#cheap viagra

[gorillaxyz]

IM ON MURDOCS LAPTOP

[bredforloyalty]

thank you for tagging me @ruby-coded to share 5 songs i've been listening to and tag 5 followers 💕 ok so don't be surprised at this um assortment.... gotta be honest. well it's been a lot of lemon demon

lemon demon - cabinet man

miguel - sure thing

talking heads - sugar on my tongue

shame - human, for a minute

jakey - tommy hanks

tagging.. @kalaharidown @jimmymcgirl @batmanendgame @cruelfeast @glimmertwinz

[promeds]

Unlocking Confidence: The Ultimate Guide to Buying Levitra Online

In a world that prioritizes convenience, purchasing medications online has become increasingly popular. If you're considering buying Levitra online, it's essential to be well-informed to make a confident and safe choice. In this guide, we'll walk you through everything you need to know about buying Levitra online, ensuring you have the knowledge to make informed decisions regarding your health.

Understanding Levitra:

Begin by understanding what Levitra is and how it works. Levitra is a prescription medication designed to treat erectile dysfunction (ED). It belongs to a class of drugs known as phosphodiesterase type 5 (PDE5) inhibitors. By relaxing the muscles in the walls of blood vessels, Levitra increases blood flow to specific areas of the body, facilitating an erection.

[phardols-com]

for Erectile Dysfunction with Sildenafil

 

Get Cenforce-100 at https://phardols.com/product/cenforce-100/

 Understanding Erectile Dysfunction

Before diving into the details of Sildenafil, let's grasp the basics of ED. Erectile dysfunction is defined as the consistent inability to achieve or maintain an erection sufficient for sexual intercourse. This condition can be both physically and emotionally distressing, affecting a man's self-esteem, relationships, and overall quality of life.

https://phardols.com/product/cenforce-100/

Causes of Erectile Dysfunction

Erectile dysfunction can stem from various sources, including:

1.      Physical Factors: These may include underlying health conditions like diabetes, cardiovascular diseases, obesity, hormonal imbalances, or injuries to the pelvic area.

2.      Psychological Factors: Stress, anxiety, depression, or relationship issues can contribute to ED or exacerbate its effects.

3.      Lifestyle Choices: Smoking, excessive alcohol consumption, drug use, and a sedentary lifestyle can increase the risk of developing ED.

4.      Medications: Certain medications may have ED as a side effect.

5.      Age: While ED is more common in older men, it can affect men of all ages. Understanding Sildenafil

 Get Cenforce-100 at https://phardols.com/product/cenforce-100/

Sildenafil, commonly known by its brand name Viagra, is medication that has revolutionized the treatment of erectile dysfunction. It belongs to a class of drugs called phosphodiesterase type 5 (PDE5) inhibitors. Sildenafil works by relaxing the muscles in the blood vessels of the penis, allowing for increased blood flow. This enhanced blood flow is essential for achieving and maintaining an erection.

How Sildenafil Works?

1.        Triggering Sexual Arousal: Sildenafil is not an aphrodisiac; it requires sexual stimulation to work. When a man is sexually aroused, his body releases nitric oxide, which then activates an enzyme called guanylate cyclase.

2.        Relaxation of Blood Vessels: Guanylate cyclase produces cyclic guanosine monophosphate (cGMP), which relaxes the smooth muscles in the blood vessels of the penis. This relaxation allows blood to flow more freely into the penis.

3.        Sustaining Erection: Increased blood flow results in an erection, which can be maintained as long as cGMP is active in the body. However, an enzyme called PDE5 breaks down cGMP, causing the erection to subside.

4.        Blocking PDE5: Sildenafil inhibits PDE5, allowing cGMP levels to remain high and the erection to persist.

 Get Cenforce-100 at https://phardols.com/product/cenforce-100/

The Promise of a Permanent Cure

While Sildenafil is highly effective at treating the symptoms of erectile dysfunction, it's essential to understand that it does not offer a permanent cure for the condition. Instead, it provides a temporary solution that allows men to engage in sexual activity while the medication is active in their system. For a true permanent cure, addressing the underlying causes of ED is crucial. This may involve lifestyle changes, such as quitting smoking, reducing alcohol consumption, and adopting a healthier diet and exercise routine. Additionally, managing underlying health conditions and addressing psychological factors through therapy or counseling can contribute to a long-term solution.

 Get Cenforce-100 at https://phardols.com/product/cenforce-100/

Conclusion :

Sildenafil (Viagra) is undoubtedly a game-changer in the treatment of erectile dysfunction, offering men a reliable and effective solution for achieving and maintaining erections. However, it is essential to recognize that Sildenafil is not a permanent cure for ED. Instead, it serves as a tool to manage the symptoms while individuals work on addressing the underlying causes through lifestyle changes and medical interventions.

 Get Cenforce-100 at https://phardols.com/product/cenforce-100/

If you or someone you know is struggling with erectile dysfunction, it's essential to consult a healthcare professional who can provide guidance on the most suitable treatment approach, which may include medications like Sildenafil, lifestyle modifications, or other therapeutic options.

Remember, while Sildenafil can enhance your sexual performance, achieving a permanent cure for ED requires a holistic approach to health and well-being.

 Get Cenforce-100 at https://phardols.com/product/cenforce-100/

Erectile dysfunction cure

Sildenafil at low rates in usa

Buy Sildenafil enforce 100mg in usa

Sildenafil 100mg at low price for bulk order in usa

erectile dysfunction treatment in usa

permanent cure for erectile dysfunction in usa

Medicine for erectile dysfunction

Ed meds usa

Ed meds in usa

Ed meds at low rates

Ed meds online usa

Psychological ed treatment 

Best ed treatment pills usa Generic viagra prices usa ( Sildenafil) How to get sildenafil 100mg online

sildenafil citrate for cheap

erectile dysfunction treatment pills

sildenafil tablet online cheap

sildenafil citrate tablets online

pills for early ejaculation cure

[italktoomuchxd]

You are supposed to be nothing to him….

You are supposed to be nothing to him. Nothing but a 2-dollar whore...

 

It was the end of the month when he was mostly tight with the money. He grabbed his jacket to go out to get a few drinks, nothing more.

 

Then he saw you wearing Nothing but a cheap skimpy dress and makeup, the smell of sugary smell coming from you... He looked at you, the disgusting sight of you; you were waving at the cars. He drove his motorcycle next to you and asked for your price, which was lower than average. He took you to a cheap hotel, got his job done, and left. He took your phone number just in case he needed a cheap relax again.

 

That cheap relaxation happens more and more at another cheap hotel or your home... not his home; he doesn’t let a cheap woman like you get into his home...

 

As time went by, he learned your interests, your age, your name, your eye color... your favorite food, how you like the smoke after sex, and which brand you smoke, he learned you never celebrated your birthday before... He took you out to celebrate that night.

 

Now he’s there, sitting at his office, writing his day off paper. He needs a vacation. soon…  He’s looking at honeymoon suits in hotels. Even though you two are not even dating yet... He’s buying the plane tickets... a box of Viagra... Oh, he can’t skip buying you some nicer clothes, eh? You can’t wear your clothes with him; that would be humiliating!

 

Now he’s there, sitting next to you on the plane, smiling at you because of how nervous you look...

 

He’s teaching you how to swim in the ocean...

 

He’s chuckling while tending your sunburns.

 

Oh, he fell for you. Oh no, he fell for you hard.

[holylulusworld]

Deranged Marriage (9) – Two tidal waves

Summary: Your father wants you to choose a husband. Your chosen one doesn’t like the idea one bit.

Pairing: Mobster!Bucky Barnes x (Mafia daughter)! Reader

Characters: Steve Rogers, Alexander Pierce

Warnings: mentions of character’s death, language, strong/bratty reader, banter, sexual tension, enemies with sexual tension, making out, still idiots in love, hand around throat (non-sexual), threats, implied torture with knives

Deranged Marriage masterlist

<< Part 8

“Fucking hell, get it over with, James Buchanan Barnes. You’ve got a dick and she got…uh whatever that bitch is hiding under her cheap fake designer clothes,” you argue with Bucky again.

You cross your arms over your chest, huffing as Bucky refuses sex with Natasha. This is to make it more believable that he’s on her side.

“I don’t want to,” he bites back. Bucky points out that the same applies to you as well. “I��m not some breathing dildo you can use for your liking.”

“Yeah, but not so long ago you loved to fuck her on our dining table so,” you cock your head, “what’s the problem? Can the old man not get it up anymore? Do you need Viagra? I can ask Helen to get you some.”

“You fucking brat,” he growls in your direction. “One day I’ll put you over my lap and spank the life out of your bratty ass. You are frustrating and annoying.”

“Asshole.”

“I should just,” he throws his hands up, “leave you to yourself. I have no idea why I’m helping you. A bullet to my brain would be less painful."

“I can’t believe you are ruining our chance to bring the people attacking my father down over a quickie. Just put it inside a little and disappoint her like every other girl you fucked.”

“That’s what you want? How about you watch me fuck her too, huh? I bet you are a kinky bitch." He smirks at you. “Go ahead and tell me about all the dirty fantasies you have about me and my sex life.”

“You mean your non-existent sex life,” you retort, mirroring his smirk. “I heard through the grapevine that you didn’t get any lately.”

“Because of you,” he’s in your face, breathing hard. “Every woman in town believes we will marry and they are afraid of you and your father.”

“Aw, I’m cock blocking you?” you coo. “What a pity you refuse to fuck Natasha. Your dick would feel so much better after going for a ride with her.”

“I told you,” you gasp as his hand wraps around your neck. He grips your neck tightly, forcing you to look up at him. “I don’t want to fuck her.”

“Why? She’s your type.”

“Dead is not my type.”

You frown deeply. Just a few days ago Bucky and you talked about getting closer to the person who ordered the hit on you and your father through Natasha. “What do you mean by...dead?"

“Oh…did I forget to tell you she’s dead?” He smirks darkly as he watches your lips part.

“What? But we made all these plans and now…” You knit your brows together. "Wait, you killed her, didn’t you?”

“It was an accident,” Bucky leans closer to whisper in your ear. “Maybe I let slip that she’s a mole and that Natasha tried to warn your father. Pierce is no one to mess with, you know.”

“You—” you groan. “Why did you do this? That's stupid, Barnes. We had a plan.”

“Your plan included fucking Natasha.”

“Hell, I would’ve fucked her myself to get one step closer,” you huff. “You’re a coward, Barnes. Why couldn’t you fuck her…?”

“What’s done is done. I’m more of the hit them where it hurts guy. Not the one sneaking around to get information. While you made all these nice plans, Steve and I did your job.”

“What’s that supposed to mean?”

“We caught Pierce and two of his minions. Steve has a blast interrogating them. He just loves to toy with them,” Bucky purrs in your ear. His hand tightens around your throat, making you whimper. “If only you could see yourself now. So afraid I will choke you just a little harder.”

“We already confirmed that you are not man enough, sweetie,” you grit your teeth as he loosens his hold. It only takes Bucky's hand around your neck to show you what he can do. “Do it or stop toying with me.”

“You wish I would toy with you, doll,” he chuckles. “What a pity I won’t…”

“Alexander Pierce, in all his glory,” Steve laughs as Pierce fights the ropes holding him to a chair. “You see, Y/F/N and Y/N are my allies. They are Bucky’s allies. If you attack them, you attack us.”

“The thing is, we will let you live your pitiful life. We all tried to kill each other at least once." Bucky looks at the knives he placed on a table in front of Pierce. “What I want from you is to tell me who was involved in the hit. Who is the rat among Y/F/N's people?”

“I won’t tell you shit,” Pierce spits while talking. Even though Steve has already roughed him up over the past few hours, he refuses to give up.

“We will see." Bucky chooses one knife and wields it in front of Pierce’s face. “Did you ever hear about my talent with knives? I just love the feeling of metal cutting into skin and flesh.”

“Why won’t you let me interrogate him, Barnes?” You pace the room, huffing as Bucky refuses to answer. “Did he give you a name?”

“Romanoff was all he said,” Bucky huffs. “He’s a tough little bastard. I give him that. But no one withstood my knives forever. I will find the mole for you…I mean your father. I will find him for your father.”

“We already knew about Romanoff,” you grunt. “Why did you get her killed? This was stupid."

“Your face is stupid.”

You giggle at Bucky’s words. “Your face is stupid, and your beard…the hair…the muscles. Why are you always wearing a suit but no tie? That’s stupid too.”

When he grips your right arm roughly, he says, "I use all my ties to restrain brats. I leave them there for me to use.”

“You’re so…” you squeak when he roughly cups your face and crushes his lips to yours. Bucky devours your mouth. The kiss is all tongue and teeth. He won’t let up until you weakly push against his shoulders. “I can’t breathe, you…”

He silences your protests with his mouth again. Bucky keeps you from running your mouth by slipping his tongue into your mouth.

His hands move to your waistline to easily lift you and slam you into the wall behind you.

“What the fuck?" You can barely catch your breath. Bucky is all over you. He forces your legs around his waistline before his mouth is back on you. His hands grip your ass roughly as you grind against his swelling length.

“Shut up for a moment," he whispers against your lips. “Just stop talking. I only want to hear you moan my name from now on.”

In response, you fist his hair, making him growl. “If you want me to shut up, do me good, Barnes…”

>>Part 10

Tags in reblog.

[promeds]

Navigating Confidence: A Comprehensive Guide to Viagra Samples 

Erectile dysfunction (ED) is a common concern among men, and finding the right solution is essential. For those considering Viagra, exploring the option of Viagra samples can be a game-changer. In this guide, we will delve into the benefits, considerations, and overall process of obtaining Viagra samples, ensuring you make informed decisions about your sexual health.

Understanding Viagra and its Role:

Viagra, also known by its generic name sildenafil, is a well-known medication designed to treat erectile dysfunction. It belongs to a class of drugs called phosphodiesterase type 5 (PDE5) inhibitors. By enhancing blood flow to the penis, Viagra helps men achieve and sustain an erection, rekindling confidence in their sexual performance.

[brimleysbears]

Inflatable sex doll, oversized:

"Mexican pharmacist"

Roll playing: ordering cheap Viagra, drugging his tequila, and humping his mouth, sorry, Spanish only

Yours for only 9,000 pesos

Available in top, or bottom, and versatile, add 800 pesos

[moonsromance]

"Would you ever date a man in his 60's or above"

❝What? Oh, of course, like… I adore older-older men. I would romantically feed him a Viagra tablet and apple slices while we lay beneath the shade of a fig tree with a joint passed between us, like, you know, pretending we're in a Merchant Ivory film but with less repressed longing and more weed.❞ Well, that's a vision—his vision. His pretentious little vision. ❝Of course, I'd insist on a linen wardrobe for that pizzazz of super duper authenticity. And, he'd have to, like, have that voice, you know? The one that sounds like it belongs to a man who drinks cheap port and owns an impressive library he actually reads from, you know? Or, like, we could chill in the parking lot of a Panera Bread over a bread bowl and talk about how, when you think about it, there's more nipples in the world than there are actual people.❞

[bigfatmusicblog]

The State of Punk: Dance-Punk and Cheap City

“We are the epitome of an art-rock band…” you can hear uttered in the background at the beginning of GWAR’s now legendary A.V. Undercover Session where they cover Kansas’ classic song Carry On My Wayward Son. I always loved this descriptor of the comedy-metal band because I feel like it’s the perfect representation of who they are. Donning elaborate costumes, using 70’s and 80’s type practical effects akin to those of greats like Screaming Mad George, it’d be impossible to do half of what they do without being nothing short of great artists. Now, while I love talking about Richmond’s greatest export GWAR - I’m not here to talk about them, motherfucker! I’m here to talk about Massachusetts’ own Cheap City - the epitome of a dance-punk band.

Dance-punk as a subgenre has a long history, as long as punk has existed dancing has been crucial to its continued success. From clubs in places like Chicago, having themed “punk nights” playing records to a crowd of sweaty, dancing punks - to slam dancing being introduced and still being done to this day; it’s impossible not to move around when the bpm gets above 120. The subgenre dance-punk however wasn’t named until after post-punk (which actively happened at the same time as regular punk music so, like, whatever) was created. There are a lot of bands that can be attributed to creating dance-punk however I like to think that it was brought into the limelight by bands like Bow Wow Wow, who used unfamiliar jungle beats all backed by the constant movement at their live shows by lead singer Annabelle Lwin. Mass media was starting to see people dressed like punks, dancing and making music to dance to. And, yes, Bow Wow Wow is a fucking punk band, look at them. They’re a punk band.

After that there was a long time where dance-punk wasn’t really thought of, especially with the popularity of hair metal in the 80s, people were finding different music to dance to. It wasn’t until the late 90s and early 2000s with LCD Soundsystem, Bloc Party, and Franz Ferdinand, that dance-punk was hoisted back into the zeitgeist and being played on the radio again. This is the era of dance-punk that I grew up with as a kid obsessed with fast guitar based music. Singing Franz Ferdinand’s Take Me Out on the video game Singstar Rock and playing Helicopter by Bloc Party on Guitar Hero III: Legends of Rock - this genre that was seemingly dead was now being force fed to me at every corner. 

Once the 2010’s came around, dance-punks' popularity came to a screeching halt which a lot of people attribute to the hiatus of LCD Soundsystem. Now that the largest pioneer in the current scene was no more, it seemed like maybe another death of the genre was in store. Luckily talented musicians are born every year, and the later you’re born the more genres you’re able to pull from to inspire your music. This has created a modern era of dance-punks made up of bands like Viagra Boys, Parquet Courts, and the criminally underrated Cheap City. All of which are able to draw from a variety of influences old and young to create the most interesting era of dance-punk to date.

I found out about Cheap City through a facebook post of one of my friends sharing their new album, and the main subject of my affection, BLUE DANCERS. Big shout out to my friend that I won’t name for bringing this to my attention, I’m sorry for everything bad I ever said behind your back (just kidding). The thing that I think differentiates this album and Cheap City as a whole from the current pack of dance-punk bands is the constant emphasis on PARTYING BAYBEEEEEE!!!!! From the very first song, aptly named CHEAP CITY PARTY PROGRAM, you know what this band is about. The loud, yelled vocals spewing words faster than possible to keep up with, culminating in the phrase “We rock the party all night every night.” That combined with the sweet flourishes of saxophone, it’s easy to get hooked and strap in for the rest of this chaotic-good album.

That last aspect, the constant presence of a saxophone, is another thing making this album stand out as a certifiable dance classic. Without the saxophone I don’t think this band is really dance-punk, as you listen to the album you’ll hear more inspiration of bands like Heavy, Heavy, Low, Low in the vocals and other instrumentation. And while that’s impressive and so much fun to listen to, it doesn’t always present itself in the most danceable of manners. It’s impossible, however, to not dance when a saxophone is present. I don’t make the rules or understand the exact psychological reasoning behind what those sweet sultry notes do to our serotonin receptors, but I know it gets me groovin’. Toni Batey is the name of the saxophonist on this album and it’d be completely inappropriate of me to not call them out by name - what they do to push this album past another punk album can not be stated enough.

Some songs on this album that stand out to me are CHEAP CITY PARTY PROGRAM, K.O. OK?, SLEEPLESS IN SAVANNAH, SCORPIO 2007, DISARMING EYES, and lastly a song I want to talk about a little more in depth is the raucous, chaotic, aptly named JUST A LITTLE CRAZY (although just a LITTLE crazy might be an understatement). 

This is a dance-punk anthem starting out with a classic staple of the genre, cowbell, this is then coupled with a face-melting bass riff, before diving into the first bit of craziness on this song. You are all of a sudden introduced to this wall of sound, sounding at times like DeVotchKa and other artists in the unfortunately named g*psy-punk subgenre. After a few bars of that initial bout of manic instrumentation, we cut it back to just drums and bass as the vocals of Brendan Blendell begin their typical toneless (not in a bad way) wail, finding nooks and crannies in the midst of instruments to speak their piece.

 All of this leads to the first “hook” of this song, only really calling it a hook because it says the song's name in it, and is placed in a way that feels like a hook despite it never being repeated. “Cause I went just a little crazy/not too much, just enough/I thought, ‘Moderation’s important’/but feeling insane is just the stuff” while this sentiment I’m sure comes from a personal place to Blendell I feel like it also describes the band at a base level. It’s fun to feel insane when you’re listening to music, that’s part of the reason why I love the aforementioned GWAR and HEAVY HEAVY LOW LOW. But they hit the nail on the head with the idea that moderation is important in how much you want to experiment and go crazy as a band. This concept is what keeps this album so fun and danceable, as opposed to just noise, although if I showed this band to my girlfriend or mom they might have that “it’s just noise” opinion, but they don’t get it, they never will.

After this Blendell leads us into another verse, invoking more images of things that would drive any sane person to the other side of sanity, “give me twelve day weeks/give me feral screams” and sentiments like that are prevalent throughout the song, though good luck trying to catch it with all that’s going on in the background. This then ends with the real star of the song, the second “real hook” or “bridge” or whatever the hell you want to call it, the burning question they’re afraid to ask: “WHEN WHEN WHEN, when does a FIRE FIRE FIRE, in a ROOM ROOM ROOM become a ROOM ON FIRE/when does a FIRE FIRE FIRE, in a ROOM ROOM ROOM, become a ROOM ON FIRE, become a ROOM ON FIRE!” This phrase is immediately repeated in gang vocals, reminiscent of classic DJ call and responses, the same phrase is repeated again this time more so in the background as another wall of sound is introduced to us.

Then is a brief intermission, I guess? The guitar, drums, bass and keys all of a sudden start playing random seemingly unconnected notes for a couple of bars before going back into the initial melody/wall of sound with the first phrase of the song uttered over and over again “IT’S A DUTCH PINK!” before finishing the song with the repeating of the question “Did I waste my whole life hanging my brain from powerlines?” which I don’t know what that means but, sounds cool!

OVERALL:

This album kicks ass, from the insane instrumentation, the moments that make you dance, the vocals being yelled tonelessly (not in a bad way) over these bonkers, for the lack of a better phrase and I’ve used it so much in this but there’s really no better way to describe them, walls of sound. There’s so much you feel like you miss when you first listen to it, which makes it replayable as fuck. The whole history of dance-punk has lead up to this album, which also steals musical motifs from emocore/skramz to fucking DISCO. It’s a crazy piece of art, not too much, just enough.

GRADE: B+

peep this awesome video of them playing a couple of the songs I mentioned including JUST A LITTLE CRAZY. this band RIPS!!!

[tsunderrated]

Tv commercial for a cheap viagra and it was whatever but they DID get the number 69069 for their text number. Good for them

[doubleddenden]

in the end, i guess we have cheap generic viagra money to thank for getting lycoris recoil on toonami

[kammartinez]

By Luis Alberto Urrea

I was born in Tijuana and spent much of my boyhood in a neighborhood — “colonia,” in TJ-speak — called Independencia. There was an ersatz European-style castle at one end of our street, a tamed bear living at the bottom of the hill, a madman next door who regularly got drunk and shot his pistola at the moon, and a yard with bananas and a tall old pomegranate tree. Sounds tropical. Sounds like Gabriel García Márquez. Doesn’t sound on the surface like the deadly desert, like the frightening shadow land of crooked policías and narco hit men.

The borderlands are the most interesting book in the world, being rewritten every day. Currently, I can attest that much of that contested region, from coast to coast, is alive with tourists seeking good food and cheap medical care, a developing street scene of boutiques and gourmet eateries, baristas and art galleries, vivid music and literary movements, ballet companies and symphonic concerts and, in my hometown, the best street tacos on earth.

The Mexican cultural journalist Jaime Cháidez Bonilla recently wrote this on Twitter (I’ve translated from his Spanish): “I like it when evening falls over Tijuana, a poetic act. A city so defamed, a city so generous.” I dare say most people don’t think of any border city, on either side of the wall, as generous. I have been fortunate enough to write about Tijuana and the border for many years, and of course I have read a library’s worth of other authors wrestling with the region. My favorite border pop song is by Nortec Collective (more on them below), and it’s called “Tijuana Makes Me Happy.” Yeah — the border makes me happy. A tip: Expect the unexpected.

I need to pause here in recognition that immigration is the relentless theme of this area and this era. But I do not believe that immigration stories are a subset of the literature of the borderlands: Though there is some cross-pollination, I believe immigration literature is a genre of its own, deserving of its own spotlight. I do not include it here.

What books and authors should I take with me?

One grand feature of border culture is the lure of a bargain. For decades, the clarion call of cheap muffler (“mofle”) shops drew tourists south; now, it’s cheap dentures and Viagra. So let us offer a one-stop classic, the anthology “Puro Border: Dispatches, Snapshots and Graffiti From La Frontera.” Edited by Tijuana’s greatest literary son, Luis Humberto Crosthwaite, along with El Paso’s late, great Bobby Byrd and his son John William Byrd, this wild anthology covers the good, the bad and the ugly. Many of the greatest border thinkers and writers are contained within its covers: Charles Bowden, Leslie Marmon Silko, Sam Quinones, Juan Villoro and Doug Peacock (model for the infamous hero of Edward Abbey’s novel “The Monkey Wrench Gang”), among others. Funky, funny, literary, angry — it will show you things you may have wondered about and things you might not have imagined.

What writers or books will help me feel the spirit of this place?

Even if you do not read poetry, the borderlands require it. In a place both lush and austere, alien and homey, full of symphonies of languages and accents, smells and sounds, silence and raucous music, nothing can touch the experience of being there like poetry. It is not a coincidence that most of the writers on my list are also poets. They will transport you.

Ofelia Zepeda, a 1999 MacArthur fellow, is a Tohono O’odham poet of such elegant and exact rhetoric, such integrity of culture and vision, that you miss her quiet genius at your own risk. She gave the songs of the Tohono O’odham back to the land. Come to the chapels of her books “Ocean Power: Poems From the Desert” and “Where Clouds Are Formed.”

I highly recommend a book that gives me endless delight as a reader and endless inspiration as a writer: Harry Polkinhorn and Mark Weiss’s seminal anthology “Across the Line/Al Otro Lado.” It covers the broad and surprising corpus of Baja California’s poetry, from Indigenous chants to postmodern epics, and it includes works that reflect the flavored cross-genre/cross-cultural/cross-border adventures the writers foresee in the distance of this decade.

Arizona’s first poet laureate, Alberto Ríos, born in Nogales, Ariz., is a true writer of the borderlands. Though all of his poetry books are excellent, “A Small Story About the Sky” remains my favorite. However, of particular interest for this list is “Capirotada: A Nogales Memoir.”

No one is better positioned to affect this literature than Natalie Diaz, the director of the Center for Imagination in the Borderlands at Arizona State University. A winner of the Pulitzer Prize for poetry and a self-described “language activist,” Diaz is brilliant and powerful, and you need to read both “When My Brother Was an Aztec” and “Postcolonial Love Poem.”

Finally, the wizard, the curandero, the presidente: Juan Felipe Herrera. A former U.S. poet laureate and son of migrant farmworkers. My homeboy from Barrio Logan in San Diego. His selected poems in “Half of the World in Light” are a magical mystery tour, not only along the border but through the universe. Herrera is a kind of psychedelic drug and he will make you see visions. His voice is the distillation of all of our journeys.

What novels will transport me?

Borderlands authors are many. One of the best and most authentic is Denise Chávez. Her milieu is the often overlooked southern New Mexico and West Texas world of frontera families, and the tall tales that flourish there. She is the queen of the generation that surged in the 1980s and beyond — a strong feminist voice free of cant and bursting with delight. Her novel “Loving Pedro Infante” will begin your Chávez collection, and you won’t want to stop. Another groundbreaker is the poet and novelist Ana Castillo and her border classic “So Far From God.” Both of these writers tell the stories of women on the American side of the line in vivid color, in many tones and in both languages.

I also highly recommend anything by Benjamin Alire Sáenz. His “Aristotle and Dante” young adult novels are immensely popular, but I regard his poetry with helpless envy. Start with his story collection “Everything Begins and Ends at the Kentucky Club,” which won the PEN/Faulkner Award for Fiction, and his poetry collection “Elegies in Blue.”

What audiobook would make for good company while I walk around?

The oldest, most venerable literary tradition along the borderline is oral. I didn’t start out reading books: I sat at the feet of old women telling ghost stories and fanciful family histories (and recounting dyspeptic gossip about other relatives). They were my first lit professors.

In my opinion, rather than audiobooks, you should listen to the music of the border, because it will be easier to absorb and you can dance to it. Every song is a novel or a book of poems, because the borderlands don’t talk: They sing. Music transcends and leaps over border walls like wild doves. Two of the best musical portraitists of this world are Lila Downs and Nortec Collective. Downs’s “The Border” is an elegant and lively album that paints indelible portraits with depth and wit. And her album “Shake Away” is a wild ride through the sounds and tales that we will never see on a tour bus or a beach holiday. (Suggested track: “Minimum Wage.”) For dance lovers and electronica fans, the Nortec Collective duo has created a hybrid of techno music that absorbs and transforms traditional instrumentation and themes into a rollicking dance music of joy and, yes, generosity. There are few bands that spawn a huge cultural and literary movement, but Nortec has opened gates for creativity in literature, theater, dance and visual art throughout the region and across the world that are constantly bearing fruit.

I must also recommend Los Lobos from Los Angeles, Calexico from Tucson, Ariz., and two wildly rollicking bands from Monterrey, Mexico: El Gran Silencio and Jumbo.

Anything I should add to my bookshelf?

For literate thrills and occasional chills, turn to Rubén Degollado (“The Family Izquierdo” and “Throw”). A splendid collection by Oscar Cásares, “Brownsville,” gives the inside scoop on a place in Texas that you may not think of without an author’s guidance. And Sergio Troncoso is such a beloved writer of the borderlands, there is a public library branch named for him in El Paso. His “A Peculiar Kind of Immigrant’s Son” is simply brilliant.

Luis Alberto Urrea’s Borderland Reading List

“Puro Border: Dispatches, Snapshots and Graffiti From La Frontera,” edited by Luis Humberto Crosthwaite, Bobby Byrd and John William Byrd

“Ocean Power: Poems From the Desert” and “Where Clouds Are Formed,” Ofelia Zepeda

“Across the Line/Al Otro Lado,” edited by Harry Polkinhorn and Mark Weiss

“A Small Story About the Sky” and “Capirotada: A Nogales Memoir,” Alberto Ríos

“When My Brother Was an Aztec” and “Postcolonial Love Poem,” Natalie Diaz

“Half of the World in Light,” Juan Felipe Herrera

“Loving Pedro Infante,” Denise Chávez

“So Far From God,” Ana Castillo

“Everything Begins and Ends at the Kentucky Club” and “Elegies in Blue,” Benjamin Alire Sáenz

“The Family Izquierdo” and “Throw,” Rubén Degollado

“Brownsville,” Oscar Cásares

“A Peculiar Kind of Immigrant’s Son,” Sergio Troncoso