#but then i got a drum corps international ad. and i remembered. it's marching band season. and that got me PUMPED
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man someone should REALLY write an m9 DCI au
#court rambambles#cr#critical role#mighty nein#ive been reading The Rock Climbing AU and im really REALLY enjoying it#but then i got a drum corps international ad. and i remembered. it's marching band season. and that got me PUMPED#this year i REAAAALLY want to make it to this one comp to watch.... i need to find out when it is. maybe ill tell my professors ahead of#time. i really really wanna go i haven't been in forever. and ngl i wanna see how bad my school is doing i mean i want to support them#both are true.#OH YM GOD IT'S ON A SATURDAY#ohhhh the boa championships are in november.....#maybe i can do to dci next year. good god to see the blue devils in person? or the blue coats?#anyway. god. anyway.
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tragic star: keith moon
“If you don't like it, you can fuck off!” - last words of Keith Moon
This one was a long time coming, but frankly, it took me a while to get interested enough in the subject to actually do this analysis, let alone finish it. At any rate, Keith Moon, like most of the drummers from the rock ‘n’ roll period that we still read about today, led a self-destructive lifestyle. A close friend of his once said the drummer was “like a train ride you couldn’t stop.” Not only was his drumming chaotic – so was his life. According to some, he was at his core a kind and generous soul, but to others, he was lost, lonely soul, and terribly immature throughout his adult life. Perhaps it was the sudden success, upon joining the rock band The Who, when he was only 18 (although plenty of others of the same era were as young, or younger, and survived just fine), but Keith was so eager to please and make everyone laugh that he eventually became the “Moon the Loon” character that he was portrayed as in the media. It got to the point where he wasn't sure who he really was. A true Leo, he made a circus out of everything and he wouldn't walk into any room and just listen. He was an attention seeker and he had to have it. He used amphetamines, tranquilizers, drank way too much alcohol, destroyed hotel rooms and friends’ homes, threw TVs into swimming pools, set fires, and the list goes on. He was ultimately unable to outrun or outlast his demons; whether it was the wife and child he drove away, the friend and chauffeur he accidentally killed in early 1970...whatever else haunted him, it ultimately caught up with him just as he was finally trying to improve his life. Friends were well-acquainted with the many sides to Moon’s strange personality; one minute he was insulting, exaggerating, joking – the next minute he’s a wide-eyed, innocent-looking drummer boy. The public Keith Moon was The Who’s manic drummer and hellraising, daredevil comedian; a man who only ever lived in the moment. However, the real Keith Moon was a son, a brother, a father and a deeply insecure man. A man of extremes, his was a complete shitshow of a life.
Keith Moon, according to astrotheme, was a Leo sun and Cancer moon (the moon is speculative). Moon was born to working class parents in Wembley, London, England. He was a hyperactive child by nature and a mediocre student at school. His art teacher said in a report: "Retarded artistically. Idiotic in other respects". His music teacher wrote that Moon "has great ability, but must guard against a tendency to show off." At the age of 12, he had joined the Sea Cadet Corp and was given his first musical instrument, the bugle. He left school by 15 and was in his first band, The Beachcombers. While performing with the Beachcombers, he used to attend concerts of a band called The Detours. At that time The Detours were planning to sign a deal with Fontana Records and for this deal, this band required a new drummer. The Detours changed their name to The Who in 1964. When Moon learned about the band’s need for a new drummer, he approached them for an audition. After the audition, he became their new drummer, and performed with The Who for the first time in 1962.
From the moment he joined, musically the band was complete, although adding his already volatile personality to those of the other three equally headstrong members meant that the early years of the Who's career were fraught with drama and violence, despite their almost immediate success. Much of the tension came from the fact that Keith readily joined in on popping pills with guitarist Pete Townshend and bassist John Entwistle, while lead singer Roger Daltrey (with whom Keith was never particularly close) didn't. After sacking Roger for two weeks in mid-1965, he was reinstated, band relations improved, and the Who continued to release a string of successful singles and albums before a downturn in their fortunes in 1968. However, the release of the album Tommy in 1969 turned them into international megastars overnight and from that moment until the day Keith died, they would remain one of the top rock bands in the world. Running concurrently with the Who's rise to stardom in the 1960s was Keith's relationship with his wife Kim. She first met Keith in 1965 when he was 19 and she 15, and while they fell in love rather quickly, he exhibited twin streaks of jealousy and insecurity and Moon was occasionally violent towards Kim. While his mental issues, which would now be readily (and correctly) diagnosed as a combination of ADHD and BPD, reared their ugly heads on innumerable occasions, Keith's true personality shone through enough that Kim stayed with him; she decided to marry him when she became pregnant within a year of dating, and they got married in 1966. Their daughter Amanda was born on 12 July. In those days, there was a belief that married rockstars with kids weren’t as appealing to their mostly female fans, and the marriage (and child) were kept secret from the press until May 1968. He loved his daughter, but his absences due to touring and fondness for practical jokes made their relationship uneasy when she was very young. "He had no idea how to be a father", Kim said. "He was too much of a child himself."
The chaotic sixties would not hold a candle to what the new decade had in store for him, however. Shortly after New Year’s in 1970, Moon accidentally killed his friend, driver and bodyguard, Neil Boland, outside the Red Lion pub in Hatfield, Hertfordshire. Pub patrons had begun to attack his Bentley; Moon, drunk, began driving to escape them. During the fracas, he hit Boland. After an investigation, the coroner ruled Boland's death an accident; Moon, having been charged with a number of offences, received an absolute discharge. Those close to Moon said that he was haunted by Boland's death for the rest of his life. Moon had nightmares about the incident and said he had no right to be alive. Also, compounding this tragedy, was the fragile state of Moon’s marriage. Even after marriage and his daughter being born, he was still jealous, self-centered, and abusive to his wife Kim, both verbally and physically. His mental state also deteriorated as his appetite for all manner of pills escalated and he exploded into a full-blown alcoholic. Even after separating for a year, Kim returned to him, hoping that he had finally changed, but the insane lifestyle Keith kept up at their house became too much. Kim and Amanda (nicknamed “Mandy”) finally left for good in 1973. Since his marriage was a central part of Keith's life, their divorce would come to affect him perhaps more than any other event in his adult life and it was a devastation Keith would never recover from. While most people would use an event like this as the impetus to clean up their act, Keith used it instead as an excuse to drive himself further into oblivion.
Moon's lifestyle began to undermine not only his health but his career. During the 1973 Quadrophenia tour, at the Who's debut US date, Moon ingested a mixture of tranquilizers and brandy. During the concert, Moon passed out on his drum kit during the song "Won't Get Fooled Again." The band stopped playing, and a group of roadies carried Moon offstage. After he was given a shower and an injection of cortisone, he was sent back onstage. Moon passed out again during "Magic Bus," and was again removed from the stage. The band continued without him for several songs before Pete Townshend asked, "Can anyone play the drums? – I mean somebody good?" A fan in the audience, who happened to be a drummer, came up and played the rest of the show. During the opening date of the band's March 1976 US tour at the Boston Garden, Moon passed out again over his drum kit after two numbers and the show was rescheduled. By the mid-1970s Keith was living in Los Angeles and getting up to even more insanity with John Lennon, Ringo Starr, Harry Nilsson, and other stars. Even a new love in his life, Swedish model Annette Walter-Lax, couldn't get him to slow down and take control. There were even stints in psychiatric wards after some mental breakdowns brought on by his despair at losing Kim and his daughter and his drinking. His alcohol and drug abuse was now not only affecting his health (he put on a significant amount of weight at this time due to infrequent gigging) but sadly, his drumming. In 1978 soon after he recorded Who Are You, his final album with The Who, depressed by the deterioration of his drumming and threats from the rest of the Who to clean up his act or else, that he finally decided to get some help. By the summer of 1978, he seemed to be trying to get his life in order, staying sober and solidifying his relationship with Annette. He was terrified to go into rehab or under psychiatric evaluation, however, and instead self-medicated with Heminevrin, a drug used for treating acute withdrawal from alcohol. However, he took too many on his final night and sadly died on September 7, 1978 at the age of 32.
Over forty years after his death, it's still difficult to think of Keith Moon as anything more than just a hard-drinking insane rock star who would smash his drum set on stage or destroy a hotel room. But regardless of the human being behind the drumkit, the legendary drummer should be remembered as the man who forever changed the sound of rock 'n' roll.
Next, I’ll go back to my beloved star analyses by covering a personal favourite of mine; a force of nature and an unsung pioneer of cinema whose death was ridiculously sensationalized and whose colourful life was almost as wild as Moon’s: Cancer Lupe Vélez
Stats
birthdate: August 23, 1946*
*note*: due to the absence of a birth time, this analysis will be even more speculative.
major planets:
Sun: Leo
Moon: Cancer
Rising: unknown
Mercury: Leo
Venus: Libra
Mars: Libra
Midheaven: unknown
Jupiter: Libra
Saturn: Leo
Uranus: Gemini
Neptune: Libra
Pluto: Leo
Overall personality snapshot: He may sometimes have wanted a safe, simple life where he felt emotionally contained and able to pursue his own creative interests. Then, however, the compulsion to strive for a more central, leading role reared its challenging head, and he knew he had it in him – so out into the spotlight he went. So immense was his creative energy as well as his warm feeling for others that he could become both the artistic home-maker and the home-loving artist/writer/entrepreneur. His personality was large and welcoming, colourful and theatrical because he had such an uncanny knack of dramatizing his vivid impressions and selling himself in the most genuine, heartfelt way. Both the paternal and the maternal urge was strong in him. He needed to use his will to project and establish your identity in the world, and to use his instincts to nurture and protect his emotional and material security. The Sun and the Moon are in their ‘home’ signs here, so that potentially he had the creative vision of Apollo and the lunar wisdom of Diana all rolled into one. This could make him pretty overpowering at times, and indeed he needed a partner and a family on whom he could lavish his emotions. His bearing was often aristocratic, sometimes haughty, oversensitive and self-absorbed, but he always seemed to have enough affection to go around so that no one felt left out. He also managed to remain approachable and compassionate because he was so aware of his own vulnerability and need to be loved. Thus he made a warm and understanding friend, and he enjoyed expressing his feelings with original flair and thoughtfulness.
He was protective, possessive and clannish, a stalwart member of his family, group and nation, and utterly devoted to his ideals. Deeply honourable and dependable, he brought an attitude of devotion and romantic style to all he did. He may have actually had a good head for business because he possessed an instinctive knowledge of security needs as well as a shrewd understanding of people, their desires, fears and foibles. His refined taste for comfort and beauty was part of the impetus for success – he knew his own mind and did not easily budge from his preferences and high standards. Aesthetic sensitivity was strong, and combined with his innate tenacity and quiet ambition means that he was quite successful in the arts. Even though he readily turned a bright face to the world, he did not always feel confident and strong. He had a lively sense of individuality, but his potency was sometimes too dependent on emotional familiarity, and the range of his self-expression too circumscribed within repetitive emotional patterns. Inwardly he shied away from encounters with the big, bad world, and early in life he may have needed to find ways of handling challenges that normally push the panic button. This wouldn’t have been hard for him because his creative drive was tremendous and his individuality needed recognition.
He was ambitious, sound at giving orders, carried responsibility well and was a good teacher, especially able to bring out the best in children. He believed in herself and generally knew the right thing to say at the right time, although he could show a stubborn and dogmatic side. He had a high opinion of his mental powers, and it was certainly true to say that he had plenty of mental energy. He was quite sociable and expected other people to behave well at all times. He was eager for close personal relationships, so he tended to have a wide circle of friends. Self-indulgence was a problem for him, as was laziness and conceit in relationships. He tended to be impatient with superficial details, preferring large-scale situations, and he disliked being tied down by obligations over which he had little control. Conservatism may have affected his creativity, artistic values and love affairs. This expressed itself as self-imposed restrictions or as selfishness. He often felt inadequate, which created an insidious form of oppression over all his forms of expression. He could also take herself so seriously, that people think that he was older than his years.
He was part of a generation that was strongly interested in humanitarian ideals, new avenues of communication and progress in mechanical skills. As a member of this generation, he was able to bring original ideas to both his career and spare-time interests. Crises in thought and ideology arose because he looked beyond tradition and old attitudes towards new original and inventive ways of looking at things. His active mind tended to need constant stimulation and his tastes could be quite fickle and difficult to satisfy. He belonged to a time of peace-loving idealism when the family unit and the way relationships were managed underwent great changes. He could be too idealistic and a little unrealistic when it came to matters of love, sex and romance. As a member of this generation, he tended to need to be motivated to make the most of his potential, because the line of least resistance appeared very attractive, especially when it involved pleasure-seeking. He embodied the Libra Neptune generation in the sense that he was a huge part of a time when beauty reappeared in fashion. He was part of a generation which was highlighted by the clash between authoritarianism and individualism. As a member of the Leo Plutonian generation, he wanted freedom in his relationships and demanded the loyalty of his friends as a right. As a member of this generation, he wanted power over his own life and was prepared to challenge established structures. He didn’t feel comfortable being dictated to, unless he in some way agreed to it beforehand. He was a part of excesses of the sixties. He was part of a generation that brought about a revolution in forms of entertainment, recreational activities and leisure time, as well as attitudes towards children.
Love/sex life: He was a lover so in love with the idea of love that nothing else matters. At times his whole-hearted idealism made him too optimistic and too easily deceived by people who promised to fulfill his ideals and then renege but, as delicate and unworldly as his romantic fantasy may seem, it was remarkably durable. Though he may have been misused and hurt, he never lost his faith in the power of true love. Issues of the flesh were always secondary to him and he was apt not to give them much thought. If such urges must be satisfied, then so be it. If sex proved useful in reaching other goals, that was fine too. As long as sex did not intrude on his ideal of perfect love such physical inconveniences hardly mattered. Unfortunately, most of the rest of the world did not agree with him on this point and, measured by their standards, his sexual behaviour may have seemed immoral or at least strangely naïve. He needed to learn to allow for such harsh realities even as he strove to create that grand idyll of perfect love.
minor asteroids and points:
North Node: Gemini
Lilith: Capricorn
Juno: Libra
Chiron: Libra
Vesta: Aries
Ceres: Aquarius
Pallas: Sagittarius
His North Node in Gemini dictated that he needed to prevent his idealism from influencing his thoughts to such a high degree. He needed to consciously develop a more clear-minded and analytical approach involving his thought processes. His Lilith in Capricorn dictated that he was dangerously attracted to women who had a scrappy plucky attitude hot-wired into their psyche. Against his better judgment, he liked to be around a woman who needed to be in control and to be mistress of her own destiny, because her life was in the control of not-so-well-meaning others as a child. Juno in Libra, he sought a mate who was harmonious, artistic, musical and intelligent. He liked beauty and balance at home. He believed in equal partnerships where all lived up to the letter of the law. Chiron in Libra, he often felt wounded in relationships and could wound others in retaliation. He may have felt he was constantly hurt or rejected in relationships. Through learning that he was whole on his own, he could have freed himself from this destructive pattern. He would have benefited from a partner that could have helped him heal in some way. Vesta in Aries, he was incline to initiate work for religious and humanitarian projects. Action came from a desire to improve every situation. There was a great deal of insecurity in self-evaluation. Ceres in Aquarius, at his best, he had tact and the ability to compromise, making him well liked by all. Pallas in Sagittarius, he had the ability to evaluate true personal worth enabling him to use his resources in the most advantageous ways. Other people may think he was lucky. Ideally speaking, he could have been generally positive instead of being wasteful, and he could have been confident and reliable. Nonetheless, he still used his ideas in a practical way, especially in his career.
elemental dominance:
air
fire
He was communicative, quick and mentally agile, and he liked to stir things up. He was likely a havoc-seeker on some level. He was oriented more toward thinking than feeling. He carried information and the seeds of ideas. Out of balance, he lived in his head and could be insensitive to the feelings of others. But at his best, he helped others form connections in all spheres of their daily lives. He was dynamic and passionate, with strong leadership ability. He generated enormous warmth and vibrancy. He was exciting to be around, because he was genuinely enthusiastic and usually friendly. However, he could either be harnessed into helpful energy or flame up and cause destruction. Confident and opinionated, he was fond of declarative statements such as “I will do this” or “It’s this way.” When out of control—usually because he was bored, or hadn’t been acknowledged—he was bossy, demanding, and even tyrannical. But at his best, his confidence and vision inspired others to conquer new territory in the world, in society, and in themselves.
modality dominance:
cardinal
He was happiest when he was doing anything new, and he loved to begin new ventures. He enjoyed the challenge of claiming territory. He tended to be an initiator—and a bit territorial as well. Also, he had a tendency to start more things than she could possibly finish.
planet dominants:
Moon
Sun
Venus
He was defined by his inner world; by his emotional reactions to situations, how emotions flowed through him, motivating and compelling him—or limiting him and holding him back. He held great capacity to become a part of the whole rather than attempting to master the parts. He wanted to become whatever it was that he sought. He had vitality and creativity, as well as a strong ego and was authoritarian and powerful. He likely had strong leadership qualities, he definitely knew who he was, and he had tremendous will. He met challenges and believed in expanding his life. He was romantic, attractive and valued beauty, had an artistic instinct, and was sociable. He had an easy ability to create close personal relationships, for better or worse, and to form business partnerships.
sign dominants:
Leo
Libra
Cancer
He loved being the center of attention and often surrounded himself with admirers. He had an innate dramatic sense, and life was definitely his stage. His flamboyance and personal magnetism extended to every facet of his life. He wanted to succeed and make an impact in every situation. At his best, he was optimistic, honorable, loyal, and ambitious. He loved beauty in all its guises—art, literature, classical music, opera, mathematics, and the human body. He usually was a team player who enjoyed debate but not argument. He was, at his best, an excellent strategist and a master at the power of suggestion. Even though he was likely a courteous, amiable person, he was definitely not a pushover. He tried to use diplomacy and intelligence to get what he wanted. At first meeting, he seemed enigmatic, elusive. He needed roots, a place or even a state of mind that he could call his own. He needed a safe harbor, a refuge in which to retreat for solitude. He was generally gentle and kind, unless he was hurt. Then he could become vindictive and sharp-spoken. He was affectionate, passionate, and even possessive at times. He was intuitive and was perhaps even psychic. Experience flowed through him emotionally. He was often moody and always changeable; his interests and social circles shifted constantly. He was emotion distilled into its purest form.
Read more about him under the cut.
Keith John Moon was an English drummer who played with the English rock band the Who. He was noted for his unique style and his eccentric, often self-destructive behaviour. His drumming continues to be praised by critics and musicians. He was posthumously inducted into the Modern Drummer Hall of Fame in 1982, becoming only the second rock drummer to be chosen, and in 2011, Moon was voted the second-greatest drummer in history by a Rolling Stone readers' poll. Moon grew up in Alperton, a suburb of Wembley, in Middlesex, and took up the drums during the early 1960s. After playing with a local band, the Beachcombers, he joined the Who in 1964 before they recorded their first single. Moon remained with the band during their rise to fame, and was quickly recognised for his drumming style, which emphasised tom-toms, cymbal crashes, and drum fills. He occasionally collaborated with other musicians and later appeared in films, but considered playing in the Who his primary occupation and remained a member of the band until his death. In addition to his talent as a drummer, however, Moon developed a reputation for smashing his kit on stage and destroying hotel rooms on tour. He was fascinated by blowing up toilets with cherry bombs or dynamite, and by destroying television sets. Moon enjoyed touring and socialising, and was bored and restless when the Who were inactive. His 21st birthday party in Flint, Michigan, has been cited as a notorious example of decadent behaviour by rock groups. Moon suffered a number of setbacks during the 1970s, most notably the accidental death of chauffeur Neil Boland and the breakdown of his marriage. He became addicted to alcohol, particularly brandy and champagne, and acquired a reputation for decadence and dark humour; his nickname was "Moon the Loon." After moving to Los Angeles with personal assistant Peter "Dougal" Butler during the mid-1970s, Moon recorded his only solo album, the poorly received Two Sides of the Moon. While touring with the Who, on several occasions he passed out on stage and was hospitalised. By their final tour with him in 1976, and particularly during production of The Kids Are Alright and Who Are You, the drummer's deterioration was evident. Moon moved back to London in 1978, dying in September of that year from an overdose of Heminevrin, a drug intended to treat or prevent symptoms of alcohol withdrawal. (x)
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