#characterizing & evolement & relationships

[vixlenxe]

Me watching all the Wanderer/Scaramouche's from my 'Dumb Bitchary' tower

[dawnsbreaking]

One of my favorite things about MLQC is the frequent use of symbolic imagery and motifs to set scenes and center characters. I think it’s incredibly clever, considering the importance of MC’s dreams, that the dreamlike symbolism is present throughout the story. At times, in MC’s confusion of piecing events together, reading the story almost feels like a sort of dream or vision interpretation. I love how consistent these symbols are for the characters and the way conflicting or contrasting imagery is used to add depth throughout the story. Also, since the story is told through MC’s perspective, the use of imagery shows us that her perception of the world is colored by her care for the main cast. When she’s with Gavin, MC notices fluttering leaves, when she’s with Victor, time slows, when she’s with Kiro, the sun is brighter, and when she’s with Lucien, she’s more attentive to light and shadow.

Under the cut, I have written more (1400ish words more) about symbolism in MLQC and how it adds depth to Lucien's characterization in particular.

Aside from adding to the mood of the story, the symbolism can also be used to narrative effect, showing us how MC is interpreting a character’s actions or motivations.

For example, we can look at how MC sorts through her feelings about Kiro/Helios in Chapter 29. Sun imagery pervaded previous chapters that centered Kiro while moon imagery is associated with Helios. In CH29, MC uses the harmony between the sun and moon as a metaphor when she accepts that Kiro and Helios are one and the same. This adds depth to what MC is feeling about Helios and also serves to contextualize the relationship between the two identities. (Note: I just love the idea that Helios has the same “sunshine” as Kiro but that he reflects it in a subtle way rather than being overwhelmingly positive like Kiro. This dynamic is only ever implied by the imagery and symbolism but it’s so perfect.)

In particular, though, I want to talk about some of the symbolism associated with Lucien and what we can learn from the way these symbols interact with one another.

Light and Shadow

One motif that is very present when the story is focused on Lucien is the balance between light and shadow. (Note: It’s very on the nose at times but executed well, I think, so I’ll give them a pass.) This motif is introduced far before Lucien’s betrayal is ever revealed, as early as his first meeting with MC. (Note: I literally wasn’t sure when the motif was first introduced but I went back to Lucien’s first scene and SURE ENOUGH, there it is. I love how consistent the writing is in this regard. The motifs are handled so well and so intentionally.)

During Lucien’s first scene in the game, light shining in from the window obscures his face. Far ahead of the betrayal, light and shadow are symbolically playing at obscuring his identity from MC. The light/shadow motif is used at first to symbolize Lucien being duplicitous, without much hinting toward his internal struggle. Later, when it’s clear that Lucien is struggling with a choice between metaphorical “dark” desire to continue his mission and “light” of protecting MC, light is used to hint at that internal conflict. An example of this is below, from Lucien's first standoff with Victor in Chapter 11.

Notably, though, sometimes, the “light” represents MC directly while the “shadow” represents Lucien. After Lucien’s internal conflict and desire to protect MC is first touched on in Chapter 16, the two are symbolically juxtaposed by scene-settings back-to-back in the last two units of CH16. 16-24 opens with a description of Lucien’s dark, gloomy room and 16-25 opens with a description of the lamp on MC’s desk casting a bright light. (Note: MC’s Evol is also represented by light often, so I think this imagery for her works even beyond its juxtaposition with Lucien.)

The same thing happens again when MC comes back from the Eternal Winter world, Lucien’s office is described as dark and shadowy when he is alone and then it’s cast in an “ephemeral glow” as soon as MC steps into the room.

Mirrors

A large part of Lucien’s character arc is his failure to properly make sense of his own identity, this struggle is represented by mirrors/reflections. Often, mirrors are shattered or distorted, implying an added difficulty of perception.

Because of the expectations that have been put on him from a young age, Lucien is very disconnected from his own identity. Even with Black Swan set completely aside, because of his savant-like personality and inability to relate to others, Lucien doesn’t view himself as a human being. Beyond that, there is also a struggle between the two identities of “Lucien” and “Ares” implied.

I think that the answer to this struggle is MC understanding Lucien and having clarity about who he is as a person. Light reflected in mirrors represents this concept symbolically in the Mirror Painting date. (Note: I believe this date is only currently available in the CN server, I read this translation) In this date, Lucien and MC paint each other and then use mirrors to reflect light onto the painting when it’s displayed. After being painted and, therefore, symbolically seen by MC, Lucien is finally allowed to turn away from the mirrors and stop worrying about who he is. The mirrors that represent his struggle with identity are able to add depth to a beautiful image when paired with the lights that represent MC’s understanding.

Shattered and Distorted Glass

This goes hand-in-hand with the mirror motif but is worth mentioning on its own because the symbolism is slightly different. While distorted mirrors imply difficulty for Lucien to perceive himself, distorted glass implies a difficulty for others to perceive Lucien. Shattered glass also represents a fractured relationship between the identities of “Lucien” and “Ares” in a few scenes.

On the wall of the abandoned Ultima Bioresearch Lab, MC finds a quotation written on the wall from the Bible. “For now we see through a glass, darkly. The truth is projected into the hearts of men through a glass lens. It’s distorted, blurry, and one-dimensional.” (Note: I’m assuming that this verse was translated from the Chinese dialogue and not transcribed from an English Bible translation, because this is, at the very least, not a popular translation of the verse that I’m familiar with. Ironically, it’s more popular to translate “glass” here as “mirror” so there goes this whole section LMAO.)

Because of the way it’s presented, I think that this image of distorted glass represents not how MC actually perceives Lucien but, rather, how Lucien believes he perceives her. Obviously, this is also foreshadowing the betrayal so, in a way, he’s correct in asserting that she is not seeing all of him. But, on the whole, this distorted glass imagery is delivered in a way that implies the distortion more as an insecurity on Lucien’s part rather than the reality of MC’s vision.

Rainbows

Keeping with Lucien’s themes of paradox and duplicity, one of his main motifs is the appearance of rainbows, despite the fact that he is colorblind. This is, again, representative of MC’s “light” being transformative to Lucien because the rainbows appear when they are together. I think that, rather than being a symbol for Lucien alone, rainbows represent Lucien’s relationship with MC. It’s a sort of combination of MC’s light imagery and Lucien’s refraction/distortion imagery. In the right circumstances, they can create something beautiful together.

It’s also implied throughout the story that Lucien is able to see colors when he’s around MC, so he is truly only able to appreciate the beauty of rainbows when he is with her. (Note: It’s unclear how this works but I think that it’s a side-effect of his Evol mimicking hers. There’s a footage mission where it seems like Lucien has to ask MC to look at something before he can tell the color of it so I think that he is somehow able to see the world through her perspective, possibly by using her Evol to have real-time visions. Does this make sense? Who knows, but I refuse to accept it just as soulmate magic!!!!)

If you haven’t, I highly recommend reading Lucien’s “Rainbow Luck” R&S. (Note: A recording is available here!) In this story, told from the perspective of Lucien’s pen, Iridescent, MC and Lucien see a rainbow together and it’s implied that this is Lucien’s first time being able to see a rainbow because MC is there. (Note: Iridescent as a name itself is an instance of Lucien’s rainbow motif.)

(Note: Lucien's Moments also features a rainbow paperweight at Bond Level 40.)

TLDR: Imagery and symbolism are used in MLQC to imply things about the characters and their relationships with MC. In particular, with Lucien, recurring imagery is used to represent his internal conflict and his desire for love and understanding from MC. The symbolism of light and its reflection/refraction is used to great effect throughout Lucien’s story, implying a complex web of internal struggles.

[unwiltingblossom]

which mlqc characters fits which mysme character!

Okay, this was a challenge because some were really easy, but some just don’t have a close match up at all.

Because I really had to reach for some of them, these have extensive spoilers for both Mystic Messenger and MLQC. It addresses basically all the secrets the characters have. You should have played their routes for Mystic Messenger, and you should be caught up to the english release (ch 24) when it comes to MLQC boys.

We’ll just put the most obvious thing aside first. Victor and Jumin let’s not kid ourselves. We’d be naive to suggest Victor and Jumin weren’t intentionally similar - Victor is deliberately similar. He’s the cold and unapproachable filthy rich young businessman who’s also the exact same age as Jumin. He’s insanely, fiercely dedicated to the person that he loves, to the point of smothering them in his panic to protect them if he’s fearful for their safety. He prefers cats to humans, and will literally abuse his time stop evol to gently pick up a cat in the road and move it to safety. He’s also much gentler than he lets on or people would think, as he’ll put himself at risk by revealing his evol to save a perfect stranger, and will pull over to the side of the street and run full speed into a crowd to save someone he doesn’t know. They’re both deeply hung up on a woman in their past that makes them immune to the advances of other women.

Now yes, Victor is self made while Jumin is possibly old money, Victor is tsundere while Jumin is kuudere, Victor stops time and Jumin has ‘make people pretend that time has stopped’ money, but the differences aren’t significant enough to separate this. Especially as much of fandom loves to write Jumin as MC’s boss in one form or another, and Victor can be seen as a outgrowth of that.

Moving on to Kiro, I have said he’s multiple people, but if I have to pick just one, it’s Kiro and Luciel/707 Kiro puts on a super happy and friendly face, like he’s never down or ever has dark thoughts, but if he’s with the person he truly cares for, he reveals his true insecurities and fatigue to her and only her. He also pushes the MC away for a while and acts cold and cruel, though the reasons he does so are radically different from 707, as well as his methods. They both look like they’d never hurt a fly, but in reality they’ll kill without even flinching. Kiro also has an ‘other half’ who is a cold and cruel man with dyed white hair. Also, you know. Key. The ultimate supreme hacker Key. They’re also both motherless, and missing the person who was next to them as a child.

Of course, 707 is owned, while Kiro is a free agent except when he doesn’t want to be. Kiro is an orphan while 7 only wishes he were, and 7 has a brother and a lot more personal connections than Kiro, but like Victor and Jumin, they’re extremely similar.

The other ones are a bit harder.

The best comparison I have to Shaw is Unknown, because they’re both mysterious strangers who are brothers to another character secretly, they both have a bad family life they’re now away from, they’re both criminals, and they both have a soft spot despite themselves for the MC as long as they get to know her. This one is pretty tenuous, but Shaw just isn’t really a good fit with Mysme.

Lucien and V are the most likely compatible pair. It’s tough, because Lucien doesn’t really have a ready match. V will sacrifice himself basically endlessly to avoid harming anyone else, while Lucien isn’t particularly concerned about individual people being hurt, and instead cares about the big picture. He will, however “happily sacrifice himself” if it would save humanity. They also agree that if the result is assured, making a choice for other people without giving them input is reasonable. More solidly, though, they both hold deep secrets, with a personal connection to the ‘dark’ group. They also both love the ‘queen’ or ‘savior’ figure of the group, as Lucien loves and is doggedly loyal to The Queen, and V loves Rika. Because of their secrets, they seem unapproachable and untrustworthy (except to the person they love) and they are willing to allow other people to believe negative untruths about them for what they think is best, particularly the well beg of someone they care about.

Gavin is honestly the worst fit. No one is really like him in Mystic Messenger, because he’s not that compatible with the format, much like Shaw isn’t compatible with Mysme and Yoosung isn’t with MLQC. My best fit for him is Gavin and Zen they’re both crazy popular with the women, but even if they wanted to pursue one, their careers don’t really leave them open to relationships. Their parents are abusive, they can both be characterized as loyal puppies, and immediately have feelings for the MC for really no  particularly profound reason. They’re also the two kind of ‘super heroes’ who most readily rush into danger to save not just the woman they love, but anyone in danger. Neither has an affinity for cats, but rather dogs. Gavin is associated with birds and if Zen sang outside, birds would probably appear around him. They’re also the most traditionally masculine, with the common ‘that’s just how boys are’ behaviors and assumptions, and the most simple and straightforward relationship. Gavin and Zen don’t really have any secrets for the MC, they push themselves too hard and hurt themselves, but MC doesn’t really need to be their therapist. They’re the least complicated relationships, where you know what you’re getting from them fairly early on and that never really changes by later revelations.

It’s not a great fit, but it’s what I’ve got.

[genefish]

New in Pubmed: Genomic landscape of mutational biases in the Pacific oyster Crassostrea gigas.

Related Articles

Genomic landscape of mutational biases in the Pacific oyster Crassostrea gigas.

Genome Biol Evol. 2020 Jul 28;:

Authors: Song K

Abstract Mutation is a driving force of evolution that has been shaped by natural selection and is universally biased. Previous studies determined genome-wide mutational patterns for several species and investigated the heterogeneity of mutational patterns at fine-scale levels. However, little evidence of the heterogeneity of mutation rates over large genomic regions was shown. Hence, the mutational patterns of different large-scale genomic regions and their association with selective pressures still need to be explored. As the second most species-rich animal phylum, little is known about the mutational patterns in Mollusca, especially oysters. In this study, the mutational bias patterns are characterized by using whole-genome resequencing data in the Crassostrea gigas genome. I studied the genome-wide relative rates of the pair mutations and found that the predominant mutation is GC -> AT, irrespective of the genomic regions. This analysis reveals that mutational biases were associated with gene expression levels across the C. gigas genome. Genes with higher expression levels and breadth expression patterns, longer coding length, and more exon numbers had relatively higher GC -> AT rates. I also found that genes with larger dN/dS values had relatively higher GC -> AT rates. This work represents the first comprehensive research on the mutational biases in Mollusca species. Here, I comprehensively investigated the relationships between mutational biases with some intrinsic genetic factors and evolutionary indicators and proposed that selective pressures are important forces shaping the mutational biases across the C. gigas genome.

PMID: 32722758 [PubMed - as supplied by publisher]

from pubmed: crassostrea gigas https://ift.tt/30ZluTf via IFTTT

[recentanimenews]

Bookshelf Briefs 6/12/18

Arakawa Under the Bridge, Vol. 3 | By Hikaru Nakamura | Vertical Comics – It really does surprise me how invested I am in rec and Nino’s love affair, given that it’s not really an affair yet and this book is more about everyone being hopelessly weird. But in a series like that, you need something to ground you or else you risk not caring about anything, and for me it’s the moments when the two really show how devoted they are to each other. Elsewhere, a battle royale between the cast goes about how you’d expect in terms of the winner (hint: she’s on the cover), and there is also the occasional hint that these happy (sort of) days for rec won’t be able to last forever. Arakawa requires a love of gag comedy to appreciate, but if you do there are a lot of rewards here. – Sean Gaffney

Durarara!! Re;Dollars Arc, Vol. 1 | By Ryohgo Narita, Suzuhito Yasuda, and Aogiri | Yen Press – The last time we had a DRRR!! manga volume come out over here, we were just beginning the light novel release. Almost three years later, here’s the new arc. This starts to adapt the fifth novel, meaning that Akane and Vorona, two of my favorites, make an appearance. There’s not a whole lot of extra content here for those who have seen the anime and read the novels, though I was very appreciative of Shinra’s fantasy of why Akane would want to kill Shizuo. But for those who like following DRRR!! in manga form, this adaptation remains a good go-to choice. It’s drawn by Aogiri, who also did the Aquarion Evol manga art. Sadly, it also has Izaya being Izaya Alas. – Sean Gaffney

The Elder Sister-Like One, Vol. 1 | By Iida Pochi | Yen Press – While I was reading this, the first thing that came to mind was “this reads like porn with the sex removed.” Which indeed it is—the original was a pornographic doujinshi, but the author made the relationship non-explicit and a bit more familial (only a bit, mind you) for this mainstream release. The premise involves a young man who has been passed along from relative to relative and his demonic familiar who becomes a sort of twisted family. If you’re thinking “This sounds like Natsume’s Book of Friends only written for guys and with lots more cleavage,” you aren’t far off. It actually manages to respectably straddle the line between supernaturally sweet and supernaturally skeezy as hell. We’ll see how long it can keep that up. – Sean Gaffney

Flying Witch, Vol. 6 | By Chihiro Ishizuka | Vertical Comics – The cast expands a bit here, as we meet Sayo, a “student council president” sort who thinks that Makoto is a bit too laid-back and relaxed about her witchly duties. Which, to be fair, is 100% correct. Fortunately, they bond over a case involving a repeating town block, and Sayo shows off her shy, cute side. Elsewhere in the volume, most of the rest of the cast show up for a barbecue of sorts, as we get much discussion of giblets and just how common it is to be loving it as a delicacy. Speaking of food, turns out the school’s pork cutlets are delicious to cats as well as humans, and also that you can get winter in July provided you’re associated with witches. Flying Witch is always peaceful, but never boring. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 24 | By Yuto Tsukuda and Shun Saeki | VIZ Media – I haven’t enjoyed this Central arc much, so it’s a relief that the end seems to be in sight. It turns out that Erina’s dad once idolized Soma’s dad and is unable to resist a challenge in which a defeated Joichiro would become his minion. Now the resisters are going up against the remaining council members, with the possibility of taking over the council themselves, and we get fun training action like a three-on-three battle during which Takumi reveals just how much he’s grown and Erina attempts unorthodox cooking for the first time. It’s a lot of fun and the air of amiable challenge that exists between Soma and Joichiro ends up inspiring Erina to stand up to her dad and publicly side with the resisters. We barely get started on the team shokugeki before the volume ends, but I’m happy to find myself once again enjoying this series immensely. – Michelle Smith

Haikyu!!, Vol. 24 | By Haruichi Furudate | Viz Media – This was one of the best volumes of Haikyu!! I’ve read yet, and it’s not a coincidence that there’s no tournament going on. I do love the games, but volume after volume of them can get exhausting (and hard to review). Here we see a jealous and driven Hinata follow Tsukishima to the all-rookie camp… where he wasn’t invited. What’s worse, the coach of this camp is Shiratorizawa, whose motto is basically “no short kids.” Still, he lets Hinata be the ball boy. This is actually really good for him, as it allows him to realize how much there is to learn by just watching. His raw instinct is combining with actual game smarts, and it’s terrific to see. I am really waiting to see how this plays out in the future. – Sean Gaffney

Laid-Back Camp, Vol. 2 | By Afro | Yen Press – I mentioned this in my review of the first volume, but it really is striking how much the series is trying to separate the main cast. We start off with Nadeshiko and her club at a hot spring camp, and Rin… far away, looking for another hot spring (which turns out to be closed) but finding her own solitary camping experiences. It’s nice to see that the manga tells people it’s fine to have fun on your own. Still, I think I appreciated it more when Rin and Nadeshiko were actually interacting in person rather than by phone, and I do hope that in future volumes we can have the four together… or maybe five, if we can convince Rin’s weird friend to come along. Still a nice series as laid-back as its name—I just wish it had more characterization. – Sean Gaffney

Takane & Hana, Vol. 3 | By Yuki Shiwasu | Viz Media – Takane & Hana is still at its best when its romantic pair are snarking at each other, and there’s plenty of that here. Elsewhere, though, Hana’s grades are starting to slip, leading to a studying binge which Takane actually proves pretty adept at helping with. It’s not without cost, though, as he gets a bad cold, and she realizes just how much it is that he actually does. Meanwhile, a trip with Takane, Hana, and Hana’s friends also includes the high school boy who likes her, and he brings up the elephant in the room, which is the fact that Takane is a decade older than Hana, she’s still in high school, and this is pretty creepy if you stop and think about it. That said, I’m content right now to let the shoujo manga keep the romance on a slow simmer. – Sean Gaffney

Yona of the Dawn, Vol. 12 | By Mizuho Kusanagi | VIZ Media –Yona of the Dawn is always good, but this volume is particularly so. Yona and her retinue get caught in the Fire Tribe city of Saika as an invading army from the Kai empire approaches. I appreciated the atmosphere of tension while everyone waited and also loved seeing Tae-Jun be brave, keeping his promise to protect the villagers. It turns out it’s all a traitorous plot and even though Yona would also like to get vengeance on Su-Won, she can’t let this army attack the palace lest they throw the nation into chaos. Potentially my favorite aspect of this, though, is that Kusanagi keeps showing that Su-Won actually is a better king than Yona’s father was. I expect eventually she’ll have to recognize that for herself. At turns light-hearted and intense, Yona of the Dawn really is something special. I’m glad this story exists. – Michelle Smith

By: Michelle Smith

[kevinweeksgolf1]

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