#but without context it's just fun

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[wu-does-art]

theres not enough mono with teefs so have this. also theyre BOTH biters, c'mon guys!!

[theminecraftbee]

Grian had taken her aside quietly. He'd awkwardly talked around the idea of her remembering now; apparently, he didn't know if her victory counted. She'd rubbed the back of her head and hadn't quite realized what he was talking about and said something about the games and, ah. Apparently she does remember now. Apparently the victory counts. Apparently this means he needs to say sorry.

Cleo considers not accepting the apology. Grian would get the wrong idea then. If she said: you don't need to apologize for shit, or maybe, there's nothing to apologize for, he'd take that as: you are exactly as bad as you're convinced you are. Honestly, Cleo's not sure whether that means Grian would decide he'd done nothing wrong or everything, but that's besides the point.

She'd never not remembered, is the point.

Frankly, Cleo hadn't realized people were meant to be not remembering. She's honestly a bit embarrassed not to have figured it out. Surely that can't be right. Cleo has held every single slight and every single ally and every single person she has ever connected to right in her ribcage, next to where her carved-out, unbeating, torn-up heart lies, the entire time these games have gone on. Each game, a new fact carved into the bone that makes them up.

Names ribbon around her memories. Bdubs and the Crastle and Scott and soulmates and Pearl and friend-turned-foe and Etho and survivor and Bigb and traitor and Scar and son and everything else. She wouldn't be the same at all if she didn't remember. Everything she is, it's built on top of everyone that was.

Maybe it's a zombie thing. The undead are said to be memories that can't fade as much as anything else, after all.

But she can't really explain this to Grian, of course. If nothing else, that would require explaining the place he's taken next to her heart, too, and frankly, that's way too mushy for the both of them. What ends up coming out her mouth is: "Oh. Does that really change anything?"

Grian stares at her a moment.

"You know, I guess not?" he says.

"Right then," Cleo says. "Cool. Good to know my victory means nothing then."

Grian squawks. "You can't just say it like that! That's depressing!"

Good enough.

She buries 'not-supposed-to-remember' 'not-sure-if-it-counts' 'laughing-as-scott-dies' and 'I-have-always remembered' in the same place in her ribcage, so she won't forget it, and then she does the thing that sets her apart from the common zombie:

She moves on.

[meamiiikiii]

okay so the list of "threats to the king" has been getting longer and longer with each passing stream. that is the context for this LMAO.

(speaking of. my friend is streaming ISAT for the first time and i have been in call and doing voices! in about 1-2 hours after this posts!! he is in act 3!! will rb more info onto here in a bit since mature tho.)

[siffrin-gimmick-blog-number-37]

imagine if sif was having a period during the loops and didnt notice until after act 6

daily 16.5: me and my stupid blinding looney tunes gender be like

[ganondoodle]

(zelda comic rough draft)

im still unable to draw anything ... except for really slowly getting the chapter 2 rough draft further for some reason, another screenshot from page 59

[d8tl55c]

oh boy !! ! ! ! !!! ! thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it

as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard (and something else)

first up another sketch of mystery gender-ambiguous being. (please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))

a few fav scenes

emotional support cwab

they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.

papery critter.

even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses. (im a sucker for good tail poses) (oh yay! i found a good pic...)

and finally, little sneak peak for you for reading so far ;3

i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.

so i started hashing out a big project idea just to see if it holds up and

[

several hours later ...

]

oh

oh man

it's a little bigger than i expected

<next>

[kenybeets]

Honestly the recording of me drawing this is crazy because it just flashes so bad

[sea-jello]

hong kong miku,,,

[grif-hawaiian-rolls]

The Reds and the Feds

Some warmups that i got uhhh very carried away with!! But twas fun to draw blorbos together

Individual pieces and the snippets of the little scenarios that go with these under the cut

vvvv

-Donut and Neko-

“Impressive!” Neko nearly fell over when someone spoke. But he caught himself, and played off the wobble as merely switching which hand he was balancing on, which did give him a line of sight on the speaker. “Hi Donut,” Neko grinned, switching the angles of his legs to see the sim trooper better. “I had no idea you were so flexible!” Donut beamed, watching Neko shift his weight ever so slightly. “You could be in a circus with skills like this!” He shouldn’t, Neko reminded himself, because it was rude to lie apparently, but…sometimes it was just too easy. “So, funny story about that—“

-Sarge and Pavoz-

Sarge wasn’t really paying attention to him, Anton realized. He leaned out of the way of an arm swinging out with a broad gesture as Sarge recounted a story about Agent Washington and someone called the Meta— how much of it was accurate, Pavoz would have to confirm with Agent Washington another time. But for now? He watched Sarge’s face and spun his good pen- the one that had been a gift- between his fingers, and started drawing.

-Lopez and Soares-

“I’m going to go out on a limb and guess that Hughs misunderstood something when he said you needed my help with the Warthog,” Soares said. Lopez pushed himself out from under the body of the vehicle to look up at the medic. She raised an eyebrow at him, visible only because she wore her under-armor suit and not her actual armor. She must’ve been off duty. Lopez would almost feel bad for interrupting- almost. He didn’t actually feel that bad. “<Yeah. It’s not the warthog i need help with,>” He stood, and gestured for Soares to follow him to one of the other parked cars. Lopez crouched, and waited for her to do the same before he lifted the hood. Portuguese may have been a different language than Spanish, but being fluent in cousin languages meant that there was some understanding. Certainly better than whatever Donut claimed to understand of Spanish. But Lopez was a man robot of few words, so he instead opted to point at the problem instead of explaining. “Are those… teeth marks??” “<You tell me.>”

[goldensunset]

‘the children yearn for the mines’ is a little too real to me bc when i was a kid and my older siblings were trying to get me into pokémon i really never cared to try playing. BUT. i was obsessed with the underground mining minigame in dppt. i used to beg my sister to let me take a turn playing and set it up for me bc i didn’t know how to so i could go mine for gems nonstop until i cleared that entire cave section of glittering wall spots which always made me so sad bc i was having such a great time. i didn’t even understand the significance of what i was doing but 7 year old me was high off of it

[can-of-slorgs]

Completed the Shenkuu Stamp collection some time ago, so it was only fair to draw my girl Mirsha

[whimsyprinx]

I feel like now is a good time to announce that I’m in the process of moving blogs! Im doing so for a few reasons, the main one being paranoia, so for that reason I won’t be saying my new urls publicly so like please dm me if you’d like my new url so you can follow me there! I’ll be reblogging this post a lot so ppl can see it (so sorry if you get annoyed by that)!

I’m also remaking my discord account as well so if we’re friends on there then feel free to message me for my new username!

friends and mutuals please do reblog so shared friends/mutuals have a higher chance seeing it!

[driftingballoons]

Some creatures are more difficult to perceive than others

[captainmaxatx]

I’m writing a poolverine fic right now and am very tempted to add a very funny looking cat, so like Wade brought home the funny looking dog and then Logan brings home the funny looking cat, I’m particularly inspired because there is an “ugly” cat on BC spca shelter website that I’m a little obsessed with, I think I can make it fit but I’m a little iffy if it would feel right, what do you think

Here is a picture of the actual cat for reference

[gingermintpepper]

hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰