#carlos mendes

[vintageurovision]

Verão, Carlos Mendes | Portugal, Eurovision Song Contest 1968

[lisboaumretrato]

Joaquim Pessoa/Carlos Mendes, Ruas de Lisboa I Canções de Ex-Cravo e Malviver, 1978

[altamontpt]

Júlio Pereira - Fernandinho vai ó vinho (1976)

A estreia a solo de Júlio Pereira é uma "opereta-rock" cheia de grandes convidados e de um humor e uma ternura irresistíveis.

A estreia a solo de Júlio Pereira é uma “opereta-rock” cheia de grandes convidados e de um humor e uma ternura irresistíveis. Quando pensamos em Júlio Pereira vem-nos imediatamente à cabeça a imagem do músico de cabelo longo com o seu inevitável cavaquinho entre as mãos, navegando as águas da música popular portuguesa. Mas, no início da sua carreira, o rock era um dos seus grandes amores. De…

[sassy-classy-fangirl]

We cry because our celebrity husband doesn’t know we exist

[gotankgo]

«#RIP Sergio Mendes (1941-2024) seen in 1962 with Antonio Carlos Jobim on 43rd St nearing 6th Ave.

Hanover House (101 W 43nd St at 6th Ave) is where Woody Guthrie wrote “This Land Is Your Land” on Feb 23, 1940. Just behind it is Harvey Radio at (106 W 43rd St).»

[nicocota]

[coastalwind]

RB so it reaches more people and your guy can win obvi

[julio-viernes]

Falleció uno de los grandes embajadores de la bossa nova fusión a nivel mundial, Sergio Mendes a los 83 años. La culpa de todo la tuvo su versión de "Mas que Nada" de Jorge Ben en 1966, un brillante easy listening mezcla de bossa con cool jazz. Su repertorio de los años sesenta contuvo muchas versiones de artistas anglosajones de éxito, Beatles ("Day Tripper", "With a Little Help From My Friends", "The Fool On The Hill"); Burt Bacharach ("The Look Of Love", "What The World Needs Now") y hasta una gran toma de "For What It´s Worth" de Buffalo Springfield, en unión con grandes clásicos brasileños de Ben, João Gilberto, Vinicius de Moraes, Gilberto Gil o Antonio Carlos Jobim y algunos temas propios.

A mitad de los años setenta, ya como Sérgio Mendes and Brasil ‘77, Mendes cayó bajo el influjo de las despampanante música de Stevie Wonder e hizo al menos media docena de sus canciones en un par de álbumes. Y en el LP “Sergio Mendes And The New Brasil '77” (Elektra, 1977), incluyó dos inéditas de Wonder, “The Real Thing” y “Love City”. Un disco en el que además el genio tocó piano y clavinet.

[rotor25]

1962 new york

[thef155]

Congrats to all the Charlos shippers! 🇲🇽 Today is your day! 🏎️❤️🏎️

[lydiamaya-main]

Football Clubs as baby : Paris Saint Germain

Kylian Mbappé ❤🤍💙💛

Achraf Hakimi ❤🤍💙💛

Keylor Navas ❤🤍💙💛

Presnel Kimpembe ❤🤍💙💛

Sergio Ramos ❤🤍💙💛

Marquinhos ❤🤍💙💛

Marco Verratti ❤🤍💙💛

Fabián Ruiz ❤🤍💙💛

Neymar

Lionel Messi ❤🤍💙💛

Juan Bernat ❤🤍💙💛

Danilo Pereira ❤🤍💙💛

Sergio Rico ❤🤍💙💛 (Furthest I could find, from 2014)

Vitinha ❤🤍💙💛

Pablo Sarabia ❤🤍💙💛

Renato Sanches ❤🤍💙💛

Nuno Mendes ❤🤍💙💛

Carlos Soler ❤🤍💙💛

Nordi Mukiele ❤🤍💙💛

Hugo Ekitike ❤🤍💙💛 (On loan from Reims) (He's 20 now, furthest I could find from 2019)

Alexandre Letellier ❤🤍💙💛 (Furthest I could find, from 2013)

Gianluigi Donnarumma ❤🤍💙💛

(This was surprisingly one of the smallest squad I have seen)

PL teams as babies if anyone's interested

F1 drivers 2022 season as babies if anyone's interested

[vintageurovision]

Carlos Mendes represents Portugal in the 1972 Eurovision Song Contest, held in Edinburgh, Scotland, on 25 March that year. He came seventh out of 18 contestants with 'A Festa da Vida'. [Photos: Roy Bedell]

[bubbleonice]

You can now find me on patreon. I will still post my celebrity readings on youtube, but I will keep some exclusive content for only members🥰

I will also be open for personal readings for members. Welcome to take a look at my profiles. And thanks from the bottom of my heart for everyone’s support❤️❤️❤️

[swallowtanager]

The monte carlo "Minecraft Fishing for Mending Books" simulation has eaten my CPU, homework, and braincells. Send help.

[mywifeleftme]

150: Luiz Carlos Vinhas // O som psicodélico de L.C.V.

O som psicodélico de L.C.V. Luiz Carlos Vinhas 1968, CBS (Bandcamp)

This album is so fucking good, ay ay ay. Pianist Luiz Carlos Vinhas was a founding member of the bossa nova movement who played with the instrumental trio Bossa Três; as a sideman for Jorge Ben and many others; and released a handful of solo records, of which his ’64 debut Novas Estruturas (New Structures) is the most acclaimed—though it’s sadly as desperately rare as the rest of his catalogue. A fine album in its own right, Novas Estruturas is laid back bossa jazz that will class up any joint lucky enough for it to be played in, but 1968’s O som psicodélico de L.C.V. (The Psychedelic Sound of L.C.V.) is on a different level. In the four years since his debut, Vinhas has clearly drawn influence from the burgeoning Tropicália movement. If L.C.V.’s not quite as deliciously off-meds as Gilberto Gil or Tom Zé’s releases from the same year, it’s at least their equal in colour and pure festive pleasure.

The trio of Vinhas originals on the A-side testify to the album’s carnivalesque range: on “Tanganica” (possibly named for a province in the Congo) simulated birdcalls scream around a twanging electric guitar, samba percussion, and a series of stirring trumpet solos; on the militant “Yê-Melê” (which Sérgio Mendes would cover the following year), the music switches between pounding Afro-Cuban piano and strafing organ runs, while a chorus of female vocalists and a group of trumpeters take turns riling up the audience; “Zize-Baio” (Google Translate shrugs its shoulders at me) is pure pop, with a rising instrumental hook that continues to build pleasure until the song cuts just over two minutes in and you feel a little ruffled it’s over so soon. But life goes on, and Vinhas’s band throw everything at you: a stunning rendition of Horace Silver’s “Song to My Father,” a trio of inventive medleys on the B-side that find time for Ary Barroso and “Chatanooga Choo-Choo” alike, the attack of pure mania that is the motormouthed “O Dialogo” (another Vinhas original), and on and on.

Only reissued for the first time in 2020 by Mad About Records, my copy is a weird bootleg that appears to be from ’68 and is identical to the hyper-rare original release, aside from differently coloured labels on the disc itself. Considering the price of bossa nova original pressings, I feel lucky to have it, and though I’m no expert in the genre, it’s hard to imagine this ever falling from its high perch among my favourites.

150/365

[innervoiceart]

Sergio Mendes and Antonio Carlos Jobim strolling the streets on Manhattan in 1962. "1962, my first time walking the streets of New York City with my dear friend and mentor maestro Antonio Carlos Jobim. Completely surreal… for a young kid from Niteroi to get this opportunity… This was the moment when the Bossa Nova craze began in America." ~ Sergio Mendes