#cdcns

[margueritelarochelaise]

Pouce ! le festival danse jeune public

Pouce ! le festival danse jeune public

La Manufacture CDCN présente POUCE !, le Festival Danse Jeune Public en région Nouvelle Aquitaine du 30 janvier au 10 février 2024.     Le festival POUCE ! propose à tous et toutes, dès 3 ans, de vivre l’expérience du spectacle vivant, du mouvement et de la joie de danser ! Explorer les histoires, les récits, d’équipes artistiques de la région Nouvelle-Aquitaine et d’ailleurs. Imaginer des mondes…

[mysmorgasbordoffantabulosa]

What are your thoughts on BTS's future and TK's future with BTS? I have a gut feeling BTS aren't going to reconvene in 2025. Especially with Bang's uncertainty shown in the press conference.

Maybe TK aren't re-signing? Idk what to think

Ok this ask has been in my drafts for nearly a fortnight. Firstly, I wanted to apoligise to the original sender that it took me this long to get sorted. Last week was busy with work and I've also had to deal with a tonne of asks too. So apologies.

This post is also F.A.O. @nonalisa @lullaby-of-taekook @taekookgotjamz  who asked about my thoughts so to you and the rest of you...

First, I'll give a bit of context and then my thoughts on what might be happening now and could happen in the future....

First, the context:

This will be broken up into 3 parts...

2018 & the 2020 contract

Fake Rumours about contracts and lack of support

What HYBE are saying

2018 & the New 2020 contract.

We can't talk about the future without looking back to the previous renegotiation.

In 2017, BTS were close to breaking point and in early 2018 contemplating disbandment. Under this cloud BigHit initiated negotiations with BTS, over several months the boys renegotitated there second phase contract, due to start in June 2020, and most likely an adjustment to the then current contract.

I have speculated that BTS, and in particular Taekook, used Dispatch to hint at them being a couple as form of contract negotiation.

Whatever happened BTS re-signed.

It should be noted that BH suggested that BTS use their own lawyers and even to consult with their parents about the contract proposals.

I feel the new contract afforded BTS a lot more autonomy and control over their futures, content and lives. First indications of this was the two-month break in 2019.

It's clear from June 2020 there is a stark change in how the boys are presented and how they interact both in front and behind the camera.

Most reports indicated that the new contract was until 2026

Major news outlets would not report that date unless it came directly from BH.

Then in 2020 during the IPO of BH on the Korean Stock Market, this came out...

So why the two dates? My initial thought was a 5 year contract with an option to extent for 2 years. However, I now think the answer is a lot simpler, BTS signed a 5 year deal which factored in 2 year time out for military enlistment, so there would be an automatic extension to 2026, hence why nearly all news outlets in 2018 mention this obvious press release date.

The Fake Rumour(s) about Contracts

Between June 2020 and now amongst some Taekookers and solo stans there is a perception that HYBE is sideling and not supporting Tae and JK.

Then, in Jan 2023, a Taekook twitter account started circulating a "blind item" claiming to be from October 2020 about how 5 members of BTS had re-signed/extended their contract, but 1 member hadn't, and another was supportive of them (despite there being not a single shred of evidence of such a blind item existing back in 2020)...

Then BANG! on 11th February, on the well-known blind item website CrazyDaysCrazyNights, the exact same blind item resurfaced but with 2023 twist that set out to villainise HYBE and Scooter Braun...

My guess, because people can submit gossip to CDCN, someone did this recently for this blind.

Following it's posting, it was clear that some Taekookers and Solo JK/Tae Stans used this blind as justification for their fav's perceived lack of support from the company (despite that not exactly being the case) and ongoing assumption that Taekook were the only ones who hadn't re-signed, and will not enlist and would leave BH after 2024. Obviously forgetting that not a few days earlier they claimed this all happened back in 2020. Odd that isn't it....

These rumours were initially compounded by JK's Lives on Weverse, where he talks about not working on his album that he's not doing much. Then within days, we hear about Tae's work and promotion of it, as well as JK going to work and rumours of a BA with Calvin Klein.

HYBE, BigHit and Band PD....

As the speculation grew - within the fandom about how supposedly some of the members, particularly Taekook weren't getting the same level of support from the company - we suddenly start seeing statements and interviews, reiterating that the company supports all members in their solo projects.

In particular, Bang PD does an interview and conference where he talks about the future of K-Pop. He specifically mentioned BTS and that they are currently in contract renewal talks with BH. So unlike the blind all the members are currently negotiating their new contract, but it's likely nothing will resolve until BTS return from enlistment.

My thoughts...

I'll break this down into BTS as a whole and what might be the key points in the contract talks, then look briefly at Taekook.

BTS

BTS back in 2018 decided to renegotiate together as 1 and got a new contract as a collective. That contract I think gave them a lot more freedom, control and opportunities for solo activities until 2024/26 from June 2020.

During this new contract negotiation, which likely started last year, it's clear they're doing the same thing. We know this because RM stated it in his Live the other day. I think the catch up with Jin last week, whilst was about catching up with him it was also about the new contract. RM also stated it would be resolved until they all return from the military.

I think the new contract is about allowing BTS to create music and go on tours together every few years and in between allow them to grow as soloists too. As well as, giving them even more control over their time and music.

This is where a new BTS Label, separate from BigHit and HYBE, could come into play. It will be like what Apple Records was like for the Beatles. However, this may be the biggest sticking point for HYBE, it would be predominantly owned by BTS, with HYBE as a minority shareholder. I also wonder if BTS want their Masters, as this would increase their control. I think HYBE want to retain as much control/profit as the can from BTS, but obviously the boys want more of that for themselves too. So, I think a compromise will be reached.

I do think HYBE will give them most of the control and freedom they want and possibly more control/ownership over their Masters.

Taekook

There is a perception in certain quarters that Tae and JK are victims and are just riding out their contract until 2024. That doesn't tally with what they and the other members have said. I definitely think all 7 re-sign with BH/HYBE in some way. But I wonder if Taekook want some specific for them included too. I could see them asking for no "fanservice" moments, but that's small fry. Could they want a managed (sort of) coming out plan? That's possible. In light of recent events, could they want HYBE to support them officially moving in together as flatmates?

These are all interesting questions and thoughts I currently have.

Final thought:

What is clear though to me, is that BTS will be re-signing with HYBE in some way, and we'll possibly get that announcement shortly after the last members return from the military.

[compagnienlacets]

STRATES 🏔️

CRÉATION 2024

Un spectacle mis en scène et chorégraphié par Maud Marquet avec le travail visuel de Corinne Janier. 2 interprètes danse et 1 interprète musique — scolaire et tout public — 45 min

Le projet STRATES s’inscrit dans les courants du Corps-Paysage, Corps-Décor et du Land Art. Prévue pour le plateau, c'est une création chorégraphique se faisant analogie entre le corps humain et la montagne. Quelles sont les caractéristiques communes, les similitudes entre le corps et la montagne ? Comment le corps peut raconter, traduire la montagne, ses mouvements, son histoire ? L’analogie entre corps et montagne sera renforcée à travers la dimension scénographique et plastique.

C’est un projet qui prend pour appui les spécificités géologiques d’un territoire qui vont être traduites dans un spectacle chorégraphique, scénographique et musical. Le Massif Jurassien a été choisi comme base des observations et études. Dans ce projet il s’agit de s’inspirer des ressources de ce massif, pour élaborer une écriture aux croisements de plusieurs domaines.

• CO-PRODUCTION ET SOUTIENS Bourgogne-Franche-Comté : Le Dancing CDCN Dijon Bourgogne-Franche-Comté (résidence simple 2024), Le VIADANSE CCN Belfort de Bourgogne-Franche- Comté (résidence simple 2024), Le dispositif Hors Limites - Association NA / Compagnie Pernette / Besançon, Le Théâtre de Beaune, La Fraternelle - Maison du Peuple - Saint-Claude, Le Musée de l’Abbaye Donations Guy Bardone et René Genis, L'Atheneum de Dijon, Théâtre de la ville de Morteau Grand Est : La Passerelle Rixheim, Le festival la Quinzaine de la Danse, Le PReO-Scène de Oberhausbergen, Le Nouveau Relax de Chaumont • PARTENAIRES INSTITUTIONNELS - la DRAC Bourgogne-Franche-Comté : résidence territoriale EAC, école primaire de Lavancia et résidence excellence des métiers d’arts, collège et lycée Pierre Vernotte de Moirans-en-Montagne - la DRAC Grand Est : conventionnement sur 2 années 2023 et 2024 - Le département de la Marne aide à la création - L’Agence Culturelle Grand Est - Aide à la Mobilité - la SPEDIDAM aide à la création Chorégraphie et mise en scène : Maud Marquet Interprétation duo : Maud Marquet ou Lysandre Korelis, Marie Sinnaeve ou Angelique Spiliopoulos en alternance Musique en live : Maxim Boubay Scénographie, arts plastiques : Corinne Janier Céramique Accompagnement scientifique, géologique et stratigraphique : Apolline Lefort Recherche et réalisation scénographique : Étudiant·e·s MADE 1 du Lycée Pierre Vernotte de Moirans-en-Montagne Intervention pédagogique 2022 : Sarah Lorenzo et Maud Marquet Intervention pédagogique 2023 et 2024 : Maud Marquet et Corinne Janier Création lumière : Manon Meyer Régie générale : Jean David Regard Extérieur : Nathalie Pernette Graphisme et communication : Alexis Klein Recherche de partenariats : Lou Paquet Administration : Lucas Surrel

[ehcirbnats]

Décembre 2023

Samedi 2: Atelier chants et danses vodou haïtien, M. Ninie / Mme Nerval / Legphibao, Théâtre de l'Echangeur, Bagnolet

Dimanche 3: LE BAL SURPRISE #3, Das Kollektiv Mahu, Le Truc, Paris

Du 4 au 8: Résidence de création, ABUS II agnus dei, Y. Sif El Islam, La Maison des Ecritures / La Manufacture CDCN, La Rochelle (17)

Jeudi 7: ABUS II agnus dei, (sortie de résidence ) Y. Sif El Islam, La Manufacture CDCN, La Rochelle (17)

Vendredi 8: Onagre, performance de S. Goldrajch, dans le cadre du vernissage de l'exposition "Hérétiques" (curator A. Baronian), CWB Centre Wallonie Bruxelles, Paris

Jeudi 14: Atelier Persistances fantomatiques, C. Desombre / A. Menard-Salis, Artagon, Pantin

Vendredi 15: Slow, une histoire d'amour, réal. G. Bizien, sortie en ligne

Du 20 au 22: ANNULE ERD F. Chaignaud, CND Centre National de la Danse, Pantin

Vendredi 22: Infini, réal M. Michel, chor. T Adam-Garnung / Les Débutantes, sortie en ligne

Vendredi 29: Soirée Maurice Béjart, diffusion France TV et replay en ligne (jusqu'au 05.01.2024)

[sguardimora]

Chiara Bersani in residenza per “Sottobosco”

19 Marzo 2023 - 29 Marzo 2023 

Inizia oggi la residenza creativa per la ricerca e la composizione del nuovo spettacolo di  Chiara Bersani. Bersani è l’artista selezionata per l’ottavo Tandem di produzione che vede coinvolti come coproduttori Teatro di Sardegna, Cagliari (Italia); Bunker, Ljubljana (Slovenia). La selezione è avvenuta attreverso una call aperta il 29 aprile e chiusa il 27 maggio 2022; la seconda delle due call promosse dal progetto per artisti residenti in Italia.

Sottobosco

[2° inverno di pandemia – inizio campagna vaccinale italiana. A causa di una mancanza di linee guida nazionali sulle categorie prioritarie da vaccinare, le regioni iniziarono a muoversi autonomamente ponendo professionisti/e della giustizia, giornalisti/e, politici/e (…) come prioritari rispetto alle persone fragili e vulnerabili]

No, non c’è alleanza tra i corpi ora. È calato il silenzio nelle ossa, le pieghe delle articolazioni creano grotte cave. Toccarti è sovversivo, fare l’amore è carbonaro e a chiunque mi chieda una parola di conforto io riservo lo sguardo più feroce. No, non c’è alleanza e non c’è conforto. Non posso essere culla accogliente perché mi avete resa selvatica. In biologia è classificata come “vulnerabile” quella specie, animale o vegetale, a rischio di estinzione. Questo tempo mi ha incoronata tale. Sono crollate quelle strutture le cui lunghe dita accarezzavano la mia testa sussurrandomi all’orecchio che ero ben accolta, ben accettata. No, non c’è alleanza, non c’è conforto, ma se ti arrendi mi posso prendere cura di te. Perché le ferite sono un fatto, le fratture sono un evento concreto e noi che non abbiamo nemmeno una priorità vaccinale non ti confortiamo, no, ma ti curiamo se serve. Tu però ti devi adagiare. (Chiara Bersani)

Un gruppo di bambini con disabilità si perde nel bosco. O forse sono stati abbandonati. Forse inseguivano un amore. Forse il bosco, un giorno, gli è semplicemente cresciuto attorno. Cosa potrebbe accadere? Cosa ne sarà dei loro corpi? Cosa dei loro cuori? Delle carrozzine e delle stampelle? Cosa guarderanno i loro occhi? Che lingua parleranno? E chi li trova per caso o desiderio, come deve avvicinarli? Può farlo? Saprà chiedere permesso?

Sottobosco costruisce un ambiente in cui gruppi estemporanei di persone con disabilità si potranno incontrare e diventare comunità. Di questo ambiente, ad oggi, conosciamo solamente la stratificazione. Ci sarà un cielo sopra le nostre teste, inaccessibile e orizzontale, nel quale si muoveranno suoni e luci con la stessa inesorabile andatura dell’universo che si espande. Ci sarà un sottobosco che vivrà sotto quel cielo e sarà abitato dai performer, dal pubblico, da altri suoni e altre luci che vivranno tremanti come i corpi e le piante. Cosa ci sia tra il cielo e il sottobosco ancora non lo sappiamo. La dimensione sonora della performance rimanda al tracciato multiforme e multidimensionale che può percorrere un meridiano, dal polo nord al polo sud. L’evoluzione del suono durante l’opera ospita un movimento iperbolico che attraversa stati, spazi di luce e di oscurità, texture di materie differenti, pulite e nebbiose, vuote, largei o strette. Micro suoni, mondi piccolissimi che abitano queste macroforme, dettagli che costruiscono un ambiente spaziale vivo e in ascolto, in continua trasformazione.

SOTTOBOSCO di Chiara Bersani con Elena Sgarbossa suono e supporto alla drammaturgia Lemmo spazio, luce e direzione tecnica Valeria Foti costumi Ettore Lombardi drammaturgia Giulia Traversi / Chiara Bersani promozione e cura Giulia Traversi childcare Chiara Boitani logistica e organizzazione Eleonora Cavallo comunicazione e ufficio stampa Dalila D’Amico amministrazione Chiara Fava

produzione corpoceleste c.c.00# co-produzione Theaterfestival Boulevard (s-Hertogembosh, Olanda), Centrale Fies (Dro, Italia), Tanzt Im August HAU Hebbel am Ufer (Berlin, BE), Rosendal Teatre (Trondehim, NO) , Le Gymnase CDCN Roubaix – Hauts–de-France (FR), Kunstencentrum VIERNULVIER vzw / Arts Centre VIERNULVIER, Gent (BE), Snaporazverein, Samaden (CH), Stronger Peripheries: a southern coalition, Santarcangelo Festival (Santarcangelo Di Romagna, ITA), Tanzhaus nrw (Düsseldorf, DE). con il sostegno di Skånes Dansteater (Malmo, Svezia), IntercettAzioni – Centro di Residenza Artistica della Lombardia (Milano, Ita), Homonovus Festival (Riga, Lettonia), IntercettAzioni – Centro di Residenza Artistica della Lombardia. spettacolo vincitore di Toscana Terra Accogliente, un progetto di R.A.T. Residenze Artistiche Toscane, in collaborazione con Teatro Metastasio, Fondazione Toscana Spettacolo, Virgilio Sieni Danza, Fabbrica Europa. dal 2020-2024, Chiara Bersani è un’artista supportata da apap – FEMINIST FUTURES, un progetto co-fondato con Creative Europe Programme of the European Union.

Tandem 8 #Connecting Dots

[imperiumallaboveall]

Watch "Rudloe Manor SITE2 TOP SECRET NEW GCHQ SITE CORSHAM GOSCC CDCN CCC RNSD" on YouTube

Digging

[mathieumafillefoundation]

POSTCARD FROM MMFF

😻

BONS BAISERS DE BORDEAUX

Festival Trente Trente - CDCN La Manufacture

Dans ma chambre #3 (cirque radiophonique)

Manuel Coursin et Arnaud Saury

Fond d’écran N° 05 - Mathieu Ma Fille Foundation - Marseille - Janvier 23

Instant Facebook # 2 Photo © Le Jacky pour MMFF

[tcmura]

☎️

MANDA ☎ PARA RECIBIR LA SIGUIENTE INFORMACION DE TU MUSE EN EL TELEFONO DE MI MUSE:

NOMBRE: un murciélago ¿ 

RINGTONE: iPhone’s generic ringtone. 

FOTO:

ULTIMO MENSAJE RECIBIDO: it’s 5am 

ULTIMO MENSAJE ENVIADO: no es debate que el surf es un deporte más completo que el tennis 

[avgustines]

“oh, lo siento, eso no era para ti” / @cdcns​

   ‘bueno, me avisaste un tanto tarde’ como puede, retira el resto de nieve de su bufanda, casi segura de que por la noche estará resfriada. ‘si me engripo es tu culpa, eh’

[minjojc]

questions — 7, 9

7. ¿Qué piensa de los tatuajes? ¿Tienen alguno?

Le gustan mucho, los ve como otro estilo de arte. Tiene uno pequeño en la parte interior de su muñeca izquierda. Le encanta, pero probablemente no se haría otro, al menos no de momento.

9. Cuéntanos de sus hobbies favoritos.

Le gusta cantar en su tiempo libre o componer, esto último en menor cantidad y de forma casual. Otro de sus hobbies más recurrentes, es la fotografía, algo que la ha cautivado desde que ingresó al club.

[leovqzz]

@cdcns​ ha dicho: “genial, otro día encerrades”

“¿y me lo dices a mí? debí quedarme en cama.” bufa, echando desganada la cabeza hacía atrás.”es irónico que esté estudiando para esto y  el destino se las arregle para seguir déjandome detrás de las rejas.” 

[mysmorgasbordoffantabulosa]

A couple of thoughts on the BigHit Music/BTS relationship and... that rumour!

First the rumour

So, let's get the rumour out of the way... [though I'll probably come back to it eventually].

Last month an anon directed me to a rumoured 2020 blind item, about two members, who hadn't extended their contract...

This account is a known Taekook account. The comments/replies suggest the original poster of the blind doesn't exist and they posted this blind just before closing their account... but here's the thing why can't I find any reference to the original post. You're not telling me shit loads of Taekookers, hell OT7 and solo stans wouldn't have been all up in that shit if this blind was around in 2020. I never saw such a blind back then and I follow two big blind item websites (they have always intrigued me). This makes me think the post wasn't real. But perhaps there's a slither of truth in it...

Then on 11th Feb 2023, Crazy Days and Crazy Nights posted this...

And in the comments, there is the prevailing theory that BigHit/HYBE is deliberately not promoting their (Tae and JK) solo project stuff as some sort of evidence to back this theory up. Despite the fact that BH doesn't promote work that they don't produce themselves. I have yet to see a tweet or Weverse announcement about RM's involvement in a K-Variety Show he's doing, or Hobi, Suga and Jimin's recent fashion brand deals. Why because those companies are more than capable of promoting their own work with the members themselves.

Tae's cooking show is currently being promoted by the broadcaster as per usual and JK's World Cup Single was for a different label so any promo would have been done by them. Also, if BH weren't supportive of these endeavours do you really think they would allow their staff to travel and work with the Tae and JK and and provide support on these projects? You knot

I also find it interesting that a blind item that is supposedly 2 1/2 years old is suddenly back again and linked to a recent company purchase and Blackpink. That just seems suspicious.

I'll leave that there for a bit...

Let's keep it on the down low...

Now let's look at HYBE and BigHit and why I think the boys might have more control than we currently see.

Earlier this week, in light of the whole HYBE/SM drama, I saw two TikToks from the same user that piqued my interest and how BTS might have more power than we think...

Now I, like many others, was under the assumption that HYBE had full control over BigHit, but after a little research, I've found that this TikTok is true and BigHit is a separate entity to HYBE itself...

This twitter thread from April 2021 (when Scooter Braun and Ithaca Holdings were purchased), is very insightful and all publicly available...

So, in essence, when HYBE was in the process of purchasing Ithaca Holdings from Scooter Braun, Bang PD did something, he and the HYBE board (mostly made up of former BH Entertainment people) unlisted BigHit Music from the stock market and separated it off as private company. Still owned by HYBE but privately owned by them and independently operated and not affected by HYBE's dealings.

Before I move on some context that's needed for later…

In 2018, BTS re-sign with BH

In 2020, we discover BTS's contract renewal will run from June 2020 to June 2024

October 2020 BH Goes public BTS get shares in the company

6 months later Big Entertainment splits in HYBE and BigHit Music.

By 2021 we learn they have extended their contract for the full 7 years to 2027.

2022 BTS go on break from group duties ahead of enlistment.

NOTE: I think Points 3 to 5 are very important to all of this....

(I hope we're all still here, lol)

Why do I think this is important and shows us why BH/HYBE is not out to get the boys?

Firstly, it shows that HYBE wanted BTS/BH to be protected in case anything happened to the rest of HYBE. This is pertinent considering the CDCN blind specifically mentions the purchase of the US company. How it's worded suggests that BTS profits paid for it and that the boys are in a slave contracts. If BH is sperate that suggests that their profits don't automatically go into HYBE's bottom line. Also, any idiot with a Google Degree can tell you in seconds that BH had one of the most progress profit sharing deals with its artists.

Additionally, we don't know who owns the shares in BH, we know that in March/April 2021, HYBE was the sole shareholder, what's to say that other entities are shareholders too... such as BTS.

Think about it, in 2020 HYBE/BH were trying to persuade BTS to do the USA thing, what if BTS who were not in a happy place with all the speculation of enlistment, plus covid, were close to saying no to an extension and a push into the USA. What if HYBE offered them something they could refuse, which would kill two birds...

What if BTS wasn't happy about BH becoming HYBE?

So why did BH not become HYBE in 2020 and waited until 2021? I wonder if the answer to this was BTS and their contract extension. Imagine this...

You're BTS and the company you've literally built, is about to go public and you as artists who were promised more control in your contract could potentially loose said control when the new company is formed. Add to this you've yet to officially extend your contract and said company want you to do something new and could benefit them massively (US market push & new ventures etc.).

Your BTS, what would you do?

Me I'd kick up a fuse until you made sure there were some provisions in place to protect your brand and your creative freedom.

Maybe, that's why BigHit didn't immediately become HYBE because BTS weren't fully onboard.

What would placate them?

Maybe making BH into a separate entity and giving the boys the control, they crave?

The would do two things, ease their minds about the USA push a little, as well as the change to HYBE.

However, this could happen straight away, and would take several months to implement, it's also possibly why the Scooter Braun detail didn't happen sooner. Prior to this happening, they were given share in HYBE, and I think during that six months they were given iron clad contract extensions that benefited them and BH (note not HYBE) greatly.

Another thing to consider... perhaps BTS are shareholders in BH Music the private company. All we know is originally when they private the company HYBE was the sole owner; once you're a private company you don't have to announce things about profits, stocks & share sales unless it's a takeover situation, unlike HYBE as public company.

I also think this private (and very possible) arrangement might be what led HYBE to purchasing stock in YG Plus because HYBE would get a slice of BTS revenue (from manufacturing/distribution costs that YG Plus generate) prior to BH/BTS getting their profits, because... what if, only a small portion of BH's actual profit can go into the HYBE's bottom line.

Anyway...

In conclusion, I think there was a slither of truth in the "original" blind item, but I wonder if it involved all the boys, perhaps led by the two (who we all believe to Taekook).

No, I don't think it was connected to their sexuality, but more likely their (BTS's) unease of the company they helped build going public and a possibly fear of being undermined by any new management, as well as the push into the USA.

The latest version of the blind, is most likely being stirred up by antis who want to isolate Taekook from the others (hence the constant HYBE don't promote their solo work, even though HYBE/BH don't do it for other members), making them out to be diva's who want more and more. Then use incorrect information in the process and therefore creating a blind that actually doesn't make factual sense.

The Blackpink thing? I have no idea.

[stage-fragments]

Antonia Baehr, Latifa Laâbissi, Nadia Lauro, Consul et Meshie, juin 2019.

[lyd2liveyourdreams]

Night without end An ode to a period of growth nutruring and art Art of dance Art of life Art of being a human #jevousaime #CDCN #familyfarfromhome #ahometomany ❤️ (at Toulouse, France) https://www.instagram.com/p/BzSzccqInJCgAgjfvJXS2pLBecrBshj0R0Xk-c0/?igshid=ybs9fb9yl0vb

[alternatif-art]

Appel à candidature : Bourse de création VIDÉODANSE, CDCN La Briqueterie

[pvrkgoo]

“genial, otro día encerrades.” // @cdcns 

“la nueva y vanguardista costumbre de la universidad de hawaii, yay.” el fingido tono emocionado en su voz es acompañado por vagos aplausos, dejando la libreta sobre sus muslos. “me da igual estar encerrada, lo que es un fastidio es el reducido espacio.”