#but yeah i dont know i think its kind of the same idea as norma and frazie
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the more i think about it sam and norma may be something
#just going to copypaste my thoughts on it but#i think her and norma could be a fun odd couple thing and also the worst#like the things theyd do to each other could demolish the tristate area#but yeah i dont know i think its kind of the same idea as norma and frazie#in that its a rulebreaker who really challenges normas perception#but instead of like a cute cool new girl its like her lame friend who tries to give her botulism every 3 weeks#also the dichotomy of norma looking up to her dad or at least using him as a tool to get what she wants bc hes like respected or w/e#vs sam killing her dad.#'i'm going to tell my father about this!' 'be nice if i had a dad' type beat#psychonauts 2#verbosity
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Open invitation to talk about how Audrey was under-utilized by the Lorax movie
Oh my god I’ve been waiting for this opportunity for my entire life
Well, ONE way to improve the movie would be simply removing that entire Thneedvile subplot and making the entire movie about the Once-ler. Like, the movie starts off with a young boy going to visit the Once-ler in this dark and decrepit world. The entire movie is the Once-ler’s story, told with better pacing than the actual movie did. Unlike the original, show what a good guy the Once-ler was, make us invested in his character, show his gradual heel-turn into a shitty guy. If you wanna stay true to the original story, end the movie with the Once-ler giving the seed to the kid. If you want a more optimistic ending, show the Once-ler and the kid planting the seed together or something. Maybe the movie could be sprinkled with some pop culture references, akin to Shrek or Moana, but overall have a very sombering kind of tone and add more character to the Dr Suess classic.
“But we don’t want to just stick to the original,” a corporate suit might say to me. “We need it to be more peppy and modern. We need an unneeded het romance. We need it to appeal to the youth.”
Ok, I’d say, we can make that work. So how can we improve the Lorax (2012) using the characters and aspects that said movie presents to us?? Well, I’m no master writer, so this probably isn’t the best movie, but this is just my idea.
Mostly, by utilizing Audrey.
Alright, so, what do we know about Audrey? Well, she knows about trees. Why? Well, let’s say that in this hypothetical alternate movie, the intro scene is a parent/a guardian/some other adult figure (maybe a younger Norma as a babysitter??) telling a young Audrey about trees. Maybe she comes across old pictures of trees, and finds herself interested in them, and yearns to learn more.
You see her curiosity bloom in this scene, and that could transition into the opening number Thneedville. Instead of Ted scooting around the singing residents, it would be Audrey. Like, she’s picking up paint from the store, and everyone’s singing around her, and she clearly sticks out as a sore thumb (think the opening song from Beauty and the Beast, except no ones paying attention Audrey). After the song, you see her painting the trees on the back of her house (if she found an old picture of trees like I mentioned before, maybe she’s using it as a reference?? So it makes sense why she even knows what they look like), which leads to Ted crashing his toy plane in her backyard, like in the movie (except from her POV). She shows him her paintings, and gushes abt how she’d love to see a real tree (maybe she’s even the one who tells Ted about the Once-ler, but she’s like “I’m terrified of leaving down, have you seen the cameras everywhere? O’Hare’d go after me and my family for sure” and Ted is just stupid enough to attempt to do it himself). I don’t know, something along those lines. Maybe Ted flat out doesn’t care about trees at first, and finds Audrey’s fascination weird, and she has to convince him. Something like that
This would lead to Ted finding the Once-ler, and that would more or less be the same. However, whenever the movie isn’t focusing on the Once-ler, it’s focusing on Audrey’s story within Thneedville. Instead of the Ted/O’hare confrontation that we got in the movie, Audrey finds O’Hare in her backyard as his guards are painting over her trees. O’Hare could be like “Nice paintings Audrey! Where did you learn about these :)?” and Audrey is glaring him down (and showing some actual character mayhaps???)
And since I’m a sucker for parallels, I imagine parallels being very evident in this version of the movie??? Like at first, you see Ted being kinda dismissive of Audrey’s passion for nature, though eventually giving in (this would parallel the Once-ler, a man with an ulterior motive behind nature, and the Lorax, a creature who genuinely cares about nature). Then, later on, you see O’Hare and Audrey’s confrontation, which would parallel the Once-ler, a cruel business tycoon, shutting down the nature-loving Lorax. Not only would this give a bit more character to the main characters, but it could also show the similarities that Audrey has to the Lorax (which I think the actual movie was trying to go for??? Maybe????) and also show just how terrible the Once-ler has become??? He went from someone as innocent as Ted to someone like O’Hare??? I don’t know. I love parallels
These stories would come back together when Ted gets the seed and shows it to Audrey. Though I hate that chase scene at the end of the movie, I think it’d be more or less the same in this edited movie. (Maybe there’s some kind of scene where Ted almost gives into O’Hare’s words? Like, he’s got the seed and he’s like “Is it really worth this much trouble, Audrey? Things aren’t SO bad, they COULD be worse” and Audrey’s like “my dude that kind of thinking is what got us here in the first place”. Idk it’s kind of a stretch that could potentially be a good idea maybe?) It’s Audrey who says “I speak for the trees” and gives the big speech at the end. They do the the Let It Grow sequence, and Audrey and Ted plant the seed in the ground together (there’s no cheek kiss. theres. theres just no cheek kiss. maybe she ruffles his hair though, like a big sister)
Then you get the ending, where old once-ler is watering his trees and the Lorax comes down and they have their reunion scene, just like in the actual movie. However, before the credits roll, you see Ted and Audrey coming up over the hill. Ted motions to Audrey like “she’s the Real person who cared a whole awful lot and i wanted her to meet you” and you see Ted and Audrey standing across from the Once-ler and the Lorax and its like... it’s almost like Ted and Audrey are the “new onceler and lorax”???? Like, the Onceler and the Lorax are familiar faces to old fans of dr suess. Adults and what have you. Ted and Audrey, though, are voices for the younger generation. The younger kids watching the movie
i dont know. parallels are fun. i dont know what im saying
Anyways YEAH thats my idea for how they couldve improved the Lorax movie and utilized Audrey more??? Sure it wouldnt have been perfect, hell it probably wouldnt have been GREAT, but these are just the ways that I think I personally wouldve enjoyed the movie more and I hope u all enjoy
#lorax#long post -#i should be embarassed over how long this ended up turning out#but honestly im very passionate about this#improving movies that is#i also have an improved version of frozen in my head that i try to tell almost everyone i meet#probably some other movies too idk#idk im no writer this is probably terrible#i just have a lot of feeligns about a lot of things#onceuponymous
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