#cheese car systems

[commodorez]

Another circuit board beauty masterpost -- been awhile since I did one of these.

DEC VAX-11/780 Honeywell Alert 1C Ohio Scientific OSi-300 Unknown piece of equipment Cheese Car Systems 32KW FeRAM Memory Module + D-116 Cassette Interface DEC logic trainer

[luveline]

anything with roan and eddie pls 🙏🙏 whatever you want to write about them!! i miss them 🥺🥺

thanks for requesting!! fem

Baking tray, beef cuts laid out flat. Eddie works in silence, dressing the beef with garlic honey, sesame seeds, and a big pinch of salt. He’d like to add some ginger, some paprika, but Roan doesn’t like when things taste smoky. 

He saran wraps the tray and puts it in the fridge. He makes everyone’s veggies —you like different stuff to Eddie, who likes different stuff to Roan, so he makes a garden’s worth of greens and douses them in olive oil, flaky salt, and a little dash of lemon and pepper. He puts that atop the beef in the fridge and tries to think of a side. He was planning on making pasta tonight, before he realised the beef was gonna go bad soon. Maybe he’ll make a pan of crispy mac and cheese to go with it. 

Yeah. He smiles to himself. That looks good on his head, two roasted ribs, a fist of mac and cheese, and a half a plate of roasted veggies. 

He cuts a little cilantro ‘cos Roan loves it, adds some lemon juice to that too, and sets it aside in the fridge. He makes a quick mac and cheese on the stove and tips it into a baking tray, covers a third of it in bacon bits for the youngster, and puts that in the oven. 

Then he sits at the table and sighs. Scratches two hands through his hair, lets the tight achy small of his back decompress as he leans forward. 

When Eddie started working at the shop with Wayne, he figured it would get easier over time. Part time table-bussing wasn’t going to pay for a trailer or his brand new baby, and for months it’s not like he could work anyhow. He lived solely off of his Uncle Wayne as he learned to change diapers, and calm colic, and be a new dad. It was depressing and frustrating all of the time. He felt like shit because he’d just fucking landed Wayne with another mouth to feed and diapers were so, so expensive, and so was formula, and baby clothes, and the guilt worsened when he realised he loved her. Loved Roan. He loved her pretty much the moment he laid eyes on her, but he had no idea if he could be a father, just knew he couldn’t let his kid fall into the system. 

But loving her had been second to panic for weeks. Then one day he was washing her tummy in the bath and he swore blind that she smiled at him, whether babies her age could smile or not. He tumbled out of the bathroom with her in a towel poncho to brag, and that night at dinner, Wayne gave a frowny Eddie the option: start working alternate shifts at the shop. Wayne would have her in the evenings while Eddie worked, they’d sorted everything out, he could start next week. It wasn’t half as scary as being a new dad, so Eddie said yes. 

Anyways, he expected it to get easier. He knows more about parenting and cars than he ever imagined at twenty, but it’s still hard. He’s exhausted. 

Good thing he knows exactly why he does it. 

The door to the living room opens with a creak. Small feet pad around the stair bannister and down the hallway that leads to the kitchen. Roan stops walking when she notices him behind the table. She smiles. She looks like him, less as she gets older, but enough to have given an appreciation for his own features. What’s more beautiful than seeing your smile on someone else’s lips?

“Hey, daddy.” 

“Hi, munchkin.” 

Truthfully, Roan has been his best friend for years. There’s something intangibly close about a single parent and their only child, especially when they’d lived alone. Day after day together, seeing all the gross bits and all the love. It’s given her a vast depth of emotional intelligence. She’s smarter now as a kid than Eddie was at 18. 

“You okay?” she asks, holding her hands up. He picks her up, plonking her on the table in front of him. “You look tired, daddy. And you smell like pepper.” 

“I just finished making ribs, babe.” 

“Yum!” Her nose moves when she talks, “For dinner?” 

“Mm-hm.” He finds her hand. Holds it gently. “Mac and cheese and roasted broccoli, too.” 

Roan smiles again. “Dad, you’re a good chef.” 

“I know I am! But it took so much practice. When you were born, you know what I was eating for dinner every night? I was eating chicken pot pie you put in the microwave.” She wrinkles her nose. “I know. I didn’t care about being good to my body. I definitely didn’t listen to my tummy.”

He likes this part about being a dad. He’s never found it awkward. He just drops his voice into softness and talks to her on her level. 

“But you learned.” 

“I did learn. I wanted to make sure you were eating everything you need. That’s why we eat all that broccoli.” 

She pokes him in the torso with her socked foot. “Maybe less broccoli for my tummy.” 

“I got potatoes and stuff too, don’t worry.” Eddie reaches for her hair in its after school mess, raking it away from her face. “You know I love you, right?” 

“Well, duh.” 

“I know, but really. I love you more than anything.” 

“More than Y/N?” 

“No,” he says quickly, then laughs. “Yeah, but just a little bit. It’s a different kind of love, okay? I love you both like crazy, but you’re my baby. Even though you’re not a baby anymore.” 

“I could be a baby,” she whispers, grinning, “I can be small again, and you can carry me everywhere, and give me a bottle.” 

He laughs roughly. “Yeah? You want a bottle? You barely like milk.” 

“Well, you can still carry me.” 

“I do carry you. I’m surprised these feet work,” he says, squeezing her toes in both hands. 

“Dad, don’t!”

“Sorry, sorry,” he presses his thumb between her foot and her toes and then drops them altogether. “I remember when your foot was the size of my thumb.” 

“I don’t.” 

He laughs more loudly than he means to and scoops her up for a rough and tumble hug. “God, I love you. I really do, bubby.” He presses his nose to her head and blames how tired he is for what he says next. “You are everything to me, you know that? You’re my everything.” 

“You’re my everything.” 

He tips her back to see her. Beams at her, touches his nose to hers. “You and Y/N, you make my life perfect.” 

“I’m glad,” she says, which has him laughing all over again, a childish giggle. 

When you get home a half hour later, you find them in weird places. Eddie’s sitting on the kitchen floor watching the ribs cook in the oven, and Roan’s under the table building a marble run with his approval. “Here?” she asks. 

“And the orange piece. We need more pieces, it’s not long enough.” Eddie smiles at you as you enter, but leans back, opening the cupboard under the sink to grab a saucepan, the sieve, and plastic jug. “We can use these.” 

“What’s up, my Munsons?” you ask. 

Roan smacks her forehead against the edge of the table in her excitement. “Ouch!” she says, crawling from under it to crowd your legs. 

“Ouch!” you echo, face morphed with concern as your handbag slides down your arm. You drop it to the floor and take her cheeks into your hands. “Did that hurt? I’m sorry, I feel like that was all my fault.” 

She shakes her head, curls bouncing this way and that. “It was an accident.” 

“I know, I know, but I didn’t mean to startle you.” You brush her hair back gently and hover. “Can I kiss it better?” 

“Don’t kiss it, it stings!” Roan says, veering away from you with a frown. 

“Sorry!” 

Roan twists away from you to fall into Eddie’s lap. 

“Sorry,” Eddie mouths. 

You pout. It’s with extreme beautifulness —is that a word? Eddie’s pretty sure it’s a word— you slip out of your little heels and sit down on your knees, stockings dark and perfect on legs he adores. You don’t question why they’re on the floor. That’s how you all fit, his smart working girl and your shared grumpy daughter, because nobody asked Eddie why he sat down by the oven. 

“Sorry, baby,” you say softly.

Roan’s frown worsens, but she says, “No, I’m sorry. My head hurts. I missed you.”

“I missed you too, big girl.” 

“Big girl?” she asks. 

“You sounded very grown up, is all.” 

Eddie has to agree. “You’re just that smart.” 

You hold his ankle. “So, how was work? How was school? Fill me in.” 

“How was your day?” Eddie asks. 

“Super usual and boring. We had some people from the Brussels branch come to visit and Jess kept telling me to stop being so awkward, and I asked her what she meant and she said I was smiling like somebody was holding me hostage.” 

Eddie loves when you smile like that. When you’d first met, you used to smile that way all the time. He loves all your smiles, obviously, but your excited–scared combo isn’t one he sees much anymore. 

You shrug. “But work paid for lunch, and I had this amazing mango passionfruit cake roll, I snook you some.” 

“You did?” Roan asks eagerly.

“I did! It’s in my purse, but it has a price.” 

“What’s the price?” Roan asks. 

You put your head in your hand. “I wanna know what you guys have been up to today.” 

When Eddie plates dinner that evening, it’s with a distinct sense of pride and content mashed together. It’s a damn good-looking meal, dense with nutrition and flavour alike, and you and Roan both seem similarly awed. Eddie wanted ribs and he got them, but almost as pleasurable as eating them is the way you both tuck in. You compliment his roasted veggies, telling him you could eat them for every meal, and Roan’s face is plastered in sticky honey garlic in minutes, a macaroni elbow in her hair. 

“Know what dad told me earlier?” she asks you. 

You snort and rescue her hair. “What did he tell you, baby?” 

“That we make his life perfect.” 

Eddie chokes on his coke. “That was a secret,” he says, throat burning, “between you and me?” 

“You didn’t tell me that,” Roan says.  

“Don’t be embarrassed, Eds.” Your eyes turn to hearts, staring at him over the steaming tray of macaroni and cheese. “You guys make my life perfect, too. My babe and my personal chef.” 

He dodges your cheek pinch, grabbing your hand to hold instead. 

“Just wish somebody would make me dinner every once in a while,” he says.

“Whatever,” you say. 

“Dad, I can make you dinner.” 

“I don’t trust you ‘round the kitchen.” 

Roan guides a forkful of cheesy macaroni to her lips. “Okay, good. I can’t make pasta like you,” she says. Eddie won’t mind making dinner again tomorrow. 

[starshideurfics]

Can’t go home alone

steddie, aob, hurt/comfort, established secret relationship

I just can’t leave this concept alone 🥰

Pain pulses over and behind and around Steve’s eye along with the beat of his heart. It isn’t as bad as it was even an hour ago, and definitely not as bad as when he and Robin puked their guts out in the movie theater restroom.

But his head hurts. His chest hurts. And he just wants to curl up in his nest and hope his parents don’t come home in time to see him like this. 

But the paramedic checking him says he’s definitely got a concussion. “Have you got someone who can keep an eye on you for the next 48 hours?”

“I… Yeah, I do.” Steve leans his head on Robin’s shoulder, needing the support as he’s hit with a sudden dizzy spell. He really doesn’t want to hurl again.

“Steve,” Robin whispers, “There’s no way my mom is letting me stay at your house for two days. Or letting you stay at mine. She would freak if I had an omega in my room.”

“I know,” Steve mumbles back. “‘Preciate the offer, Robbie, but I’ve got someone.”

“Steve. You can’t just shrug this off!”

“I’m not! I do have someone.” He pouts, breathes deep, her scent sour still from the truth serum leaving her system. His face is hidden in her short hair as he mumbles, “I’ll stay with Eddie.” Steve’s so tired. 

He just wants to rest his eyes a minute, but Robin shakes his shoulder.

“Eddie? Steve what are you talking about?”

“I’ll stay at Eddie’s. He’ll take care of me.”

Robin is struggling to focus, her brain not as scrambled as Steve’s, but after a day and a half without enough to eat or drink coupled with everything else, she’s just as tired and confused. “Eddie who?”

Tires screech to a stop at the edge of the Starcourt parking lot, the closest cars can come now with the barriers up. Steve whips his head around to look towards the noise and his head spins. But then he sees a familiar, shitty van, the driver’s door opening and closing loud enough for Steve to hear the slam over the surrounding hubbub.

Pushing himself to his feet, Steve starts walking towards the streak of denim and dark curls racing towards him. He’s grinning like an idiot as Eddie stops just short of barreling into him, the rangy alpha delicately cupping his face. “Steve, baby, what the hell happened?” His fingers brush gently along Steve’s brow, over the cut on his lower lip. “I saw on the news—about the fire—called your place a dozen times and no one picked up. Been half-crazy worrin’ over you, and it looks like I was right to.”

“M’sorry,” Steve mumbles, pressing his cheek into Eddie’s touch.

“No, baby, not your fault. I’m just glad it isn’t worse.” He pulls Steve close, guides his face to the scent gland at his neck, and kisses his hair. “I’ve got you.”

Steve begins to purr, feeling safe for the first time in two days. “Can we go home?”

“Yeah, let’s get the hell out of here.”

“Wait! I gotta tell Robin!”

“What? Is Buckley here, too?”

Steve doesn’t answer, just pulls out of Eddie’s grip and stumbles back to the ambulance where Robin is still waiting, wrapped in an emergency blanket, her blue eyes glued to him as he approaches. “You’re dating Eddie Munson?” The, ‘and you didn’t say anything about that when we were spilling our guts literally and metaphorically on the bathroom floor’ is implied.

“Yeah. Eddie’s the best. He’s really sweet and he’s got a big—”

“Please don’t make me barf on you by finishing that sentence. I do not need to know what you and your alpha get up to behind closed doors.” Robin reaches for his hand. “Just… Call me in the morning, okay?”

“Okay.” Steve squeezes her fingers before loping back to Eddie and snuggling into his boyfriend’s chest.

Eddie rubs at Steve’s back. “Ready to go?”

“Yeah. I’m hungry.”

“Want me to make you a grilled cheese when we get back to my place?”

“Uh-huh.” Steve nods enthusiastically, only to bring on a wave of nausea, forcing him to shut his eyes and put all his weight on Eddie.

“Maybe I should just get you into bed.”

Steve moans wordlessly, lets himself be manhandled into the van, barely noticing anything beyond the bumps in the road that make his head ache more.

Once they reach Forest Hills, Eddie plops Steve on the couch, brings him water and a bag of frozen peas for his eye, and turns his attention to frying two sandwiches.

After Steve is fed, Eddie helps him into the shower, washing his hair in the tiny bathroom, and getting rid of the dried blood and days’ worth of sweat. 

They dry off together, and Eddie bundles Steve into his bed, their naked bodies pressed close beneath the covers. “I’ve got you, baby,” Eddie whispers, dropping a kiss to Steve’s unbruised temple. “You rest. And if you need anything, let me know, I’ll get it for you.”

“I know,” Steve hums, snuggling impossibly closer. “Love you.”

“Love you too, baby. Now sleep.”

[soapyghostie]

Cipher from fogposting here, I have been thinking about the reader living in the slasher / dbd killer house idea!

And what I would be interested in is how chores would be distributed 😂 who does what? Do they let Bubba cook?

(not sure if this counts as request, but feel free to ignore it if you don't want to write anything about this!)

Horror House

Since there is a big group of them that live together, the slashers have a humongous house so it’s right that everyone has to pitch in (at Norman’s demand).

Jason handles the house’s exterior maintenance, ensuring the walls and gates are secure, and also takes care of the yard work. He’s actually really good at gardening if you mean by growing a never-ending supply of deadly traps and pitfalls.

Michael is in charge of plumbing, but his fixes often lead to eerie, dripping sounds, and he also handles the house’s lighting, but only installs dim, flickering bulbs that cast ominous shadows (he purposely does that to scare the shit out of Danny, Billy, and Stu). His cooking skills are limited to boiling water, but he insists on making everyone eat his infamous Michael’s Mac ‘n Cheese of Doom. 

Freddy manages the house’s electrical system, but loves to play tricks with the lighting to try and scare the others (it doesn’t work). He also helps with running the house’s music and entertainment with his razor-sharp glove-uitar (Freddy named it that). It’s just him running his glove blades over the strings of an actual guitar and it doesn’t sound that great.

Bubba cooks meals for everyone alongside Hannibal and it’s some of the most fine homemade cooking you will ever taste. He also helps Norman with the house’s cleaning. He is actually very good at doing laundry. He makes sure each piece of clothing is neatly folded and put in the right person’s pile.

Nubbins assists Bubba in the kitchen, but mostly makes ruckus and gets in the way. He does actual gardening, but is not very good at it. The plants usually die within 3-4 days and maybe a week if he’s lucky.  

ChopTop does a lot of carpentry and woodworking, but his creations end up looking sinister and unuseful. He ends up antagonizing Bubba With his creations by chasing him and waving them around in his face. He also helps Drayton with finances, but only embezzles funds to make more of those twisted projects of his.

Drayton oversees the house’s finances and handles the house’s decorating using human skulls and bones (Norman and Hannibal had to take them down because it was making some of the other residents sick to their stomachs and relieved Drayton from decorating duty). He tries to help out with gardening, but it always ends with him chasing Nubbins around with a broom, leaving the garden unattended for hours (maybe that’s why the plants die so fast). 

Thomas takes care of the house’s leatherwork and upholstery, but uses human skin, and also handles the house’s security, but only installs traps and alarms that have led to endangering some of the residents. He’s actually a pretty good cook, but prefers to let Bubba and Hannibal do the cooking so he can keep his eye out for danger. 

Bo manages any machine or car maintenance. Since the slashers have to use reusable stuff, Bo is there to make sure that everything is intact and working. He tends to be out in the huge garage-like barn in the back of the house for hours, with Amanda, always fixing something.

Vincent oversees the house’s art and decor with the help of Brahms. He’ll spend hours down in the basement (his art studio) creating pieces to hang up around the house. He also handles the music being played around the house with his radio. He finds Freddy’s attempt at making music annoying. He’ll help out with the laundry sometimes too. He treats laundry like he treats his artwork.

Lester doesn’t stick around the house; he’s out of the house early to attend his roadkill pile. However, whenever he is home, Lester will assist Norman with taxidermy and chores. He’s only tried helping cook dinner once and almost burnt the whole house down. Let’s just say he was never let back into the kitchen again.

Norman takes care of a lot of the house’s cleaning and keeps the house pretty tidy for an extremely worn down house. In his free time, he does a lot of taxidermy to put up for display around the house to give it more personality. He can cook, but no one likes house cleaning so that takes up a lot of his time. 

Hannibal is the main chief of the house. He prepares exquisite, gourmet meals. He’ll prepare separate meals for anyone who is no in favor for his special ingredient, *cough* human *cough*. He also runs therapy sessions for anyone who needs it. He’s a great listener and gives great advice. He also helps with gardening every once and awhile if he’s not busy with other things. Nubbins is trying to find Hannibal’s secret to growing a successful garden because his plants last for years. 

Amanda spends her time designing and building traps for pests and rodents that are crawling around in the house. She’ll help Bo out with his projects if he gets stuck on something because she gets tired of hearing him groan and complain. Listen, the girl needs her concentration okay? 

Billy Loomis refuses to do almost anything that requires him to be responsible: Norman was lucky enough to even get him to clean his room. However, he does like to pull pranks on the other slashers and make mischief. He may or may not have gotten his throat slit open by Michael once for it though…

Stu works with the technology and gadgets of the house. However, he only uses them to play pranks on the other residents of the house and nothing really useful. Hannibal and Norman had to provoke his technology privileges quite a few times because the others were complaining. 

Chucky only exists to insult and annoy the hell out of everyone. What is he gonna do? He’s literally a doll. Actually, he does help with organizing stuff. If he sees something misplaced or moved, he’ll put it back into its original spot. He also helps his wife Tiffany out with her fashion work. 

Tiffany handles a lot of the house’s fashion and style. She designs and creates outfits for everyone so no one has to go clothes shopping. She is also another one who is a really good cook and helps out sometimes. Her specialty is baked goods and always makes the best desserts for after dinner.

Brahms helps with decorating. He’s very picky with how the house is decorated and wants the house to be decorated with only the finest things. Most of the stuff he hangs up is Vincent’s art pieces that range from canvas art to sculptures.

Billy Lenz looks after the ‘household’ cat (it’s actually his cat) Claude. He feeds,waters, grooms, and plays with the cat. He makes sure that no one has to think twice about taking care of Claude. He likes to keep Claude with him at all times because Michael tried to kill and eat him a few times.

Pyramid Head is the guard dog of the house. He makes sure the younger slashers aren’t getting too out of hand and staying out of trouble. The slashers are really trying not to draw too much attention to themselves.

Carrie helps out with chores and does most of the laundry. She uses her powers to make the clothes spontaneously combust and move things around to dust the spaces underneath objects. 

Jennifer takes care of the house’s beauty and makeup. She critiques the other slashers on their work ethic and tightness around the house (It’s much appreciated by Norman). She’ll make sure that everything is put in its proper place and looks presentable. She does Bubba and Carrie’s makeup a lot and is your go to girl for when prom rolls around. 

Danny surprisingly is a very efficient cleaner and will get random bursts of energy that has him deep cleaning the entire house. He will disinfect the entire house in an hour and a half, insisting that Norman takes a break for the day since that’s literally all he does everyday 24/7 3/65. He also cares for the firearms and weaponry.

[ataliagold]

I'll Sing Silence

Pairing: Steve Harrington/Eddie Munson, background Robin Buckley/Nancy Wheeler

Rating: T

W/C: 2706

Tags: established Steve Harrington/Eddie Munson, autistic Steve Harrington, sensory issues, stimming, autistic shutdown, Eddie Munson is a Sweetheart, Eddie Munson Takes Care Of Steve Harrington

Notes: Title from Drinking Song For The Socially Anxious by The Amazing Devil. A lot of this is based off my own experiences with autism, other stuff I've added in.

Summary: A series of unfortunate events leads to a bad day for Steve. Luckily, Eddie's there to take care of him.

___

It was a series of unfortunate events that led to Steve’s meltdown that evening.

First of all, he hadn’t slept well last night which had led to him sleeping through his morning alarm since he’d been so tired, and then he hadn’t had time for a shower before work so he was feeling sweaty and gross, and it was already hot when he stepped outside which led to his clothes sticking comfortably to his skin and he was already upset by the rupture in his morning routine but then Robin was running late and he’d had to sit in the car outside her house and stare anxiously at the minutes ticking by on his watch while his leg jiggled impatiently and then he’d had to pretend everything was fine when Robin asked why he looked so tense…

They were late opening Family Video, late to clock in, and Steve hated being late.

He had a routine, he had a system, and when it was upset it took him a long time to settle again.

But he’d listened to Robin chatter away while they rewound tapes and put them away, murmured non-committed responses and retreated back inside his own head a bit until he started feeling semi-normal again.

Just as he was starting to feel a little better, lunch time had rolled around, and he realized he’d forgotten his lunch in his rush this morning, and he’d stood in the breakroom with his fists clenched and his heart pounding because now he was going to have to rush to Melvalds and try to find something to eat but he wasn’t sure he had enough time and he’d never gone there before during a lunch break, it was out of routine and it shouldn’t be a big deal but it fucking was because there was something wrong with him, why was he so upset over fucking lunch…

He was wasting his break. Couldn’t get his brain to cooperate and just choose a constructive path to follow, became stuck in a frustrated loop and frozen in place as the minutes passed.

He did nothing, in the end.

Spent his time staring at the wall of the breakroom, trying to breathe slowly, trying to settle himself but without something to eat he couldn’t find anything for his hands to do, ended up stuffing them into the sleeves of his jacket and clutching the fabric hard, hard enough that his fingers started to ache and it was making him too hot but it felt good to just squeeze something…

Robin found him. Frowned, offered him half her own sandwich which he gratefully took but it wasn’t right, there was too much ham and the cheese was a different brand to what he usually bought and it didn’t feel right in his mouth.

A run-in with a grumpy customer that afternoon almost tipped him over the edge.

He’d felt tears building, felt that familiar tight feeling in his throat, the way his lungs were starting to constrict and his hands were starting to tremble even as he frantically twisted the bracelet on his wrist, the one Eddie had given him after seeing him constantly play with Eddie’s own jewelry…

The woman was saying something, her face twisted and angry while she waved around a tape in her hand, but she wasn’t giving Steve any time to process her words and every time he tried to talk she’d yell over the top of him and Steve had had enough.

Before he could lose it in front of the customer, he backed up. Turned on his heel, strode away, threw a pleading look at Robin as he passed her.

She nodded, smoothly intercepted the woman with a fake smile plastered on her face, and Steve retreated quickly to the relative safety of the breakroom.

He breathed. Stared unblinking at the floor, still rotating the brown leather bracelet, running his index finger over the intricate design etched into it.

You’re fine, calm the fuck down, stop being a fucking child.

But he couldn’t.

He knew this wasn’t normal, that he should be able to deal with the day like any other person, but it was like there was this block in his brain telling him otherwise.

“Steve, you ok?”

Robin interrupted his downward spiral, placed a hand on his back and Steve immediately leaned into it because the pressure was good, the weight of her hand comforting and grounding.

“Mmm hmm,” he mumbled.

“Ignore Mrs Brown, she’s a bitch.”

“Yeah.”

“Tried to tell me the tape didn’t work, I put it in the store player and it was totally fine so it’s probably an issue with her player but I swapped the tape out anyway because I really couldn’t be bothered arguing it further…Steve?” Robin’s tone was concerned, her hand rubbing small circles into his back.

“Mmm?”

“You don’t look too good, what’s happened?”

“Nothing.”

“Well, it’s clearly something -”

“M’fine.”

“Do you want to head home early? I can finish off here and call Nance to pick me up.”

No, because that would mess up his routine even more and he didn’t think he could live with that today.

Steve shook his head.

“Well…we can skip dinner tonight, if you want. We can just postpone it, if you’d rather go home.”

He would rather go home. Or preferably to Eddie’s, where he could curl up on his boyfriend’s bed and let Eddie wrap his arms around him and squeeze him tight and pull the blanket up over his head and just shut out the rest of the world until he was ready to crawl back out and deal with it again.

But they’d been looking forward to going out to the diner for a while now – Steve, Eddie, Robin and Nancy – their schedules had finally aligned, and they’d eagerly organized the double date.

Everyone was looking forward to it, and Steve wasn’t going to let them cancel it just because of him.

Just because he couldn’t deal with a few minor inconveniences in his day.

He shook his head again.

“You sure?”

“Mmm.”

“Ok, well…how about you just sit out here for a few minutes, ok? Come back out when you’re ready.”

Some days, Steve went about his day and felt almost like a normal human.

He woke up, he went to work, he chatted to his friends, he’d see Eddie whenever he could, kiss him and watch movies and eat dinner and everything was fine.

But some days, everything was too loud. The tag on the back of his t shirt scratched at his neck, the door to Family Video creaked a little too much and he felt it in his teeth, the lights overhead were too fucking bright and there were too many people demanding his attention all at once and it was like a flip switched somewhere and he went into shutdown.

He wasn’t quite there yet, but he was about to crest that wave, and everything would come crashing down then.

The rest of the day passed in a blur, too slow and too fast at the same time, and Steve waded through it like molasses, heavy and slow.

When Eddie sauntered in at the end of Steve’s shift, all warm smiles and soft eyes and familiar scent, Steve felt his heartbeat slow a little.

“Hey, Stevie,” Eddie murmured, looking him up and down and immediately wrapping his arms around him tight because there was no one else in the store and he knew, he always knew when Steve was having a bad day.

Steve sagged a little, pressing his face to Eddie’s neck, breathing him in, hands curling in the soft material of his Metallica t shirt.

“You still wanna go out, sweetheart?” Eddie whispered.

Steve nodded, most of the motion lost due to the fact he was practically burrowed into Eddie.

Eddie kept a hand on him the whole way to the diner. Whether it was holding his hand in the car, or allowing their pinkies to just brush as they walked side by side to the diner, or the gentle grip on the back of Steve’s shirt as they rounded the corner and saw the large queue outside the diner.

Steve’s stomach dropped.

He liked the diner.

It was familiar, he knew the menu by heart, he knew what he liked and the staff were friendly and happy to swap out a couple of the things on his plate because he always preferred his sauce on the side and he didn’t like tomato in his burger, and the music was never too loud and the lights were just dim enough that they didn’t irritate him to hell and back.

They hadn’t bothered to book tonight because it was never usually this crowded.

“I’m gonna go see what’s happening,” Nancy announced, striding past the queue towards the door.

Steve swallowed, shifted from foot to foot.

Eddie leaned in. “It’s alright, sweetheart,” he breathed, “if it’s too busy, we can go home, ok? We can come back another day.”

He nodded.

Nancy returned, looking mildly irritated. “It’s some special they’ve got on, you get your food half price before seven pm, it’s already completely full in there.”

Eddie tilted his head, contemplating. “We could come back after seven, when the crowd’s thinned out?”

Robin groaned. “I’m starving, I gave half my lunch to Steve because he forgot his.”

Eddie glanced at Steve, fingers brushing the back of his arm briefly.

“We could go to that new place?” Nancy suggested. “The one on the corner? It only opened last week, it might be quieter since half the town’s here.”

Eddie’s gaze flicked to Steve again. “Maybe we just go home, do this another day,” he said carefully.

Steve wanted to speak, found his mouth glued shut, pulse thrumming in his ears.

“It’s Mexican, right?” Robin asked excitedly. “Yes, can we go there? Please?”

Steve liked Mexican food - when he could cook it himself, or when he’d been somewhere before and knew exactly what to order. But he’d have to study the menu at this new place, have to no doubt awkwardly ask them to omit some ingredient or another and what if they didn’t like that, he didn’t want to complicate things or make it uncomfortable for the others, and what if they had the music up too loud and he wouldn’t know where the bathroom was to retreat to so he might have to ask but what if he couldn’t get words out…

“Steve?” Robin was saying.

“Mmm?”

“Can we go?”

“Sure,” he said, because he’d give Robin the world if he could.

Robin clapped her hands, darted ahead with Nancy.

Steve went to follow, but was stopped by Eddie’s hand on his wrist, turned to see him looking at Steve with concerned eyes.

“Stevie…lets go home, huh?”

Steve shrugged him off. Started to walk determinedly, because Robin was excited and she was bounding ahead and Nancy was smiling bright at her and he wasn’t going to ruin this even though he was currently swallowing back tears.

“Steve -”

“It’s fine,” Steve snapped. “It’s nothing, ok? We’re just going to a different fucking restaurant, it isn’t a big deal, ok?”

“Sweetheart, just breathe for a second, ok.”

“I don’t need to…I don’t need to fucking breathe, we need to get to the restaurant because we’re already later than we usually are which means we’ll get home later which means I’ll have to be quicker to get ready for bed tonight so I get to sleep on time so that I’m not so fucking tired tomorrow and -”

Eddie pulled him to his chest. Hugged him tight in the street, in view of any passerbys, because Steve was about to fall apart and there was no other option.

Steve was crying, was still stammering his way through his explanation, his world shrinking to just Eddie and his own heartbeat booming in his ears.

Faintly, as if underwater, he heard Robin and Nancy, their concerned voices saying his name, Eddie telling them he was going to take Steve home, that he was ok, that they should carry on to dinner and he’d call them later.

“…Mrs Brown, she was yelling at me and her voice makes my skin crawl and she wouldn’t stop yelling and everything’s so loud today -” Steve was whining into Eddie’s chest, as Eddie ran a hand over the back of his head, scrubbing his fingers through his locks in the way that Steve loved but right now he needed to get away from here, needed to go home.

“Shhh, baby,” Eddie murmured to him. “I’ve got ya, we’re gonna head back to the car, ok? You can come home with me, I’ll run you a bath if you want one and get you something to eat, ok?”

Steve nodded as best he could, followed Eddie back down the street.

“Robin -” he started, voice miserable as they approached his car, as he wordlessly handed the keys over to Eddie because they both knew he couldn’t drive in this state.

“ – will be fine,” Eddie told him gently, “she and Nancy will have a nice night, and we’ll hear about it tomorrow, ok?”

“I ruined it,” Steve sobbed, breath hitching.

“You didn’t,” Eddie insisted, opening the door for Steve and gently guiding him into the passenger seat. He reached over, clicked Steve’s belt in, pressed a brief kiss to the side of his head. “Sweetheart, you didn’t. You’re allowed to have a bad day, ok? Shit, you know I’ve had plenty, and you’ve looked after me every time. Let me look after you, ok?”

Eddie kept the music on a low volume as they drove to his trailer. Loud enough that Steve could hear it, that it softly filled the silence because silence would’ve been too loud right now, but quiet enough that it didn’t irritate him at all.

It was just right.

And Eddie had one hand on the wheel and one hand cradling Steve’s, rubbing circles into the skin over his knuckles, keeping Steve here, keeping him present.

Wayne was working a night shift, which was fortunate for them tonight. Not that Eddie’s uncle would’ve minded Steve being there in this state, but Steve hated anyone seeing him like this – the less people around right now, the better.

Eddie led him inside, sat him down on the couch, gently lifted Steve’s arms up above his head and peeled his t shirt off him.

Steve sighed in relief at the tag no longer itching his neck, and then Eddie was draping the throw from the back of the couch over his shoulders, the soft one Steve loved to burrow under while they watched movies.

Eddie lay down at the other end of the couch, gestured for Steve. “C’mere, sweetheart.”

Steve went. Draped himself over Eddie, fell into him easily, chest to chest. A soft noise escaped him when Eddie’s arms circled about his waist and squeezed, the pressure fucking lovely and Steve pushed his face into Eddie’s collar and hummed, index finger and thumb playing with a belt loop on his boyfriend’s jeans.

He wasn’t sure how long they lay like that. Eddie had turned the TV on at some stage, some nondescript show playing to give Steve a tiny bit of background noise. His eyes were closed, his breathing was evening out, his tears drying on his cheeks and on Eddie’s t shirt.

“Stevie?” Eddie whispered eventually. “Can I get you something to eat?”

“Toast?” Steve asked quietly, hopefully, his voice small.

Eddie smiled into his hair. “Sure.”

Steve tipped his head back a little, feeling groggy and heavy and slow but better, calmer. “And please can you -”

“- cut the crusts off?” Eddie chuckled softly. “’Course I will.”

Steve smiled tiredly. He didn’t always need his toast like that, but today was very much a no-crusts day.

“And then if you’re up to it I’d like to run you a bath, ok?”

Steve nodded, briefly unhappy when Eddie detangled himself from him, slipping out from under Steve carefully.

When he turned to head for the kitchen, Steve reached out, clutched at Eddie’ wrist.

“Eds?”

“Yeah?”

“Love you. Thank you.”

“Anytime, Stevie.”

___

[a-d-nox]

wyrd web: what to gift a person based these three numbers

this is just a theory of mine because these bubbles of the matrix should represent earthly desires. this is not to say that you can't enjoy things not listed in your category / under your energetic number. this is simply what i believe people with these numbers would enjoy receiving as a gift.

2 - the high priestess

things that support their spiritual practices, things that support feminine health (hum women's probiotics bundle, honey pot oral vaginal care probiotic, etc), bake goods / baking gear, barbecue sauce sampler / grilling gear (for the dads pt 2), bar in a jar (for those of drinking age) or really any beverage tester kit, bath/spa kit, beach vacation, boat, cruise, careof for brain support, truly nice melons boob butter, candles (it doesn't have to be yankee candle either - bent candles, spiced votive candle, etc) or candle making kit, imported cheeses, clothing staples (blue jeans, black turtleneck, etc), juice cleanse or other things that support digestive health, cooking classes or meal kits (hellofresh, homechef, etc), a tarot/astrology/mediumship reading, or outdoor cameras or other home security tools

3 - the empress

pillows, stuffed animals, rose quartz, personal celebrity cameo, clothing, tickets for an art museum tour, ballet tickets or classes, art supplies, makeup pallets and/or brushes, flowers, jewelry, candy/sweets, money, bells / wind chimes, clothing, designer pieces, cosmetics, dolls, a trip to a fancy restaurant, fruit basket / dried fruits, gardening supplies, jewelry, concert/orchestra tickets, poetry book, tickets to a play, a purse, lingerie (if y'all are close like that), trip to a vineyard (for those of drinking age), couples' dancing classes, or a wallet

4 - the emperor

skincare, rock climbing voucher or some other physical activity they enjoy, an adrenaline rush activity (skydiving, bungee jumping, etc), careof for brain support, crafted wooden objects (cutting boards, tables, etc), coffee trials/samplers, sunglasses, blue light glasses, hair care products/supplies, scalp treatments/care, oral health care (thera breath, whitening products, etc), meditation app subscriptions / in person sessions for meditation, or a planner

5 - the hierophant

moss agate (don't question how random that sounds this is some intuitive stuff), artwork, an architectural tour, beauty products/supplies, historically significant objects, pastries or sweets/candies, earrings, sour dough starter kit, jewelry in general, piano/organ lessons, singing lessons, a wallet, or any classes where they can learn something fun and new to them

6 - the lovers

car stuff (seat covers, cup holder coasters, etc), bicycle or bicycle accessories/gear, books (the more educational the better), briefcase / work tote, bus tickets for a day trip, gym membership or soulcycle classes, crystals, a standing desk / cute office supplies (for the work girlies both those who work in office and from home), hand & foot message, manicure voucher, newspaper subscription (i am a fan of new york times, washington post, and the new yorker), language classes or rosetta stone subscription, magazines subscription, merchandise from their favorite singer / group / tv show / movie, train trip, or we're not really strangers card packs

7 - the chariot

gardening supplies, hermit crab, baked goods, bath products / beauty products, boat, cruise, car stuff (seat covers, cup holder coasters, etc), truly nice melons boob butter, juice cleanse, gut health thrive market kit, glassware / blown glass, stuff they need / need for their home (security system, chest freezer, etc), hotel or bed & breakfast stay, kitchenware, lake trip, pearls, real estate / land, restaurant voucher / gift card, silver jewelry, shopping gift cards, a trip, or intention journal

8 - strength

amusement park tickets, supplies for their passion projects, ballroom dancing classes, tea sampler, games (video games or board games), movie theater gift card, personal celebrity cameo, flower garden supplies/seeds, stuff for their pet, or a belt

9 - the hermit

pet related gifts (if they have a pet that is), bookshelves (they probably need one), juice cleanse, gut health thrive market kit, a cat, clothing, oral health products (thera breath, whitening products, etc), stationary, emergency preparedness (ready to eat meals, fire blanket, etc), cook books, dining ware (new plates/bowls, cups / glassware, silverware, etc), food subscriptions (home chef, hello fresh, pickle of the month club, bokksu japanese snack box, etc), careof subscription, gloves, herb garden kit, a one way ticket to anywhere, or a hiking trip

10 - wheel of fortune

incense, cleansing herbs, bow and arrow, sapling, land, dried berries, budget book, gym/exercise membership, religious/spiritual/philosophical books, poker set, cloth (if they like sowing), wool (if they like weaving, crocheting, and/or knitting), wool clothing, a coat, trip to a country or place they have never been, oral health products (thera breath, whitening products, etc), etiquette classes/books (this is great for the traveler because they are often interested in learning customs before going on their trip), figs, fruit basket (like edible arrangements), honey sampler / royal jelly, horseback riding lessons, lottery tickets, merchandise from their favorite singer / group/ tv show / movie, shoes, really any game, any subscription they have not tried, things that support their spiritual practices, or book on positive mindset

11 - justice

personal celebrity cameo, tickets to a ballet or to an art gallery, air purifier, portable heating pad, spa voucher, cosmetics, lingerie (if y'all are close), closet organizational items (space saving hangers, linen bins, accessory hanger, etc), pastries and sweets, diamonds (perhaps propose to your lover), a dress, tickets to a fashion show or exhibit, flowers, a luxury chair, jewelry, concert tickets, poetry books, any quartz pieces, chocolates dipped strawberries, hair extensions, logic puzzles, a voucher for an escape room, or a kitchen/baking scale

12 - the hanged man

bar in a jar (if they are of drinking age), a book on angel numbers, a book on natural medical remedies, ballet classes or tickets to see a ballet, bath bombs and other bath goodies (salt, bath table, candles, sugar scrub, bath teas, etc), beach vacation, tea or coffee sampler, butterfly farm kit with caterpillars, disposable camera or a camera they would like (polaroid, filming, etc), scientific kits (geode kit, grow your own crystals, etc), cigars (for the dads in your life), unsolved mysteries or crime kit, dance classes, smutty/romance/fantasy books, fairy garden, a tarot/astrology/mediumship reading, budget book, makeup palettes or other cosmetic they enjoy, concert tickets, paint, poetry books, clue the board game, a pass to an indoor pool, a book on poppet making, meditation membership or a voucher for in-person sessions, or something to support their curiosity for new spiritual insight

13 - death

hermit crab, a jumping spider, a reptile, homeopathic books for natural cures and remedies, operation the game, butcherbox subscription, a book on how to cook and trim meats, beginners chemistry kit, a colon cleanse, sea monkeys, unsolved mysteries or crime kit, philosophy of death books, books on magic, magic the gathering the card game, period products (portable heating pad, the diva cup, etc), poisonous plants (belladonna, foxglove, lily of the valley, etc), a frog pond, a scorpion, a snake, a burr/boo basket (these people love seasonal stuff), or marie kondo's life changing magic of tidying up

14 - temperance

a hunting trip, bow and arrows, books on religion or philosophy, book of devotions, book on dream meanings (hello, freud haha), a certification course or college class, horseback riding lessons (for the newbie or a younger sibling or your child/niece/nephew), horse drawn carriage ride (for the couples *smirk*), logic puzzles, things that support their goals, or a book of angel number meanings

15 - the devil

a fan or air conditioning unit, if you have the land for it a cow/horse/goat, kinetic tape, arnicare bruise cream (this is a joke... unless...), coal or a diamond (this is also a joke... unless...), a clock or a watch, cuticle trimmer (and other nail care things), room darkening curtains, a happy lamp, lotion/cream, hat/scarf/gloves, hair products (extensions, shampoo subscription, etc), leather fashion-ware, gardening supplies, ice maker, or a juice cleanse

16 - the tower

tiger balm or other pain relieving ointment, acrobatic/gymnastic classes, homeopathic books for natural cures and remedies, first-aid kit, baking kits, barbecue sauce sampler, barbecue sauce sampler / grilling gear (for the dads), gift card for haircut, dollar shave club (for the dads pt 2), metal works (spoon handle rings, metal roses, etc), boxing lessons, boxing match tickets or monster truck tickets, butcherbox subscription, a book on how to cook and trim meats, crafted wooden objects (cutting boards, tables, etc), cactus plant, beginners chemistry kit, cookbook, pocket knife or leatherman/multitool, tool kit, jenga, emergency kit, food, first aid kit, merchandise for their favorite superhero(es), electric lighter, liqour or bar in a jar (if they are of drinking age), rock music (a vinyl or concert tickets), pepper plant, pipe for smoking (if they like to smoke that is - my grandfather had a collection), lego kit, or lincoln logs

17 - the star

friendship bracelets, a fan / ac unit, model airplane, flight lessons, compression stockings/socks, architectural tour, astrology reading, car stuff (seat covers, cup holder coasters, etc), club memberships (golf, racket ball, sam's, etc), electronic devices (a new phone, amazon fire stick, solar portable charger, etc), movie on blue-ray or dvd, movie gift card, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, shadow work journal, aesthetically pleasing bluetooth retro radio, streaming service subscription, a book on health or mental health, or a book on positivity

18 - the moon

abstract art, bar in a jar (if they are of legal age), a fish, a fish tank, tickets to an aquarium, cocktail book (if they are of legal age), a fishing trip (for the dads), book of conspiracy theories, the conspiracy theory map, a crystal ball, unsolved mysteries or crime kit, a jellyfish, a tarot/astrology/mediumship reading, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, poetry book, hydroponic starter system, games that involve bluffing (clue, poker, herd mentality, etc), shoes, sleeping eye mask, silk pillow cases, new bed sheets, bonnet, socks, a computer keyboard, typewriter, a book on shadow work, a puppy, or a book on dream meanings

19 - the sun

maine coon, autobiographical books, ballroom dancing lessons, poker set, oral health products (thera breath, whitening products, etc), card games, personal celebrity cameo, circus fruit basket, chocolate gold coins, classes that encourage creativity (create it and break it sessions, pottery classes, etc), jewelry or an engagement ring (if it's been more than 2 years y'all should know what you are doing at this point), flowers, indoor herb garden, tickets to race of some sort (cars, horse, sporting events, etc), sporting equipment, ivy plant, a pottery painting voucher / gift certificate, or something for their passion project / hobby

20 - judgment

a reptile, ant farm, a guide on astral projection, operation the game, the chameleon game, clue game, unsolved case files game, grand theft auto video game, assassins creed video game, dungeons and dragons the game, yahtzee, emergency preparedness kit, magician kit, poisonous plants (belladonna, foxglove, lily of the valley, etc), the divine comedy, puzzles, a rodent of some sort, or lingerie (if y'all are close)

21 - the world

gardening supplies, acoustic guitar, air conditioning or fan, architectural tour, teddy bear, snow globe, boots, calendar or planner, supergoop (sun protectant) products, wooden objects (cutting board, chest, box, etc), carpet, clay (air drying or via kiln), a clock or watch, compression stockings/socks, collectible coins, pain patches or kinetic tape, crystals, budget book, lotions for dry skin, dried fruits, gloves/mittens, hair care products, ice machine or ice making trays, ice cream subscription, pottery classes, rain coat, real estate or land, zen sand garden, sculpture, or snake

22 - the fool

flight lessons, model airplane, a flight to anywhere, car stuff (seat covers, cup holder coasters, etc), an astrology reading, bath products, biking gear, movie theatre gift card, clock or watch, club memberships (golf, racket ball, sam's, etc), mood lighting or strip lights, a train ride, fun magnets, motorcycle accessories/training, microphone (maybe they are filming or recording something), patterns for cross stitch / knitting / crocheting, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, stuff for the tv (surround sound, sound bar, streaming subscription, etc), or classes for one of their interests

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[tremendouscreationperson]

Logan x Reader pt.10

Omg Im so sorry I'm not consistent with posting, it's my nans 70th so I am off this week so I should be able to be a bit better

Also my bestie's bestie and her wife got tickets to the eras tour without me and are going today so I needed Logan to comfort me - hence the posting 🤣🤣🤣

There be hysterectomy talk in this one

<<Part 9 Part 11>> Masterlist

Logan seemed to have fucked most of the anger out of his system. Not all. He was still frosty but he now spoke with you, entertained your small talk. 

“You hungry?” He asked, various fast food joints passing you by. 

“Yeah.” The nurses had given you food but after certain activities you weren't going to pass anything greasy up.

“What’d’ya want?” 

“Literally anything.” You scanned the street and pointed to the McDonalds. “That'll do.” Can't go wrong with a Maccas. 

“What you thinking?” 

“I dunno, do they still do the big n’ tasty?” 

“No.” He pulled into the car park. “You want to go in and look at the menu?”

You did but time was of the essence. “As long as we're quick.” 

“We can be quick.”  He hummed, reversing into a space.

You both hopped out of the jeep and entered the building. It was fairly dull in here. Wasn't McDonald's colourful? Full of children's characters and clowns? It was grey and brown and sleek and boring. 

Logan walked past you and tapped on a screen. It displayed all the different menu categories. 

“McDonalds has screens now?” You laughed in disbelief. You tapped the ‘whats new’ option. Everything had gotten bigger. There were larger nugget meals and burgers and wraps. 

Garlic cheese dippers, selects and all sorts of tasty goodness. 

You chose yourself a triple cheeseburger meal and some nuggets on the side. He picked a chicken box, a Big Mac meal and an array of sides. 

“You sure that's all you can eat?” You joked. 

“Fast metabolism.” 

“Are we going to be able to fit this all in the car?” 

“Yeah.” He pulled out his card. 

“Oh wait!” You quickly pressed the back button and ordered a strawberry milkshake. “A peace offering.” 

Logan's brows pulled an inch but he didn't comment. Laura was yet to have a milkshake, diabolical behaviour on your part. 

Your order number was 66. There were a lot of numbers before you so you perched on the back of an unoccupied booth.

Logan stood straight next to you, as though he was standing guard. So you decided to take advantage of that. Of him watching out for you. Your mind wandering to your ‘new’ body. You could heal. That was crazy. You still didn't understand the science behind that. The TVA had painlessly taken blood, spit and plasma samples. They had checked you for any diseases the Void could offer but the illuminati didn't. How did they have your materials to meld with the regenerative ones? Maybe they didn't. Surely they wouldn't just experiment with you though. Hopefully you weren't a guinea pig. 

“How fast you reckon it's gonna be?” You questioned looking at your wrists. 

“I dunno, twenty minutes max?” Logan turned from the screen to look at you. 

“No.” You giggled. “Healing.”

“Oh.” His eyes flickered to where you had exposed your wrist. “I wouldn't know.” 

You thrust it towards him. “Will you do the honours?” 

“Are you being fucking serious?” He stepped back. “After everything I've said you think I'd just cut you?” 

Okay okay, that was maybe a poor move on your part. “I guess?”

He rolled his eyes. “Ain't happening.” 

You grumbled but formed a field, manipulating it into a thin disc, making sure one edge was paper thin. Even a paper cut could show you.

The slice you had planned didn't work so you had to try again and yes! Well, maybe don't be too happy.. what would Dave say?! 

The cut was teeny. It was about ten centimetres but the little dot of blood told you it wasnt superficial. There was at least an element of actual harm. 

“I hate you.” Logan folded his arms. 

“No you don't, just watch.” 

The cut did nothing.

The two of you just staring, transfixed, at your wrist. 

“Maybe it has to be deepe-ahhh.” 

You could feel a warmth, it was hot. Red hot. And your skin was stretching. You could feel it tying itself together. None of this was really visible but the line did close. You had imagined healing wouldn't hurt... Yet here you were. 

You smirked up smugly. “It works!” 

He huffed but you could see how happy he was. His eyes were lit and his lips had tugged upwards. 

“Brilliant, eh?” 

“It's pretty good.” He kissed your crown. 

~~

You couldn't wait for the lift. Too excited. But taking the stairs wasn't an option so you did in fact wait for the lift. 

Gosh it took fucking forever.

Logan hadn't let you out of his sight, barely leaving to collect the food bags. He was really fucking happy. 

You were going to be safer than ever. 

All he could imagine as you lay in the hospital bed was “what ifs”. He knew it was entirely possible that he could hurt you. He knew he had nightmares and had had to buy a new mattress before due to them. He knew his claws came out when you fucked so what was to stop them when he was scared?

He hated the ideas so he projected them onto the one that had hurt you. 

Laura.

Laura was him. 

He'd never deny that. 

She was a younger version of him. 

She was the one that hurt you and I'm a way that spared Logan. 

She was to blame. 

“Laura!” You called as soon as the elevator doors opened. “Baby?” Jogging towards her door. 

You then halted. 

“What-ho-how do I approach this?” 

Logan didn't know. If he hurt you he'd be fucking distraught. He would kill himself a few times just to feel nothing, to stop the guilt. “Just be yourself?” 

You let out a whine but carried on and knocked at the door. It was open. The pressure of your knock opened the door. 

“Laura?” Your voice was unsure but you pushed the door the rest of the way and entered the dark home. 

The curtains were drawn and the lights were all off making it almost impossible to see her slip through the bedroom door, looking worse for wear, and stick to the corner. 

She was still wearing the clothes she had worn that night. Blood covering her hands and splattered across the mateiral. Her hair was unwashed, her eyes hollow, she hugged herself as she watched you move into the room. 

“Baby.” You raised the cup. “I finally got you that milkshake. It's strawberry. I think chocolate can sometimes be a bit meh so strawberry is the next best.” Why were you rambling?

Laura's eyes flicked to the cup and then to your ever present shadow: Logan. 

“I'm gonna… put it on the table?” You placed the cup in-between the two of you. “It's nice." 

She didn't make any movements.

Let's just cut to the chase then. “Laura, I'm fine.” You gestured to yourself. “In fact Tony Stark was able to alter my genes. I heal like you and Logan.” 

Her brow twitched. 

“Look.” You repeated the field and sliced across your arm. Laura's eyes widened and she gasped at the blood. Ah fuck. Maybe you shouldn't have. “Laura, just watch. It takes a second then it w-orks.” 

She watched your skin sew itself back together and her eyes watered. 

“Baby,” You weren't going to stand there and let her cry. “I'm coming over.”

She didn't back up, letting you stride to her. You immediately pulled her into a bone crushing hug, and she sobbed into your shoulder. 

“I'm fine and I don't blame you.” You repeated over and over again. “I love you.” She clutched onto your back, her body shaking with sorrow. “I don't blame you. You're my baby and I love you.” 

Logan took a step forward causing her to tense. 

“Lo stay back on this one.” You shushed into her ear, threading fingers through her hair. “It's okay Laura, he's not going to do anything.” 

It took a while but she did ease back into the embrace, her tears slowly creasing. 

Laura stepped back, looking at you with fat wet eyes. She gave you the tiniest nod and stepped around you to pick up the milkshake. 

She handed it to you and you took a drink. “I'd never poison you, love.” 

Laura seemed satisfied that you didn't die so took a drink herself. 

You could see the thoughts zooming through her mind. It was cold. Thick. Tasted unlike anything she'd had before. But she liked it. 

Laura drank silently from the straw and gave you the smallest hint of a smile when she released it. 

“I knew you'd like it baby.” You grinned down at her. “Right, we have to get you cleaned up.” 

~~ 

You'd run the bath for her and insist she hop in. Laura removed the crusty clothes and did follow your instructions. Neither of you cared that she was naked. You were past that. 

“Is it warm enough?” 

She nodded. You'd all become accustomed to cool water due to the Void so we're careful when running baths or turning the shower on. If it was too hot it felt suffocating. 

You dunked her sponge into the soapy water and plucked her hands in yours to clean them. The movements were methodical. You cleaned her wrist, then her palms then her knuckles and lastly her nails. She's ripped off the false ones, leaving her natural nails on show. 

When the water was a burgundy colour you let it out and refilled the tub. Laura sat and watched. “We're going to do your hair now. Tilt your head back.” 

You flicked the tap to connect it to the shower head and turned it on. The water splurged out and you hummed softly to undercut the noise. Laura let you rinse her hair. There were bits of dry blood and a leaf? in it. El had said she had run away. Good on them for finding her and bringing her back. Good on El for replacing the mattress and bedding. You'd have to thank them. You loved them so dearly for looking after her. 

Laura's eyes were tired by the time you'd finished. She stood and you wrapped a towel around her shoulders. 

She sat on the lip of the bath so you could towel dry her hair with a smaller towel and comb it. 

“Someone looks sleepy.” You kissed her nose. “C’mon, let's go to bed.”

She took a shaky breath and frantically shook her head. 

“It's okay.” You shushed her. “I'll take you to bed but I won't get in.” 

It broke your heart to see her allow that. You wanted nothing more than to tuck her under your chin and sleep soundly with your bubba. 

Laura pulled on a night shirt and eased into the bed whilst you quickly ran the spray over the tub, erasing any signs of blood. 

You found her in the bed waiting and sat next to her. Your hand smoothed her hair and you found yourself humming a long forgotten tune. It took seconds for her to sleep. 

~~

Logan was on you in an instant - the second - you walked through the door. He squeezed you tightly. 

“I'm okay.” You reassured him. “She's just-it's weird seeing her like that. She's normally so strong.” 

The two of you parted and you let him kiss your forehead. “You're a good mom.” 

You chuckled. “It's not easy.” 

“No.” His head shook. “But you are.”

You don't know why but the determination in his eyes made yours water. You sniffed and looked away. “She likes milkshakes.” 

“Of course she does.” He shrugged. “I do.”  You rolled your eyes at his reply but before you could argue he spoke again. “I'm sorry. I've been a dickhead.” 

“I can get why.” You placed a hand on his sideburn. “I do. But she's just a kid.” 

He nodded and kissed your palm. “You have no idea what would've happened if I lost you again.” 

You did know. He would've gone fucking feral. He would've killed Laura, then the others would've gotten involved and they would've fought and killed and not cared for the consequences. “You didn't lose me.” 

He smiled and bent his neck to kiss you. You met him halfway on your tiptoes, replicating the same amount of need. 

You both knew you were fucked. The world was fucked. Both were damaged goods. The chances of finding each other was next to none yet here you were. Kissing in your shared apartment. 

“I love you.” You whispered into the kiss, Logan used that to his advantage and delved his tongue into your mouth. You hummed letting your own dance with his. 

His hands cradled your face and spine. His palm was so big against your cheek, it made you feel safe. At home. He would protect you. 

You had to break the kiss to breathe, panting against his ear as he kissed his way to your nape. He loved your nape and you loved the way he nipped and sucked it, it was him claiming you. Him owning you. And when he bit down on your neck all your feminism flew out of the window. You would do anything for this man.

The hand on your cheek had travelled down to your chest, cupping a breast and giving it a delicate squeeze. You were still wearing that Deadpool set, with no actual cup, so when his thumb grazed over your nipple you felt everything. 

Logan wasn't one for slow. You knew that to be true because of the way he fucked you previously. But here he was taking his time. Savouring each hitch and groan that tumbled from your lips. 

You were actually being a bit useless here, letting him kiss and fondle you without doing the same. Quick to remedy that your hands found their way to his belt, fingers grazing the skin under his vest, and you tugged him that bit closer.  

Logan crowded you now. He was all you could see, hear, taste, smell and touch. He was all you needed. 

“Logan.” You breathed onto his lips, kissing him again. His lips were smooth, a nice juxtaposition to his gruff hair. Oh, but you loved the scratch. He was so manly. So hairy. He was everything rolled into one. 

You sensually licked his lips as your fingers unhooked his belt. 

Logan's half lidded eyes watched you as you pushed your tongue further out, keeping eye contact as you bent to make your mark on his neck. 

He groaned as you sucked, tongue swirling across the marred flesh. It then made its own way to his chest, kissing and sucking where the vest would allow. 

You gave him one look and he immediately removed the fabric. “Good boy.” You whispered against his pecs. Kissing them and letting your teeth catch certain areas. 

Logan watched with a baited breath and you slowly sunk to your knees. The unbuckled belt sitting at his hips as you unpopped the button, pulling the zipper all the way down. 

He let out a shudder when you nuzzled your nose against the visible boxers. Tugging the jeans down so you could kiss him through the fabric. You'd never get over how big he was. 

He was long and thick and if you thought his dick looked comically large in your hand you knew it would be difficult to swallow down. 

Still though, you teased him through the fabric. Kissing his head and sucking the wet patch. It was gloriously salty. 

“Y/N.” He muttered his hand making a home in your hair. 

You looked up at him as you pulled him from the boxers. His mouth was permanently set in a small ‘o’ but it widened when you licked a stripe from shaft to tip. 

You loved this. This fearsome warrior. This feral beast. The reason to genetically alter you, to ensure he was happy. Was putty in your hands. He would do anything for you. 

Maybe it was fucked up at at this precise moment you understood his plight. Why he was so angry. Why he had taken it out on Laura. She was technically to blame - never in your eyes though - and you got why he snapped. 

You sucked the head again before delving deeper. Yeah, you were right, it was far too big but you had hands for a reason. 

Pumping with your mouth and hand you make sure to be delicate. For some reason you wanted this to be soft. You wanted to treat him. Your Logan hadn't minded a bit of teeth but you tried your hardest to keep them away. 

He was trying to suppress his moans, trying to keep cool but he was dying. You were perfect. 

How were you this perfect? 

How did you know what he needed? 

Every fucking day! 

It was like you were a mind reader. 

Maybe you were. 

Maybe they'd altered you that way as well. 

Logan's hips urged to jut forward but he didn't want to ruin this. This was something he hadn't really experienced. This was sweet. This was soft. 

He was quick to fuck but no this wasn't that. You were being too nice for this to be called ‘fucking’. He hates to say it because you were literally just sucking his dick but this was definitely on the “making love” spectrum. 

“You're perfect.” He groaned out. “I fucking love you.” 

You hummed in response and he had to quickly pulled himself out. He could've spilt right there and then.

“Bed.” He ordered. “Now.” 

He wasn't going to cum in your mouth, no, he was going to fill you up. He was going to fuck you so full of his cum. He wanted you dripping.

You frowned cutely, your lips swollen and pouting was fucking amazing. Your cheeks were hot and your eyes were glassy so as he lifted you - pulling you closer - he got to see you. To really see how messy you were. Hair out of place and a line of drool on your chin. Fuck.

He wanted you.

He was going to lock you in the room.

You were his.

No one else's.

“I'm going to fuck you full of my seed.” His lips spoke against yours, not kissing you just touching you. “I'm going to fill you up.” He'd never felt like this before. “Breed you.” 

You shuddered and smiled but then your brows pinched. 

“Logan,” You pulled back to look him in the eye. “I- I don't have a womb.” 

The man stopped in his tracks. “What?” 

You chuckled. “Why else do you think we've been fucking the way we have with no consequences?” 

He made a noise. It made sense. He hadn't smelt the change in your cycle like he had the girls. “Yeah, I guess.” 

“I didn't realise you didn't know.” You looked guilty. “I'm sorry.” 

“No.” He kissed the corner of your mouth. “Don't be sorry.” 

You groaned non sensually. “Have I just killed the mood?” 

“No.” He shook his head and kissed your nose. You knew he was lying. 

“Logan. Don't shut me out, be honest.” 

“I'm just surprised.” He was truthful. “My Y/N had hers.”  

You bit your lip. “If I tell you what happened the mood will definitely be killed.”

He was curious. “C’mon.” He tucked himself back into his boxers and pulled his jeans back up before leading you to the sofa. You sat down, tucking your legs under your chin. He was sitting facing you, giving you his full attention. 

How do you say this in a way that won't set him off? Couldn't you go back to sucking his dick? That was so nice. You sighed. “The scar on my back...”

He lent forward, elbows on his knees. “I'm going to get angry again aren't I?” 

“Stryker had this man in his possession. He could make you see whatever he wanted you to see. Logan didn't know it was me.” 

//

It was confusing to wake up in the infirmary. Jean and Beast looking down at you. 

“Y/N.” Jean breathed in a sigh of relief. “I was worried.”

“You always fix me up.” You joked, feeling very sore. Your back and stomach were aching. It felt alien to be in this much discomfort. 

“We had to perform a procedure on you.” Beast clasped one of your hands. “It's very serious. You will be fine but we had to make a decision.” 

“Okay?” You were even more confused, trying to sit yourself up a little. The pain in your stomach didn't allow for that so you flopped back down.

“You were pierced by Logan and flung across the facility. When you landed you hit your front. A piece of piping damaged your womb and we were unable to save the organ.” 

As Hank spoke you got flashes of the scene. You didn't recall a pipe but you remembered the agony, calling for an evac. Begging for Logan's help. 

“To save my womb..?” You slowly understood. “So I've had a hysterectomy?” 

Jean tried to sooth you, placing a hand on your shoulder. “It is a small price to pay, we could've tried to save it and risked infection, risked your health.” 

“I'm not upset.” You told her matter of factly. “I'm just trying to figure out what happened.” You weren't upset. It wasn't a thing you'd thought of at this age. You weren't really the mothering type. Yeah, you looked after the students but that role was more ‘wine aunt'. You weren't fit to be a mother. Logan would be a good dad though. Oh, you'd have to tell him. 

What would he say? 

He'd naturally be upset he hurt you but would he forgive himself just to dislike being with you? What if you being unable to give him children was an issue? 

~~ 

You'd been transferred to your room. It was lovely and cosy. Blankets everywhere, pillows strewn and the wooden accents of Xavier's mansion felt more like home than being with your mother. 

You wondered how she was. What would she say about you being barren?

Sitting and sulking was how you spent your days. Food was brought to you - as you couldn't really move - by different members of your family. Scott brought flowers, Ororo made you a gorgeous curry, Jubilee gifted you a teddy. 

Each member of the team was welcome but you were waiting for him. 

They'd all told you he was taking it hard, drinking more, fighting more, caring less and less about his safety. He felt like shit but you didn't blame him. 

You felt guilty for not realising sooner it wasn't Logan. Your fields could stop his claws, they had in training. The two of you were paired up a lot to show the newbies how to fight. You worked well together and it was only a matter of time and rolling about on the floor before he asked you out. 

You decided at the end of the first week that if he wanted kids you wouldn't make him stay. You couldn't. You'd push him away, if needs be. 

It was day twelve when he knocked at the door. You could move, had showered - careful with your stitches - and dressed yourself for the first time. 

“Y/N.” He spoke by the door. 

You looked up from the Hobbit, smiling wide. “Logan, hi.” 

“I'm so so sorry.” He eased his way in, looking uncomfortable in your room in a way he had never previously. 

“Logan, it wasn't you, love.” You closed the book, placing it on your nightstand. “It could've been anyone.” 

“But I hurt you.” 

“I'm okay.” Wasn't exactly the best argument but it was true.

He shuffled over to your bed and sat delicately at your side, his feet still touching the floor. “I couldn't face you. Couldn't see you bruised because of me.” 

The bruising had gone down. You were looking normal again. “Again, babe, I don't blame you.” 

“You should.” His eyes left yours and he looked at the floor. 

The need to comfort him was so strong but you held back. Remembering yourself. You couldn't get too lost. Not when you were lacking. “Do you want kids?” 

The questions surprised both of you. You didn't mean for it to tumble out of your mouth but it had and now it was sitting heavily amongst you. 

Logan looked back at you perplexed. His eyebrows met but he stared into your eyes, considering your question.

He'd almost killed you. He could've killed you. His hands harmed you and you were asking if he wanted kids. Yo- he loved you so much. He should stay away. You'd get hurt again he knew you would. 

But he loved you. Whenever he imagined a future - and that wasn't often - he saw you with him. And now he saw a little girl and boy. The boy looked like him and the girl looked like you but they acted like the other parent. He could see a soft mummy's boy being coddled far too much and a cute feral girl who was ready to take on the world. He could picture them. 

Picture you full with your child. His child. You were glowing. 

“I think we'd be great parents.” He hadn't realised his eyes were watering, quickly swatting the tears away. He'd almost destroyed that future, the one you were offering him. 

You bit your lip and nodded silently. “I think we should break up.” 

~~

Four months later he burst into your bedroom seething. 

“Are you fucking serious?!” He yelled. 

You jumped, snapping the Lord of the Rings shut. “Logan?”

He had left when you broke up with him. Becoming a renegade, a fighter, a mercenary. Whatever it took to forget you. 

It wasn't until Storm needed assistance - fighting off the brotherhood by the cul-de-sac Logan was passing through - when she told him. 

“You ended it because you can't have kids?!” His hands were on his hips and he was pacing back and forth. “I thought I…” He sighed shakily. “I thought I fucked up. I thought the idea of me wanting children with you after almost fucking killing you was terrifying.” 

“Lo, I can't have children.” You explain. “I will die and you will live and that's it. If you find someone that can give you kids then you won't be as lonely. You could have a family.”

He stopped pacing and stared at you. “That’s the most stupid argument I've ever fucking heard.” 

It was but it was all you had.

“I know but I didn't want you to feel trapped.” You sat up and he suppressed a gasp because you were wearing one of his shirts. After all this time you still wore his clothes, it did something to him. Inside his chest ached. “Down the line when you wanted a child and I couldn't give you one… I didn't want you to resent me.” 

“I would never.” He vowed. “I have spent these past months trying to forget that I fucking love you. I could never resent you.” 

Tears oozed from your eyes and you wiped them away. “I'm sorry.” 

He didn't want to break this easily. Didn't want to give in but you were crying. His girl was crying. Logan scooped you up in a hug and kissed your forehead. “Don't ever lie to me again. I don't care what it's about. We'll handle it together.” 

You nodded. “Okay. I promise.” 

\\

Logan sat back, resting his spine against the sofa. "It's okay." He decided. "We already have Laura, we don't need any more."

You smiled. "So you forgive her?"

"'course I do." He heaved a sigh. "Just gotta actually apologise to her."

"I love you." You leant over and kissed his brow. "You look so sexy when you're grovelling."

He rolled his eyes and playfully shoved you off.

Part 11

@littlecrowtime @geeksareunique @lovelyvaderx @br3nt-12 @st1nkabutt @maximumchilddreamland @catiwinky @twinkywink @ravenmedows @electricreader @racetrackheart @vulgarfuckinvirgo77 @bisasterbisexual @tzurue @narniansmagic @seamlessepiphany @4ria790 @caramelatae @mei-simp @slightlymediocree

[jinjeriffic]

DCxDP Prophecy Universe Part 7

Part 6

It took Damian the rest of the afternoon to prepare for his trip to Amity Park. Jon helpfully agreed to cover for him, on the promise of a copy of the upcoming Cheese Viking 2 and getting filled in on all the hot Bat gossip afterwards. Wasn’t friendship grand?

Pennyworth thankfully agreed that ‘bonding time’ between the Super Sons was a good use of fall break and even took the time to ‘Prepare some healthy snacks for the young Masters, lest you eat junk food the whole week’. The task also handily distracted the butler while Damian packed the Batwing with all the necessary surveillance equipment he would need and set up the program to spoof his flight data. Damian had no doubt that Father wouldn’t be fooled for long, but with the Bat it was always better to ask for forgiveness rather than permission.

The flight to Illinois was mercifully uneventful. Damian rappelled off in the middle of the eponymous city Park, then instructed the autopilot to take the plane to a wooded area outside city limits and park there in camouflage mode. Once he was sure his arrival had gone undetected, he changed into civvies and with his backpack full of gear set off in the direction of Fenton Works on foot. In jeans, sneakers, a dark hoodie and a baseball cap he looked like any other kid his age, even if he was out after curfew. Damian made sure to stick to the shadows and ducked behind cover whenever a car passed him.

All in all it took him until the early morning hours to arrive at the correct address. Intellectually, he had known the Fentons operated their workshop out of the family home, but he was in no way prepared for the monstrosity of a building that greeted him. Damian couldn’t help but stop and stare in disbelief.

What had once started out as an ordinary brownstone building had a glaring neon sign out front, proudly proclaiming the company name. Perched precariously on the roof was a gigantic metal structure that looked like a cross between a cartoon UFO and an observatory. There was no way this was legal or sane. If something like this had popped up in Gotham it would have been flagged as a Rogue hideout and bugged to hell and back. Hell, Damian was half tempted to break in immediately to start planting cameras but was held back by the likely presence of a custom security system. Mad scientists were rude like that and Damian didn’t want to tip his hand too early. He would have to at least wait until he was sure the Fentons weren’t at home.

Damian tucked his hands into the pockets of his hoodie and strolled past the building at a fake casual pace. The windows were dark and the building was silent, except for the faint hum of the neon sign. This early on a Saturday morning, the residents were likely fast asleep. He spotted an electric scooter chained up next to the stairs leading up to the entrance and made the deduction that it likely belonged to Daniel. Under the guise of retying his shoelaces, he dropped to one knee and surreptitiously attached a bug to the vehicle. Ideally he would get the opportunity to bug Daniel himself, but for now this would have to do. Hoping that no one had noticed him, Damian continued down the street.

He had researched the area ahead of time and had found an apartment a few buildings down and across the street that was advertised as available for rent and was unoccupied. Breaking in and disabling the home alarm was child’s play, and after making sure he was alone in the apartment, Damian settled in to begin his surveillance.

He pulled the handheld radiation detector out of his backpack and after making sure it was operational he slipped it into his pocket. With no way to boost its range he would have to get pretty close to Daniel with no major obstructions in the way in order to verify if he had been in contact with the marked bills he had slipped Phantom. But Damian was confident in his ability to stay undetected. After all, Daniel had no reason to suspect he was being stalked by a curious Bat.

Damian kept himself occupied by listening to the local radio broadcast over his comm. The hosts sounded like chipper twenty-somethings, excitedly shilling for various local events happening over fall break, in-between shilling for local businesses. Why anyone would want to eat at an establishment called the Nasty Burger was beyond Damian. Whenever they stopped nattering to play actual music it was a blessing even if the appeal of the songs was entirely lost on the young vigilante. Finally, at 8am they had an actual news segment. Most of it was covering major US and global events, nothing Damian hadn’t already heard. Elections, natural disasters, rising tensions in Bialya…

“...and in local news, the City Library has announced that clean-up after last week’s ghost attack is finished, and they will be open at their normal hours on Monday!” the female host said cheerily, as if she was talking about the weather. “As usual, we would like to remind our listeners to keep their third eyes peeled for any ghost sightings! In case of a ghost attack, follow standard protocol and head to your nearest ghost shelter. Thank you! And here’s Mark with sports!”

Damian was flabbergasted. Ghost attack? This city experienced supernatural incursions and treated it like it was a normal occurrence? He’d read that the Fentons were ghost hunters, but he hadn’t thought anyone was taking them seriously! If Amity Park was under attack on a regular basis, how come the Justice League didn’t have a file on the city? Surely the news should have leaked to the outside world by now!

It was rare that Damian was caught so utterly wrong footed. His cursory research into Amity Park had turned up nothing like this! He was itching to get back to the Batcomputer to do a deep dive on the city and its history. Unfortunately, all he had on him was his phone which was ill suited for serious data compilation. At best he could scour local news sites and social media for any hint as to what was going on.

After half an hour of fruitless searching, he gave up in disgust. There was no mention of ghosts anywhere, save for the Fentons’ own website. Yet the news report had been almost blasé about the subject! Something was rotten in the State of Illinois.

All he could do for now was stare out the window at the Fenton’s front porch and hope his quarry made an appearance soon.

At 9.13 AM there was finally movement at the Fenton house. A dark-haired teenager in jeans, a light T-shirt, a backpack and a bicycle helmet bounded down the front steps and unlocked the electric scooter. It was unmistakably Daniel.

Damian hurriedly packed away his things, grabbed his backpack and left the apartment. He made sure to rearm the security system and lock the door, leaving no trace of ever having been there. Of course Damian wasn’t about to pursue his target across the rooftops of an unknown city in broad daylight. He would just have to wait for Daniel to arrive at his destination and follow him there. He retrieved his phone and pulled up the tracking data. It looked like the teen was headed towards the city center.

Damian tuned his comm to the listening device he had planted and set off towards downtown Amity at a light jog. For a while, all he heard was background noise. After about ten minutes, Daniel came to a stop.

“Hey Tucker, ready to go?” That had to be Daniel.

“Hey Danny!” a second male voice answered, “I was just waiting for you. Sam says she’ll meet us at the main entrance of the mall.”

“Sweet. Hopefully we can grab something cool from Game’O’Rama if we beat the rush.”

“You said it, my dude. Come on!”

The tracker resumed its movement. Now that he had a destination, Damian used his phone to call a cab. There couldn’t be that many malls in a city this size.

Daniel and his friend ‘Tucker’ kept up a steady stream of idle chatter on their journey. Damian learned more than he ever wanted to know about the attractive qualities of the female students at their high school, the tediousness of the homework assignments they had received for the week and the reviews of recent horror movie releases. Inconsequential chit chat as far as Damian was concerned. Once the pair arrived at their destination they parked their scooters and were soon out of range of the listening device. Damian cut the transmission and spent the rest of the short cab ride trying to find information on Daniel’s companion. Since they were apparently classmates and he had a first name to go on, it didn’t take long to narrow it down to Tucker Foley. Damian made a mental note to investigate him in depth later.

The mall was moderately busy when he arrived but nowhere near as bad as Gotham. Luckily there was a floorplan displayed at the entrance and it didn’t take Damian long to find the Game’O’Rama store. Predictably, it was dedicated to video games, gaming accessories and memorabilia. A sign in the window announced a major weekend sale, likely what had drawn Daniel and his companions. Damian slipped on a pair of mirrored sunglasses to conceal his eyes and meandered into the store. Wandering between the aisles, pretending to examine the games on offer, it didn’t take him long to find his quarry and Damian got his first good look at the trio.

Daniel was almost a head taller than Damian, slightly paler and with his dark hair mussed up from the scooter ride earlier. His clothes were slightly threadbare, and not the kind that was intentional. His white T-shirt bore a faded NASA logo and his jeans were frayed at the cuffs. He had dark circles under his eyes, though not nearly as bad as Drake got when he was on a case. Nonetheless, for the moment he seemed cheerful and at ease. He was examining the back of a disk case.

“I don’t know Tuck, I’m not much for medieval fantasy,” he said amusedly, “and a lot of these monsters look like ghosts we’ve seen. I get enough of them on a day to day basis, I don’t need them in my video games too.”

Again, this talk of ghosts.

The African American male next to Daniel had to be Tucker Foley. He was just a few inches shorter than Daniel, with his hair in shoulder length dreadlocks partially covered by a red beret. A matching red T-shirt with white Atari logo and baggy camo pants screamed nerd even before you got close enough to notice the black rimmed glasses and the clunky looking device he was tapping away on. Where did he get it from, the middle-ages?

“Look, the reviews are pretty great, and if we avoid everything ghost related what’s even left?” the boy argued, “You can’t let ghosts ruin your fun, man.”

“Tucker’s right, Danny.” the third member of their group chimed in. She was dressed head to toe in black, with a sheer, lacy top, a knee-length skirt, fishnet gloves and stockings and a pair of combat boots. With the thick soles giving her added height, she was almost as tall as Daniel. She wore eerily pale foundation making her dark purple lipstick and eyeshadow pop out even more. She had a small nose stud with a matching purple stone. Her earrings were shaped like spiders dangling from a web and she wore a pentagram necklace. Damian knew some of his schoolmates belonged to the goth subculture, but Gotham Academy’s dress code heavily limited such self-expression on campus. He guessed this girl was either really dedicated to the style or really dedicated to pissing off her parents. Maybe both.This had to be ‘Sam’.

“Besides, if Technus couldn’t ruin gaming for us no one else should either!” she continued.

“Fiiiiine,” Daniel sighed, clearly playing up his reluctance. “but if Amity gets attacked by an army of goblins next I reserve the right to say ‘I told you so’!” He double checked the price tag. “Splitsies?”

The girl scoffed and plucked the case from his hand. “I’ll take this one, you can pay for lunch later. Why don’t you two go ahead to Pineapple Republic for those jeans you wanted? I’ll catch up to you.”

“If you’re sure. Thanks Sam!” Daniel leaned over and gave her a peck on the cheek. “I guess we’ll see you there.”

“Yeah, thanks Sam.”

“Go on, shoo!” she laughed and headed over to the cash register as the boys left the store. Making a split second decision, Damian grabbed a random game from the shelf and got in line behind Sam. He leaned slightly towards her, pretending to examine the figurines behind the counter and stealthily stuck a bug to her skirt. Now he could listen in on their conversation without having to risk being noticed.

After paying for his purchase he wandered off in the direction the other teens had taken. He would just have to leave the game somewhere ‘accidentally’ at the earliest opportunity. Pretending to check his phone he tuned his comm to the frequency of the new bug. 

“...I think those are still a little short on you.” Sam said amusedly.

“Man, I’m glad I finally got my growth spurt, but having to replace most of my wardrobe is gonna be a pain in the ass!” Daniel complained.

“Look at it this way Danny, this could be your chance to branch out. A whole new style, a whole new you!” Sam countered enthusiastically.

Damian walked towards the source of the signal. He didn’t follow the trio directly into Pineapple Republic, instead heading into the shoe store across from the clothing store. Browsing there would let him keep an eye on the entrance.

“Let me guess, would this style include black, black and more black?” came Foley’s snarky voice.

“Black is timeless, I’ll have you know,” Sam sniffed in mock offense, “and Danny does look good in it. Just try it?”

“I don’t know Sam, I don’t wanna blow my allowance on clothes that don’t feel like me.”

“Oh! We could always try the thrift store, they have plenty of cool stuff! And upcycling is great for the environment.”

“Uh, hard pass,” came the flat reply, “I would like to survive the year with some of my dignity intact, please.”

“Yeah dude, if Dash and his cronies caught wind of Danny going to Goodwill or something they’d never let him live it down.”

“There is nothing wrong with buying second-hand!”

“Says the girl in $500 guaranteed cruelty free designer boots.” Foley shot back.

“That’s different!” Sam sputtered, “And besides, I don’t see why you still chase the approval of those jerks.”

“Easy guys, settle down,” Daniel said placatingly, “Sam, you know it’s different for us. You might be able to brush off Paulina’s snarky comments, but I can’t just brush off Dash trying to rearrange my face. I’d rather not paint an even bigger target on my back.”

Sam gave a loud sigh. “Ugh, stupid high school politics. I can’t wait to graduate.”

“I dunno, if things go according to plan you’ll have to deal with real politics, Ms Future Administrator of the EPA Manson.” Daniel teased.

“You mean Senator Manson.” Foley chimed in.

“Madam President Manson!”

“Stop it guys!” the girl laughed, “I’ll leave the political ass kissing to someone else. I just want to save the planet! But I gotta get my doctorate first.”

“Well if you do end up having to take over the country to do it, there’s one thing to keep in mind,” Foley said sagely, “You can’t be much worse than President Luthor.”

The two replied with fake gagging noises while Foley just snickered.

“But seriously, since you brought up mixing up my style… I was thinking of getting my ears pierced.” Daniel said hesitantly.

“Really? Ooh, do you want studs? Danglers? An industrial?” Sam gushed excitedly.

“Well… aw nuts.” Daniel’s voice was suddenly tense.

“You know what?” Sam rushed out, equally tense, “I think you should go and try these pants on. In the changing room. Right now.”

Damian frowned. What the hell had happened? He glanced out the shop window but couldn’t see anything out of the ordinary. Suddenly, he heard distant screams and the sound of glass breaking. It’s almost like being back in Gotham.

Part 8

[andbreakmynose]

every atom of your flesh is as dear to me as my own

part 1

your first date with the hot single dad you may or may not work for...

(the car! alex, single dad! alex)

WARNINGS: SMUT, feelings, age gap (reader is mid 20s), p-in-v (protected), oral (f receiving)

WORD COUNT: 5k

You hadn’t been this giddy over a man since Aiden Grant called you pretty on an Instagram post when you were 12, although you also hadn’t been with anyone like Alex fucking Turner.

Barely anyone knew you even worked for Alex; he didn’t want them to for his own privacy. You understood that, he was a private person and especially so when it came to his child. You didn’t have a problem with telling acquaintances that you worked for a rich man and not saying anything else, they usually understood. It’s never been a problem until now.

When you came home after that fateful night all giggly and smiling your roommate had more than a few questions. The alcohol in your system got you dangerously close to spilling but you came up with some lie last minute, you couldn’t remember what you said in that drunken haze but apparently it was enough to get Claire off your case.

You wanted to tell her though, you wanted to tell the world and you couldn’t. It was eating you alive that you couldn’t tell anyone that you had kissed - no, fucked - Alex Turner. Not in a bragging way, in the way that you wanted someone to tell you to calm down and slap some sense into you. You wanted to be able to ask someone for advice, to know that you weren’t making some grave mistake. It was times like these you wished that you took that advertisement in the mail for three months of free therapy.

Alex, in a sort of way, became that person. He was too busy to really talk the rest of the week, but his gentle gestures like kissing you before you left gave you enough reassurance to make it through the night without freaking out.

He felt the same way, there was this underlying fear in his bones that he really had done something terrible. It’s not that he thought he was taking advantage of you, no you’re a grown adult. But you’re the grown adult he has employed, he can’t lose that. If he worked for a company this would’ve been an HR violation. That was a bad feeling.

Waiting for Friday would be unbearable if you weren’t so damn busy. Toddlers don’t have time to accommodate for a complicated love life and it seemed that neither did Alex’s schedule. He wanted you to know that he cared and he was genuinely looking forward to having an actual date with you, but it seemed that every time he tried to start a conversation his daughter would start crying or his phone would start ringing.

It isn't until Wednesday that he actually gets you alone. He has enough time to slip home and grab lunch, and it's late enough that Ayla is already sound asleep for her nap. When he sees you sitting alone on the sofa, his heart swells. There's already something domestic about the scene: you, in his house, comfortable on his furniture. No signs of work, just relaxation—and he likes that.

“Hey. Had a few minutes to sneak out.” He sneaks into the living room, startling you slightly before you smile warmly. You can’t be upset with him, not even for a second—his presence is just too warm.

“There’s some leftover mac and cheese on the stovetop if you want it. Not exactly fine dining, but it was pretty good.” Your words make him laugh, and that feels good. He has a nice laugh, and you feel a sense of pride knowing you made it happen.

“I’ll pack some and take it back to the studio. Don’t really have much time,” he says, glancing down at his watch—probably more expensive than your car. “But I did want to talk. Y’know, about Friday.”

You nod and sit up properly, straightening your back so you don’t look lazy. He notices but doesn’t comment; it’s cute to him that you’re still trying to impress him when he already finds you so special.

“So I’ve been thinking... and talking...” He leans against the doorway, smiling. “I made a reservation at that restaurant for 6:30, and I’ve already talked to Matt. He’s more than happy to watch Ayla for the night. You know how excited she’ll be to see them.” He beams at his own productivity, clearly pleased with how he’s going above and beyond for you.

The mention of Matt confuses you. You’ve been nervous about even mentioning the situation to your sister, and yet Alex already told Matt? It makes sense, you guess—Matt understands celebrity life and knows how to keep secrets. He seems decent enough from the few times you’ve met him, but the idea still makes you feel something strange.

“Matt knows about... us?” you ask, hesitating slightly. You don’t want to seem upset—you’re not upset—but you do want clarification.

Alex picks up on your nerves instantly. It’s obvious in the way your fingers dig into your knee and your teeth worry at your lip. He shakes his head, chuckling. “Don’t worry about that. I told him an old friend is coming to town for drinks and that you weren’t available anyway.”

Damn Alex and his talent for easing your nerves. You exhale the deepest breath you’ve taken in a while. It’s all good. “Ah, okay. I was just wondering if you were telling the whole world about us,” you joke, knowing he isn’t. You needed to say something to lighten the mood, more for yourself than for him.

He laughs at your joke, and he doesn’t even need to say no—you already know he wouldn’t want to jinx things yet. He’s about to speak again when his watch buzzes, prompting a disappointed sigh. He doesn’t want to leave, he’d rather spend all day staring into your wide, pretty eyes.

“I’m excited for tomorrow, yeah? We’ll drop her off at 6:00 and then head out. I really am excited. You don’t even know.” He sounds slightly nervous, and it’s cute to see that you can make him feel that way. You don’t know what you did to deserve it.

"I’m excited too.” Your voice is warm, matching the smile on your face. You’re not entirely sure what to say, but you know just how excited you are to have something with him. His expression softens as he lifts himself from the doorframe.

“I’ll see you later, darling. Take care.” And with that, he’s gone, but you can’t blame him—you know how busy he always is. The word "darling" bounces around in your head, a reminder that this isn’t a dream. He really does like you.

Thursday night is spent stressing over what to wear. You know Alex will show up in his usual suit—one of his quirks that drives you wild—but you don’t want to overdo it. It’s just dinner, but your work clothes won’t cut it. You certainly can’t show up in sweats to a date with Alex Turner.

You settle on a dress you haven’t worn since your ex-classmates wedding to her now ex-husband. It’s not the nicest, but it will do. You have a sneaking suspicion that Alex would like you in a trash bag anyway. You roll the dress up and tuck it in your bag—no way you’re wearing it to work where it’d end up covered in marker and spit.

Friday’s anxiety convinces you that you’re doing your job horribly. You must have forgotten something or messed up because your mind is all Alex, Alex, Alex, like he’s a parasite who’s crawled into your brain.

Knowing he’ll be home around 5:30, you start getting ready at exactly 5:15. You make sure to look presentable, curling your hair and applying a layer of concealer. He’s seen you at your worst—covered in child vomit—but you still want him to see you at your best.

Right on time, he unlocks the front door, and Ayla immediately bounds over to him. He laughs, picking her up and setting her on his hip before his eyes sweep over you. You look good—you always look good—but this time, it’s something else.

He clears his throat, giving a small smile. “You look that good to me?” You don’t want to blush, but you’re sure your face is bright red. Of course, you dressed up for him.

“Nah. I dressed up to get spit on,” you joke, stepping forward and ruffling Ayla’s hair just like Alex did. He smiles at the closeness, free from the stresses of the day and surrounded by the people he cares about the most. It’s a good feeling.

He chuckles at your words, raising his eyebrows and making a quizzical face at his daughter as if she’s hiding something. She just babbles, reaching out to pull his sunglasses off and throw them on the floor. Alex shakes his head, pretending to care. You laugh, silently thanking her for letting you see Alex’s eyes again. He really does have the nicest eyes.

“Those were my nice pair, you rascal.” You’ve never heard him upset and this is no exception, even when he’s pretending to be upset he still has so much love in his voice. “Y’know I was gonna surprise ya by taking you to Uncle Matt’s for the night but it seems like you’re being a little punk tonight.” The girl immediately cries out and shakes her head, protesting just the thought of not going to Matt’s.

“Aw alright, you’re too darn cute to deny. Plus I have to do things anyways tonight.” This makes Ayla clap excitedly and make small noises, Alex giving her a smile before looking up with a wink. You secretly knew that the plans he had tonight consisted of you, and you wink right back at him. “You pack her night bag?” He asks you, it was the one thing he asked in the morning so of course you did it. You were always 10 steps ahead and he loved that.

“Mhm!” You nod and gesture to the pony-printed bag behind you. It was a gift you had gotten her for Valentine’s day earlier this year. Alex nods and walks over, daughter still in hand, to grab the bag and swing it over his shoulder. He’s signaling that it’s time to go.

You follow after him silently into his black sports car, taking Ayla from him to help buckle her into her carseat. You hop in the passenger's side and he sets the radio to the kid’s channel. Alex looks back at his daughter with a wide grin, even if he doesn’t particularly tolerate these songs he knows that it makes her happy. He starts to sing along to some song about waffles, god it’s awful but somehow his crooning makes it sound like a 1950s love song. You smile at the scene while Alex pulls out of the driveway.

That’s how the whole drive goes, it’s only about 15 minutes but all 15 of them are spent with Alex singing his heart out just to please his kid. “Is this on the new album?” You remark with a teasing grin at one song about silly snakes, Alex just laughs and reaches out to gently swat your arm.

That moment confirmed to you that your relationship with Alex had changed, not a single other person you worked with would have touched you. And Alex wasn’t just touching you sexually but he was touching you in a warm, familial way. For a second it felt just like you were old lovers and your kid, not what you really were.

It’s an easy handoff to Matt, Ayla is excited to see everyone and all you really have to do is hand off the night bag, Alex trusts them enough that he doesn’t even consider worrying for the night. When he’s sure the door is shut he takes your hand in his, leading you back to the car. You’ve come to love his hands; they were gentle and warm, yet also calloused from years of experience. They were the most Alex Turner hands you could possibly think of.

He starts the car again, making sure to shift the stereo to his personal mix of 2000s garage rock and 1960s french jazz. It was such an eclectic combination but it told you everything you needed to know about him, you felt warm as he hummed along to the words you didn’t really understand.

The restaurant was about a 30 minute drive, it was mostly silent besides the few times Alex pointed out things in the city. He showed you which venues he had played and which stores he had shopped in, he made sure to recommend the sweaters at some luxury store that you couldn’t pronounce the name of. When you told him you loved his sweaters he made a mental note to get one for you for the holidays, or to lend you one of his own.

Like he said, the restaurant is formal but cozy. It reminds you of something from Lady and the Tramp, or maybe Ayla had just made you watch that movie on repeat in the past week. He hands the keys off to the valet worker and grabs at your hand again, leading you inside.

“Turner, party of 2,” he says to the hostess with a smooth voice, looking over at you to remind you that you’re his party, his date. The hostess grabs two menus and leads you to a secluded booth in the corner. There’s a candle and roses on the table, which you didn’t notice at any others. Maybe he had done that special just for you.

He orders the two of you a glass of wine and a basket of bread, pointing out his favorite items on the menu. You decide on some fancy seafood pasta, Alex mumbling that it was a good choice.

This is your first time ever alone with Alex for a prolonged period, you’re not quite sure what to expect. He starts the conversation off easily, asking about your day and telling you about his. The endless flow of drinks and food (everytime you ask to order something he says yes - reassuring you that he couldn't care less about the price) makes it all really easy. There’s just chemistry between you and Alex.

He tells you about touring and you tell him about your childhood dog, he tells you what it’s like to be famous and you tell him about your experience in college. There’s such a difference in lifestyles but it doesn’t seem to matter at this moment, he’s completely enthralled by your life. It almost feels like you’re sharing similar experiences, he understands everything you say and is able to respond in such a damn charming way.

The food is unreasonably good, like maybe in the top five you’ve ever had. The flavors are rich and you wonder for a second how you’ll go back to fast food and microwaved dinners after this. At some point Alex decides he wants a bite from your plate so he puts his fork in it, there’s an awkward clash of arms that has you both giggling.

“You want some of mine? It’s only fair,” he asks you, a small amount of pasta sauce stuck under his bottom lip. You want to reach out and fix it but you’re too preoccupied with his words. You give a nod and he picks up his fork, grabbing a piece of chicken and bringing it to your lips. You were totally fine with getting your own bite but he had different plans, and the scene made you feel more like you were in Lady and the Tramp.

His food was also too damn good and you let out a satisfied groan, him grinning and reaching out to clean your lip. You figure since he did it you can do it too, so you take your thumb and gently wipe down his lip. It’s a quiet sort of encounter but it’s full of so much tension and unspoken words, god why was pasta sauce turning you on?

He finally removes his hand from your face and wraps his arm around you, pulling you to his side. You can tell at that moment that you’ve crossed a bridge and probably won’t be able to keep your hands off each other anymore, it’s good that there isn’t that much food left.

He keeps his arm tight against you as you eat, like he’s afraid you’ll run on him. The food doesn’t take too long to finish, at least on your behalf. It’s so good that you can’t stop filling your mouth. And when you’re done and Alex has a bit left it’s a treat that you get to watch him eat for a second, his mouth alternates between telling stories and chewing, his perfect lips always moving.

The waiter asks if you want dessert but you two were both too full, and Alex gives you a look that says he has dessert prepared for later. It’s a silent promise that reminds you of what happened last time we were together and has your heart beating faster in anticipation.

He pays the bill (you don’t even bother to look at how many figures are on there) and then takes you back to his car. His hand never leaves your back, sometimes drifting down to the curves of your ass. The valet man hands him his keys back, he tips heavily, and you’re heading back to his place. Nervous anticipation fills both of your throats.

“That was maybe the best food I’ve ever had.” You tell him as you take a seat in his car, buckling your seatbelt and smiling at him.

He nods and hums, following your actions and expression, “Glad you think so. I’m pretty fond of it myself.” He starts the car and his music begins to play again, you had heard this song before. Maybe because of him. “I really like that dress on you sweetheart, so damn gorgeous.” He breaks the silence after a minute, voice husky and smirk on his face. He did mean the sexual connotations behind his words but he also just really liked the dress, you were a gorgeous girl and seeing you dolled up for him was lovely.

“Aw thanks.” You reply, feeling your face heat up a bit. You still weren’t quite used to his compliments, he shouldn’t be saying you looked gorgeous when he looked like a damn god. He drives in silence for a second, taking occasional glances over at you with that smirk on his face.

“I have a confession to make...” he gives you a devilish grin, a small laugh trying not to escape him, “I get really touchy feely when I’m a bit drunk. But emphasis on the touchy part.” And then he laughs, he really can’t hold it in and neither can you. He has you laughing while simultaneously attempting to not pay attention to the burn between your thighs.

He smiles back at you, he loves your laugh, and then turns the stereo up a bit. He wants to get you back home and fast, this week of waiting for you has just driven him crazy. You’re able to get comfortable and let the music distract your busy mind, your eyes stay peeled to the window so you don’t notice how his hand is flexing against the steering wheel.

He leads you to the kitchen when you get home, the same place this all began. He opens the wine cabinet and starts to look, but you interrupt, “I shouldn’t drink anymore, I don’t want to be hungover at work tomorrow.” He nods and lets out a small sigh, that’s right. You were his daughter’s damn babysitter, not a girl he brought home from the bar. He has to repeat this thought as your cleavage is right in his face. “Yeah, that’s fine...”

Another second of silence fills the room, you know what he’s thinking about but is too shy to say. It’s a bit endearing how he doesn’t want to come across as too forward. “Alex... if you want to fuck me you can just say it. I can see you staring down my tits.”

He’s halfway through a drink of wine when you say this and he ends up coughing it up, he didn’t expect you to say anything. Good, maybe he wasn’t the only one being so sexually desperate here. “Right... well I think I’d like that.” He regrets saying that instantly, it sounds so stupid. He wants to fuck you with ever fiber of his being and he’s saying he “thinks” he’d like that. God he feels like an idiot.

He was still shy, and to be honest so were you. It had been a while and the first times with anyone were always scary. But you still nodded at his words and tilted your head towards his bedroom, if there was anytime nerves would be the lowest it would be now when you were both a bit tipsy.

Alex swallows and takes the lead, grabbing your hand and leading you to his bedroom. You had been there before to grab things for the kid before but this felt different, you weren’t there for your job. You were in his room and you were about to have sex with him.

Before you can finish looking around he grabs you by the waist and captures your lips in a searing kiss, too much pent up desire to wait for any longer. You’re caught off guard but still end up moaning into the kiss, Alex can only think about how he wants to hear more of those moans. Something must’ve taken hold of him because he gets the confidence to push you towards the bed, starting to work at the zipper with his long fingers.

He gets the zipper all the way down and you can barely register it before your dress is on the floor, leaving you in your underwear set. It wasn’t really the nicest but it still had Alex’s breath hitching. “Fucking gorgeous body. You know I’d return the favor from last time but I think if I’m not inside you soon I might perish and die.”Always one for the dramatics.

You give a small giggle at his words, reaching your hand out to gently palm his prominent bulge through his trousers, he hisses at just the littlest bit of contact. There’s a tangle of limbs as you try to get his clothes off and he tries to get your lingerie off, it’s awkward and messy and you almost feel like a high schooler again. Everything about Alex makes you feel like a high schooler again.

After you’re both completely undressed he joins you on the bed, pushing you back and settling on his knees. He starts to gently part your legs to look at your soaked cunt, running his middle and pointer fingers through the folds to collect your wetness. “Your cunt is pretty too, you know that? I think I’ve changed my mind, I need to taste you.”

Before you can even respond (which you probably wouldn’t have been able to respond with words anyways) his lips are attached to your sex. You let out a loud whine and attach your hand into his hair, pushing him deeper. He brings his mouth up slightly higher and his nose budges at your clit, that perfect fucking nose. It’s only been a minute and he already has you shaking and letting out endless streams of whines. He’s reveling in your taste, he thinks he could survive purely on the taste of your juices.

He develops a rhythm of licking at you, sucking at your clit, and peppering kisses along the sensitive folds. It’s intoxicating and you’re sure the words you’re saying don’t make sense, the only ones you can recognize coming out of your mouth are “Alex” and “Fuck.” He’s obsessed with your cunt but at the same time he’s hard in a way that’s making him uncomfortable, so he pulls his lips away much to your whining protest.

“Shh.. shh... sorry sweetheart. I just need to fuck you now,” he says in a voice smoother than butter. As he shifts to having his hips in between your legs your eyes meet the throbbing member in front of you. The head is red and you can see the pulsing. Yeah, it makes sense he needed to fuck you. He takes his time to line his head up with your folds, he needs that first thrust to be perfect as silly as it sounded.

After he decides on his placement he places his hands on your shoulders and starts to push himself in. It’s a stretch for you but in the best way, you hadn’t been filled by a cock in so long and now the most beautiful one was opening you up. Your tight caverns had Alex matching your groans, leaning down so he can kiss you again.

“So. Fucking. Perfect. And all mine.” He says in between kisses, starting to move his hips at a pace that has you both satisfied and begging for more. You’re his, you’re completely his. If there was any question about it before. You didn’t care that he was technically your employer anymore, at this second he was your lover and maybe the best lover you had ever had.

“Yes Alex, I’m yours. All yours,” you moan out, every thrust causing new goosebumps to arise on your arms. “Now fuck me harder, please.” You add on, causing him to laugh.

“Your wish is my command, sweetheart,” he says before picking up the pace. He starts to slam into you at a brutal pace, still littering your neck with kisses. If that wasn’t enough he starts to pinch and roll your nipples in his fingers, all the sensations making your eyes roll back. You knew your orgasm was soon, and Alex knew it too. You both wanted this too much to hold on for much longer.

Your moans start to become one constant stream of noises and his grunts start to become more guttural, the coil in your lower stomach was starting to build up and you just needed to push towards that release a bit more. He took note of this and brought his thumb from your nipple to your clit, circling it quickly like if he didn’t make you cum, he’d be executed. His own release was nearing and he could feel himself start to twitch inside of you.

“Can I cum fuck - inside?” He groans out, always the gentleman. He’s really damn turned on by the idea of cumming inside before but he’s seen what that can do before and doesn’t exactly want to deal with that again. You nod your head, you’re glad he asked but you’ve been on birth control since you were 15 for period cramps.

“On the pill!” You scream out. And it’s so embarrassing but that’s the last thing you’re able to say before the coil inside of you snaps and you’re cumming all over his cock, your walls squeezing him deliciously. He’s decided that making you cum is his new favorite thing in the world, the noises you make and the way your body is reacting drives him to his own release. With a final thrust and groan he’s leaning forward against you and emptying inside of you.

He cums a lot; you knew that from sucking him off, but now it was inside of you. And even when he pulled out, despite missing how he felt, you still felt pretty full. You were full of his remains; he likes that just as much as you. He spends a second to smile at your spent cunt leaking him before he snaps out of it.

"I'll, uh, I’ll get a towel, yeah?” He says, still catching his breath, before walking off to grab what he said. You miss him for the two minutes he’s gone, and when he returns, you feel like he’s just gotten back from war. He gently cleans your sex off and then puts the glass of water aside for you on the nightstand.

Collapsing onto the bed next to you, he pulls you into his side, placing a kiss on your temple. “That was perfect; I hope you let me do it again.” Of course you’d let him do it again; you’d let him fuck you right now if you weren’t kind of tired.

“You can fuck me whenever we both have the time; that’s my promise to you. And maybe we’ll go to that restaurant again? It was good!” He chuckles and nods, playfully ruffling your hair and placing another kiss on your head.

“I’ll take you wherever you want; you're mine now, and I mean it.” He pulls you against your side, and you know the truth to his words—you were entangled with him, whatever the implications were. You were his. And now you were about to sleep in his bed.

He wakes up before you; he knows he has to go pick up the kid from Matt's, and it’d be odd if you went too. He slips on a shirt and jeans for the day, more casual than he was used to, and lets his eyes roam over your sleeping form. Your nakedness was a reminder of everything you did that night, but your eyes closed, and the smile on your face was a reminder of the deeper meaning to it all. He couldn’t wait to explore that more.

He thought about you the entire drive to Matt's—not just how you felt under him but how you made him happy. He could’ve been embarrassed by how whipped he was this quick, but it was a long time coming. His mind drifts back to how pretty you were last New Year's when he had you take Ayla to the “family” party.

When he gets to Matt's, Ayla is beyond excited to see him, running up and pulling his leg into a hug. He hugs her back for a second and then gestures for her to walk to the car; he’s about to follow, but Matt stops him, placing a hand on his shoulder.

“Is there a reason you were holding hands with your babysitter last night, Alex?”

A/N: kinda hate this but i needed to get it out. title from jane eyre again <3 love dad alex

[seat-safety-switch]

In a lot of countries, travelling four or five hundred kilometers by car is a big trip. Dutch folks would expect you to bring back a gift, take photos, and be gone for a week or two. You would legally be required to take your mistress with you in Italy. Here in Canada, that barely gets me to the next major city and back. Our country is way too spread out.

Americans: a kilometer is like a mile, but not as big. They're the tiny numbers on your speedometer. That's the gauge that tells you how fast you done be goin'. It also tastes faintly of bleu cheese. The kilometer, that is, not the speedometer.

A hundred years ago, people would simply not travel this far in a single day. If your friends and family moved five hundred clicks away, you would just never see them again, instead of multiple times per year. The automobile is the great equalizer in this regard, but one thing that hasn't updated are our pitifully low, revenue-generating speed limits. Now, some people can travel this distance weekly, returning from their distant jobs to their overpriced, highway-dependent, bedroom communities.

When presented with such a long distance to cover, sane individuals would insist upon a train system. In case you're unfamiliar, a train is a big box on rails that carries people from one urban centre to another. It can't be pulled over for speeding, so you get to blow past infuriated rural cops doing three hundred plus. Rest assured that we do have trains out East, but they suck. The reason why? Too many big boxes, not enough rails. Plus, they can't do three hundred, or even one hundred on most days. A classic fuck-up. Better to just not build anything at all, unless it's highways, say our betters.

Now you're on the highway with several thousand of your closest friends, watching out for cops together. You're going thirty over the limit when you pull into the slow lane to take a momentary rest, right before you return to the usual flow of traffic at speeds contraindicated by the safety warnings on the side of your tires.

All this is so that you can get to the next city over, buy the garbage you came for (metal flake airbrush attachment? You shouldn't have) and then immediately turn around to burn back home before it gets dark. Maybe if you're lucky, while you're filling up, you can send a few text messages to your friends who live in the target city, telling them you just missed them and that they should drop by next time they're down in your neck of the woods. That's the way to live.

[clanwarrior-tumbly]

Hi clan if you want to can you do a friendly alternate!reader who befriends Adam and Jonah before volume 2 and saves them both?

Wooo yeah BPS bois coming up!!!

......

First Meeting

During one of Adam's and Jonah's BPS missions, they encountered you, an Alternate hiding in some video game console/TV.

The two (esp Jonah) freaked tf out when they saw your silhouetted figure pop up on the menu screen after they started messing around with the game.

But while Jonah ran out of the room, Adam stayed and learned you're actually nice and don't wanna take over anybody's identity, refusing to hurt any humans.

In fact, you used to befriend the kid who owned this gaming system before they fell victim to M.A.D by another Alternate, and you missed them a lot :(

You expressed guilt in failing to protect them, which surprises Adam.

He then suggests you joined BPS. Since you're a benevolent Alternate, you could probably answer some of his questions and protect him and Jonah during investigations!

You were very eager to accompany them, seeing this as your way of "atoning". Maybe you can convince the Alternates they encounter to be kinder, too.

Ofc, you knew what happened to Adam's mom (as well as his true nature), but choose not to bring it up.

Obviously Jonah's not a fan of you hanging around them, at first, but Adam keeps telling him to "stop acting like a pussy" (a phrase you wind up mimicking, much to the former's ire).

Sometimes you accidentally scare tf out of him when you speak through the radio/GPS, or if you're sitting in the back of the van.

Tbh Jonah forgets you're there like 80% of the time.

"So what kinda pizza you want? Cheese? Pepperoni-?"

"Can we get cheese?"

"JESUS FUCK-"

Never let this man drive bc he WILL slam on the gas/breaks if you startle him like that.

Volume 2

You knew the client who offered the duo $500 per night was an Alternate dead set on isolating them.

But ofc many humans are inherently greedy, so the boys take the bait, with Adam confident they can handle it.

You stay in the car with Jonah for the first night, keeping him company and assuring him you'll protect them both..though he insists on having a bad feeling about the house.

While Preacher stalks them, you basically tell her to back off, pretending they're your victims to claim.

But unfortunately, Jonah became paranoid that you called her here to kill them both.

After he and Adam have that nasty argument, you stop him from leaving in the car by physically manifesting in front of him, grabbing his shoulders and saying friends shouldn't be treating each other like this.

He tries shoving you away, shouting hurtful things about you were "just like the rest of them" and never gave a shit about him, Adam, or that kid you once knew.

But you don't budge, and he quickly gives up and just starts crying, begging to go home.

You hug him, trying to mimic how humans comforted each other, and it shocks him enough to calm down and finally believe you.

In the end you convince him to stay, waiting inside the car until Adam finally emerges from the house unscathed, saying he's got enough footage.

You just stare at him until he notices Jonah, with the two apologizing to each other before you all headed out to get much-deserved pizza.

The boys let you choose the toppings as a way of saying "thanks for saving our asses".

[synesthesiadreamscape]

Eternal Punishment: Ideology, Performance, and Martyrdom as Sunday's Expressions of the Death Drive

“Sleep sleep happy child. All creation slept and smil’d. Sleep sleep, happy sleep, While o’er thee thy mother weep” -William Blake, “A Cradle Song,” Songs of Innocence and of Experience “So, where is my dream?” “It is a continuation of reality.” “But where is my reality?” “It is at the end of your dream.” -The End of Evangelion (1997)

Considering the majority of his development occurred in Penacony’s third act, Sunday has proven himself as a compelling antagonist who rivals both Takuto Maruki (Persona 5 Royal) and Kevin Kaslana (Honkai Impact 3rd) in grandiosity and pessimism. Although his motivations and methods closely resemble theirs, the tragic path that led Sunday to his rigid belief system began when he was still a child and is intimately related to his experience with family. Having both witnessed the suffering of others and experienced it himself, Sunday’s ideology was born with a single purpose: to shelter humanity from the pain of reality. His answer to life appears rational on its surface and is constructed with kind intentions, but in practice it would have damned the cosmos to a purgatorial world of constancy and doomed its creator to infinite loneliness. It is this tension between Sunday’s intentions and the truth of his actions that fascinates me, because it reveals a deeper conflict within him that is also at the center of Penacony’s story. Here, I’ll use some of Freud’s psychoanalytic theories to illustrate what exactly that conflict is, and why it’s so important for a full understanding of both Penacony's finale and Sunday’s arc thus far.

Cohesion not guaranteed, my brain feels like swiss cheese after 2.2

Spoilers for the entire 2.2 Trailblaze Mission (In Our Time) and a small post-quest with Robin (The Feather He Dropped).

Disclaimer: All content in this post, especially the psychoanalysis, should be taken in the spirit of media analysis and nothing more. Also, corrections and additions are welcome, whether they are about interpreting Freud or HSR. :) 

To cut down on post length, external sources (that is, any reading that is not official Star Rail material) are given as numbered in-text citations and gathered in a pastebin document linked at the bottom with the full title and exact page numbers of the source.

And before we begin, a huge thank you to my boyfriend for proofreading this numerous times despite not having played any Hoyoverse games, and for talking out the philosophy with me T_T That’s love right there!

Penacony, Freud, and the Occasion for the Death Drive

“The IPC does not care about its workers! I bet you they would love it if those monsters came and killed me. That way they wouldn’t have to pay for my pension!” “Sounds like somebody could use a Sprinkles cupcake!” -It’s Always Night in Penacony Show

It is impossible to avoid Sigmund Freud when discussing the psychology of dreams, and his psychoanalytic theories are tightly woven into nearly every aspect of Penacony’s environment and story. Our most salient point of entry into his work is The Family’s sweet dream, which embodies the base instinct in human nature towards pleasure-seeking behavior and instant gratification, even at the expense of self-preservation, also known as the pleasure principle.¹ Be it slot machines, luxury cars, decadent food, or endless shopping malls, everything in the sweet dream exists to further each guest’s pursuit of pleasure—such is the purpose of dreams, Freud theorized, as vehicles for wish-fulfillment.² “Death,” let alone pain, is not allowed to exist in the sweet dream in order to preserve that pleasure:

“A further incentive to a disengagement of the ego from the general mass of sensations–that is, to the recognition of an ‘outside’, an external world–is provided by the frequent, manifold and unavoidable sensations of pain and unpleasure the removal of which is enjoined by the pleasure principle, in the exercise of its unrestricted domination. A tendency arises to separate from the ego everything that can become a source of such unpleasure, to throw it outside and to create a pure pleasure-ego which is confronted by a strange and threatening ‘outside’” (Freud, 1930, p. 4).³ “One of the twelve Dreamscapes in Penacony, and its time coincides with midnight. Here, the dream's time is forever stuck at 00:00. Tomorrow will not come, and this night of revelry will never end” (Loading Screen: Golden Hour).  Gallagher: …Think about this — what would it cost to create and maintain such a lavish dreamland? Gallagher: It's people's lives. The opulent dream is built upon the decay of spirits, with a toxic elixir called "pleasure" flowing through the Dreamscape. It tempts people to indulge in the Dreamscape, and gradually their minds succumb, becoming nourishment for the sweet dream. (The Public Enemy)

Aventurine: This dream [Memory Zone] of theirs isn’t a boundless sea, it’s a lonely island. The Family used the Harmony to build a high wall and isolate them from the vast and treacherous ocean of the outside world.

But “death” still lurks beneath the juvenile fantasy and its sweet commercial lies, in the yawning chasm proceeding spiritual death. This space, the Primordial Dreamscape, is a chaotic rendering of memories and emotions that goes beyond consumerism as the ultimate form of pleasure, and the high walls of the sweet dream separate each “Moment” from its depths. It is the original form of the sweet dream, its primitive reflection in the Memory Zone’s water, and the crystalline bodies of its memetic entities are like mirrors into the past inviting guests’ introspection. 

Introspection is the Achilles’ heel of The Family’s superficial paradise, because curiosity about oneself redirects the ego’s interest from external objects to the inner abyss of thoughts and desires deemed unacceptable in reality, and remembering their existence reveals psychic pain. The Family’s denial of these ‘impure’ thoughts reflects the process by which the ego represses instinctual impulses to avoid that pain:

Robin: While I was away from Penacony, the boundaries of the Twelve Dreamscapes kept expanding outward. But whenever I mentioned the anomalies in my dreams... all The Family heads refused to talk about it. Only my brother was willing to respond... Robin: Later, I discovered the secret letters from the IPC ambassador, which further convinced me that there are hidden secrets beneath the surface of Penacony. So, following the clues in the Oak Family's dossiers, I found my way here... Robin: ...The land of the exiles, concealed by The Family under the guise of "Death", a dream within a dream where Penacony's past is buried. (Small Town Grotesque) “Life is parceled in impenetrable barriers, obstructing the intrusion of the alien. But beneath that ironclad shell, there is a region both nameless and fragile” (Memory Zone Meme “Heartbreaker” Story). “We are very apt to think of the ego as powerless against the id; but when it is opposed to an instinctual process in the id it has only to give a 'signal of unpleasure’ in order to attain its object with the aid of that almost omnipotent institution, the pleasure principle” (Freud, 1926, p. 92).⁴

Freud begins Beyond the Pleasure Principle (1920) by pointing out the foundational assumption of psychoanalysis, namely that all psychic processes serve the pleasure principle in infantile life and the reality principle at a later point of ego development. The reality principle arises from the ego’s instinct for self-preservation, and it redirects pleasure-seeking behavior so that one is willing to wait for its payoff. Rather than relying on dangerous sources of pleasure that provide instant gratification, instead the constraints of reality (or “time”) imposed on the ego and any consequent pain (or “tension”) are endured for the sake of eventual pleasure.⁵ For psychoanalysts, this only further cemented pleasure’s importance in mental life. 

However, as World War I came to an end, Freud found these principles alone were insufficient to explain the purpose of trauma dreams in veterans returning from the battle front. Their dreams would faithfully recreate traumatic memories from the war each night, with no pleasurable payoff for the dreamer, and this directly contradicted Freud’s theory of dream interpretation.⁶ If trauma dreams did not fulfill the dreamer’s unconscious wishes, then they did not follow the pleasure principle; they seemed to serve some other purpose.

Though unconsciously repeating pain in waking life was not a new idea in psychoanalysis, trauma dreams highlighted a critical flaw in its understanding of this behavior’s ends. To untangle this complexity, Freud reexamined the aims of the “compulsion to repeat,” and speculated that it is not only an instinctual behavior, but also has an earlier origin than the pleasure principle. He then proposed a dualistic theory of desire that revealed something he believed was common to all organic life—that if there are life instincts, or what he called “Eros,” that are geared towards an organism’s pleasure and self-preservation, then there is also a primary death drive, or death instincts, that aims for its destruction:

Acheron: The Beautiful Dream is crumbling, but not because of a particular Aeon, a particular faction, or a particular visitor. Its collapse stems from a certain inevitability of human nature. The Family refuses to acknowledge this, and it has ultimately backfired and become a catalyst… Acheron: As people immerse themselves in the Dreamscape, where consequences and pain cease to exist, and only ease and pleasure prevail, they draw closer and closer to necrosis. Regardless of the perceived bliss, death looms as the inevitable conclusion. Acheron: Also, this necrosis will diffuse and spread. One piece of the puzzle’s mutation will eventually cause the entire building to shake, break…and crumble. Welt: …In the end, the dreams that people built in the name of freedom became the cage that imprisoned them. (When the Sacred Ginmill Closes)

The “inevitability” Acheron refers to is one and the same with the death instincts as illustrated through the Nirvana principle, originally proposed by psychoanalyst Barbara Low and adopted by Freud in Beyond the Pleasure Principle. Early on in the work, he identifies G. Th. Fechner’s principle towards stability, or the constancy principle, as a greater implication of the pleasure principle’s terms. According to this principle, the psychic apparatus (or ‘psychic processes’) aims not only to relax psychic tension to avoid pain, but also to keep tension low and constant.⁷ But this raises a problem: the pleasure principle’s express purpose is to avoid pain, but pleasure is a finite state that can only be felt as such if there is pain to reduce in the first place. If this balance is interfered with, we do not preserve the initial euphoria of pleasure infinitely, but instead find it dulled with time until it approaches ‘zero’:

“When any situation that is desired by the pleasure principle is prolonged, it only produces a feeling of mild contentment. We are so made that we can derive intense enjoyment only from a contrast and very little from a state of things” (Freud, 1930, p. 16).⁸

This ‘zero’-state is the aim of the Nirvana principle, where it is not just the reduction of excitation but rather its total elimination that is ultimately desired.⁹ In other words, its aim is stillness through the suspension of psychic processes, a state of being that could only find its analogue in dormancy,¹⁰ or something unto death. Acheron’s point is that this necrotic, empty feeling is not an accident, because “death” lays the foundation for something new.

And this, at last, brings us back to Sunday. Incongruence, fantasy, and wishful thinking are just some of what drives Sunday to create his ideal world, a paradise where every day is a day of rest. Though his methods are misguided and extreme, he does this out of compassion for the weak and a sense that he must catch them in his paradise before they crash to their death. In truth, this “paradise” was death in a different form, where reality is inverted with one’s personal fiction and conflict is transcended by removing choice. The conflict between the life instincts and death instincts is key to understanding how Sunday arrived at this answer to life’s pain, but to understand the depth of that conflict we must go beyond his facade and grasp the true meaning of his infantile fantasy. By employing a Freudian psychoanalytic reading of Sunday’s arc, I hope to open new avenues of discussion about both his character and the meaning of Penacony.

The Prison of Fate

“Is darkness equal to daylight? Are sinners equal to the righteous? If you are born weak, which god should you turn to for solace?” -Sunday, Everything that Rises Must Converge “You know, in the thick of things, people are blind to the grit in their eyes...yet they can always feel its scratch. Want the answer? I'll give it to you. The whole thing is just fate playing a cruel joke on us.” -Gallagher, A Walk Among the Tombstones

We’ll begin with Sunday’s warped understanding of society and his ideology, as these represent the first layer of his fantasy. What’s striking about Sunday’s reading of human nature is his pessimistic outlook on human relationships and the potential for individuals to change. Sunday believes that life obeys a natural law called “survival of the fittest,” a perverse interpretation of Darwinian principles of evolution, that categorizes individuals as “strong” or “weak” based on inherent, unchangeable qualities within them. This law is the foundation of a chaotic world where the strong do not defend the weak, but trample them for their own gain:

Sunday: While the Harmony holds noble aspirations, the strong will always be strong, and the weak will always be weak, even in this carefree dream... Human nature contains greatness, but it also harbors inherent weaknesses that can't be eradicated. Sunday: In the end, if people can't even secure their own survival, they won't care about the illusory future of equality. As long as the law of survival of the fittest prevails... there will always be fledglings crashing to their death. (The Only Path to Tomorrow)

Sunday’s ideology takes a page from Arthur Schopenhauer’s The World as Will and Idea, where he argues that the will to life is the reason individuals suffer, because, like the pleasure principle, “the basis of all willing is need, deficiency - in short, pain.”¹¹ Willing is a feature of individuality, which Schopenhauer further identifies as an illusion of nature—that is, individuality obscures how all life is an expression of one underlying Will, the common source of life.¹² In Sunday’s ideology, Schopenhauer’s “individuality” and “willing” are substituted by the term “self-value,” which forms the basis of the illusory prison of human consciousness. Self-value, then, is the root of human suffering, because satisfying the will to life requires taking “value” from others: 

Robin: That's just sophistry. If that were true, then only the powerful would have the right to determine the future. Sunday: Unfortunately, that's exactly what happens. Another name for "the future" is "self-value." [...] Sunday: Some are born weak and vulnerable, some find themselves trapped in unfortunate circumstances, some fall victim to malice and cowardice. When it comes to survival, everyone is equal, and the weak can only watch as their value [future] gets constantly diminished by external forces. (The Only Path to Tomorrow) Firefly: So, what is your definition of living a happy life? Sunday: Good question. Human consciousness is fundamentally an illusion, a cage known as "self-worth". People lured in by this illusion, make mistakes, yet still ask that external influences bear the burden. Sunday: When one mistake after the next permeates the masses, they become impossible to trace... Thus, the amassing of these individual cages culminate to form a prison, a place dictated only by the rule of "survival of the fittest." Sunday: Nature is always accompanied by predation and sacrifice... Its antithesis is known as Order. (Beauty and Destruction)

As long as the will to life must be satisfied, “survival of the fittest” will persist; in other words, the illusion of self-value ensures the law’s survival in the future. While this tells us part of why Sunday equates self-value with the future, his statement can also be interpreted through a psychoanalytic lens, particularly as it relates to transference and the repetition compulsion. Transference is the process by which people unconsciously cast the roles of past figures onto current relationships, repeating past trauma in the present. The individuals filling the roles may change, but the roles themselves remain constant through time. Through transference, a person’s unresolved past and unconscious beliefs adopted from those experiences construct an illusion that passes for objective reality:

"What psycho-analysis reveals in the transference phenomena of neurotics can also be observed in the lives of some normal people. The impression they give is of being pursued by a malignant fate or possessed by some 'daemonic' power; but psycho- analysis has always taken the view that their fate is for the most part arranged by themselves and determined by early infantile influences" (Freud, 1920,  p. 15).¹³

Transference is driven by an underlying compulsion to repeat the past known as the repetition compulsion. In Beyond the Pleasure Principle, Freud found that the repetition compulsion does not solely operate in service of the pleasure principle as it was previously understood, but also as an unconscious compulsion to repeat pain. Psychoanalyst and scholar Jonathan Lear provides an example of this in Freud (2015) when he describes the nature of unconscious mental processes:

“Suppose, to take a highly simplified case, a child has an unconscious fantasy, ‘I am the unloved one.’ Precisely because this fantasy is exempt from contradiction and is presented in a timeless mode, the person will tend to interpret life’s passing events through a frame of feeling unloved. The person will focus on real-life slights; but even kind gestures will tend to be treated with suspicion, as though there must be some underlying motive (‘He was nice to me only because he wants something from me’). The world will come to seem an unloving place, thus reinforcing the fantasy. The person can come to feel that she is somehow fated to be unloved.” (Lear, 2015, p. 6).¹⁴

To put Lear’s example in Sunday’s terms, an unconscious fantasy adopted from past experiences is the underlying material that constructs the illusory prison of self-value. The prison shapes our perception of reality, and this perception then reinforces the prison’s ‘form’ by affirming the unconscious fantasy. If one’s perception or the fantasy were to change, the dimensions of the prison would change with them, reshaping ‘reality.’

The prison of self-value therefore ensures the past’s survival in the present by facilitating its repetition; through repetition, the past becomes the prisoner’s future. In other words, by materializing the unconscious fantasy in reality through actions, the prison of self-value becomes one’s fate. We can then apply this framework to Sunday’s ideology: if fantasy and perception co-construct one another to create an individual human consciousness, it follows that Sunday’s ideology, as a reflection of his perception of the world, is rooted in an unconscious fantasy too, a belief that he has about himself.

Sunday: Well, don’t forget this…. not everyone really has a future.

So, just what is that belief? The past holds great significance to Sunday, and he vividly remembers the consequences of each decision he made. While in his inner world, he recounts three decisions that led him to lose faith in the Harmony and choose the Order for salvation. These decisions involved a Charmony Dove he and Robin found as children, a fraudulent stowaway, and Robin’s brush with death while she traveled beyond Penacony. He then asks which choice the Trailblazer would make given each scenario—the same choice as Sunday did, or some other choice? However, the choices are limited to either-or decisions between Sunday’s choice and its extreme opposite: either support Robin’s journey, or prevent her from taking it; either remain silent, or ask the Bloodhounds for mercy; either cage the Charmony Dove, or build a nest for it in a yard of predators, and no matter the choice, it always ends in tragedy.

Sunday: I know the suffering of being tormented, the turmoil of losing your way, how sorrow… and even despair, set in when matters don’t work out. All of this causes me unending pain, because this is not what “happiness” is at all.

This is because Sunday understands the world in terms of dichotomies, where things are either good or bad, righteous or sinful, strong or weak. It’s also why Sunday’s choice in each scenario is cast as the “good” choice, because it was made with kind intentions, while its opposite is the “bad” choice because it lacks compassion for the individual. The unfortunate outcome of either decision, both real and imagined, is therefore meant to persuade the player that Sunday’s perspective is ultimately correct, because “good” choices do not necessarily result in “good” outcomes in a disorderly world. Rather, choice itself is a chaotic variable that introduces uncertainty, splitting life into infinite paths and possibilities, or “untraceable mistakes.” In order to control outcomes, choice must be removed, even if such an outcome can only be achieved through fantasy.

To see the world in this way is to inhabit the monochrome world Acheron first referred to in Act I, a world where it’s all or nothing, and everything appears black or white. This manner of thinking constructs each decision as a false dilemma, which artificially limits the available options or perspectives to two extremes. For our purposes, this is among the most meaningful hints as to what Sunday’s unconscious fantasy is, because it is born out of his intense need for control, which is both a defense against the fantasy and the primary way that he repeats it.

Acheron: The golden dream is getting restless. In the coming long night, I'm afraid you will face many tribulations and witness many tragedies. And finally...your sight will only see black and white. Acheron: But please believe me that in that monochrome world, there will be a glimpse of fleeting red, and when you make a choice, it will reappear before you once more… (The Knocking at Ungodly Hours)

With this in mind, we can use Sunday’s black and white thinking to our advantage. Upon closer observation, a common theme is repeating itself in each decision Sunday did make, with each individual cast in the same role at different points in time. Despite his best intentions, Sunday’s actions alone can’t protect them from tragic outcomes—indeed, he is powerless against their fate. According to his ideology, there are inherently strong individuals and inherently weak individuals, and the strong have the power to defend the weak, but often choose not to; by this same logic, if Sunday can’t defend the weak despite his intentions to do so, then he must not be strong. He must be weak.

This brings us to the Charmony Dove’s fate, which is undoubtedly the most significant to his character out of the three scenarios, and acts as a symbol of the difference between Sunday’s and Robin’s beliefs regarding humanity. The bird is an object that they project these beliefs onto, shaped by their individual “cages,” and its fate reflects those beliefs back at them, reinforcing their diverging fantasies:

Sunday: This place is too dangerous for a fledgling. Let's take it with us — we can put it on the wooden shelf in front of your window. Robin: Okay! A bird like that must have a beautiful singing voice. But where will it live? Sunday: I'll ask the family head to build a cage for it. Robin: A cage... but then it won't have the freedom to fly, right? [...] Robin: Even if it's small and not fully feathered, and can't sing... it didn't come into this world just to be locked up in a cage. Robin: Birds... belong to the sky. (The Only Path to Tomorrow)

To Robin, the Charmony Dove is full of potential, and its fate can’t be determined by a single moment of its life, but Sunday regards it with caution and uncertainty; one wrong move, and the bird will take its last breath. This difference becomes the central disagreement in their debate over the sweet dream’s value, and Sunday reveals the bird’s tragic fate to Robin in order to drive home his point:

Sunday: Shortly after you left, it crashed to its death right in front of your window. Robin: ...I had surmised as much. I knew you wouldn't have avoided mentioning the bird for no reason. Robin: Despite that unfortunate outcome, I still believe it was the right decision. Birds aren't meant to spend their lives in cages... They belong in the sky, even if they can't fly. Sunday: But here's the thing. If there are birds in this world that can never fly, can we really assert that they belong in the sky?

Sunday’s meaning is clear: flightless birds are no different from those individuals who are born weak, and their fate is to watch their future disappear under the pressure of external influences. While Robin came to embody her beliefs by leaving Penacony behind, Sunday stayed and rose through the Oak Family’s ranks, never leaving the sweet dream’s cage. He embodies his beliefs by denying himself a future, because to choose otherwise would contradict his fantasy—that he is a flightless bird too, and therefore has no “value”:

[Sunday]: The victor bears the responsibility of victory. Finish me... and fly into the sky. [Robin]: We were supposed... to fly into the sky together. [Sunday]: ... [Sunday]: If only... I could… (The Feather He Dropped)

Sunday's unconscious fantasy—that he is an inherently weak person, a bird that will never fly—is a reflection of his self-value. By unconsciously repeating the pain of his past, his fantasy becomes the illusory prison known as one’s future, a self-fulfilling fate.

But all of this is only a small piece of the puzzle. It tells us what the unconscious fantasy is and how it affects him, but it doesn’t really tell us why he has it in the first place. Just as the belief was hidden in the shadows of Sunday’s ideology, its origin is hiding behind something even more conspicuous—a grand performance on the dreamscape’s finest stage.

An Infantile Drama

Trailblazer: Where is the Stellaron? Why am I not seeing it? Sunday: It hides behind the curtain. Or rather, it is the theater itself.  (Everything that Rises Must Converge)

Naturally, this leads us to the Embryo of Philosophy.

There is so much to talk about between the three phases of this entire fight, not to mention the mountains of references it makes to other media. However, I want to train our attention on the Embryo’s tears. Why is it crying, and why at this particular moment? The religious meaning of its tears is clear, but what is their psychoanalytic significance?

First, let’s consider their context. The Embryo’s golden tears stream down its face with each turn of “Im Anfang war das Wort” (“in the beginning was the word”), stretching its arms towards the sky with palms open in worship of Order. On the 8th turn, it reaches toward the sky to ask for Ena's blessing; Ena answers its call, reaching down to grant it power, nearly touching the Embryo’s outstretched pointer finger with THEIR own. In doing so, they create a mirror image of Michelangelo's The Creation of Adam, a depiction of God giving Adam the spark of life.

This artistic and religious reference, alongside the Embryo’s fetal imagery and tears, leaves no doubt that the third phase in the fight is Sunday’s “moment of birth” as an Aeon, and this suggests that birth must inform the answer to our original question. So then, why does the Embryo’s “birth” bring it to tears? The answer lies in the meaning of Sunday’s performance in Penacony Grand Theater, of which the Embryo is just one part, and how it relates to his unconscious fantasy.

In a final effort to dissuade the Astral Express from resisting his plan, Sunday stages a dramatic retelling of the Order’s Genesis story and Penacony’s history that chronicles its changing masters through the eras. As an immersive stage play, its completion hinges on the crew’s participation, which involves slaying the master at each act’s conclusion in order to usher in the next one. Through his play, Sunday argues that humans crave a master who can provide them with meaning in the face of chaos, and because of this inherent weakness, progress is an illusion. The past, present, and eternal show of human history is one of endless repetition and self-delusion – though the individual master may change, humans remain puppets by their own design.

The Past, Present, and Eternal Show

This fraught relationship between humanity and its masters was a foundational point of Freud’s theory of the death instincts, which he grounded in his observations of infantile play. While he was staying with his daughter’s family, Freud noticed a peculiar game his grandson played with his toys that further called the pleasure principle’s dominance into question. The game began when his grandson threw the toys out of sight to make them “disappear,” after which he would retrieve them with his mother’s help to make them “return.” Freud deduced that this game (Fort/Da) was a reenactment of his mother “disappearing” when she left him at home, and speculated that it played a crucial role in his grandson’s good behavior during her absences.¹⁵ If the game was in service of the pleasure principle, Freud expected that the entire game would be played to completion, where the pain of the toys’ disappearance is endured for the eventual pleasure of their return. Instead, his grandson often only repeated the disappearance – the “drama’s” most painful part.¹⁶

In infantile play, several instincts intersect with a child’s memory in order to process psychological stimuli.¹⁷ Repetition facilitates their sense of mastery over unfamiliar stimuli, whether pleasurable or painful,¹⁸ and play offers a safe, fictional space for children to make sense of reality, where they can leave behind their role as spectators of life’s phenomena and become actors on its stage.¹⁹ By playing an active part in a memory’s repetition through play, indeed by controlling it, children move toward an even grander wish in their hearts: “the wish to be grown-up and to be able to do what grown-up people do.”²⁰ Freud suspected this was why his grandson played the game, because it offered him a sense of agency over his mother’s absences that reality could not.

The Golden Hour base model and its uncanny inhabitants, found in Dewlight Pavillion. One of the Oak Family Head’s toys.

However, Freud’s point was not that repetition in infantile play is pathological, but rather that when trauma is repeated in adult life—a time when experiences do not feel so new, and therefore do not bring as much pleasure or sense of mastery per repetition²¹—the mind is reverting to a previous state,²² namely to the way it functioned in childhood. In other words, the repetition compulsion is related to the instinct for mastery, and trauma repetition is the mind’s attempt to master a painful experience by replaying the past in the present, as it did through infantile play. In this way, life itself becomes the game, or a “play,” and fantasy merges with reality.

Now, let’s examine the conclusion of Sunday’s stage play, as humans take fate into their own hands on the Genesis story’s seventh day:

2:1 THEY bestowed upon all beings the gift of ‘meaning.’ All had been brought into existence. And then, THEY rested from all THEIR creative work. 2:2 However, once again, all the beings beseeched Ena, praising THEM, the magnificent Aeon with divine power, but with a tone of curse. 2:3 ‘With Order, you have defined all things in the Cosmos, yet this only made us realize that we are mere puppets within your grasp.’ 2:4 Thus, on that day, all beings united and cast the Aeon into the pit of destruction. 2:5 And so it was done. That marked the seventh day. (Lost Property readable)

Like a parent guiding their child, Ena imbued the universe with meaning through Order, weaving the answer to each of humanity’s questions into THEIR grand symphony. Humanity then recognized its passive role in relation to Ena, a higher being who is able to act on the universe’s grand stage, while mortals merely watch THEM. And just as Freud’s grandson casts away his toys in the first part of the drama, humanity then casts Ena into the abyss to make THEM “disappear,” rejecting their old master in a bid for control only to seek THEM out again in the eternal show. In their effort to become masters, humans seal their fate as puppets; or by another interpretation, this is the intended outcome all along, because out of the two desires at play here—the desire to replace the master themselves and the desire to submit to another—answering to a new master is far easier than becoming one:

[Tiernan]: Sin Thirsters... the obsessions of the Pathstriders. They emerge from the depths of IX, seeing themselves as masters of their own destiny, unknowingly repeating the actions of their past lives. [Tiernan]: They emerge from the Nihility and head toward it, leading purposeless lives… (And on the Eighth Day) Butler: "Either I shall be my own master, or I shall return to my former master! I shall not submit to a new master under any circumstances!" "I wish they could regain their reason [calm down] and cast away the shackles of hypocrisy," proclaimed the new master. (Tune Butler's emotion to Calm) Butler: "Without a master, who can grant me true freedom?" (Everything that Rises Must Converge)

By returning the planet to Order, its Pathstriders hope to reinstate the earlier phase of galactic history before Ena was absorbed by Xipe the Harmony. Understood through Freud’s observations of infantile play, this can be seen as a struggle between retaining the innocence of childhood, the previous state, and the “grand wish” to become an adult with agency; desires that are at once contradictory, and yet work in tandem with one another. But is this really all that Sunday’s performance is about?

For the moment, let’s return to trauma repetition and its conflict with the pleasure principle. To Freud, trauma is like a bodily wound, where unfamiliar stimuli “breach” the mind’s protective layer and overwhelm it; the repetition compulsion is a response to this breach, replaying past trauma in the present so that the mind learns to anticipate the disturbance in the future:

“The fulfilment of wishes is [...] brought about in a hallucinatory manner by dreams, and under the dominance of the pleasure principle this has become their function. But it is not in the service of that principle that the dreams of patients suffering from traumatic neuroses lead them back [...] to the situation in which the trauma occurred. [...] These dreams are endeavouring to master the stimulus retrospectively, by developing the anxiety whose omission was the cause of the traumatic neurosis” (Freud, 1920, p. 26).²³

This brings us to the final pillar of Freud’s death drive. If the repetition compulsion is an instinct, then it must not only be common to all organic life, but also must originate from a shared disturbance in evolutionary history. But a disturbance of this scale, he realized, could only be found in what shaped life’s beginning—the physical and chemical processes that cultivated life on Earth, rousing the first unicellular organism from its slumber in the primordial soup, and animating what was once dead. The repetition compulsion, then, was born from this original trauma of organic life, unanticipated by that ancient sea. And if that is the case, then the repetition compulsion’s true purpose is clear: it aims to return the living to its slumber, to the death state, and it dutifully follows life’s “circuitous paths” to bring about that end: 

“It would be in contradiction to the conservative nature of the instincts if the goal of life were a state of things which had never yet been attained. On the contrary, it must be an old state of things, an initial state from which the living entity has [...] departed and to which it is striving to return by the circuitous paths along which its development leads. If we are to take it as a truth [...] that everything living dies for internal reasons—becomes inorganic once again—then we shall be compelled to say that 'the aim of all life is death’ and, looking backwards, that 'inanimate things existed before living ones’” (Freud, 1920, p. 32).²⁴

The implications of this theory can be seen in Penacony’s oceanic imagery, which signifies both the unconscious memory of that primordial state and the salvation the sweet dream offers from reality. To enter the dream, The Reverie’s guests submerge themselves in a shallow pool and emerge on the “other side” reborn, baptized into the religion of pleasure and cleansed with the dream’s fiction. The primordial memory, then, is the lost childhood of organic life, a previous state it wants to return to — the unity before the violence of individuality.

Sunday: Some are born weak and vulnerable, some find themselves trapped in unfortunate circumstances, some fall victim to malice and cowardice. When it comes to survival, everyone is equal, and the weak can only watch as their value [future] gets constantly diminished by external forces. [emphasis added].

We also don’t need to stretch our imagination to connect all of this back to Sunday, who compares the weak to spectators of their own demise, just as Freud likens children to spectators of life’s phenomena, and perceives “external forces” as catalysts for change—for Sunday, they whittle away at one’s future, while for Freud they disturb a peaceful slumber.

How is all of this related to the Embryo’s tearful birth? The primordial soup was a cradle for organic life in its infancy, but it was also the “mother” that birthed it, and the death instincts compel life to return to its embrace. In Inhibitions, Symptoms, and Anxiety (1926), Freud identifies birth as the first “danger-situation” an individual experiences, because birth requires separation from their mother.²⁵ By coming into the world, newborns are inundated with unfamiliar stimuli, like the unexpected “breach” that characterizes trauma, and these sensations in turn produce the first instance of anxiety.²⁶ Though they can’t yet conceptualize this danger as the loss of their mother, for mental life at this stage doesn’t distinguish between the self and other objects, infants soon learn the uncertainty that accompanies danger can be relieved through their mother, who “satisfies all [their] needs without delay”; anxiety, then, is a response to situations where these needs go unsatisfied, and over which they alone have no control.²⁷

But birth is only the first separation between mother and child; the final separation, of course, is death. If the former’s danger is characterized by the mother’s absence (“object-loss”), then in death this danger becomes permanent. In Mourning and Melancholia (1917), Freud writes that mourning is a process of “[accepting that] the loved object no longer exists” and of withdrawing one’s interest (“libido”) from them.²⁸ Melancholia, its fraternal twin, shares several affective traits with this process, namely “a turning away from reality […] and a clinging to the object through the medium of a hallucinatory wishful psychosis”—that is, by living through fantasy.²⁹ Where melancholia distinguishes itself from mourning, however, is in one’s sense of responsibility for the object’s loss. In other words, the melancholic is tormented by a pervasive sense of guilt:

“In mourning it is the world which has become poor and empty; in melancholia it is the ego itself. The patient represents his ego to us as worthless, incapable of any achievement and morally despicable; he reproaches himself, vilifies himself and expects to be cast out and punished […] He is not of the opinion that a change has taken place in him, but extends his self-criticism back over the past; he declares that he was never any better” (Freud, 1917, p. 246).³⁰

Sounds a little familiar, doesn’t it? Transference is another way of living life through fantasy, where each new actor plays the same role in its infinite drama, in this case the “lost object.” The Charmony Dove, the fraudulent stowaway, and Robin all unknowingly take on this role in Sunday’s unconscious, as objects he is trying to protect. However, this performance is always fated to end the same way: his actions fail to save them, and he blames himself and his weakness for their loss.

If performance is the throughline between reality and fiction, then Sunday’s “play” in Penacony Grand Theater—the birth of his paradise and near-ascension as an Aeon—is yet another continuation of this eternal show. Sunday’s greatest wish, his infantile wish, is to protect everyone, and Ena’s dream facilitates its fulfillment through fantasy. To realize the dream, Sunday must usurp the power of a master (an Aeon) for himself, and he does so by fusing the Harmony and Order together to create the Embryo of Philosophy, making Xipe and Ena its 'mothers.' But the Embryo’s birth also requires the “death” of its creators, precisely because their power had to be stolen to create the eternal dream’s foundation. In other words, the Embryo must replace its parents so that it may truly become a master like them. Sunday's full performance encompasses both separations between “mother” and child at once: the separation through birth, and the separation through death.

In their Christian interpretation, the Embryo’s tears signify Christ’s empathy for human suffering, but in the psychoanalytic interpretation they suggest the Embryo’s anxiety about its performance. And this anxiety is well-founded, for all of the reasons we’ve discussed: the primordial danger of being born into the world, of emerging from “death” and becoming separate from it, and the threat of permanent object-loss if the Embryo completes the performance as planned. But we should also remember that this anxiety is in reality nothing new for Sunday, because he has already experienced all of these losses first-hand in the past. In other words, the Embryo cries because its performance reminds Sunday of something he’s experienced before, the very memory that he is trying to control—indeed master—through repetition. This memory, and the anxiety, concerns his wish’s original failure to materialize, the trauma of which laid the foundation for each subsequent “performance.” Plainly, it’s about the death of his mother, and his failure to protect her from the Stellaron disaster.

Given how he belabored the importance of his three decisions in his inner world, this may seem like a bit of a stretch. In fact, he doesn’t directly say a word about his mother at all — but that is exactly why I am so suspicious. Instead of acknowledging her with words, her death lingers in his desperate need to control outcomes, his preoccupation with weakness, and his yearning for guidance from a master, something he lost as a child when he needed it most. Perhaps this is part of what motivates him to become that master for everyone else, to replace the parent he lost by “becoming” them. 

It’s also not lost on me that Sunday cries during the Stellaron disaster, further suggesting a narrative parallel between the Embryo crying and his past. In that moment, his tears highlight the incongruence between the image Sunday puts forth of himself as Robin’s protector, and the reality that he alone was never able to protect anyone. His mother died, Robin got shot, and suffering followed his decisions despite his kind intentions. From an early age, he had already given up on the possibility of sharing a stage with his sister, and eventually resigned himself to a grim fate as the universe’s lone star. While Gopher Wood’s role in reinforcing his unconscious belief should not be understated, I hesitate to say his poison is truly the belief’s origin.

“The echoes of the memories someone once held of their beloved family. Across the long night, they will accompany him in the past, present, and future.” (Echoes of Faded Dreams story)

What’s more, Sunday tells us that his end goal is not to resurrect Ena, but rather to construct his paradise on Ena’s remains, creating a world without Aeons at all. This infantile fantasy, a world without the “adult” influence of these higher beings, is a metaphor for his search for happiness after the meaningless Stellaron disaster that took his mother away from him, and to recover the innocence he lost with her passing. He seeks to create paradise from destruction, to build a new world on her remains, and become a master of it himself. Both his stage play and his role as the conductor of the paradise’s symphony only further cement this: through his performance, he asserts that he is no longer a passive observer of the disaster, no longer a spectator of his own demise or merely Gopher Wood’s puppet, but an actor and an artist in his own right. By utilizing the Stellaron to create paradise, he hopes to master his weakness.

This symbolism goes crazy. What do you mean the Stellaron is a theater, it shines like the moon, it’s the reason Sunday’s mother died*, and it’s the site where he initiates Third Impact?

And I know, I know all of the Evangelion fans are saying “we fucking knew this already,” and you’re right! Hideaki Anno was also inspired by Freud, among many other psychoanalysts and philosophy giants, and Hoyoverse has never been shy about how much Anno’s work influences their own. It is undeniable that Shinji and Sunday share a character arc as it relates to the loss of their mother, and Sunday is far from the first and certainly not the last Hoyoverse character who will either, but where they differ is in the details of their death wish. In The End of Evangelion (1997), Shinji wishes for a world where he can’t be rejected by others, because there would be no meaningful difference between him and another person if they’re all just LCL soup, while Sunday wishes for a world where the weak never have to face their weakness, and weakness is no longer a “sin”; the outcome of both of these wishes, then, is a world where sin can never be repeated. But this tragedy’s ending was told from the beginning — trying to sever the cycle is the same as repeating it, and shedding one master means gaining another. Rather than preserving life and protecting it from pain and disappointment as he intended, Sunday’s dream world only guarantees its own end.

This is why the Embryo cries. Sunday’s performance is a reenactment of both the first and last severance between his mother and himself—his birth and her death—and the origin of the pain that would eventually justify the eternal dream’s creation. 

*I say this with the huge caveat that Penacony lore, Halovian lore, and Sunday + Robin lore, are a bit (okay, very) confusing. It is possible their homeland was destroyed by a different Stellaron. Also, who am I to assume Halovian birth even remotely resembles human birth? I don’t know. Talk about how vague Halovian lore is right now in the version satisfaction survey and maybe we’ll get real answers.

Infinite Sin and the Will to Punishment

Unfortunately, it isn’t quite that simple. Freud did not believe that this pessimistic interpretation of the death instincts was the full story of the death drive, and this analysis, though fruitful, is full of apparent contradictions as a result of treating it that way. Though it’s not incorrect to assess Sunday’s actions from a self-destructive angle, this alone is an inadequate framework for illuminating the full extent of his hypocrisy. We see glimmers of it in Sunday’s inner world, when he admits the price of attaining his dream—“merely a personal and eternal sacrifice”—and in Penacony Grand Theater, when Himeko points out the fallacy that this could ever truly be a dignified existence for the many living under Sunday’s will. The tension between his willingness for self-sacrifice and desire for total domination is a core conflict of Sunday’s character arc in Penacony. These two aims constantly struggle to overcome one another, and within that struggle lies a truth about the nature of life and the meaning of Penacony’s story.

The seductive promise of Sunday’s paradise belies its reality, which requires the paradise’s conductor to remain awake until the end of time. Sunday minimizes the personal cost of Ena’s dream by portraying himself as a martyr for a noble cause, because to him this solitude truly is a meager price to pay for everyone’s eternal “happiness.” However, Robin is the first to point out that his role in sustaining the dream looks less like a heroic sacrifice than it does eternal punishment:

Robin: It's true that some people are born strong, and others are born weak. If the Trailblaze is the target of heroes, then the Harmony will guarantee that the strong help the weak. Only the people of Penacony themselves can be the saviors of their homeland. Robin: Their path of happiness should be forged by themselves. While I may not be a Nameless, I'm willing to instill courage in all those who need it. Robin: This includes my brother as well. Ena's Dream... is too cruel for him, and everyone else. […] Robin: Brother, you have heard their cries... This is not the paradise they hoped for. "Harmonious Choir" The Great Septimus: Even so, they don't know where they should be heading. That's why... I had to become the lone star in the sky to guide them. Robin: Even if that star... must hang in a perpetual night of solitude? (And On the Eighth Day)

And one does have to wonder: why would Sunday, who has clearly demonstrated his own desire to turn away from the pain of reality, deliver a fantasy world that promises just that to everyone but himself? To begin to unpack this, let’s return to the idea of guilt, which we briefly touched on in the discussion of melancholia. 

Before developing his death drive theory, Freud attributed a wish for punishment to dreams and behaviors which, on their surface, contradicted the pleasure principle’s tendency to avoid pain.³¹ These dreams, he argued, represented a masochistic tendency in human nature, where “[pain] for one system [is pleasure] for the other.”³² But Freud’s understanding of masochism changed with Beyond the Pleasure Principle, which raised the possibility that masochism was originally a death instinct that was altered by the life instincts to serve the pleasure principle.³³ He was then able to take up masochism with a newly instructive angle in The Ego and the Id (1923), where he formally introduced not only the term “id” for the realm of the instincts, but also the “super-ego,” an omnipresent and judgmental conscience that defines the ego ideal.³⁴

The super-ego is a representation of the ego’s parents and their teachings, reborn from the ruins of the Oedipus complex and its unfulfilled wishes. The Oedipus complex is named for the ill-fated protagonist of Sophocles’ Oedipus Rex, who unknowingly murders his father and marries his mother, thereby fulfilling a prophecy he sought to avoid. After he is made aware of his moral failings, he blinds himself in shame and goes into exile from his former kingdom. In The Interpretation of Dreams (1899), Freud describes the Oedipus complex as an early stage of child psychosexual development where the child’s parent of the opposite sex is cast as their first sexual object.³⁵ But this nascent sexual attachment creates a dilemma for the child, because in order to fulfill the Oedipal wish (attaining a “union” with the loved-object), they have to triumph over their rival, the parent of the same-sex. The child then develops an “ambivalent” attachment to their same-sex parent, where the familial love they have for them is complicated by their desire for the other parent.³⁶ However, the child soon realizes that its options to fulfill the Oedipal wish are untenable with reality, and the price of achieving it is severe punishment at the "rival's" hands.³⁷ It then abandons the Oedipal wish by repressing it, instead developing a strong “identification” with the same-sex parent—that is, instead of trying to kill the father to be with the mother, it tries to become like him.³⁸ This identification establishes the ego’s moral framework. 

On the left, Sunday crying in his ultimate animation. On the right, a photograph by Albert Greiner of actor Louis Bouwmeester as Oedipus after blinding himself in Oedipus Rex. This shit, as they say, writes itself.

Penacony’s environmental design references the super-ego through its persistent eye motif, which represents surveillance in the sweet dream and introspection in the primal dreamscape. In addition to its psychoanalytic roots, the eye motif in Sunday’s character design both furthers his angelic iconography and visually connects him to Ena, whose eye represents THEIR sovereignty over mortals through the law.

Surveillance is central to any system of government that prioritizes control like the Order does, and the resulting paranoia of such a system encourages rigid adherence to its rules. Likewise, the super-ego watches the ego’s thoughts and actions for signs of transgression and punishes it for every immoral impulse, whether acted on or merely imagined. The threat of punishment is what motivates the ego to enforce the super-ego’s imperatives, repressing impulses that fall outside the sphere of moral acceptability and casting all that is not orderly outside of what comprises it. In Penacony, the analog for the super-ego is most closely found in Gopher Wood, the Dreammaster, who oversaw the sweet dream’s descent into hedonism in order to strengthen his influence and nurture the Stellaron. This is also why he is often embodied as a raven who spies on Penacony’s scenes, acting as Sunday’s “eyes” to maintain control of all the actors.

“Something Unto Death”

It should come as no surprise, then, that the super-ego also plays a crucial role in the eternal show. The super-ego is built on the teachings and morals of the past as embodied by the individual’s parents, and these values guide the ego in the present so that the ideal may be attained in the future; in other words, the super-ego ensures the past’s survival through its repetition in the present so that it becomes one’s future.³⁹ Of course, the super-ego is not literally the ego’s father, but rather a representation of him recreated within the mind.⁴⁰ Perhaps this is why Gopher Wood is able to “speak” through each Oak Family member in the present, despite his body’s immolation in the past — his rules survive in their minds as the supreme source of moral guidance. That, and dream logic.

As both a political and religious fundamentalist leader in the dreamscape, Gopher Wood radiates the “Father” archetype, marking him as an authority not only of Penacony’s civic prosperity, but of righteousness itself. Because of this, he is a surrogate for divinity—for Xipe the Harmony in public, and for Ena the Order in private—capable of judging the ego in "God’s" place. While this relationship to some extent applies to all Oak Family members, it is especially true for Sunday and Robin, for whom Gopher Wood literally plays the role of their adoptive father. For Sunday, as Gopher Wood’s successor in the Oak Family and tool of the Order, this takes on an even greater significance. Their relationship constitutes a faithful representation of the ego and the super-ego, where Sunday is taught by Gopher Wood to uphold the Order’s ideals to be a morally righteous person, and to repress all of his ‘imperfection’:

“As a substitute for a longing for the father, [the super-ego] contains the germ from which all religions have evolved. The self-judgment which declares that the ego falls short of its ideal produces the religious sense of humility to which the believer appeals in his longing” (Freud, 1923, p. 33).⁴¹ “It's said that the master of this pavilion suffers from severe compulsions, but this table clearly shows that he has been cured.” “Unlike a long table, round tables have no sense of priority or opposition, it is very likely that they are an Aeonic candidate for the Path of Harmony”  (Conference Round Table investigations in Dewlight Pavillion) [emphasis added].

Killing the “Father”....to be with the “Mother”?

But the super-ego’s standards aren’t truly meant to be achievable for the ego, because the ego’s identification with the parents is defined by its difference from them; to disrupt that identification would be to confuse the ego’s sense of self.⁴² This is yet another manifestation of the ego’s conflict between remaining subservient to its “master,” the super-ego, or overthrowing it to become the new master:

“[The super-ego’s] relation to the ego is not exhausted by the precept: ‘You ought to be like this (like your father).’ It also comprises the prohibition: ‘You may not be like this (like your father)–that is, you may not do all that he does; some things are his prerogative’” (Freud, 1923, p. 30).⁴³

Thus, the ego creates an impossible task for itself. It wants to be seen as a morally righteous subject, and it tries to achieve this by modeling its every thought and action after the “Father.” However, the ego can never truly censor all 'impure' impulses, and for this reason it will always be deserving of punishment; this is the source of the ego’s persistent sense of guilt.⁴⁴ The tension between the super-ego and the ego is what Freud referred to as “moral masochism,”⁴⁵ wherein the ego not only fears the super-ego’s punishment, but also unconsciously desires it. Moral masochists do not care who punishes them and do not limit their suffering to sexual fantasies—instead, “the suffering itself is what matters.”⁴⁶

This desire is the result of several transformations that occur in the death instincts. Earlier, I mentioned that we were working with an incomplete understanding of the death drive—that the purpose of life is to return to death. But life is almost never this frictionless, and neither is instinctual life. In reality, the death instincts all trend toward self-annihilation and restoring the state before life, but the life instincts persist alongside them to preserve life. Taken alone, they are only capable of stagnation; together, as each struggles against the aims of the other, life can evolve and progress into new territory, ‘blazing a trail’ towards new beginnings  — “life itself [is] a conflict and compromise between these two trends.”⁴⁷ To make "life" possible, the death instincts are fused with the life instincts, making it difficult if not impossible to observe any one behavior that purely exhibits the death instincts.⁴⁸ 

One product of these fusions is the sadistic instinct. In The Economic Problem of Masochism (1924), Freud affirms what he had only surmised in Beyond the Pleasure Principle—that sadism is an inversion of a primary masochism, where what was once a death instinct bent on self-annihilation is now a “destructive instinct” fused with Eros that seeks to 'master' others:

“The libido has the task of making the destroying instinct innocuous, and it fulfills the task by diverting that instinct to a great extent outwards [...] towards other objects in the external world. The instinct is then called the destructive instinct, the instinct for mastery, or the will to power” (Freud, 1924a, p. 163).⁴⁹

But a portion of that aggression is retained in the ego, attached to the super-ego (the 'master'), and redirected towards the ego; hence, moral masochism.⁵⁰ In other words, the desire to punish others is reconfigured through the super-ego as a desire to punish oneself.

So what does “punishment” mean here? Freud concludes The Ego and the Id by arguing the fear of punishment is really a fear of losing love and protection from the parents, “Destiny,” or the super-ego. If their love is only garnered through moral behavior, then immorality risks its withdrawal. Without love, the ego is vulnerable to the world and its dangers, and to the possibility of its death—thus, the fear of punishment is really the ego’s fear of death, and consequently, its desire for death:

“The fear of death in melancholia only admits of one explanation: that the ego gives itself up because it feels itself hated and persecuted by the super-ego, instead of loved. To the ego, therefore, living means the same as being loved [...] But when the ego finds itself in an excessive real danger which it believes itself unable to overcome by its own strength [...] it sees itself deserted by all protecting forces and lets itself die” (Freud, 1923, p. 61).⁵¹

Now, let’s consider the origin of Sunday’s melancholy, his failure to protect his mother. This ‘sin’ is at the center of his performance, and it is the pain he keeps repeating over and over again. He repeats this pain because he feels guilty for being too weak to protect his loved ones, and that guilt finds its source in his severe and unforgiving super-ego. Sunday suffers immensely from the responsibility he feels for everyone’s happiness, let alone his loved ones’ safety; it is strongly implied that he has obsessive-compulsive disorder, a condition that likely wasn’t helped by the Order’s strict rules. But Sunday fundamentally suffers for the same reason that everyone else suffers — because ‘sin’ is infinite for imperfect beings, and no amount of repression can change that. The guilt he feels for this is also infinite. One of the reasons that Sunday volunteers himself as the Order’s sacrificial lamb is because he believes the suffering of others to be of higher importance than his own, certainly, but it is also because of the self-punishment he is promised through the plan’s outcome. In other words, his infinite solitude is a form of justice for his original sin and is, by design, a death sentence.

This leaves us with our final contradiction to untangle. The deceit of Sunday’s dream world is its benevolent veneer, which obscures the violence of its compulsive unity at the expense of individuality. Before his performance in Penacony Grand Theater, Himeko acknowledges Sunday has “a strong conviction and a desire for dominance” that cannot be satisfied through debate alone; he derives far more pleasure from demonstrating his superiority through example. We witnessed that aspect of his personality firsthand when Sunday subjected Aventurine to a trial from the Harmony and branded him with its death sentence, an outcome he took utmost care beforehand to ensure was predetermined. However, when Himeko calls Sunday on the hypocrisy of his martyrdom, he dismisses it and shuts down any further debate:

Sunday: True goodness can only be achieved through faith. Himeko: Allow me to point out that falling into a permanent slumber is not happiness, especially when those people are driven by someone else's will in their sleep. […] Sunday: My sole objective is to create a paradise free from Aeons, where the Order ensures the dignity and happiness of all humanity. A paradise exclusive to us human beings. Himeko: That's not the case. If people are to live with dignity, there must be nothing and no one above them. Himeko: In your so-called paradise, you would be the one reigning supreme. Sunday: Looks like we won't be able to convince each other. Now that our conflict has been destined, let's unveil our Paths and reveal to the universe the true path. (Everything that Rises Must Converge)

You know he enjoyed every second of this. (From Aventurine’s “A Moment Among the Stars - Inherently Unjust Destiny” trailer).

Circumstances aside, good intentions or not, Sunday is not without his own stubborn will that he imposes on others. Acknowledging this neither throws everything we’ve discussed beforehand out the window, nor does it suggest that Sunday’s martyrdom isn’t genuine. It does ask whether emphasizing Sunday’s martyrdom at the expense of his capacity for sadism is possible without disregarding his agency. In other words, Sunday did not create a dream world that excludes himself by design solely to punish himself and move closer to death; the control it offers him over others, though illusory, is just as appealing. Playing “God” in this way is an extreme and, in a sense, ‘aggressive’ expression of his own will to life, an equally fervent wish to surpass his “master,” protect the weak, and forge a new beginning.

In Sunday’s manifestation of Dominicus, we see both the sadistic instinct and the masochistic instinct represented as two sides of the same being. On one side is the confident and domineering Septimus, who, as the maestro of the eternal dream, embodies the sadistic instinct for mastery over others; on the other side is the Embryo of Philosophy, representing the masochistic instinct to return to the mother. 

We’ve already discussed the Embryo of Philosophy at length, but Septimus also merits closer attention. In contrast to the Embryo’s fragile, withdrawn posture and emotional vulnerability, Septimus is towering, ostentatious, and grandiose; it makes wide, sweeping gestures that cover the entire stage, carrying itself with an authority that commands the audience’s attention. Indeed, Sunday puts on a voice as Septimus**, lowering his pitch and raising its volume so that it booms with the power he so desperately craves. Even its title, “The Great Septimus,” reads more like a character in a child’s fantasy than a threatening embodiment of Order with the means to suppress autonomy. In other words, Sunday treats Septimus as a persona, an image he wants to project into the world, or a “fictional” version of himself; plainly, it is a manifestation of his ego ideal.

The destruction of this nascent Aeon’s body therefore holds great significance as we move into the conclusion of Sunday’s character arc, at least for his role in Penacony. Dreams exist in the liminal space between reality and imagination, much like the “self” straddles the ideal and the real. Destruction and creation are rules of the universe that can’t be transcended, and the “self” is always in flux; but because of this chaos, there is always a chance to change one’s fate. Septimus represented Sunday’s infantile wish to protect everyone, no matter the cost, and the Embryo of Philosophy signified his desire to remain the same forever, as he was in childhood. Without their armor to protect him from reality, he once again faces the primal fear of life and the inevitability of one’s death. But rather than letting himself die in an ocean of guilt, there’s a chance to write a new ending to his ill-fated play. 

**It’s apparent that the boss’s voice has certain effects on it that contribute to this, but I noticed something a little more than that while listening back to some cutscenes that I believe were acting choices on the VA’s part. Also, this judgment is based on the English dub.

TL;DR: someone get this man some serotonin immediately.

That’s it! I really wanted to include an analysis of Sunday’s new outfit here that ties it to Nietzsche’s The Birth of Tragedy and back to The World as Will and Idea, but I ran out of time. :( It will have to wait for another post. Thank you so much for reading <3

References:

Numbered external citations with page numbers can be found here:

https://pastebin.com/2jXQGTHk

List of Freudian Texts Referenced:

Mourning and Melancholia (1917) Beyond the Pleasure Principle (1920) The Ego and the Id (1923). Page numbers are given from my hard copy. The Economic Problem of Masochism (1924) The Dissolution of the Oedipus Complex (1924) Civilization and Its Discontents (1930). Page numbers are given from my hard copy. Inhibitions, Symptoms. Anxiety (1926)

Other Texts Referenced:

The World as Will and Idea by Arthur Schopenhauer. Page numbers are given from my hard copy. Freud (2015) by Jonathan Lear, 2nd edition. Page numbers are given from my hard copy.

Further Reading/Watching:

I highly recommend this article series by solenestuaries of Hyperion Team 3rd on substack. The first is Honkai Impact 3rd focused, the second is a mix of Honkai 3rd Part 2 and Honkai: Star Rail 2.0 focused:

Part 1: What do we talk about when we talk about dreams?

Part 2: “Why does life slumber?”: Dreams, Entropy, and the Many-Worlds of Quantum Mechanics

I am greatly indebted to her analysis for convincing me to go beyond Freud’s A General Introduction to Psychoanalysis. Her grasp of psychoanalysis and schizoanalysis is staggering and thought-provoking. Do yourself a favor and read all of her articles!

Destruction as a Cause for Coming Into Being by Sabina Spielrien. The inspiration for Beyond the Pleasure Principle. 

Origins and Mysticism of the Death Drive in Psychoanalysis & the Philosophy of Transgression by ESTOERICA. I was wayyy too deep into writing this post by the time I discovered this video, but please for the love of god just watch it and prepare to have your mind blown.

[dallasgallant]

Tough Slang |

I’ve been watching a lot of delinquent movies (I have recs) lately and I’ve started to collect the slang common in them. This is a “dictionary” that’s useful for writing but I’d still recommend looking up period or group specific slang yourself too, consider this a starting guide.

Primarily 50s-60s , mixed with general slang and relevant words.

Baby: Term of endearment [also used in Gay context]

Backseat bingo: Making out

Beat it: Go away

Belted: Beaten; Hurt

Bent car: Stolen car

Bit: Job; Robbery plan

Blade: Knives [typically switchblade]

Blast: Good time

Bop: Kill

Boss: Liked man of authority

Box job: Safe cracking

Break it up: Stop fighting

Broad: Woman

Bug: Bother

Bugging: Freaking out; Tripping

Bulls: Cops

Bum: To get by asking or begging; Vagrant

Bunk: Sleep with ; Share a prison cell

Candy ass: Coward

Can opener: Tools capable of breaking open safe

Can: Prison

Cheese it: Stop what you’re doing; Look out

Cherry: Good looking/condition [typically a car, sometimes a person]

Chicken: Coward

Cool it: Calm down

Cooler: Prison

Con: Convict; Swindle

Copped: Had the cops called on; Ratted out

Cranked: High; Drunk

Crash: Stay/sleep at someone’s place

Crazy: Deranged ; Enthusiastic about something

Cut the gas: Get to the point; shut up

Deck: Box of ciggerettes; To punch

Dibs: Laying claim on something

Dig: to understand; to like something

Dive: Low down place

Flat: Broke

Flip: Panic

Freak out: Wild/irrational reaction or behavior

Fry: Executed by electric chair

Fuzz: Police

Gas: Fun or cool

Get bent: Get lost; Go fuck yourself

Get lost: Go away

Greaser: Young man with greased hair, usually of lower class , gang affiliation or juvenile delinquent

Hang: Gather together with no expressed purpose

Hang loose: Relax; Take it easy

Happenin’: Exciting/Lively/Busy ; With the times

Heat: Police

Heater: Gun

Headshrinker: Shrink; therapist

Hip: With it; Understand; Cool

Hoodlum/hood: Trouble maker; Criminal

Jam: in trouble; Cram something

JD: Juvenile delinquent

Jive: Agree with someone

Jug: Prison

Jumped: Attacked without warning; Beaten

Keen: Eager; Enthusiastic

Lay off: Leave alone

Lifer: Someone serving a life sentence

Loaded: Drunk; Armed [Depending on context]

Lone it: Do something on ones own

Loiter: Stand or wait around without purpose; hang out

Man: Colloquialism for emphasis or familiarity 

Neato: Neat; Excellent; Exciting

Nance: Efféminent guy/Gay

Pack: Carry some sort of weapon

Pad: Where someone lives

Pansy: Efféminent guy/Gay

Paper shaker: Cheerleader

Pops: Affectionate term for an older man

Punk: Hoodlum

Rat: to tell on

Reefer: Weed; Marijuana

Rod: Gun

Rumble: Organized fight

Scram: Go away

Scum: Despicable person

Shiner: A black eye

Sock: Punch

Skin: Fight with no weapons

Slug: Bullet ; Hit

Stay cool: Remain calm ; control yourself

“Give some skin”: High five or handshake

Spill: Tell information

Split: Leave ; Get out fast

Square: Uninteresting person; Someone never in trouble with law

Stuck: Stabbed [in context]

Sucker : Gullible person; Someone who was conned

Swingin’ : Exciting ; Hip ; throwing punches [in context]

Tanked: Drunk

“The man”: Figure of authority keeping systems in place [Oppressive] ; One who maintains status quo

Turf: Territory

War council: Meeting between organized gangs to work out issues or plan a fight

Waste: Kill

Weed: Cigarette

Whipped: Beaten

[flippinpancakes64]

The cullens with reader who is taller than them by a lot and loves to pick them up because of it?

The Cullens with a reader who is taller than them

Thank you so much for requesting and I hope you like this!

Edward:

In the books he is about 6'2 or 188 cm

In the movies he is about 6'0 or 185 cm

He's one of the taller Cullens in both iterations and he is definitely not used to someone being taller than him

Of course, we know he is a traditional man

So his partner being taller than him would freak him out a bit

But he would get over himself don't worry

You can't sneak up on him to pick him up tho

The whole mind reading thing tends to not let that happen

He wouldn't let you do it for a while

Just a touch insecure

But I feel like if you ask enough and really beg him for it he'll let you

And if he sees into your mind to know that your intentions are pure you just want to have some fun

Will swear up and down that he hates it

Secretly he doesn't tho

The only other one who has ever tried to pick him up was Emmett

And that was when they were wrestling and Emmett tried to throw him into next week

He'd never admit that he likes it

But he won't try so hard to stop you in the future

Alice:

In the books she is about 4'8 or 147 cm

In the movies she is about 5'2 or 160 cm

Either way it's not hard to be taller than her

She's not intimidated

She is the shortest Cullen hands down

She's used to it

I honestly feel like she might beat you to it

She sees you after a long day and just runs up into your arms

Her feet are fully off the ground while you're holding her

She wouldn't mind if you pick her up more either

It's her new favorite way to be greeted

Whether she's the one jumping up or you picking her up

She's not beating the tiny allegations and that's okay

Jasper:

He is about 6'3 or 190 cm in the books

And about 5'9 or 175 cm in the movies

He is another one who is a bit traditional

He was a confederate soldier after all sadly

That was back when there were pioneers and women only made cheese and raised kids

He's not used to his partner being taller than him

I mean his other partner is Alice

But he loves you so he stays

It's not a dealbreaker for him anyways

What might be a dealbreaker though? Sneaking up on him and picking him up

He doesn't like feeling vulnerable

It would be a miracle if you managed a sneak attack anyway

So probably don't do that

Ask him nicely and he might consider it

I feel like the best time to get him to say yes though would be if you had a really rough day and he can feel that you are really upset

He would try other things to cheer you up first, but if that doesn't work...

He suggests that maybe holding him would make you feel better?

And of course it does

Again he won't admit that he likes it

Will let you keep doing it tho

But only occasionally

Rosalie:

In the books she is about 5'9 or 175 cm

And in the movies she is about 5'4 or 162 cm

Another one in the middle/average height range

She is used to being shorter

I mean look at her next to Emmett

She wouldn't find it shocking

However I don't think she'd be into being picked up

She is a vengeful, independent woman

Her hobby is taking care of fancy cars

She is not delicate and does not want to be picked up

It reminds her too much of her old fiance

I feel like she might let you do it once in a while though

She isn't cruel after all

She'd treat it like an obligation though

Like going to your partner's favorite restaurant that you hate because you want to see them happy

She might enforce a system around it

"If you do three favors for me of my choice I'll let you pick me up"

Or something along those lines

Overall it's not her favorite but she'll let you

Emmett:

He is about 6'5 or 195 cm in the books

And about 6'1 or 185 cm in the movies

So finding anyone taller than him?

He is in awe

He loves it tbh

Immediately you two are THE power couple

Literally emphasis on power

You may be his partner but you are also his competition now sorry

Contests on who can jump higher (he wins obv unless you're a vampire too)

Who is faster

And who is stronger

That last one is where you pick him up for the first time

He bet you that you couldn't do it

And obviously you can

He just standing there like that stupid old pikachu meme

"Can you do that again"

New favorite thing unlocked

Even though he hates being bested, he finds that he loves being picked up

It's been a long time since someone's done that to him

He finds it refreshing <3

Esme:

She is about 5'6 or 167 cm in the books

In the movies she's about 5'4 or 163 cm

So another one who's used to being shorter than people

I have a feeling that she would really like being picked up tho

She has a bad history with lovers

That of course being that the only one we know she had before Carlisle was pretty abusive

She loves feeling secure in her relationships (as anyone should) but I feel like she really likes the reminders of it

For example, being the little spoon or walking on the inside on the sidewalk

Or being picked up

She had never even thought of it before you just... did it

Pick her up to give her a kiss and she will melt

Carlisle:

In the books he is about 6'2 or 188 cm

In the movies he is about 5'11 or 180 cm

I know I said Edward was old fashioned...

But this guy is literally the definition of old

He's pretty progressive all things considered

But he does have a hard time wrapping his head around this one

He's not used to being in love with someone who is taller than him

(Don't even get me started if you're a guy or basically anything that's not an AFAB woman... this man is confused and starts questioning his whole existence)

But if he loves you he loves you

And once he's made up his mind to make you his partner then he is content with any differences he may see in his mind

He actually kind of likes it

He doesn't need to do like a crazy vampire jump to reach something that Emmett put super high up anymore

But as far as being picked up?

That's a bit of a reach

After all he's the rock of this whole family

He feels like he can't let his guard down for even a second or they'll be found out by humans or attacked by another coven

So it's a big ask for him

But maybe if you eased into it by being the big spoon a couple times, lifting him off the ground just a little bit when you give him a hug maybe you could get there eventually

Vampire! Bella:

She is about 5'4 or 162 cm in the books

And about 5'5 or 165 cm in the movies

The most progressive (yay!)

She couldn't give less of a damn if you were 8 feet or 4 feet tall

If she loves you she loves you

She would notice your height but honestly wouldn't care

Now if you snuck up on her?

Get ready to get punched sorry

Charlie's a cop he definitely taught her something

Even if while she was human she couldn't use that knowledge effectively

Give her a warning next time

She doesn't mind tbh

As long as she's not doing something you can hold her like a ragdoll for hours

[hlficlibrary]

HL Fic Library 🤣 Fics With Humor

Remember to leave kudos and a comment on the fics you enjoyed to show your appreciation! You can find the library's other recs here.

🤣 Just Me, You, And This Box of Matches by tomlinsunshine @tornlinsunshine​ (M, 87k)

Louis is fairly sure that his new neighbour is going to destroy him. And also their apartment building, and the dumpsters outside, and all the forests within a thirty mile radius. But. Mostly him.

🤣 Harry Styles Cooks… by sunsetmog / @magicalrocketships​ (E, 61k+, wip)

In which Louis Tomlinson can’t cook, there’s a very special shower curtain, and Harry Styles used to be a baker.

Or: Louis owns all of Harry Styles’ cookbooks, and he never intends to cook a single thing out of any of them.

🤣 Frankincense-ational by LadyLondonderry / @londonfoginacup (T, 31k)

Harry Styles works at the Hillsyde Library with his friend Zayn and best mate Niall. It’s December, which means Christmas, which should be the happiest month of the year…

Except Niall just broke up with his boyfriend, Zayn needs to let up on the rules a little, and the library is getting their fire alarm system replaced, which means that for the next few weeks there are going to be firemen patrolling the library ‘looking for fires’ while the system is down.

Harry almost hits one of them with his car right off the bat - and of course he’s the hot one.

🤣 the butthole series by @kingsofeverything (E, 24k)

a series of standalone fics with a central theme

🤣 That's How I Know by @allwaswell16 (E, 19k)

Louis Tomlinson has just landed his dream job, coaching soccer at Augustus University. When he moves into a new house near campus, he meets his very fit new neighbor, English professor Harry Styles. Although their first meeting leads to an instant mutual dislike, the more Harry gets to know Louis, the more he likes what he sees.

Or the one where Harry’s African grey parrot spills his dirty secrets to his very hot neighbor.

🤣 Man, Deconstructed by jacaranda_bloom / @jacaranda-bloom (E, 13k)

Harry doesn’t need help getting laid and he certainly doesn’t need Niall to hire a professional to ‘sort him out’.

But when a gorgeous man turns up on his doorstep on his birthday to ‘lay some pipe’ in the back garden (who just happens to have the best arse Harry’s ever seen), his world is upended.

OR the one where a well-meaning best mate, a sculpture-worthy arse, and a heaping dose of misunderstanding combine to create sheer and utter chaos, and also, maybe, the best thing Harry’s ever found.

🤣 One Vote Can Rock the Boat by @2tiedships2 (M, 12k)

“Niall, I need you to come and vote with me tomorrow.”

“Lou, I know we’ve only been friends for about two years now, but I guess I’ve never explicitly told you I’m Irish?”

“You don’t have to vote, exactly,” Louis explained. “But I don’t want to go to a sex toy shop by myself.”

“Have I just entered an alternate universe? In what world does voting for the government correlate in any way to sex toys?”

Or the one where Omega Louis shows off his “I voted” sticker as one of the first 100 customers to get a free vibrator. The beautiful alpha behind the counter informs him that he’s customer 101.

🤣 autopilot by silkbombs (M, 11k)

Louis accidentally sends an unknown number a video of him giving a cockroach a funeral. The weirdest love story ensues.

🤣 Umbrielievable by nikogda / @cyphermedley (NR, 11k)

Three months ago they began to pick up a weak signal. They couldn’t decipher it and figured it was just a satellite they were picking up. Eventually, they were able to translate "Give us cheese" but the rest was still a mess. That message baffled them, and they immediately thought it may be a joke from another country.

Or, The one where Harry is an Alien from Uranus' moon, Umbriel whose inhabitants require cheese to survive.

🤣 Just Your Jinx by @larryatendoftheday (T, 10k)

Harry Styles may or may not have accidentally jinxed his extremely fit new neighbor, and it's not so easy to make things right.

🤣 For a day by bluegreenish / @greenblueish (T, 9k)

“While I appreciate that compliment - you’re right -, it’s not a prank. I swear. I tried calling Harry and Liam, but they aren’t picking up. And like, I don’t know what to do? I just woke up in Liam’s freaking body, and like, he’s a nice lad and everything, but I don’t want to be him?!”

Once again, tense silence fills the line for a second and Louis almost expects Zayn to hang up on him, but his friend speaks up again, voice urgent this time. 

“You’re serious?”

“One hundred percent. I swear.”

or, the one where Harry wakes up in Louis' body, Louis in Liam's, Liam in Niall's, Niall in Harry's and no one picked Zayn.

🤣 Only Been Here One Time by alienharry (NR, 9k)

“Good morning, Liam. Harry.” Louis nods at them both and then cocks his head. “Are you aware you have four nipples, Harry?”

Harry looks down at his chest, suddenly worried. He doesn’t know how many nipples humans have, but four must not be a usual amount. “Should I have six?”

“Not unless you’ve a litter of kittens to feed.”

The Alien!Harry fic I was destined to write 

🤣 Ain’t My Fault by @afirethatcannotdie (E, 7k)

“Liam, M4M is for sex! You posted in a sex forum about your missing jacket.”

“It is not for sex!”

“It is. Trust me.”

“Well, if it helps me find my jacket then I don’t really see why it matters. Besides, someone already texted me about it. This Styles guy’s coming over in a bit to get it.”

“You invited the avocado man to come get his jacket at our flat after posting on a sex forum. Do you see where this is going?”

“I really don’t.” 

“Someone is going to have to have sex with the avocado man!” Louis screeches, and Liam covers his ears.

AU. Liam posts an ad on the wrong section of Craigslist, Louis is pretty sure they’re gonna get murdered as a result, and Harry’s missing an avocado.

🤣 Porn To Be Wild by @fallinglikethis (E, 5k)

As Louis Tomlinson writes his One Direction fanfiction in a quiet, isolated corner of the local library, the last thing he expects is for the subject of his story to interrupt him in the middle of a sex scene. But that’s exactly what happens.

🤣 Absolute Beginners by @taggiecb (T, 5k)

Louis would like to think that Niall can't surprise him anymore. He never knows what his friend will come up with sometimes. But when he calls Louis in the middle of the night and asks him to come and hit on his friend, Louis can't help but let curiosity get the best of him.

🤣 Only Reason by @letsjustsee (NR, 5k)

“We are so lucky to have with us one of the leading experts on beekeeping in the modern age, Dr. Louis Draper.”No. No, no, no… “I know I speak for many of us when I say that this man’s books have guided our practice, or helped us get started,” Harry continued, and Louis watched as the crowd nodded their heads in agreement. Oh shit. No. What? No. But then Harry was gesturing towards him, saying “Dr. Draper?” into the microphone, the crowd was applauding, and Louis found himself walking up the stairs to the stage.

Or, Louis is most definitely smitten with Harry from the second he sees him, but he is also most definitely not the world's foremost expert on beekeeping. He decides to roll with it anyway.

🤣 Catastrophe (Or Not) by grapenight (G, 5k)

Based on the prompt: "Harry's a crazy cat person and Louis is the vet he keeps bringing his cats to with minor concerns like "she's been acting weird lately" and "he didn't poop today so I'm worried" but it's really just excuses to keep seeing Louis everyday"

🤣 Anywhere With You by sweetums / @darlou (T, 3k)

“Do you want some gum?” Louis’ lovely voice interrupts his train of thoughts.

“No, thank you.” Harry responds quickly.

What? ‘No, thank you’? What was he thinking? If Louis Tomlinson offers you gum, you take it. If Louis Tomlinson offers you a vial of vomit, you take it.

“On second thought, gum would be perfection.” Harry actually considers just dying right there as he reaches over to pry the piece of gum out of Louis’ perfect little hand, eyes flitting over to the other man’s amused face.

Why did he say that? He could’ve said, ‘I’ll have some gum’ or ‘gum would be great’ or even a simple ‘thanks’ but no, no, for Harry, ‘gum would be perfection’.

He loathes himself.

AU where Harry gets stuck in an ATM vestibule with Louis Tomlinson during a blackout. Inspired by Chandler and Jill Goodacre from Friends.

🤣 Oh Honey, Honey by @lululawrence (NR, 3k)

Louis hated honey. He didn’t like the flavour, he didn’t understand why some liked it in their tea, he hated when it was put on sandwiches or cake or anything really. But, standing stock still in front of a rather large display of honey in that 24-hour Tesco, Louis found himself grabbing the largest jar of “100% pure London-local honey” and adding it to his trolley, simply because he knew it would make Harry smile.

Louis always wanted to make Harry smile.

Or the one where Louis pines after Harry, Harry is passionate about helping save the bees, and a late night shopping trip gone wrong doesn't end quite as horribly as Louis imagines.

🤣 On the Go by @phdmama (T, 2k)

Prompt: ok so i saw a truck today and i thought it said MANSCAPE but it actually said MAINSCAPE and it was a landscaping company. but then i thought LARRY AU. where louis owns a landscaping company called MANSCAPE and harry thinks it’s some sort of in-home pubic hair grooming company, so he calls to make an appointment, there’s some discussion of whether he wants his bushes trimmed as well, and then when it’s time for the appointment, harry’s like half-naked waiting around in a robe or something and louis shows up with lawnmowers. 

🤣 Zoey by wabadabadaba / @bigxrig (G, 2k)

Harry knew his first name, but he liked the way Dr. Tomlinson sounded more. Harry watched as Louis unclasped her harness and set it aside and pet her back and under her chin. Louis kissed the top of her head and murmured sweet nothings to her- mostly about how pretty she is and how well behaved she is. Harry wished it was him.

or Harry has a huge crush on his cat's veterinarian and finally decides to do something about it.

🤣 Stole My Heart by @haztobegood (NR, 2k)

“Oh my god, Niall.” The door slams shut as Harry rushes into the flat. He’s still panting from his rush to get away from the scene of his crime. “You won’t believe what just happened!”

Niall is sitting on the couch in their tiny living room. He looks up from his laptop. “What happened?”

“The worst thing. I’ll never recover. I just reached into a box of free samples outside that new chicken restaurant. Only it wasn’t free samples. It was a man. Holding a box of chicken nuggets. His chicken nuggets. I stole this man’s food, Niall!”

[cctommyspluraladventures]

ELLO EVERYPONY

I AM A FACTIVE OF POPULAR CONTENT CREATOR TOMMYINNIT! I AM NOT EXACTLY HIM AND DO NOT CLAIM ANYTHING PROBLEMATIC HE HAS DONE! I SPEAK IN ALL CAPS AT ALL TIMES. CALL IT MY TYPING QUIRK. I PROMISE I’M NOT YELLING AT YOU AND THAT I AM NOT ANGRY!

I GO BY HE|THEY PRONOUNS BUT IDENTIFY AS MALE! (I WANT TO START USING NEOPRONOUNS SO HIT ME UP FOR SOME SUGGESTIONS!) I AM ALSO BISEXUAL AND DATING MY LOVELY PARTNERS|BOYFRIENDS TOBY AND MARK!

I AM BUNNYKIN AND|OR POSSIBLY A BUNNY THERIAN! THEREFORE I AM A BUNNY IN REAL LIFE AND SHALL BE REFERRED TO AND TREATED AS SUCH /HJ

I AM SO NORMAL ABOUT BUNNIES! (<—— IS LYING)

I AM THE CO-HOST OF MY SUBSYSTEM. IT HAS TWO NAMES: SOLARIA AND CLEM’S DIRT HOUSE! WE LIKE BOTH SO WE ALL COULDN'T DECIDE! MY SUBSYSTEM CONSISTS OF EVERY TOMMYINNIT INTROJECT WE HAVE. WE GOT SO MANY ME’S! MOSTLY FICTIONAL ME’S BUT ME’S EITHER WAY! I AM ALSO A CO-HOST OF THE MAIN SYSTEM! I CLAIMED THE TITLE JUST NOW! (AS OF 6/4/2024 9:30 PM)

LIKES:

PEOPLE: MY BOYFRIENDS, ALL OF MY FELLOW HEADMATES AND WEIRDOS, THE HOST’S BEST FRIEND AND HIS MOM, IRL ME OF COURSE, AND TOM HOLLAND.

FOOD: RAMEN, STEAK, AND CAKE

MUSIC: HYPERPOP, PHONK, POP, DARK POP, BASICALLY ANYTHING HOST LISTENS TO

OTHER: ANIMALS, PLANTS, LEGOS, MY CONTENT, TECHNOBLADE, PHILZA MINECRAFT, TUBBO IRL, AND RANBOO, ART|DRAWING, AND WRITING

DISLIKES:

PEOPLE: BIGOTS AND TERFS AND SWERFS AND TRANSPHOBES AND TRANSMEDS AND SYSMEDS AND ANTI-ENDOS!!! (ALSO JACK MANIFOLD /J)

FOOD: LIVER, BRUSSEL SPROUTS, MOST CHEESE,, MOST FRUIT

MUSIC: ANYTHING SUPER LOUD|EARR@PE

OTHER: PEOPLE WHO HURT ANIMALS FOR FUN, HUNTERS FOR SPORT, PEOPLE WHO PUT DISORDERS IN A BAD LIGHT, “NARC ABUSE” OR OTHER PD ABUSE BELIEVERS (I DO ACKNOWLEDGE THAT PD HAVERS CAN BE ONE), PEOPLE WHO DEMONIZE MENTAL HEALTH OR DISABILITIES, SHARP TURNS IN CARS, AND MORE.

!!!CREDITS TO @/CAFEKITSUNE FOR THE DIVIDERS AND TO @/PLURAL-THIS-USER-IS AND @/SWEETPEAUSERBOXES FOR THE USER BOXES!!!

DNI IS THE SAME AS @/THESTARRYEYEDLOVERS AND INCLUDES MY DISLIKES!