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#camille de pazzis
b-skarsgard · 7 months
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Throwbacks from the Hemlock Grove era shared by costar @/kaniehtiio on IG
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landonsgrove · 7 months
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Throwback to Hemlock Grove via Kaniehtiio Horn’s ig story
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dichenlachmandaily · 2 years
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dichenlachman: Such a beautiful day with My darling friend @camilledepazzis I love this city #iloveyou #girlsdayout #france #paris 🇫🇷
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cineaddict · 6 years
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Hemlock Grove: Damascus
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kwebtv · 7 years
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Hemlock Grove -  Netflix  -  4/19/2013  -  10/23/2015
Horror / Thriller  (33 episodes)
Running Time:  60 minutes
Stars:
Famke Janssen as Olivia Godfrey
Bill Skarsgård as Roman Godfrey
Landon Liboiron as Peter Rumancek
Penelope Mitchell as Letha Godfrey (season 1)
Freya Tingley as Christina Wendall (season 1)
Kaniehtiio Horn as Destiny Rumancek (season 2–3; recurring season 1)
Joel de la Fuente as Dr. Johann Pryce (season 2–3; recurring season 1)
Dougray Scott as Dr. Norman Godfrey (season 1–2)
Nicole Boivin (recurring season 1) and Madeleine Martin (season 3; recurring season 2), as Shelley Godfrey.   While Boivin and Martin are the main actresses portraying the character, Shelley's remarkably large figure is provided, when seen from a distance, by Amazon Eve for the first five episodes, and by Michael Andreae thereafter
Camille De Pazzis as Annie Archambeau (season 3)
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Hemlock Grove “Todos Santos” Season 3 Episode 7
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funnydoll-bunny · 8 years
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bonniebird · 3 years
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Ok I looked into Season 4 of Hemlock Grove
Spoilers for season 1-3
.
I don’t know how official it is. I haven’t found anything official from netflix and the plot that one of the news sites has is this:
Hemlock Grove Season 4 follows 2 teenage girls who are killed and their bodies are there for the people to find the next day. Peter Rumancek, a 17 years old boy suspected of the crimes. He is a werewolf who tries to solve the mystery of the murders.
Which was the plot for season 1. Peter isn’t Peter as of season 3 and is over 21.
They listed the cast for season 4 as this:
Famke Janssen as Olivia Godfrey Bill Skarsgård as Roman Godfrey Landon Liboiron as Peter Rumancek Penelope Mitchell as Letha Godfrey Freya Tingley as Christina Wendall Kaniehtiio Horn as Destiny Rumancek Joel de la Fuente as Dr. Johann Pryce Dougray Scott as Dr. Norman Godfrey Nicole Boivin and Madeleine Martin as Shelley Godfrey Camille De Pazzis as Annie Archambeau
Most of these characters are dead, like they’ve been dead for a while.
Also they even say in the article that there isn’t any official announcements from netflix and that ‘There are still mysterious rumors about a cancellation.’ also the official season 4 trailer that they show is just the trailer for season 3.
The link to the article is here:
https://trendingnewsbuzz.com/interesting-updates-about-hemlock-grove-season-4/#:~:text=Hemlock%20Grove%20Season%204%3A%20The%20Release%20Date,2021%20with%20total%2010%20episodes.
I’m going to see if I can find anything more official. I was really hoping for a new season.
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“Nicolas Le Floch (Saison 3)” série de Nicolas Picard-Dreyfuss (2010) - librement inspiré des romans policiers “Enquêtes de Nicolas Le Floch” Jean-François Parot (2000-17) - avec Jérôme Robart, Mathias Mlekuz, François Caron, Vincent Winterhalter, Jean-Marie Winling, Michaël Abiteboul, Sava Lolov, Camille de Pazzis, Marie Verdi, Pierre Remund, Nathalie Roussel, Paul Minthe, Tom Novembre, Julia Thurnau, Catherine Gandois, Valérie Dashwood, Étienne Chicot, Armand Éloi, Julien Rochefort et le jeune Jules Sadoughi, janvier 2021.
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filmflits · 6 years
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The Last Resort Season 1
Nieuwe Film Merchandise op https://filmflits.nl/the-last-resort-season-1/
The Last Resort Season 1
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EAN: 8712609651959
INFO: DVD | Engels | 23 juni 2014
PRIJS: €14,99
The Last Resort Season 1 Gegevens
Releasedatum: 23 juni 2014
Distributeur: Sony Pictures Home Entertainment
Label: Sony Pictures Home Entertainment
The Last Resort Season 1 Cast & Crew
Acteur(s): Daisy Betts, Camille De Pazzis, Andre Braugher, Dichen Lachman, Scott Speedman, Daniel Lissing
Schrijver(s): Shawn Ryan, Karl Gajdusek
The Last Resort Season 1 Kijkwijzer
Advies: Angst, Grof taalgebruik, Geweld
Adviesleeftijd: Vanaf 12 jaar
The Last Resort Season 1 Specificaties
Drager: DVD
Aantal stuks in verpakking: 3 discs
Verpakking: Amaray
Speelduur: 536:00 minuten
Regiocode: 2
Taal: Engels
Overige talen: Duits, Engels, Frans
Ondertiteling: Nederlands, Frans, Engels
Beeldkleur: Color
Beeldformaat: 16:9, 16:9
Audio: Dolby digital 5.1
Extra’s: Duik nog dieper in de serie met ”Last Resort Declassified”, 13 achter de schermen featurettes over de visuele effecten, personages en meer. Met de makers, cast en crew.|Duik nog dieper in de serie met ”Last Resort Declassified”, 13 achter de schermen featurettes over de visuele effecten, personages en meer. Met de makers, cast en crew.”
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glenngaylord · 4 years
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TRILOGY OF TERRORISM - My Review Of WHERE WE GO FROM HERE (3 1/2 Stars)
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Most dramatic stories follow a three-act structure, starting with an inciting incident, then a period of rising action, and ending in a climax/resolution. Of course, we’ve seen many filmmakers break that mold, with Pulp Fiction and Last Year At Marienbad coming instantly to mind. Writer/Director Anthony Meindl, best known as the founder of his international acting studios, makes his feature debut with such a film, Where We Go From Here, and it’s a powerful, unique, swing for the fences experience.  
Told as three separate yet thematically connected storylines, Meindl has crafted a film where the so-called inciting incidents don’t occur until the very end.  As such, we enter the lives of a gay couple in Orlando, Florida, a quartet of Parisians whose intermingling triggers deep emotional feelings, and a woman in southern New York, who’s trapped in a violent relationship.  Each storyline features acts of gun violence, but the bulk of the film invites us to experience the specific humanity of its characters.  
Ricky (Meindl), a middle-aged, successful man, lives with his much younger boyfriend Raul (a touching, natural Matt Pascua), and their age difference brings up all the the expected issues.  Raul wants to go out and have fun while Ricky prefers to chill out at home.  In a strong sequence, Raul lays out his dilemma to Brenda (fine, subtle work by Ada Luz Pla), their housekeeper.  Speaking in Spanish, Brenda speaks of escaping her war torn country, coming to America, and wondering if things truly got better for her.  Her rapport with Raul makes it easier for him to open up and tell her, “When you tell me something, I totally get it…but when Ricky tries to help, I hate him for it.”  Brenda’s hilarious and perfect response is, “That’s because you and I are not fucking!”  In this microcosm lies what Meindl is astutely after with his film.  Relationships complicate things, bringing out the best and worst in us. They say regrettable things to each other, and in looking at the film overall, it acts as a subtle instructive to approach our differences in a more loving fashion.  
The second story, set in Paris, focuses on Adele (Camille De Pazzis) and Mathilde (Justine Wachsberger), who we meet after having sex.  Both women, however, have male partners, and when the four get together later to have dinner and attend a concert, they raise issues of sexual fluidity and how that impacts men with their patriarchal, sexist points of view.  Again, we see relationships at a crossroads where an agreement seems so far out of reach.
Finally, we meet Elena (Olivia Taylor Dudley), an ESL teacher in Binghampton, New York, who struggles to escape with her young son from an abusive marriage.  As she encounters one obstacle after another, we fear for her and root for a better destiny.  Dudley is a sensational actor, beautifully showing us every beat, every painful decision, every moment of humiliation as she strives for a better life.  All of the actors, many of whom are students of Meindl’s, bring vibrancy and warmth to their roles as an almost palpable sense of tragedy hovers over each of them.  
These stories build up an unnerving sense of dread, not so much for what happens at the climax, but by how we can feel something slowly slipping through the fingers of our main characters.  On first viewing, I made the assumption that the climaxes were those inciting incidents, but in looking again, Meindl very slyly makes a first disagreement or a barrier to success the moment where everything changes.  It’s there when Ricky and Raul can’t agree on how to spend their evening, or how our French quartet mingles on a dance floor.  When Elena goes to a bank to clear out her savings, the “no” she gets from the teller affects everything that follows.  
I’m reminded of a fantastic film from 1975, The Day Of The Locust, directed by the great John Schlesinger, in which we follow a host of characters in 1930s Hollywood, come to care about them, only to end up with a deadly melee at the end.  One could also cite Robert Altman’s Nashville as a similar experience.  Where We Go From Here may not be at the level of those two classics, but as an ultra low-budget feature debut, Meindl has certainly not gone down an expected path.  He plays with structure and expectations, bringing great empathy to his main characters and punching you in the gut at times when you least expect it.  His cinematographer Ray Wongchinda brings a fluidity and gorgeous shallow focus to his shots and makes this film look more expensive than you’d think.  They shot a third of this film in Paris on very little money.  That’s impressive.  I also love when filmmakers with limited funds find perfect solutions to bringing complex scenes to life.  My limiting the points of view to our central characters, the violence, when it comes, feels appropriately contained, giving us, the viewers, an insight into what it’s like when something horrific erupts around you can you don’t understand what’s really occurring. The issues this film raises about terrorism and especially domestic violence, couldn’t be more timely.  So many people have found themselves sheltered-at-home with an abuser, making a challenging time in our history even more dire. This is a timely, heartfelt film experience. I can’t wait to see what Meindl and company do next.  
Where We Go From Here is currently streaming for free on Hulu and is available on VOD at the usual online outlets.
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dichenlachmandaily · 7 years
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dichenlachman: In my pj’s putting @camilledepazzis frittata at huge risk 🍳 thankfully it worked out. I don’t normally wear a hat and sunglasses while flipping frittatas. I just got home... so yes, I’m embarrassed to say I left the house in my pajamas 😏 btw... are you even supposed to flip frittatas? 🤷‍♀️ #pjs #frittata #challenge #cooking#risktakers #thisishowweroll 👯‍♀️ #bestie #roommates
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filmflits · 6 years
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Nieuwe Film Merchandise op https://filmflits.nl/the-last-resort-season-1/
The Last Resort Season 1
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EAN: 8712609651959
INFO: DVD | Engels | 23 juni 2014
PRIJS: €14,99
The Last Resort Season 1 Gegevens
Releasedatum: 23 juni 2014
Distributeur: Sony Pictures Home Entertainment
Label: Sony Pictures Home Entertainment
The Last Resort Season 1 Cast & Crew
Acteur(s): Daisy Betts, Camille De Pazzis, Andre Braugher, Dichen Lachman, Scott Speedman, Daniel Lissing
Schrijver(s): Shawn Ryan, Karl Gajdusek
The Last Resort Season 1 Kijkwijzer
Advies: Angst, Grof taalgebruik, Geweld
Adviesleeftijd: Vanaf 12 jaar
The Last Resort Season 1 Specificaties
Drager: DVD
Aantal stuks in verpakking: 3 discs
Verpakking: Amaray
Speelduur: 536:00 minuten
Regiocode: 2
Taal: Engels
Overige talen: Duits, Engels, Frans
Ondertiteling: Nederlands, Frans, Engels
Beeldkleur: Color
Beeldformaat: 16:9, 16:9
Audio: Dolby digital 5.1
Extra’s: Duik nog dieper in de serie met ”Last Resort Declassified”, 13 achter de schermen featurettes over de visuele effecten, personages en meer. Met de makers, cast en crew.|Duik nog dieper in de serie met ”Last Resort Declassified”, 13 achter de schermen featurettes over de visuele effecten, personages en meer. Met de makers, cast en crew.”
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tiiohornfan · 6 years
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Destiny (Kaniehtiio Horn) and Annie (Camille de Pazzis)
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dichenlachmandaily · 7 years
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dichenlachman: This happens all the time with @camilledepazzis we finally wanted to share #twins #girlfriend #kindredspirits #pisces
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