#but this is how i've always been. juggling 10 different projects none of them even remotely finished

[circlesroundthemoon]

brain is horribly bouncing between projects. i definitely want to draw some stormlight archives but first i have to finish the self portrait and then i really wanna draw that morena thing i've been planning. i'll get back to eidolon eventually....

[finnlongman]

If you don't mind me asking, as a writer, is there anything you do to motivate yourself/stay focused on one particular idea/project? Like, keeping yourself from having another idea mid-work and having an "ooo shiny" moment, and leaving the old work to be an Emer to the new idea's Fand (to make a clumsy Ulstsr Cycle joke)? I've been trying to get a bit more serious about writing recently and this is an issue I've been running into. Thank you in advance if you do answer this ask.

I always have multiple projects in my brain, but I generally have a one-track mind when I'm actually working on things. It's why I'll obsessively edit a novel in three weeks and then go back to doing academic work -- my brain won't let me do both at once, so I have to give them all my focus for a short period of time and then switch.

I'm trying to get better at juggling multiple things, but it's still my weak point. This summer, I had to split focus between two novels, a thesis, and an article, all in the space of about 2.5 months. The result? I completely abandoned my thesis, and indeed, any academic work, for the whole of August, in order to focus on fiction, because the deadline was more urgent. Sometimes you have to prioritise, and knowing you have to switch tasks at a certain time and that this one has to be finished first does wonders for making you focus.

However, if you don't have deadlines and if nobody is expecting you to hand anything in, it can be a lot harder to do the finishing part, and it's easy to go off chasing new ideas. I think we've all done it. For the first 10 years of writing fiction, I didn't have any deadlines either except those I gave myself, and I definitely abandoned projects and hopped around. Even since I signed with my agent, there's been at least one project I had to put aside unfinished and I don't know when or if I'll come back to it, though that was less a case of being distracted by something else and more a case of being too depressed to write. If it had been under contract, though, that would have been more difficult! So I'm glad that it wasn't.

Part of the way I avoid it is by writing fast. This is unhelpful advice, because either you write fast or you don't, and if you're not a speedy writer, it's probably not very useful as a tactic. But if I write fast enough, not only do I not give myself time to get bored, I also have the drive of knowing the sooner I finish something, the sooner I can move on to something else. If it's only another 3 weeks of work, there's less a sense of the new idea being impossibly distant. I always leave first drafts to stew for at least a few months before I edit them, so once they're done, hopping between projects is a good thing -- as long as I got to the end first. But not getting to the end can be a killer.

I also try not to take breaks while writing first drafts. Again, doesn't work for everyone, hasn't always worked for me. But the books where I take days/weeks off while drafting are the ones that are hardest to finish, and every time I've stopped long-term and said I'll come back to it later to finish it ... I never have. If I ever do, I'll have to rewrite the whole first half before I can continue. This is partly because I'm not an outliner, so first drafts are precariously balanced in my head and setting them down can mean losing sight of something crucial. If I had a set outline to follow, it might be easier to dip in and out.

Having said that, I do have some books that have been written far more intermittently with lots of days off... but they were definitely harder. The continuity and speed is a fairly crucial part of maintaining my train of thought. Like I said -- one-track mind. That's why it's so hard for me to balance multiple projects.

Over time, I've learned that ideas are really the easiest part of writing, but they often don't go anywhere. I keep note of them, often in my phone, but an idea is not a plot, and it takes time for them to turn into a book. I like to let them mature on their own for a while. I knew I wanted to write TRWTH from about 2015, but I didn't draft it until late 2018; I knew I wanted to write a Bisclavret retelling since about 2016, but didn't draft it until late 2019. I gave them time to figure out what shape they wanted to be in before I started actually working with those premises directly. So that can help me resist the temptation to jump on something new -- it's not necessarily ready yet. Writing it down feels like scratching the itch ("I'm not ignoring it, I'm just setting it aside") and means you won't forget it, but also means by the time you come to look at it again, you have a better sense of whether it's worth writing.

Having said that, I'm easily distracted by the temptation to *edit* something other than the book I'm currently working on; I'll reread an older project and see how to fix it and since editing doesn't require the same single-minded focus (for me) as first drafts, I can be lured away quite easily. Deadlines are usually the main thing that helps there.

If I'm honest... deadlines in general are the only things that keep me on track. Otherwise I'm always hopping between things and never focusing on anything long enough to get it "finished". It's where things like NaNoWriMo can help: setting yourself a goal of writing a certain amount of a book within a window of time can often keep you on target long enough to pass the point of no return (i.e. the point at which you're more invested in finishing the book than in starting a different one). I never finished anything until I did NaNo for the first time; it turned out what I needed was a deadline and an excuse to write quickly.

Two final things. One is that I try to only write things I really care about. If I'm ready to abandon a project and never come back, I probably wasn't invested in it in the first place. Two, if an idea is constantly popping up while writing something else, it might be related. It might explore the same themes, or develop on one of the ideas. It can be worth poking at it for a minute to check if that's the case, and if it is... it's not a new story. It's a new part of the story you were already writing, and can be woven in.

It's possible absolutely none of this is applicable to those with a different writing style to me, and it's also incredibly rambly, but quick summary:

deadlines help. knowing someone is expecting something from you helps.

writing fast enough not to get bored gives you less time to get distracted.

ideas need time. write them down and let them stew instead of rashly chasing them; they may not be able to carry a whole story on their own

they may not BE a whole story; consider whether they're part of what you're already writing

Did this make any sense at all? I have no idea. I've actually been switching between three projects (two fiction, one academic) this week, so my brain is utterly melted because, as I said, I suck at doing that.