#canon 70-200mm f.4

[helluvatimes]

The Little Parrot

A Psittinus cyanurus or Blue-rumped Parrot stripping barks in the former Jurong Bird Park. Photo credit: Jonathan Chua.

Shooting through the wire mesh was quite easy with a full-frame sensor and with the aperture set wide open at f/4. This was taken against a dark corner of the cage with a stop of underexposure.

[livefromphilly]

Sony RX100 VII Thoughts After Two Months

PROS:

Stacked sensors are the future. Well, technically the present considering that Canon, Nikon, Sony, Fuji, and OM Systems all use stacked sensors in their top of the line cameras. Either way, finally getting to experience shooting with one on a daily basis has made me want one in pretty much any camera going forward. The benefits are twofold: Not only do you get shutter speeds up to 20 frames per second, and without a mechanical shutter flipping in the way obscuring your view in between shots, but you also get no rolling shutter while doing it. Pretty much every Sony camera can shoot 10 fps bursts with the silent shutter, but any movement can give you a jello-like effect since the sensor reads out so slow on non-stacked cameras. The only con, at least on this camera, is that you can’t shoot flash at higher than 1/100 with the electronic shutter. That’s still plenty fast for a lot of stuff, but well below the 1/2000 you get when shooting the mechanical shutter. 

The fast frame rate wouldn’t make much of a difference if the camera was bad at autofocusing, but this camera is great at it. It has a lot of the same fancy focusing stuff that my full frame Sony has like human/animal eye autofocus and all the tracking modes I’m used to. It actually makes the camera pretty solid for wildlife if you can get close enough at the 200mm end. 

Speaking of that, the 24-200mm equivalent is a great range, and one that I missed a lot since I traded away my Tamron 28-200 to help cover the cost of my A7RIV. The small size and extra 4mm on the wide end actually makes it even more convenient than that Tamron. 

Aside from covering a broader range than the 24-70 equivalent lens from the older RX100 cameras, this lens also seems noticeably sharper. The last RX100 model I had, the Mk. IV, just didn’t seem as crispy as this lens is. 

It has a touchscreen! It’s wild to think that the previous RX100 cameras I owned didn’t have this basic ass feature, but Sony was very late in putting touch screens in their cameras. Ironically, I don’t really use it in this one because the AF is good enough that I can just do focus and recompose with tracking. 

CONS:

It’s still only a 1” style sensor so high ISO isn’t the cameras strong suit. Programs like DXO PureRAW help a lot and let you get somewhat usable images at ISO 6400 in a pinch, but you’re kinda pushing things at that point. 

While the lens is sharper and covers a wider range than the older models, it’s also significantly slower. At 24mm equivalent it’s already at f/2.8 where the old cameras were f/1.8. It’s f/3.2 at 25mm, f/3.5 at 33mm, and f/4 at 40mm. From 109mm to 200mm you’re at f/4.5. The relative slowness of the lens combined with the small sensor means that this can struggle getting quality images in low light without a tripod or something. 

No USB-C. My Fuji, Ricoh, and larger Sony all have USB-C charging, which is amazingly convenient when traveling. I haven’t really gone anywhere with this camera yet, but having to account for a micro USB cable is annoying since pretty much everything aside from my iPhone uses USB-C. 

It’s expensive. Just like my Mk III and Mk IV I got it used so it was cheaper than retail, but the copy I got cost about twice what I paid for the previous models. 

Start up time is just a tad bit slower than I’d like. The GRIII and X100V both beat it that regards, albeit those aren’t zoom lens so I have to cut the Sony some slack. 

SAMPLE PHOTOS: 

(The sample photos were edited in Lightroom Classic and DXO PureRAW2. Also, the sensor creates a roughly 2.7x crop factor, so the 9-72mm lens equates to 24-200ish)

Young Bird | ISO 160. 72mm. f/4.5. 1/200. 

Graffiti Shot from a Car | ISO 100. 33.98mm. f/4. 1/400.

Stickers | ISO 100. 29.67mm. f/4.5. 1/100.

City Hall | ISO 100. 38.13mm. f/4.5. 1/200. 

Flip Up Screen Selfie with My Friend Hanae | ISO 3200. 9mm. f/2.8. 1/40. 

Zoomed in Graffiti | ISO 640. 72mm. f/4.5. 1/500. 

Fishing Store Neon | ISO 800. 28.67mm. f/8. 1/200. 

Flowers | ISO 200. 72mm. f/5. 1/640.

Selfie Shots with My Sister | ISO 3200. 9mm. f/2.8. 1/100. 

[bromodideuterio]

Canon EOS-1, EF 70-200mm f/2.8 L and 17-40mm f/4 L, Lomochrome Purple (ISO 200)

[piotrtymcio]

Julita

Canon EOS R6, TAMRON SP 70-200mm F/2.8 Di VC USD A009

ƒ/2.8, 172mm, 1/250s, ISO 250

4/06/2021

[EN] Here is just a portrait of Julita. When I look at the dates, I am surprised by how much time has passed. Meanwhile, it's time to create new memories. Finally, a free Saturday!

[PL] Oto prostu portret Julity. Jak patrzę na daty to jestem zdziwiony ile czasu to już minęło. Tymczasem czas stworzyć nowe. W końcu wolna sobota!

[mrswhozeewhatsis]

Hello! Sorry to bother you, but I saw your picture of Philemon and started poking around your photography blog... and loved how you were able to capture the moment in a lot of them. I'm going to be attending my first con ever in about a month, and am looking for tips/advice partly because while I have done some manual shooting for sports/street, it's been predominantly outdoors and during the day and also partly because I love your photos and would love to hear some of what works for your if you are willing to share (please don't feel obligated to share if you don't want to or don't have the energy!).

While I have a ton of questions, maybe the one I'm most curious about is if you've found the lighting at cons hard to work with. I don't have a particularly fast tele zoom lens (f4-5.6), and pretty much all I've seen online (besides up iso) is to buy a fast lens. I have a 56mm f1.4, but I'm pretty sure I'll be sitting too far away to get the detail and dof I want with that. Is it worth bringing a slow telephoto zoom lens for the con though or will the lighting just make taking my 56mm make more sense? I don't want to buy a new lens that I don't need otherwise for this, and I also am a bit unsure about what/how much to pack given that I've never been to a con and am not experienced enough shooting indoors to guess based on the con videos how bad the lighting is.

I know it's not only the gear that makes the photo, but if you have any advice for a novice, I'd be happy to hear it. Thank you for making it through my ramble ask. Sorry again for bothering you...

First of all, thank you so much for your comments in my photos! I consider myself one of the least experiences photographers you'll find at a con, so Knowing that someone likes my work really makes my day! 😍😍😍

Gonna put the rest of this under a cut cuz it got long. lol

To give you an idea of what I'm working with, I was in seat B40 this year. That's all the way on the side aisle. My camera is a Canon EOS Rebel T6i, and the lens I used was a Canon EF 70-200mm f/2.8 lens. Occasionally, I sat in empty seats that were closer and snapped a few shots, but not many. (I sat in the front row for the shots I posted of Tom Welling and Michael Rosenbaum. Tom was on stage, Michael was just... EVERYWHERE. 🤣)

The lighting at Creation cons is not great. Also, it can change from panel to panel. It would be lovely if they could mount their lights higher so the guests don't get blinded and ask for the lights to be brought down. But, since that will probably never happen, we work with what we've got.

Personally, I love a zoom lens because I'm always zooming in and out, trying to catch different things. I know other photographers favor not zooming because they get better quality photos in other ways, but I'm not clear on how that works.

Now, for my first suggestion: rent a lens. It's fairly inexpensive to rent a lens, and you get to try different lenses out without spending a fortune on lenses you later figure out aren't what you want. I believe a few of the other con photographers use a site called lensrentals.com. I rented a lens last year from Unique Photo in Philly, since they're not too far from me. You can also rent from UP online at uniquephoto.com. I went in person to talk to one of their experts to help me decide what kind of lens I wanted to try since I'm so new to this. They also have a store in Fairfield, NJ, so if you're close to either of those places, I would definitely suggest you head in there and check them out!

The reason why I'm suggesting that you rent a lens is because I think you'll want a lower f-stop than your zoom lens has, and if you're further away than the first 3-4 rows, you're going to want to zoom. (Gotta get up close and personal with the pretty!!! And good lord, but they're all so freaking pretty.) Renting a lens is a relatively cheap way to test things out. It's possible you may rent a lens and then later realize that your own lenses would have done the job. You'll only be out a hundred bucks or so by renting. (UP did require a deposit of half the retail value of the lens, but they were great about getting that back to me quickly.)

ISO - I'm always trying to use the lowest ISO I can get away with because noise is a pet peeve of mine. (I adore Lightroom's new Denoise AI!!!!) I know other photographers aren't as picky about noise and raise their ISO. I try to keep mine at or below 3200. One of my friends shoots at an ISO I didn't know existed, it's so high. (She yells at me. "You need to increase your shutter speed and your ISO, Michelle!") She's got a Nikon, though, and I sometimes wonder if camera make and model might also affect things like that.

As far as packing is concerned, I'm a bad person to ask. I bring freaking everything, even when I know darn well I'm not gonna use it. Seriously, the only thing I left at home this con was my lens balls. I'm terrible.

The biggest thing I learned early on is that you can always lighten dark photos in processing, but it's really hard to darken overly light photos.

Renting a lens and shooting darker are the two big suggestions I have. Every photographer I know at cons does things a little differently though. Most are willing to stop and chat about what settings they use, too. @mandileaphotography, @brooksba, and @ditchlilytiger are three awesome photographers and people that I know are here on Tumblr and I can tag them. lol! They each may have their own tips and tricks to suggest! Mandi has helped me and countless other newbie photographers over the couple of years I've known her.

Something that Chris Schmelke said to me about editing, but I use it when shooting, too: If you're not sure where to start, see what Auto does, and then make changes from there until you're happy. If I'm really not sure where to start with my camera settings, I take a burst or two of photos in auto mode and see what settings the camera thinks are right. Then, I adjust until I'm happy.

Non-photography tips for your first con: Take snacks because forgetting to eat is totally a thing. Hydrate hydrate HYDRATE. Have a binder or something to keep your photo ops in. Drink more water. Wear comfortable shoes. Take a water bottle with you. Take Chris Schmelke's photography class because he's a sweetie and loves to answer any questions you might have about photography of all kinds. And don't forget to drink plenty of water. Have I mentioned staying hydrated? You think I'm kidding, but I failed at both eating and drinking water last weekend and then wondered why the room started spinning. And that was my 9th Creation con. I know better and I still did it! More tips like this can be found at @spncontips!

If you're on Twitter, check out @spnconphotogs there. A bunch of us run that account and we have lists of con photographers you can follow and get to know. We also have a Discord server that we don't use much, but it's there if the ex-bird app ever truly dies. DM me or one of the others for an invite!

Sorry for the babbling, but this is everything I can think of off the top of my head to help you out! Even the "big name" fandom photographers are all nice and sweet as pie and willing to help you out if they're not running from one place to another. Just find someone with a really big lens and say hi!!

[calleryphoto]

“深井 日落” Sham Tseng, Hong Kong Sunset TimeLapse Video～ 🌅

•

📸 Callery

📍 Sham Tseng, Hong Kong

🗓 2021. 12. 03 & 2021. 12. 04

🎞 Two days footage combine

•

Best quality video on YouTube: Link in BIO

Music by: Letra - Circle of Life @artlist.io

•

Social:

IG. FB. VERO. Twitter. Flickr. Tumblr. Pinterest: CalleryPhoto

— — — — — — — — — — — — — — — — — — —

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• Panasonic LUMIX S1

• Panasonic LUMIX G9

• Panasonic LUMIX GH4

• Canon EF 8-15mm f/4 L Fisheye USM

• Canon EF 16-35mm f/2.8L II USM

• Canon Serenar 50mm f/1.8 LTM

• Canon Serenar 85mm f/1.9 LTM

• Canon Serenar 135mm f/3.5 LTM

• Canon EF 70-200mm f/2.8L IS II USM

• Canon Extender EF 2X III

• SIGMA Mount Converter MC-21 ( EF - L )

• Metabones Smart Adapter ( EF - M4/3 )

• KIPON Lens Mount Adapter ( L39 - M4/3 )

• iFootage Gazelle FastBowl TC7 Tripod

• Leofoto G4 Geared Head

• Leofoto Ranger LS-324C + LH-40R Tripod

• JOBY GorillaPod 5K Kit Tripod

• H&Y K-Series KC100 Magnetic Filter Holder II

• FGEARS Twilight Filter

— — — — — — — — — — — — — — — — — — —

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[capicturestudioes]

What is the best lens for wedding photography?

Wedding pictures are particular in that it encompasses numerous genres of pictures: fashion, portrait, architectural, product, macro, family, and every so often even journey pictures. Few genres call for extra from photographers and their gear. 

Here is a subjective listing of 6 must-have lenses for any given wedding ceremony that the best wedding photographers in Madurai recommend.

1. 70-200mm

This is my preferred lens. It creates lovely bokeh (blur) at f/2.eight, and the compression you get while you’re zoomed in from 150-200mm offers your photo a glance that’s tough to gain with some other lens. It additionally lets you get in near the motion without disrupting the moment.

DSLR Options

Canon 70-200mm f/2.8L IS III USM Lens

Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens

Sigma 70-200mm f/2.eight EX DG APO OS HSM Lens for Canon EF

Tamron SP 70-200mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 70-200mm f/2.eight GM OSS Lens

Canon RF 70-200mm f/2.eight L IS USM Lens

Nikon NIKKOR Z 70-200mm f/2.eight VR S Lens

2. 50mm

This is some other one in all my preferred lenses. The 50mm focal duration is terrific for portraits, and it may store the day while the mild begins off evolved to drop; the broader aperture lets you rely much less on for your flash and it creates a softer, extra herbal search for your subjects.

DSLR Options

Canon EF 50mm f/1.2L USM Lens

Nikon AF-S NIKKOR 50mm f/1.8G Lens

Sigma 50mm f/1.four DG HSM Art Lens for Canon EF

Mirrorless Options

Sony Planar T* FE 50mm f/1.four ZA Lens

Canon RF 50mm f/1.2L USM Lens

Nikon NIKKOR Z 50mm f/1.2 S Lens

Sigma 50mm f/1.four DG HSM Art Lens for Sony E

Rokinon AF 50mm f/1.four FE Lens for Sony E

3. 24-70mm

The versatility of the 24-70mm zoom lens is crucial for smaller spaces. For example, a tea rite at a Vietnamese wedding ceremony is typically held in a dwelling room. The 70-200mm might be too compressed for this situation, and the 50mm might now no longer offer sufficient versatility, as you usually don’t have lots of room for movement.

DSLR Options

Canon EF 24-70mm f/2.8L II USM Lens

Nikon AF-S Nikkor 24-70mm f/2.8E ED VR Lens

Sigma 24-70mm f/2.eight DG OS HSM Art Lens for Canon EF

Tamron SP 24.-70mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 24-70mm f/2.eight GM Lens

Canon RF 24-70mm f/2.8L IS USM Lens

Nikon NIKKOR Z 24-70mm f/2.eight S Lens

Sigma 24-70mm f/2.eight DG DN Art Lens for Sony E

Tamron 28-75mm f/2.eight Di III RXD Lens for Sony E

4. 100mm Macro

If your bride and groom are spending hundreds of bucks at the info of a wedding ceremony, they may be positive to comprehend you taking pictures of the occasion in element. With the 100mm Macro, you may seize distinctive pictures with the equal best element as product classified ads in magazines. Add your contact of lighting fixtures and creativity, and also you get ring pictures just like the one below. Contact Capicture for best wedding photography in Madurai 

DSLR Options

Canon EF 100mm f/2.8L Macro IS USM Lens

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Lens

Sigma 105mm f/2.eight EX DG OS HSM Macro Lens for Canon EOS

Tamron SP 90mm f/2.eight Di Macro 1:1 VC USD Lens for Canon EF

Mirrorless Options

Sony FE 90mm f/2.eight Macro G OSS Lens

Tokina FiRIN 100mm f/2.eight FE Macro Lens for Sony E

5. 16-35mm

Sometimes the 24-70mm lens simply isn’t extensive sufficient to seize the whole lot you want. The extremely extensive perspective facilitates you to seize the environment. Venue and panorama pictures additionally offer a terrific addition for your wedding ceremony day coverage, as they set the scene for the day and let you take complete benefit of the scenery, in particular at lovely venues.

DSLR Options

Canon EF 16-35mm f/2.8L III USM Lens

Nikon AF-S Nikkor 16-35mm f/4G ED VR Lens

Sigma 18-35mm f/1.eight DC HSM Art Lens for Canon EF

Mirrorless Options

Sony FE 16-35mm f/2.eight GM Lens

Canon RF 15-35mm f/2.8L IS USM Lens

Nikon NIKKOR Z 14-24mm f/2.eight S Lens

6. 85mm

When this newsletter turned into first posted in 2009, the 85mm f/1.2 turned into in our honourable point-out category, however, we’ve fallen in love with this focal duration. The 85mm lens is a real portrait lens that doesn’t distort the photo the manner that a few wider-perspective lenses do (together with the 24mm or 35mm), in particular alongside the rims of the frame. This lens additionally gives terrific compression and historical past bokeh at wider apertures.

DSLR Options

Canon EF 85mm f/1.4L IS USM Lens

Nikon AF-S Nikkor 85mm f/1.8G Lens

Sigma 85mm f/1.four DG HSM Art Lens for Canon EF

Tamron SP 85mm f/1.eight Di VC USD Lens for Canon EF

Mirrorless Options

Sony FE 85mm f/1.eight Lens

Canon RF 85mm f/1.2L USM DS Lens

Nikon NIKKOR Z 85mm f/1.eight S Lens

The authentic article additionally covered the 15mm f/2.eight Fisheye lens which we now no longer use. Funny how speedy developments can change!

What do you think? What are your must-have lenses? If you haven’t executed so already, test out our Lens Wars series, the closing visible manual to actual international variations among an entire host of Canon expert zoom lenses and primes. In total, we examined 25 Canon lenses worth over $40,000 greenbacks beginning from 17mm to 300mm focal duration. For more information visit Capicture and contact us for wedding photography in Madurai

[taynguyenmedia]

Canon EF 70-200mm f/4 L USM

Tthis is fake demo content. All prices are not correct, all logos, images are just for visual purpose, you should delete this post on your real site. Gala flagships have always led the way when it comes to imaging, their cameras always being among the top performers in the market. This time around, Samsung went backwards to play a different game of numbers: fewer but larger pixels, all 12 million…

[wattophotos]

Street photography. Peak District England.

Canon 1300

Canon EF 70-200mm f/4 L USM

[meow-mellow]

Into The Nature from Timeflees - Filippo Rivetti on Vimeo.

Explore and lose yourself in the beautiful nature of Valbelluna, Italy. It is a vast valley in the Belluno province of Italy offering a wide variety of activities in both summer and winter.

Selections: October 2015 - 6th International Short Tourism Film Festival of Amorgos

Some of the locations: Paragliding over Feltre Nevegal Lago Santa Croce Bus del Buson Brent de l'Art Catini del Brenton Cornolade Basilica Santuario dei Santi Vittore e Corona

This video was part of a project commissioned by the Italian region and produced for Can't Forget Italy: 4 video makers from all around the world produced 4 videos using different techniques. Check out all the videos here: youtube.com/user/DigitalDiaryItaly

Thanks to all the local staff for the incredible helpfulness!

1 week of shooting (mostly in wet weather) 525GB of raw data 22,000 raw files and videos

Music: Kings by Ryan Taubert

Equipment used: Cameras: Canon 5DIII and 6D Lenses: Canon 16-35mm f/2.8, 70-200mm f/2.8, 24mm f/1.4 Dolly: Dynamic Perception Stage 1 + eMotimo TB3

LICENSING All sequences available in 4K (and more) resolution. For any licensing inquiries please contact Diimex at picturedesk@diimex.com.

For more info and updates: timeflees.com fb.com/Timeflees youtube.com/FRivettiPhotography instagram.com/timeflees twitter.com/FilippoRivetti

[jackrobertphotography]

Uncovering the Secrets of a Professional Photographer's Equipment: An Insider Look with Jack Robert

Join Greenville, SC based Editorial, Commercial, Branding, and Lifestyle photographer Jack Robert as he takes you on a journey of his equipment choices, the reasons behind them, and where he buys them

Comprehensive List of Equipment (Click each subject title to jump to my reviews and how I utilize each piece)

Click here to Jump To Cameras Review

Canon R5, Canon R6

Click here to jump to Lenses

Canon RF 35mm f/1.8 Macro IS STM Lens

Canon RF 50mm f/1.2L USM Lens

Canon RF 85mm f/1.2 L USM Lens

Canon RF 70-200mm f/2.8 L IS USM Lens

Tamron 17-35 2.8-4

Click here to jump to Computer review

MacBook Pro 16" Laptop - Apple M1 Max chip - 32GB Memory - 1TB SSD - Space Gray

Click here to jump to lighting reviews

Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash

Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)

Backup Bulb Flashpoint Flash Tube for XPLOR 600 Flash Head - AD-H600

Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C)

Click here to jump to Stands & Accessories

Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit (9.5') (Lightweight)

ROLLING BASE Kupo Runway Stand Base (AMAZING) 

Flashpoint C-Stand Riser Column (9' Silver)

10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome

Super Clamp with Ratchet Handle

Click here to jump to Modifiers

Westcott 7' Parabolic Umbrella, White/Black

Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63")

Westcott Rapid Box Switch Octa-S with Bowens Switch Insert

48" EZ Lock Octa Quick XL Softbox with Bowens Mount

Click here to jump to memory and hard drives

SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card

Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray

WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue

Click here to jump to Compression and Archiving Software

Rawsie (Get 10% off using code JACK10)

Carbon Copy Cloner

Why I buy all of my equipment at Best Buy 

As a professional photographer in Greenville, SC, with over ten years of experience, Best Buy is my go-to destination for all of my photography equipment needs. One of the main reasons I choose to shop at Best Buy is their amazing damage policy as a Total Tech Member. Accidents happen, and it's comforting to know that if I accidentally damage a product while handling it, Best Buy will take care of it.

In addition to their damage policy, Best Buy also provides annual maintenance for my DSLR or mirrorless camera. If there's ever a failure from normal wear and tear, they'll repair it at no extra cost to me. This peace of mind is invaluable to a professional photographer like myself, as it allows me to focus on what I do best - capturing beautiful images - without worrying about the reliability of my equipment.

Another perk of shopping at Best Buy is their priority customer service. Best Buy's team is always ready to assist me with any questions or concerns I may have. As a professional, my time is valuable, and I appreciate receiving prompt and efficient service when I need it.

I've also taken advantage of their "My Best Buy" credit card, which either gives me 5% back or allows me to pay for things over 12 or 18 months with zero interest (for the love of god, only use credit cards if you pay them off EVERY MONTH IF THEY DONT HAVE ZERO PERCENT INTEREST).

Lastly, Best Buy's return policy is a game-changer. As a Best Buy Totaltech™ member, most products are eligible for a 60-day return, which means I can shop confidently, knowing that if I'm not completely satisfied with my purchase, I can return it hassle-free while not worrying about damaging the products due to their generous accidental damage coverage.

Best Buy is my go-to destination for all of my photography equipment needs. Their damage policy, annual maintenance, priority customer service, credit card options, and return policy make them the best choice for me as a professional photographer. 

What if Best Buy doesn't have what I need?

While Best Buy is my go-to destination for most of my photography equipment needs, I also rely on Adorama and B&H for those niche pieces of equipment Best Buy may not carry.

Adorama and B&H are great websites to purchase equipment, and I have had great experiences with customer service from both companies. They have a wide range of options, and their prices are competitive.

One downside to B&H is that they are closed online quite a bit throughout the year. This can be an inconvenience when I need to purchase something urgently or if I am looking to buy something online. But overall, the customer service, pricing, and variety of options make it worth dealing with their closures.

In conclusion, as a professional photographer, it's important to have a variety of reliable equipment sources. Best Buy, Adorama, and B&H are all great options, each with their own unique perks and downsides. I highly recommend considering them all when making your next equipment purchase.

Cameras 

Canon R5

Canon R6

Unleashing the Power of the Canon R5: The Ultimate Tool for Professional Photography

As a professional photographer, having the right equipment is crucial. That's why I rely on the Canon R5 for all my photography needs. This camera is a game-changer, packed with features that make it the ultimate tool for capturing stunning images.

One of the most impressive features of the Canon R5 is its advanced eye-tracking technology. This allows me to capture portraits quickly and easily, even on the run. The camera's autofocus system tracks the subject's eyes, ensuring that they are always in focus, no matter how fast they're moving. This is especially useful when working with children and animals, as they tend to move around a lot. How the Canon R5's High-Resolution Sensor is a Game-Changer

As a professional photographer, editorial work is a big part of my portfolio. And when it comes to capturing images that tell a story and convey a message, the Canon R5's high-resolution sensor has been a lifesaver. With 45 megapixels, this camera can capture incredible detail and clarity. The high-resolution sensor allows me to see every detail in the image, which is essential when working on editorial projects where the image needs to tell a story and convey a message. This means publishers can print large-format photos without losing any quality.

Additionally, the camera has a wide dynamic range, which allows me to capture images with a lot of depth and dimensionality. This is especially useful when working in challenging lighting conditions, such as bright sunlight or dark interiors. The wide dynamic range allows me to capture images with a lot of detail in the highlights and shadows, which is crucial when working on editorial projects where the image needs to be as detailed and accurate as possible.

Another advantage of the Canon R5's high-resolution sensor is that it allows me to crop images without losing quality. This is particularly useful when working on editorial projects, where the image may need to be cropped or resized to fit a specific layout or format. But it's not just about the technicalities. The Canon R5 also has a great design and ergonomics; it's comfortable to hold and easy to navigate through the menu, which makes it a pleasure to work with. The Canon R5 is an essential piece of equipment for any professional photographer. It's packed with advanced features that make it the ultimate tool for capturing stunning images. Whether quick on-the-run portraits or high-resolution stills, the Canon R5 has everything you need to take your photography to the next level.

Why I use the Canon R6

When it comes to capturing stunning images and videos, photographers and videographers are always on the lookout for the latest and greatest equipment. And while the Canon R5 has undoubtedly made a splash in the world of photography and videography, its little brother, the Canon R6, is also a camera worth considering.

One of the most significant advantages of the R6 is its smaller file size. Hard drive space can quickly become an issue when working with large files. The Canon R6's smaller file size means that you can store more images and videos on your hard drive, making it easier to manage your workflow. Additionally, the smaller file size also means that the Canon R6 is less demanding on your computer's processing power, allowing you to work more efficiently and with less lag.

When it comes to image quality, the Canon R6 doesn't disappoint. The camera has a 20.1-megapixel full-frame sensor that produces stunning images with rich colors and sharp details. The camera also has a high-speed autofocus system, making capturing fast-moving subjects easy. Additionally, the Canon R6 can shoot up to 12 frames per second, making it perfect for grabbing action shots and sports.

Lenses

Canon RF 35mm f/1.8 Macro IS STM Lens

Canon RF 50mm f/1.2L USM Lens

Canon RF 85mm f/1.2 L USM Lens

Canon RF 70-200mm f/2.8 L IS USM Lens

Tamron 17-35 2.8-4

Canon RF Lenses: A Greenville, SC Photographer's Review

As a photographer based in Greenville, South Carolina, I've had the pleasure of working with a variety of Canon camera lenses. But there are a few that stand out as my absolute favorites. Allow me to share my personal experience with these amazing lenses.

Starting off strong with the Canon RF 35mm f/1.8 Macro IS STM Lens

The ultimate tool for capturing awe-inspiring close-up shots. The macro capability allows me to get up close and personal with my subjects, while the f/1.8 aperture creates a mesmerizing bokeh effect. The Image Stabilization (IS) feature is a game-changer, ensuring I can capture sharp images even in dimly lit conditions. This lens has also become my go-to travel companion, paired with my Canon R5. The 35mm focal length is the perfect balance for capturing landscapes, architecture, and cityscapes without distorting the faces of the people I want to photograph. I've used it for street photography, macro photography, landscapes, and architecture and I love that it's lightweight and super sharp.

Up next is the Canon RF 50mm f/1.2L USM Lens, a game-changer for portrait photographers. The f/1.2 aperture serves up the ultimate bokeh and makes capturing dreamy, ethereal portraits a breeze. The USM autofocus is lightning fast, never letting you miss a shot, and the 50mm focal length is a perfect balance for full-body and headshot portraits. This lens is the default on my camera, and it's so versatile and sharp I want to cry. I've had the EF versions of this lens, including the 50mm 1.8, then the 50mm 1.2 for my previous cameras, and now the RF 50 1.2. I didn't think the 50 1.2 could get any sharper, but with this RF version, they've really blown my mind.

The Canon RF 85mm f/1.2 L USM Lens is another new favorite of mine. I've resisted for the longest time getting this lens, but I've finally made the dive after five years of debating it- and I'm not disappointed. I was initially planning on just trying this lens out for an event and returning it- however, its 1.2 aperture was stone-cold amazing for low light situations and getting candids. Not only is it a powerhouse in low light- it's probably the best portrait lens if you have the physical space to be quite a distance from your subject. The f/1.2 aperture creates an incredibly shallow depth of field and produces a beautiful bokeh effect. The lens is a bit on the heavier side, but the build quality is top-notch, and the image quality is second to none.

Finally, the Canon RF 70-200mm f/2.8 L IS USM Lens is an absolute powerhouse. The older EF version was the most reliable and loyal lens I have ever used. It never missed focus and always gave me a fantastic image. I trust it with my life. The new RF version is lighter, so I went with it instead of just using the EF to RF adapter. On the RF Version, the lens extends out when zooming, and I don't particularly enjoy that- but it's not a deal breaker. Is it my go-to lens? No, but I will 100% recommend having it in your bag for many cases. This lens is perfect for capturing family photos, portraits, couples, sports, nature, and wildlife. The long focal length allows me to capture distant subjects easily, and the f/2.8 aperture creates a beautiful bokeh effect. The Image Stabilization (IS) feature is a lifesaver when working in low-light conditions. The build quality is top-notch, and the image quality is simply outstanding.

In conclusion, these four Canon lenses are my go-to choices for capturing stunning images and videos. These lenses have never let me down, from portraits to close-ups to architecture and nature. They are versatile and reliable and produce some of the most beautiful images and videos I've ever captured. I highly recommend them to any photographer looking to expand their lens collection. Whether a professional or hobbyist, these lenses will help you take your photography to the next level.

The last honorable mention is my Tamron 17-35 2.8-4. I bought this on a whim because I needed a wider-angle lens for interiors. It's a bit on the cheaper side, but I've been satisfied with it. I use it on the regular for interior photoshoots when I need that extra view and don't have the physical space to back up. At 17mm, it doesn't distort the edges enough for it to be a bad photo, but I'd be careful when shooting architecture to watch those edges. I also utilize this lens for low, wide-angle shots of models and buildings. It creates a cool effect, giving the subject an automatic power angle over the viewer. 

Computer

MacBook Pro 16" Laptop - Apple M1 Max chip - 32GB Memory - 1TB SSD - Space Gray

Do I really need a MacBook Pro!? Yes. I'm also slightly biased towards Apple and know other photographers that use windows computers just fine, but Apple products' premium and luxury experience draw me in. The seamless transitions between iPad, iPhone, and Mac are absolutely magic. Did you know with Apple, you can copy text on your phone and then hit paste on your computer, and it appears there!? It's in the small details that make Apple really stand out.

Regarding the M1 Pro Max laptop, I wanted a portable powerhouse, and Apple delivered what I needed with this laptop. When I upgraded to the Canon R5 with 50MB files, I HAD to upgrade my computer to slay large file sizes with ease. When editing thousands of photos, having a photo even take .5 seconds to load wastes A LOT of time. I needed the fastest computer I could get, not the cheapest or the most bang for my buck. The M1 Pro Max Processor and 32GB of ram easily handle my 50 MB file sizes. 

I know Apple products are premium. I know you can build a windows laptop or PC for WAY less and have it be WAY faster- but I put a strong emphasis on the whole ecosystem of Apple and its seamless, luxury experience. 

Lighting 

Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash

Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)

Backup Bulb Flashpoint Flash Tube for XPLOR 600 Flash Head - AD-H600

Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C)

The Power of Lighting Equipment

My go-to: Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash. I have three of them, but you having just one is more than enough for most situations. The Flashpoint XPLOR 600 is a powerful and versatile light that, if used correctly, can perfectly balance natural and artificial light. With its 600ws power output and fast recycling time, this light allows me to capture stunning images in even the most challenging lighting conditions. I can overpower the SUN with this bad boy.

One of the best features of the Flashpoint AD600 is its ability to be used wirelessly and portably due to its detachable battery, which gives me the freedom to move around and capture the perfect shot. The Flashpoint XPLOR 600  also has a built-in 2.4G wireless X system, allowing me to control the light remotely and make adjustments as needed. The Flashpoint XPLOR 600  is an essential piece of equipment for any professional photographer. It gives me the power to overcome any lighting challenge and capture beautiful images no matter where or when. With this light, I can unlock the full potential of my Canon R5 and achieve the desired results every time.

Another key accessory, the extension: Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)

The Flashpoint XPLOR 600ws 8-foot extension head is a powerful addition to any photographer's gear. It transforms the XPLOR600 series monolight into a versatile powerhouse, perfect for use with softboxes or as a gridded hair light. The extension head connects easily to any XPLOR by unplugging the glass shielded flashtube from the monolight body, locking the pronged cable link in place, and then inserting the original flashtube on the head extension sockets. This simple process allows for a quick and easy setup, making it an excellent option for photographers who need to work efficiently and quickly. I don't leave home without it. 

Another wise choice is to purchase Backup Bulbs for this light. Yeah, I know they aren't cheap, but I've had one rattle out of the socket and smash on the ground when rolling it along on my Kupo Runway Rolling Base.

You also need to have a way to trigger your strobes, and I use my trusty Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C) Godox and Flashpoint are the same exact equipment, just different names. You can control multiple strobes and adjust them individually from this transmitter. It's a gamer changer, so you don't have to go to each strobe and change their settings physically. I've been using this trigger for years, and I've had zero issues with it.

Stands & Accessories

Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit (9.5') (Lightweight)

ROLLING BASE Kupo Runway Stand Base (AMAZING) 

Flashpoint C-Stand Riser Column (9' Silver)

10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome

Super Clamp with Ratchet Handle

Let's talk about photography's often-overlooked but essential aspect: stands and accessories. They may not be the most exciting topic, but trust me; they can make or break a photoshoot. I rely on the Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit for lightweight, on-the-go situations. The plastic and metal construction keeps it lightweight without sacrificing durability, making it perfect for quick in-and-out photoshoots. But be warned, if you're planning to use it outside, weigh it down with sandbags or have an assistant hold it. Otherwise, it will topple over faster than a game of Jenga. Trust me, investing in the right stands and accessories will make your photography experience smoother and more efficient.

When it comes to stands, my go-to and best purchase has been the combination of the Kupo Runway Stand Base with the Flashpoint C-Stand And an added boom arm. The rolling base feature is a game changer, making loading in and out of photoshoots a breeze by allowing me to hang equipment from the stand rather than carry it all. And during the shoot, the convenience of easily rolling the light, modifier, and stand is unbeatable. If I had to pinpoint any regret in my photography gear purchases, it would be not investing in a rolling base for my c-stand earlier in my career. I cannot recommend this combo enough; it's truly essential for any professional photographer looking to streamline their workflow and save their back from carrying heavy equipment.

Having a variety of stands and accessories at your disposal is crucial for any professional photographer; it allows you to adapt to any situation and get the perfect shot. In addition to my rolling base c-stand combo, I also have a trusty 10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome. This classic c-stand is perfect when I need an extra spot to place a light or modifier. The added boom arm is essential for versatility in positioning and placing the modifier at any angle. And let's remember the importance of sandbags. They are crucial to keeping your stand and equipment safe and secure, so invest in a good set.

Light Modifiers

Westcott 7' Parabolic Umbrella, White/Black

Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63")

Westcott Rapid Box Switch Octa-S with Bowens Switch Insert

48" EZ Lock Octa Quick XL Softbox with Bowens Mount

The Westcott 7' Parabolic Umbrella is an excellent option for creating a large, soft light source. Its 7' span provides ample coverage, making it perfect for achieving a natural-looking catchlight in the eyes. Additionally, the umbrella's white interior helps diffuse the light, producing a soft, even glow. Don't even think you will utilize this in small spaces, though! A tall ceiling and a must if you want to place this modifier in a way that is flattering to the subject. Using this modifier is nice if you have more than one person or groups of people you need to photograph. On another note, the umbrella is also collapsible and easy to transport, making it a convenient choice for photographers on the go. I use this modifier 20% of the time. 

The Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63") Can be an excellent modifier for your photography or videography, but it can be pretty tricky and time-consuming to set up. The softbox features four poles that need to be inserted into the corners of the fabric and then into the center ring, which can be a hassle and requires some muscle to assemble. It may not be the best option if you're in a rush or don't want to be seen struggling to set it up. Despite its inconvenience in setup, the rectangular shape of the softbox, measuring 13.8 x 63 inches, makes it ideal for side lighting and backlighting, allowing you to achieve beautiful and natural-looking results. It is a versatile tool that can be useful for portraits, product photography, and videography. You can still consider keeping it in your arsenal as it can be a great addition to your lighting setup, but be aware of the setup time and effort required when using it.

The Westcott Rapid Box Switch Octa-S with Bowens Switch Insert with Bowens Switch Insert is a fantastic addition to any photographer's arsenal. This is my most recent modifier, and I am thrilled that I have it in my collection. It is a portable and collapsible beauty dish that is versatile and can be used in a variety of situations. It's been especially helpful in architectural photography due to its small size- as I use it to light different parts of the subject (room, building, etc.) to combine them all in photoshop into one beautiful and seamlessly lit photo. It's also been great for fashion and editorial portraits. The octa shape of the softbox provides a beautiful wrap-around light, perfect for creating a natural and flattering light on the subject. The Bowens Switch Insert makes it easy to attach to a wide range of strobe lights, making it a convenient option for on-location shoots. All in all, the Westcott Rapid Box Switch Octa-S with Bowens Switch Insert is a great investment for any photographer looking for a portable, compact and versatile lighting solution.

The 48" EZ Lock Octa Quick XL Softbox with Bowens Mount is my ultimate go-to modifier. It's an excellent choice for any photographer looking for a versatile, portable lighting solution. Its 48-inch size is just the right size for creating beautiful, soft light that can cover a wide range of subjects. The octagon shape of the softbox provides a natural and flattering light that is perfect for portraits, product photography, and more. The EZ Lock design makes it quick and easy to set up, so you can spend more time taking pictures and less time fiddling with equipment. The included Bowens mount makes it compatible with a wide range of strobe lights, making it a convenient option for on-location shoots. Additionally, the grid that comes with the softbox allows you to control the light and direct it exactly where you need it, making it even more versatile. Overall, the 48" EZ Lock Octa Quick XL Softbox with Bowens Mount is an excellent choice for anyone needing a portable, easy-to-set-up, and versatile softbox.

Memory Cards and Hard Drives

SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card

Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray

WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue

The SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card

As a professional photographer, I am always looking for the best tools to elevate my craft. That's why I love the SanDisk 128GB Extreme PRO UHS-II memory card. This little powerhouse allows me to easily capture stunning cinema-quality 8K, 4K, and Full HD video (not that I ever do as a photographer, but anyway), as well as raw photos and continuous shutter bursts. The storage capacity of 128GB gives me plenty of room to store all of my precious shots, and the UHS-II bus supports lightning-fast read speeds of up to 300 MB/s and write speeds of up to 260 MB/s. The V90 Video Speed Class rating ensures that my write speeds will never drop below 90 MB/s, giving me peace of mind when shooting in high-pressure situations.

What sets this memory card apart from the rest is its reliability. I've been using Sandisk memory cards for years, and they have never let me down. Even my card from five years ago still works like a charm. I've even tried other memory cards like CFExpress, with its impressive 1200mb/s read and write speeds, but I couldn't see any difference when it came to shooting or loading images onto my computer. The SD Card is also a convenient size and fits perfectly in my MacBook Pro's SD card slot. I don't have to lug around a card reader and cord, which is a huge plus in my book. In short, if you're a professional photographer or videographer, the SanDisk 128GB UHS-II SDXC memory card is an absolute must-have in your kit.

My working hard drive, the Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray

After a killer photoshoot, I like to transfer my shots straight to my trusty Samsung SSD. Why? Because editing on a lightning-fast hard drive is where it's at, plus it gives me the added bonus of being able to take my SSD on the road with me. That way, if my computer gets jacked, my precious pics are safe and sound. Plus, it keeps my MBP running smoothly by not clogging up valuable internal HD space. Once my edits are complete, and I send the photos to the client for approval and further edits, I use Rawsie to compress them and then back 'em up on three different hard drives. #backupqueen #workflowwinning

The WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue

After loading my photos onto the Samsung SSD, I back them up to a larger, slower HD - like the WD - My Passport Ultra 4TB. And not just one, but two of those bad boys. Because let's face it, you can never be too safe regarding the photos you shoot for a client. Is it overkill? Maybe, but as a photographer, my job is to capture, edit, deliver and preserve photos, which means being as backed up as possible. Plus, there have been a few times where files got misplaced during transfer and having those extra hard drives saved the day. The WD 4TB is the perfect size for a year or two of content, and when it's full or two years have gone by, I put a date frame sticker on it and archive it in a fireproof safe for added protection. 

file compression

RAWSIE

Picture this: you're out in the field, capturing stunning shots left and right, and then you get back to your studio and realize your hard drive is bursting at the seams with RAW files. Sound familiar? Well, not anymore. Introducing Rawsie - the ultimate raw image compression app that packs a punch. With up to 5:1 file size reduction, it's a game-changer for photographers like us who shoot with Sony, Canon, Nikon, Fujifilm, and more. And the best part? It's lossless, which means no lossy artifacts, no resolution change, no bit count change, and no color loss—just pure, pristine image quality.

But that's not all; Rawsie is incredibly user-friendly and straightforward. It's like having a personal assistant for your image compression needs. Plus, it's a money-saver in the long run. Trust me, I've been using it for a while now, and it has been a lifesaver.

So, if you're ready to revolutionize your workflow and reclaim valuable storage space, head on over to Rawsie's website and use the code JACK10 upon checkout for an extra 10% off your purchase, trust me, you won't regret it.

archiving

Carbon Copy Cloner

Having a reliable backup solution is crucial, and that's where Carbon Copy Cloner comes in. This software offers a plethora of options for creating backups. Whether it's on an external drive or another Macintosh, you have the flexibility to choose what you want to back up, be it an individual folder or an entire external hard drive.

I've been using CCC for some time now, and I have to say, it makes creating a carbon copy of my files incredibly easy. However, I did run into an issue where deleting files off of one hard drive resulted in them being deleted off the hard drive I was carbon copying to. This is something to keep in mind, but overall, CCC has been a solid choice for me.

In conclusion, if you're looking for a comprehensive and flexible backup solution,Carbon Copy Cloner is definitely worth checking out. Just be aware of the potential pitfall I encountered with file deletion.

Final thoughts

And there you have it, folks. I've just laid out all the nitty-gritty details of the tools and equipment I rely on to get the job done. But this is just the beginning. I want to hear from you too. What are your burning questions? What would you like to know more about? Let's start a dialogue on our work processes, the gear we trust, and any experiences we've had with similar equipment. We can all learn from each other and improve our workflow. So, please don't be shy, leave a comment and let's get this conversation started!

Disclaimer: All the equipment on this page has been tested and approved by yours truly. I've spilled the tea on real-world usage and am sharing my faves with you. The links provided are either the exact products I own or similar alternatives. Bonus: Using the links will support my blog and biz - love you for it!

Hello, World!

[helluvatimes]

Lovey Dovey Mynahs

The official bird of Bali in the former Jurong Bird Park. Photo credit: Jonathan Chua.

Shooting against the light, the exposure was biased brighter by just 1/3 stop but had need to be brightened further in post. The colour was also a little desaturated and had to be intensified some 40 percent.

[suleco]

Canon EF 70-200mm f/4 L USM

Canon EF 70-200mm f/4 L USM

Tthis is fake demo content. All prices are not correct, all logos, images are just for visual purpose, you should delete this post on your real site. Gala flagships have always led the way when it comes to imaging, their cameras always being among the top performers in the market. This time around, Samsung went backwards to play a different game of numbers: fewer but larger pixels, all 12 million…

[justmeister]

4 pics 1 word 5 letters camera lens girl reading

To search this site you can use the following command: To make it easier we’ve wrote down which images you’ll see in these levels, so you can just search for what you see on your screen, and you should find it here. Looking for a guide for the new top 10 game 4 Pics 1 Word: What’s the Word by LOTUM GmbH for iPhone and iPad? You’ve come to the right place! We’ve collected all the solutions for all the levels here for you! Four pics one word is a great game for you, if you love quiz games where you’ll need to think a little to solve the puzzles! The distance scale on the 17-35mm (right) is on the lens’s focus ring, and you can see that the lens is focused quite close, at around 0.5 meters.What’s the Word? 4 Pics 1 Word Answers, Solutions, Cheats. The distance scale on the 70-200mm (left) is under a cover, and you can see that the lens is focused somewhere between 10 meters and infinity. So at one end of the scale, you’ll find the infinity symbol, and at the other end, you’ll find the lens’s minimum focusing distance (i.e., the closest the lens can focus).Ĭheck out the two lenses below. These lens numbers indicate the distance at which your lens is currently focused. On some – but not all! – lenses, you will see a range of distances, usually marked in two scales, feet and meters. These variable maximum apertures are pretty common with kit lenses, and especially kit lenses with a large focal length range such as 28-300mm or 18-200mm. But if I zoom all the way to 35mm, my maximum aperture becomes f/4.) (At the lens’s widest, 17mm, I can open the aperture to f/2.8. What does this mean? It’s simple: the maximum aperture on the 85mm lens is f/1.8, and on the Tamron zoom, the maximum aperture changes from f/2.8 to f/4 as you zoom the lens. On the Tamron, you should see “1:2.8-4,” and on the 85mm, you should see “1:1.8.” In the photo below, you can see two different lenses: my Tamron 17-35mm and my Canon 85mm. On the front of the lens inside the filter ring area.You can usually find this information in one of two places (or perhaps even in both): Now, pretty much every lens has the maximum aperture written somewhere on its body. (Note that some zoom lenses have a variable maximum aperture, where the maximum aperture will change depending on the focal length this is represented as a range of numbers, such as f/3.5-6.3.) So the best lenses – and the most expensive lenses – tend to offer a very wide maximum aperture. Larger apertures like f/2.8 or even f/1.8 are highly desirable because they allow you to shoot in low-light conditions while maintaining a fast shutter speed. Note that the larger the aperture opening, the smaller the f-number (so f/2.8 corresponds to a very wide aperture, while f/22 corresponds to a very small aperture). The maximum aperture is the largest aperture opening your lens is capable of achieving. For example, if your lens is a 70-200mm zoom like mine (below), you’ll see markings that span from 70mm to 200mm. Next to this ring, you’ll generally find focal length numbers. Zoom lenses feature a zoom ring twist it, and your lens will zoom in and out. In this section, I’ll discuss numbers frequently found on newer lenses (though note that many will apply to old lenses, as well!). Common numbers on newer digital lensesĭepending on the age of your lens, you’ll run into different markings. I’ll explain what the numbers actually mean, and I’ll also explain why they matter for your photography.īy the time you’re finished, you’ll be a lens number expert, and you’ll never find yourself confused by your lens markings again. That’s why, in this article, I’m going to run through all the important camera lens numbers you’ll encounter. Camera lenses include quite a few numbers – and many of these are often confusing or obscure, especially for beginners.

[mainstweets]

Full frame camera cheap

#Full frame camera cheap full

#Full frame camera cheap iso

This happens because they capture a central part of an image and leave out the periphery, causing your final product to mainly be focused around on central spot. For instance, the biggest disadvantage of a crop sensor is that it physically crops the actual size of an image, hence the name of it. Landscape photography, macro photography, and architectural photography are all cases where a large depth of field would be often preferred.Īs much as a crop sensor camera has its benefits, in the same token the smaller sensor size can be a detriment to your photography in some use cases.

#Full frame camera cheap full

For an APS-C crop frame camera you get about 1-stop more depth of field whereas, for a micro-4/3 sensor will give you about 2 stops more depth of field than you would get at the same aperture on a full frame camera. In addition, lenses for crop sensor cameras are usually lighter than most other lenses, making the weight of your camera gear bag easy to travel with.Ī full frame camera has the ability to capture images with a shallow depth of field, but in some cases you will not want as little in focus as possible but rather want as much in focus as possible. At PolarPro, a few of us here in the office use a crop sensor camera for our travels across the world since it is a lighter option when compared to our full frame devices. With this being said, it would make it a lot easier for you to travel and carry around your camera on any rugged photography adventure that you may go on. Since crop sensor cameras have a smaller sensor, they are ultimately made smaller in size which as a result, causes them to weigh less. For example, if you have a Canon cropped frame body like the Canon 7D and pair it with your Canon 70-200mm f/2.8 lens, it can effectively operate as a 112-320mm lens with the help of the crop sensor. As a result, this can prove to be very beneficial for photography where you would need to get an up-close look of what you are shooting, such as sports and wildlife photography. For example, it can be very effective for telephoto photography due to the extra reach gained from the crop sensor multiplier. However, high-quality crop sensors can provide similar image quality as full frame sensors, at nearly a fraction of the price.Īlthough some people argue that a crop sensor has its downsides, it can actually prove to be a beneficial feature of your camera. Crop sensor cameras tend to be on the less expensive side due to the fact that manufacturing a full frame sensor is far more expensive and can cost over 20x that of a crop sensor. There is a common misconception that just because the camera is listed at a cheaper price, then it cannot produce quality footage, which has been proven to be quite the contrary. (And the price here is for the camera body only.One of the main advantages to purchasing a camera with a crop sensor, is that it tends to be on the cheaper side when compared to a full frame camera. Leica’s rarely are, but there are good reasons for that. It even has Wi-Fi for remote operation by smartphone. And Leica didn’t forget video: The SL shoots DCI 4K video in Super 35 format with L-Log gamma for postproduction work. Controls seem minimal but that’s the point: You can change up setting on this camera in a snap when shooting under pressure.

#Full frame camera cheap iso

Inside the weatherproof body is a 24-megapixel full-frame sensor with an ISO range from 50 to 50,000. But you do get a lot for the money: The SL Typ 60 (yep, no “e”) is milled from two blocks of solid aluminum and feels like a surgical instrument in your hand. Yes, it’s expensive, as anyone considering a Leica knows it will be. No list of full-frame cameras, especially mirrorless types, would be complete without a legendary Leica, a pioneering maker of mirrorless cameras decades ago. The Leica SL Typ 60 is the latest high-performance full-frame camera from the legendary camera.

[sigalrm]

Salix babylonica by Pascal Volk