#camille de pazzis

[b-skarsgard]

Throwbacks from the Hemlock Grove era shared by costar @/kaniehtiio on IG

[landonsgrove]

Throwback to Hemlock Grove via Kaniehtiio Horn’s ig story

[liana-iovu]

„Hemlock Grove”, un serial pe scena teatrului antic grec pentru că omenirea este involuție

„Hemlock Grove” este un serial în 3 sezoane prezentat pe platforma de divertisment Netflix în perioada 2013 – 2015, bazat pe cartea cu același nume scrisă de Brian McGreevy, care este și unul dintre realizatorii serialului, alături de Lee Shipman.

„Hemlock Grove” este un serial conceptual care se bazează pe o scriere curajoasă, profundă, și încearcă să surprindă omenirea, în ideile ei principale.

În contemporaneitate, în jurul anilor 2000,  omenirea este într- un punct al involuției, în haos. Toate cunoștințele sunt amestecate, nimic nu mai este clar, lipsa discernământului este tot mai aproape de a devora normalitatea, creația nu mai este creație, superficialitatea predomină, bunătatea este tot mai departe de a fi-ul omului, prejudecăți, luptă pentru supraviețuire, indiferent de rasă, națiune, statut social, rațiunea este tot mai rară.

„Hemlock Grove” afirmă în primele replici „particulele din cea mai mare structură sunt egale cu particulele din cea mai mică structură”. Acest adevăr din fizica particulelor este o trimitere către un eveniment important al omenirii, când s-a făcut trecerea de la ritual, ca formă a cunoașterii, la teatru, ca formă a cunoașterii.

„Hemlock Grove” alege subiecte care erau folosite în teatrul antic grec, atunci când teatrul avea un important rol social, fiind mai ales educativ, când, potrivit lui Aristotel, tragedia trebuie să creeze milă și teamă, catharsis, pentru ca spectatorul să nu fie vreodată ce vede. Incestul, relație oprită prin lege, este întâlnită în „Hemlock Grove” între frate și soră, între veri...Groaznic....

Sunt mai multe planuri în „Hemlock Grove”...unul, cel al teatrului antic grec, pentru a arăta că rațiunea, cu sute de ani în urmă, exista la poate cel mai înalt nivel posibil, în Grecia...un alt plan este cel al compromisului, viața fiind imposibilă fără compromisuri, Olivia Godfrey (Famke Janssen), care este upir sau vampir, o prezență în lume justificată de credințe populare, este acceptată, deși se hrănește omorând, daca elimină din societate oamenii fără discernământ. Fiul Oliviei, Roman Godfrey (Bill Skarsgard), este un reprezentat al clasei privilegiate, însă nu este lipsit de conștiință, tot upir și el. Roman este în antiteză cu Peter Rumancek (Landon Liboiron), un vârcolac, tot o prezență în lume justificată de credințe populare. Deși Roman și Peter sunt din lumi diferite, cei doi se înțeleg și ajung chiar să devină prieteni. Shelley Godfrey (Madeleine Martin), una din fiicele Oliviei, are un chip deosebit, și este un exemplu potrivit pentru cât de multă suferință pot provoca prejudecățile.

Cealaltă fiică a Oliviei, Annie (Camille De Pazzis), upir, ar fi cauza caricaturii care este Olivia. Personajele sunt și comice datorită neverosimilului.

Un alt plan, cel al involuției, asumat de omul de știință Johann Pryce (Joel de la Fuente), arată că un geniu nu este suficient pentru a schimba lumea în bine pentru totdeauna.

Este haos...o lume a celor bogați, plutocrație...drepturile nu sunt pentru toată lumea, deși legile există în forme scrise...dacă ești sărac, rămâi sărac, chiar dacă ești un geniu...societatea contemporană este bolnavă...și un medic psihiatru este prezent în „Hemlock Grove”, Norman Godfrey (Dougray Scott).

Omul este rațiune, dar este și instinct...conștiința este biologică...

[dichenlachmandaily]

dichenlachman: Such a beautiful day with My darling friend @camilledepazzis I love this city #iloveyou #girlsdayout #france #paris 🇫🇷

[cineaddict]

Hemlock Grove: Damascus

[kwebtv]

Hemlock Grove -  Netflix  -  4/19/2013  -  10/23/2015

Horror / Thriller  (33 episodes)

Running Time:  60 minutes

Stars:

Famke Janssen as Olivia Godfrey

Bill Skarsgård as Roman Godfrey

Landon Liboiron as Peter Rumancek

Penelope Mitchell as Letha Godfrey (season 1)

Freya Tingley as Christina Wendall (season 1)

Kaniehtiio Horn as Destiny Rumancek (season 2–3; recurring season 1)

Joel de la Fuente as Dr. Johann Pryce (season 2–3; recurring season 1)

Dougray Scott as Dr. Norman Godfrey (season 1–2)

Nicole Boivin (recurring season 1) and Madeleine Martin (season 3; recurring season 2), as Shelley Godfrey.   While Boivin and Martin are the main actresses portraying the character, Shelley's remarkably large figure is provided, when seen from a distance, by Amazon Eve for the first five episodes, and by Michael Andreae thereafter

Camille De Pazzis as Annie Archambeau (season 3)

[anxious-black-hottie]

Hemlock Grove “Todos Santos” Season 3 Episode 7

[funnydoll-bunny]

[bonniebird]

Ok I looked into Season 4 of Hemlock Grove

Spoilers for season 1-3

.

I don’t know how official it is. I haven’t found anything official from netflix and the plot that one of the news sites has is this:

Hemlock Grove Season 4 follows 2 teenage girls who are killed and their bodies are there for the people to find the next day. Peter Rumancek, a 17 years old boy suspected of the crimes. He is a werewolf who tries to solve the mystery of the murders.

Which was the plot for season 1. Peter isn’t Peter as of season 3 and is over 21.

They listed the cast for season 4 as this:

Famke Janssen as Olivia Godfrey Bill Skarsgård as Roman Godfrey Landon Liboiron as Peter Rumancek Penelope Mitchell as Letha Godfrey Freya Tingley as Christina Wendall Kaniehtiio Horn as Destiny Rumancek Joel de la Fuente as Dr. Johann Pryce Dougray Scott as Dr. Norman Godfrey Nicole Boivin and Madeleine Martin as Shelley Godfrey Camille De Pazzis as Annie Archambeau

Most of these characters are dead, like they’ve been dead for a while.

Also they even say in the article that there isn’t any official announcements from netflix and that ‘There are still mysterious rumors about a cancellation.’ also the official season 4 trailer that they show is just the trailer for season 3.

The link to the article is here:

https://trendingnewsbuzz.com/interesting-updates-about-hemlock-grove-season-4/#:~:text=Hemlock%20Grove%20Season%204%3A%20The%20Release%20Date,2021%20with%20total%2010%20episodes.

I’m going to see if I can find anything more official. I was really hoping for a new season.

[detournementsmineurs]

“Nicolas Le Floch (Saison 3)” série de Nicolas Picard-Dreyfuss (2010) - librement inspiré des romans policiers “Enquêtes de Nicolas Le Floch” Jean-François Parot (2000-17) - avec Jérôme Robart, Mathias Mlekuz, François Caron, Vincent Winterhalter, Jean-Marie Winling, Michaël Abiteboul, Sava Lolov, Camille de Pazzis, Marie Verdi, Pierre Remund, Nathalie Roussel, Paul Minthe, Tom Novembre, Julia Thurnau, Catherine Gandois, Valérie Dashwood, Étienne Chicot, Armand Éloi, Julien Rochefort et le jeune Jules Sadoughi, janvier 2021.

[filmflits]

The Last Resort Season 1

Nieuwe Film Merchandise op https://filmflits.nl/the-last-resort-season-1/

The Last Resort Season 1

EAN: 8712609651959

INFO: DVD | Engels | 23 juni 2014

PRIJS: €14,99

The Last Resort Season 1 Gegevens

Releasedatum: 23 juni 2014

Distributeur: Sony Pictures Home Entertainment

Label: Sony Pictures Home Entertainment

The Last Resort Season 1 Cast & Crew

Acteur(s): Daisy Betts, Camille De Pazzis, Andre Braugher, Dichen Lachman, Scott Speedman, Daniel Lissing

Schrijver(s): Shawn Ryan, Karl Gajdusek

The Last Resort Season 1 Kijkwijzer

Advies: Angst, Grof taalgebruik, Geweld

Adviesleeftijd: Vanaf 12 jaar

The Last Resort Season 1 Specificaties

Drager: DVD

Aantal stuks in verpakking: 3 discs

Verpakking: Amaray

Speelduur: 536:00 minuten

Regiocode: 2

Taal: Engels

Overige talen: Duits, Engels, Frans

Ondertiteling: Nederlands, Frans, Engels

Beeldkleur: Color

Beeldformaat: 16:9, 16:9

Audio: Dolby digital 5.1

Extra’s: Duik nog dieper in de serie met ”Last Resort Declassified”, 13 achter de schermen featurettes over de visuele effecten, personages en meer. Met de makers, cast en crew.|Duik nog dieper in de serie met ”Last Resort Declassified”, 13 achter de schermen featurettes over de visuele effecten, personages en meer. Met de makers, cast en crew.”

[glenngaylord]

TRILOGY OF TERRORISM - My Review Of WHERE WE GO FROM HERE (3 1/2 Stars)

Most dramatic stories follow a three-act structure, starting with an inciting incident, then a period of rising action, and ending in a climax/resolution. Of course, we’ve seen many filmmakers break that mold, with Pulp Fiction and Last Year At Marienbad coming instantly to mind. Writer/Director Anthony Meindl, best known as the founder of his international acting studios, makes his feature debut with such a film, Where We Go From Here, and it’s a powerful, unique, swing for the fences experience.  

Told as three separate yet thematically connected storylines, Meindl has crafted a film where the so-called inciting incidents don’t occur until the very end.  As such, we enter the lives of a gay couple in Orlando, Florida, a quartet of Parisians whose intermingling triggers deep emotional feelings, and a woman in southern New York, who’s trapped in a violent relationship.  Each storyline features acts of gun violence, but the bulk of the film invites us to experience the specific humanity of its characters.  

Ricky (Meindl), a middle-aged, successful man, lives with his much younger boyfriend Raul (a touching, natural Matt Pascua), and their age difference brings up all the the expected issues.  Raul wants to go out and have fun while Ricky prefers to chill out at home.  In a strong sequence, Raul lays out his dilemma to Brenda (fine, subtle work by Ada Luz Pla), their housekeeper.  Speaking in Spanish, Brenda speaks of escaping her war torn country, coming to America, and wondering if things truly got better for her.  Her rapport with Raul makes it easier for him to open up and tell her, “When you tell me something, I totally get it…but when Ricky tries to help, I hate him for it.”  Brenda’s hilarious and perfect response is, “That’s because you and I are not fucking!”  In this microcosm lies what Meindl is astutely after with his film.  Relationships complicate things, bringing out the best and worst in us. They say regrettable things to each other, and in looking at the film overall, it acts as a subtle instructive to approach our differences in a more loving fashion.  

The second story, set in Paris, focuses on Adele (Camille De Pazzis) and Mathilde (Justine Wachsberger), who we meet after having sex.  Both women, however, have male partners, and when the four get together later to have dinner and attend a concert, they raise issues of sexual fluidity and how that impacts men with their patriarchal, sexist points of view.  Again, we see relationships at a crossroads where an agreement seems so far out of reach.

Finally, we meet Elena (Olivia Taylor Dudley), an ESL teacher in Binghampton, New York, who struggles to escape with her young son from an abusive marriage.  As she encounters one obstacle after another, we fear for her and root for a better destiny.  Dudley is a sensational actor, beautifully showing us every beat, every painful decision, every moment of humiliation as she strives for a better life.  All of the actors, many of whom are students of Meindl’s, bring vibrancy and warmth to their roles as an almost palpable sense of tragedy hovers over each of them.  

These stories build up an unnerving sense of dread, not so much for what happens at the climax, but by how we can feel something slowly slipping through the fingers of our main characters.  On first viewing, I made the assumption that the climaxes were those inciting incidents, but in looking again, Meindl very slyly makes a first disagreement or a barrier to success the moment where everything changes.  It’s there when Ricky and Raul can’t agree on how to spend their evening, or how our French quartet mingles on a dance floor.  When Elena goes to a bank to clear out her savings, the “no” she gets from the teller affects everything that follows.  

I’m reminded of a fantastic film from 1975, The Day Of The Locust, directed by the great John Schlesinger, in which we follow a host of characters in 1930s Hollywood, come to care about them, only to end up with a deadly melee at the end.  One could also cite Robert Altman’s Nashville as a similar experience.  Where We Go From Here may not be at the level of those two classics, but as an ultra low-budget feature debut, Meindl has certainly not gone down an expected path.  He plays with structure and expectations, bringing great empathy to his main characters and punching you in the gut at times when you least expect it.  His cinematographer Ray Wongchinda brings a fluidity and gorgeous shallow focus to his shots and makes this film look more expensive than you’d think.  They shot a third of this film in Paris on very little money.  That’s impressive.  I also love when filmmakers with limited funds find perfect solutions to bringing complex scenes to life.  My limiting the points of view to our central characters, the violence, when it comes, feels appropriately contained, giving us, the viewers, an insight into what it’s like when something horrific erupts around you can you don’t understand what’s really occurring. The issues this film raises about terrorism and especially domestic violence, couldn’t be more timely.  So many people have found themselves sheltered-at-home with an abuser, making a challenging time in our history even more dire. This is a timely, heartfelt film experience. I can’t wait to see what Meindl and company do next.  

Where We Go From Here is currently streaming for free on Hulu and is available on VOD at the usual online outlets.

[dichenlachmandaily]

dichenlachman: In my pj’s putting @camilledepazzis frittata at huge risk 🍳 thankfully it worked out. I don’t normally wear a hat and sunglasses while flipping frittatas. I just got home... so yes, I’m embarrassed to say I left the house in my pajamas 😏 btw... are you even supposed to flip frittatas? 🤷‍♀️ #pjs #frittata #challenge #cooking#risktakers #thisishowweroll 👯‍♀️ #bestie #roommates

[movieonmove-blog]

Last Resort (2012-2013) (Votes: 20121, rating: 7.4)

Watch popular movies with BlueBox: http://bit.ly/BlueBoxMovies. A US sub picks up Navy SEALs and receives an order for a nuke launch. Due to the circumstances of the order, the Captain refuses to fire. After escaping an attack from another US s Stars: Andre Braugher, Scott Speedman, Daisy Betts, Camille De Pazzis

Download Now

[tiiohornfan]

Destiny (Kaniehtiio Horn) and Annie (Camille de Pazzis)

[filmflits]

Nieuwe Film Merchandise op https://filmflits.nl/the-last-resort-season-1/

The Last Resort Season 1

EAN: 8712609651959

INFO: DVD | Engels | 23 juni 2014

PRIJS: €14,99

The Last Resort Season 1 Gegevens

Releasedatum: 23 juni 2014

Distributeur: Sony Pictures Home Entertainment

Label: Sony Pictures Home Entertainment

The Last Resort Season 1 Cast & Crew

Acteur(s): Daisy Betts, Camille De Pazzis, Andre Braugher, Dichen Lachman, Scott Speedman, Daniel Lissing

Schrijver(s): Shawn Ryan, Karl Gajdusek

The Last Resort Season 1 Kijkwijzer

Advies: Angst, Grof taalgebruik, Geweld

Adviesleeftijd: Vanaf 12 jaar

The Last Resort Season 1 Specificaties

Drager: DVD

Aantal stuks in verpakking: 3 discs

Verpakking: Amaray

Speelduur: 536:00 minuten

Regiocode: 2

Taal: Engels

Overige talen: Duits, Engels, Frans

Ondertiteling: Nederlands, Frans, Engels

Beeldkleur: Color

Beeldformaat: 16:9, 16:9

Audio: Dolby digital 5.1

Extra’s: Duik nog dieper in de serie met ”Last Resort Declassified”, 13 achter de schermen featurettes over de visuele effecten, personages en meer. Met de makers, cast en crew.|Duik nog dieper in de serie met ”Last Resort Declassified”, 13 achter de schermen featurettes over de visuele effecten, personages en meer. Met de makers, cast en crew.”