#cheat sheet lol

[ryucreates]

auggie gus gaugigdfgh

[simply-ivanka]

President Joe Biden looks at a note card referencing a reporter and the expected question during a news conference with the South Korean President in the Rose Garden of the White House last April. 

(Repost every time to show the World the President of the United States recites prepared answers at press conferences.)

[snapcracklepop-myjoints]

do u have a reccomendation for what form of shorthand to learn first. deeply interested-- i saw ur reply on that one post and then u seem cool so i just followed u and figured i would ask here

hello !!! thank you for asking !!!!!!!!!! and im so sorry this is so long lol

If you want my biased personal recommendation, I would suggest Pitman New Era. That's what I use, and I think its the best balance of efficiency vs difficulty to learn, and I like that the learning curve is such that, as you learn, you apply more rules that simplify the writing process more (meaning that earlier practice is still legible, if far less efficient). This compared to other forms (like Gregg) where, as you learn, youre just kind of generally suffering and trying to get your brain to memorise things and differentiate very similar looking strokes. I find Pitman also lends itself well to using in conjunction with other "standard" writing styles so you can take notes that are enough in "standard" writing to be skimmable while using enough shorthand to be much faster to write, basically maninmising writeing AND reading speed. [example below]

You can skip to the end for resources for Pitman and shorthand in general if this answer is sufficient :)

If you want a horrifically long, massively autistic answer that breaks down the three most popular/common styles, then thats what the rest of the post is !! It is so fucking long I am so sorry

Horrifically Long Answer:

I'm answering on the assumption that you would be learning for use with english. If you want to learn shorthand for another language there are a variety of options however I am less versed in them :( I'm also assuming you're asking out of personal interest rather than vocational, since certain jobs will recommend or require you learn certain styles of shorthand and it would be best to defer to that.

The most popular methods are Gregg, the various forms of Pitman (this is what I use), and Teeline. Gregg and Pitman are phonemic while Teeline is alphabetical. There are also a huge number of other, less popular forms of shorthand (as well as shorthand systems which are popular in/made for other languages). If you're interested in learning about these, check out the subreddit listed at the end of this post under "resources".

Teeline:

I know much less about Teeline, so I'll go into it less, but basically it is a "spelling-based" shorthand system -- that is, it is based off the standard spelling of words. It replaces latin letters which different forms that are faster to write and can be connected more efficiently, while removing extraneous letters from words. It is simpler to learn, in part because it is spelling-based, and also because it has fewer rules which further consolidate and shorten word forms. Due to this, it is ultimately much slower to write than the other two systems mentioned here (although you can still get up to good speeds !!). Like the other shorthand systems, you can learn to a more basic extent, or learn more advanced theory to maximise its capability and speed. Teeline is very standard for journalism and overall quite popular for professional use, however it is still in copyright and so there are far fewer resources available online. If you are interested in taking classes, however, I would assume those are available.

Teeline TL;DR: alphabetical, simplest to learn but less efficient, popular, still in copyright so fewer resources.

examples of Teeline:

[images sourced from wiki]

Pitman and Gregg: Phonemic Systems and Regional Accents:

As mentioned, Gregg and Pitman are phonemic. If you dont have any practice with phonemic writing systems, you might have luck starting out with shavian just to practice. also because shavian is fun :) (its one of the writing systems in my header !) Im saying this partly because I want more people to learn shavian and partly because I learned Shavian long before I learned Pitman and found that having that practice was helpful. In particular, if you have any accent other than RP, its helpful for figuring out either which vowel sounds and phonetic spellings are relevant to your accent and your pronunciation, or, should you choose to go a "standard" (RP) route, how certain words should be spelled despite how you may pronounce them. Using a "standard" RP approach can be helpful if you want people to more easily be able to read your writing or want to "match" the dictionary, but someone well versed in shorthand should be able to figure it out no matter what, and if its just for your personal use I'd suggest just going by your own regional pronunciations.

Pitman:

Pitman was an early shorthand system developed in the early to mid 1800s. It used to be the most popular shorthand system, however nowadays has been eclipsed in popularity by Teeline and/or Gregg, depending on the country and occupational context. However, it remains popular among enthusiasts and there are significant amount of resources available for learners and practitioners.

The main thing to know with Pitman is that words are built using different strokes for each consonant sound, and symbols attached to these consonants to mark vowels. These consonant sounds are differentiated by shape as well as line thickness. Voiced and unvoiced pairs of consonants (eg., T and D, C and G, S and Z, etc.) are designated using the same strokes, with the voiced consonant of the pair being thicker than the other. This line variation is something which is normally achieved with a pencil, though I mostly use fountain pens to write and so I use flex nibs to achieve the same effect.

Vowels are marked with certain dots or dashes placed along corresponding consonant markings, For increased writing speed, most vowel markings can also be left off in Pitman, and instead where on the line the first stroke begins serves to signal the first vowel.

Pitman uses short forms (also called "logograms" or "grammalogues," depending on the version and book you use) which are abbreviated forms of commonly used words (see picture below for a few examples). Different versions of Pitman have different numbers of grammalogues.

With Pitman, efficiency is increased through a combination of memorising various short forms and implementing rules which simplify strokes. (Examples of these can be seen in the picture below. probably need to click to be able to actually see anything rip) This allows you to have certain "levels" of complexity, where as you learn more complex rules you increase in efficiency, but you can also eschew some of those rules if they are too complex for you without sacrificing legibility to you or proficient practitioners. Probably someone somewhere on reddit has something to say about that but tbh who gives a fuck. You can do whatever you want forever. Its known to be very common for people to come up with their own personal shortcuts and variations in whatever shorthand system they use, and imo sometimes that just means looking at a rule and going "well thats stupid👍" and ignoring it. Pitman can seem really intimidating, however just remember that you can ignore rules for as long as you want until they are less intimidating to learn and apply.

There are 3 "main" versions of Pitman: the original system, Pitman New Era, and Pitman 2000. New Era has the most complex system of rules and abbreviations, while 2000 simplified many of these and got rid of most of the abbreviations. I personally use New Era, in part because I was able to access more resources for this, but largely because I found the increased number of rules and abbreviations to be better in the long run. If you are willing to invest more time and effort into learning a more complicated system, with the tradeoff that it will be faster and easier once you are proficient, you should learn New Era. The main benefit of 2000 is that the rules are simplified. I would say, however, that the downsizing of the list of abbreviations is not a benefit. While it in theory requires you to memorise more individual symbols, in practice these abbreviations are commonly used enough that they can become automatic with very little practice. If you decide to learn 2000, I would suggest taking he time to go through the list of abbreviations from New Era and, if not learning all of them, picking out the ones you think you are likely to use with semi-regularity. If you compile them into a cheat sheet and hand it next to your desk, they should be easy to practice using and become memorised really quickly. I myself dont have every abbreviation memorised, but instead focused on ones i use regularly, and often go through the list again to pick out new ones to learn and add to my lexicon as I think they may be used.

Pitman TL;DR: phonemic, differentiates strokes through line thickness, rules can be applied or discarded as best suits your practice without sacrificing readability. Increased speed and efficiency is achieved through extra short forms for commonly used words, and rules which simplify strokes.

examples of Pitman:

[first image mine, other two images sourced from Long Live Pitman's (website, linked below), and wiki]

Gregg:

Gregg is a very popular form of shorthand which utilises round, smooth strokes with the intent of increasing writing efficiency and legibility.

Where Pitman uses variation in line thickness to differentiate between strokes, Gregg uses line length. Both consonants and vowels are marked with designated strokes (compared to Teeline, which has vowel strokes but tends to omit them where possible, and Pitman, which adds vowel marking to consonant strokes or signals vowels through figure placement), and vowels are largely kept in-line. With Gregg, efficiency is achieved through the use of short forms, prefixes, and suffixes; "phrasing", (wherein certain phrases, such as "I may be," "one of the most," "by the," etc. are combined into a single stroke); as well as through the more efficient way in which strokes are joined together into words.

Left-handed people sometimes write Gregg from right to left.

Like Pitman, there are a number of different versions of Gregg, however Gregg seems to have significantly more versions and significantly less consensus around which version is best or why. I am not the best person to give advice on which one is best or information on the different types, so if you decide to go with Gregg I'd suggest checking out the subreddit or some of the other resources linked below for information on that.

examples of Gregg:

[Images sourced from wiki and gregg-shorthand.com]

Comparisons:

I would say that one of the main things to consider if choosing between Gregg and Pitman is which you think is more intuitive to read and write for you. Which sounds obvious lol but like. as an example. I struggle with spatial awareness and stuff like estimating lengths so for me Gregg is not a good option since it differentiates certain consonants through their length and I would have a hard time writing those consistently or easily reading them. Pitman is easier for me in that regard, as well as since it is more "choppy" (for lack of better word) which makes it much easier for me to recognise certain words without having to break them down, as well as making it easier for me to break them down to read them should I need to. On the other hand, some people find Gregg to be easier since its much "smoother" and flowier to write, which can be much faster and more intuitive for some.

Compared to Pitman, Gregg has significantly fewer rules to learn, making it in theory simpler, however, due to the way it is written, it requires significantly more practice to be able to consistently properly write and tell apart certain letters, words, and phrases. Once you are proficient in this, it is by far more efficient, however Gregg is very difficult to use while you are still figuring it out. Pitman, on the other hand, has significantly more rules, however you can continue to easily use it as you learn these rules and add them into your practice. The downside of this is that once you are fully proficient, it is less efficient than full proficiency Gregg. Essentially, the main difficulty with learning Gregg is telling apart different strokes and writing them so that they can be differentiated, while the main difficulty with Pitman is in learning the rules.

I havent talked much about Teeline because honestly I know far less about it, because it is so much harder to find resources on, and honestly because I'm a bit of an old man and personally prefer the older styles lol. Its popular for a reason, though !

I know it probably sounds like I'm shilling a lot for Pitman, however thats just because its what I use and know the most about, as well as because it is what works best for my unique considerations. Most people would probably be more likely to recommend Gregg (for a number of very good reasons !), however when I was first deciding which shorthand system to learn I saw very few people making the points that were most relevant to me (eg, that pitman can be used AS you learn, whereas Gregg is more of a "its useless until you actually have it down" situation, that Gregg is really difficult if you struggle with differentiating lengths, etc) so I feel the need to mention them

TL;DR: Everything:

Ultimately you should use whatever you think is best for you :) I'd say Teeline is your best bet if you are in journalism, or want something easier. Gregg is best if you want something popular, smoother to write, and extremely fast, and are willing and able to put in significant amounts of consistent work and practice to master it. Pitman is best if you want something you can use as you learn, and that's somewhere in between Teeline and Gregg in terms of difficulty and efficiency. If you wanted, you could probably learn Teeline as well as either Pitman or Gregg, but learning both Pitman and Gregg would be much more difficult.

Other:

I take all my notes by hand, generally using a mix of palmer method cursive and pitman shorthand to do so, however, I also have to write a lot of papers, and when I do, I get frustrated at having to type out whole words I normally write in shorthand. This is kind of the curse of shorthand, you get really annoyed having to type out "because". To deal with this, while typing in a word processor, I use an alphabetic shorthand I've come up with over time. I basically input a bunch of auto-replacements into my spellcheck, so that I can have shortcuts for commonly used words set up. so basically i can write: "here, . cnstrctn ` ntnl idntty served to lgtmse the ntn stte" and it will autocorrect to "here, the construction of national identity served to legitimise the nation state". Highly recommend this if you do a lot of writing, especially if a lot of the same topics and words come up a lot. Use whatever shortened versions feel intuitive for you, instead of something you've consciously + intentionally constructed, otherwise youre more likely to forget them or have them get mixed up.

Resources:

stenophile.com has a huge number of shorthand resources linked, particularly for Gregg and Pitman. If you end up choosing either of these I'd suggest starting here to find instruction books.

this website can transliterate into Pitman and Gregg, DEK and Stolze-Schrey (two German shorthand systems), and Sütterlinschrift (a historical German script)(also in my header !)

r/fastwriting is run by a very nice very dedicated man who posts a huge amount of content and resources on various shorthand methods, including lesser known ones. If you decide you want to learn/learn about a different shorthand system, he's the guy to talk to. This subreddit differs from r/shorthand or system-specific subreddits like r/greggshorthand, as those are more discussion-based for learners and practitioners, while r/fastwriting is better for research and being autistic. R/shorthand does have a number of resources listed for more popular shorthand systems, and is a good place to go for advice while learning.

Teeline:

blog with a few free resources

Pitman:

Pitman New Era Instructor and Dictionary. These are what I largely used to learn.

Long Live Pitman's: a website dedicated to Pitman, full of good information for beginning learners.

if you learn Pitman, as mentioned the line variation can be accomplished with a pencil, however if you want to get a bit fancy with it while staying on a budget, Fountain Pen Revolution carries a number of cheap yet reliable fountain pens with flex nibs, such as the FPR Indus or Himalaya. I'd suggest the steel flex rather than the ultra-flex for shorthand unless you have a lighter hand or have practiced with a flex pen before. I've also heard good things about the Noodler's Ahab pen but honestly find its very temperamental, needs tweaking (not ideal if youre a fp beginner) and just not as good. Both FPR and Noodler's pens are made of bioresin and must be kept away from solvents like isopropyl alcohol !!!

Gregg:

Gregg Phrasebook. Short guide to phraseology for Gregg

Gregg-shorthand.com: seems like a good place to start for learning Gregg. Answers some beginner's questions, and provides learning aids and reading material (transliterated into Gregg)

r/greggshorthand

greggshorthand.gibhub.io: a more in depth website with a number of book pdfs and lessons for various forms of Gregg.

[applesandbannas747]

I know these are ugly as all hell, but figured other people might like quick reference pages on all the teams we've encountered so far too so thought I'd share them XD

[lovinggreeniehours]

at this point i have half a mind to make mammon's outfit just him dipped in a giant tub of golden glitter glue. i am TIRED okay

[ameriel]

:-)c

[confinesofmy]

rarely do i allow the full wave of us politics-related agony to wash over me but the other day i did see some people talking about who should be running instead of biden and the candidates of note were bernie, rfk jr, hillary, and kamala and i did start to feel very sick, sweaty, feverish, and generally unwell lol.

[romanovsonelastdance]

Follow-up to this post. Some examples of my recent purchases with the scanned ones from the collection that is clearly being sold off.

The only differences are the additions of the numbers written in pencil. These are most likely acquisition numbers assigned by the postcard shop that bought the collection as whole and is now selling it off as individual cards.

[kuiinncedes]

my focus was not that good thru out the day but it's nonexistent now lmao 🤩

[tears-that-heal]

Came across this post on my FB feed and thought it was quite brilliant. 💖😊👍 Kinda a cheat sheet for our emotions! Lol I especially like #1. ☺️ I very much enjoy singing! From my own experience, I find all these suggestions to be very effective. If I had to choose one of these emotions/feelings that I struggle with the most….it definitely be “overthinking”. Journaling has been a huge help in sorting out my thoughts and putting many worries to rest, which allows me to let things go and move forward. ✏️📖❤️

[sodaliteskull]

Marenkes: Architecture Through The Ages

0-130 Nomadic Era

Forsaken by the Gods, beset by creatures that could only be described as demons, the people of Marenkes were forced to abandon their permanent structure homes in order to go on the run and survive. As such, architecture needed to be portable, as easy to take down as it was to put up, so tents were the mainstay for this era. Function rather than form, most tents were unadorned hide over a simple wooden structure, with woven fabric being incorporated as the years went on and people managed to scrape together enough time to create textiles. Due to the very real chance that they may need to flee for their lives before they could pack up their tents, people rarely wasted time on decorating their structures, instead saving the personalization for things that they would be almost guaranteed to be able to take with them at a moment's notice, such as their clothes and weapons.

130-4000 Theocratic Era

Under the guidance and protection of the gods, the people of Marenkes flourished, spreading across the globe and setting up permanent residences. Nearly every facet of life was dedicated to the veneration of the gods, and so religious iconography was everywhere when it came to architecture. Thanks to the stability of their new way of life, wood, clay, stone, and metal became the go-to building materials. Statuary, murals, stained glass, mosaics, all of these opulent works of art were created with one goal in mind - to highlight the glory of the gods. The style is overwrought, the "too-much gene" on full display: bright colours, precious metals and stones, a confusing cacophony of images. This is meant to overwhelm the viewer, to make them feel small when viewing the splendour of the divine. Magic is used to fill religious buildings with light, while people are forced to use flames or rely on outside lighting to illuminate their homes. Only in-home shrines were allowed to be lit with magical means, and so people would often have them in the central living spaces in their home. This was by the design of the gods, to keep themselves central in the lives of their followers.

4000-8000 Rebellion Era

Tired of being under the thumb of divinity, some people fled to the Zielsten caverns underground, where they were shielded from the sight of the gods. Using magic, they were able to shape Zielsten into dwellings. Some favoured having buildings made entirely from Zielsten, while others would use Zielsten as framing, over which they would attach a facade of clay or stone. Others, still, prefer wholly stone or clay buildings. Above ground, during the earlier parts of this era, architecture changed little in terms of both design and building material. If anything, the religious designs became more overt than they already were, as the gods tightened their grip on the followers that they still had. With the introduction of the Opiri to the ecosystem, and their resilient carapaces, the empty shells of these creatures were integrated into the architectural styling of dwellings both above and below ground.

8000-8700 Advancement Era

Free from divine constraints, yet under constant threat from the now unchecked Opiri, defensible fortifications became the mainstay in this era. Thanks to an unfettered industrial revolution, techniques were developed to render down the solid Opiri carapaces into a more malleable substance - Opiri Concrete. This bone white material became the all-but-exclusive building material of the age. The architecture of this age was more brutalist, built for function more than form. With the advent of indoor lighting that wasn't fire or solar/lunar reliant, windows fell out of fashion, as they were a structural weakness against constant Opiri attacks. Only those with money to spare, or a statement to make, would clad their homes in wood or stone facades. As time progressed, lighting features became more and more elaborate, and so by the tail end of this era, neon marquees and holographic displays festooned the slab-like faces of every building, a technicolour overlay on a brutal world.

8700-8800 Eschaton Era

Thanks to an unknown disaster that rendered the surface of the world uninhabitable, the people of Marenkes were once again forced to make their homes underground, moving into the long abandoned Zielsten structures of their ancestors. This was a period of architectural rediscovery and experimentation, moving away from the cacophonous designs of their religious history, and the stark brutalism of their more recent past, into more open, welcoming layouts.

8800-9600 Modern Era

Upon returning to a revitalized surface, people discovered that the Opiri Concrete ruins left behind were still mostly usable, though the technique of creating Opiri Concrete had been lost. Instead, people would break down shattered slabs into bricks, and mortar those together in order to build their dwellings. Thanks to the advent of the Opiri Slayers, the Opiri became less and less of a threat, and so more buildings in the latter half of this era were built with other, more easily workable materials. Rather than the hegemonic oversight of the gods or the government dictating the architectural style of the day, people instead began building homes in response to the ecosystem they lived in, using local materials to keep out the unique climate in the places they decided to call home. As such, architectural style in the modern age is more varied than any other in the history of Marenkes.

[arainaizevran]

BG3 Spell Voice Lines Cheat Sheet

Here's a spreadsheet of BG3 spells (levels 1-6) and their vocal components/voice lines.

This is a work in progress, combining info from various sources. Some spells don't have voice lines, some have voice lines but aren't listed in the sources (will have to verify in-game), and some have voice lines but I couldn't understand what was being said, lol.

For any feedback/corrections, feel free to send me a message! I would also appreciate help in figuring out some of the voice lines <3

[sanchoyo]

tweaked my art blog desktop theme ever so slightly. new colors + link images :03

[i-like-yoongi-a-latte]

Can't remember the last time I was this interested about grammar! We're learning how to use the present tense in Korean and I'm so happy. New verbs and all!! And my handwriting has gotten a bit better too!

[honorhearted]

"Grace of the Colonies?" Benjamin asked, looking between them with interest. "Dare I inquire about this female equivalent to Caleb?"

Mary Margaret's expression was all he needed to know -- despite the warmth in her eyes, there was a clear hint of embarrassment, as well, which suggested the whaler and this mystery woman would get along swimmingly. Heaven help them all.

The teasing that followed was welcome -- when was the last time he'd witnessed such levity? -- and trying to hide his grin, Benjamin listened while both parents teased Emma over her preference for food. Unbidden, a sharp ache filled his chest. Despite his mother passing when he was very young, he could still see her warm, sunny smiles and sometimes even feel her fingers passing through his hair, soft and as gentle as the lullabies she sang. Mary Margaret seemed just as kind...Emma was far more lucky than she knew.

Though the mood shifted with a new surprise. The more David and Mary Margaret spoke, the more it became apparent that they didn't know about Emma's battle-prone nature.

Bemused, he looked to her questioningly, only to catch her pleading expression. "Uh...if you could believe it, your daughter's adapted quite well to camp life," Benjamin offered, attempting to aid in her fabrication. "Once she realized the rules, she respected them by teaching the children here instead. She's also fond of tending to the stockade."

Mercifully, Mary Margaret seemed fully engrossed by the trunk of gowns. She pulled one free, gasping at her husband's teasing remarks, and Benjamin bit back a smile. With this group, it was almost easy to pretend that there wasn't a war waging on outside -- almost.

"I'm afraid there isn't much to snoop in around here," he said, smiling. "If you're interested in books, we have a small library that I can show you." Looking to David, Benjamin added, "I'm rather fond of Pamela: or, Virtue Rewarded, if you've read it. I've tried starting a book club of sorts for the slower, lonelier days, but unfortunately, a good portion of our men are quite illiterate. You're both welcome to join me, if you'd ever feel so inclined."

"Hey, you know how much I love August!" Emma protested with a grin, "But I'm going to tell him you said that." "It was truly the easiest way for Emma to let us know she was in good hands," Mary Margaret interjected, "While I'm a little concerned about the... Grace of the Colonies." "Oh, that's Caleb. You'll meet him soon. You'll see why I picked her." Who knew what could have happened if Grace and Caleb had met. Probably an actual fire. She's remarkable. While Emma missed the flash of interest in her mother's eyes at Ben's praise of her, she saw the way both her parents lit up; of course he had to say that, it was not only polite but what she had instructed him to do to win over her parents, but it still warmed her heart with pride to see them bond over it. "That, I do not doubt," David agree, bringing his arm around Emma's shoulders, "Our daughter brings hope wherever she goes." Mary Margaret simply nodded, watching between Emma and Ben with curiosity.

The laughter that came from both her parents when Ben brought up attempting to entertained her with books had Emma gave Ben a look that clearly meant 'see?' "Oh, my dear," Mary Margaret gave him an apologetic look, "I'm afraid that's closer to my heart than Emma's. You should have tried with food." "Mother!" Emma protested laughing. What was she, a dog? "It's true, but still."

"Clearly, she won that argument." "I am wearing a skirt too, am I not?" on top of the pants and cut on her side, which made it feel more like some sort of long vest or a cape, but at least she had been ready for action. Several kinds of action, really, if only her parents had been a couple of days late and Ben had been on time. "Well, in her defense, it is a military camp," David observed, "If there were to be an attack, fighting in a skirt could prove to be..." "Difficult," Mary Margaret ended in a disapproving note, the one of a woman who had been in that exact position, "Especially if you have a smaller frame than a man and need all the advantage you can get-not that I expect you to have fought in person, Emma." "No, of course not, I can't, it'd be as good as declaring war." "And hopefully you left Regina's men alone as well," her mother continued, and Emma did her very best not to look at Ben, to keep staring at her mother's eyes so that her mother would look only at her, and hope that her dad wouldn't look at him either, because Emma had very much fought those men as soon as some of her guard had caught up with her. She had told George she'd wait until her parents knew she wasn't under his care anymore, and she had waited until their letter had confirmed so, before taking off for a couple of weeks to eliminate the threat. It was nothing special, Ben knew well that she had been in plenty battles before. Ben did. Her parents did not. "I know you felt tempted to go, but a real battle isn't a tournament, you must let it be taken care of by more experienced people. I'm hoping your staying here taught you that too." "Of course, mom, I'd never be that reckl-well, I'd be, but I let the soldiers take care of it. I barely trained to keep in shape, men here get agitated by pants, I couldn't even look for play-fights. I did get dresses made so they'd be more comfortable, they are in that trunk." "Oh?" her mother turned to see, and her father turned his head as well, and that was when Emma gave Ben a warning look. Possibly a little pleading.

"Let's stay a little longer, I'm afraid we'll inevitably be interrupted if we get out of Emma's tent now," Mary Margaret pointed out, picking up a dress to check it herself, "This is a good color for you." "I guess what my wonderful wife means is that she has just started snooping." "David!" Emma chuckled, casually stepping closer to Ben so she could whisper to him: "As far as they know, I only fight when I'm under attack. Rarely."

[badbtssmut]

So what? | Maknae line

When you see the way your bully’s boyfriend looks at you, the perfect plan of getting revenge on your tormentor comes to mind… Having sex with their hot boyfriend.. they’d never see it coming!

Contains: reader stealing her bully’s bf, reader is lowkey crazy cause she’s having sex with them to take revenge on the bullying lol, cheating, kinda tame sex wise, hotel sex Tae, car sex Jungkook, bedroom sex Jimin, sex from behind, riding, missionary

Admin note: Only smut, use your imagination on how the bully would respond after finding out and any other plot details 🤭

Taehyung

Oh, he was good.

So fucking good.

You were at loss for words as you bounced back against his cock, your ass clapping against his thighs, his cock sliding in and out of you at a fast, steady pace, the bed creaking slightly as he thrusted into you.

The TV was blaring in the background, you had no idea what was on, too lost in pleasure as Taehyung was hitting his cock into the right spots, and it was taking every last bit of willpower in you to keep from screaming his name.

“Feels good, don’t it?” Taehyung chuckled at the sight of you desperately fucking his cock for more. You barely managed to whisper out a ‘yes’ before it was drowned into a series of high pitched moans.

His fingers dug into your waist as he brought your hips back harder against his own, and the way he was thrusting into you had you feeling like the air was being punched out of your lungs.

“Yes, yes…” You cried, nails digging into the sheets below you, as you let out a low whine, your hips bucking back against his.

There was an odd sense of satisfaction knowing you were stealing his girlfriend's man away, especially when that woman had made it her goal to make your life a living hell.

But that bitch didn’t even deserve him, and it was clear that he didn't want her. The way his hands moved to grab your tits, squeezing them in his hands, before they moved lower to rub circles around your clit, the way his hips slammed up into you, the grunts that escaped from his mouth, and how he was desperate to stretch you out with every inch of him, made it clear that he enjoyed the way you felt against him.

Taehyung’s hand snaked towards your throat, his fingers wrapping around your throat, as his pace picked up. Taehyung pulled your upperbody against his chest, your back pushed against his bare chest, and a strangled moan escaped your lips, the sensation starting to make you feel light headed.

“I’m close…” Your legs quivered as the tip of his cock repeatedly pressed against your sweet spot. Shit, how was he so great at making you feel this good?

“Yeah? You just can't get enough of this cock, huh? So fucking needy...” His voice was raspy, low, as his fingers tightened around your neck.

He was so damn good, and you felt yourself nearing your climax, with him still pounding into you from behind, the bed shaking with the force of his thrusts, and you came, moaning loudly, your orgasm making your body shake, and the sound of your cries were drowned out by the movie that was playing on the TV.

Your hips stuttered, and your vision became hazy as he continued to pound into you, fucking you through your orgasm, and you whimpered at the sensory overload.

Taehyung released his hold around your neck, his fingers loosening, and you dropped your body forward, taking shaky breaths as you laid still for him.

Taehyung let out a string of curses, as he buried himself deep inside you, his cock pulsing as his own orgasm hit him.

Jungkook

This was so dirty.

Jungkook didn’t want to waste a second longer, and neither did you.

Your skirt was pulled up and your finger hooked into your panties, pulling it to the side, as his cock slid past your wet folds, and your mouth parted as he slid into you with ease, your juices coating his length.

You could see the people walking past the window, but none of them paid any attention to you, and that was what made it even hotter.

Jungkook’s tongue hung over his bottom lip as his eyes fell shut, relishing the way your walls clung around his cock. Your bully’s boyfriend leaned forward and pressed his forehead against yours, his lips hovering over yours. You let out a sigh of content as he began to rock his hips back and forth, and a moan escaped your lips when he picked up the pace, fucking you at a slow pace.

With your arms wrapped around his shoulders, you thought about that bitch, enjoying the fact that you were fucking her boyfriend in public. It was so fucking dirty, but you were so turned on by the risk, and the fact that she couldn’t do anything to stop you, only made the sex that much better.

“Jungkook…” You whispered. “Kiss me.” You asked of him as your fingers brushed through his hair, and his eyes were glossy, filled with lust, as he closed the distance between the two of you, his lips pressing against yours, his kiss needy, hungry, and your tongues danced together as he continued to pump his cock in and out of you.

You tried to spread your legs as far as you could, but your right leg was blocked by the seat. There wasn’t much room, but you were fully able to spread your left leg, allowing him more access to push his cock in deeper.

You broke the kiss, your brows furrowing together, your mouth open, your breathing growing heavy.

Jungkook smirked at the sight of you coming undone, the way your body was so eager to take in his cock, he couldn’t get enough of you. Jungkook’s hands traveled to yours, your fingers intertwined as he slowed down his pace, stroking the length of his shaft in you slowly, making sure you felt every inch.

"Love that?” Jungkook whispered, his lips brushing against your ear. You nodded, the knot in your stomach tightening, your body started to feel warm, as your pussy clenched around his cock, and you were getting close, and judging by the way his thrusts were starting to grow sloppy, you could tell he was nearing his climax as well.

You couldn’t believe how fucking hot this was, and you knew this wouldn't be the last time you did this. You couldn’t stop, it felt so good.

Then, out of nowhere, your body shuddered, your pussy clenched, and your walls tightened around his cock.

Your eyes fluttered shut, and you let out a moan as the waves of pleasure coursed through your body, your orgasm hitting you.

And he wasn’t far behind.

His fingers tightened around yours, as he pumped his cock into you, his other hand holding onto the side of your face, his thumb running over your cheek, before his lips crashed into yours, and he came, filling you up.

Jimin

You were getting fucked in their bed.

The bed your bully shared with her boyfriend, and there was something oddly satisfying about the whole situation.

“Tired, baby?” Jimin cooed, his fingers rubbing circles onto your thighs. He was lying on his back, and you were sitting on top of him, your pussy swallowing his cock whole, and the room was filled with the sounds of your whines and the slap of skin on skin.

“Mm, yeah…” You admitted, rolling your hips. “Starting to.” Your voice was low and soft, the exhaustion starting to settle in. Your body was starting to feel tired from the relentless bouncing on his cock. His cock was filling you up so nicely, and you couldn’t get enough.

Jimin pulled himself up, and you giggled as he moved you along with him as he moved back onto the bed, resting his back against the wall.

His hands wrapped around your waist, as he started to bounce you up and down his cock, his cock sliding in and out of you, and the way he was pounding into you had your entire body moving up and down.

“Oh! Oh!” The intense pounding caught you by surprise— you didn’t even have to do anything as he bounced you up and down on his cock, and all you could do was moan and whimper, it was as if you turned into a limp ragdoll, unable to move as the pleasure overtook all of your senses.

Jimin chuckled, his eyes filled with amusement, the way your body was so responsive to his cock, the way you were letting out little whines and gasps, and the way your hands clung to his shoulders, told him that you were loving this just as much as he was.

“Cock’s making you all weak, hm? Bet that feels good doesn’t it babygirl?” He asked, his lips trailing over your neck, leaving kisses along the way.

Your eyes were closed, and your brows were furrowed, the stimulation nearly driving you insane, and the sound of his voice snapped you back into reality.

“I can’t, too big, too good…” You rambled, not even sure of what you were saying anymore. You could feel his smile against the crook of your neck, his lips moving over to the shell of your ear.

“Oh yes you can, you’re doing it right now.” He coaxed.

A low, broken moan escaped from your lips, and you couldn’t help the way your hips started to rock against his desperately— needing more of his cock.

You felt dizzy, everything felt so hot, and the way his cock was hitting you deep inside, you couldn’t take it.

You let out a cry, your eyes rolling back as your orgasm washed over you, Jimin groaned as he felt your muscles tighten around his cock, the sensation sending him over the edge, his cock twitching as he filled you up.

The room fell silent, save for the two of you catching your breath. You collapsed against him, and he wrapped his arms around your waist, peppering your face into kisses.