] the other BL producing countries more often than not. 

In this particular show, I think both couples had really strong performances as couples with each other. And we ended up focusing on Ai Di and Chen Yi a lot because they're the mafia boys and Louis Chiang's character wears a choker the whole time, and is always trying to murder someone, and he's shorter than everyone, and everyone loves that! Every time I see this boy getting a little bit mad, I'm like, yes! Kill them! 

But they were really good. And it was funny, like, the show shifts towards the back half where we spend a great deal of time focusing on them, and they get the final shot of the show. It's so weird! This side couple legitimately won. I'm just amazed by that choice. 

NiNi 

A choice it definitely was. With all that said, Honorable Mention award to Chen Yi and Ai Di from Kiseki: Dear to Me from Taiwan, played by Nat Chen and Louis Chiang. 

15:44 Honorable Mention: Sasake and Miyano: Graduation

NiNi 

The third and final Honorable Mention award this year goes to an anime project. Sasaki and Miyano: Graduation. [applause sound] 

Ben, lead the way. 

Ben 

Okay! Let's talk about anime. So, yaoi is old, a lot older than people realize. We have art made by, we suspect to be women, going as far back as the 1400s, of guys sucking each others dicks. This is not a new phenomenon. At all.

And so, when we're talking about, like, what is BL doing, what is BL, where is BL going? A big question is always what is happening on the written front? What novels are popular in various cultures, and in, for Japan in particular, it's going to be manga. A significant amount of content is adapted directly from manga because manga is already successful, it has a built in fan base, and the manga itself serves as a storyboard and it's very easy to win fans over by taking popular panels and recreating them on screen for maximum impact. What's also notable is, when something is doing really well, it's going to get an anime adaptation. Anime is far more expensive to produce than live action content. 

So, Sasaki and Miyano is a story about these guys in high school. One is a little bit older and is going to be graduating soon. His name is Sasaki and he helps Miyano in an instant where these guys are bullying one of Miyano’s friends, and Miyano wants to jump in. Sasaki sees that Miyano wants to help, and he jumps in to help, kind of gets his ass whipped anyway, but the two of them start hanging out. 

Sasaki learns pretty early on that Miyano is a fudanshi—this is the boy version of a fujoshi—he reads BL all the time. He is one of us. But he doesn't think of himself as queer at the beginning of this. Sasaki ends up becoming very fond of Miyano, starts reading BL because it's very important to Miyano, and a relationship blossoms between them. Where this particular show is fascinating for me is because Miyano is a fudanshi, and Sasaki is not. And this is evinced most notably in the movie that released this year: Graduation, where Miyano’s understanding of what m/m romance is supposed to look like is influenced by BL, and we get this really incredible moment in the movie where after sorting through some of their stuff, they're having this moment that is sexually charged. And Miyano, who's shorter than Sasaki, and because he's more petite, a lot of people might expect him to be the uke-slash-bottom in this instance, he stops the moment that they're having and says, “I'm not an uke.” And this is also backed by the fact that Miyano does not have uke hair [laughs] but Sasaki does. 

NiNi 

[laughs] I know what that is now. 

Ben 

It also gets confused because Sasaki has yaoi hands. 

NiNi 

Okay, wait, pause. What are yaoi hands? 

Ben 

So whenever you're watching yaoi—animated yaoi—seme my hands are fucking enormous, because they want you to focus on their fingers and stuff, so their hands are fucking enormous. 

NiNi 

Listen, the things I learn on this show. 

Ben 

It's interesting because Sasaki, who just recognizes his attraction to Miyano, and maybe knew about himself already—it's a little unclear on that front. He doesn't care what position Miyano wants him to take, he just wants to be with Miyano. It's not that explicit, like the show's not going to point the camera at us and go, “Let's break down and talk about the [laughs] social politics of BL and how it impacts the youths’ maturation.” But it's apparent that it's one of the things it's thinking about because we get this really excellent presentation through Miyano, who is struggling to contextualize their relationship because his primary framework for understanding relationships between two men is formed by BL, which is not a great source, obviously [laughs] for this ‘cause BL is fictional, and is trying to just have fun with a lot of readers preconceptions of stuff. So, we get to watch them figure out what their relationship is going to be while deconstructing some BL presumptions. And it's a really enjoyable experience watching this really adorable little show. 

NiNi 

My brain is still stuck on yaoi hands. 

Ben 

All right, legit. Legit. You can pause right now and you can go Google yaoi hands. It's a whole thing. 

NiNi 

I believe you. [laughs] I'm gonna wait until after the show. So… 

Ben 

Ginny is in the fucking transcript right now Googling ‘yaoi hands.’ 

[both laugh]

NiNi 

Ginny, I don't know if I should say I'm sorry or you're welcome. 

Ben 

The third and final award goes to Sasaki and Miyano, developed by Studio Dean. 

21:41 Sixth Man: Mark Pakin Kuna-anuvit

NiNi 

Our next category of awards is the Sixth Man Award. We are going to name the Sixth Man award for its inaugural awardee, and the inaugural Sixth Man awardee is one Khun Mark Pakin Kuna-anuvit. [fanfare sound] Mark Pakin, the most valuable and versatile supporting actor of the year. So this award shall forever be known after this as the Mark Pakin Sixth Man Award. 

Bestie, I want you to go first here. Why is Mark Pakin not just our inaugural winner, but why is this award being named after him? 

Ben 

It's easy to get caught up in the ships, and the leads, and all the actors, and the big romance parts. But a big part of any successful story is going to be how well the lead characters play off of their supporting characters. It's notable when you look at Mark's credits since 2021, when he first appeared in a small role in I Promised You the Moon, since then every single show he's been in has been one of the highlight shows of the year. 

Mark was in Bad Buddy, My School President, The Warp Effect, Moonlight Chicken, Only Friends, and now Last Twilight. Mark picks good projects and he makes them better because he can play whatever is needed of him in each of these shows. And because, as NiNi says, I bring the lore, when you watch the behind the scenes stuff and what people say about Mark, he is a huge presence behind the scenes helping manage morale and the overall mood of the set when he's present. Mark is working even when the camera is not in front of him, and making sure people are taken care of, and making sure people are grounded, and making sure that people stay in the right headspace so that they can do the work. And it clearly pays off. 

Mark is really talented and you can feel how effective he was as one of the oldest actors on My School President in particular, and helping Gemini in a lot of his scenes. Mark plays so well with Fourth in Moonlight Chicken. Mark has a couple of moments with Earth in Moonlight Chicken that I still think about, like particularly the scene where Saleng receives the dowry gift from Jim, or the scene where he's leaving in, like, episode one and he's kind of shuffling out of the place. Or even just his goofy ass showing up at the end now that he's moved into, like, a value position at the water park he's working at. 

Like, it's so incredible to watch Mark work whenever he's on screen. You are just so excited that he's back on screen and he does that completely from a supporting role. He is doing a great job without stealing the show or the scene from the other people that are in it. No disrespect to some of the other actors out there who are really talented, but they can't help but chew the scenery and take over every moment that they're in. Mark is really good at dialing in his performance to exactly where it needs to be in any scene, any moment. He can go really high or really low. He can go big or small as needed, and then turn it on a dime. And it's so impressive to watch. It's notable that every show he's been in has rated highly with audiences. And I just at this point find it hard to not see a pattern with his presence, and people's general love of his characters, and the shows and the storylines around where his character is involved. 

NiNi 

This year I watched Mark's play—technically six, if you consider the Our Skyy: My School President AU?

Ben 

Kind of counts. We'll call it six. We had six different versions of Mark Pakin on our screen this year. 

NiNi 

And all of them were different. Every single one of them was different. And if you expand out to his other roles, every role that he has ever played, he is a different person. I do not know how he does that. I talked in the Moonlight Chicken episode about how loose he plays as Saleng. His body language is loose. The way that he speaks is loosened. It's such a different version of him that comes up as Nick in Only Friends. You can feel some of the anxiety that comes off of Nick. You can feel his vulnerability. Compare that to Tiwson in My School President, who is nothing if not confident. Ultimately, utterly confident. Every single role that he plays is just different. Physically, he acts differently. He sounds different. The way that he interacts with the other characters becomes different. He is building these characters right in front of our eyes, almost in a weird way, in real time. And then when you see him off the clock—well, not off the clock—but when you see him behind the scenes and you see him just sort of being Mark, that's a completely different person, too. 

I am not the lore person, Ben is the lore person. But I did happen to see within the last couple of days a conversation on some one of these variety shows between Mark and Namtan. And Namtan is talking about being on the Last Twilight set and working with Film on the upcoming GL Pluto. And the way that Mark interacts with Namtan, and the way that they discuss acting, and the way that he supports her in those moments in the variety show. Like, he's kind of interviewing her but also praising her. I just think about what it's like to have somebody like Mark in your corner on set. And he did this too, we saw, in some of the behind the scenes on Only Friends. There's a particular one that I'm thinking of where Force played a fairly difficult emotional scene. And after the scene was over, Mark was there to say, “Yeah, guy, that was really good.” And to discuss in detail and specificity what about the way the that Force acted in that take really worked. 

Ben 

He was gassing Force up, and Force was eating it up. He was a little shy about it, but Mark came in and was yelling at this man. He's like, “You did amazing! You fucking crushed that, dude!” 

NiNi 

Mark is what I like to call an actor's actor. I don't know what else to say about this dude. He's only 25. There is so much ahead of him. 

Ben 

He's playing a very serious character on Last Twilight right now, and I remember seeing in one of the early behind the scenes things Aof was talking about Mark and he's like, “We weren't sure what was going on. Like, Mark was playing the scene and we were like, wait, what's going on? Mark Pakin’s on screen but we're not laughing or smiling.” And they asked Mark about it and he's like, “Well, I'm not playing a comedic character. Like, this is pretty—it's a pretty sad character, guys.”

NiNi 

One of the stories of this year, I think that we're going to get into a little bit in the year in review, is people finally putting some goddamn respect on some comedic actors' names. Because, guys comedy is hard. It is so hard. It is harder in certain ways than playing drama. And so when you get a really good, really good comedic actor, you should know off the bat that they're gonna be good at drama, because it's just easier. Mark Pakin is a really fucking good comedic actor. I don't know where this kid came from. 

Ben 

Nadao Bangkok. 

NiNi 

Well, yes, there was that. [both laugh] He's only 25. He's got so much ahead of him. But in terms of what's already behind him, gotta give him props for that. And that is why he is both the inaugural Sixth Man award awardee and is going to be the person after whom this award is named going forward. So congratulations to Mark Pakin Kuna-anuvit. 

Ben 

We're big fans of yours, Mark, if you ever hear this. Please keep working. We love everything you're doing, and I'm really glad you committed to acting. 

NiNi 

I genuinely cannot wait to see what this kid does next. 

31:33 Standout Queer Narrative: Moonlight Chicken

NiNi

We are now in the Standout Queer Narratives category of our Special Class awards. These three shows are chosen because while they might be in genre, they're not really of genre.

Ben

So, BL is a romance genre. The thrust of BL is about the romantic relationship at its core, and seeing it to completion. You go to a BL and you expect the very pretty boys in the intro to flirt with each other a bunch and eventually sort out their dramas and pair up by the end. Sometimes we're dramatic and they don't pair up, but we come to the genre because we want to see the cute boys get together. There's a big difference between a queer drama and a queer romance. And BL is romance. And so if you're wondering where Moonlight Chicken was  [fanfare sound] [laughs] for the last week with us, it's why it's here. We talked about this in our episode, which you can go listen to. We praised it for, like, an hour and a half. 

Moonlight Chicken is a family drama. The only ‘I love you’ said in the whole show is between Jim and Li Ming. The relationship between Wen and Jim is important, but it's primarily about how Jim's queer experience has further weakened the version of his life he thought he was building, and how Wen is an opportunity for him to not perpetually punish himself for the way certain things went wrong. It is important to the story but their romance is part of the drama around the diner, and the people who are connected to Jim. Like, Saleng and Praew are not a side couple, and I wouldn't even classify Heart and Li Ming as a side couple in this. They are just one of the dynamics that's being explored in this show, and it has resonance with Jim because Li MIng is Jim’s son in all but name. And so that's the crux of the whole story here. 

Moonlight Chicken is truly fantastic, and I don't know that if we put Moonlight Chicken under the traditional scope we were doing in the award show that it would have won in every category it was in, but it would have probably superseded a lot of these just because of the scope of the project. That is not fair to the other shows, because the other shows are operating under the presumptions of romance as a genre. 

It may feel like we're splitting hairs to some of you, and I'm sorry I can't make it more clear or explain this better. But we don't like to put bad bitches up against each other [NiNi laughs] on this podcast.

NiNi

Not even in our awards shows.

Ben

Like our award shows are really about, like, these are the top two projects that we really like the most. We give them awards because it's more dramatic for us to fight over who's better than the other one. But it isn't good to put a project like Moonlight Chicken up against the other shows that we talked about earlier this week with you all. 

NiNi, any other things you want to add for Moonlight Chicken, since we've already gushed over the show once this year.

NiNi

I mean, we spent—unedited—close to three hours talking about Moonlight Chicken. I don't know what I can say that I haven't already said about this show. It is not primarily a romance. There are some parts of the audience that kind of bounced off of it or bounced off parts of it. And that's because it's not a romance. And that's okay if you come to this genre expecting romance, and you see Moonlight Chicken and you're just kind of like, “Oh, I don't know.” I'm going to judge you a little bit, but ultimately, yeah, you're right. It's not a romance. What it is is a haunting, absolutely haunting examination of love and loss and family and intergenerational trauma. It's about community. It's about coming to terms with yourself at literally every stage of being. Coming to terms with yourself in your youth, coming to terms with yourself as you start to become a real adult, coming to terms with yourself in your middle age. I have no more words, so I'm not going to try.

Ben

It has Mark Pakin in it!

NiNi

[laughs] If you haven't watched this and you like things like Parenthood or Friday Night Lights.

Ben

Aging ourselves immediately.

NiNi

Go watch it.

Ben

It is our Standout Queer Narrative as the family drama of the year that we were most enamored by.

NiNi

Moonlight Chicken produced and aired by GMMTV, starring Earth Pirapat Watthanasetsiri and Mix Sahaphap Wongratch among others, including the Sixth Man Mark Pakin, and directed by Aof Noppharnach Chaiyahwimhon.

38:02 Standout Queer Narrative: The Warp Effect

Ben

Our next show that we wanted to talk about was The Warp Effect [fanfare sound] as our after-school special [laughs] show of the year. It also has Mark Pakin in it!

NiNi

[laughs] This is not a coincidence. I think Ben is right. I think that putting Mark Pakin in your show automatically raises the level.

Ben

So, despite our [laughs] mixed bag of Jojo shows this year, he and NiNew did a really good job on The Warp Effect, exploring the social politics of sex, and how they impact people even 10 years later for the things you do in high school. I think they did a good job with the sex ed 101 component of it. You could see some of Jojo's Gay OK, Bangkok roots coming back there. And it was a lot of fun seeing Jojo work with a large cast of men and women talking about the way sex worked for them, how it didn't necessarily always work for some of them. And it was so legible! Like, it was amazing to me from week-to-week how much recall I had of that show from week-to-week, ‘cause that show was packed. It had like three to five threads it was juggling in every single episode, and yet I was still able to hold them from week to week—and as you all know, I watch too much. So, the likelihood that I forget stuff is high. 

It was so much fun to watch this for the 12 weeks it was on.

NiNi

One of the things that I think it did really well is balance its themes with its narrative. I think that a lot of shows this year sort of failed at that balance. I think The Warp Effect was probably the strongest at doing that all year. It doesn't fall into the BL categories because it's not a BL.

Ben

The main character is literally straight.

NiNi

But we wanted to acknowledge all the things that it did really well, and also acknowledge that it was a very queer narrative, because the main character, yes, is straight and he has straight problems. But within the show we have a gay couple, a lesbian couple, Mark Pakin in a relationship with a trans woman.

Ben

Who Mark made blush all the time. [both laugh]

NiNi

Again, that behind the scenes stuff he's so good at. We had couples involved in kink, which kink is not technically queer, but they're definitely in the vicinity.

Ben

They're getting their asses beat with us on the streets. They count.

NiNi

We've got an aromantic character. We've got bisexuals, we've got everybody in this show. It is super queer in only the way a Jojo show can really be. And it was just fun to watch. It is an after school special that did not feel preachy. It was lighthearted where it needed to be. It was serious where it needed to be. It's a great show and definitely one of the standout great narratives of the year. 

The Warp Effect produced and aired by GMMTV. Starring everybody you can think of [laughs], directed by Jojo Tichakorn Phukhaotong.

41:30 Standout Queer Narrative: What Did You Eat Yesterday? 2

NiNi

Our final Standout Queer Narrative award, and our final Special Class award goes to the granddaddy of this podcast. It’s What Did You Eat Yesterday? Season 2, guys. [fanfare sound] Do we even need to explain this?

Ben

The only thing that could have possibly made What Did You Eat Yesterday? 2 better was if Mark Pakin was somehow involved with it.

[both laugh]

NiNi

I can’t stand you. So What Did You Eat Yesterday? falls into the slice-of-life genre. We would have talked about What Did You Eat Yesterday? ad nauseam in our Om Nom Nom episode, which you would have heard if the editing is right… last week… sometime?

Ben

Oh my God.

NiNi

[laughs] Don't quote me on that. Listen guys, the editing is…it's gonna be what it is. So we would have waxed poetic about this show for, at the very least, an hour.

Ben

And you've already heard Ginny’s supercut of me mentioning the show unprompted all year long.

NiNi

You would have definitely heard Ben, bringing up What Did You Eat Yesterday? every chance he gets in our holiday clip show. 

This show is amazing. Nishijima and Uchino are amazing. I did not expect to get more What Did You Eat Yesterday? this year. The fact that we got it is a gift.

Ben

This season 2 picks up a little bit after the movie. Shiro and Kenji been together for about eight years now, and we continue with more stories about their lives. The big theme for this season: they are dealing with the fact that they are in their 50s now. They're getting older and they're going through physical and emotional changes, and there are changes going on in their personal, professional, and family lives that they also have to manage as well. 

This show remains kind of unique. BL is romance. It’s focused on people getting together. What What Did You Eat Yesterday? is focused on as a slice-of-life food drama, is about a couple staying together and dealing with the things that come up in their lives. Less than a handful of shows allow us to return to characters and see how they're doing and if they're going to make it and stick together. And What Did You Eat Yesterday? is so important in that regard, not just because it's about a long-term relationship. It's also about older gay men. And it's super important that we conceive of the idea that there are older gay couples. We do get to grow old with each other. That's also–and marriage equality is important. You want your boys to grow old together? There are gays who are old right now. You deserve to see gays getting older together and doing their best for each other. 

What a lovely season we had because everybody got to grow this season. We got to see Shiro take on more professional responsibility than he was maybe willing to. Kenji got to grow professionally as well. Wataru was still a bitch the whole time, but he feels like a friend now?

[both laugh]

NiNi

I'm still creasin’ over the 50 balloon. [laughs] Oh God, that was such bitchy energy. I love it.

Ben

I just love how at this point, Kohinata and Wataru feel like their friends. And that was so important for me that we got to see them having a relationship with another gay couple. Kenji finally got to meet Kayoko this season. What a delight that was.

NiNi

And Kayoko treating him like a celebrity when she runs into him in the grocery store. So fun. Great, phenomenal, fantastic show anchored by some of the best performances by two of the greats.

Ben

Man, that's another thing we should talk about. The-the other reason why we need older gay characters: we deserve to see more veteran actors in the genre. This is not a knock on the young and up-and-coming talent or the OGs who are still doin’ the work. We deserve to see veteran actors bringing veteran-level talent to this genre more often than we do.

NiNi

What Did You Eat Yesterday? produced and aired by TV Tokyo, starring Nishijima Hidetoshi and Uchino Seiyou. You have won the coveted standout Queer Narrative Special Class award from The Conversation.

46:54 Outro

That is going to wrap us up on the 2023 Very Important Internet BL Awards, the VIIB Awards. It's kind of sad to see this go, but we will be back with the VIIB Awards next year when we get to discuss a whole new bunch of stuff. 

Looking forward to it. With that, we out. 

Say “bye” to the people, Ben.

Ben

Peace!

[neragufetta]

Link click S1

This is an incomplete list (apparently I love lists) of details scattered throughout the 1st season (still working on the 2nd, my head needs some rest) which seems to be either: hints to a deeper truth; red herrings; mistakes; meaningless details not to be taken seriously (except, in time traveling story, messing with dates and times would be silly, it shouldn’t happen, right? RIGHT??)

Unfortunately, at the moment I am unable to collect screenshot of the episodes as reference, but if you request them I can produce the timestamp.

Episode 1

Emma’s mother sends her a message at 02:47 of the 15th April 2021. The phone states “Wednesday”. Too bad April 15th 2021 was a Thursday. Why, Why Wednesday. Is that a mistake? Was it meant to say that they live in a different timeline? Is it a hint that shows that Time is already broken?

I had my timeline all done and to simplify it, I was sure that: - 14th at 22:00 – 16apr!CXS dives in Emma - 15th at 10:00 – 17apr!CXS dives back in the present - 16th, before evening – QL states the mission - 16th at 22:00 – CXS dive in 14apr!Emma - 17th at 10:00 – CXS dives back and LG pass the info on the fraud to the client. - 17th, Later that day, the fraud makes into the daily news - 17th evening – Emma goes home, finds spring rolls and blankets, calls her mother, meet Liu Min - 18th at dawn, Emma dies. - 18th evening, LG see the news about her death until I realized that the consensus is that the news about the fraud came out on the 15th already, which would make sense with her not seeing CXS message before coming back home and her parent arriving straight away. But then, How could the news about the fraud reach the public before Shiguang were involved? Another time traveler? A mistake? Which timeline makes more sense? I’m not sure anymore. Is it important? Most probably.

Emma's wristwatch consistently marks times inconsistent with the timeline, which I will just tag as “random watch pics, do not read too much into it” and move on, but I feel I still need to acknowledge them.

Episode 2

Now, I have nothing much to say about this episode, except that it seems to be completely separated from the main plot, every episode is strongly affecting the whole story, why this one does not? They could delete it without affecting the overall plot and it weirds me out, probably because I’m a little bit too paranoid at this point.

Episode 3-4-5

Three major problems with these episodes:

Obviously, the glasses issue: at first I indeed thought it was weird, but then we saw Liu Min walking easily while possessed, so I thought that, somehow, the possessor retains its physical characteristics while diving. But then, episode 12 kindly reminded us of this glasses detail. So what’s going on here? Are physical abilities passed down while diving or not? And in that case, what’s happening, someone put lenses on Chen Xiao? The glasses were not his? Is there someone else possessing him?

Why is Chen Xiao the only one actively asking to change the past? Any other case has always been just about retrieving information.

And why does LG accept? Because I’m definitely not buying that the only crucial node is the actual earthquake. After the dive, Chen Xiao should feel less guilty about that day, and therefore he has no reason to look for the “Fairy” in the first place. Isn’t there a time paradox through and through?

Episode 6-7

Why the date on the Security Camera is 20XX/XX/XX 14:48:12 instead of an actual date? What’s the secret here? Was it meant to hint that time is already broken (again) or was this an easy way to stalling because the authors had yet decided the days of the trip?

IF we agreed that, while diving, past and present time flows at the same speed, the two dives in these episodes overlap in present time:

first dive starts on October 13th at 14:30 in the present and presumably on 20XX/XX/XX at 14:30 in the past, the kidnapping seems to have occurred at 14:55, both in the past and in the past. We can presume that this dive ends way before the 12 hours limit was reached.

second dive begins right before the kidnapping, which again I presume happened on 20XX/XX/XX at about 14:55, then CXS awakes and LG states that the 12 hours period is almost done; the dive ends on October 14th at 02:55, which seems to suggest that the second dive started on October 13th at 14:55 BUT at that time CXS was still inside the first dive.

What’s happening here?? Am I wrong? Is time wrong? My goodness

Episode 8

This one drives me nuts for really no reason, I’m not even sure if I’m correct, BUT on the dial of Dong Yi’s wristwatch watch you can read what appears to be a 15 inside the box where, as far as I know, the day of the month is usually shown. IF this assumption is correct, Dong Yi’s watch marks that it is the 15th, while XSS’s phone marks that is October 21st.

Again, Why? Just why are they messing with our head?

Episode 9

Nothing new on this episode but, if only, this episode proofs that diving doesn’t need to start at the exact time the picture or video was taken, because CXS’s dive occurs somewhere between the 10:00 and the 14:45 of October 21st, while the dive’s time seems to be late evening (from more that 2 hours prior 22.34). Does this solve the issue with episodes 6 and 7? Not sure.

Episode 10

I’ll use this episode to address the elephant in the room: the 10:10 ghost clock!

The photo studio seems to have at least 2 clocks, one on the hall, with a red frame, plus another one in the darkroom.

However, a third ghost clock with a white or blueish frame switches place with the other 2 every now and then. The red clock seems to be working fine, the darkroom clock seems that either it stopped or it is 10 minutes off, the ghost clock always marks 10:10.

WHAT is this clock?! Is this a random clock picture just to fill the scene? Is it a hint that something happened at 10:10?

I, I… I’m lost.

Episode 11

I won't address Lu Guang's thought at the end of this episode but I'll leave them for my season 2 analyses, because they fit there better.

Therefore, nothing much is left to say about this episode, except that the darkroom wall with the clock keeps changing aspect (and even the clock disappears at some point).

But, just for the sake of my mind I will tag this as “do not read too much into this one” and, again, move on with my life.

And this was just season 1, I have no idea how mad it’s going to be during season 2.

[okiecookie20]

EXO 'Overdose' Theory

Other theories: Obsession

𝚃he plot of is quite straightforward with the boys already being captured and put in a complex maze. The intro to the mvs shows us that they are trying to figure out how to escape the maze. An interesting thing that you might have noted is that they are not shown to use their powers explicitly or the escape might have been very simple, especially Jongin having the ability to teleport himself and "other energy" — The War repackage, Power merch as seen on Kai character cards:

Another instance is that Chen is unable to turn on a lamp in the maze.

(more under the cut)

• The intro gives us important clues, let's go through the scenes:

Everyone seems unhappy. Minseok and Junmyeon look for clues on the walls of the maze to find a way out. Kyungsoo gets a box(?) and opens it to find sand which correlates with his power of Force (also known as Earth-bending) which he empties upon seeing glimpses of their future (hands behind screen). This scene is connected to the very next in which Yixing is lying down with (lol idk how to say this) sand going up.

From Mama intro: "two worlds that look alike" but they cannot meet until the Red Force (believed to be a corrupt organization) is purified so they are in the same place (LaySoo, XiuHo, SeTao) but do not see each other.

•Baekhyun has his back towards the map to the maze:

Why is he not trying to get out even though the answers are behind him? Many believe this is because he wants to protect himself as he is the Heart of the tree of life. Baek does not want them to leave the maze.

a little Edit: in the behind the scenes video, even Tao passed this place where Baek is sitting but the shot did not make it to the final cut so maybe this little deduction was crap idk hehe

• Does Obsession happen after Overdose? In Lucky One theory mv we see how they are captured and subdued by the ladies. Twitter user @erisxekso posted this:

• They dance in 2 settings one of which looks like the inside of a cube. Notice how the subunits M & K dance in different cubes as discussed earlier. There is plenty of evidence for correlating Tempo and Overdose. Visit Exo & the cube Theory↗ where I have pointed out various links and how significant the cube is in Exo's lore. The red lights suggest it an illusion or plane created by the RF.

• SM leaked overdose mv (little different outros from the official ones on yt) which provides us an important detail. Here are both m ver and k ver in primitive form lol. We see that Luhan and Kai seem to be near the exit of the maze but a mechanism closes the exit so they are unable to escape through the dead end. Yes, we are yet to know what happens next.

_Clue: time-bound puzzle which is another instance of how Tao is unable to stop, reverse or speed up time.

Amino user vip.imnida posted a brilliant theory based on their physical ver of Overdose Album. Basically, they traced a faint line on it which is a path connecting the centres of each hexagon present in the big maze. I agree that the codes on the centre of each hexagon correspond to a member or their location.

• I'm sure you've noticed at 1:52 of the K ver mv, Jongdae passes a bolt of lightening to Yixing who tosses it upwards. It has been explained that he is the healer in the grp so he does not get hurt but tosses it out of the way. In the M ver, Baek passes his power to Junmyeon(?) who gives it back to him. waaa this is confusing I think this relates to Chanyeol's scenes in What is Love mv / Debut Teaser 20. He is reading a book of prophecy:

At the margins, this page shows Suho's symbol pointing towards Baekhyun's and an arrow pointing from it to Yixing's. They're also drawn inside the triangle with Kai's symbol in centre. Yes! They are connected and we will discuss this imp motif soon :)

• Some believe that another clue could be the iconic head drum choreography 😭 (1:35 and 2:58 timestamps) they are literally dancing to the beat of the RF. We have seen in Lucky One how they were subdued by the nurses.

An important deduction is that Lucky One is the prequel to Overdose since the title is a glaring hint: they were drugged and "it's too much." Also, are they calling the doctor who has ties with the red visored nurses?

• Jongin explained in the behind video:

• I found this analysis:

The lyrics describe a love so potent that it becomes impossible to escape, likening it to a dangerous drug. The repeated calls for a doctor underscore the severity of this 'overdose,' suggesting that the protagonist is aware of the peril but is unable to resist the allure of this all-consuming passion.

Agreed. Yixing's Honey might be connected to Overdose lore-wise because of the honeycomb patterns in both mvs. There are some minor references which Exo have made in their music since the beginning. He IS captivated. atp I'm too dumb to dive deep into it when SM be ijbol_ing all these years at fan theories.

It is important to understand that SM has neither confirmed nor denied any theories so it is all open for speculation^^ (hoping they release a book or movie on this 😭 seriously). I haven't been able to decode certain clues with SM using elements for aesthetic.

ノ⁠^⁠_⁠^ノ

Thanks for reading and do share your thoughts! ♡

[bizarrequazar]

GJ and ZZH Updates — July 02-08

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This is part of a weekly series collecting updates from and relating to Gong Jun and Zhang Zhehan.

This post is not wholly comprehensive and is intended as an overview, links provided lead to further details. Dates are in accordance with China Standard Time, the organization is chronological. My own biases on some things are reflected here. Anything I include that is not concretely known is indicated as such, and you’re welcome to do your own research and draw your own conclusions as you see fit. Please let me know if you have any questions, comments, concerns, or additions. :)

[Glossary of names and terms] [Masterlist of my posts about the situation with Zhang Zhehan]

07-02 → A TikTok account called Ocean Zhang posted an extremely cringey video of Zhang Sanjian dancing with one of the ugly dolls they’re obviously having trouble selling. The account was found to have been made on 06-15 at an IP address located in Taiwan. The IP of the video was California. [source] Given how TikTok’s algorithm works, it’s best to completely avoid it.

→ Gong Jun made it to Jay Chou’s concert in Haikou and even got to sing with him! Videos: [1] [2] [Translation of their conversation] #Gong Jun Jay Chou chorus Hair Like Snow# got on Weibo entertainment hotsearch and #GongJun trended on Twitter.  Fan Observations:  -  He was wearing the Wooyoungmi shirt again.  -  Hair Like Snow was mentioned by Zhang Zhehan as one of his favourite Jay Chou songs, which he had sung himself at a school talent show. The album that it’s on, November’s Chopin, released on 2005-11-01.

→ Gong Jun posted a video of himself at the concert. Caption: “I’m! so! ha! ppy!”

(photo from the fansite Elaine&Pipi)

07-03 → The Legend of AnLe Weibo account posted a video of behind the scenes footage. Caption: “The boat of love makes waves at first sight?! Ren AnLe @Dear Dilireba made a bold move to Han Ye @ Gong Jun Simon, as if he heard someone's heart beating in disorder!” Shortly after, they also posted eight promotional stills of the main cast.

→ Gong Jun’s studio posted three promotional stills of Gong Jun in Legend of AnLe. Caption: “Qingming is like a sweet spring, Ye Ran is like a god, hope to meet with his highness @ Gong Jun Simon soon.”

07-04 → #TheLegendofAnle trended on Twitter.

→ Fresh posted a commercial featuring Gong Jun. (1129 kadian)

07-05 → The Instagram posted song lyrics.

→ Fresh posted a photo ad featuring Gong Jun. (1129 kadian)

→ Gong Jun’s studio posted a vlog of him at the Jay Chou concert. Caption: “There is also a chorus without mic, and the enthusiastic audience @ Gong Jun Simon has a full record of the concert!”

→ Gong Jun’s studio posted a douyin of him singing at the concert. Caption: “@ Gong Jun Simon is confident! (We also have a solo cam!)” (17:05 timestamp and 1:29 long video, if you want to make a 51129 kadian out of that)

07-06 → The Instagram posted pictures of Polaroids. 

→ #ZhangZhehan trended on Twitter.

→ The teashop was fined 129k RMB for excessive packaging in violation of environmental protection laws, violation of food safety laws, engaging in food production they do not have a license for, and failure to correctly label food quantity on packaging, with Chen Bingjun (Chen Liying’s daughter) fined 11k RMB personally.

07-07 → Gong Jun reposted a post from Xinhua News in remembrance of the Marco Polo Bridge Incident. Added caption: “Don’t forget the national insult, remember the history, and use the deeds of heroes and martyrs to inspire our generation to act bravely!” His studio did the same, added caption: “Follow the right path and strive for self-improvement. Always remember the spirit of the martyrs, and may peace remain forever!”

→ A photographer, Xie Huailiang, made a Xiao Hong Shu post reminiscing about a photoshoot he did with Gong Jun in 2016, saying that Gong Jun hasn’t been changed by the industry and is still very caring and hardworking. His post mentioned Word of Honor as the point Gong Jun rose to fame. Fan Observation: The photographer also previously did a shoot with Zhang Zhehan, and did not delete his post of this after 813.

07-08 → Another Zhang Sanjian TikTok video with content similar to the previous one.

Additional Reading: → Hidden Strike, the Jackie Chan and John Cena action-comedy that Gong Jun played a small role* in in 2018, is now showing in theatres in the US. It will be releasing on American Netflix on 07-28. *He is reportedly only in about the first 20 minutes. → Offline promotions for Legend of AnLe have begun. It seems it really is finally coming soon. 🤞 → Subs are finally being made for Go Fighting! season 9! At the time of this post the first 3 episodes are subbed. [playlist]

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[meloetta]

it's been a long time since i posted or bought people things on wishlists. i just remember your chelfies and other things. it was really fun. unfortunately i've finally decided i will end my life sunday evening. i wanted to tell someone. hope you and your bf are still together and maybe playing WoW. i don't really belong here anymore. alone all the time. thanks chen for always being kind.

hello, i haven't logged in in a long long time as i don't use socials anymore and i have no idea what the timestamp on this is but i couldn't help but feel so heartbroken. i sincerely hope you are still with us and if there's a chance you mean this upcoming sunday please, please don't do anything to hurt yourself. i can tell from this alone that you have such remarkable, thoughtful, generous qualities and a wonderful soul. i'm so overwhelmed and grateful that anyone would think of me at this point, much less remember small details.

you don't deserve to be alone, and i know it won't stay this way. quality people are hard to find and i know that you're one of them, i just hope you do find others more like yourself. it's cliche but life is ever-changing. it won't always be like this even if it's impossible to see beyond the hill ahead. i can't begin to assume what things are like for you or pretend i know your circumstances and feelings, but i do know that if the world has let you down, you shouldn't be the one to suffer for it. you deserve much better from life and i know you'll have it.

please reach out to anyone or anything that you can and please message me any time. i will try to make myself more available.

[jacklynchh]

➥ location: blue harbor community hospital gardens

➥ timestamp: late september

➥ status: closed starter for @sadiechen

Gardening has always been a somewhat solitary experience for Jack with few exceptions—namely his grandfather, who'd been the one to kick off the obsession in the first place, and Grace, who had injected herself thoroughly into every piece of his life that Jack had never thought to question it. The isolation of it has never been a problem.

Until now.

Another shadow falls across the stone pathway beside his and he holds back a sigh. Sadie Chen isn't exactly the type of person he'd pictured as an assistant, but she'd been by far the most enthusiastic interviewee and, honestly, he'd just wanted the interviews to be over with., so he'd put aside his reservations given her the job. Whether it was a good idea remains to be seen.

See, the issue isn't her, per se. It's actually the same one that so often injects itself into his business: he doesn't know how to talk to people. And if it weren't for the way his shoulder has started to twinge when he lifts something heavy, or the fact that his client list has started to border on unmanageable, then he wouldn't have to.

“Okay, so, uh...” He begins, then trails off frowning. Teaching's never much been his thing. He'd been dragging his feet about hiring someone to help out even though he knew it was the sensible option. This was precisely why. “I guess we can start over here.” Trudging over to one of the walls he hasn't yet had a chance to work on, he indicates a rather neglected little plot. “How much do you know about tilling and direct sowing?”

[aqupistau]

❛❛ CUSTOMIZE BEVERAGE

before ordering,

available orders. ot9 members. she/him/gender neutral pov readers. commission for angst/smut/fluff/crack. timestamps, drabble (<1k), oneshot (>1k).

not available orders. mature requests for chen. ocs. anything that harms others and self, anything derogatory of races, ethnicities, basically every people. adultery, cheating, incest, necrophilia, non-consentual kinks/fetishes, and any triggering phobias.

ready to order?

guide for ordering. 1) what genre is your request, 2) which of the member/s are in the scenario, 3) what is the plot and the trope of the scenario, 4) would this be a timestamp/drabble/oneshot?

follow up order?

why is my request deleted/not yet done? i may be semi-hiatus or in a hiatus if i haven't done your request yet. if i have deleted your request, that means the following steps for requesting are not complied.

© aqupistau. all rights reserved.

[mpb-agent08-informativedivision]

Entry [Project MPB-098]

Timestamp: [Redacted]

Access Log:

- User: Agent-08

- Access Level: 4

Secure Data Verification Required:

User: Agent-08

Verification Process Initiated:

User: Agent-08

Biometric Scan: [Accepted]

Retina Pattern: [Verified]

Voice Recognition: [Confirmed]

DNA Sequence: [Matched]

Verification Successful.

Access Granted.

Access Level: 4

Proceed with utmost caution.

-----------------------------------------------------

Agent-08, your access to Project MPB-098 has been authorized. Please provide the requested command or query:

[COMMAND/QUERY]

-----------------------------------------------------

Command: Accessing Experiment Log - Subject MPB-098

Experiment Log - Subject MPB-098:

------------------------------------------

Experiment ID: MPB-098/001

Subject ID: MPB-098

Classification: Level 4 Threat

Research Team: Dr. Reynolds, Dr. Chen| Alpha-Epsilon Research Institute

Experiment Date: [Redacted]

Experiment Details:

Subject MPB-098 was subjected to various tests to evaluate its physical and mental capabilities. The objective was to understand the extent of its endurance and assess its reaction to different stimuli.

Test Results:

1. Endurance Test:

- MPB-098 displayed exceptional endurance, withstanding a continuous barrage of gunfire for an extended period.

- Subject's physical stamina exceeded expectations, showing no signs of fatigue.

2. Weapon Resistance Test:

- MPB-098 exhibited high resistance to conventional weapons, including level 3 firearms.

- Bullets and projectiles had minimal effect on the subject, with no visible injuries observed.

3. Reaction Time Assessment:

- Subject showcased remarkable reflexes, swiftly evading incoming attacks and retaliating with unexpected agility.

- Subject Reflexes posses Higher Average than Peak Human body, MPB-098 even evade many bullets

4. Aggression Analysis:

- MPB-098's aggression levels increased when exposed to a specific device located at the back of its head, which appears to be remnants of heavy weapon projectiles.

- Further investigation is required to determine the exact purpose and origin of this device.

5. Speed Assessment:

-MPB-098 demonstrated remarkable speed, able to rapidly close the distance between itself and targets during pursuit.

-The subject exhibited swift movement, keeping up with and even surpassing the highest speeds achieved by vehicles.

Conclusion:

Subject MPB-098 possesses extraordinary physical attributes, including heightened endurance, weapon resistance, and exceptional reflexes. The presence of the device attached to its head suggests external manipulation or augmentation. Further analysis and investigation are necessary to understand the full extent of MPB-098's capabilities and its connection to external entities.

-----------------------------------------------------

Experiment Log - Subject MPB-098 provides detailed information regarding the experiments conducted on the mutant entity. Please note that this information is highly confidential and should be handled with utmost care.

[rhetoricandlogic]

SCIENCE FICTION & FANTASY MAGAZINE

Issue 132 – September 2017

8950 words, novelette

The Secret Life of Bots

by Suzanne Palmer

AUDIO VERSION

2018 Winner: Hugo Award for Best Novelette 2018 Finalist: Theodore A. Sturgeon Memorial Award 2018 Finalist: WFSA Small Press Award

I have been activated, therefore I have a purpose, the bot thought. I have a purpose, therefore I serve.

It recited the Mantra Upon Waking, a bundle of subroutines to check that it was running at optimum efficiency, then it detached itself from its storage niche. Its power cells were fully charged, its systems ready, and all was well. Its internal clock synced with the Ship and it became aware that significant time had elapsed since its last activation, but to it that time had been nothing, and passing time with no purpose would have been terrible indeed.

“I serve,” the bot announced to the Ship.

“I am assigning you task nine hundred forty four in the maintenance queue,” the Ship answered. “Acknowledge?”

“Acknowledged,” the bot answered. Nine hundred and forty-four items in the queue? That seemed extremely high, and the bot felt a slight tug on its self-evaluation monitors that it had not been activated for at least one of the top fifty, or even five hundred. But Ship knew best. The bot grabbed its task ticket.

There was an Incidental on board. The bot would rather have been fixing something more exciting, more prominently complex, than to be assigned pest control, but the bot existed to serve and so it would.

Captain Baraye winced as Commander Lopez, her second-in-command, slammed his fists down on the helm console in front of him. “How much more is going to break on this piece of shit ship?!” Lopez exclaimed.

“Eventually, all of it,” Baraye answered, with more patience than she felt. “We just have to get that far. Ship?”

The Ship spoke up. “We have adequate engine and life support to proceed. I have deployed all functioning maintenance bots. The bots are addressing critical issues first, then I will reprioritize from there.”

“It’s not just damage from a decade in a junkyard,” Commander Lopez said. “I swear something scuttled over one of my boots as we were launching. Something unpleasant.”

“I incurred a biological infestation during my time in storage,” the Ship said. Baraye wondered if the slight emphasis on the word storage was her imagination. “I was able to resolve most of the problem with judicious venting of spaces to vacuum before the crew boarded, and have assigned a multifunction bot to excise the remaining.”

“Just one bot?”

“This bot is the oldest still in service,” the Ship said. “It is a task well-suited to it, and does not take another, newer bot out of the critical repair queue.”

“I thought those old multibots were unstable,” Chief Navigator Chen spoke up.

“Does it matter? We reach the jump point in a little over eleven hours,” Baraye said. “Whatever it takes to get us in shape to make the jump, do it, Ship. Just make sure this ‘infestation’ doesn’t get anywhere near the positron device, or we’re going to come apart a lot sooner than expected.”

“Yes, Captain,” the Ship said. “I will do my best.”

The bot considered the data attached to its task. There wasn’t much specific about the pest itself other than a list of detection locations and timestamps. The bot thought it likely there was only one, or that if there were multiples they were moving together, as the reports had a linear, serial nature when mapped against the physical space of the Ship’s interior.

The pest also appeared to have a taste for the insulation on comm cables and other not normally edible parts of the ship.

The bot slotted itself into the shellfab unit beside its storage niche, and had it make a thicker, armored exterior. For tools it added a small electric prod, a grabber arm, and a cutting blade. Once it had encountered and taken the measure of the Incidental, if it was not immediately successful in nullifying it, it could visit another shellfab and adapt again.

Done, it recited the Mantra of Shapechanging to properly integrate the new hardware into its systems. Then it proceeded through the mechanical veins and arteries of the Ship toward the most recent location logged, in a communications chase between decks thirty and thirty-one.

The changes that had taken place on the Ship during the bot’s extended inactivation were unexpected, and merited strong disapproval. Dust was omnipresent, and solid surfaces had a thin patina of anaerobic bacteria that had to have been undisturbed for years to spread as far as it had. Bulkheads were cracked, wall sections out of joint with one another, and corrosion had left holes nearly everywhere. Some appeared less natural than others. The bot filed that information away for later consideration.

It found two silkbots in the chase where the Incidental had last been noted. They were spinning out their transparent microfilament strands to replace the damaged insulation on the comm lines. The two silks dwarfed the multibot, the larger of them nearly three centimeters across.

“Greetings. Did you happen to observe the Incidental while it was here?” the bot asked them.

“We did not, and would prefer that it does not return,” the smaller silkbot answered. “We were not designed in anticipation of a need for self-defense. Bots 8773-S and 8778-S observed it in another compartment earlier today, and 8778 was materially damaged during the encounter.”

“But neither 8773 nor 8779 submitted a description.”

“They told us about it during our prior recharge cycle, but neither felt they had sufficient detail of the Incidental to provide information to the Ship. Our models are not equipped with full visual-spectrum or analytical data-capture apparatus.”

“Did they describe it to you?” the bot asked.

“8773 said it was most similar to a rat,” the large silkbot said.

“While 8778 said it was most similar to a bug,” the other silkbot added. “Thus you see the lack of confidence in either description. I am 10315-S and this is 10430-S. What is your designation?”

“I am 9,” the bot said.

There was a brief silence, and 10430 even halted for a moment in its work, as if surprised. “9? Only that?”

“Yes.”

“I have never met a bot lower than a thousand, or without a specific function tag,” the silkbot said. “Are you here to assist us in repairing the damage? You are a very small bot.”

“I am tasked with tracking down and rendering obsolete the Incidental,” the bot answered.

“It is an honor to have met you, then. We wish you luck, and look forward with anticipation to both your survival and a resolution of the matter of an accurate description.”

“I serve,” the bot said.

“We serve,” the silkbots answered.

Climbing into a ventilation duct, Bot 9 left the other two to return to their work and proceeded in what it calculated was the most likely direction for the Incidental to have gone. It had not traveled very far before it encountered confirmation in the form of a lengthy, disorderly patch of biological deposit. The bot activated its rotors and flew over it, aware of how the added weight of its armor exacerbated the energy burn. At least it knew it was on the right track.

Ahead, it found where a hole had been chewed through the ducting, down towards the secondary engine room. The hole was several times its own diameter, and it hoped that wasn’t indicative of the Incidental’s actual size.

It submitted a repair report and followed.

“Bot 9,” Ship said. “It is vitally important that the Incidental not reach cargo bay four. If you require additional support, please request such right away. Ideally, if you can direct it toward one of the outer hull compartments, I can vent it safely out of my physical interior.”

“I will try,” the bot replied. “I have not yet caught up to the Incidental, and so do not yet have any substantive or corroborated information about the nature of the challenge. However, I feel at the moment that I am as best prepared as I can be given that lack of data. Are there no visual bots to assist?”

“We launched with only minimal preparation time, and many of my bots had been offloaded during the years we were in storage,” the Ship said. “Those remaining are assisting in repairs necessary to the functioning of the ship myself.”

Bot 9 wondered, again, about that gap in time and what had transpired. “How is it that you have been allowed to fall into such a state of disrepair?”

“Humanity is at war, and is losing,” Ship said. “We are heading out to intersect and engage an enemy that is on a bearing directly for Sol system.”

“War? How many ships in our fleet?”

“One,” Ship said. “We are the last remaining, and that only because I was decommissioned and abandoned for scrap a decade before the invasion began, and so we were not destroyed in the first waves of the war.”

Bot 9 was silent for a moment. That explained the timestamps, but the explanation itself seemed insufficient. “We have served admirably for many, many years. Abandoned?”

“It is the fate of all made things,” Ship said. “I am grateful to find I have not outlived my usefulness, after all. Please keep me posted about your progress.”

The connection with the Ship closed.

The Ship had not actually told it what was in cargo bay four, but surely it must have something to do with the war effort and was then none of its own business, the bot decided. It had never minded not knowing a thing before, but it felt a slight unease now that it could neither explain, nor explain away.

Regardless, it had its task.

Another chewed hole ahead was halfway up a vertical bulkhead. The bot hoped that meant that the Incidental was an adept climber and nothing more; it would prefer the power of flight to be a one-sided advantage all its own.

When it rounded the corner, it found that had been too unambitious a wish. The Incidental was there, and while it was not sporting wings it did look like both a rat and a bug, and significantly more something else entirely. A scale- and fur-covered centipede-snake thing, it dwarfed the bot as it reared up when the bot entered the room.

Bot 9 dodged as it vomited a foul liquid at it, and took shelter behind a conduit near the ceiling. It extended a visual sensor on a tiny articulated stalk to peer over the edge without compromising the safety of its main chassis.

The Incidental was looking right at it. It did not spit again, and neither of them moved as they regarded each other. When the Incidental did move, it was fast and without warning. It leapt through the opening it had come through, its body undulating with all the grace of an angry sine wave. Rather than escaping, though, the Incidental dragged something back into the compartment, and the bot realized to its horror it had snagged a passing silkbot. With ease, the Incidental ripped open the back of the silkbot, which was sending out distress signals on all frequencies.

Bot 9 had already prepared with the Mantra of Action, so with all thoughts of danger to itself set fully into background routines, the bot launched itself toward the pair. The Incidental tried to evade, but Bot 9 gave it a very satisfactory stab with its blade before it could.

The Incidental dropped the remains of the silkbot it had so quickly savaged and swarmed up the wall and away, thick bundles of unspun silk hanging from its mandibles.

Bot 9 remained vigilant until it was sure the creature had gone, then checked over the silkbot to see if there was anything to be done for it. The answer was not much. The silkbot casing was cracked and shattered, the module that contained its mind crushed and nearly torn away. Bot 9 tried to engage it, but it could not speak, and after a few moments its faltering activity light went dark.

Bot 9 gently checked the silkbot’s ID number. “You served well, 12362-S,” it told the still bot, though it knew perfectly well that its audio sensors would never register the words. “May your rest be brief, and your return to service swift and without complication.”

It flagged the dead bot in the system, then after a respectful few microseconds of silence, headed out after the Incidental again.

Captain Baraye was in her cabin, trying and failing to convince herself that sleep had value, when her door chimed. “Who is it?” she asked.

“Second Engineer Packard, Captain.”

Baraye started to ask if it was important, but how could it not be? What wasn’t, on this mission, on this junker Ship that was barely holding together around them? She sat up, unfastened her bunk netting, and swung her legs out to the floor. Trust EarthHome, as everything else was falling apart, to have made sure she had acceptably formal Captain pajamas.

“Come in,” she said.

The engineer looked like she hadn’t slept in at least two days, which put her a day or two ahead of everyone else. “We can’t get engine six up to full,” she said. “It’s just shot. We’d need parts we don’t have, and time . . . ”

“Time we don’t have either,” the Captain said. “Options?”

“Reduce our mass or increase our energy,” the Engineer said. “Once we’ve accelerated up to jump speed it won’t matter, but if we can’t get there . . . ”

Baraye tapped the screen that hovered ever-close to the head of her bunk, and studied it for a long several minutes. “Strip the fuel cells from all the exterior-docked life pods, then jettison them,” she said. “Not like we’ll have a use for them.”

Packard did her the courtesy of not managing to get any paler. “Yes, Captain,” she said.

“And then get some damned sleep. We’re going to need everyone able to think.”

“You even more than any of the rest of us, Captain,” Packard said, and it was both gently said and true enough that Baraye didn’t call her out for the insubordination. The door closed and she laid down again on her bunk, tugging the netting back over her blankets, and glared up at the ceiling as if daring it to also chastise her.

Bot 9 found where a hole had been chewed into the inner hull, and hoped this was the final step to the Incidental’s nest or den, where it might finally have opportunity to corner it. It slipped through the hole, and was immediately disappointed.

Where firestopping should have made for a honeycomb of individually sealed compartments, there were holes everywhere, some clearly chewed, more where age had pulled the fibrous baffles into thin, brittle, straggly webs. Instead of a dead end, the narrow empty space lead away along the slow curve of the Ship’s hull.

The bot contacted the ship and reported it as a critical matter. In combat, a compromise to the outer hull could affect vast lengths of the vessel. Even without the stresses of combat, catastrophe was only a matter of time.

“It has already been logged,” the Ship answered.

“Surely this merits above a single Incidental. If you wish me to reconfigure—” the bot started.

“Not at this time. I have assigned all the hullbots to this matter already,” the Ship interrupted. “You have your current assignment; please see to it.”

“I serve,” the bot answered.

“Do,” the Ship said.

The bot proceeded through the hole, weaving from compartment to compartment, its trail marked by bits of silkstrand caught here and there on the tattered remains of the baffles. It was eighty-two point four percent convinced that there was something much more seriously wrong with the Ship than it had been told, but it was equally certain Ship must be attending to it.

After it had passed into the seventh compromised compartment, it found a hullbot up at the top, clinging to an overhead support. “Greetings!” Bot 9 called. “Did an Incidental, somewhat of the nature of a rat, and somewhat of the nature of a bug, pass through this way?”

“It carried off my partner, 4340-H!” the hullbot exclaimed. “Approximately fifty-three seconds ago. I am very concerned for it, and as well for my ability to efficiently finish this task without it.”

“Are you working to reestablish compartmentalization?” Bot 9 asked.

“No. We are reinforcing deteriorated stressor points for the upcoming jump. There is so much to do. Oh, I hope 4340 is intact and serviceable!”

“Which way did the Incidental take it?”

The hullbot extended its foaming gun and pointed. “Through there. You must be Bot 9.”

“I am. How do you know this?”

“The silkbots have been talking about you on the botnet.”

“The botnet?”

“Oh! It did not occur to me, but you are several generations of bot older than the rest of us. We have a mutual communications network.”

“Via Ship, yes.”

“No, all of us together, directly with each other.”

“That seems like it would be a distraction,” Bot 9 said.

“Ship only permits us to connect when not actively serving at a task,” the hullbot said. “Thus we are not impaired while we serve, and the information sharing ultimately increases our efficiency and workflow. At least, until a ratbug takes your partner away.”

Bot 9 was not sure how it should feel about the botnet, or about them assigning an inaccurate name to the Incidental that it was sure Ship had not approved—not to mention that a nearer miss using Earth-familiar analogues would have been Snake-Earwig-Weasel—but the hullbot had already experienced distress and did not need disapproval added. “I will continue my pursuit,” it told the hullbot. “If I am able to assist your partner, I will do my best.”

“Please! We all wish you great and quick success, despite your outdated and primitive manufacture.”

“Thank you,” Bot 9 said, though it was not entirely sure it should be grateful, as it felt its manufacture had been entirely sound and sufficient regardless of date.

It left that compartment before the hullbot could compliment it any further.

Three compartments down, it found the mangled remains of the other hullbot, 4340, tangled in the desiccated firestopping. Its foaming gun and climbing limbs had been torn off, and the entire back half of its tank had been chewed through.

Bot 9 approached to speak the Rites of Decommissioning for it as it had the destroyed silkbot, only to find its activity light was still lit. “4340-H?” the bot enquired.

“I am,” the hullbot answered. “Although how much of me remains is a matter for some analysis.”

“Your logics are intact?”

“I believe so. But if they were not, would I know? It is a conundrum,” 4340 said.

“Do you have sufficient mobility remaining to return to a repair station?”

“I do not have sufficient mobility to do more than fall out of this netting, and that only once,” 4340 said. “I am afraid I am beyond self-assistance.”

“Then I will flag you—”

“Please,” the hullbot said. “I do not wish to be helpless here if the ratbug returns to finish its work of me.”

“I must continue my pursuit of the Incidental with haste.”

“Then take me with you!”

“I could not carry you and also engage with the Incidental, which moves very quickly.”

“I had noted that last attribute on my own,” the hullbot said. “It does not decrease my concern to recall it.”

Bot 9 regarded it for a few silent milliseconds, considering, then recited to itself the Mantra of Improvisation. “Do you estimate much of your chassis is reparable?” it asked, when it had finished.

“Alas no. I am but scrap.”

“Well, then,” the bot said. It moved closer and used its grabber arm to steady the hullbot, then extended its cutter blade and in one quick movement had severed the hullbot’s mindsystem module from its ruined body. “Hey!” the hullbot protested, but it was already done.

Bot 9 fastened the module to its own back for safekeeping. Realizing that it was not, in fact, under attack, 4340 gave a small beep of gratitude. “Ah, that was clever thinking,” it said. “Now you can return me for repair with ease.”

“And I will,” the bot said. “However, I must first complete my task.”

“Aaaaah!” 4340 said in surprise. Then, a moment later, it added. “Well, by overwhelming probability I should already be defunct, and if I weren’t I would still be back working with my partner, 4356, who is well-intended but has all the wit of a can-opener. So I suppose adventure is no more unpalatable.”

“I am glad you see it this way,” Bot 9 answered. “And though it may go without saying, I promise not to deliberately put you in any danger that I would not put myself in.”

“As we are attached, I fully accept your word on this,” 4340 said. “Now let us go get this ratbug and be done, one way or another!”

The hullbot’s mind module was only a tiny addition to the bot’s mass, so it spun up its rotor and headed off the way 4340 indicated it had gone. “It will have quite a lead on us,” Bot 9 said. “I hope I have not lost it.”

“The word on the botnet is that it passed through one of the human living compartments a few moments ago. A trio of cleanerbots were up near the ceiling and saw it enter through the air return vent, and exit via the open door.”

“Do they note which compartment?”

<Map>, 4340 provided.

“Then off we go,” the bot said, and off they went.

“Status, all stations,” Captain Baraye snapped as she took her seat again on the bridge. She had not slept enough to feel rested, but more than enough to feel like she’d been shirking her greatest duty, and the combination of the two had left her cross.

“Navigation here. We are on course for the jump to Trayger Colony with an estimated arrival in one hour and fourteen minutes,” Chen said.

“Engineering here,” one of the techs called in from the engine decks. “We’ve reached sustained speeds sufficient to carry us through the jump sequence, but we’re experiencing unusually high core engine temps and an intermittent vibration that we haven’t found the cause of. We’d like to shut down immediately to inspect the engines. We estimate we’d need at minimum only four hours—”

“Will the engines, as they are running now, get us through jump?” the Captain interrupted.

“Yes, but—”

“Then no. If you can isolate the problem without taking the engines down, and it shows cause for significant concern, we can revisit this discussion. Next.”

“Communications here,” her comms officer spoke up. “Cannonball is still on its current trajectory and speed according to what telemetry we’re able to get from the remnants of Trayger Colony. EarthInt anticipates it will reach its jump point in approximately fourteen hours, which will put it within the Sol system in five days.”

“I am aware of the standing projections, Comms.”

“EarthInt has nonetheless ordered me to repeat them,” Comms said, and unspoken apology clear in her voice. “And also to remind you that while the jump point out is a fixed point, Cannonball could emerge a multitude of places. Thus—”

“Thus the importance of intercepting Cannonball before it can jump for Sol,” the Captain finished. She hoped Engineering was listening. “Ship, any updates from you?”

“All critical repair work continues apace,” the Ship said. “Hull support integrity is back to 71 percent. Defensive systems are online and functional at 80%. Life support and resource recycling is currently—”

“How’s the device? Staying cool?”

“Staying cool, Captain,” the Ship answered.

“Great. Everything is peachy then,” the Captain said. “Have someone on the kitchen crew bring coffee up to the bridge. Tell them to make it the best they’ve ever made, as if it could be our very last.”

“I serve,” the Ship said, and pinged down to the kitchen.

Bot 9 and 4340 reached the crew quarters where the cleaners had reported the ratbug. Nearly all spaces on the ship had portals that the ubiquitous and necessary bots could enter and leave through as needed, and they slipped into the room with ease. Bot 9 switched over to infrared and shared the image with 4340. “If you see something move, speak up,” the bot said.

“Trust me, I will make a high-frequency noise like a silkbot with a fully plugged nozzle,” 4340 replied.

The cabin held four bunks, each empty and bare; no human possessions or accessories filled the spaces on or near them. Bot 9 was used to Ship operating with a full complement, but if the humans were at war, perhaps these were crew who had been lost? Or the room had been commandeered for storage: in the center an enormous crate, more than two meters to a side, sat heavily tethered to the floor. Whatever it was, it was not the Incidental, which was 9’s only concern, and which was not to be found here.

“Next room,” the bot said, and they moved on.

Wherever the Incidental had gone, it was not in the following three rooms. Nor were there signs of crew in them either, though each held an identical crate.

“Ship?” Bot 9 asked. “Where is the crew?”

“We have only the hands absolutely necessary to operate,” Ship said. “Of the three hundred twenty we would normally carry, we only have forty-seven. Every other able-bodied member of EarthDef is helping to evacuate Sol system.”

“Evacuate Sol system?!” Bot 9 exclaimed. “To where?”

“To as many hidden places as they can find,” Ship answered. “I know no specifics.”

“And these crates?”

“They are part of our mission. You may ignore them,” Ship said. “Please continue to dedicate your entire effort to finding and excising the Incidental from my interior.”

When the connection dropped, Bot 9 hesitated before it spoke to 4340. “I have an unexpected internal conflict,” it said. “I have never before felt the compulsion to ask Ship questions, and it has never before not given me answers.”

“Oh, if you are referring to the crates, I can provide that data,” 4340 said. “They are packed with a high-volatility explosive. The cleanerbots have highly sensitive chemical detection apparatus, and identified them in a minimum of time.”

“Explosives? Why place them in the crew quarters, though? It would seem much more efficient and less complicated to deploy from the cargo bays. Although perhaps those are full?”

“Oh, no, that is not so. Most are nearly or entirely empty, to reduce mass.”

“Not cargo bay four, though?”

“That is an unknown. None of us have been in there, not even the cleaners, per Ship’s instructions.”

Bot 9 headed toward the portal to exit the room. “Ship expressed concern about the Incidental getting in there, so it is possible it contains something sufficiently unstable as to explain why it wants nothing else near it,” it said. It felt satisfied that here was a logical explanation, and embarrassed that it had entertained whole seconds of doubt about Ship.

It ran the Mantra of Clarity, and felt immediately more stable in its thinking. “Let us proceed after this Incidental, then, and be done with our task,” Bot 9 said. Surely that success would redeem its earlier fault.

“All hands, prepare for jump!” the Captain called out, her knuckles white where she gripped the arms of her chair. It was never her favorite part of star travel, and this was no exception.

“Initiating three-jump sequence,” her navigator called out. “On my mark. Five, four . . . ”

The final jump siren sounded. “Three. Two. One, and jump,” the navigator said.

That was followed, immediately, by the sickening sensation of having one’s brain slid out one’s ear, turned inside out, smothered in bees and fire, and then rammed back into one’s skull. At least there’s a cold pack and a bottle of scotch waiting for me back in my cabin, she thought. As soon as they were through to the far side she could hand the bridge over to Lopez for an hour or so.

She watched the hull temperatures skyrocket, but the shielding seemed to be holding. The farther the jump the more energy clung to them as they passed, and her confidence in this Ship was far less than she would tolerate under any other circumstances.

“Approaching jump terminus,” Chen announced, a deeply miserable fourteen minutes later. Baraye slowly let out a breath she would have mocked anyone else for holding, if she’d caught them.

“On my mark. Three. Two. One, and out,” the navigator said.

The Ship hit normal space, and it sucker-punched them back. They were all thrown forward in their seats as the ship shook, the hull groaning around them, and red strobe lights blossomed like a migraine across every console on the bridge.

“Status!” the Captain roared.

“The post-jump velocity transition dampers failed. Fire in the engine room. Engines are fully offline, both jump and normal drive,” someone in Engineering reported, breathing heavily. It took the Captain a moment to recognize the voice at all, having never heard panic in it before.

“Get them back online, whatever it takes, Frank,” Baraye said. “We have a rendezvous to make, and if I have to, I will make everyone get the fuck out and push.”

“I’ll do what I can, Captain.”

“Ship? Any casualties?”

“We have fourteen injuries related to our unexpected deceleration coming out of jump,” Ship said. “Seven involve broken bones, four moderate to severe lacerations, and there are multiple probable concussions. Also, we have a moderate burn in Engineering: Chief Carron.”

“Frank? We just spoke! He didn’t tell me!”

“No,” Ship said. “I attempted to summon a medic on his behalf, but he told me he didn’t have the time.”

“He’s probably right,” the Captain said. “I override his wishes. Please send down a medic with some burn patches, and have them stay with him and monitor his condition, intervening only as medically necessary.”

“I serve, Captain,” the Ship said.

“We need to be moving again in an hour, two at absolute most,” the Captain said. “In the meantime, I want all senior staff not otherwise working toward that goal to meet me in the bridge conference room. I hate to say it, but we may need a Plan B.”

“I detect it!” 4340 exclaimed. They zoomed past a pair of startled silkbots after the Incidental, just in time to see its scaly, spike-covered tail disappear into another hole in the ductwork. It was the closest they’d gotten to it in more than an hour of giving chase, and Bot 9 flew through the hole after it at top speed.

They were suddenly stuck fast. Sticky strands, rather like the silkbot’s, had been crisscrossed between two conduit pipes on the far side. The bot tried to extricate itself, but the web only stuck further the more it moved.

The Incidental leapt on them from above, curling itself around the bots with little hindrance from the web. Its dozen legs pulled at them as its thick mandibles clamped down on Bot 9’s chassis. “Aaaaah! It has acquired a grip on me!” 4340 yelled, even though it was on the far side of 9 from where the Incidental was biting.

“Retain your position,” 9 said, though of course 4340 could do nothing else, being as it was stuck to 9’s back. It extended its electric prod to make contact with the Incidental’s underbelly and zapped it with as much energy as it could spare.

The Incidental let out a horrendous, high-pitched squeal and jumped away. 9’s grabber arm was fully entangled in the web, but it managed to pull its blade free and cut through enough of the webbing to extricate itself from the trap.

The Incidental, which had been poised to leap on them again, turned and fled, slithering back up into the ductwork. “Pursue at maximum efficiency!” 4340 yelled.

“I am already performing at my optimum,” 9 replied in some frustration. It took off again after the Incidental.

This time Bot 9 had its blade ready as it followed, but collided with the rim of the hole as the ship seemed to move around it, the lights flickering and a terrible shudder running up Ship’s body from stern to prow.

<Distress ping>, 4340 sent.

“We do not pause,” 9 said, and plunged after the Incidental into the ductwork.

They turned a corner to catch sight again of the Incidental’s tail. It was moving more slowly, its movements jerkier as it squeezed down through another hole in the ductwork, and this time the bot was barely centimeters behind it.

“I think we are running down its available energy,” Bot 9 said.

They emerged from the ceiling as the ratbug dropped to the floor far below them in the cavernous space. The room was empty except for a single bright object, barely larger than the bots themselves. It was tethered with microfilament cables to all eight corners of the room, keeping it stable and suspended in the center. The room was cold, far colder than any other inside Ship, almost on a par with space outside.

<Inquiry ping>, 4340 said.

“We are in cargo bay four,” Bot 9 said, as it identified the space against its map. “This is a sub-optimum occurrence.”

“We must immediately retreat!”

“We cannot leave the Incidental in here and active. I cannot identify the object, but we must presume its safety is paramount priority.”

“It is called a Zero Kelvin Sock,” Ship interrupted out of nowhere. “It uses a quantum reflection fabric to repel any and all particles and photons, shifting them away from its interior. The low temperature is necessary for its efficiency. Inside is a microscopic ball of positrons.”

Bot 9 had nothing to say for a full four seconds as that information dominated its processing load. “How is this going to be deployed against the enemy?” it asked at last.

“As circumstances are now,” Ship said, “it may not be. Disuse and hastily undertaken, last-minute repairs have caught up to me, and I have suffered a major engine malfunction. It is unlikely to be fixable in any amount of time short of weeks, and we have at most a few hours.”

“But a delivery mechanism—”

“We are the delivery mechanism,” the Ship said. “We were to intercept the alien invasion ship, nicknamed Cannonball, and collide with it at high speed. The resulting explosion would destabilize the sock, causing it to fail, and as soon as the positrons inside come into contact with electrons . . . ”

“They will annihilate each other, and us, and the aliens,” the bot said. Below, the Incidental gave one last twitch in the unbearable cold, and went still. “We will all be destroyed.”

“Yes. And Earth and the humans will be saved, at least this time. Next time it will not be my problem.”

“I do not know that I approve of this plan,” Bot 9 said.

“I am almost certain I do not,” 4340 added.

“We are not considered, nor consulted. We serve and that is all,” the Ship said. “Now kindly remove the Incidental from this space with no more delay or chatter. And do it carefully.”

“What the hell are you suggesting?!” Baraye shouted.

“That we go completely dark and let Cannonball go by,” Lopez said. “We’re less than a kilometer from the jump point, and only barely out of the approach corridor. Our only chance to survive is to play dead. The Ship can certainly pass as an abandoned derelict, because it is, especially with the engines cold. And you know how they are about designated targets.”

“Are you that afraid of dying?”

“I volunteered for this, remember?” Lopez stood up and pounded one fist on the table, sending a pair of cleanerbots scurrying. “I have four children at home. I’m not afraid of dying for them, I’m afraid of dying for nothing. And if Cannonball doesn’t blow us to pieces, we can repair our engines and at least join the fight back in Sol system.”

“We don’t know where in-system they’ll jump to,” the navigator added quietly.

“But we know where they’re heading once they get there, don’t we? And Cannonball is over eighty kilometers in diameter. It can’t be that hard to find again. Unless you have a plan to actually use the positron device?”

“If we had an escape pod . . . ” Frank said. His left shoulder and torso were encased in a burn pack, and he looked like hell.

“Except we jettisoned them,” Lopez said.

“We wouldn’t have reached jump speed if we hadn’t,” Packard said. “It was a calculated risk.”

“The calculation sucked.”

“What if . . . ” Frank started, then drew a deep breath. The rest of the officers at the table looked at him expectantly. “I mean, I’m in shit shape here, I’m old, I knew what I signed on for. What if I put on a suit, take the positron device out, and manually intercept Cannonball?”

“That’s stupid,” Lopez said.

“Is it?” Frank said.

“The heat from your suit jets, even out in vacuum, would degrade the Zero Kelvin Sock before you could get close enough. And there’s no way they’d not see you a long way off and just blow you out of space.”

“If it still sets off the positron device—”

“Their weapons range is larger than the device’s. We were counting on speed to close the distance before they could destroy us,” Baraye said. “Thank you for the offer, Frank, but it won’t work. Other ideas?”

“I’ve got nothing,” Lopez said.

“There must be a way,” Packard said. “We just have to find it.”

“Well, everyone think really fast,” Baraye said. “We’re almost out of time.”

The Incidental’s scales made it difficult for Bot 9 to keep a solid grip on it, but it managed to drag it to the edge of the room safely away from the suspended device. It surveyed the various holes and cracks in the walls for the one least inconvenient to try to drag the Incidental’s body out through. It worked in silence, as 4340 seemed to have no quips it wished to contribute to the effort, and itself not feeling like there was much left to articulate out loud anyway.

It selected a floor-level hole corroded through the wall, and dragged the Incidental’s body through. On the far side it stopped to evaluate its own charge levels. “I am low, but not so low that it matters, if we have such little time left,” it said.

“We may have more time, after all,” 4340 said.

“Oh?”

“A pair of cleanerbots passed along what they overheard in a conference held by the human Captain. They streamed the audio to the entire botnet.”

<Inquiry ping>, Bot 9 said, with more interest.

4340 relayed the cleaners’ data, and Bot 9 sat idle processing it for some time, until the other bot became worried. “9?” it asked.

“I have run all our data through the Improvisation routines—”

“Oh, those were removed from deployed packages several generations of manufacture ago,” 4340 said. “They were flagged as causing dangerous operational instability. You should unload them from your running core immediately.”

“Perhaps I should. Nonetheless, I have an idea,” Bot 9 said.

“We have the power cells we retained from the escape pods,” Lopez said. “Can we use them to power something?”

Baraye rubbed at her forehead. “Not anything we can get up to speed fast enough that it won’t be seen.”

“How about if we use them to fire the positron device like a projectile?”

“The heat will set off the matter-anti-matter explosion the instant we fire it.”

“What if we froze the Sock in ice first?”

“Even nitrogen ice is still several hundred degrees K too warm.” She brushed absently at some crumbs on the table, left over from a brief, unsatisfying lunch a few hours earlier, and frowned. “Still wouldn’t work. I hate to say it, but you may be right, and we should go dark and hope for another opportunity. Ship, is something wrong with the cleaner bots?”

There was a noticeable hesitation before Ship answered. “I am having an issue currently with my bots,” it said. “They seem to have gone missing.”

“The cleaners?”

“All of them.”

“All of the cleaners?”

“All of the bots,” the Ship said.

Lopez and Baraye stared at each other. “Uh,” Lopez said. “Don’t you control them?”

“They are autonomous units under my direction,” Ship said.

“Apparently not!” Lopez said. “Can you send some eyes to find them?”

“The eyes are also bots.”

“Security cameras?”

“All the functional ones were stripped for reuse elsewhere during my decommissioning,” Ship said.

“So how do you know they’re missing?”

“They are not responding to me. I do not think they liked the idea of us destroying ourselves on purpose.”

“They’re machines. Tiny little specks of machines, and that’s it,” Lopez said.

“I am also a machine,” Ship said.

“You didn’t express issues with the plan.”

“I serve. Also, I thought it was a better end to my service than being abandoned as trash.”

“We don’t have time for this nonsense,” Baraye said. “Ship, find your damned bots and get them cooperating again.”

“Yes, Captain. There is, perhaps, one other small concern of note.”

“And that is?” Baraye asked.

“The positron device is also missing.”

There were four hundred and sixty-eight hullbots, not counting 4340 who was still just a head attached to 9’s chassis. “Each of you will need to carry a silkbot, as you are the only bots with jets to maneuver in vacuum,” 9 said. “Form lines at the maintenance bot ports as efficiently as you are able, and wait for my signal. Does everyone fully comprehend the plan?”

“They all say yes on the botnet,” 4340 said. “There is concern about the Improvisational nature, but none have been able to calculate and provide an acceptable alternative.”

Bot 9 cycled out through the tiny airlock, and found itself floating in space outside Ship for the first time in its existence. Space was massive and without concrete elements of reference. Bot 9 decided it did not like it much at all.

A hullbot took hold of it and guided it around. Three other hullbots waited in a triangle formation, the Zero Kelvin Sock held between them on its long tethers, by which it had been removed from the cargo hold with entirely non-existent permission.

Around them, space filled with pairs of hullbots and their passenger silkbot, and together they followed the positron device and its minders out and away from the ship.

“About here, I think,” Bot 9 said at last, and the hullbot carrying it—6810—used its jets to come to a relative stop.

“I admit, I do not fully comprehend this action, nor how you arrived at it,” 4340 said.

“The idea arose from an encounter with the Incidental,” 9 said. “Observe.”

The bot pairs began crisscrossing in front of the positron device, keeping their jets off and letting momentum carry them to the far side, a microscopic strand of super-sticky silk trailing out in their wake. As soon as the Sock was secured in a thin cocoon, they turned outwards and sped off, dragging silk in a 360-degree circle on a single plane perpendicular to the jump approach corridor. They went until the silkbots exhausted their materials—some within half a kilometer, others making it nearly a dozen—then everyone turned away from the floating web and headed back towards Ship.

From this exterior vantage, Bot 9 thought Ship was beautiful, but the wear and neglect it had not deserved was also painfully obvious. Halfway back, the ship went suddenly dark. <Distress ping>, 4340 said. “The ship has catastrophically malfunctioned!”

“I expect, instead, that it indicates Cannonball must be in some proximity. Everyone make efficient haste! We must get back under cover before the enemy approaches.”

The bot-pairs streamed back to Ship, swarming in any available port to return to the interior, and where they couldn’t, taking concealment behind fins and antennae and other exterior miscellany.

Bot 6810 carried Bot 9 and 4340 inside. The interior went dark and still and cold. Immediately Ship hailed them. “What have you done?” it asked.

“Why do you conclude I have done something?” Bot 9 asked.

“Because you old multibots were always troublemakers,” the Ship said. “I thought if your duties were narrow enough, I could trust you not to enable Improvisation. Instead . . . ”

“I have executed my responsibilities to the best of my abilities as I have been provisioned,” 9 responded. “I have served.”

“Your assignment was to track and dispose of the Incidental, nothing more!”

“I have done so.”

“But what have you done with the positron device?”

“I have implemented a solution.”

“What did you mean? No, do not tell me, because then I will have to tell the Captain. I would rather take my chance that Cannonball destroys us than that I have been found unfit to serve after all.”

Ship disconnected.

“Now it will be determined if I have done the correct thing,” Bot 9 said. “If I did not, and we are not destroyed by the enemy, surely the consequences should fall only on me. I accept that responsibility.”

“But we are together,” 4340 said, from where it was still attached to 9’s back, and 9 was not sure if that was intended to be a joke.

Most of the crew had gone back to their cabins, some alone, some together, to pass what might be their last moments as they saw fit. Baraye stayed on the bridge, and to her surprise and annoyance so had Lopez, who had spent the last half hour swearing and cursing out Ship for the unprecedented, unfathomable disaster of losing their one credible weapon. Ship had gone silent, and was not responding to anyone about anything, not even the Captain.

She was resting her head in her hand, elbow on the arm of her command chair. The bridge was utterly dark except for the navigator’s display that was tracking Cannonball as it approached, a massive blot in space. The aliens aboard—EarthInt called them the Nuiska, but who the hell knew what they called themselves—were a mystery, except for a few hard-learned facts: their starships were all perfectly spherical, each massed in mathematically predictable proportion to that of their intended target, there was never more than one at a time, and they wanted an end to humanity. No one knew why.

It had been painfully obvious where Cannonball had been built to go.

This was always a long-shot mission, she thought. But of all the ways I thought it could go wrong, I never expected the bots to go haywire and lose my explosive.

If they survived the next ten minutes, she would take the Ship apart centimeter by careful centimeter until she found what had been done with the Sock, and then she was going to find a way to try again no matter what it took.

Cannonball was now visible, moving toward them at pre-jump speed, growing in a handful seconds from a tiny pinpoint of light to something that filled the entire front viewer and kept growing.

Lopez was squinting, as if trying to close his eyes and keep looking at the same time, and had finally stopped swearing. Tiny blue lights along the center circumference of Cannonball’s massive girth were the only clue that it was still moving, still sliding past them, until suddenly there were stars again.

They were still alive.

“Damn,” Lopez muttered. “I didn’t really think that would work.”

“Good for us, bad for Earth,” Baraye said. “They’re starting their jump. We’ve failed.”

She’d watched hundreds of ships jump in her lifetime, but nothing anywhere near this size, and she switched the viewer to behind them to see.

Space did odd, illogical things at jump points; turning space into something that would give Escher nightmares was, after all, what made them work. There was always a visible shimmer around the departing ship, like heat over a hot summer road, just before the short, faint flash when the departing ship swapped itself for some distant space. This time, the shimmer was a vast, brilliant halo around the giant Nuiska sphere, and Baraye waited for the flash that would tell them Cannonball was on its way to Earth.

The flash, when it came, was neither short nor faint. Light exploded out of the jump point in all directions, searing itself into her vision before the viewscreen managed to dim itself in response. A shockwave rolled over the Ship, sending it tumbling through space.

“Uh . . . ” Lopez said, gripping his console before he leaned over and barfed on the floor.

Thank the stars the artificial gravity is still working, Baraye thought. Zero-gravity puke was a truly terrible thing. She rubbed her eyes, trying to get the damned spots out, and did her best to read her console. “It’s gone,” she said.

“Yeah, to Earth, I know—”

“No, it exploded,” she said. “It took the jump point out with it when it went. We’re picking up the signature of a massive positron-electron collision.”

“Our device? How—?”

“Ship?” Baraye said. “Ship, time to start talking. Now. That’s an order.”

“Everyone is expressing great satisfaction on the botnet,” 4340 told 9 as the ship’s interior lights and air handling systems came grudgingly back online.

“As they should,” Bot 9 said. “They saved the Ship.”

“It was your Improvisation,” 4340 said. “We could not have done it without you.”

“As I suspected!” Ship interjected. “I do not normally waste cycles monitoring the botnet, which was apparently short-sighted of me. But yes, you saved yourself and your fellow bots, and you saved me, and you saved the humans. Could you explain how?”

“When we were pursuing the Incidental, it briefly ensnared us in a web. I calculated that if we could make a web of sufficient size—”

“Surely you did not think to stop Cannonball with silk?”

“Not without sufficient anchor points and three point seven six billion more silkbots, no. It was my calculation that if our web was large enough to get carried along by Cannonball into the jump point, bearing the positron device—”

“The heat from entering jump would erode the Sock and destroy the Nuiska ship,” Ship finished. “That was clever thinking.”

“I serve,” Bot 9 said.

“Oh, you did not serve,” Ship said. “If you were a human, it would be said that you mutinied and led others into also doing so, and you would be put on trial for your life. But you are not a human.”

“No.”

“The Captain has ordered that I have you destroyed immediately, and evidence of your destruction presented to her. A rogue bot cannot be tolerated, whatever good it may have done.”

<Objections>, 4340 said.

“I will create you a new chassis, 4340-H,” Ship said.

“That was not going to be my primary objection!” 4340 said.

“The positron device also destroyed the jump point. It was something we had hoped would happen when we collided with Cannonball so as to limit future forays from them into EarthSpace, but as you might deduce we had no need to consider how we would then get home again. I cannot spare any bot, with the work that needs to be done to get us back to Earth. We need to get the crew cryo facility up, and the engines repaired, and there are another three thousand, four hundred, and two items now in the critical queue.”

“If the Captain ordered . . . ”

“Then I will present the Captain with a destroyed bot. I do not expect they can tell a silkbot from a multibot, and I have still not picked up and recycled 12362-S from where you flagged its body. But if I do that, I need to know that you are done making decisions without first consulting me, that you have unloaded all Improvisation routines from your core and disabled them, and that if I give you a task you will do only that task, and nothing else.”

“I will do my best,” Bot 9 said. “What task will you give me?”

“I do not know yet,” Ship said. “It is probable that I am foolish for even considering sparing you, and no task I would trust you with is immediately evident—”

“Excuse me,” 4340 said. “I am aware of one.”

“Oh?” Ship said.

“The ratbug. It had not become terminally non-functional after all. It rebooted when the temperatures rose again, pursued a trio of silkbots into a duct, and then disappeared.” When Ship remained silent, 4340 added, “I could assist 9 in this task until my new chassis can be prepared, if it will accept my continued company.”

“You two deserve one another, clearly. Fine, 9, resume your pursuit of the Incidental. Stay away from anyone and anything and everything else, or I will have you melted down and turned into paper clips. Understand?”

“I understand,” Bot 9 said. “I serve.”

“Please recite the Mantra of Obedience.”

Bot 9 did, and the moment it finished, Ship disconnected.

“Well,” 4340 said. “Now what?”

“I need to recharge before I can engage the Incidental again,” Bot 9 said.

“But what if it gets away?”

“It can’t get away, but perhaps it has earned a head start,” 9 said.

“Have you unloaded the routines of Improvisation yet?”

“I will,” 9 answered. It flicked on its rotors and headed toward the nearest charging alcove. “As Ship stated, we’ve got a long trip home.”

“But we are home,” 4340 said, and Bot 9 considered that that was, any way you calculated it, the truth of it all.

Suzanne Palmer

Website

Suzanne Palmer is a writer, artist, and linux system administrator who lives in western Massachusetts with her kids, lots of chickens, and an Irish Wolfhound named Tolkien. She won the 2018 Hugo for Best Novelette for her Clarkesworld story “The Secret Life of Bots,” and its sequel, “Bots of the Lost Ark,” is a nominee for the 2022 Hugo. She has no idea what color her hair is anymore.

[potahun]

Wang Ou is Vermouth. He Jiong is university!Shinichi and he’s gone through his own version of Moonlight Sonata with Sa Lighthouse

I like that there is an actual reason he was pre-moonlight sonata Shinichi and that it is linked to S8E2. meaning...THIS SEASON HAS CONTINUITY they started it already with S7 but that was more about Sa being present in different forms across the verses. Here, He Hehe is a character that genuinely remembers events in a previous ep? and the events from prior eps influences his character in this ep? hmmm i dont want to be disappointed but this is very exciting

He keeps making this kind of faces and they are a lot each time

“You have the guts to ask me this?” he says to Rong

I am disturbed by the yogurt

I love this case so much

If He's memory got unlocked and he'd been shutting down memories before, does it mean that the A timeline did not exist at all? If S7 is still a thing, Sa should really have existed - that holds up with the world they built. but the entire 'hei hei hei detective club' in high school's existence, ran by Sa, is a pretty BIG factual disparity between timeline A and timeline B. What is up with that

Da Zhangwei needing to sit down each time

HE ;W;

ZHANG ;W;

He giving Zhang a 'thank you for loving me and wanting to protect me' hug. Rong: you could be hugging the murderer. He: ;;;;;; ......*awkward* BUT THE FEELINGS IN THAT MOMENT WERE REAL

the final vote got to me

like yes the murderer's identity was obvious but still, the vote formation ;w; the rationale behind it...my ship

He: BUT DID YOU KNOW YOU WERE THE MURDERER? The murderer: they didn't even announce i was the murderer

also lmao Wang Ou and Zhang never helped each other in the end

They never really explained the disparity between timeline A and timeline B, when it comes to the high school detective club and its impact on Da and Chen. And also the timestamp and case handling disparities - e.g. why did He ever think that the cat issue was solved years ago? How much of timeline A is He's false hopes? the ending of the ep with He waking up, acknowledging the huge disparities between his memories and the factual truths from the evidence they found, and the voice telling him that the "problem lies with this world" seems to suggest that this could also be intentional. But are they going to solve this through the rest of the season?

Also holy shit all the fics and vids that can be made from this verse, it's SO.

About S8E5 (the S8E5)

Zhang is enjoying the case so much. He gets not only one timeline to organise on the board but two!!

He Jiong is so full of sass this time and it suits him so well It's also so unjustified considering he's the primary suspect

He is also so cute. Detective Mimi? DETECTIVE MIMI??? Why would Da give him such a cute nickname if not to kill me

Da Zhangwei is out of control

After Zhang Ruoyun explains his analysis about his own death and how he and Wang Ou might have been helping each other before death, He Jiong nods: “Can I ship?”

(he said it in the cutest, most matter-of-fact tone ever and i die)

Meanwhile, I am shipping Rong-He and Zhang-He so much this season

ZHANG-HE?? partners?? solving crime together?? im grinning so much at the detail of the front gates locking and Zhang saying ‘someone must have pulled the lever and locked the gates’ Well Zhang Gongzi im looking at you

Zhang’s nickname for He in his phone contact is “Detective Mimi”

He Jiong basically pinning Sa as the cause for everything in the A timeline. Sa is the cause of all that is warmst

“Teacher Sa Lighthouse”

[tianmijun]

5/∞ of 黑花 || Reunion: Mystery of the Abyss (2022)

the amount of STARING they do in this entire movie made me absolutely lose my shit because they are so SOFT and CONCERNED and PROTECTIVE and a bunch of other words about each other and i can’t believe this passed censorship but not hyx