#centr fit

[ladyscroogeblr]

Sleeping...... It isn't going to well!

I know sleeping is the backbone to a healthy life. I struggle to get better sleep! Recently got a new mattress and bed frame. I've tried over the counter sleep aid

aids, like Zquill. Doesn't help. Usually getting to sleep isn't problem. Staying a sleep is and always has been. I'm a light sleeper I'd say. I usually wake up a few times a night. When I'm really stressed I have a hard time getting back to sleep. I try to get 6 or more hours sleep a night. They recommend 7 to 8. It doesn't help I have sleep apnea and wear a mask while I sleep. If the mask or straps, to hold the mask in p!ace, slip or whatever whole I sleep, I'll wake and have to adjust the mask or straps.That is annoying! On top of all this, I'm still going through menopause! Most nights I have night sweats! I'll wake up sweaty and hot! I get so frustrated! Hopefully at my next doctor appointment I can get hormonal replacement! With help with sleeping I found some Centr Fit videos on YouTube. Centr Fit is Chris Hemsworth's fitness, health and wellness app. I have to go to sleep to a video if sleep meditation narrated by Chris Hemsworth! He has such a calming and smooth sounding voice! It does help me Falk a slew but not stay a sleep! I dud another sleep video on how to get back to sleep. Haven't v tried it yet. This is my next big thing to work! On the Centr Fit app is also medition videoes to help release stress, etc. They help and most are narrated by Chris Hemsworth! I just want to live a fuller healthier life! Hopefully I can!

[blueyeswhtedragn]

April 9, 1993: San Francisco, CA, Cow Palace (Benefit for the Tresnjevka Women's Centre in Zagreb)

Nirvana's first American show in seven months. Attended by 11,000 people. 'L7', the 'Breeders' and 'Disposable Heroes of Hiphoprisy' also play. $50,000 is raised. The benefit was Krist's idea: "I was really pissed off by everything I'd been reading and nobody was doing anything about it.”

[lemonprick]

it’s like the artful dodger (2023) was MADE for tumblr. thomas brodie-sangster and flowy bloody sleeves. delightfully gory victorian surgery. period romance that is way hotter than it should be. period costuming that is FOR ONCE not referred to as ‘stifling’ or ‘torture’ by the spunky lady lead (this one’s for the historical dress community). anti-authoritarian. crime shenaniganry. young upstart tempted to their old ways. banger guy-ritchie-sherlock-holmes -2009-esque soundtrack. lovely lighting direction. what more could you possibly want.

[science70]

Prosthetic hand with moveable fingers, DHSS Limb Fitting Centre, Roehampton, London, 1979.

[vinceaddams]

gym bros PLEASE work out your entire body evenly and not just the upper third of it, I hate having to take the bottoms of suit jackets in by 3 or 4 inches.

[marypsue]

In that vein (hah), I just have to take a moment to gush about the costuming in The Lost Boys because. Have you seen the costuming in The Lost Boys. Like each costume standing on its own without anyone in it still gives you a sense of a whole character, which is important because some of these characters don't get, uh, lines. We have to be able to distinguish them immediately by visuals, and the thing is, we can, because they're not just dressed to look attractive, they're dressed with the purpose of establishing character.

Like, consider Michael. They kept it very simple for him, on purpose, he's a regular everyman kind of guy thrown into a Situation. But also, he's trying too hard. The white t-shirt, jeans, and leather jacket call back to James Dean, Rebel Without A Cause, but the leather jacket's brand new without a scuff or a crack, not broken in, and it sits uncomfortably on his shoulders. The earring doesn't suit him - it belongs to somebody else, a funhouse mirror version of himself that he's tempted by, but also it literally belongs to somebody else. Who gave him that earring? Star's implied to have done the piercing, for him, which also tracks - the earring's a little piece of someone else, someone darker and wilder, that's been dug right down into his flesh by his association with Star. It's tasted his blood.

It's also a little piece of the boys' uniting aesthetic bleeding over onto him. There's a magpie sensibility to all of them, but then each of them are visually distinct as themselves within it.

Star's clothes have 80s cuts but form a 60s hippie silhouette, solidified in time. She's the most colourful of them all, her white tops signifying a flash of innocence, but at the same time as she climbs on David's bike, she pulls on a big black jacket that almost envelops her, a little piece of his shadow falling over her and devouring her light. Again, it doesn't quite fit her, like she's playing dressup as a darker, wilder self just like Michael is.

And speaking of David. That boy is chin to toe wrapped up in black. The coat references batwings, which is a great detail. And those gloves! He doesn't touch Star; he doesn't touch Michael; he doesn't touch the world, except through a layer of darkness. It's real Old West, white-hat-black-hat level symbolism. Except.

The real villain of the piece isn't the dangerous, sharp-edged boy in black - although of course you need to look out for him, they don't call him 'dangerous' for no reason. The real villain of the piece is the most perfectly conventional, middle-class, unassuming, don't-look-twice take-him-home-to-mother normal guy imaginable. Grey and beige. Business casual.

It's the perfect camouflage for a predator.

(And then also like. I can't wax as poetic about it right now because my brain cells are otherwise occupied. But please consider how much character is there in, like, the Frogs' army-surplus duds and Sam's terrible, incredible shirts.)

[stubz]

"Remember to check with a teacher or one of the gardeners before eating what you pick from the gardens." calls out teacher Max.

The youngling centre was on a field trip visiting the ships indoor public garden that grows both flowers and vegetables from a variety of different planets. Younglings took joy in sharing and showing their friends vegetables and plants from their own respective planet. Even the teachers, Max and Kim, were happy to tell them about earth's plants.

"Wow, what's that Emira?"

"It's a glass flower!" she chirps holding up a beautiful flower with the petals and stem translucent. "They're my favorite flower!"

"So pretty! Can you...eat it!" the human grins.

"No!" the avian giggles. "You can't eat it! But my Maemae says you can use the roots for tea that helps tummy aches."

"I'll have to remember that." he nods, wearing an utmost serious and thoughtful face. The nearby gardeners chuckle.

"You should!"

"I shall-!"

"TEACHER MAAAX!!"

All heads whip to the south of the garden. At the very end of it is Ezshi screaming and waving their little tail and arms frantically. Beside them is Pollix, Zyz, and Tarlak huddling around a Kim kneeling on the ground grabbing her throat.

"Mr Max you stay h-" the gardeners watched as the human sprinted as fast he could to the other side of the gardens. Seconds later the younglings followed suit with Emira leading them, flapping her little wings as fast as she can.

"KIM! KIM WHAT'S WRONG?!" he skids to a stop beside her grabbing her shoulders to examine her.

The human shakes her head, face red, opens her mouth to speak only to go into a coughing fit. Her right hand at her throat, her left pounding her chest.

"What happened?? Did you eat something?? Kids what did she eat?!" later he'll apologize for shouting but right now he can't help it. Right now he's going through every lesson he's had about what to do when one eats something harmful/unknown to their species.

"I-I don't know! Tarlak gave it to her!" Zyz cries, tears streaming down their little snout.

"Tarlak, buddy, what did you give her??" the little Simia's lips quiver as he stares at the still hacking Kim.

"Tarlak, focus. What did you give her? What planet plot was it from?" Max grabs his shoulders, making him look solely at him and not Kim.

"...earth...it-it was from earth. This." he hands over a half eaten white plant bulb.

"...Kim's fine kids." he sighs flopping over onto the dirt. The adrenaline immediately leaving his body.

"What! What is it?!" they all cry.

"It's garlic."

For a moment there is silence save for some sighs of relief from the human children. And then.

"GET THE RED BAG!"

"CALL THE GARDENERS!"

"SHE'S GONNA DIEEE!"

All the younglings scream and wail. Most like Emira, however, simply cling to the human silently crying.

"...what?! Kids! She's not dying."

" 'm not...dying." Kim rasps, finally done coughing.

"Garlic is poison! It's how my Maemae's uncle died!" Emira wails.

"I heard one garlic clove can kill a hundred rextalians!" Ezshi frets.

"What are you talking abo...oooh. Thiosulfate."

"Thio-whatnow?" Kim coughs, spitting out a piece of garlic she frees from her cheek.

"Reason why most animals can't eat garlic and onions. Including most other non-earth species."

"...Oooh! Okay learning time! Listen up kids. Humans can eat garlic! Got it? Humans can eat garlic and other foods like garlic, our body breaks it down and stuff."

"But you choked and your face turned red!"

"Because the taste is very strong. It's like lemons. Basically I took a giant bite out of a lemon."

"...Ooooh!" cries out the younglings now understanding that their teacher is not dying.

"Wait why did you take a giant bite out of garlic?" laughs Max.

"I didn't know if was garlic or an onion and Tarlak's dad uses onions for to make a bug repellent...don't judge me I've never seen garlic in that shape before!"

"Why didn't you ask a gardener?"

"They're all the way on the other side of the field! Just-shush!"

"I'm never letting you live this down. Now help me stop the human kids from doing some kind of garlic challenge. I see Anthony and Piper eyeing them."

[tuituipupu]

take you down a peg

if you’re a macho man then beg

bend over the bed

it’s time to take you down a peg

~ peg, scene queen ♡

[ittybittyluci]

Okay okay okay! But like… hear me out here:

SOLDIER

POET

KING

I’m just saying it would make a killer animation meme…

[wavesoutbeingtossed]

One day I’m going to finish that essay or whatever it was in my drafts that’s about the themes of womanhood/relationships/thirtysomething stuff and TTPD but since part of this discussion has been revived on the dash but also it’s Saturday so this won’t ruffle as many feathers, I think one thing that sometimes gets lost in the shuffle in the conversation about the muses and stories in the lyrics is just why the recurring theme of the broken dreams pops up all over the album, and why they permeate the discussion of both muses, if not *all* the muses in the album.

Not to project things on Taylor, but it feels pretty clear to me* that the dreams she’s talking about specifically are about having a family, and that is the through line in the album, and why the successive blows devastated her. (*I don’t want to presume that anyone else feels this way and this is just my interpretation etc.)

The suburban gothic allegory in Fortnight depicting a miserable, lonely marriage. The ring on the ring finger in TTPD making her explode with joy because it was a shorthand for lifelong commitment. “He saw forever so he smashed it up” in My Boy. “I’m pissed off you let me give you all that youth for free” and dying on the sacrificial altar in So Long London. Marrying her wild boy in But Daddy. “Get the matches, toss the ashes off the ledge” in Fresh Out the Slammer (as in, she burned her life down). “You shit-talked me under the table talking rings and talking cradles” in loml. “The deflation of our dreaming leaving me bereft and reeling” in How Did It End. “Promises ocean deep and never to keep” in Peter. The allusion in The Manuscript that the man in question made her think he was in it for the potential of a serious commitment only for her to feel used when he moved on. And there are probably more examples I’m not thinking of off the top of my head here.

But what I’m trying to get at delicately is that from what she’s put down in TTPD, as well as what she’s put down in previous albums (“give you my wild, give you my child,” Paper Rings, Lover, renegade, YLM, etc.) building a life and a family with this person (Joe) was not only something she wanted, but seemingly deliberately planning and working towards. So in the death throes of the relationship, her grief was not just about things like losing someone she once loved, the breakdown of this relationship that was once comforting to her, what she gave up to make their life work, etc. but about this important thing she had dreamed of and what she seemed to feel was on the horizon. What I think I’m trying to say is that it had likely shifted at some point (even just based on the album pipeline) from a hypothetical “one day we’ll have ten kids and teach them how to dream” thing you wonder about with a partner to something that felt a lot more… tangible. (Again trying to be sensitive in my word choice/not project or assume things etc.)

I don’t want to make any accusations or assumptions on main, but I think those kind of life plans feeling within reach not only makes it understandable as to why someone would stay in a relationship whose cracks were turning into fault lines, but on the flip side why giving up on something that felt like it was on their doorstep would be so wholly devastating.

But it’s also why what happened in the two successive relationships *was* so devastating in the songs on the album, and why the Matty thing specifically was so twisted. He’d reentered her life and he’d insinuated himself back into her circle and gained her confidence which in turn led her to confide things in him (the “hostile takeovers” of it all, the whole bridge of The Smallest Man with its honey pot spy mission imagery in which like a mark he sweet talked her into sharing her most vulnerable, compromising “secrets” only to then turn it around to use her and ghost her like a trained operative). And given the way the family thing appears in both presumed storylines, it’s again because Muse #2 used the info gleaned about the life with Muse #1 to sell her a con about an alternate path to what she was mourning so deeply. (And why it’s such an unconscionable act because it’s manipulation, at least going by her own words about her experience of it. It’s as cavalier as the organ donor line in The Manuscript, with the same effect.)

The shittalking about rings and cradles is both of them (if not all of them) because in all cases, they ended up raising her hopes only to not plan on following through. One because he maybe couldn’t commit, one because maybe he was never serious about it. (And the one who did it first who was both 🥴.)

If I had to guess (because I am not Taylor so I will obviously never know any of this for sure besides picking up context clues), the dream was like a carrot dangling in her mind, feeling like this is what the “agony” to quote another one of her songs was for — like, things may be hard, but life is hard, and at least they were building towards *something* she felt they both wanted. And as that dream slipped through her fingers, it created a cascading series of events that crippled her emotionally for a time. So when she mourns that life in her songs, it’s almost like it’s the same dream, just in shifting contexts. The conman selling her dream back to her is comforting at first, but hits doubly hard and leaves her broke when it disappears.

The story throughout the muses on the album isn’t “she jumps to the person who promises her these things,” it’s that it’s a whole life she’s built that crumbles under the weight of reality knocking at the door and a foundation that shifts until it disintegrates. And losing that foundation and the dreams built upon it leaves her searching for answers in the wreckage — and looking elsewhere for clarity for a time. And it’s why it’s so hard to remove one muse from the other (or again, all of them), because that central driving force is used by each of them in different ways to build her up and take her down. And why working through the pain of one situation bleeds into that of another.

It’s hard to delve into this more without crossing boundaries or whatever, but it’s just such a palpable open wound in the album, but also why working through the pain in different contexts on TTPD brings to light all these different kinds of hurt but also the emotions that go along with them.

Anyway. That other essay will write itself at some point idk.

[weedle-testaburger]

excuse me for a second. *picks up cynical sci-fi men whose optimism was crushed by the injustices of the universe and snorts them like heroin*

[variousqueerthings]

VQT!

Dev Patel mentioned in his reddit AMA that some of the hijra in Monkey Man were not actors and were from the hijra community. I just remembered your tag and thought you might like to know!

AH THANK YOU FOR LETTING ME KNOW!

I was trying to find anything in interviews and coming up short. It does make it have some grounding in real world collaboration with people, rather than "just" coming from the outside and making statements -- obviously can't say for 100%, but it feels like it was supportive and respectful in the narrative, and hopefully behind the camera too

[pyrosomatic-metamorphosis]

i've mentioned here and there that i made a relationships/dynamic spreadsheet. i have finally put it to use. look on my Works, ye mighty, and despair.

-extra note: i am not omniscient and i cannot watch every stream. i may have missed a sibling declaration or two.

-extra extra note: i currently speak only english and used google translate for the rest. if theres a translation error I'd love to know- i wont be able to go back and fix these, but im always so curious about how accurate google translate can be

extra extra note pt 2: do. do other languages use guardian as in "legal guardian" as in "not a family member but still Primary Caregiver of child" because i am suddenly aware those translations might not be correct. on the other hand tho if google translate decided that the parents are guarding warriors of the eggs im not going to argue

[danganronpa96]

Yo, same person who suggested the otome DR96 crack idea. I have an idea that if this were an actual game, then the Island of Love mode is unlocked where it just a scenario in which Hayasaka bonds with new and old friends without the death game and capture the hearts of his possible love interests. Shenanigans ensues, especially Mai causing the shenanigans.

the show was quickly cancelled due to lack of enthusiasm for choice

[batsplat]

Pecco and Pedro are probably the people who more than anyone else want to beat Marc. Pecco because he is forced to do it for a matter of survival, his bet next year is to be able to win against Marc with the same bike. Pedro wants to win the first world championship with Marc in MotoGP, even better if he wins it against him, because of course that’s what he wants. I MotoGP your teammate is your first enemy, as surreal as it is, it would be more likely to see Pecco and Pedro helping each other (which would be unlikely anyway because they aren’t the type of people who do that) than one of them helping their teammate , especially if it's Marc. If anything Marc and Pecco have to be intelligent enough to at least not take each other out Portimao style, because in that case there will be someone behind them ready to bite

so I'm going to jump in right away by saying, I know this ask acknowledges it's unlikely but, yeah, pedro and pecco will not be helping each other in any meaningful sense - because they are both serious challengers to each other and they know it. sometimes, riders can be known to help non-team members in fairly small low-key ways (see in this post valentino accusing marc of deliberately towing ducati riders to get them ahead of his actual rivals in brno 2014). for both pecco and pedro, marc is definitely the bigger focus, but they are both perfectly aware of the danger the other poses, and will not be inclined to treat each other as anything other than an active threat

that being said! of course pecco has already nicely demonstrated this season that he does approach his marc fights differently than he does those with other riders (which is broadly the correct and smart thing to do, even if the specifics can be critiqued). portimao even gave us the direct comparison between pecco/pedro and pecco/marc! part of it, yes, will just be an element of self-preservation - marc is now back to being a major roadblock for winning any future championships, and he'll be in pecco's house so will of course require... extra attention. apart from that, it absolutely would be the most meaningful way pecco could win a championship, by beating the famous marc marquez on equal machinery... nobody has done that before, and it would instantly dispel any remaining doubts about pecco's ability and cement his legacy as one of the greats of the sport. he wants to beat marc so badly because marc is one of the two riders he's always been chasing... and marc's absence has left all the young pretenders in this odd place where they've taken the crown but don't quite believe it's theirs yet. (just to say this again, I personally don't share the view that marc's absence diminishes those titles in any way, but it is of course interesting when the riders themselves have these insecurities.) there was that interview from early-ish last year where pecco talked about some of his personal limitations and how he views his own status in the sport:

fascinating, isn't it? of course, I'm sure a second title will have helped to some extent in making him feel a little more entitled to that status in the sport - but this is not the kind of thing valentino or casey or jorge or marc ever would have said. there's a self-consciousness to pecco, an awareness of his uncertain, shaky journey to the top of the sport, how he's fully cognisant of how different he is to those names... which can be a problem at times - delusion is an athlete's life blood, and while the level headed insight pecco expresses here is arguably admirable, it is not necessarily helpful for him as a champion. on the other hand, sometimes lacking a little in the delusion department can be a good thing if it allows you to deliberately improve yourself, pushed on by the knowledge that you still have a long way to go... pecco's biggest self-inflicted wounds have tended to come when he's at his most comfortable - you can theorise about why this happens, but maybe that striver mindset is exactly what he needs to keep him going. it's still quite the admission to describe his 2022 season as more incomplete than either valentino or marc's title runs. (mind you, it's arguably even less complete a season than some of their misses - of course with valentino you have the obvious ones, but did you know that marc scored an average of 13.44 points in 2015 vs pecco's average of 13.25 in 2022? obvious caveat that in 2015 there were considerably fewer competitive bikes and barely any capable of regularly challenging for race wins.) the need to prove himself is always there with pecco... it keeps peaking through with him, and it absolutely peaks through in his approach to marc. yes, yes, acosta is the future, jorge martin has been his title rival more recently... but of course, beating marc would be special. do you think pecco ever dreamed that of it? do you think he really believed that he could before he was already premier class champion? with most champions, you would say it's likely. with pecco, I'm not quite so sure

as for pedro, yeah, obviously, that's just the cycle continuing lol. deeply curious what those two regularly competing at the sharp end of races looks like. pedro has kinda kept his distance, isn't that much of a marc fan himself... when he talks inspirations he tends to bring up schwantz, stoner, pedrosa, and of course rossi

schwantz is far from an unusual pick amongst riders, though as the years pass perhaps gradually more so - it certainly reveals an appreciation for the history of the sport. as do the other choices, in a way... let's not forget that acosta was eight years old when casey retired. of course back in the day casey and dani themselves got plenty of criticism for how 'boring' they were - that's just how these things go! nobody's ever nostalgic for the present etc etc

pedro did also talk last year about how the public wants celebrations and rivalries, critiquing how friendly riders are nowadays and saying people want battles like jorge/dani, valentino/marc, and so on (full clip here)

heartwarming: global number of people who still care about the valentino/sete rivalry is now confirmed at 2 (two)

obviously, you can't just go out and manufacture feuds because you're feeling like it, and pedro's had a pretty quiet rookie season in that sense. but once he feels like he's settled in and can challenge the infamous marc marquez in an actual title fight? on the basis of this rhetoric, you'd at least hope he's not going to be too shy in taking on the challenge. of course he too wants to beat marc more than anyone else... again, it's a question of legacy, how pedro clearly situates himself within the same lineage as both valentino and marc - even if personally he aspires to be more of a successor to the former than the latter. always better to take the crown for yourself, right? this is a kid who's clearly into the history of the sport and is already determined to make himself a big part of that story... weaving himself into that narrative by taking on a legend of the past, taking on the task of disposing with that legend himself. plus, given pedro is so aware of that history - he knows that what people remember are the rivalries. he wants some of that for himself! it'll be interesting to see how proactive he'll be in making that happen, certainly seems like an enterprising young lad

anyhow, yes, plenty of potential for both of those dynamics. and yes, they do very much want to beat marc - but if we're talking about who wants to beat him the most, jorge martin probably deserves a mention right around now. does have to be said that something dumb like the portimao thing is costing pecco and marc this year. it's kind of gone under given the sheer bucketloads of points all the title contenders are throwing away, but pecco would be eight not eighteen points behind in the standings if he had settled for sixth in portimao, and for marc it would be twenty four rather than thirty five points if he'd backed out of the move and had another go on the next lap. relatively unlikely to make a difference at the end of the season... though for mr title decider pecco bagnaia, it sure might be! I did joke about making the pecco/marc portimao thing tradition, but generally speaking two top riders crashing each other out isn't that common a thing, and it's pretty..? rare? that it's the same two riders on multiple occasions? I'm drawing a bit of a blank here, to be honest... then again, title contenders do seem to crash rather more than they used to (admittedly they also have a lot of opportunities now) - so maybe this is going to become a more regular occurrence. but what is more likely to happen is that when you have two competitive riders on the same bike, they do run the risk of taking turns stealing points from each other at the circuits where their bike is at its best. I think pecco and marc can probably minimise this given what a good all-round bike the ducati is across a range of different circuits, and also given that as individual riders they do at least seem to be reasonably distinct in what their strongest and weakest tracks are. all in all, I kind of doubt they'll cost each other like that next year... though admittedly if portimao is anything to go by I may be tempting fate

[pioneer-over-c]

vaida but metal