#but these teenage ships are like 80% blinding love and it's very different

[echoes-lighthouse]

Okay, this is a silly thing but my new slasher ships have gotten me thinking about the ways that I selfshipped with villains as a teen and just kind of being a bit sad I didn't get to explore those more, because I was pretty harsh on myself for selfshipping at the time.

Sooooo I was like 'fuck it, I'm going to spend time on them now'. I don't really feel like the same person at the age of 13, so these self-inserts are a little bit different, but I assure you that my preteen/teen self would have loved them.

Without further ado... my nostalgia selfships. They'll share the tag #teenage villainy so that you can block them easily if you don't want to share a dash with them, since I was significantly more of a freak as a kid. Affectionately speaking, of course.

Nostalgia F/O #1: Alex (Clockwork Orange)

This selfship was mostly based on the book, which I read at 12 and immediately taught my whole class nadsat. The teachers were not impressed.

Alex is my big brother (age 15 to my 13), and our relationship is just about too complicated for words. He's an unpredictable mix of protective, aggressive, and proprietary: often self-contradictory but always keeping me closer than comfortable.

Tag: #clockwork siblings

Nostalgia F/O #2: The Joker (Nolanverse)

There is no way to summarize how important The Joker was to me at one point in my life. As a deeply out-of-depth teen, he was everything to me for a few years.

My s/i is the daughter of a wealthy Gotham businessman, and gets captured as a hostage at the dinner party where The Joker tosses Rachel out the window. After killing one of The Joker's henchmen, she accidentally captures the attention of the man himself and gets herself a whole lot deeper than intended.

Tag: #the lover who laughs

[vintagegeekculture]

The Chinese Cultural Inspirations for Dragon Ball Z and Super

Journey to the West was only the beginning. 

A lot of people are vaguely aware that Dragon Ball was inspired by Chinese culture and Hong Kong Kung Fu movies and novels, but are unaware of how deep and long lasting it goes. The Japanese spent the 1980s fascinated by China, which opened up from being a closed society for decades in 1978; the most famous human being in Japan in the 80s was either Michael Jackson or Jackie Chan. 

In fact, a lot of people commonly believe that the Chinese action movie and Kung Fu novel cultural and media influence on Dragon Ball ended very early on. This is untrue. Sure, we started to see qipaos and cheongsams less frequently when they headed to West City, but it absolutely did not finish, because there’s tons of influence to see even as impossibly late as Dragon Ball Super. Interestingly, I don’t think any of these point of inspirations have been pointed out before, mainly because a lot of Chinese adventure novels are simply not available in English. 

 The Piccolo/Gohan plot was inspired by the Chinese action novel “Heavenly Sword and Dragon Sabre.”

Okay, tell me if you’ve heard this story before: a truly demonic, weird looking monster villain is defeated by a martial arts hero, but by circumstance, is forced into training his greatest enemy’s young son. The villain trains the young boy, the son of his enemy, in martial arts and over time, becomes like a second father or uncle to him and his family, putting the boy in his “evil” sect, and thanks to his love of his rival’s son, this baddie turns over a new leaf and goes from evil to just…grumpy, and becomes a loyal, though gruff, ally of the boy.

Of course, the events of Heavenly Sword and Dragon Sabre are a bit different from Dragon Ball in details. The Lion King becomes Wuji’s teacher because they are both stranded together on an island after a shipwreck, for instance, and he is blinded and made vulnerable. Also, the Lion King wasn’t so much evil so much as he was misunderstood by the orthodox martial world. However, in broad outlines, this trajectory for a face turn (becomes friends with his greatest enemy’s son, and becomes like a second father to him as he trains him, causing the villain to become a gruff good guy and ally) is essentially from one of the most famous Chinese novels ever written in the 1960s. 

Oh, and while we’re at it, Gohan is likewise inspired by another character from a Louis Cha novel: the Prince of Dali Duan Yu in the Kung Fu novel Demigods and Semi-Devils. The Prince in that novel is a naïve, pacifistic scholar who prefers books to fighting, and who was raised to be timid and avoid combat, absolutely out of step with his family, all of whom are martial artists and warriors. In fact, the beginning of the story is the prince gets incredibly lost in the wilderness, where the hopelessly naïve prince is utterly out of his depth, with all the robbers and scary beasts, and needs to be saved by real martial artists that protect him like fairy godparents. He spends the first part of the story running away from everything, scared as hell. However, by circumstance, he has naturally high power he cannot fully initially control, and eventually realizes that even scholars and others who hate fighting have to sometimes become fighters to protect those they love.

The Duan Yu part of Demigods and Semi-Devils was made into a film, the Battle Wizard, which was reviewed by PewDiePie. The Dragonball similarities went over his head because, honestly, PewDiePie does not strike me as a perceptive person. 

 Hit was based on the screen persona of Chow Yun Fat.

Chow Yun Fat was a Hong Kong cinema superstar who was to director John Woo what Robert de Niro was to Martin Scorsese. There are three giveaways that Hit was based on Chow Yun Fat. One, he’s an assassin, same as Chow Yun Fat’s character in the Killer, and is even given a sequence that’s a John Woo homage with an assassination in an office building with guns pulled on an empty elevator in an act of misdirection. Second, he’s wearing the single piece of clothing Chow Yun Fat is associated with, a black trenchcoat (fun fact: in Hong Kong today, trenchcoats are called Brother Mark Coats, after Chow Yun Fat’s character in John Woo’s A Better Tomorrow). Third, his power is essentially bullet time, a visual technique refined by John Woo in Hong Kong in the 80s and 90s in his gunplay triad movies starring Chow Yun Fat (what, you think the Wachowskis invented it?).

 The Goku/Vegeta relationship is from “Legend of the Condor Heroes.”

Here’s a story you might have heard before. It’s about two rivals, but by circumstance, one is raised in the wilderness beyond civilization, where he becomes an honest and goodhearted, though overly naive bumpkin, martial arts prodigy. The other is raised a wealthy prince by a conquering enemy, who grows up to also become an armor wearing martial arts expert, but also a cunning, arrogant, emotionally distant sociopath.

The similarities go into their love lives, too. The unsophisticated bumpkin hero is betrothed to a daughter of a powerful bearded barbarian king against his will, while the one hint of vulnerability and loss of emotional detachment in the otherwise sociopathic prince, the crack in his smirky arrogance, is that he loves a girl he otherwise pretends to hate, and even fathers a child with her who becomes a main character later.

This is Guo Jing and Yang Kang from Legend of the Condor Heroes. The most fascinating similarity, and proof that female psychology is the same all over the world, is that the fangirls love the emotionally distant, arrogant, and sexy/evil prince (remember when Rhonda Rousey said her first crush was Vegeta?). Girls everywhere love bad boys and sexy villains, and oh boy, do they love Prince Yang Kang. I think you can probably guess who all the fan art is about for Legend of the Condor Heroes, and what ship is the most popular.

I have to emphasize that Legend of the Condor Heroes, which came out in the 1950s-60s, is possibly the most widely read novel by the most widely read novelist on earth - the sales on that dwarf Twilight and Harry Potter. It’s probably not an exaggeration to say nearly every Chinese person, even if they never read it, knows who these characters are. In fact, Yang Kang and Guo Jing from Condor Heroes are basically repeated over and over in Asian, Chinese, and Japanese culture. Does the unsophisticated but gifted martial arts prodigy bumpkin hero, and the glib, arrogant wealthy prince rival remind you of….another duo of rivals?

Gohan/Videl comes from Little Dragon Maiden

One of the most important and influential Martial Arts novels of all time is “Return of the Condor Heroes.” A sequel to Condor Heroes, this time, the main character is the teenage son of one of the main characters from the first novel. It gets even more familiar from there.

“Return of the Condor Heroes” was about a martial arts couple who are also master and student, the same age but vastly different in experience and skill so one somehow seems “older,” and they fall in love because the circumstances of training together requires they spend lots of time together and become intimate. The training story and the love story are exactly the same in “Return of the Condor Heroes.” The dead giveaway one story inspired the other is that in both, the most significant training sequence is one where the master teaches the student how to fly (though Return used a chamber of sparrows for lightness Kung Fu).

There are some differences of course – obviously in Return of the Condor Heroes, the genders of teacher and student are flipped from Gohan and Videl (it’s the Little Dragon Maiden who is a powerful teacher, and the boy who is the student). It was the girl (Videl) who was a rebellious delinquent in Dragon Ball Z, when it was the opposite in the novel, true. But it was obvious this story was in the back of the creator’s mind as a way to combine Kung Fu with the love story, by making teacher and student lovers.

Addendum: hey, remember that awesome movie Kung Fu Hustle, the one Hong Kong movies normies have seen? Well, remember the landlord and landlady? The landlady was named Xiao Lung Nu, or Little Dragon Maiden, and her husband was named Yang Guo – the same as the main characters in Return of the Condor Heroes. It was a joke that went over the heads of Westerners, by giving these names of attractive and naïve young people in love with each other to a surly, bitter, arguing and chain smoking middle aged couple who don’t give a damn.

 Going Super Saiyan comes from “Reincarnated” aka “Bastard Swordsman.”

Stop me if this sounds familiar: a terrifying warlord tyrant prone to killing underlings who displease him has achieved a level of skill and cultivation so tremendous nobody can stop him. But there is one, and only one, thing he fears and that can defeat him: a long-lost legendary skill that nobody has achieved in recent memory, that includes a supernatural combat power transformation that turns the hair light to indicate it worked.

This is “Silkworm Skill” from Reincarnated aka Bastard Swordsman, a novel and TV series from Hong Kong in the early 1980s. Of course, there are differences. To get the power boost and new hair color, the hero has to jump in a cocoon he weaves himself. In fact, the scene is so well known that they actually have it on the poster.

(To those saying “Super Saiyan turns your hair blonde, not white” my response is that it turns hair white, or uncolored, in the comic book.)

The idea of your hair turning white to indicate a new supernatural combat transformation or martial state wasn’t created by Bastard Swordsman, though – though it is the best example and probably the one most familiar to a 1980s audience due to the hugely popular books and TV series. For an older example, a famous Chinese movie based on a folktale is “Bride With the White Hair,” about a bride who’s hair turns white when she is betrayed, in her anger, she becomes less a woman and more a supernatural creature of vengeance (interesting that anger should be the means to unlock it).

[thewriting-corner]

‘Renegades’ trilogy by Marissa Meyer: review

Welcome today to a post I have been waiting to do for months. I never do entire posts for book reviews, but since this was a trilogy (and one of my favorites I read this year) I decided it would deserve a little more.

Note: I will be doing a spoiler-free review first and then I’ll put a warning before talking about each individual book :)

Synopsis: The Renegades are a syndicate of prodigies—humans with extraordinary abilities—who emerged from the ruins of a crumbled society and established peace and order where chaos reigned. As champions of justice, they remain a symbol of hope and courage to everyone... except the villains they once overthrew.

Trilogy Review ⭐️⭐️⭐️⭐️⭐️

I honestly think these are the best books I’ve ever read. The description was fascinating, easy to follow and gave amazing imagery without that heaviness that a lot of fantasy books have (this is more sci-fi/dystipia-ish but still).

The characters felt real and their individual voices were clear from start to finish. I loved every single character, even the ones I hated. 

However, there is one thing that bothered me BUT it does align with their world and that is the lack of accountability certain characters recieve (but I will be talking about that in my Supernova review).

Then the PLOT OH MY GOSH. I mean, it’s superheroes. It’s nearly impossible to be original with a plot that isn’t the same as any Marvel or DC comic/movie/show. And yet Marissa Meyer that such a beautiful job of taking a common conflict (heroes vs villains, villains wanting to take over the world) and turning it into a unique plot with amazing twists. 

I mentioned the world-building before, but I’ll do it again. Third person POV is not my favorite and neither is heavy world building like the one this book needed and had. Still, it was written in such a simple way that I didn’t feel like she was trying to confuse me, it was just a story.

Overall, this series was amazing and I highly recommend it to anyone looking for a fast paced, mind-blowing world building and compelling characters that will make you feel single to the core even in a relationship.

🚨Spoilers Ahead🚨

Renegades ⭐️⭐️⭐️⭐️

“We were all villains in the beginning.”

I went into this book with low expectations because I didn’t think I’d like Marissa Meyer’s style and boy was I wrong.

The first few chapters were a bit confusing but the moment Adrian fixed Nova’s bracelet I KNEW this would steer towards romance and it sold me. And then Nightmare making fun of the Sentinel for his comic book phrases and poses was my favorite thing ever. That would be me as a superhero, no doubt.

I really liked the way the plot progressed “slowly” without feeling dragged on. In fact, despite it’s slower pace of the story, the book still felt quick and that just won a million points with me.

Don’t even get me started on the Anarchists. I LOVED them. I like how they weren’t presented as villains from Nova’s POV, just enemies of a totalitarian state. Not even just in her point of view though. I genuinely didn’t think any of them were bad until Ingrid decided to show up at the library and almost killed Sketch’s crew.

And speaking of Sketch’s crew … the minor characters??? Hello??? Who writes side characters that are SO good?? Oscar is my favorite though. He wins. Danna being the only one to question Nova about Adrian’a feelings for her was hilarious, although it stressed me out that Nova put her to sleep. Counterpoint: it was very cute that the only way she could stop thinking of Adrian liking her was by putting Danna to sleep. Very on point teenage reaction. I would’ve done the same thing if only I wasn’t trying to remain anonymous in the organization that indirectly killed my parents. 

The climax, on the other hand, felt a teensy bit rushed but I’d be lying if I said I didn’t enjoy Nodrian in their not-date. It was adorable, especially when they stopped at the kid’s party and then Nova panicking over the mere thought of going on the ferris wheel with Adrian. All the carnival chapters where my favorite thing ever and I really wished they hadn’t ended with Nova killing the woman who raised her. But I did like the irony of it being Ingrid who told her she didn’t have the guts to press the trigger and then she died at the hands of Nova’s gun. 

AND THE ENDING WITH ACE BEING ALIVE. That shook me. I suspected it, of course, but it shook me to my core. 10/10 plot twist there.

Archenemies ⭐️⭐️⭐️⭐️⭐️⭐️

“I guess I figured you deserve to have good dreams every once in a while. Even if you never sleep.”

This one gets six stars because somehow I read it in 11 hours and I’ve never read such a large book in one day. The entire story was just fast-paced action, superhero world building and Nodrian flirting and eventually kissing. Best book ever.

I liked how in this book we got a closer look into other character relationships like Oscar and Ruby and then Danna’s suspicions over Nova. I would’ve liked to see more of Danna’s friendship with the team though, since at times it seemed she was only there to send passive aggressive comments at Nova. And the Sentinel’s “death” was amazing. Pure comic book material right there. 

There is this thing though that I mentioned in the general review that bothered me and it’s when they reveal Agent N. This weapon they created using Max’s blood is a great example of how the Renegades had obtained way too much power. It’s when we start to see that maybe Nova and the Anarchists are right. The Renegades are slowly becoming a dictatorship and it’s bothersome that nobody except Nova and Adrian notice. Especially when it was so obvious with things like them using Agent N “against every prodigy who didn’t follow the Renegades code”. Sure, they were criminals, but that wasn’t about arresting them. It was about changing the DNA of people who made one mistake and were immediately deemed enemies of the state.

Back to the good stuff, Nodrian flirting was the highlight of this book. They’re both so awkward and adorable, especially when Nova’s teaching Adrian how to shoot and then when they’re in his room later on. The whole “you want me to ignore everything?” and “you’re not allowed to have girls in your room?” quotes KILLED me. Those were peak flirting moments and I’m immensely surprised by the way that Marissa Meyer manages to write teenagers realistically as an adult and not even having teenage kids of her own. Also, Nova opening up to Adrian was just. No. It killed me. My ghost is writing this btw.

The ending, once again, amazing. I loved it. Not only did it once again show Frostbite’s true colors, show us how much hate Adrian actually held against Nightmare and the way Nova had softened by the Renegades’ influence. And Ace Anarchy’s capture goes into the good things pile.

Supernova ⭐️⭐️⭐️⭐️⭐️

“To be honest, I’m not sure there are such things as villains anymore. Maybe there never really were.”

Is it a bad review if I just insert the word “AH” for the next ten lines? Yes? Damn it. I admit that I was expecting something much different, but I enjoyed it nonetheless. I have never cursed and squealed so much by reading and had I not bought the hardcover with my own money, I would’ve thrown that book against the wall. It stressed me out. First of all, getting Nova and Adrian kissing in the tunnels a few chapters before Adrian arrests her for being Nightmare was another level of messed up. Clearly, she did everything in her power to save him from her house’s explosion and he threw it out the window in blind anger. And then the whole execution thing??? That was horrifying and it’s when the Renegades’ incompetence really showed its true colors. They couldn’t bring the people back to their side - because they failed - so they sentenced a broken, dying man and an underage girl who acted under the manipulation of her entire family, to death. If Hugh had ever even attempted to find out what happened to both Artino girls, none of that mess would’ve happened, but instead Lady Indomitable died and he went “WELL, can’t do anything about her last task, can we?” I get he was preoccupied by her orphaned son and the Ace of Anarchy, but it was as simple as going back into the house and searching. In fact, this entire book was just showing how their society was crumbling and in the end they went “we were all heroes”. I’m surprised Nova forgave the entire Renegades organization for what they did because even if it was Ace who sent a hit after her and her family, the Renegades were still willing to overuse their power. 

And once again back to the good stuff before I end up bashing the Renegades even more, I never thought I would be on board with Adrian and Nova’s relationship at the end of the book. I try not to ship toxic relationships in YA because they happen a lot and I wouldn’t like younger readers to think that it’s okay, but I loved how both Nova and Adrian were willing to make a change for their relationship to work. They compromised because they loved each other so much it didn’t matter who had tried to kill the other person and their dad or who hadn’t advocated against the other’s execution, you know, the ups and downs of every relationship. While I do wish we had seen them talking about everything, I get a book can only have a certain amount of words and I was glad just the same with how it ended. Also, Leroy’s threat to Adrian is iconic, just like Oscar proclaiming his undying love for Ruby at the arena were they almost witnessed multiple murders.

The epilogue. Just. Wow. I knew it before because I’m smart and I spoiled it but I NEED another Renegades book. You can’t just end the series saying Evie Artino was Magpie and her being as angry as Nova once was. Like, no. You just can’t. That was a crime against humanity, tbh, but overall the series was amazing and I have never been more grateful to spend almost $80 in books. 

[passionate-reply]

Do you “fucking love” science? Have you ever been blinded by it? Well, it doesn’t really matter, because that goofy little number isn’t really supposed to be on Thomas Dolby’s debut album in the first place. Find out about all the awesome OTHER stuff that’s actually meant to be here, in this new installment of Great Albums! Transcript below the break.

Welcome to Passionate Reply, and welcome to Great Albums! Today, I’ll be talking about a stellar album by one of those artists who have gone down in history as “one hit wonders,” despite producing a deep catalogue that’s often more impressive than that one song they end up known for: it’s The Golden Age of Wireless, the debut LP of Thomas Dolby. Chances are pretty good you’ve heard his big hit, “She Blinded Me With Science,” before...at least, if you’re American.

Music: “She Blinded Me With Science”

Like I said, if you’re American, you’ve heard this one before. If anything, it’s oversaturated! But if you’re from elsewhere in the world, you might not know it. Growing up in the US, I went through the whole gauntlet of alleged “one hit wonders” of 80s synth-pop, and a great many of them turned out to be British artists who had perfectly respectable careers in their native UK: Gary Numan, Soft Cell, and OMD, for example. Thomas Dolby is also British, but he’s apparently more famous here than he is across the pond--which is still not that famous.

He really ought to be, though, because The Golden Age of Wireless is a true masterpiece. Or, at least it WAS, in its original form. It’s actually a tough album to talk about, insofar as it’s hard to pin down what exactly constitutes “The Golden Age of Wireless.” It’s had quite a few different pressings, and a variety of different track listings. And the original version of it does NOT include “She Blinded Me With Science.” While I’d never argue that it’s a bad song, since it is insanely fun, and catchy to the point of being irresistible, it really does not belong on this album. I’m sure it helped them move copies of it, but its inclusion kind of ruins the vibe, to be honest. Its in-your-face and flamboyant hooks make it feel like a very unwarranted intrusion on an otherwise fairly serious and contemplative LP, which seems to have been intended as a fairly tight and thoughtful concept album.

Aside from that glaring issue, there are a few other tracks that have appeared on later versions of the album that weren’t there from the start, namely, the two tracks from Dolby’s first ever-release, a double A-side of “Urges” and “Leipzig,” as well as “One of Our Submarines,” the B-side of some versions of “She Blinded Me With Science.” All of these tracks are excellent, and mesh with the thematic and sonic character of the album quite well. “One of Our Submarines” in particular is often considered one of the best tracks of Dolby’s career--melancholy, claustrophobic, and stinging in its poignant sense of tragedy. It captures the misery and futility of modern war, as well as the sunset of the British Empire after the Second World War...and there’s a sample of a dolphin, too. It’s easily the track that I most wish had been included from the very start.

Music: “One of Our Submarines”

But now that that’s over with, I’d like to drill down and talk about how the album operates in its original form, as the artist intended. Like I said earlier, The Golden Age of Wireless is best understood as a concept album, and I think of it in a similar league as classics like the Buggles’ The Age of Plastic, OMD’s Dazzle Ships, or even Kate Bush’s Hounds of Love. The original track listing opens with “Flying North,” a stellar introduction to one of the most prominent themes of the album: freedom!

Music: “Flying North”

“Flying North” is an exultant anthem of self-determination, and one clearly mediated by “metal birds”--aeroplanes, that is. It’s a celebration of the independence allowed by technology, and a rather winsome one, in which this almost macho image of a heroic pilot takes center stage. The final track of the album, “Cloudburst At Shingle Street,” is a bit more esoteric, but seems to be aiming for a pretty similar idea overall, and I’d argue that the two of them form thematic “bookends.”

Music: “Cloudburst At Shingle Street”

“Cloudburst At Shingle Street” leads us through the technological evolution of mankind, from swinging from trees to paving concrete beaches--but the spacey synth warbles beneath those lines give them an ominous bent. The assertion that we might be heading into a cloudburst “mindless,” “naked,” or “blindly” is unnervingly cynical, but, we’re told, “there’s no escaping it.” Despite all of these signs that our better judgment should be resisting the temptation of this miraculous cloudburst...this triumphant, rising coda, with its powerful choir encouraging us onwards, seems to muddle the whole thing. The untethered, free-roaming nature of modern life isn’t always this sexy and exuberant, though--consider the track “Weightless,” as a counterpoint.

Music: “Weightless”

“Weightless” certainly seems to be about modern transients of some sort--in this case, traveling by car--but never lionizes them or makes them too terribly enviable. Instead, the focus is on the image of the draining fuel tank: the constant emptiness and craving for meaning, validation, and genuine love. No matter the allure of this very American, Route 66-like setting, the gas stations, cinemas, and decadent diner meals along the way are never any real substitute for an emotionally authentic life. That setting is, of course, a wistfully backward-looking Midcentury one. Nostalgia and childhood naivete are also among the album’s major themes, and are expressed the most clearly on “Europa and the Pirate Twins.”

Music: “Europa and the Pirate Twins”

Narratively, “Europa and the Pirate Twins” is a bittersweet story of childhood playmates who never quite re-unite, despite promising to be together again someday. The really interesting wrinkle is the fact that the narrator’s beloved Europa has become a famous celebrity as an adult, and the narrator is essentially a fan of her despite their real-world relationship. It’s an uncanny, confused parasocial relationship dynamic that feels extremely contemporary, despite the fact that it’s ultimately more of a commentary on the rise of teenager-oriented marketing during the Midcentury than anything else. The strange, often unhealthy relationships between young people and mass media, particularly radio, are another one of the major sources of tension on The Golden Age of Wireless. “Europa and the Pirate Twins” is also one of the more interesting tracks, instrumentally, featuring a prominent harmonica part, performed by Andy Partridge of XTC. Given how much the album strives to be about the future and past simultaneously, steeped in nostalgia and utopian visions alike, it makes sense to hear Dolby blend elements of traditional folk or popular music with forward-thinking synth-pop sensibilities. Listen also for a flute on “Windpower,” and a substantial amount of guitar on “Commercial Breakup,” a song that proves Dolby certainly can rock, if he feels like it.

Music: “Commercial Breakup”

The cover art for The Golden Age of Wireless isn’t exactly the most iconic, but I’ve always thought it was very beautiful. You’ve got this very eye-catching, lurid, pulp magazine style illustration of Dolby as a diligent, yet glamourous engineer, radiating with the complementary colour palette of orange and blue, the perfect picture of retro cool. But it’s framed and inset, to give us a conscious sense of observing something that’s coming to us from another time, an artifact preserved. That patina and sense of the antique is amplified by this dull-coloured background, which actually shows a marble sculpture gallery in a museum, though that’s tough to make out unless you have it right in front of you. The numerous shades of irony operating here are another thing that make the album feel strikingly contemporary.

I’m also a huge fan of the album’s title. “Wireless,” if you weren’t aware, is an old-fashioned term for radio. Radio itself is a strong theme on the album, most obviously on the track “Radio Silence,” but the use of the term “wireless” isn’t just another piece of retro nostalgia--I think it’s also evocative of that sense of free-flying, untethered independence I talked about earlier. The first half, i.e., “golden age,” is perhaps even more important. “Golden age” is an extremely loaded term that brings a number of rich associations to the table. “Golden ages” are simultaneously longed for, but not fully believed in. They’re bygone eras that usually felt like nothing special to the people who actually lived through them, despite their greatness being palpable to anyone reflecting on them in hindsight. In every golden age, there’s a poetic tragedy.

I think that even if someone did buy this record just to get their hands on “She Blinded Me With Science,” they’d probably be at least a little bit disappointed in what they got. The album does have some decent pop singles, chiefly “Radio Silence” and “Europa and the Pirate Twins,” but they’re still humming with nostalgia and unease, and not without some substantial experimental DNA.

Music: “Radio Silence”

While they cut the single weirdest track on the album, “The Wreck of the Fairchild,” they still retained some fairly ambitious tracks, such as “Windpower”--clearly an ode to Kraftwerk’s “Radioactivity.” It’s hard to be angry with an electronic musician for trying to rip off Kraftwerk, since they all do it one way or another, and in this case it invites a natural comparison between two great concept albums focused on the theme of radio.

Music: “Windpower”

Overall, though, The Golden Age of Wireless is still a reasonably accessible album on the whole. Possibly not what you expected, and certainly, a work that’s more sentimental and affecting than good for the dance floor, but as far as poignant, ballady, diesel-punk odes to the tragic techno-optimism of the Midcentury go, I’d say it’s not all that hard to get into! Dolby does have a pop core, as an artist, that he’s quite capable of selling to us if he chooses to. For proof of that point, look no further than the single “Hyperactive!” which he followed this up with a few years later:

Music: “Hyperactive!”

When discussing an ostensible one-hit wonder, there’s a distinct temptation to resort to “they deserved better” style rhetoric. On one hand, yes, I do think more people should hear Thomas Dolby’s music, and that it has a lot to say to us. I’m all about obscure music finding new life and being appreciated. That said, in the case of Dolby, I think he basically got what he wanted, in the end. He’s always been more keenly interested in music’s many behind-the-scenes roles than he has in chasing pop stardom himself--he’s produced music, and scored a number of films and video games over the decades. It feels kind of wrong to tell someone who’s successful at one thing that they “deserve” to be successful at something different, just because we may want to hear him do it, or because we esteem one skillset more highly than the other. Ultimately, The Golden Age of Wireless is a Great Album on its own terms, whether Dolby ever decides to grace us with another synth-pop release under his own name again--which he did in 2011, with A Map of the Floating City. But it’s his decision, as an artist, and the fact that he can choose to or not is a luxury that allows him integrity. I think that’s the way it ought to be.

My overall top track on this album has got to be “Airwaves,” a song in which the narrator dies, tragically and suddenly, in an automobile accident. It’s not the sexy, “Warm Leatherette” sort of car accident, but rather a dismally realistic one, that shows quite frankly how undignified death can be. Sometimes, we aren’t so much doomed heroes as we are frightened, sickly children, defeated by our own fickle bodies. The last thought our narrator gets is “I itch all over, let me sleep”; their honour perishes just moments before they do. Meanwhile, the radio is a constant presence throughout, and serves as both something to anchor the scene in the droll and quotidian, as well as ultimately becoming something transcendent. The promise of “airwaves” is not only the human interconnectedness made possible by technology, but also a hint at the ultimate destiny of human souls, a kind of ethereal afterlife in the sky. The meandering lulls of the verses contrast sharply with the song’s eerily soaring refrain, which enhances that feeling that those “airwaves” occupy some sort of higher plane. On that surprisingly heavy note, that’s all I’ve got for today, so thanks for listening!

Music: “Airwaves”

[steve0discusses]

Yugioh S2 Ep 43: Things Get a Lot Less Vague, But it’s Still Pretty Vague

I’m taking full advantage of the laziest time of the year and I’m watching even more Yugioh. I even gave myself a buffer. Sort of. I kinda lost a day playing Octopath Traveler and I don’t even remember that happening.

Now this episode doesn’t have anyone getting struck by lightning, but if that happened, it would have fit right in. A lot happened in this episode. So, to start off, Mai decided to play one of the three cards we were given explicit instructions to never ever play and it has immediately screwed her over via orb.

Everyone else watching the orb has become completely enamored by it. Especially Kaiba, who is pretty positive he can turn this sphere into a dragon. I don’t know why anyone would ever come to this conclusion, but welcome to Yugioh, it’s well into S2 and I’m just still jaw agape and saying “HOW?” at my screen.

Like y’all I don’t know how to play this game, which should be hella apparent from reading any of my posts, but like there is one thing that everyone knows--even I knew--about Yugioh the game. Let me just, once sec

Ah, there we go.

Like sometimes it shows that your game is originally in a language that doesn’t require spaces between words. And like this is coming from me. You know how verbose I am, I freakin love words. But maybe that’s too many words for a card.

(read more under the cut)

And while this is pretty much the worlds most BS card already, what’s even better is that none of this jargon appeared until after Mai played the card. Like basically the card pretends to be completely normal and then is like “Boom, gotcha. I’ll just be a cool Ikea orb lamp instead!”

At this point, while everyone is scrambling around trying to fathom what to do about this huge ass fake sun blinding everyone down in Domino, Marik decides to deposit some more bizarre lore.

I kind of assumed Yugi and Kaiba were born with the correct soul formula to become the reincarnation of these people from 3000 B.C.E. without any actual blood relations but apparently, somehow, you got people from Ancient Egypt migrating to Ancient Japan. Sure, I mean if you did enough trading routes it could happen. It just seems like it would be a difficult transition?

And we could get real head canon and talk about their parentage since there’s a lot we don’t know. Mokuba and Kaiba could have different fathers, since they are quite different looking, which may be how Mokuba is exempt from all this lore while it still applies to Seto (Cuz Mokuba has been staring at that card for like quite a while and he cannot read it). But like, I don’t know if the show will even bother to cover that.

I don’t know if we’ll find out when in their bloodlines Kaiba and Yugi’s Egyptian cursed lines arrived in Japan. Was this during like the Edo period? Was this to set up a really bizarre Shogun Yugioh spinoff?

Wait, is that a thing? I don’t actually know, Yugioh seems to have like 8 spinoffs that all look a lot of the same to me. It may just be 1 spinoff that Netflix keeps changing the preview image of to trick me into thinking there’s 8 of them.

Or, did Kaiba have a relative that showed up in the 80′s and had a crazy weekend and a one night stand? Would Kaiba even know who his real Dad is?

Whatever, I’m sure there’s plenty of fanfic made over the last 20 years to cover this so I don’t have to. Moving on.

And then this kid’s show decided to tie up Mai to a wall or something? Man, Marik and chaining people up, this is the fourth person he’s chained up today! At least this time she doesn’t have a box over her head.

Still pretty kinky though.

Yo did Mokuba just...casually walk out of Marik’s Shadow Realm just now?

Again, do they cancel the game at this point because the equipment is...clearly malfunctioning? Like, this is the part that Kaiba is supposed to have full control of because he made all the equipment they’re using and he’s just...glossing over this? Like, this is the one thing that Kaiba would be like “OK wait, wait, we can’t ship it like this, my company is actually ruined if the game can do this, one sec, cancel everything.”

Nah. They just kinda watch.

And now, Marik decides to say the bird chant so we can hear what was actually written on the card and it was...a...

...it was the definition of what a poem is all right...

This is the lyrics to the Ra poem, just so you can see how bad it is. My search engine history will never be the same, but I just want y’all to glory on how kid’s show this poem is, compared to everything else going on in this kid’s show at this moment.

"Great beast of the sky, please hear my cry./

Transform thyself from orb of light and bring me victory in this fight/

Envelop the desert with your glow and cast your rage upon my foe./

Unlock your powers deep within so that together we may win./

Appear in this Shadow Game as I call your name,/

Winged Dragon of Ra"

Bravo, writers. Bravo. This corny as hell poem with its very awkward meter was voiced over alllllll the other nuts stuff going on in this show and guys, it’s a juxtaposition.

Now at this point, Kaiba has his poem he needs to make the card works--so he no longer needs to translate it--so he can just cancel. He’s got everything he wants now. Time to just cancel. Throw the cursed boy in whatever prison you got on this ship. In fact, just toss him off the ship entirely. You no longer need him. He doesn’t even have the card anymore. Mai has it.

I honestly think Kaiba just spaced the hell out at this point.

Also then Marik follows it up by saying this:

Joey gets wind that this is pretty bad and we’re going to get a very dead Mai--I mean Joey was the one who just recently got struck by lightning so it’d make sense that he’d be the one to say "I know for a real true fact none of you are going to do a damn thing about this unless I do this myself.” So he runs directly over to Kaiba but then I think the show decided to edit out him talking to Kaiba because it just jump cuts to Joey talking to Roland instead.

Like it really felt like Joey went the long way around to get on this platform but I dunno, maybe he tried to punch Kaiba in the Japanese version and that’s why they edited it out? I dunno.

Also, how many times will Joey get DQ’d before he actually gets DQ’d? Will anyone ever in fact get DQ’d in this entire tourney?

As Ra starts warming up his engines to start spewing fire all over the field, Joey decides to take a moment to try and talk to Mai. To tell her that yes, he did have a dream about her, but didn’t want to tell her earlier, because no teenage boy in their right mind would tell an adult woman that they had a dream about them during a near-death experience.

Which honestly most of it was lost on the fact that Mai can only hear him as a sort of ghostly spooky echo.

So then, through the power of...the show only calls if friendship, but it’s very vague, y’all...they break the curse that Marik put on Mai, and she remembers Joey. Also because Joey is touching her face. Like literally touching her. This would have been way spookier if she could not see him at this point.

So Ra is getting ready to fry these two up and I thought “wow, we’re gonna get two bodies at the end of this episode. What a treat!” but there’s a twist.

What? Lol what?

Within like 3 milliseconds, Yugi goes “dammit what are these assholes doing?” and leaps up to the platform and then takes yet another direct fireball hit in order to save Joey Wheeler. No one even asked Yugi to do this--he’s not even competing in this game, but he certainly got up there and took it.

This episode must have been a right up shipping frenzy when y’all were 12.

Marik is so pleased that he got to eff up Yugi more in this duel than the one that he actually tried to kill Yugi Muto in. If I remember correctly he did mention that this all was very convenient--I mean he got 3 in one go and he wasn’t even trying. So, Because Yugi is passed out and because Kaiba will never actually step in and stop anyone in this show unless Mokuba orders him to, Marik walks straight up to Joey and Mai and makes some more nonsense right in front of everyone on this show.

This is right in front of most of the entire cast.

Maybe it’s the color scheme but I got strong Stinky Cheese Man vibes from this magic effect.

I thought of pulling more caps from this point but there was waaaay too much shirtless Yugi in it. In my mind, all cartoon characters, when they take their shirt off, have another shirt on underneath. And if they take off that shirt, it’s yet another shirt. It’s shirts and boots leggings on all the way down to infinity like a russian nesting doll, and the image of shirtless Yugi really puts a kibosh to my world view and I didn’t like it.

No kinkshame, of course, if that’s your thing, well, you got a 18x18 pixel shirtless Yugi right there for you to enjoy. Enjoy.

Now that Mai has been trapped here in this hourglass resort, she will lose her memories of her friends for the rest of time, obsessively watching everyone else's vacations that are full of friends having way more fun than she is having.

This is just Instagram basically. Y’all, this is just Instagram.

And some of y’alls Instagram has shirtless Yugis in it, I just know it.

And not to get too real but like, last episode we went through how Marik basically gave Mai depression--and it says a lot that his way of doing this was illustrated in a show written like 20 years ago in a lot of the same way social media works today. Just throwing that out there. 

Overall, I feel like the theme of the Mai ark is “Marik just sped up what they were already doing and it was super effective.” Mai trapped herself in her own false and negative insecurities. Kaiba failed to moderate anything. Joey waited way too late to say the right thing. Yugi sacrificed himself again to such a degree that he couldn’t save Mai later when Marik was just strutting around cursing people willy nilly.

And I’m not going to lie, Marik’s cargo pants/cape strut was hilarious.

It was probably supposed to be menacing, but this long cut of this ridiculous cast just watching this weird boy go was great.

Up until now Seto has been a very patient impatient person, but now it’s finally his duel, and he’s so excited to duel Ishizu--but y’all it’s just Seto up against a phsycic again. I imagine it’s gonna go real great.

Other than that one guy in town, will this boy ever duel a normal person?

Also...been debating on whether Mai is dead or alive, and her soul still seems attached to her body--like she’s still salvageable? So I’ll say alive for now. Seems more like a dream than like she literally got transported elsewhere.

Dude. It is S2 and I just realized that Mai Valentine is a pun.

Damn.

If you just got here, this is the end of S2 and things are rapidly losing their mind. Click here if you want to read from ep 1

[asheternal]

[DO NOT REBLOG PLEASE.]

(THIS IS NOT FACT, IT’S JUST MY PERSONAL VIEW. Keep that in mind! How I interpret media is probably different than your own perception! This also has one  vague personal anecdote about my past with abuse as forewarning.)

(Also I avoid canon names as to keep this shit out of tags so this may sound incredibly dorky, apologies.)

 This by no means is meant to discredit or harm abuse victims- please take this as a “bringing some nuance” to the discussion rather than an outright attack on someone’s ideas/beliefs. If I wanted to or planned to attack people- I’d reblog them and go off. This is a discussion on the concept, not anyone specifically. If you see the ship as abuse personally- that’s your perspective. I have no right to tell you not to think that way and this mini-essay does not carry that intent.

C*tradora is a ship people are starting to consider abusive and while I agree in present context it might be to a degree (though I’d call it TOXIC, not abusive) I feel like people forget that things between both of them can very much change.

 Abuse cycles only exist when the line is indoctrinated into believing that their behavior is right- when it’s a situation where they can’t find outside support to break that thinking... though Cat has two key characters who will most likely push her to a redemption arc- Scorpy and Entra. Both can be easily re-goodguy-ised due to their already neutral stances on the horde vs. everyone else, and it’s clear Cat relies on them both to some degree as she’d have never fully gotten the chance to overcome BADMOM without them.That can lead into Cat trying to make amends with Ador- bringing up her abandonment issues, possibly finding her homeland- finding out that she’s the princess of beasts or idk attractive cat people. It’s a very open plotline if you look at her original iteration from the 80s.

 Sidenote- this argument was a common one back when barnmates was released and people shouted that lap//idot was abusive when it really wasn’t. It was toxic, that is until Peri learned to respect Lapis’ identity and allowed Lapis to approach her on her own merit. It took true redemption to finally push both of them to their true selves- to true recovery. Both had to lose everything before they could remotely consider healing, be it limb enhancers or having to flee to the moon out of fear. (Even if their progress wasn’t really shown, rushed writing of a subplot is a valid crit. of their relationship.)

 The abuser in that ship was neither of the two involved- it was the abuse they suffered from their upbringing, from homeworld, which is very similar to the evil horde. In ALL of their cases, they only learn and heal once AWAY from their abusers, the narrative of “cat is becoming an abuser BAD SHIP” is one that is very.. understandable to some extent, but also sort of harmful to people who suffered parental abuse or other forms of systematic abuse. It’s saying “this pair is bad- all people who were abused will become abusers” and that’s frankly untrue and very nihilistic. I’d say if you’re a victim who never got help/didn’t fully recover long after escaping, you have a higher probability of becoming an abuser or showing abusive tendencies, but the notion that Cat WILL become an abuser or IS becoming one is highly flawed IN MY OPINION.

 I’d argue that cat struggles with being toxic herself while in the horde, though once she distances herself she’ll become less and less consumed by it. We won’t see this until we see more of the show- it’s only the FIRST SEASON, so making big assumptions like “this ship will ALWAYS be abusive” is incredibly shallow. This isn’t an issue you can apply black and white thinking to- it’s an incredibly grey sort of relationship. Likewise- cat is still a TEENAGER (I know it’s hard to remember with some animation styles) and until you hit a certain age (it varies from 18-21, it’s an ongoing argument I’d rather not open up as I have a very individual based belief that it’s all on your personal development rather than age) who is living under AN ABUSIVE DICTATORSHIP where they intentionally brainwash these youngins into being super soldiers. It’s very much implied that cat was abused more heavily for developing feelings for her equal, hence why BADMOM was so keen on abusing cat. It’s why she was seen as “poisoning” Ador and was responsible for behavior Ador did that she was by no means in control of.

Alright, anecdote time because abuse and abandonment issues are like.. a big thing with my past. I used to, when I was in an abusive relationship/friendship, do what Cat does to some degree- when I could escape I didn’t. When I could do the right thing I didn’t. When I could hold my own view on the world I didn’t. When everyone told me I could get away from the abuse I didn’t and yknow why?

 It’s easier to let it keep happening while being fully aware it happens. Hence why Cat KNOWING BADMOM was abusing them was such a hit in the face. Cat is a VICTIM, she doesn’t know anything better than what she has and the thought of having NOTHING is far more horrifying than the “comfort” of your normalcy- which is far from normal, it’s abuse. As an outsider, even as a possible victim yourself, it can seem so.. irrational for someone to keep going back, it can seem like they’re just reveling in the “power” aligning with abusers as a victim can have, but it’s anything but that. Sure- you can ham it up and act like that’s your intention, that you’re no victim, that you’re just “doing what’s right” but in the end all you’re doing is admitting you’ve fallen to the parasitic existence that is being a true abuser.

 What happens when the victim, the host, is subject to repeated failures in the eyes of an abuser? You’re abandoned, thrown away. You’re demoted, mocked, called a “traitor” and left to fend for yourself. (In a hypothetical horde that is. Real life isn’t as theatrical... I’d hope.)  Those people who wanted to help you may not be around still- you may have scared them off, they may have forgotten about you, they may have given up. Though in time alone you start seeing the world for what it is, eventually people come back once they see you’re away from your controller- you begin healing. People will return, just not the people you expect to- not your abuser, not your abuser’s abuser. Friends, people who saw the good in you but couldn’t handle seeing you destroy yourself or others for a twisted, sick abuser.

 Though, with healing comes guilt, and with guilt comes understanding. The road to redemption isn’t a single action, it’s a chain that starts once you realize how messed up your situation is. I see that in Cat- starting with when she gave Ador her sword back, admitting without her she has no purpose to her abuser, no purpose for herself. “Letting go” of her feelings for Ador is not literal- it’s never that simple, they fester- it’s a sign that the grasp her abuser had on her is starting to break, so she has to do more drastic things to justify her actions, she has to desperately find some form of “usefulness” to the horde otherwise Ador was right. Otherwise BADMOM was, to some twisted degree, right. Cat is, by the definition of the Horde- weak, because she LOVES her lifelong teammate, her role model, her best friend. Love is not allowed under the rule of the Horde as it means she’d turn on them if it meant helping who she loved, so that was routinely beat into her. Ador never showed the same “weakness” in her- she could ignore her feelings and get results, she was always useful to the horde and losing her to her discovering she is capable of feeling things the horde deems unfit made her undesirable to the big bad guy.

 If I am proven wrong and cat is later on shown to be 100% abusive, then yes- I won’t defend the ship at all on that. Though in the current state it’s a far more complex situation than “is cat an abuser” or not.

This sounds like a youtube script I know, so I’ll leave you with this last thought:

We can’t mend an abuser, but we can clean off the toxicity from a victim, thus preventing good people from becoming that which torments them. It’s not going to be solved by asking people to leave their situations- it takes a lot more effort to push someone to their own conclusions which is ultimately the best way to help someone caught in that sort of situation. You cannot force someone blinded by an abuser to “see the truth” if they refuse to, though you can influence their views and offer perspective to a situation they once saw as black and white.

  In the end- the true evil is the system and parental figures these characters were raised by, not each other. I hope this could bring even just a little grey thought to those reading.

Thank you.

[kadebronson]

kadebronson’s LGBT book list

hey guys! so i get a decent amount of questions about if the books i talk about have any representation in them (specifically i get trc a lot which for good reasons) and i know i ship boy do i ship but i do try and read as many books as i can with actual representation so i’m gonna comply a list (a working list for now) with some good books

those bolded are faves

a flash of hex by jes battis - this is part of a series and i never got around to reading the rest because i picked it up at a used book store it features gay, bi, and trans characters it was a seriously fun sci-fi book

the amazing adventures of kavalier and clay by michael chabon - listen this book is already a classic and for good reason it’s simply amazing and has everything you could hope for two jewish cousins hopping on the comic book bandwagon one obsessed with magic and trying to be a magician and one who falls in love with a solider it’s gonna make you cry but it’s so good

the family fang by kevin wilson - imagine a wes anderson movie as a book this is basically it annie’s story of coming to terms with her sexuality is heart warming

honor among punks by guy davis and gary reed - PLEASE READ THIS this is one of my fave books of all time it’s a graphic novel set in london in the 80′s if the industrial revolution never happened jack the ripper is running rampant and a bisexual female sherlock holmes (i’m sorry sharon holmes) is on the case! also did i mention she’s a punk? with a badass mohawk? also features a trans woman character but i don’t wanna spoil that part

the parasol protectorate and it’s varying spinoffs by gail carriger - if you follow me, you know how obsessed i am with this series it is my entire life and i absolutely adore everything about it the first book in the main series, soulless, starts off a bit slow but after that it’s totally worth it it’s a steampunk sci-fi/fantasy fusion set in victorian london where werewolves, vampires, humans, and some other creatures live in harmony (sort of) and basically everyone is queer i mean everyone the main character is bi demi and two of her closest friends are a gay vampire and a lesbian inventor

blind items by matthew rettenmund - about a history buff who falls for a tv star who has to stay in the closet for his career great if you love pop culture references a lot very sweet not as heartbreaking as it sounds

p.s. your cat is dead by james kirkwood - based on a play doesn’t focus too much on the characters sexuality but for 1972 it’s pretty boss

the egyptologist by arthur phillips - my mom sent me this one once in a care package because it was about egyptian history and had a gay character because obviously that’s my whole personality it doesn’t focus that much on his sexuality like at all and the book is alright but i figured i’d include it

221 baker streets - there’s only two stories in this anthology that count but they’re both worth it another sherlock holmes one the two stories are wildly different one is of sherlock and john in the 60′s and they’re a part of the factory in new york and the other one they’re teenage girls solving mysteires in their boarding school

ghost hunter series by victoria laurie - ok so gil is sometimes the stereotypical gay bff and it drives me crazy but this whole series is cheesy as hell but i adore it so it’s making it on the list it’s exactly what you think based on the title they’re ghost hunters and that’s about it (plus some romance troubles for both m.j. and gil)

the raven cycle by maggie stiefvater - ok as said before most of the questions i get is about this series YES ronan is gay and adam is bi are these words ever said? no is it annoying? sure but the series is really good and worth it ask me to sum it up? yeah i still can’t do that but you can check my tag and try to figure it out

lumberjanes by noelle stevenson and grace ellis - girls solving supernatural mysteries at summer camp could you ask for anything more? mal and molly are absolutely adorable

giant days by john allison - another graphic novel all the characters are absolutely amazing and it is fucking hilarious we don’t get into daisy’s sexuality until a couple issues in but it’s still fun

station eleven by emily st. john mandel - ok i know i keep saying this but we don’t even find out about clark’s sexuality until the end BUUUUUUT this book is so good i rec it to everyone it’s about a pretty simple disease wiping out most of humanity and then follows the survivors 

the foxhole court series by nora sakavic - another tumblr fave you probably know about this thanks to me as well it’s definitely not for everyone it can be extremely violent but i love it so it’s on here

the captive prince trilogy by c.s. pacat - i’m not gonna say anything about this it’s my guilty pleasure ok

nimona by noelle stevenson - noelle’s lesser known graphic novel! it’s adorable but also very bittersweet nimona becomes the side kick to villain lord ballister blackheart who is hellbent on destroying his nemesis, and jilted not-quite-lover,  sir ambrosius goldenloin

aristole and dante discover the secrets of the universe by benjamin alire saenz - another one you probably know :)

every heart a doorway by seanan mcguire - PLEEEEEEEEEEEEEEASE read this book because guess what? my url is from this book! meet kade bronson my sweet child he’s a trans man and the main character nancy is asexual it’s about people at a boarding school to help them recover from falling through magical doors and living in magical worlds so like rehab for alice after coming back thru the looking glass

rainbow boys trilogy by alex sanchez - alright this trilogy is from the late 90′s so you gotta take a lot of it with a grain of salt but it really good for what it is just about three boys (two gay, one bi) and trying to navigate through high school, coming out, life after graduation, etc.

marine biolgy by gail carriger - it’s my girl again! this is the first story she’s wrote that’s set in present day it’s about alex, a werewolf, who’s starting to fall for marvin, a merman it’s just a short story so i don’t wanna give it all away but there’s a full length book coming soon i’m excited for that!

a charm of magpies trilogy by k.j. charles - ok i still have one more left in the trilogy to read but i adore this series! it’s a little risque ok but it’s about magicians and has some crazy mysteries and i’ve been really enjoying it

alright that’s the list for now i only quickly went through my book journals but i may think of others as time goes on!

[legolasgoldy]

((Finrod + Rhys for the ship meme.))

// Thank you!!! :D @blind-mutant

Send me a ship and i’ll tell you                        

who hogs the duvet

They cuddle so close that I dont think thats a problem really, but Finrod definitely makes sure Rhys gets plenty of blanket around him to keep him snuggly and warm. Especially during the winter, Finrod doesnt like the cold but his body can regulate its temperature if he gets too cold even if it’ll sting his skin a lil from chilliness, he’ll make sure Rhys is all wrapped up. After all Rhys weighs less and need to retain more warmth. Altho, during the summer if their AC were to break it would probably be the opposite, they’d probs only use a sheet? He’d listen to hear if Rhys’ heart was beating to fast from being hot, or if he just felt he was too hot he’d pull the sheet off him a little and probably adjust his hair so it wouldnt be keeping him hot.

who texts/rings to check how their day is going

They dont have cellphones. Finrod may call during Rhys’ lunch break to make sure hes okay during the first week Rhys was at his job. Or if Rhys hadnt been feeling well the day before he’d check up on him. Or, also, If Finrod was having a bad day at work he’d call Rhys just to hear his voice. I feel like this could go vise versa, if Rhys needed to for what ever reason he could ask a coworker to help him use the phone and call Finrod.

who’s the most creative when it comes to gifts

Well.. this is a tricky question. I think they are most creative in their own way. So its a tie. Rhys cant see what he wants to buy so most likely, he’d ask a neighbor ( or friend at school depending on time period) to help him. He’d have to feel things to know what he wanted to buy as well as a friend’s help, and hes not gonna buy just anything, its gonna be something he knows Finrod would love.

Finrod does the same thing essentially, he makes sure to get things he knows without a doubt Rhys would love, whether it be just something cute for him to have, or something to help him (like a braille watch, etc.), or something for them to enjoy together like books.

who gets up first in the morning

Finrod XD He gets up at around 6 am/6:30am depending and always lets Rhys sleep as much as he can so he’ll be well rested. He knows sometimes its harder for blind people to sleep at night, and Rhys doesnt like getting up early either. So, typical routines are listed below:

As teenagers, Finrod gets up at 6 am and gets ready for school and gets as many things as he can ready for Rhys as well, then at around 7 am he’ll lay back down next to Rhys and attempt to wake him up too, very gently. If they are just best friends he’ll probably put an arm around him and whisper to him, and move hair outta his face. If they are dating he’ll kiss his cheek along with that.

As adults living together, on days where they work, its very similar to when they were teenagers with school. Finrod wakes up at around 6 am and gets up, makes tea, gets ready, then crawls back into bed with Rhys around 7 am and tries to gets wake him up with soft kisses, cuddles, and whispers.

On days when they are off work he’ll get up at around the same time, maybe 6:30am, and he’ll make tea, take the cup back to the bedroom and sit on the bed super carefully, finish the tea, then lay back down with Rhys and stays there. He doesnt go back to sleep, he just snuggles Rhys like he had been doing before he got up and lays there for a while relaxing with his bf. Probably a good 4 hours or so around 8:45/9am he’ll finally start to wake Rhys up with his usual gentle kisses and whispers, although this time he’ll be asking about what Rhys wants for breakfast since they’ll have time for a lazy big indulgent breakfast.

who suggests new things in bed

Rhys lol. Finrod is a lil too polite to suggest things often.

who cries at movies

Finrod. He reacts to movies so much. He’ll cry, growl, whine, whimper, etc.

who gives unprompted massages

Well i think its safe to say they both probably would if they really wanted to? Although in all honesty, Rhys has never seen someone give a message but would try his best if he decided to give one, while Finrod is a bit.. afraid to give Rhys massages. He can control his strength super well now, but Rhys does bruise easy so he’d be extremely cautious. 

who fusses over the other when they’re sick

Finrod fusses over Rhys so much, even when Rhys doesnt like it. He’s gatta make sure his love is okay.

who gets jealous easiest

Ohhh XD What a queston haha.  Well.. this is trickyy. Probably Rhys. but Finrod does get jealous sometimes when they are teens.

who has the most embarrassing taste in music

Hmm considering the times, I would have to say Finrod. While everyone else is listening to the typical popular music of the 70s-80s ( and granted he does too) he listens to a lot of classical music sometimes. Like Mozart for example. He really likes classical instrumentals.

who collects something unusual

Um..I dont know of anything unusual that they would collect? Finrod collects seashells but most he has on display are ones they collected together at the beach. Finrod collects jewelry. The collection of books, belongs to them both. Rhys has a collections of bunny plushies that Finrod keeps buying him and other things that feel nice.

who takes the longest to get ready

Finrod, he fixes his hair, picks out an outfit, decides which earrings to wear, maybe a bracelet. Where as Rhys cant see to really do much, he gets dressed, brushes his hair, and brushes his teeth?. BUT Finrod always helps Rhys get ready, especially helps with his hair, and if Rhys wants a tiny touch of makeup sometimes he’ll stop everything hes doing to help him put it on.

who is the most tidy and organized

Finrod is, but always tries to include Rhys in on everything. They equally decided what goes where so its a mutual thing? Altho as for cleaning the house, Finrod does that.

who gets most excited about the holidays

They both do, but I think Rhys a bit more. He never really had that big happy family holiday thing, and ever since he met Finrod he suddenly has this huge family that loves him. It took a while to get used to, but by the time he and Finrod are dating everything would have become a bit more comfortable and absolutely love it.

who is the big spoon/little spoon

Rhys is the little spoon, Finrod is the big spoon. But they do switch sometimes during the night, and sometimes Finrod is the lil spoon too.

who gets most competitive when playing games and/or sports

They dont play sports, but they do have training together in school. They play chess too. Hands down, without a doubt, Rhys is the most competitive. Finrod is the push over who always lets Rhys win haha.

who starts the most arguments

They dont really argue, but one can say technically its Finrod. XD The only time they argue is when Rhys is sick and grumpy, and Finrod unintentionally aggravates him into starting arguments.

who suggests that they buy a pet

Finrod! He knows Rhys is worried about having them even if he does want them. So, Finrod suggests solutions to how both he and Rhys can both take care of the pet safely without having to worry. That way Rhys can actually have a pet for once. They get fish first and describes all the different kinds so Rhys can pick out which he wants.

what couple traditions they have

Reading

what tv shows they watch together

Rhys doesnt watch tv shows, so anything Finrod watches is sort of on a whim.

what other couple they hang out with

Well they’ve hung out with Finrod’s brothers and their girlfriends. When they’re living in their apartment they hang out with their neighbors. Oh, and probably as teens they hung out with Jean and Scott.

how they spend time together as a couple

Tbh i feel like you can get the idea from everything above haha. They simply just live their lives together loving one another. Finrod makes sure Rhys can live his life to the fullest now without being held back as much as possible. They take care of each other, and read, go on vacation, take walks through parks, have picnics, play with each others hair, just cuddle. And once older, certain daily things that the neighbors hear are added into the picture X’D

who made the first move

Hmm another tricky question but i’ll say Rhys. He turned to kiss Finrod first. The drunk encounter doesnt exactly count bc Finrod was extremely drunk and didnt really know what he was doing.

who brings flowers home

Finrod

who is the best cook

Finrod, Rhys cant cook XD.

[cloakedsparrow]

The classic DC baddie Deathstroke has enjoyed a resurgence the past few years thanks in large part to the CW's Arrow, and with an appearance in Ben Affleck's standalone Batman film in the works, Slade Wilson is only getting more popular.

As we get ready for Joe Manganiello (True Blood, Magic Mike) to bring the character to the big screen in 2017, we're taking a deep dive into the character and offering a few tidbits you might not know about one of DC Comics' greatest tacticians and most dangerous villains.

For a lot of fans, Spartacus: War of the Damned and The Hobbit vet Manu Bennett's portrayal of Deathstroke in the first few seasons of the CW's Arrow was probably their introduction point to the character. That's for good reason: Bennett did an amazing job, bringing heart, menace, and nuance to the role. As Arrow enters its fifth season, he still remains one of the best bad guys the show has ever featured, setting a high bar it's has struggled to reach again. But that doesn't mean Bennett was always psyched about the way his character was handled.

After serving as the main big bad in season 2, Deathstroke was largely sidelined in season 3—only popping up for the one-off episode "The Return," which sent Oliver and Thea back to Lian Yu, where Slade was being held at an ARGUS prison. While they're there, Slade gets loose (surprise), and the siblings manage to take him out by the hour's end. Bennett wasn't happy about the way that encounter was handled, considering Slade had been such a menacing figure up until that point. He told The Music he believes the character "had a lot of possibilities," but ultimately the writers took his arc "in the wrong direction." Namely: "It took the Justice League to defeat him [in the comics]; it took an army to take him on. In Arrow, it took awhile for Oliver [Queen/Arrow] to prove his point, but [season three] was just a beating of Slade, adding insult to injury."

Deathstroke started out as the Terminator...no, not that Terminator

When Slade Wilson was first introduced in the early 1980s, he was known as Deathstroke: the Terminator. His first appearance came four years before James Cameron's time-traveling sci-fi flick of the same name, but by the mid-'80s, most people associated the "Terminator" moniker with Arnold Schwarzenegger's hulking robo-killer (or protector, depending on the sequel) regardless of who came first. (Hey, it's hard for a mid-tier comic to compete with a blockbuster. At least it was before we started getting blockbuster movies about those B-list characters.) To avoid any brand confusion with its own stone cold killer, DC opted to quietly retire the "Terminator" subtitle and just stick with Deathstroke. But hey, never forget—Slade had it first.

Deathstroke took out the Justice League (well, most of it).

Lest you doubt the badass-ness of Deathstroke, just remember that he took on most of the Justice League at one point—and took down the majority of DC's Mightiest Heroes.

As part of DC's Identity Crisis storyline in 2004, Slade was employed as the bodyguard for Doctor Light. As part of the gig, Deathstroke had to protect him from a large contingent of the Justice League, and took care of business all on his own. Have we mentioned Slade is a master tactician yet? He faced off against a team comprised of the Green Lantern, the Flash, Green Arrow, Atom, Hawkman, Zatanna, Elongated Man and Black Canary (with A-listers Superman, Batman and Wonder Woman absent, it's worth noting). And he had the heroes on the ropes, at least until he lost his temper.

In a move not unlike something Batman might attempt, Deathstroke strategized how to take down each separate member, and systematically started neutralizing them. From manipulation to using their abilities against them, Slade had a plan and kept to it. For a while. It was working pretty well, until Green Arrow jammed an arrow through his eye and sent him into a blind rage (no pun intended). At that point, he just started pounding on Green Arrow trying to kill him, which gave the rest of the team an opening to tackle him to the ground and stop the fight. So close, Slade. So close.

Though he's likely best known for his more recent work, especially his roles on Arrow and the upcoming Batman film, Deathstroke caused trouble on the comics page for almost 40 years. Slade Wilson was introduced in New Teen Titans #2, which was released in December of 1980. Not surprisingly, fans loved the character, and that one-off cameo role would eventually spawn an ongoing series that kept on trucking for more than 60 issues. Slade has scored a smattering of standalone books in the years since as well.

Along the way, he's taken shots at just about every DC hero in the books (hey, he is an assassin, right?), plus a few prominent citizens, too. One of the biggest? In the Family Business arc, Deathstroke makes a botched attempt to assassinate the President of the United States himself, and winds up framed for the murder of a U.S. Senator soon after.

He's come a long way since then, but Deathstroke was first introduced as a villain for the Teen Titans—and became one of their greatest adversaries, before expanding his targets to the wider DC universe. Slade was introduced in the 1980s Teen Titans comic run, after his son failed to complete a contract on the Titans and he took it upon himself to close out the job. Always the tactician, he captured the Titans during his first encounter with the young heroes and attempted to use a stolen weapon to kill them during a demonstration for some weapons he was selling (two birds, one bomb). The Titans escaped, and a vendetta was born.

For most of his early history, Deathstroke remained largely within the Titans-related corner of the DC universe, playing key roles in comic arcs such as Judas Contract, Titans Plague, Titans Hunt and Family Business. Along the way, he left more than a few lasting scars on the team—from shattering Impulse's knee to severely wounding Beast Boy during the Teen Titans' first encounter with the "Terminator."

He's basically the evil Captain America, except at DC

Sure, he might be evil, but Deathstroke's origin is remarkably similar to Marvel's First Avenger. Slade Wilson's story begins when he was just a teenager, as he enlists in military service early in an effort to serve his country. Slade serves a tour or two in Korea, and becomes an excellent soldier. At that point, he's recruited into a mysterious Army super-soldier program (sound familiar?), and winds up with enhanced abilities that are (surprise!) very similar to Captain America's. He also has the ability to use a lot more of his brain, which is where all that tactical prowess comes into play (think Limitless, but more evil and comic book-y).

Here's where the path's diverge: Where Captain America has stayed locked in and continued serving his country (a recent, Hydra-related twist notwithstanding), Deathstroke had a falling out with the military following a dispute with his superiors and was no longer allowed to serve. With his particular set of skills, about the only other business he's suited for is mercenary work.

From there, Slade built his career as one of the most dangerous villains in the DC universe, while Cap became one of Marvel's greatest heroes. It's amazing the difference a few decisions can make along the way, right?

Though he's still pretty new to the live action realm, Deathstroke has kicked around DC's animated universe for years. Thankfully, even in cartoon form, Warner Bros. knew they had to get the character right, so they turned to veteran actor Ron Perlman (arguably best known for bringing Hellboy to life in Guillermo del Toro's cult hit film) to bring Slade to life on more than one occasion.

Perlman voiced the character in the animated film Justice League: The Flashpoint Paradox. In this alternate timeline, Deathstroke is portrayed as the captain of a ship called the Ravager that comes under attack by the Atlantean army after he teams up with Lex Luthor to try and steal Aquaman's doomsday device. He handles the army pretty well, despite the long odds, but can't quite keep up with Black Manta's optic blasts in the end.

Perlman reprised the role (going by Slade at this point, because "Deathstroke" can be a pretty scary moniker) in the 2006 DC animated series Teen Titans, which aired on the WB and Cartoon Network. This version leaned a bit more heavily into the criminal mastermind take on the character (did we mention he's a master tactician?), as opposed to the more ruthless mercenary angle. Which makes sense, considering this was a show aimed at kids.