#but the first rule of writing is that you have to actually write
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callipraxia · 1 day ago
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I’ll admit it - thinking of ‘but what will people think of me?’ has stopped me short of writing things before, in everything from writing actual content to writing part of a review on a friend’s story. “What will [Friend] think, seeing that I know that? Even if I explain the actually relatively innocuous reason why I know it, would they even believe me? This is an issue of how something is portrayed in media that I feel pretty strongly about, but in context, it might be better to just…drop it.”
I…tried actually including a detailed example of my next point here, drawing from Anon’s Robert Jordan remark, but it ended up breaking the thousand-word limit before I even got past the introductory explanations, so I guess I’ll write a separate essay about why I don’t really agree with the “dudebro is secretly obsessed with lesbians and BDSM” line of thinking, maybe link it back here later if I remember. In the meantime, the point was - if I start thinking “dang, I think Author X has an Issue with Y,” it’s usually a lot less because of what the author leaves in than what the author leaves out. As an author, one deliberately chooses to explore certain topics, including dark ones that reflect the issues that preoccupy us (isn’t Anne Rice’s work supposed to be kinda messed up? I mean, I’ve never read a word she wrote that I can recall, but aren’t they all, y’know, horror novels?). As distasteful as we might find it, incest and pedophilia and sexual assault and suicide and all those other words you can’t use on YouTube are real things that happen every day. There’s a plethora of reasons why any given author might want to explore such issues in writing, and at least half of ‘em have nothing to do with sex. I’ve never heard anyone imply that Dostoyevsky must have been really, really turned on by the thought of attacking pawnbrokers with axes, much less that he ever committed a murder in real life just for the heck of it. From what I’ve read - though to be fair, my reading on the subject is not extensive - Nabokov probably wasn’t really a pedophile, and Mario Puzo probably had nothing to do with real-life organized crime. I have heard a few people suggest Stephen King must be a perverted serial killer in real life to write what he writes, but those people were idiots. And so forth. Point is, an author examining evil through a certain point of view really should not lead to the assumption that the author has done or wants to do any of those bad things. That’s why we say that authors use their imaginations when they’re working.
Plus, well…nine times out of ten, nobody’s going to make you read a book. If you really can’t read a book without getting uncomfortable because you can’t stop thinking that X or Y means that the author might have wanted his wife to put him on a leash and spank him, you can almost always just…put down the book and go read something else. You can also do this if you’re uncomfortable with Anne Rice apparently having conflicting feelings about God - that isn’t a potential theme that bothers me, but I know people who would be upset for days about reading something that even hinted at someone Having Questions about the divine. Heck, I have a few books I 99% enjoy and I just skim over or entirely skip parts that involve actions I find uncomfortable - my one hard rule is that I won’t willingly even skim anything where bad things happen to pets, but even then, I don’t assume that everybody who ever earned a Newbury Medal is a bad person who likes thinking about such things. I just don’t read their books. Unless you are compelled to do otherwise for a class* or the like, just do thou likewise.
*I was, very reluctantly, compelled to read two books in my undergraduate Adolescent Literature class where bad things happened to dogs; it was the first and last time in my life that I’ve ever tried to get out of reading something, but the professor didn’t believe what I could bring myself to explain about just how negative of a reaction I knew I would have if I read any books with dying dogs in them. Now I still have one of those scenes lodged in my carousel of intrusive thoughts that drive my anxiety level up and make it really difficult not to engage in compulsive behaviors whenever they rudely shove their way up to the front of my brain, but I don’t think badly of Sherman Alexie because of it.
Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?
Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.
Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!
But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"
Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.
I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.
Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.
But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.
Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.
Also, we don't censor words here.
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yerchokito · 22 hours ago
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PLEASEEEEEE DO STRAY!GETO
MY LIFE IS URS IF U JUST DO THIS FOR ME‼️‼️‼️
contents! - slight creepy geto… not proofread
notes! - not as fleshed out as I wanted it to be :((( first time writing for geto! not going well…
stray!suguru who you found sneaking around in an alleyway, looking worse for wear— unhealthy skinny, darkened circles around his eyes, and smelling of vomit. so of course you took him in!
stray!suguru is rather quiet at first, only grunting or nodding in response to you— never letting you get too close, preferring to keep you at an arms length. he’s always politey accepting food you offer, though deep down— you feel as if there’s something he’s hiding.
stray!suguru takes a while to warm up to you. but, he does! it started off with subtle sniffing at you, then scooting closer, then his tail inching its way closer— almost featherlight touches it makes against your legs. now, suguru is a big cuddle bug!
stray!suguru who you actually have no idea what type of hybrid-man thing he is. he’s like nothing you’ve ever seen before! (it’s not like you’ve ever really seen much hybrids around anyways..) he’s tall— freakishly, built like a man made for hard labour, a harsh contrast to his cutesy ears n fuzzy tail!
stray!suguru who loves it when you lay on him, absolutely purring deeply when you perch yourself ontop of him. his big hands playing with your smaller ones— nuzzling into them like a loving cat.
stray!suguru who loves how much smaller your are compared to him, so soft and malleable— a purrfect little match for him.
stray!suguru doesn’t obey rules, especially not yours. of course, he’ll put on an act— ‘obeying’ to your house rules. it’s funny how you think you have control over him— little ol’ you.
stray!suguru who’s not as helpless as you thought…
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kotton-kandy953 · 1 day ago
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❏ 𝐓𝐄𝐘𝐕𝐀𝐓 𝐇𝐈𝐆𝐇 𝐒𝐂𝐇𝐎𝐎𝐋 𝐒𝐈𝐌𝐔𝐋𝐀𝐓𝐎𝐑 !
˗ˏˋ꒰ 🔪 love interest ꒱ . . . yandere ! m. kinich ! high school ! au x fem ! reader
˗ˏˋ꒰ 🔪 format ꒱ . . . headcannons
˗ˏˋ꒰ 🔪 warnings ꒱ . . . stalking, yandere themes
˗ˏˋ꒰ 🔪 authors note ꒱ . . . I don’t think I’m that good at writing kinich, so I hope he’s not too ooc :( || teyvat high school simulator homepage!
˗ˏˋ꒰ 🔪 word count ꒱ . . . 0.5k
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Something about Kinich’s uniform HAS to break the rules in some way, shape, or form. He’d wear headphones until being told to take them off… then proceeding to keep them around his neck. He’d also over-accessorize with black and silver jewelry and piercings.
But if that wasn’t enough already, he will always be seen with some sort of handheld video game console for some reason. He’s really good at pretty much any and every video game he has, it’s very impressive actually.
His appearance is usually very well put together — if you don’t include the dark, tired, circles under his green eyes. It gives people the impression that he stays up all night playing video games (which isn’t entirely wrong).
But you have to admit, those dark, lidded, eyes with his almost perfect black eyeliner makes him look all the more attractive.
He’s a very athletic student, having played on different sports teams in the past. He’s probably one of the first kids picked when choosing teams in P.E.
I’m pretty sure Kinich is based off of Ancient Mayan culture, but (don’t shoot me) I really like the idea of him being bilingual in English and Spanish. Like, he can take a Spanish elective or something?
His favorite subjects are math and science.
The type of kid to sit in the back corner of the class to play games on his phone.
Kinich has a very blunt and cold personality towards about everyone. Especially people he dislikes or finds annoying. But when it comes to you people he likes, he’s a bit less rude.
Kinich is in the School’s art club (along with Xiao), and his most favorite thing to do in there is painting. Although, he hates all of the effort it takes in scrubbing the dried paint off his skin. It’s a really tiring process.
I like to believe that he’d like using more colors when drawing or even writing notes. Like, using different colored highlighters on his notes.
He’s also started a video game club at the beginning of the year, making himself the President. You would think that because his introverted personality he wouldn’t want to be the president of literal club, but he honestly doesn’t mind it at all.
Many students know Kinich for his very obvious love for video games. Which is pretty hard to go unnoticed due to his
backpack literally being decked out with pins and keychains of pixelated characters from a variety of different game franchises.
As a yandere, Kinich would be more possessive and obsessive. His most favorite thing in the world is to be by your side. You’re just too perfect to be left alone in his eyes.
His desire to always have his eyes on you would grow into bit of an… obsession, so to speak. Maybe following you home every evening to make sure you’re safe isn’t so wrong right?
Kinich may be a bit overprotective as well…
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blushingbubbles · 3 days ago
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last-orgasm storytime -- sorry it took me a bit to write but it is...long
Sooo last night (1/31) was the last orgasm i’ll have for likely all of 2025, and i’m still fuzzy from it.
Still. It’s *checks clock* 6pm as im writing this. Still fuzzy. It happened like 18 hours ago.
The last free orgasm I had was on January 10th, and I didn’t even like it. It was rushed and short and unearned.
On February 1st, I entered long-term denial, and I wanted to cum one last time before it started.
In fact, I wanted to cum so badly that in exchange, I added 180 days to my denial. But because I added those 180 days, I started to fear that the orgasm wasn’t going to be worth it.
The last free orgasm i had sucked. I panicked that this next one would suck too, that I’d traded 180 days of denial just to regret it.
and hahahaha
i would trade 1800 days of denial for what i got on 1/31.
wc: 2600 (lol) | *exempt from forbidden words rules, and if u try to punish me for this post that i worked very hard on i will block you*
⊹₊⟡⋆ leading up ⊹₊⟡⋆
Sir & I talked on the phone for two days prior to the 31st. The first night we just talked, which got me used to his voice in my ear. The second night we talked a bit and played a bit, which made me more comfortable with his instructions & flow in a scene, which was wonderful. I would’ve had a difficult time relaxing with him if it’d been our first time speaking. But it wasn’t. It was our third, so I felt really safe & comfortable going into our call. 
The morning of the 31st I told him about my dream that centered around worshipping his cock. I told him how needy it’d made me. Sent him a picture of how wet I was. He praised me for it...and then told me I wasn’t allowed to touch until he called that night. At all.
Rude. (i kid)
To make matters worse, he sent some incredible nudes with an instruction to look at them once an hour every hour. This left my imaginative mind with some wild running fantasies. Excerpts from our messages started with “god im like whining” /  “you look so soft” end devolved to “it’d be so fuckimg easy for you to breed me” / “wanna be so full of ur cock i struggle breathing Sir” 
Believe it or not, I actually had no problem with not touching – it was like a given. He told me to not touch so even though I was feverishly horny, touching was out of the question.
The thing I had a problem with was the anxiety. It kept trying to convince me that he was going to forget or get distracted or cancel (he touched base about once every other hour to humor my feral messages, which curbed that anxiety well).
When I was making dinner though, the fact i was going to cum for the last time in 2025 that night started to get to me.
The anticipation became too much to sweep under the rug and I decided to tell him. The convo looked like this:
hi | my heart's beating really really fast In a good way I hope! i think im just excited but it does feel like anxiety It's a lot of anticipation. i dont knowwwwni dont know | It's a lot of anticipation Don't worry bubbles, I'm going take good care of you. | I'm adaptable | We'll get you what you need | You needn't worry about it, I'll be there with you and for you
 (i totally cried happy tears)
⊹₊⟡⋆ the beginning ⊹₊⟡⋆
im all fuzzy again lol. Sir called. We chatted about our days and how I was feeling. He asked what I’d laid out (a vibrating egg, a dildo, a clit suction toy). I made a joke about having a hairbrush on my bed, but it was strictly for brushing my hair before he called. He laughed and agreed there was no need for the hairbrush because we’re not in high school anymore.
First, he asked me to spread my legs to the corners of the mattress. Because of my anxiety, he knew without me asking to go really really slowly, and I'm grateful for it. He took time warming me up and talking to me in the first minutes.
He told me to repeat lines back to him -- repeating lines makes me very pliable, and that night was no exception. I might've repeated I like to show off for Sir 20 times. Afterward, Sir wanted me to spread my pussy for him too, so I did.
But then he said, "little more," which made me think he had cameras in my room. I told him this and he reassured me that he didn't. Instead, he's just inside my head. <3
The night is very hazy. I wrote this with a lot of assistance from him, but this is one thing I remember clearly: everything Sir said was a specific instruction.
He didn’t say “I want you to tease yourself” and then wait for me to explain how I teased myself. He said “take your left hand and drag it up the inside of your left thigh. Slower. I’ll give you the rhythm.”
There’s a time and subject for the “I want you to tease yourself.”
I am not the subject. So it's never the time. I’m always afraid I’m doing something wrong, so I ask clarifying questions – “like ___? Or should I _____?”
But each of Sir's instructions were to-the-letter. Because of that, I never had to worry about doing something right or wrong. There was no ambiguity, there was just the instruction.
I'd already surrendered to his dominance, but that wasn't enough. He wanted to turn my brain off entirely.
At first, he didn’t incorporate the toys. It was nails on thighs and fingers spreading wetness around.
In his words, he was playing with his food.
Eventually, eventually, I was allowed to focus on my clit. Even longer after that, I was permitted to insert my fingers. By this point, with the lengths to which he was dragging it out, I started to whine (which was exactly where he wanted me).
After that, the vibrating egg came into play.
⊹₊⟡⋆ the middle ⊹₊⟡⋆
I’d told him the day prior what countdowns do to me and why, and he incorporated them at every milestone of the night.
With the toy still off, Sir told me to run it up and down my slit. Then I had to hold it at my entrance, adding pressure without allowing it inside. He counted me down and allowed me to insert the toy, then counted me down again to turn it on.
I don’t know how it happened. I sincerely – I don’t know. After a while he gave me a break, and I checked my phone to make sure its battery was still alright and found that an hour and a half had passed. He thought my surprise was cute.
In his words: “I'm glad you're having such a good time, but this night is FAR from over."
Sir told me to get my clit suction toy out and lay it on the bed in front of me, as if to tease me. Keeping the toy turned off, he told me to press it where I usually liked it the most. Then he told me to lift it off. Then place it back on.
Once I had a grasp on exactly how to move, he told me once the toy was turned on, he would give me a number, and I'd have to hold the toy on my clit for that many seconds--but he had me do the counting.
We started on low -- the toy has like 8 settings, so the first setting is usually never enough for me to even really feel? But after all the teasing and build up, I thought for a while I might've been able to hit an edge with it.
He made me hold it on for 3 seconds. 7. 15. Between every number, the toy hovered over my clit so I could hear it and feel a whisper of it, but it wasn't enough to give me any sensation or pleasure.
According to him: I demonstrated incredible self control. Despite how good the toy felt, I always put it down when he told me to, and only when he told me to.
He had me turn it up 2 notches, and I'm pretty sure this is where the last of my comprehensive thought left me.
I literally -- it's so hazy after this, I have no idea. I know he toyed with me just like that -- making me count up to 5, 12, then 7, then 3. He continually reminded me that I wasn't allowed to cum. He also reassured me I absolutely wouldn't be punished for pulling the toy off before reaching the requested number.
The most important rule was to wait for him to give me the orgasm--everything else came second.
There was a stretch of time that I was hitting an edge by 1 -- like the moment the vibrator got too close I was chanting I can't, I can't, I can't.
It felt like an eternity of me going absolutely stupid while teetering on the edge of orgasm.
He gave me a water break after the "I can't," chanting, and this was approximately our conversation:
"You can't?" no Sir, I can't "Why can't you?" bc i don't have permission "And you need permission, don't you?" yes Sir i do i need it "You need it because you don't have a choice, isn't that right?" yes Sir that's right, I don't have a choice "Say that again." i don't have a choice, Sir
That last line was repeated 10+ times
It was incredible. He had me edge myself for him. over. and over. and over.
and over.
and over again.
In his words: It was about 38 edges in just as many minutes.
I remember going nonverbal. I remember him telling me to be clear with the numbers, and I recall that being the hardest part -- because my lips and tongue no longer wanted to work. 
Babygirl, you're mumbling again! I need you to speak very clearly into your mic.Yes Sir, i understand
I started to get fuzzy. If you remember the old-school televisions -- whenever you would turn them off, that collection of static hovered across the screen. You could collect the static in your hands?
I felt like I'd swallowed it. That static blanketed my mind. My tongue was numb. My mind was buzzing. I was incoherent. I've never felt anything like it.
⊹₊⟡⋆ the end ⊹₊⟡⋆
From beginning of the call to the orgasm was over 2 hours. 2 hours he teased me. Denied me. Played with me until I was on the edge and made me wait there. I felt what was left of my brain disintegrate. turn to mush. slip out between my thighs.
(thank you Sir for helping me to recall this part)
Babygirl, you've been perfectly obedient for me tonight. (a long drawn-out whine) I'm very proud of you, of your self control. Are you sufficiently fucked out? Is your head all fuzzy now sweet girl? Can you even understand what i'm saying or are you too much of a brainless whore? (generally affirmative and giggly slut noises) I think you've earned your orgasm. *voice cracking* really? You have my permission to cum. We are going to change the rules of play now. Do you understand?  Yes Sir, I understand, thank you.
There was more in there, but I can't remember when -- he asked me if I still wanted it, and i didn't know the answer anymore. I wanted to say yes -- i wanted it so badly, but I was so fuzzy all i could think was only if you want me to.
Like I was no longer in a space that needed the orgasm - i only needed to make him happy.
it was the same game. hold the vibrator on the clit for the number of seconds he wanted. But the rules had changed. This time he would do the counting ( i loved the counting )
and this time, I was allowed to cum.
however -- the count didn't end when I orgasmed. the count ended when the count ended, and I had to keep the vibrator on until then.
he started with 3 seconds. Before this, I'd been hitting the edge in 3 seconds. But knowing I had permission to cum it felt different -- stronger of an edge almost?
The count ended.
Sir stressed again that I was allowed to cum. Then he counted down from 5 seconds? Or maybe it was 10?
The edge was right there, but the orgasm still felt so far away. The release was being stubborn. Maybe my body didn't feel like it was real?
He said again
Babygirl, you're allowed to cum. Sincerely.
Then he counted down from 20, dragging each number out to his liking.
Maybe I was scared of cumming too soon and overstimulating myself? I'm not sure. But my orgasm held and held and held. It did not want to release.
It sat like a boulder on a cliff, just one breath from falling off and giving me what he ordered. But it didn't budge, and there wasn't anything I could do. I was getting upset with myself by the time he hit 12.
When he hit 10, I discovered the issue.
It wasn't enough for him to give me permission to cum beforehand. I needed it while I was on the edge. The realization hit me so hard I would've fallen over had I been standing. With the time counting down, the pleading spilled from me. I don't even remember what came out of my mouth. He told me it was very very pretty though.
He had reached 6.
Please Sir i need your permission, I need you to give me permission again. I need it I need it.
Cum for me babygirl.
Relief was simultaneously like lightning and a flood through me, and it shoved the stubborn boulder right off the cliff.
There were 2 waves to the orgasm. The first wave was on the "5," the second was when he said "2."
After the second one I kind of blacked out a bit.
But I sincerely don't.....recall...all I know was it was (bar none) the most powerful and most perfect orgasm I've ever had <3
⊹₊⟡⋆ after/care ⊹₊⟡⋆
I cried. i had a feeling i would -- the anticipation + my anxiety + the orgasm was a huge release. my tears slipped into my headphones and they started to fizzle and crack out on me. He told me to stay in bed, but I wanted to find my other pair.
He was right to tell me to stay lying down -- I got dizzy when I stood up.  
He praised me for how good of a job I did which made me want to cry even more. I thanked him like a million times. He thanked me a million times, and he told me to drink my juice.
We talked about all 2 hours of the call. From the teasing to the egg to the counting to the vibrator to the permission to the begging. He filled in some hazy spots I'd already forgotten in my edged-out state.
I stressed that I wouldn't have changed a single thing about it. I had a lollipop, and i fell asleep talking to him on the phone. IT WAS PERFECT AND IM SO GLAD I TRADED 180 DAYS OF DENIAL FOR IT I'D DO IT AGAIN IN A HEARTBEAT.
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bluehoodiewoozi · 11 hours ago
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I don't think there are enough words in the world to describe how much I loved this fic. Like, magical cozy romances are literally my favourite genre of writing, ever, and this was such a perfect version of it??
I apologise for the lengthy commentary but when I read the fic, I found myself compiling a list of my favourite sentences and such, and I just have so many thoughts and here they are (and this is kind of the short version, because istg if i had a physical copy of this fic, it would be covered in pink highlighter and doodled hearts and underlined lines and you get my point):
It’s difficult to pull coherent sentences out of him, and anything he says is a mixture of your name, his name, and also how pretty he thinks you are.
ASFHSAD the fact that he was down bad for her from the moment he opened his freaking eyes makes me kind of feral. I love it. I love it. I love it. And the fact that he only seems to fall deeper and deeper for her? I am so soft for Vernon.
“I get you have a responsibility,” Hansol says. “I used to have one too, in the wild. To keep myself alive. But my rule, and this should be yours too, is to not hurt anything that doesn’t hurt you first. I haven’t hurt you. You shouldn’t hurt me. And Y/N—” He looks over at you, eyes flashing, before looking back at Seungcheol. “Y/N has never hurt you. So don’t act like you’re preparing for the day she one day will.”
I screeched! I love Seungcheol but he was really testing my patience in this fic (even if his intentions were noble) and when this scene came, I quite literally cheered. Yes, Vernon, freaking tell him! Protect your girl's honour! (Did I mention I love this portrayal of Vernon?)
“It looks like you,” Hansol says suddenly, and you look at him in surprise.  “Really? How?” “You look like spring, to me,” he says. The frosted tip of his nose looks pink, as do his cheeks. A decidedly warmer, blushier pink than they’d looked before. “All warm and gold and pretty. Like the daffodil. And I…” He pauses, and then seems to change his mind, shutting his mouth and blinking at you like he wasn’t about to say anything else.
Listen. I've read like 20 romance novels since last summer and this scene lowkey tops all of them. Oh, to have a gorgeous sweetheart of a man compare me to spring -- the season of beauty and youth and warmth! I am weak at the knees! I am melting!
You laugh, fond, squeezing his hand comfortingly. “I’m always nice,” you tease. “I’m the nicest person in the entire world, actually.” To your surprise, Hansol doesn’t smile back at your joke, and simply ducks his head shyly. “You are.” 
What if I told you I squeaked in delight??? Like actually???
“Huh? Oh, no,” Hansol says. He shrugs. “I just don’t like being too warm. Makes me uncomfortable.” You raise an eyebrow, amused. Because even as he says this, he’s cuddling up into your side, head on your shoulder, his tail curled comfortably around him. “Really?” you say. “You don’t like being too warm?”
He's just an affectionate guy, your honour! Nooo but this was so cute! And so funny -- I swear I spent like half the fic laughing and the other half kicking my feet and giggling. Also did I already mention this is my new favourite, most beloved portrayal of Vernon?
Hansol doesn’t know how it happens, but he blinks and suddenly he’s surrounded by what seems to be every child in the village, clamouring around him and asking if he could play, Please, Mister Fox, won’t you?
Hansol being awkward with kids but becoming every kid's favourite guy is so on brand actually.
The snowball fight ended incredibly amiably, with everyone agreeing that Seungcheol’s team had obliterated everyone else’s, despite the lack of magic users in his group. You’d helped some of the villagers dust themselves off, and used magic to dry off the people who had gotten the most wet. Soonyoung, inexplicably, looked like he’d been dunked five times in a swimming pool, rather than emerging victorious from a snowball fight.
I have nothing to say except that I was absolutely cackling at the description of Soonyoung.
“I like you,” you whisper, the words falling from your lips as if he’s enchanted you, bewitched you into saying how you truly feel for all to see. “I like you, Hansol.” Hansol blinks, slow, cat-like. He lifts his head up, pulls away slightly from your shoulder so he can sit up and look at you properly. His eyes are shining, slitted pupils widening and rounding in adoration. “That’s good,” he says. “Because I think you’re the prettiest person alive.”
The fact that the 'you're the prettiest person alive' thing came full circle??? The fact that they're so in love? That it feels so sweet and natural somehow? Like it was meant to be?
And can I just say that your descriptions of the magic is so incredibly beautiful? Like I was in freaking awe. I am obsessed with it.
TL;DR I might become physically ill from how goddamn sweet and adorable and heart-fluttering this whole thing was oh my god. If you should ever decide to write a fic in the similar genre or something, please please please let me know and I'll forever be in your debt, you amazingly talented person <3
yeoubi. // chwe hansol
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여우비 (yeo-u-bi) : noun. literally “fox rain” — when sunlight filters through rainfall, creating a golden shower.
PAIRING : vernon x f!reader
INFO : east asian historical fantasy(ish. i kinda made up my own mythology), fox demon!vernon, silver!vernon, immortal!witch!yn, fluff, magic, strangers to lovers
WORD COUNT : 22.3k+
WARNINGS : blood mention, injuries, slight discrimination against yokai, cursing
NOTES : for the @camandemstudios winter with you collab! i had so so so much fun writing yeoubi and it's genuinely one of the best things ive done this year. writing a fantasy au soft vernon fic was never something that i thought i needed to write, but now i have, and i love him and i love this and i hope everyone loves yeoubi just as much as i do too <3
SYNOPSIS : living as a magic, immortal healer in a rural, human mountain village means most of your existence has been rather peaceful. that is, until one cold winter when an injured yokai stumbles into your life; and though everyone else is terrified of him, you take him in, nurse him back to health, and show the others that some demons aren’t that scary after all. (...and maybe, just maybe, you end up falling for the pretty fox yokai too.)
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For the first time in years, the river freezes over.
During winter, it’s often a lot harder for you to notice things like this, as the cold dulls your senses and numbs your fingers, so you’re only informed of this fact when the village children come to your cottage in the morning, their high-pitched voices blending with the mismatched beats of their fists knocking against your door.
“Miss Witch! Miss Witch! There’s something wrong with the river!”
“The river is all solid, Miss Witch!”
“Miss Witch, we can’t play in the river! Can you fix it for us, Miss Witch?”
Blanket wrapped around your shoulders, you open the door with a groggy smile, squinting down at the children on your doorstep.
“Hello, little kids. What are you doing here?”
“Miss Witch!” one of the children chirps. “Good morning!”
Despite being half-asleep, you can’t help but laugh a little at their chipperness. The children are, undeniably, your favourite people in this entire village.
“Good morning,” you say, bemused. “How may I help you?”
Their voices rise in volume again, all of them clamouring to be heard over each other. It can’t be any later than five in the morning, and your fingertips prickle with the cold grey of the mist as you blink down at them, surprised at their energy.
A girl tugs at the end of your blanket, wide-eyed. “Miss Witch, the river is all hard. We don’t know what’s going on.”
“Ah,” you say gently. “I see.” Crouching down so you’re at eye level with the kids, you ask, “If the river is hard, solid, and cold, what do you think that means?”
The children blink at you. 
“What else is hard, solid, and cold?”
One of them brightens. “Ice!”
“Exactly,” you say, smiling. “The river has turned into ice. It’s nothing to worry about, but it does mean it’s very, very cold right now, so why aren’t any of you wearing any hats or scarves, hm?” 
You ruffle the hair of the nearest child, and she shakes her head, giggling. “We were helping the grown-ups, of course! Something happened at the river, an’ they told us to go away.”
“So we came to you,” another boy pipes up. “They said something’s wrong!”
You tilt your head. Whilst it’s certainly been several decades since the river last froze over, it’s no reason for the villagers to worry that much about it. It’s also not something that your magic can fix, or something that needs to be fixed, so—
“Y/N!”
You look up at the call, and see a man in the distance, jogging down the pathway towards your cottage. It’s still far too dark to see clearly, but you smile at the familiar voice.
“Soonyoung,” you call back. “Good morning! Are you here to tell me about the frozen river, too? Don’t worry, it’s completely normal and not dangerous at all.”
His reply, if he has any at all, goes unheard as one of the children suddenly cries out, as if he’s had an epiphany.
You look down at him, amused. “What’s wrong?”
“I just remembered, something else happened at the river,” he says brightly. His remark makes some of the other children perk up too, as if they also remembered this other thing that had happened.
The kids are all at the age where something like a leaf falling onto their heads would be remarkably significant, so as you wait for Soonyoung to come closer and deliver the actual news, you decide to humour them, smiling and tilting your head interestedly. “Oh, really? What was it?”
 “There’s a man in the frozen river, Miss Witch!”
“A—” The smile turns to stone on your face. “A what?”
“Not a man,” Soonyoung says. He’s finally reached your doorstep now, and you notice that his usual easy smile is nowhere to be seen. He frowns down at the children, displeased. “What are you all doing here? We told you to go home, not to Y/N.”
“They thought I could help,” you say placatingly. “It’s okay. And if there’s a man stuck in the river, you might need my help after all.”
“Not a man,” Soonyoung repeats, his face darkening. “It’s not a man.”
You raise an eyebrow at the graveness in his tone. “Well, then you certainly do need my help, it seems. What is it?”
Soonyoung sighs. His exhale clouds the air, and your fingers prickle even more at his next words, like invisible icicles piercing through your skin.
“It’s a demon.”
───────────── ‘✽, 
You are not exactly a human.
Certainly, you look and dress like one—and you have to eat and sleep like one too, otherwise terrible things happen to your energy levels—but that doesn’t mean you are human. There are some things which make you slightly different.
One of those things being that you live forever.
“What do you mean you don’t know if it’s hostile?” Soonyoung demands, struggling to match your strides as you hurry towards the river. “Of course it’s hostile. It’s a fucking demon!”
“When you’ve lived as long as I have, you come to realise that some yokai aren’t hostile,” you respond, frosted-over leaves crunching under your feet. Soonyoung squawks back something unintelligible, too out of breath to make an argument. 
After encouraging the children to return back to their homes and sleep—since it really is five in the morning, and none of them should be awake—you and Soonyoung began making your way to where the rest of the villagers were. 
The river flows down from the mountain that the village is located near. The further up you go, the more dangerous the terrain becomes, and you pause on a jagged rock to frown down at Soonyoung, who’s gasping as he tries to keep up.
“Did you really find the yokai over here? Why were any of you up here in the first place?”
“We didn’t,” Soonyoung said hoarsely. “I’ve been trying to tell you for ages. The demon was found near the edge of the woods.”
“Oh.” You blink. The two of you had marched past the woods a decent while ago. “Okay.” And then you float down from the rock, lightly hopping over frozen patches of land, past Soonyoung again. “Come on, let’s turn back, then.”
Soonyoung sighs, turns around, and begins his clumsy, human descent. “You could at least use your magic to help me down too, you know.”
And that’s the other different thing about you. Magic. It’s such a flimsy, weak word for what you can do, but it’s also the best way to describe it. There are certain things about you, certain things you’re capable of in the way that no human can ever truly be.
Without even looking back, you wave a hand, and a glowing stream of wind nudges Soonyoung’s feet towards the easiest path down. “I don’t know what you’re talking about. And hurry up before those villagers aggravate the yokai even more.”
Demons, or more traditionally, yokai, aren’t something you’ve encountered in countless decades. As technology and weapons developed, and the human population expanded, many yokai simply faded out of existence, unable to sustain themselves in the less wild, less natural environment that humans created. Others were smart enough to recognise they now had less of an advantage over humans, and tended to stay away from densely populated areas, preferring to target any lone travellers who ventured too far into their territory.
Yokai values and morals are vastly different to humans, and they are so incomprehensible to mortals that yokai gained a reputation for being vindictive, vicious, vile, and all other negative ‘v’ words. That doesn’t necessarily make them so, however, and over your lifetime, you’ve encountered some who don't quite fit the stereotype that humans are all too eager to place on them.
It takes you and Soonyoung long enough to get to the river that the sky has lightened ever so slightly, but the lacey edges of morning mist are still blurring the edges of your sight, and you can only barely see what the villagers are looking at, especially with them all crowding around and pushing against each other to get closer to the river.
You crane your neck, standing on tiptoe, before huffing. Scratch that, you can’t see anything.
“Move out of my way, please,” you say sharply, adding a little volume magic to your voice so that it carries over the whole crowd. 
Most of them instantly look back at that and clock your presence, eyes widening. Some of them begin rushing towards you, looking almost like their children as they begin talking over each other all at once.
“Y/N, there’s a demon—”
“Absolutely vile creature, is there any way—”
“—river’s all frozen, how did it even get here—”
“Okay, okay, okay!” you interrupt, adding even more volume to your voice to be heard. “Minah, yes, I know there’s a demon. Soonyoung told me. And no, Joongseok, we don’t know if it’s truly vile yet. And Woongri, yokai often work with magic, so it could’ve gotten here in a variety of ways. But if you want me to do something, you have to let me through. Yes?”
You’re tired, and cold, and dealing with stressed adults is not the best way to start the day, so you're more blunt than is perhaps necessary, but it gets your point across. The villagers look sufficiently contrite and finally shuffle to the side, making way for you to get through. Seungcheol, the village leader, nudges his way through the crowd until he’s by your side, face solemn.
“Good morning,” he says. “Sorry about the chaos.”
“Good morning,” you say back, voice now normal volume once again. “It’s okay. Everyone’s scared. You don’t call me at ungodly hours unless it’s serious, so I don’t mind.”
Seungcheol nods, looking both grave and apologetic. “We only ever want you to use your magic for good.”
It’s a terribly human thing to say, and you  smile dryly. “Of course. What can I help you with this time?”
“Well… You can help with that.” Seungcheol points to a mound of warped ice a little ways down the river. “How can we get rid of it?”
You squint in the direction Seungcheol’s pointing at, peering through the tendrils of mist, and then gasp. Half-buried into the ice of the river, you can make out a blurry, pale-coloured figure clothed in pale silk. Dark liquid pools in all directions surrounding the motionless body, and anyone can tell the yokai is very badly hurt. 
“It’s already bleeding half to death, so it shouldn’t be too hard to finish— wait, Y/N!”
Ignoring Seungcheol’s shouts, you step onto the frozen surface of the river and rush towards the yokai, and your blood runs cold as you take in the sight before you.
The yokai is a fox demon, you notice, with white ears and soft silver hair and a gorgeous white tail, which is partially being crushed by a river’s worth of ice. He’s waist-deep in the frozen water, and a thick layer of more ice has begun to form around the yokai’s torso from where he’s slumped against the surface of the river at an almost unnatural angle, causing his poor tail to be twisted and buried both in the river and the new ice.
“Oh, darling,” you whisper, kneeling down beside him, tracing a finger across the yokai’s cheek. Your finger comes away stained dark with blood, and you swallow thickly, heart constricting.
The crushing ice isn’t the end of the damage: there’s blood pouring from seemingly unknown sources, matted into the fox demon’s hair and streaking down his neck. He must have been in some sort of fight before getting stuck in the river. 
Gently, you thumb over the yokai’s cheek, taking in the pale skin and delicate eyelashes. This fox demon is devastatingly pretty, and seeing him so badly injured makes your heart hurt even more.
Something rustles near the riverbank, and you look back to see some of the children hiding amongst the leaves, peering curiously at you as you kneel next to the yokai. Further up the river, Seungcheol is approaching you, wanting to know your thoughts on the demon, and his eyes widen as he also notices the children in the bushes.
“What are you doing here?” he says in their direction, the disapproval clear in his tone. “It’s dangerous! You shouldn’t be looking at this. Where are your parents? Didn’t Soonyoung tell you to go home?”
“But we wanna see Miss Witch,” one boy says, eyes wide. “Please, can’t we stay?”
You frown and open your mouth, preparing to reprimand them, but then the yokai makes a soft, pained sound beside you, and you instantly return your attention to him, bending down even closer to his face.
Seungcheol cries out, this time in your direction as you lean towards the yokai. “Y/N, what are you doing? Stay back!”
You ignore him, reaching out a hand to brush matted hair out of the yokai’s eyes. “Hello? Hello, can you hear me?”
The yokai scrunches his eyes up, whimpering in pain. The moment he’d returned to consciousness, he’d started shivering intensely, struck by the cold of the river. 
“Hello?” you repeat, gentle. You move your hand away from the yokai’s face, directing it towards the ice surrounding his back instead. Silently reciting an incantation, the ice begins to glow orange under your palm, slowly beginning to melt away. “Can you tell me your name?”
The yokai shivers, mumbles something unintelligible. Then he looks up at you, golden irises shuddering in fear, every movement of his face telling you it hurts, it hurts, it hurts. 
One of the children lets out a shriek, and you whip your head up in alarm. They don’t look hurt, but the yokai notices the sound too, raising his head to look at them with wide, unsettling eyes, and the children shriek again, all of them frozen in fear. You can kind of understand why: the fox demon is covered in blood, and anyone unacquainted with the supernatural would find his slitted golden eyes petrifying. 
But before you can say anything, do anything to reassure them, the ice around his back makes a cracking sound as it melts under your hand, and the yokai’s mouth drops open in pain. He coughs, splattering blood over the ice, more of the black liquid dripping from the corners of his lips as he starts writhing and scratching against the river, hauling himself up onto his elbows, eyes fixed on the children in the distance, and all hell breaks loose.
The children are screaming, ear-piercingly loud, and Seungcheol is screaming too, and the yokai starts writhing even harder, yipping and gasping like a distressed fox, his hands sticky with his own blood as he tries to push against the ice. 
“No, it’s okay— don’t do that—Cheol, let me think!” 
It’s obvious Seungcheol wants you to kill the demon, especially with the way he’s screeching at you right now, but the yokai looks so pitiful, ears shaking, eyes wide, still bleeding from gashes all over his body.
“Think about what?” Seungcheol yells, children cowering behind his legs, and he shields their eyes from the river. “Y/N, please, you have to get rid of it!”
You look at him, and then down at the helpless yokai beside you, and really, it takes you less than a second to decide what to do.
“I’m so sorry,” you say, getting to your feet. Seungcheol tenses, sensing something wrong in your tone as you look down at the yokai again, leaning down with your hand outstretched. “I’m so, so sorry.”
Your fingers come into contact with the yokai’s forehead, and there’s a golden glow before his eyes flutter shut and he freezes up, before collapsing against the ice.
Hidden safely behind the village leader, the children stop screaming. Seungcheol also doesn’t make a sound, still staring wide-eyed at you, and now the yokai is no longer moving, the early morning air is frozen still once more. You look back at Seungcheol, and he blinks, his face unreadable.
“Please tell me you killed that thing.”
You smile weakly, dried-up demon blood on your fingertips. At your feet, the yokai’s shoulders move up and down ever so slightly with every shallow breath he takes, unconscious.
───────────── ‘✽, 
“Bad idea,” Seungcheol admonishes loudly from outside your window, and even though there’s a whole wall and a thick pane of glass separating him from you, his disapproval is crystal clear. “This is a bad idea. Y/N, let me in. We have to talk about this.”
You don’t look up from the boiling pot on the stove, simply lifting a hand and giving Seungcheol the finger.
“How dare— Y/N, you cannot let that thing live. It’s a danger to us. Especially the children! Y/N, think of the children, please, it could hurt the children.”
Seungcheol raps against the glass insistently, but you ignore him, humming to yourself as you ladle some of the boiling concoction into a wooden bowl. Gently, you blow on the steam, inspecting the lilac colour of the liquid before nodding, pleased, and heading over to the yokai asleep on your couch. 
It’s been some hours since that moment on the frozen river, where you’d decided to save the yokai trapped in the ice rather than kill him. None of the humans agreed with your decision, however, so you’d had to make the tiring trek down the mountain yourself, a heavy, unconscious yokai in tow. That’s partly the reason you’re so tired right now, arms aching as you set the bowl down on the coffee table, where you’ve laid out bandages and various dried bags of poultices and face towels to help clean up the yokai. 
Said yokai is still unconscious and bleeding all over the fabric of your sofa, the golden threads of magic you’d used to briefly staunch his wounds already beginning to fray open once more. You sigh, settling down beside him, and begin inspecting the more serious injuries on his forehead and down his arms.
“What happened to you, hm?” you say softly, ignoring Seungcheol still rapping against your window. “Why are you so hurt?”
Living as the only magic user-slash-competent doctor in a rural village means that you have plenty of experience in patching up the particularly nasty injuries that the villagers sustain, and your hands are careful and practised as you dip a towel into the warm, disinfectant potion you’d made, swiping it over the yokai’s skin. He’s injured practically everywhere: deep gashes are scored along his arms, his hands, and there’s one slashed across his chest. Not to mention his definitely-broken tail, the still-bleeding head wound and, judging by the way blood had been pouring from his mouth out on the lake, some internal injuries you can’t see. 
You wince, taking a towel into your hands. “Sorry,” you say, heart twinging in sympathy for the yokai. “I’m so sorry this happened to you. But don’t worry, I’m here to help.”
Ideally, you’d run a bath first and scrub the yokai clean of all the grime and blood before getting to tending his wounds. But he’s a fox demon—ridiculously tall and with a fluffy tail and delicate ears, so he won’t fit in your tiny tub and it’ll end up being more troublesome than anything else.
So, you’ve resorted to magic, dipping a cloth in the potion you've made to melt and dissolve all the dirt into thin air.
The wounds are all worryingly deep, most notably the still-bleeding one on his forehead, and if he were human, you’d be concerned that he’ll suffer a serious concussion afterwards, along with an inability to use his hands for a long while. But as it is, the ancient demon-magic that he’s made of will mean that he’ll heal pretty quickly, and there should be no grave threat to his life.
Hopefully. As long as he doesn’t develop an infection from the open wounds. 
You finish cleaning up the blood and then wipe down his face with a cool cloth, frowning slightly at how his skin still feels unusually hot. Infections will make his healing process much longer and much more arduous. The poor yokai looks like he’s already been through more than enough, so you really hope the fever dies down soon.
Seungcheol is still yelling at you from your window when you finish your preliminary clean-up, and you sigh heavily, beginning to develop a headache from how annoying he's being. So you walk over to the window, wrench it open, and jab a bloodstained finger in his direction.
“Seungcheol. Kindly, please, fuck off.”
Seungcheol blinks, both startled by your abrupt confrontation and a little affronted, but before he can say anything, you carry on. 
“Currently, this yokai is injured, and it’s my job to take care of injured people, regardless of who they are, so you can take any thoughts of me killing him and shove them up your ass. It’s not happening, and it’s never happening, and you’re also disturbing my patient with the racket you’re creating, so please go away.”
If it were anyone else talking to him like this, Seungcheol would have blown up with anger a solid thirty seconds ago—as it is, he simply stares at you, still looking affronted, before he sighs, and all of the energy drains out of him. He knows how headstrong you are, and when you get like this, he knows there’s no way he can sway you. He’ll have to wait until you’re no longer brimming with obstinacy to get his thoughts across.
His gaze drops from yours to your bloody finger, and then he sighs again, folding his hands behind his back.
“Give the demon my wishes for his speedy recovery,” he says at last. “But we still have to talk about this later, Y/N. Okay?”
You huff, and lower your hands. “Fine. Later.” With a resolute swish of magic, you shut the window once again and turn your back on Seungcheol to return to your patient.
As village leader, you can understand why Seungcheol may have concerns regarding a yokai entering a human village, but that doesn’t mean you like how he has no qualms with telling you to just kill it in an instant. Discrimination against magical creatures is half the reason they’re so hostile to humans, anyway, and you’d know firsthand how painful it is to be targeted and attacked purely for being who you are.
It’s not like you ever asked to be magic. And yet, people end up hating you for it.
You look down at the unconscious yokai, with his silver-white fur and gentle eyelashes and those heart-wrenching injuries. Then, wordlessly, you pick up one of the poultices and get to work.
───────────── ‘✽, 
Hansol wakes up to the strong, warm smell of chrysanthemum.
It’s an unusual scent to wake up to, and his ears prick up, alarmed—only for him to cry out a few seconds later, upon realising the action sends a sharp bolt of pain throughout his entire body.
“Oh!” 
A voice sounds from somewhere above his head, and he startles even more, trying to open his eyes and locate the sound, before realising he can’t see.
He cries out again, panicking at the pitch black that surrounds him, flailing around before realising that that action also causes him debilitating pain, and he begins panicking even more. How did he end up here? What happened? All he remembers is being chased through the forest and then tripping and crashing into a river, and then hard ice and the cold water and the throbbing in his head and then— and then—
Something damp and heavy gets lifted from his eyes and he gasps, freezing up as bright white light almost blinds him.
“Sorry, sorry,” the voice from before says, sounding terribly apologetic. “I’m sorry. I should’ve warned you before doing that.” 
Hansol scrunches his eyes, and then squints, vision all blurry from having been unconscious and now being blinded by bright light. He can’t see who’s speaking, but whoever they are, they carry on, the words steadily flowing out faster and faster as the person rambles. He can barely keep up with the onslaught of noise, twitching confusedly and trying to see what’s going on. The world feels like it’s spinning. He’s pretty sure the world isn’t meant to spin this fast.
“That was probably really scary when you woke up, huh? I’m so sorry. The towel slipped from your forehead and covered your eyes, and I’m sorry I didn’t notice. I didn’t expect you to wake up now, but I guess that’s a good thing, ‘cause you’ve been out for a whole day, and any longer and we’re veering into coma territory, which would mean that you were really, really hurt. Which is, like, definitely not good, you know? But you did wake up, thank goodness, so that means there’s a chance you’ll get better very soon. Plus, your fever isn’t that bad anymore, so it seems you really are on the road to recovery, which is all very—oh, wait. Sorry. It’s still too bright, isn’t it?”
Another wave of chrysanthemum hits Hansol’s senses and a hand comes up to his face, creating a shadow over his eyes so he’s no longer squinting furiously up at the disembodied voice.
“Sorry,” the voice says, apologising yet again. “Is that better?”
Hansol blinks, slowly opening his eyes fully to look up, and then, the whole world abruptly stops spinning as he finds himself looking at the most beautiful being in the entire history of the universe. He doesn’t say a word, mouth falling open in shock.
You smile down at him, made anxious by his silence. “Hello,” you say, hand still shielding his eyes from the brunt of the winter light. “My name is Y/N. What’s yours?”
Hansol squeaks, a small, high-pitched sound that instantly floods him with mortification when it accidentally slips past his lips, and he screws his eyes shut and curls into himself, knocking your hand away hurriedly in his rush to hide his face. He tries to bury himself into the couch, shaking. 
“I’m not going to hurt you,” you say, gently, worried you've scared him. “I promise. I want to help.” Perched on the edge of the couch, you lean over and slowly lower the yokai’s hands from his face, coaxing him to look at you again. “Can you please tell me your name?”
You smile, again, and Hansol feels a little faint as he looks up at you. His vision is still slightly blurry from his eyes being shut for so long, and the way you’re backlit by the light makes you look like you’re glowing, a gentle halo of silver light surrounding your form. That, coupled with the way you have the prettiest smile he’s ever seen, is making him feel all dizzy. And a bit warm. The air feels like it’s suffocating him, actually, but all of that is made irrelevant by how pretty he thinks your smile is.
There’s a possibility he’s still in the process of getting rid of his fever, because he blinks slowly, focused, and when he opens his mouth to speak, the next words spill unbidden from his lips.
“My name is Hansol,” he says, “and I think you’re the prettiest person alive.”
Your eyes widen at his words, a flush rapidly creeping up your cheeks. Hansol looks at you, worried that you’ll suddenly hate him for what he’s just said, but you just laugh, flattered, and bring your hand up to his forehead. The touch is cool against his skin, like a soothing balm.
“Thank you, Hansol,” you say. “Your fever seems to still be pretty high, if you’re saying stuff like this, huh? I’m currently brewing some chrysanthemum tea, and I think it’ll be a good idea for you to have some too.”
Hansol blinks slowly again. “Chrysanthemum tea,” he muses. He looks up at you. “That must be why you smell so warm and pretty.”
You laugh again, flustered, subconsciously brushing his hair back from his forehead and cupping his cheek, your fingers feather-light. “Perhaps. So would you like some tea?”
“Yes, please,” Hansol says. “I’ll have anything… you… give m…” His eyelids and ears slowly droop, and before he can even finish his sentence, he drifts back off to unconsciousness once again, head leaning into your hand.
Open-mouthed, pink-cheeked, you look down at the one-more unconscious yokai in your hands. 
“Wow,” you breathe out. And then you smile. “You’re adorable.”
───────────── ‘✽, 
Over the next few days, the yokai—Hansol—constantly drifts in and out of consciousness, his fever fluctuating in intensity the entire time.
It’s difficult to pull coherent sentences out of him, and anything he says is a mixture of your name, his name, and also how pretty he thinks you are.
You chalk it up to his fever.
His demon-magic must have taken a serious blow from the extent of his injuries, as it takes him a lot longer than you’d like for him to finally shake off the infection. A whole excruciating week goes by, and you almost cry with relief when, as you get up to check his temperature in the middle of the night, you find that his fever has finally broken, and he’s able to breathe easily once more.
When the weak sun finally peeks out from over the horizon, you enter your spare room to check on Hansol. Sometime after his first bout of consciousness, you’d gathered enough energy to move him from your couch to the spare bedroom in your cottage. It had taken a lot of work, and a lot of magic—weakened by the stress of taking care of a dying fox demon and trying to fend off any curious and judgy villagers, it takes a lot of energy for you to do anything strenuous lately—but you managed. And it certainly seemed to help, as he slept a lot better in an actual bed.
Humming absentmindedly to yourself, you make your way over to the guest room, fingers dancing and causing golden threads of magic to tidy up the state of your house as you go along. 
To your surprise, the yokai is wide awake when you enter the room, and he startles when you noisily open the door and step inside. The moment you make eye contact with Hansol, you freeze, the song dying off your lips at the same time as your magic drops a partially-fluffed up cushion in the living room.
“Um.” You blink, hanging off the door handle, staring at the yokai picking his bandages in bed in the middle of your guest room. “Good morning?”
Hansol doesn’t respond, continuing to stare at you, wide-eyed.
You cough, feeling terribly awkward, attempting to adjust your stance and take your hand off the doorknob in the most natural way possible. “Hello. I’m, uh, Y/N. How are you feeling?”
There’s another beat. Then Hansol finally opens his mouth, only to completely ignore your question to say, “You’re the one who smells like chrysanthemums.”
“I— Sorry, what?” You blink, taken aback by the abrupt and unrelated question, before nodding. “Oh, yeah. I guess you remember the chrysanthemum tea I made you?” You smile slightly. “I can’t believe you remember that. That was when you were the most unwell.”
“Oh.” Hansol’s ears twitch, and he continues to look at you with his golden eyes, somewhere between bewildered and amazed. (Amazed by what, you aren’t entirely sure.) “I do remember, though. I remember you.”
You blink rapidly, trying to push down the blush that threatens to rise up your face. Having a handsome yokai stare at you with such focus, saying that he remembers you even when he was deep in the throes of a fever is such a heart-fluttering thing to experience early in the morning. You aren’t nearly awake enough for this conversation. If you aren’t careful, you could accidentally fall in love right then and there.
“That’s nice,” you croak, and then shake yourself. You have a job to do. Hansol’s a patient under your care, and you need to check his condition. “Um. Sorry. But, uh, I do have to check if you can remember anything else,” you say, slipping into healer mode as you step further into the room, walking towards the bed. “Do you remember your name?”
Hansol nods, intently following your movements as you draw closer. “My name is Hansol,” he says.
You smile, relieved by the coherency of his answer. The fact that the yokai remembers his own name is a very good sign. “Yes, you are. Do you remember how you got here?”
“Yes,” Hansol says obediently. “I was in a river. Trapped in the ice. And you… saved me.”
That makes you smile a little wider. “I took care of your wounds, yes! It’s really good you’re finally awake and able to answer questions, ‘cause it’s a sure sign there’s no lasting internal damage. I do have to check your bandages, though, so… may I?”
You make a gesture towards Hansol’s bandaged arms, and the yokai obliges, raising his arms to let you see. 
You take Hansol’s hand in your own, preparing to lift his arm up higher—but the moment your palms brush, you gasp, fingers tightening around the yokai’s at the sudden sensation. Hansol, too, lets out a small noise of surprise, looking up at you.
The yokai’s hands are firm, strong, and perfectly healthy, but they also thrum with magic. You can feel every spark and fizzle of the magic as it dances under his skin, spinning and zipping back and forth like a cloud of hyperactive fireflies. Like the magic can talk, and when it noticed the magic that lives inside you, it seems to yip with recognition, spinning itself around in excitement in the yokai’s hands.
“It’s so strong,” you say, amazed. “I didn’t realise magic could be this powerful.”
Hansol’s also staring up at you, similarly in awe. “You’re magic too?” he asks, looking like he’s never fathomed such a thing is possible. “You’re like me?”
You laugh slightly, made a little giddy by the feeling of how alive the magic is under Hansol’s skin. “Not exactly,” you say, releasing Hansol’s hand to finally reach for the bandages, feeling around to see whether his skin is still tender underneath. “I don’t have the ears or the tail, do I?”
Hansol’s ears flick. You’re decidedly focused solely on the yokai’s bandages, but you can feel Hansol looking at you intently as you work. 
“But you’re very pretty,” Hansol says. “Are you sure?”
fuck. Hansol has to stop saying things like that, because they’re very bad for your poor heart. Very bad.
“I’m sure,” you say with a smile, straightening up once again. “I think all your wounds are healing nicely. Now your magic’s come back to its full strength, it’ll help you heal the rest of the way in no time.”
You can’t help but reach for Hansol’s hand again, once more feeling pleasantly surprised by the light zap of magic when your hands touch. Now you can feel the thrum of it under Hansol’s skin, it’s easy to realise how unwell the yokai was before, when his hands had been deathly cold with no fizz of magic in them at all. You’re just endlessly relieved that you can feel that fizz once again.
Hansol looks down at your intertwined hands, and then up at you, a smile lifting up the corners of his lips. “Thank you,” he says, so very sincere that it melts your heart. “Thank you for looking after me.”
You can’t help but smile back, squeezing Hansol’s hand once. “Of course. It’s my pleasure. Really.”
Hansol smiles even wider, ears twitching pleasedly, and you once again have to try and valiantly fight away your blush. fuck. This yokai really needs to stop making you blush so easily, and fast, else you’re going to start having problems.
───────────── ‘✽, 
It turns out, the blushing thing ends up being the least of your problems, because later that day, Hansol tries to leave.
Sometime after bringing Hansol a breakfast of soup and chrysanthemum tea (since he really seemed to like the tea), you’re drying away the breakfast dishes when a blast of cold air slices through the cottage, and you look over to see Hansol holding open the front door, looking like he’s about to step out.
“H—wait! Hansol, what are you doing?”
The yokai looks over at you, still holding the front door, confused. The bottom half of his tail is still bandaged, making it difficult for him to move it around, but it still sways from side to side unsurely as he blinks at you.
“I’m leaving,” Hansol says, like it’s obvious. “You took care of me. And I’m now better. So I’m going to go.”
You gape, jaw almost dropping to the floor at the most ridiculous thing you’ve ever heard.
“Like hell you are,” you say, marching over to the front door and firmly shutting it with your still-soapy hands, and then ushering Hansol back to the guest room and into bed. “You are very far from being better, Hansol. Your tail is still all bandaged up! I’m not letting you leave until you’re back to full health, so don’t you dare think for a second that you get to go before then.”
Hansol makes a noise of confusion as you fussily tuck him back into bed, fluffing up the pillows behind his head and arranging the covers around him. “What? Why would you let me stay?”
“Why wouldn’t I let you stay?” you counter, patting down the duvet and absentmindedly brushing away the strands of hair that fall in his eyes. “I want to take care of you. I want you to get better. I can’t exactly do that if you go off into the woods all by yourself and get up to heaven knows what, can I?”
Perched on the edge of the bed, you smile and pat his head. 
“I’m not letting you out of my sight for a long while yet, mister,” you say, the faux-scolding adding a light playfulness to your tone. “You’re going to stay with me and get better until I say so.”
Hansol looks up at you, tilts his head, and scrunches his nose just slightly as he smiles, shy. “So you’ll let me stay as long as I like?”
“Obviously,” you say, smiling back. “However long it takes you to heal, and then some, if you want. Of course, unless you have somewhere else to go.”
The yokai hesitates, ears flicking unsurely. “Not really,” he admits, lowering his gaze. “I’ve never actually had anywhere real to stay.” He looks back up at you again, golden eyes glinting hopefully. “So if it’s okay…”
“Oh, of course you can stay here,” you rush to reassure him. And then you pause, deflating a little. “Although…This is a human village, so they don’t really like… your kind. It might make life a bit difficult, but since you’re with me, they shouldn’t bother you too much. Though I understand if that makes you hesitant to stay.”
Hansol shakes his head, smiling slightly. “That’s okay. I like it here, so I don’t mind staying with just you.” 
“I’m glad,” you say sincerely. “Seriously, you can stay here for however long you want.”
Hansol ducks his head shyly. “Thank you. Genuinely, thank you.”
You awkwardly pat his hand where it lays on the covers, a little embarrassed in the face of his obvious gratitude, and instruct him to rest up before exiting the room. You’re glad that the brief misunderstanding had been cleared up, because you don’t want Hansol to feel anything less than welcomed. Being a yokai, he won’t have received similar acts of kindness in the wild, and as a magical being yourself, you know how that can feel. No one deserves to feel unwanted, least of all an injured yokai who’d obviously been hurt intentionally before you found him.
Unfortunately, though, the trials of Hansol’s first weeks of consciousness do not end there. Some days later, at some point during the afternoon, Seungcheol comes knocking on your door.
You hadn’t intended on inviting Seungcheol in. But afternoons are always a miserable time during winter, when the sky darkens far too early for anyone’s liking, and it’s difficult to find one’s way through the cold, barely-lit paths. That’s why you often get people coming to your door during the late afternoon, lost or confused or panicked because they’ve lost their way, and your cottage, shimmering with gold magic and warm lights is the only beacon they recognise.
So that’s the only reason why, when Seungcheol turns up, you accidentally open the door for him. Not that you have anything against the village leader, but—Hansol’s only been awake for a week at this point, and you don’t have the mental capacity to deal with a talk about getting rid of him.
Unfortunately, when Seungcheol already has one foot in a door, he will not go. Literally.
“Get your foot out of my door,” you say exasperatedly, struggling to push the door shut as Seungcheol pushes back. His foot is still wedged in the doorway.
“Let me in,” Seungcheol says. 
“No. You’re gonna tell me to hurt the yokai again.”
“I’m going to tell you to get him out of here.”
“No.”
“Yes.”
“No.”
“Yes,” Seungcheol says, finally giving up on the little game and pushing his way through the door like it’s no difficulty at all, making you let out an indignant hey!. “We need to talk about this, Y/N. You cannot harbour a demon in our village without discussing this with anyone. He needs to go.”
“He’s hurt,” you say. “He can’t go anywhere! And he won’t hurt anyone, I promise.”
“You can’t know that.” Seungcheol furrows his brow, his tone grave. “He’s a demon, Y/N. You don’t know what he’s capable of. You can’t keep him here.”
“Yes I can,” you insist, “because he’s a fucking real-life being with feelings, not this scary, evil harbinger of doom that you’re making him out to be, and I know this, because he’s been here with me, in my own home, and he’s quite possibly the nicest person I’ve ever met.”
Over the last several days, Hansol has been healing rapidly, so much so that most of his bandages have been removed and he practically glows with magic every time you see him. It’s incredibly relieving to see, and it’s also allowed you to get to know him better: sometimes unintentionally, as a natural side effect of living with him now, but also, sometimes quite on purpose. Because he’s pretty, and he’s interesting, and you want to know who he is.
Turns out, one of the key things about Hansol is he’s the most adorable being you’ve ever met.
He’s adorable, in an awkward sort of way, from the way he hovers hesitantly in doorways to the way his tail always fluffs up with contentment when he feels the tendrils of your magic brush across the room.
Unlike yokai, who simply have ancient magic embedded in them from birth, you are born of magic and made entirely of magic, so the stuff practically spills out of you wherever you go. The magic can’t only be felt from under your skin, but extends out and away from your being. You’re not used to having guests in the cottage, so you weren’t aware of the extent of how much you let your magic run free when in the safety of your home, until you noticed how Hansol reacted. He always blinks in surprise, lifting his hand palm-up, fingers curling inwards, as if your magic is some elusive silk strand that constantly evades his grasp. It’s as if he can truly feel it, and he always seems to like it.
“Can you actually feel my magic?” you ask one day, and he looks up from his hand, surprised. His tail is all fluffy and big, lazily waving from side to side and creating static against the decorative pillows on your couch. You’re sitting on an armchair next to him, smiling at him amusedly from over the book of hexes you’re reading. He doesn’t even seem to notice what his tail is doing, too occupied with the invisible tendrils between his fingers.
“Yeah,” Hansol says after a moment, closing his hand and resting them both back in his lap, a little awkward. “It feels warm. Nice.”
“Really?” 
You can’t help but smile at that, oddly flattered. To you, your magic is just… yours. It doesn’t feel like anything in particular, nothing more than a familiar tingle in your hands and a weight against your skin. Though you like describing it as gold, in reality, your magic doesn’t have any colour or any real tangibility to it apart from a fleeting pressure. The idea of it being “gold” is just how you feel about it. It never occurred to you that others could feel it, let alone feel differently about it—living amongst humans, your magic has always subconsciously curled tighter around your arms when you interact with the villagers, not wanting to weird them out with your abnormality or make them feel intimidated by you.
Hansol nods, tail swishing once more. The static has caused all his white fur to stand on end, making him look even more fluffy and adorable. “Yeah,” he says again. “It’s so much calmer than the way my magic feels. It’s really cool.”
He’s looking at you earnestly, as if expecting you to totally agree that your magic is “calmer” than his. And even though you’ve only felt his magic twice before, you nod along in agreement anyway, and Hansol nods back, satisfied with your assent. Then he lowers his gaze back to his lap, opens his hand again, and goes back to playing with your magic.
An endeared laugh bubbles up into your throat, and you smile at the top of Hansol’s head before turning back to your book. Goodness, Hansol is so ridiculously cute.
That interaction only happened some days ago, and whenever Hansol smiles at you or stiltedly asks if he can help you around the house, the surge of affection comes back even harder. So you cannot stand Seungcheol standing here, right now, frowning at you like you’re being unreasonable in your decision to treat Hansol like a normal being.
Seungcheol continues to frown, and you simply stare defiantly back, arms crossed. You don’t let him walk further into the cottage, and a stare-off commences there in the front hallway, neither of you willing to back down.
That is, until there’s a loud crash from further inside the house, and both of you flinch in alarm.
“What was that?” Seungcheol asks, and you look back to where the sound had come from. Connected to the living room, behind a door disguised as an unassuming bookshelf is your own personal library, filled with all the tomes and books on magic and alchemy you’ve collected over the centuries. That’s where the sound’s originated from, which is definitely a cause for concern, but you don’t say so, lest Seungcheol uses this to fuel his argument against Hansol.
“Probably nothing,” you say, though you still glance over in the direction of the library. “You know my cottage. Everything’s old and falling apart.”
Seungcheol looks at you suspiciously. “That’s a lie. You always keep everything in perfect condition.” He begins to move past you. “I bet it’s that demon, isn’t it?”
“No, I—” You try to stop Seungcheol from investigating, but it’s a futile effort. “Cheol, come on, you shouldn’t go see him, he’s still unwell and you could end up distressing him—”
Hurriedly, you trot after Seungcheol through the bookshelf door and into the library, only to end up slamming face-first into his back when he stops abruptly, stunned at the sight before him.
You’re quite proud of your library. It’s an open secret that the bookshelf in your living room leads to it, which is cool all by itself, but your library is also made of magic. What appears as a normal, small study behind the bookshelf turns into a large and sprawling library with high ceilings and mahogany shelves and rows upon rows of books when you step inside. 
You’d allowed Hansol access to the library when he’d asked what was behind the bookshelf, and as far as you know, he’s been peacefully situated there the entire day. But, as you peer over Seungcheol’s shoulder to see why he’s suddenly stopped, you realise you can’t see the yokai at all.
In the middle of the floor, there’s a large… fort of books. A book fort. With four walls built of books piled on top of each other, complete with battlements made of upright books and towers with open books as turrets, it’s actually quite amazing to see. The only drawback is how some of the walls are falling down, books tumbling from where they’re piled up. 
Also the large spread of ice coming from under the fort, that’s very slowly continuing to pool further and further outwards.
Seungcheol blinks. “Uh… Y/N… you wouldn’t happen to be doing this, would you?”
You shake your head. “Weather magic is my weak point.”
Suddenly, two white ears and a head pop up from behind one of the crumbling walls, and Hansol’s eyes widen when he realises you’re here with a guest.
“Oh!” He ducks his head down, and then straightens once more so he can fully see over the walls of the fort. “Hello. I was just building a castle. One of the walls fell down, ‘cause I sneezed, but I can fix it.”
The tip of his nose is slightly dusted with glittering frost, but he doesn’t even seem to notice that or the ice that’s creeping across the wooden floor. His eyes are shining as he looks at you, infinitely more relaxed than when you’d first seen him, and he inclines his head respectfully in Seungcheol’s direction, looking as humble and polite as possible even when half his face is covered by his book fort. 
“Hello to you too. It’s nice to meet you.”
You’re not sure what Seungcheol is most flabbergasted by: Hansol’s gentle manners, or the book fort he’s quite amiably making in your very respectable-looking, very grandiose library, or the circle of ice that’s very clearly coming from the yokai. Hansol is very close to giving the village leader a heart attack any time soon, it seems.
“I— This is— You’re using Y/N’s books to do this?” Seungcheol eventually manages to ask, looking both confused and horrified. “She let you?”
Hansol’s ears droop just slightly, but there’s no obvious change to his expression. “Well… no. But none of the books are damaged, and I’m going to put them back once I’m done with them.”
“It’s fine,” you interject. “I could probably fix a few ripped pages. You can do what you like.”
You couldn’t, probably, fix a few ripped pages, because each book is nearly as old as you. But you’re not going to say that, because you don’t want the confusion on Seungcheol’s face to turn into grim disapproval, and you also don’t want Hansol to feel guilty for what he’s doing.
“Although,” you say, looking down pointedly at the floor, “do you think you could stop the ice?”
Hansol peers over the wall, eyes widening when he realises what you’re talking about. “Oh, sorry. It just happened when I sneezed, I think. Everything is still going haywire… I think I’m still sick.”
The movement of the ice slows to a halt, until only a spattering of frost manages to creep over to where you and Seungcheol are standing. It covers the whole expanse of the floor, now, and there’s not a single patch of the warm brown that’s not frosted over, but it’s okay. That is definitely something you can fix.
Ignoring Seungcheol, who’s still standing there like he can’t believe he’s looking at a walking, talking yokai, you move forward and make your slippery way over to the fort. Hansol moves away a column of books, allowing him to step out of the fort and meet you.
“Is this one of the humans?” Hansol asks in a low voice before you even say anything. The sweetness in his face has disappeared, replaced with an icy look of anxiety. “He’s one of the mortals who don’t like me, isn’t he?”
You try not to wince. “Yes. He’s Seungcheol, the village leader here. He… wants me to get you out of here.”
Hansol regards you for a moment. “You make it sound a lot nicer than what he actually means,” he says. “He wants me killed, doesn’t he? At the very least, badly injured and banished from here.”
“Well… no,” you try to say, but yes, that’s actually exactly what Seungcheol wants. “He doesn’t want you badly injured. He’s just… scared. Of your kind.”
“Hm.” Hansol nods, expressionless. “Same thing, really. He wants me out.”
“Okay, Y/N, stop whispering with the… him,” Seungcheol says, and you look up to see the village leader making his slow way across the ice towards you. “We need to talk. Discuss what you’re going to do, because you are going to do it, for the safety of our village.”
You frown, frustrated. “Hansol’s not a threat to our safety,” you argue. Seungcheol continues to slide gingerly across the ice, and he sighs and shakes his head as you carry on. “He doesn’t have anything against humans. And if he did, he’d have been dead long before we found him at the river, because—Hansol. Tell him why you ended up there.”
Hansol hesitates, looking at you unsurely. The other day, you finally managed to ask him why he’d been so injured and how he’d gotten trapped in the river. It was nothing unexpected, but it still had broken your heart, and hopefully, hopefully, it’s enough for Seungcheol to feel a little bit of empathy towards the yokai. Seungcheol’s a good man, a kind man, and all he needs to do is realise Hansol’s not evil, and he’ll warm up to him faster than anyone could think possible.
“Some other yokai attacked me in the forest,” Hansol says slowly. “Really old yokai. Older than me. And… I got hurt.”
Seungcheol raises an eyebrow, looking at you like he doesn’t get the point of this. You simply glare at him, silently telling him to continue listening.
“It wasn’t bad. Just a broken tail and some scratches,” Hansol says, and Seungcheol blinks, surprised at Hansol’s nonchalance. “But then some demon hunters found me, and tried to get me to… attack them? I dunno. They were picking a fight, and when I didn’t give it to them, they also hurt me.”
Almost imperceptibly, Seungcheol’s face softens a fraction, and you feel a flicker of hope. You know he’s weak in the face of innocently victimised stories like this.
“And so I was trying to run away from them, but everything is kind of in pain at that point. So I end up tripping down the mountain and into your river. My magic goes haywire when I’m sick,” he adds, “so that’s how I end up accidentally freezing ice all over me, too. It kind of responds to my feelings I guess? So when I’m scared, it starts acting up even more, which is why the ice was so thick, too. Like it was trying to protect me, ‘cause it knew I was scared of someone hurting me.”
It’s the most that Hansol’s said in one go, uninterrupted, before. Seungcheol’s face softens even further, and he straightens slowly. He’s been standing still, a few metres away the entire time Hansol’s been talking, like he’s been frozen by his tale.
“And yeah,” Hansol finishes awkwardly, ears twitching. He’s sensed the change in atmosphere, Seungcheol’s empathy tangible in the air. “Then I ended up here.”
“After several, painful weeks of healing,” you add, and Hansol nods jerkily.
“Yeah.”
“Oh,” Seungcheol says gently. “I’m so sorry. I didn’t realise you were so scared. But…” And then he sighs, straightening up further, the softness melting away from his face. “That doesn’t mean you’re not a harm to the others, now you’re all better. Who knows how you might feel when you’re hungry, or angry. You said your magic acts up according to your feelings, and I can’t have it acting up and hurting people here.”
Hansol’s face scrunches up in confusion. “When I’m hungry?”
It’s a bit absurd that’s the thing he’s focusing on, so you feel indignation over Seungcheol’s whole speech on his behalf, crying out at the injustice.
“What do you mean?” you argue. “You’re saying that like he’s some mindless beast.”
“He may as well be, for all I know,” Seungcheol sighs. “He’s not human, Y/N. We don’t know how he’ll act. And I need to think about the villagers. They’re… they’re like family to me, you know that.”
“I’m not human either,” you point out angrily. “And yet I’m also a part of this village. What are you saying, Cheol? Do you not consider me family?”
Seungcheol’s eyes widen, and he shakes his head instantly. “No, you are. But still, you’re more human than he is. And… there are days where I’m a bit wary of you too, Y/N.” At your outraged look, he rushes to continue, “Because you’re so powerful! But you’ve been with us for so many years, during the time of my father and his father, and his father before that, so I know you’re good. You’ve saved their lives. Saved everyone’s lives. Hansol, on the other hand…”
You scoff, beyond furious. “That’s absurd. There’s no such thing as being ‘good’, just as there’s no such thing as being ‘evil’. We don’t live in a fucking fairytale, Seungcheol.”
“I know. Maybe if you’d made different choices, I’d think of you as less good, too, but…” Seungcheol trails off, shrugging helplessly.
You stare at him, eyes so impossibly wide that it’s actually hurting your eye sockets, astounded by what he’s just said. Seungcheol? Thinking of you as evil? Just because of your power? 
Beside you, Hansol stiffens just slightly, and during the course of the conversation, he’s somehow ended up so close to you that you can feel his magic simmering frantically under his skin. You don’t know why he’s so worked up, and distantly, you wonder whether it’s on your behalf.
Seungcheol, noticing how irate you’re getting, takes a step forward to try and placate you. But he misjudges his balance on the ice surrounding the fort, leg twisting and his eyes widen and he yelps as he falls forward, on course to crashing face-first onto the hard, frozen ground. Your eyes widen, and you reach out to him, before then—
There’s a blur of white fur and Hansol catches him before he falls over and breaks all the bones in his knees, gripping him loosely around the torso, getting to Seungcheol before you can even blink. He gingerly helps him back into an upright position, and you wave a hand to whisk away the rest of the ice with streams of gold before another accident like that happens again. Hansol’s still holding Seungcheol when you’re finished, but by the shoulders now, looking the village leader right in the eye, golden irises soft and determined at the same time.
“I get you have a responsibility,” Hansol says. “I used to have one too, in the wild. To keep myself alive. But my rule, and this should be yours too, is to not hurt anything that doesn’t hurt you first. I haven’t hurt you. You shouldn’t hurt me. And Y/N—” He looks over at you, eyes flashing, before looking back at Seungcheol. “Y/N has never hurt you. So don’t act like you’re preparing for the day she one day will.”
Seungcheol’s face doesn’t change, but you’ve known him long enough to detect the minute shifts in the air around him as he digests Hansol’s words and, grudgingly, accepts it.
“I apologise,” he finally says, reluctant but sincere in the way only Seungcheol can be. “That was cruel of me. To you and Y/N.”
He looks at you, and Hansol’s hands fall away, allowing him to walk towards you.
“Sorry. But you have to understand where I’m coming from,” Seungcheol says, almost pleading, and you realise that, whilst his stance on Hansol’s existence has wavered, his overall reluctance over him being here hasn’t changed. “At least don’t let others see him, if he’s going to stay. They’ll be terrified.”
“That doesn’t sound like Hansol’s problem,” you retort. “I know these villagers, Cheol, and they’ll warm up to him, they really will.”
You look over at Hansol as you say your next words.
“Hansol is sweet and kind and really rather funny, and it breaks my heart to hide him from others because he might be seen as scary. That’s just people’s prejudice talking.” You smile. Hansol’s eyes are wide, lips parted slightly, and a fluttering warmth unfurls up inside you as you continue to smile at him. “Because I’ve seen Hansol, and he’s the sweetest person I’ve ever met.”
Hansol’s entire face goes pink, and he looks away.
“Maybe so,” Seungcheol says heavily, and you look back at him. The warmth in your chest fades at his tone, dropping to the depths of your stomach. “But I can’t risk them being near him. Don’t let him out.”
You sigh, disappointed. “No. He can leave the house if he wants to, Seungcheol. He’s not some kind of housepet you can impose rules on just like that and expect me to follow through with them.”
“Y/N—”
“Get out of my home,” you say, evenly. “Go. You can take your rules and go piss off out of my sight.”
───────────── ‘✽, 
You stew in your anger towards Seungcheol for several days. 
He comes to your door every so often, either with a letter or a plea to talk through this, but you refuse to let him in and instead tell him to, not so kindly, fuck off. 
Hansol looks at you with a mixture of affection and disappointment each time you do so. You don’t really understand why he looks at you like that—neither the affection nor disappointment—but he doesn’t say anything and goes back to what he was doing soon after, either playing with your magic, or his own, or reading your books.
Having him around the house is quite like having a very adorable, very shy, fox. You might’ve gotten furious at Seungcheol for treating Hansol like a pet, but you don’t mean it like having a pet fox: it’s just like having an inquisitive, cute being around the house who quite likes following you around as you go about your day.
It’s cute. He’s cute, with his swishing tail and his sudden bursts of frost when he’s fiddling with his fingers, and the way he stays perfectly still whenever you gain the courage to slowly inch closer to him on the sofa until you’re laying on his shoulder, at the perfect angle to peer down at the book in his hands so you can read it with him. They’re all your books, of course, so you know what they’re all about, but it’s quite nice leaning against Hansol, feeling his warmth through the silk of his clothing, and the pleasant hum of his magic under your ear.
He never initiates physical contact, but he seems to like having you near. He’s never protested when you’ve held his hand or laid on his shoulder or (very, very gently) touched his ears, so.
He’s quite like a fox, in that way. But he’s like a fox in other ways, too: namely, how it appears that he’s a bit nocturnal.
Sometimes, you’ll awaken at three, four, five o’clock in the morning to someone clattering around in your house. It always turns out to be Hansol, trying to occupy himself without waking you up, but always failing to do so.
“Hansol?” you murmur blearily, shuffling into the kitchen where the flurry of clatters had emitted from earlier. It’s dark, and all the curtains are drawn; nevertheless, his dim silhouette looks distinctly guilty as he whirls around to face you, pots and pans in his hands. “What’re you doing?”
“Sorry,” he says apologetically. “I read some potion in your book, and I wanted to try it out.”
“At three in the morning?”
“Five,” Hansol corrects. You fix him with a look, and he winces, demon magic-enhanced night vision meaning he can see you perfectly clearly. “Sorry. I didn’t mean to wake you.”
You shake your head, rubbing the sleep out of your eyes. It’s cold in the kitchen, and being exposed to the chilly night temperature is gradually waking you up. “It’s okay. I guess you don’t sleep a lot, huh? You’re wide awake, even though it’s so early in the morning.”
Hansol shrugs. “Dunno. But I always just feel like I have so much energy. Like it doesn’t have anywhere to go, and I can’t sleep for too long before it tells me to do something.”
“I see.” You purse your lips thoughtfully, pondering why Hansol’s feeling like this and what could cause it. And then, a realisation strikes you and your eyes widen. “Oh. Oh, I get it. I understand why you’re feeling that way.”
The yokai tilts his head. “Really?”
“Yeah, and it’s totally okay,” you reassure, nodding your head. “Totally understandable, too. But don’t worry, it’s easily fixed.”
You wave a hand and turn all the light fixtures on so you can see Hansol properly. The yokai literally does look like he’s vibrating with extra energy, holding your cooking utensils in his hands, ears perked upright and tail fluffed up to the max. Yeah, he’s definitely understimulated and frustrated with it right now, even if he doesn’t realise that’s what it is.
You smile. This is a good way to help him and piss off Seungcheol at the same time.
“Come on, Hansol. Let’s go outside.”
───────────── ‘✽, 
Not even an hour later, you’re making a trek up the mountains in your warmest clothes, lagging behind Hansol even with your magic-aided agility helping you up the hardest of the steps. The yokai is bounding on ahead, nimble and quick-footed even in the darkness of the early winter morning, and you can hear the light crunch of snow under his footsteps as he moves.
This is what Hansol needed. Some time outside, where he can finally breathe.
Some minutes later, as you’re sitting on a log on the path to catch your breath, Hansol comes back down the mountain to meet you, settling down by your side.
“It’s so quiet,” he whispers. The air around you is lit with a faint glow, courtesy of a visibility spell you conjured so you wouldn’t fall flat on your face as you walked. It makes Hansol’s face look golden as he smiles at you, eyes shining. “Everything is so quiet out here. I can hear the animals.”
You smile back, finding joy in how relaxed he looks. “Doesn’t that make it noisy?”
Hansol shakes his head, and then looks away from you, ears cocked to the side, listening. “No. This is like a familiar buzz of noise, so familiar that it becomes silent.” He looks back at you again, smiling. “Down in the village, it’s so noisy because of all the people, but up here, it’s all gone.”
“It feels good, doesn’t it?” you say with a smile, and Hansol nods so quickly that you laugh, endeared. “I’m glad. You can go off for a bit, if you want, and I’ll wait for you here.”
Hansol beams. “Okay.”
And like that, he’s off, nothing more than a faint swish of a silver tail before he disappears once more.
He doesn’t come back to you for some time, which gives you a chance to sit there and breathe in the cool air. It’s so cold that it feels like inhaling clouds of peppermint, but it’s… relaxing. 
You haven’t had a chance to properly rest this winter. Winter’s a tricky time for you: the cold numbs your senses and makes your magic more sluggish. This year feels much colder than usual, and now the prolonged adrenaline that came with bringing Hansol back from the brink of death is fading, you’re beginning to anticipate feeling more worn out more often, the warm fizz in the tips of your fingers not as present as it ought to be.
Strangely, though. It hasn’t happened yet. Maybe being around Hansol and his frost-related magic has built up your resistance to the cold.
Or, he’s just so lovely and comforting that you don’t feel the effects of the winter.
That’s always a possibility. You look down at your hands, still glowing slightly with the visibility light you’ve put on yourself. It hasn’t faltered even once, a brilliant gold, and when you think of the colour of Hansol’s eyes, the light seems to glow even more.
You breathe in, and then exhale, kicking your feet out in front of you, looking down the dim mountain. You’ve been up here, thinking, for so long that the weak sunrise is beginning to peek its head above the horizon. Hansol still hasn’t come back. Though, you find you’re not too worried about that: somehow, you know that he will come back to you, though you can’t find ears nor tail of him while he’s gone.
It’s incredible how much you’ve come to trust and believe in Hansol, though he’s only been with you for several weeks. He’s been so reserved, anxious and afraid at times, especially during the early days, when he’d been bandaged up and newly healing in an unfamiliar environment, but now it’s clear how earnest and gentle he is. Something in your chest tightens and then relaxes with happiness whenever you see him smile. He’s just so—genuine, and you really like that about him.
You like him. A lot. He’s certainly an unexpected new part of your life, but now he’s here, and you can’t imagine living without the silver-furred fox yokai by your side.
There’s a rustle in the evergreen bushes to your left, and, as if he’s here answering your summons, a familiar silver head of hair pops out, golden eyes shining when he sees you. 
He blinks at you, ears flicking curiously, twigs in his hair like he’s been rolling around on the forest floor. His tail is out of sight, but you can imagine how it’s waving from side to side in contentment, the morning dew slowly turning into frozen crystals in his fur. You smile.
“Hey,” you greet, the moment you see Hansol’s face. “Are you gonna come over?”
Instantly, he stands up, hops over the bush and makes his way to you. His footfalls are light, looking like he’s dancing over the rocks before he settles next to you once more, looking like he never left your side.
“Hey,” he says. “There are so many rabbits in these mountains, you know? Like I’ve never seen so many rabbits gathered in one place before, because normally they get killed by hunters or there’s just not enough food in that area to sustain so many. It’s actually insane how many rabbits you have up here.” When you just smile, his eyes widen, ears pricking upright. “Oh, is it you? Do you do something to help them stay alive? With your magic and all that?”
Hansol then launches into a flurry of questions for you, so eager and animated that it surprises you a little, before melting your heart.
At the sight of sunrise, you’d taken down your visibility spell, but Hansol is still glowing, looking so alive with his cold-dusted cheeks, shining eyes, wind-fluffed hair and the frost dusting the tip of his nose, which must have accidentally happened when he’d gotten too excited and lost control of his magic.
Hansol’s positively lit up, now he’s surrounded by all this nature. He must’ve been so cooped up and nervous before, when he was just in your house, barely anything to do. Now he’s healed, and outside, and you can tell that being out of the house is where he’s meant to be.
“It’s not me,” you admit after Hansol’s finished conjuring up crazy theories. “Well, kind of. I messed around with the mountains about eighty years ago and did something by accident so we get a lot more winter flowers than normal. The rabbits love eating them, so we get a lot of them too.”
“Oh,” Hansol says, amazed. “That makes so much sense. I saw so many flowers. I thought that was a little bit weird, but I just chalked it up to Mother Nature having fun, or something.”
You laugh. “Yeah. I guess Mother Nature was having fun,” you say, gesturing to yourself, and Hansol grins too. His eyes crinkle as he does so, the corners of his lips spread wide so his pearly whites are fully visible, the tips of his yokai fangs slightly on display. Even his big, bright smile is as cute as he is. You’ve never seen him smile this widely before. It’s… pretty.
Even though he’s all warmed up to you now, even though it’s clear he trusts you, it’s obvious he’ll always be most at peace out here in the big, wide world.
His gaze slides away from yours, looking at something behind you, and he gasps.
“What is it?” You turn to look back, trying to find what had caught his eye, but Hansol doesn’t respond. He jumps up, diving into the bushes without a word.
A moment later he emerges, and in his hands is…
“A daffodil?” you say, amazed. “What’s this doing here? Spring is very, very far off.”
“I guess it’s because of you,” Hansol says, handing you the flower. 
You accept it gratefully, tracing the edges of its buttery yellow petals, such a warm, golden colour in your hands, in stark contrast to the cold white of the snow around you. It’s so pretty, so pristine, and it’s amazing it managed to survive in the freezing winter temperatures. Must be due to your magic, like Hansol said.
“It looks like you,” Hansol says suddenly, and you look at him in surprise. 
“Really? How?”
“You look like spring, to me,” he says. The frosted tip of his nose looks pink, as do his cheeks. A decidedly warmer, blushier pink than they’d looked before. “All warm and gold and pretty. Like the daffodil. And I…” He pauses, and then seems to change his mind, shutting his mouth and blinking at you like he wasn’t about to say anything else.
You smile, so endeared that you’re practically glowing with it. “Thank you,” you say, touched, and look back down at the daffodil in your hands before raising your eyes to the definitely-blushing yokai once more. “That’s so sweet.”
Hansol shrugs, a little bashful, before standing up abruptly.
“I’m gonna go find the rabbits again,” he says, and before you can even reply, he’s disappeared.
You laugh, breathing in the crisp air and then releasing it in a sigh, feeling warm all over despite the cold. You shake your head, fond. Hansol is just so…
That’s it, you decide. You’re not going to let Seungcheol dictate where Hansol can and can’t be. You’ll let Hansol do whatever he wants, and encourage him to do whatever he wants. 
Whatever makes him smile.
───────────── ‘✽, 
From that day on, you make it a point to take Hansol to the mountains as often as you can.
He loves it—he’ll never say it in so many words, extremely shy when it comes to voicing his preferences for reasons you cannot discern, but it’s so obvious that those few hours he gets to spend with you, in the fresh air, away from all the people, are his favourite hours in the day.
It’s another one of those mornings when you’re up in the mountains with him. You can’t come here every day: you’d collapse from exhaustion if you had to wake up at four in the morning every day, but today, it’s a particularly clear-skied day, and you wanted to watch the sunrise with Hansol.
He’s sitting shoulder to shoulder with you, looking silently down at the village below. It’s still not sunrise yet, but the sky’s beginning to lighten gradually, and you can see some of the windows beginning to light up with orange lights, everyone slowly waking. Hansol hasn’t said a word for a while, so you haven’t either, content to just look down at everything in silence.
The entire experience is rather humbling. From the mountain, the village looks so small, like it’s merely a miniscule dot in existence, something that could be missed in a single blink. Like each mortal is worth next to nothing. Like each could be destroyed in a second.
That’s what a lesser immortal would think, anyway. For you, however, rather than how fragile life is, being this high up makes you marvel at the intricacy of it. Every person, every soul, despite being so small, is filled to the brim with so many unique experiences that no one else can ever live through as that person did. They live, and they die, but almost magnificently so. Like a one-of-a-kind snowflake that melts as soon as it lies in your hands.
You look at Hansol next to you. His eyelashes flutter thoughtfully as he looks down at the village, delicate against his pale skin. 
Every life should be cherished, you think. Because if even the fleetings lives of humans are that complex, then what of the immortal creatures, who live forever? No one should tell them to hide themselves away.
“I can hear you cursing Seungcheol in your head,” Hansol says abruptly, pulling you out of your thoughts. He’s staring at you, now, no longer focused on the village, and he tilts his head bemusedly when you meet his gaze. “You’re still mad at him, aren’t you?”
You blink, and then smile. You were kind of cursing out Cheol in your head, you admit, and it’s kind of funny that Hansol picked up on it.
“I am,” you sigh, looking down. “Well, now I’m more annoyed, really. I know I should be glad that he’s not going to extremes, like some other people in the world, but…”
Hansol nods slowly. “I get where he’s coming from, though,” he admits, and you look up. “What? Seungcheol cares for his village. These people… they all mean a lot to him, and he doesn’t know me, so I guess it’s natural for him to be cautious.”
You roll your eyes. “That’s no excuse. These people all mean a lot to me, too. I watched them all grow up! And Cheol should know I wouldn’t suggest anything that puts them in danger.” You frown. “It’s frustrating. It feels like he doesn’t trust my judgement, even though he’s literally known me his entire life.”
The yokai hums, and reaches over to pat your hand placatingly where it rests in your lap.
“Also, it pisses me off that he’s saying all this without ever making an effort to get to know you, and see if his judgement is right,” you say, looking at Hansol, catching his hand in your own when he begins to move away. “You’re just—you’re just so lovely, and how dare Seungcheol try to hide you away, like you’re something taboo, or something to be ashamed of?”
Hansol’s eyes widen, and he blinks rapidly, before averting his gaze to your intertwined hands. “Oh,” he says, after a moment, clearly embarrassed by your sincere compliments. “That’s… nice.”
You laugh, fond, squeezing his hand comfortingly. “I’m always nice,” you tease. “I’m the nicest person in the entire world, actually.”
To your surprise, Hansol doesn’t smile back at your joke, and simply ducks his head shyly. “You are.” 
And then he keeps lowering himself down until he’s laying in your lap, the tips of his flickering slightly at the contact as he adjusts himself until he's practically lying down in the log, head in your lap. You stiffen in surprise, and Hansol slowly shifts so he can blink up at you with innocent, gold eyes. 
“Can I lie here?” he asks, even though he's clearly very much lying there already, and you smile, relaxing. 
“Yeah, I guess,” you say, and Hansol smiles, closing his eyes as your hand goes to his hair and begins to gently run through the strands with the tips of your fingers. 
You stay like that for some time, running your fingers through Hansol’s hair and over the soft fur of his ears. Abruptly, he playfully flicks his ears as you trace a finger through the fur at the base of them, making you yelp in surprise, and he smiles, pleased at having made you jump. You lightly tug at a few strands of hair, teasing, and he smiles wider, eyes still shut, the slight points of his canines visible.
Too distracted with Hansol’s face, you end up completely missing the full sunrise, and eventually it becomes late enough in the morning that the village fully awakens, bustling with noise as people go about their day. But curiously, you can’t hear a single thing. It’s like your world has narrowed down to you, your hands, and the yokai laid comfortably in your lap.
He really is very pretty. You notice the small spattering of snowflake-like freckles on his cheeks, and smile. He’s so pretty that it isn’t even fair.
You trace a thumb over his cheekbones, opening your mouth to comment on them before Hansol’s eyes snap open, and his ears suddenly tilt towards something down the mountain, listening. Your hand freezes, and you let him turn his head, alert.
“What’s wrong?”
Then, you hear it: the crunching of twigs underfoot, and the telltale huffing and puffing of a human making their way up the mountain. Your hand falls, and you get ready to stand up before—
“Y/N?”
Soonyoung, clad in winter furs and holding a woven basket in his hands, blinks at you in confusion, and then he glances to the yokai in your lap, and shakes his head, his expression becoming even more mystified than before.
“What are you doing here?”
“What are you doing here?” you ask back, equally confused as Soonyoung. “You literally hate climbing the mountains. What are you doing?”
Soonyoung looks at you oddly, lifting up the empty basket. “I’m here to collect wildflowers for you,” he says. “I asked you the other day if you could make some of that non-dangerous magic fire you did last year. You said you needed wildflowers harvested at sunrise to make that potion, so I’m here to get those.”
“Oh. Did you really ask me that?”
“Yes,” Soonyoung says. “You said you’d make them for me. And also complained for like five minutes because I tried to pay you, and you wanted to refuse ‘cause you said I was paying you too much. As if there’s such a thing as being paid too much money.” He rolls his eyes for emphasis, and you laugh.
The conversation comes back to you now, and you shrug sheepishly. “Yeah. Sorry. I forgot about that.”
Soonyoung makes a disgruntled sound, feigning annoyance before his eyes crinkle as he smiles. “Don’t worry about it, boo. Just as long as you remember to make the potion, it’s all fine. The children’ll love it for the bonfire tonight.”
Your eyes widen. “You want me to make it for tonight? There’s a bonfire tonight?”
“Yes,” Soonyoung says. “I specifically told you when I asked, as well. Goodness, you’re forgetting everything today, huh?” Then he gestures casually to Hansol, who’s still lying in your lap, looking unsurely at the villager. “Don’t tell me, you also forgot you have the injured demon in your lap, too?”
He points to Hansol so naturally, so calmly that you look down in surprise, as if you really had forgotten the yokai was there. Soonyoung laughs, shaking his head as he bends down near a bush, poking through the dirt to see if there are any flowers. He turns his back on you and Hansol, craning down towards the ground to see better as he continues to talk.
“Cheol told me all about the demon and how he disapproves of you keeping him alive,” Soonyoung says. He manages to find a few wildflowers, and lets out an aha! of pride, putting them away in his basket. “Not gonna lie, I agreed with him a bit. But then I come up here and find him in your lap as you pet him like a cat, and now I’m thinking, maybe not so much.”
Soonyoung turns back to face you once again, and somehow, during those thirty seconds, he’s managed to get dirt all over his nose.
“Plus, you seem to like him,” he carries on. “So he can’t be bad, can you? Because you’d kick his ass if he was.”
You quirk a grin at that, proud. Then you nod down at Hansol. “He has a name, though, you know. And he can hear you.”
Soonyoung’s eyes widen in realisation, and he stands up quickly, brushing down his clothes. “Oh, sorry, you’re right. Sorry. Hi, I’m Soonyoung, one of the villagers who live here. It’s nice to meet you.”
He extends a gloved hand towards Hansol, and Hansol looks at the hand for a long moment. Then he slowly sits upright again, and grasps Soonyoung’s hand in a firm handshake, the corners of his mouth relaxing slightly.
“Hansol,” he says. “It’s nice to meet you.”
And then he must do something, because Soonyoung lets out a small yip in surprise, withdrawing his hand quickly as Hansol observes him amusedly, eyes glinting. 
“Did you…” Soonyoung starts, wide-eyed. “Did you just. Give me an electric shock? On purpose?”
Hansol cracks the slightest smile, evidently pleased with Soonyoung’s reaction. He’s in a playful mood today, you muse, smiling as Soonyoung stutters, clearly not sure what to do when a yokai plays a prank on him like this. It makes you smile too, amused.
“You have to show me how to do that,” Soonyoung eventually says, going from surprised to confused to full of amazement. “Can you show me? Is that something which can be taught?”
That makes Hansol smile properly, lips curving upwards. “You’re funny.”
“I’m being serious!” Soonyoung says, but something about Hansol’s smile must make him smile too, because eventually he laughs, shaking his head. “Goodness, you magic people need to stop messing with me. One day, I’ll accidentally set myself on fire, and it’ll be your fault.”
“You’d do that anyway,” you tease, and Soonyoung rolls his eyes. “Anyway, I have to get going, I think. Jeonghan’s coming over for a poultice for his back pain, and I need to get to my cottage before he does.”
“Okay,” Soonyoung says. “This is a hell of a way up the mountain, by the way. I might go down with you as well, and see if I’ve missed any flowers.”
“Cool.” This is definitely not that far up the mountain, and even though Soonyoung hates climbing, it shouldn’t have taken him more than twenty minutes to reach where you are. It’s clear he wants to walk with you for a moment to tell you something, so you look at Hansol, and offer him the chance to stay up in the mountains by himself for a bit.
He agrees, so you and Soonyoung begin your slow descent.
“What do you want?” you ask, when you’re out of Hansol’s hearing range.
Soonyoung just smiles, shaking his head. “Nothing bad,” he says. “I meant it when I said Hansol seems like a cool guy. I just…” He pauses, thinks over his words, and then leans in closer. “Bring him to the bonfire tonight.”
You reel back. “What? Are you crazy?”
“Hey, if you’re worried about him getting hurt, you shouldn’t be,” Soonyoung says placatingly. “Hansol’s a demon. He can hold his own. Plus, the people aren’t as against yokai as you might think. Cheol’s just overly cautious, and the elderly might have traditional views about it, but it won’t be hard to make them like him. He’s cute.”
You raise an eyebrow.
“He is!” Soonyoung argues. “I saw him in your lap, Y/N. He’s adorable. And very… docile? Like, he’s so quiet. But also very silly. The kids would love him, you know. So would everyone else.”
“Even Seungcheol?”
Soonyoung thinks about it for a second. The cold air has made his cheeks all ruddy red, and he looks like a very earnest, very red-cheeked schoolboy as he nods firmly. “Yes. Even Seungcheol.”
You hum, still incredibly sceptical. “Well. I’ll think about it. We’ll have to see.”
───────────── ‘✽, 
Unfortunately, even though you were slightly swayed by Soonyoung’s words and his instant kindness and all-round chillness in Hansol’s presence, you ultimately end up not bringing Hansol to the bonfire night. It’s not your decision, though: it’s Hansol’s.
“Are you worried about the humans?” you ask, when Hansol tells you that, respectfully, he doesn’t want to go. “You don’t have to worry about that. I could blast them all to pieces for insulting you, if that makes you feel better.”
Hansol smiles a little, before shaking his head. “No. It’s actually just… I’m not really a big fan of all the noise and stuff. And how hot bonfires are.”
“Oh.” You soften, concerned. “Have you been… hurt by fire before?”
“Huh? Oh, no,” Hansol says. He shrugs. “I just don’t like being too warm. Makes me uncomfortable.”
You raise an eyebrow, amused. Because even as he says this, he’s cuddling up into your side, head on your shoulder, his tail curled comfortably around him. “Really?” you say. “You don’t like being too warm?”
Hansol’s ears flick. “Yeah. My magic originates from winter, as you might have noticed, so…”
“Oh, I hadn’t realised,” you say teasingly, tapping the tip of his nose lightly. “I thought the white fur and random bursts of frost on your skin meant you were a summery fox.”
Hansol scrunches his nose, and you laugh. “Yeah, yeah. Anyway, it does mean I don’t like being all warm, so fires are a no-go for me. Especially bonfires, where there are many people. That’s way too much warmth for me, for sure.”
“I see,” you say, reaching a hand up to tuck some of his silver hair out of his face as he nestles closer into your side. “That’s cool. But I am going to have to go, even if you aren’t. Will you be okay if I leave you here by yourself in the evening?”
“Yeah. Can you make me dinner before you go, though? Last time I tried, I almost destroyed your kitchen.”
“What? When was that?”
“Oops. Did I not tell you?”
Anyway, the bonfire night ends up being a bit of a disappointment. Several of the villagers have cottoned on to the fact you’re housing the yokai, and express their concerns to you over the matter several times over the course of the night. You love these people, you really do, but hearing so many of them advise you to send him back off into the woods for your own safety really wears you down after a while.
“I think Y/N understands what you’re saying now, imo,” a gentle voice butts in, right when you’re in the middle of having a particularly exhausting conversation. This tricky older woman’s insisting you let the yokai go… only, she’s using much more unkind words.
You were very, very close to losing your cool with her—respect the elders be damned because hell, you’re way older than she is—before she’s interrupted mid-sentence by a villager appearing over his shoulder, and you smile in relief as you recognise him.
At the call of “auntie”, she looks up and comes face-to-face with your saviour, Joshua, and all it takes is another gentle smile and some sweet words before he successfully convinces her to leave your side and rejoin her friends on the other side of the bonfire.
“Don’t worry about it,” Joshua says when you thank him for his help. “You know how they are. Once they latch on to you, it’s impossible to get them to leave without using some sort of witchcraft to pry them away.”
You laugh at that. “And yet, it seemed to be you who helped get them off me. Maybe you’re the real witchcraft user out of the two of us.”
Joshua laughs, light and melodious, magical fire reflecting in his eyes. He doesn’t say anything to your joke, however, and nods into the distance behind you, down the darkened paths that lead to your cottage. “You need to bring him out, though,” he says. “Whilst he’s still unknown, they’ll continue conjuring theories that become wilder by the day. They need to see the yokai so their suspicions can be wiped away once and for all.”
“Wh—Hansol?” You blink. “It’s dangerous, Shua. They might hurt him.”
“They’re hurting him now,” Joshua says. “They’re hurting you and hurting him by making stuff up. Just introduce him to them, okay? He can’t become part of our village if he never meets our villagers.”
At your stunned look, Joshua smiles. 
“What? I know you, Y/N. You’re attached. You want him to stay. And honestly…” His smile turns a little more secretive, a little more knowing. “I think he wants to, too. The yokai will stay for you, but to truly bring him in, you have to bring him out to us.”
Joshua smiles again, the colours of his irises swirling together, before he pats you on the shoulder and gets up, leaving you there speechless.
He isn’t… wrong. But hearing it like that sounds insane.
You shake your head. Hansol will have to meet everyone sooner or later, you suppose. You very much do not want to go ahead with Seungcheol’s idea to let him be hidden, like a secret, so of course, you need to bring him out into the open.
You shake your head again, mystified. Joshua’s correct, but how does he know so much?
Honestly, you really do think he’s more of a witchcraft user out of the two of you. His incredible timing, his knowledge of all your thoughts, the fact he’d called Hansol a yokai rather than demon…
Also. How old even is he, anyway? 
Too confused and befuddled by all the thoughts in your head, you end up playing with the children and run through the fire all night instead. It’s a lot safer than having to deal with all the grown-up stuff of thinking about things.
───────────── ‘✽, 
Both Soonyoung’s and Joshua’s words linger in the back of your mind for days after that, and you contemplate how to get Hansol out of the house. Hansol had never really shown signs of wanting to be part of the village, which had made you reconsider this whole thing, wanting to brush away the villager’s words, before you actually asked the yokai, and—
Hansol shrugs. “Yeah. I’d like to get to know everyone. I want to be part of the village.”
“You do?”
“Yeah,” he says again, smiling at you. “This village is your village, and I want to be with you.”
Oh. You smile back, touched. Hansol smiles wider, brightening at the eye contact, all sweet and lovely and really quite cute, before ducking his head and disappearing back through the shelves of your library once again.
So Hansol turns out to be not as against the idea as you thought, which makes you feel a lot better about thinking of how to get the villagers to trust him and how to get Seungcheol off your back for taking care of Hansol in the first place.
However, it ends up not being you who makes the first steps into getting him known. Oh, no.
Instead, Hansol does that all by himself.
It happens during the first snowfall of the year. You’d woken up to the beautiful sight of the white crystals floating down and covering the entire village with a soft, muffled coat, and the equally beautiful sight of Hansol, who had already woken up, practically pressing his nose against the window to look at the snow in awe.
He’d clearly wanted to go out and be in the snow—as a winter yokai, that made sense—but you’d had some errands to run that day, so you’d told him he could stay only in the front yard of the cottage and go no further.
Hansol had smiled at you, an amused quirk of his lips that acted as all the reassurance you needed.
So he’s sitting in the snow in front of your cottage, legs out in front of him, the silk of his clothes getting damper the longer he sits on the cold ground, but he hardly notices, more focused with tracing a finger through the soft white that is steadily building up.
Snowfall is Hansol’s most favourite wintry thing. It’s a perfect, wondrous phenomenon: the intersection of the perfect time and the perfect weather and the perfect temperature that makes the sky release soft handfuls of the white stuff down on Earth. Even nature falls silent when the snow falls. In Hansol’s opinion, that’s proof enough that it’s something to be appreciated beyond belief.
His robes, his old robes, used to have silver snowflakes embroidered into them, intricate and sprawling patterns that he could run his fingers over and almost feel the cold gust of wind that accompanied the snow. They’re not on the robes he’s wearing now—he’s wearing ones you’ve given him, after his old ones were ruined by his own blood—but he traces his fingers gently over the sleeves, letting frost spread out from his fingers like the feathery patterns that used to adorn the cloth he wore.
He quickly grows bored of that, though, and turns to the real snow in front of him, ears flicking absentmindedly to get rid of the small pile-up gathering on his head. He absentmindedly gathers the stuff in his hands, patting it into shapes and then leaving them out on the lawn. 
This carries on for some time, and eventually there is an army of misshapen snow clumps in your front yard, all frosted over with a touch of his magic, and he grins, satisfied. And then his ears twitch again, and he feels… eyes. Watching him.
Hansol turns around, and some houses away, peeking from over a well-trimmed, leafless hedge, he sees three children clad in fluffy winter clothes staring at him, curious.
He doesn’t have much experience with human children. Or any children, for that matter. But he’s pretty sure that, when a yokai makes eye contact with them, they’re not meant to light up with glee and come running over with absolutely no regard for the icy paths or the danger that said yokai could present.
Surprised, Hansol jumps up to his feet, reaching out hands to steady the little kids as they skid over the snow and come to a stop right in front of him, eyes shining, expectant. He doesn’t know what they’re expecting, and being so close to these mini humans is a very awkward experience for him. He’s not sure what to do.
So he lifts a hand, and waves. “Hello?”
The three children beam, and one of them, the girl, practically vibrates with happiness when he speaks.
“Hello!” she chirps, and waves back. “I’m Yeowon! What’s your name?”
Hansol blinks, taken aback by her enthusiasm. “I’m Hansol.”
“Hansol!” Yeowon keeps speaking in exclamation marks, and it’s honestly kind of amusing. “It’s nice to meet you! This is Junghoon, and this is Minjun!” she says, gesturing to the boys on either side of him, who also give Hansol equally enthusiastic waves.
“Hello,” he says unsurely. How old are these kids? He doesn’t know much about human years, but they look… very young. Where are their parents?
He doesn’t get to voice his concerns before Yeowon starts speaking again, going a mile a minute and he can hardly get a word in edgeways.
“We were watching you from Minjun’s house,” she says, and picks up one of the snow balls that Hansol was making, lifting it up so he can look at his own handiwork. “These are so pretty! We wanted to come over and play with you, ‘cause we’ve never seen you before, but you live with Miss Witch, right?”
Hansol opens his mouth, but it’s apparent that wasn’t an actual question when Yeowon barrels on.
“So you must be a good guy! So we wanted to come say hello and play.”
She blinks big, innocent eyes up at him, as do the two boys, evidently begging him to play with them, or something. He doesn’t know what play entails, but… there’s no harm in entertaining these fun-sized humans, right?
So Hansol nods, says they can play with him, and sits down in the snow again. And then, before he knows it, they’re all shrieking and climbing over him and asking him to make figurines out of ice and snow and patting his hair in amazement and asking if his ears are actually real.
Children are very overwhelming, Hansol quickly learns. But he also kind of likes them: likes the way their eyes light up when he makes them the little ice characters they want, likes their fascinated smiles and the way they very gently touch his ears and accidentally get damp suede of their gloves in his mouth in their excitement. They’re bubbly, full of life, and so friendly with him that it honestly makes him so delighted that it surprises him.
“Make me one too! Make me one too!”
“Your ears look super fluffy! Can I touch your tail?”
“Why are your eyes yellow?”
“Can you make me something out of magic too, Mister Fox?”
“Mister Fox! Mister Fox!”
Hansol doesn’t know how it happens, but he blinks and suddenly he’s surrounded by what seems to be every child in the village, clamouring around him and asking if he could play, Please, Mister Fox, won’t you?
Your front lawn is quickly becoming a gathering place for the little humans who had swarmed towards him so quickly that Hansol’s starting to think they were waiting in the background for his very opportunity, and he makes more ice figures and listens interestedly to their babbling as they conjure stories for the figurines on the spot. They’re all so very noisy, but Hansol smiles, brimming with a similar sort of energy as his magic fizzes and pops with glitters of snow and makes the children laugh.
There’s no other way to describe it. He’s feeling happiness, pure and simple.
Unbeknownst to Hansol, there’s one human who’d been watching the entire scene right from the beginning. Coming down the path, on his way to visit the village’s magic-user, Soonyoung had noticed Hansol sitting by himself and had prepared to go over, extend a hand and a friendly word before Yeowon, Junghoon and Minjun had run over.
As a result, Soonyoung retreated a little ways round the bend to watch from a distance, which is where he is now, smiling at the innocent joy of both the children and Hansol.
From the opposite end of the path, he spots you walking back to your cottage, and clocks the exact moment you realise what’s happening in your front yard. Your eyes widen, and you stop in your tracks, before your eyes slowly lift further and you notice Soonyoung standing there too, smiling.
See? he seems to say with your eyes, meeting your gaze. They love him. 
One of the children shrieks with laughter as she grabs Hansol’s tail and he playfully gasps in shock, scooping her up and lifting her into the air until she’s giggling and burbling for him to put her down. At his feet, one child is patting snow into the hem of his robes, and another is playing with a fox-eared figurine that Hansol had made him.
It looks so natural, and you watch them for a moment before looking at Soonyoung again. Soonyoung smiles even wider. You have nothing to worry about.
You laugh, a little bit in disbelief, warmth spreading across your face as you smile back, looking fondly at the sight in your front yard. Finally, you really do believe that that’s the truth.
───────────── ‘✽, 
“Let’s go out,” you say, and Hansol looks up from his book, tilting his head inquisitively.
“Hm,” he says in reply. “Are you sure?”
It’s been a few days since the first snowfall, but the wintry precipitation has not let up, and it continues to softly drift down from the sky even as you speak. The blanket of snow covering the earth has also blanketed your senses, and your magic is nothing more than a gentle hum beneath your skin. A month ago, this would have stressed you greatly, but with Hansol and his winter-attuned magic singing happily around the entire room, you feel nothing but peace. 
Nodding in reassurance, you smile at Hansol. “Very sure. Let’s go out today.”
Hansol blinks, once, and then smiles back, closing the book and getting up from the couch. “Okay. Where are we going?”
You smile wider. “To make you some friends.”
That was the plan, anyway. Ever since the first snow, when Hansol had been accosted by the children and ended up playing with them for a good part of the day, you’ve had several villagers come to your door, either complaining about the yokai or wanting to know more about him. So, you figure, today you should get him out to the village square so he can finally meet everyone. Regardless of their opinion of him. 
Because you have trust in Hansol. Now, you have confidence he can turn their opinion around. 
Hansol, despite having all the appearances and mannerisms of an introvert, doesn't seem to mind leaving the house for so many days in a row, and eagerly agrees as you urge him to get dressed and head out to the village square. There's the daily market taking place, and most people will be there, so it'll be a good opportunity to introduce him. 
But, like you said, that was the plan. 
Unfortunately, you're whisked away by some of the villagers who need help with their sick relative, leaving Hansol stranded in the village square. 
“You don't have to stay,” you insist to him, as you're rushed off to deal with the medical emergency. “Seriously, Hansol, you can go home. Especially if anyone starts throwing insults, then just go, okay? I'll be with you as soon as I finish.”
Hansol watches you go, head tilted, slightly amused. It's kind of cute that you think he needs protecting. You know, since he's an ancient demon, and all. But before he can say as such, there's a small voice near his knee, and he looks down to see a small child, piping up in favour of him. 
“Don't worry about Mister Fox!” the small boy chirps brightly. “We will look after him!”
And as if out of nowhere (seriously, where do these kids come from?) several children come up to him and cling to his robes, waving at you as you leave the market square. Hansol waves too, mystified by the miniature support latching onto him, but also a bit touched by their loyalty. They're really sweet. 
“So what do you wanna do, Mister Fox?” the first little boy says, and Hansol recognises him as one of the first children to come up to him a few days ago. Minjun. “Are you hungry?”
Without even waiting for Hansol's answer, Minjun and the rest of the children start ushering him to the food stalls, fiercely advocating for their choice of what Mister Fox should eat first. 
“Wait,” Hansol says, interrupting the particularly fierce fight over having hotteok or bungeoppang first. “Kids. Do you have any money?”
There's a short silence, and all the children look down, which is how he learns that they don't, and so they don't end up buying anything at all. Except, Yeowon, who joined the discussion partway through, manages to wheedle some of the stall-owners to give her free food with her big puppy eyes and innocent pout.
It’s like a magic trick, Hansol has to give her that. And when she happily tells the vendors that she’s sharing the food with Hansol, the villagers do nothing other than blink in surprise and then smile, polite and awkward, well. That’s also an incredible magic trick too. 
They sit on the outskirts of the village market, pillowed by the mounds of snow all around them as they eat their steaming hot snacks. They’re delicious, and sticky, and very sweet, so it’s not too long before Hansol has several super-hyper, sticky-fingered children on his hands, who are all practically launching themselves into the snow with the bounding amounts of energy they have.
It becomes very noisy very fast, and Hansol starts panicking slightly, before he loudly suggests they ought to go and make some snowmen, and all the children whip their heads around to look at him, wide-eyed, and then—
“That’s such a good idea!”
“Yes! Let’s do that!”
“I’m gonna make the best snowman!”
“No, me!”
“No! Me!”
And then they go tumbling off into the snow, and Hansol slumps back down, relieved. He can still see them, and he can still sense them, too, so there’s no worry in any of them getting lost. At least he can now have some peace and quiet.
Twisting his lips thoughtfully, he gathers handfuls of the white snow, turning it over. He turns it over again, and then begins patting and shaping it in his hands until he has something that resembles a little snow duck.
It’s terribly misshapen, and the beak is a bit too long to be a duck, but it’s cute, and Hansol’s pleased. He swirls his fingers in the air, and uses some magic to add finishing touches, trying to rectify the wonkiness. It doesn’t work, but he still thinks it’s cute. You’d probably find it cute, too. Right?
Probably. Hansol hums to himself contemplatively. You like everything he does. It’s very sweet, he thinks, that you’re always so receptive to him, and it’s even sweeter that you genuinely enjoy his company. You brighten like a blooming chrysanthemum, spring-like in your warmth whenever he says something to you, and it makes him feel all warm too. Ever since the first time he woke up on your couch, out of his mind with a fever, and he’d noticed your floral chrysanthemum tea scent and accidentally called you the prettiest person ever, you’ve always been so gentle and kind and oh, Hansol likes you so much.
You’re just—lovely. You’re the loveliest being he’s ever met in his entire life, and that’s saying something, because Hansol’s been alive for a really fucking long time.
“Hello.”
He’s startled out of his thoughts by a light, melodic voice coming from over his shoulder, and Hansol looks up in surprise to see a villager bent over him, warm brown eyes glinting and the corners of his lips curving upwards in a seemingly permanent smile.
“Sorry, I didn’t mean to make you jump. I just saw you, and thought I’d say hi,” the villager says, smiling properly, extending a hand. “I’m Joshua. You’re the yokai, right?”
Hansol manoeuvres his body around awkwardly and shakes Joshua’s gloved hand. “I’m Hansol, and yeah, I am the yokai. How could you tell?” His ears flick pointedly as he talks, and Joshua’s eyes immediately go to them before he smiles wider.
“Yeah, I guess it was a silly question,” Joshua says, and his fur boots crunch in the snow as he climbs over a mound and crouches down next to Hansol. “But I don’t wanna seem impolite, you know?”
Hansol shrugs, but he understands. “Yeah. I get it.”
Joshua smiles.
They say nothing for a moment, and Hansol lifts his head up briefly to check on the children. He can still see all of them, actually, dotted about the edges of the market as they build their snowmen. He watches them thoughtfully, and then down at the snow at his feet.
It only takes a moment for a snowman of his own to begin to form, aided by his magic as the snowballs roll themselves to become bigger and more round.
“That’s really cool,” Joshua comments, and Hansol had almost forgotten he was there. He’s so quiet, feather-silent, but when he catches Hansol’s eye and smiles, there’s a twinkle to his presence that makes him wonder how he could have ever forgotten him. “I’ve never seen anyone other than Y/N be able to do that.”
“Hm?” Hansol looks at the snowman that’s slowly being built. “Oh, well, it’s nothing, really.”
Even as he says so, his tail fluffs up in pride at Joshua’s words, and he begins adding more and more intricate frost details to the snowman. The feathery patterns wind through the body of his creation, like embroidery, and Joshua whistles, amazed.
“It’s very cool. Your magic is very cool.”
Hansol shrugs, bashful. “Thank you. But really, it’s nothing.” As the snowman continues to construct itself, he leans over to Joshua as if confiding a secret. “In the wild, there are yokai who can create literal monsters out of ice. In about five seconds flat. But I mostly just deal with frost and snow, so it’s a lot more difficult for me.”
Joshua tilts his head, genuine interest written all over his face. “Oh. I didn’t know there were differences in yokai magic.”
“Of course there are,” Hansol says, like it’s obvious. “Like there are differences in humans’ skills, there are differences for yokai, too. We are not unlike you, you know.”
“I suppose that’s true,” Joshua says thoughtfully. And then he looks Hansol in the eye again, smiling. Joshua is honestly so friendly, and even though they only met two minutes ago, he feels like he’s known him for years. “So you won’t object to being friends with a human, right?”
Hansol blinks, surprised, and Joshua’s smile just widens. It’s obvious what he’s asking, and Hansol feels… touched, that he’d even suggest such a thing.
“Yeah,” Hansol says, and his magic finishes off the snowman with an intricate flourish of frost. “I’d love to be your friend.”
“Joshua!”
The calling of the human’s name makes both Joshua and Hansol turn around, and they see one of the elder villagers coming over to them, the skirts of her robes swishing as she walks. She’s terribly intimidating, greying hair pulled back into a bun with a pointy hair stick, marching over with incredible grace even through the ankle-deep snow that has gathered. She squints at the yokai and how close Joshua is sitting to him. 
“Mrs Choi,” Joshua greets, apparently oblivious to the sharpness of the woman’s gaze. “Hello. It’s very cold today, isn’t it?”
She eyeballs Hansol for a moment before nodding at Joshua. “Very. Frightful weather, but at least the children are enjoying the snow.” Mrs Choi lifts her gaze and squints into the distance, where the children are playing. “I hope someone is supervising them.”
“Oh, well, Hansol is, so don’t worry about it,” Joshua says with a smile. 
Mrs Choi snaps her gaze back to them. “Is he really?” Hansol nods, doing his best to look as earnest and trustworthy as possible, and she hums. “I see.”
“He has them doing a snowman competition, actually,” Joshua says. “He’s very good at making them himself, too. Look. Don’t you think his creation looks amazing?”
He points to the snowman in front of them, glistening with frost and embroidered with thin ice, clearly a work of his magic. Hansol swallows, expecting Mrs Choi to fly into a tizzy over the presence of such witchcraft, but she just scrutinises the snowman, and then—
She smiles.
“It’s very pretty,” she says, and in the blink of an eye, her expression has turned warm. She’s smiling so nicely at Hansol, and then she leans down and brushes a hand over the top of his head, gently dusting away the snow that had landed in his hair. “Just like you, my dear.”
Hansol blinks up at her, open-mouthed. “I— thank you, ma’am.”
She chuckles, straightens, adjusts the skirt of her robes. “No need to thank me. I’m simply telling the truth.” Mrs Choi nods in the direction of the children, before turning away. “Thank you for taking care of the children, also. Keep up the good work.”
Hansol watches her go, feeling a little dazed. She had looked so sharp and stern at first, but something about him sitting there harmlessly and making a harmless snowman with harmless snow gathered in his hair must have done something to convince her that he’s, well, harmless. Which is good. Very good. Hopefully she’ll let everyone else know, too.
“Yeah, she looks scary, but Mrs Choi is anything but,” Joshua says with a laugh, when Hansol directs his wide-eyed gaze to him.
“She’s terrifying.”
“Her son takes after her,” Joshua chuckles. “Choi Seungcheol. He looks scary, but he’s a right softie on the inside, trust me.”
Hansol’s eyes widen further. “She’s Seungcheol’s mother? The village leader?”
“The one and only,” Joshua affirms. He laughs. “Don’t worry about him. His own mother found you cute. I’m sure he’ll be won over by you in no time. Especially if you keep making snowmen that rival Y/N’s in their intricacy. Seriously, I think yours are the best I’ve ever seen.”
“Shua, I hope I didn't just hear you dissing my amazing snowman building skills.”
Hansol looks up at your voice, and sees you slowly treading over to them, a drawstring bag dangling over your shoulder as you pick your way through the snow. The tip of your nose is red from the cold, cheeks a pretty pink with an amused smile on your face, and the moment he sees you, it’s like you’ve stolen his breath away.
Whilst Hansol’s too busy being starstruck, Joshua laughs, leaning back on his hands.
“So what if I was?” he teases, and nods to Hansol’s snowman. “Doesn’t it look amazing?”
You look away, directing your gaze to the snowman. Humming thoughtfully, you eye Hansol’s creation, and he begins to grow a little nervous under your critical silence, fiddling with his fingers and digging them into the snow, wisps of cold air seeping from his skin.
And then you smile, a lopsided smirk that makes Hansol feel a little dizzy.
“I can certainly do better.”
Before he can say anything, you set down your bag, and with a flick of your wrist the snow begins to swirl and gather itself before you. Under your command, golden streaks of magic begin to press the snow together, creating larger shapes that you obviously plan to sculpt into a showstopping piece.
You look almost relaxed in your movements, the entire process taking nothing more than a slight twitch of your fingers as magic sparks zip around the sculpture that’s gradually beginning to form. Hansol can only watch in awe, amazed at the fluidity and effortlessness of your power. By his side, he thinks he hears Joshua chuckle softly.
After a few short moments, the three of you are staring at a large, smoothly finished sculpture of a winter fox, and you smile and cross your arms, satisfied.
“What do you think?” you say, smug, confident in your belief that you’ve proved yourself.
Hansol’s jaw is on the floor. Delicate pointy ears, a fluffy-looking tail all made out of snow, and wow, are those whiskers? Did you really make whiskers?
“Wow,” is all he can say, staring at this lifelike fox that’s made entirely out of snow. “Wow.”
Just then, there are high-pitched exclamations from somewhere in the distance, and the children that Hansol’s been supervising come bounding over, shouting in amazement at the fox that you’ve made. 
“Hi, kids,” you say when they’re close enough, laughing when Yeowon barrels into your legs to give you a hug. “Quick question, which snow sculpture do you think is better? The fox, or the Frosty the Snowman?”
They all look very thoughtfully at the two snow pieces in front of them, before unanimously pointing to your creation, and you grin triumphantly at Joshua and Hansol. Hansol just smiles back, totally expecting such an outcome. You’d beat him any day when it comes to stuff like this, and he’s totally fine with that.
“That’s not even a snowman,” Joshua protests, but it’s clear he’s arguing just for the fun of it. “Y/N, that’s not a fair competition.”
You shrug flippantly. “I’d win anyway.” And then you wink, pleased, and Hansol feels like burying himself in the snow just to try and get rid of his red cheeks.
“Mister Fox, we wanna play with you now,” Minjun says, and he looks up to see the children standing around him, red-cheeked and damp-haired but still eager to play more. “Can we play a game with you?”
“It’s getting late,” Hansol tries to say, but apparently, that had been a rhetorical question, because they’re hauling him up to his feet so they can play with him. “The market’s already closing. Shouldn’t you all go back to your parents now? Joshua? Y/N?” He looks back pleadingly as he gets dragged away, and you and Joshua just laugh, waving him goodbye.
“Have a nice time!” Joshua calls, standing up from the snow and brushing down his clothes. He stands closer to you, smiling as you both watch him begin to play. “He’s good with them, isn’t he?”
You smile too. “He really is.”
“The best,” another voice adds, and you look over your shoulder to see some of the villagers also watching Hansol. They’re all the parents, and yet they seem perfectly content to let their children play around with the yokai, any trace of hostility gone from their faces. 
That makes you smile wider. “I’m glad you think so, Mrs Lee,” you say, and the woman smiles back. “Don’t worry. He’ll keep your children safe.”
Mrs Lee bows her head in acknowledgement, eyes turning soft as you all watch Hansol let the children punt tiny clumps of snow at him. “We know.”
They stay with you for a little longer, chatting about Hansol’s gentle nature and how wonderfully he gets along with the children, before eventually they disperse and begin packing up the market for the day. Next to you, Joshua is also smiling, looking fond, which is really weird because he barely knows Hansol but there’s definitely a clear look of admiration and affection in his face. Before you can comment on it, though, he pats you on the shoulder, and begins to step away.
 “I better go,” he says. “Cheol’s coming your way. I think he wants a talk.”
He bids you goodbye then trudges back through the snow, and you look over your shoulder to see that Seungcheol really is coming your way. Instead of greeting him, however, you look back out at Hansol, and wait until the village leader is by your side.
“Hello, Y/N.”
“Hello, Seungcheol.”
You don’t offer him anything else, and so the two of you stand there in silence, continuing to watch Hansol play with the children. It is an adorable sight, though, and makes the corners of your lips twitch upwards the longer the silence goes on. He’s totally lenient with them, letting them pull his tail and ambush him with damp gloves and shrieking laughter. His head whips back and forth constantly between the two sides of kids that have inexplicably formed, somehow finding himself in the crossfire as snowballs get flung around him.
It’s cute, and it makes you laugh, heart warming with fondness. You can feel Seungcheol watching you out of the corner of your eye, and when it’s clear he’s not going to say anything until you do, you sigh and turn your back on Hansol at last, raising an eyebrow.
“Well?” you prompt. “What’s up? You didn’t come find me just to say hello.”
Seungcheol pauses, and looks down. “No. I didn’t.” A beat. “My mother actually told me you were here.”
“Okay. And?”
“She talked to Hansol,” he says, and both your eyebrows raise this time, in surprise. “She said to me that she liked him, and she wanted me to open my eyes and finally realise how much of a good person he is.”
Seungcheol clasps his hands behind his back, rocking on his heels. He looks over your shoulder, at where Hansol is undoubtedly doing something silly to entertain the children, and his eyes go gentle. They don’t soften, and they certainly don’t melt, but his gaze becomes a little more mellow, like a layer of hardness has finally given way.
“And he is a good person,” Seungcheol says, looking at you again. “I’ve been watching him all day. All week, in fact, and even if my mother hadn’t said anything, I would’ve sought you out to tell you this, because I think I owe you an apology.”
You breathe a laugh. “You certainly do,” you say, but there’s no real bite. Seungcheol’s actions were understandable. You’ve already forgiven him.
Seungcheol seems to know that too, because his lips quirk up into a half-smile. Nevertheless, his words are genuine when he says, “I’m sorry. I was too rash, and too harsh. Any worries I had over yokai did not excuse the way I talked about Hansol. Do you think you can also tell him how sorry I am?”
You draw in a long breath, cross your arms and lean back, staring down your nose at Seungcheol. His smile wavers, a little, but then you relax, breaking out into a grin.
“You can tell him yourself. He’d love to talk to you,” you say, and Seungcheol smiles too. “I’m sorry, too. I shouldn’t have reacted like that. You’re just looking out for the village, like you always do. But…” You shrug. “I was looking out for my kind, also. I was frustrated that you were treating Hansol like that just because he was a yokai.”
Seungcheol breathes out, wisps of white spilling from his lips. “I get that. It makes sense that you felt that way.” His eyes lighten with mischief suddenly, his smile taking on a teasing edge. “Especially considering the fact you’re in love with him, too.”
The world grinds to a halt. You stumble, taken aback by Seungcheol’s words. “I’m sorry, what?”
Nothing else gets to be said about the matter, though, because a small child goes zooming past you right at that moment, brushing against your side. And then, half a millisecond later, a fat clump of snow hits you square in the back.
The child continues running off, bubbling laughter fading into the market square. Slowly, very slowly, you spin on your heel and come face-to-face with the culprit.
Hansol’s still frozen in his throw position, one hand incriminatingly covered with snow. The moment he sees your face, his face breaks into a wide grin, that beautiful, big grin that shows the slight point of his yokai fangs. His eyes are glowing, alight with amusement and another, warmer emotion you can’t quite name.
He tilts his head to the side, eyeing the snow gently tumbling down your back. “Whoops?”
“Whoops?” you echo, breathing a laugh. You look at Seungcheol, as if saying Can you believe this guy? before turning back to Hansol, a handful of snow magically making its way into your hands. “Oh, you’re going to be saying a lot more than ‘Whoops’ in a minute.”
Hansol laughs, holding his hands up placatingly. “Now hold on a minute—”
Abruptly, his head jerks back, and he gets knocked off his center of balance by the force of the snowball you’d just lobbed at him.
You burst into laughter as Hansol, sitting on the ground and with snow in his hair and up his nose, wipes his eyes with a grin. “Now you’re just asking for it, I think.”
Still laughing, you snap your fingers, and several more balls of snow float up around you. “Oh, it’s on.”
Cut to several minutes later, and somehow, the snowball fight between the two of you has devolved into a village-wide thing, children slipping and sliding in the snow alongside their parents as Seungcheol yells at his team to close ranks and you yell at yours to focus their sights on Hansol. The icy air stings your cheeks, and at some point it begins to snow again, hard, blurring your sight, but the whole thing still continues, the square filled with the laughter of the villagers.
And throughout it all, Hansol manages to find your gaze no matter where he is, gold eyes seeking your gold magic, and the beautiful sound of his laughter leaves you breathless every time.
───────────── ‘✽, 
All things considered, perhaps it’s totally expected that you end up falling for Hansol.
You don’t get to truly mull over Seungcheol’s last words until much later, when you and Hansol have both changed out of your sopping wet clothes and are sitting curled up together on the sofa, both of you blinking sleepily at the fire you’ve lit in the fireplace.
The snowball fight ended incredibly amiably, with everyone agreeing that Seungcheol’s team had obliterated everyone else’s, despite the lack of magic users in his group. You’d helped some of the villagers dust themselves off, and used magic to dry off the people who had gotten the most wet. Soonyoung, inexplicably, looked like he’d been dunked five times in a swimming pool, rather than emerging victorious from a snowball fight.
Finishing with Soonyoung, you’d looked back, and of course—Hansol was playing with the children, again, as if he had endless reserves of energy to spare. But in between letting the kids climb his legs and play with  his swishing tail, he was chatting with the rest of the villagers, helping them tidy away their things.
It made you smile. 
And then Hansol had looked back at you, as if sensing your gaze, and his entire face had lit up, brighter than the brightest summer’s day, and he’d quickly said goodbye to the villagers before coming bounding over to you, face so open and comfortable and warm and—
Yeah. You like him a lot. And you’re sure that he likes you a lot too.
Hansol yawns, big and wide and content, his tail flicking lazily as he rests on your shoulder. Outside, the snowfall has increased to a snowstorm, complete with howling winds and dark, looming clouds, but inside, your cottage is warm, and you have a sleepy yokai pressed against your side, and life is, admittedly, kind of perfect.
There’s just one thing, though.
You need to tell him.
Lost in thought, you shift around absentmindedly, and Hansol looks up questioningly at the movement. The warmth of your magic prickles softly in the air around you, and when he takes your hand, you can feel his own magic murmuring softly in tandem with your own. 
He continues to look at you, and then smiles, eyes glowing. Goodness, he really is so pretty.
“I like you,” you whisper, the words falling from your lips as if he’s enchanted you, bewitched you into saying how you truly feel for all to see. “I like you, Hansol.”
Hansol blinks, slow, cat-like. He lifts his head up, pulls away slightly from your shoulder so he can sit up and look at you properly. His eyes are shining, slitted pupils widening and rounding in adoration.
“That’s good,” he says. “Because I think you’re the prettiest person alive.”
It’s almost a direct copy of the first words he’d said to you, almost a lifetime ago, when he had been out of his mind with a fever, red-cheeked and hazy-eyed and fixated on the way you smelled like chrysanthemums. The memory makes you laugh, heart squeezing with fondness, and you reach forward to cup Hansol’s cheeks, smiling wider when his eyes flutter shut briefly and he leans trustingly into your touch.
“That’s funny,” you say. “Because I think you’re the prettiest person alive.”
Hansol’s eyes crinkle as he smiles, showing those yokai fangs that you adore so much. His ears twitch with happiness, light speckles of frost covering his cheeks as he blushes. He’s so pretty, and you love him so much.
Slowly, you inch closer until the tip of his nose brushes against yours. So close that you can count the snowflake-shaped freckles on his cheeks.
“You forgot to say it back, though,” you murmur. “Hansol, you didn’t say you like me back.”
Hansol breathes a soft laugh. “I thought it was obvious.” His smile widens, so enamoured that it warms your heart. “Y/N, I like you too. In fact, I think I’m in love with you.”
You beam. “You know what? I think I’m in love with you too.”
And then you lean forward, and Hansol leans in too, and your lips meet in the softest, sweetest kiss. He tastes like magic, like love, like soft snow that numbs your senses but leaves your heart alive and alight and oh, this is everything you never knew you needed and more.
Hansol’s silver-white hair is falling into his eyes when you pull away, his golden irises shining brightly through them like dazzling, gorgeous sunlight peeking through the translucent colours of snowfall. The sight makes you instantly lean in to kiss him again, dizzy with adoration because goodness, this happiness is for you. He looks like this because he loves you.
And you love him too.
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fics tags: @jeonginssa @weird-bookworm @minhui896 @slytherinshua @haowrld @belladaises @moonlitskiiies @mirxzii @zozojella @kawennote09 @a-wandering-stay @abibliolife @doublasting @wonranghaeee @icyminghao @sweet-like-caramel @your-yxnnie @odxrilove @kyeomyun @crackedpumpkin @jeonride @kellesvt @eightlightstar @onlyyjeonghan @aaniag @starshuas @raevyng @isabellah29 @hrts4hanniehae @mcu-incorrect @dokyeomkyeom @suraandsugar @haodore @tulsa24 @melodicrabbit
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literaryvein-reblogs · 2 days ago
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hiii, i am writing my first book/novel. its highlighting d***th, romance, mystery, politics, pretty questionable characters w revenge, thriller and lots of women n power play. its my first book and im not that educated about such themes. but this rough plot i have in my mind is so beautiful that underperforming this excellent trope would be a shame....ive never written before so could you please what to do to actually write this kinda theme to my heart's satisfaction. I've never written a freaking chap before and now im really lost
Writing Ideas: Revenge Tropes
some tropes related to revenge, thriller, women, and power play
Afterlife Avenger: This trope involves the circumstance where a character explicitly still chooses to pursue conflicts against whatever's left of their hated target long after they've passed.
Best Served Cold: Named for the French (or Sicilian, or Klingon, or drow, depending on who you ask) proverb, "Revenge is a dish best served cold." At least in the case of drow, it also means one can have well-planned revenge and drive them mad with fear as a bonus.
Crusading Widow: The death or murder of their significant other motivates the character to seek revenge.
Defeat as Backstory: A protagonist (or some other character's backstory) in a story begins by having been defeated either before the story began, or early on in the story (often in a prologue).
Dying Curse: With his dying breath, a character wishes ill fortune upon his killers, or some other personal enemy.
Pay Evil unto Evil: In real life, the sort of thinking behind this trope is called "retributive justice".
Revenge Through Corruption: Instead of inflicting physical harm, the villain attacks the mind and soul.
Villain-by-Proxy Fallacy: When someone goes after not only a crime's perpetrator, but those who supplied the perpetrator or were otherwise marginally connected to it, whether or not the people involved had anything to do with the actual crime.
Woman Scorned: A woman who's been dumped, cheated on, or otherwise done wrong by her significant other (or, in some cases, merely thinks she's been).
Examples
Alexandre Dumas's The Count of Monte Cristo, probably the greatest revenge story of all time.
In the original version of Beauty and the Beast, the Prince's widowed mother goes off to fight a war and leaves a wicked fairy to help him rule. When the Prince comes of age, she tries to seduce him and turns him into a Beast when he refuses her advances.
In Moby-Dick, Captain Ahab makes it clear throughout the book that he'll pursue Moby Dick to, into, through, and out of Hell, and even then he still won't be satisfied until the whale suffers forever for its slight against him.
Crime and Punishment: One of the antagonists of the novel, Porfiry, works as a police officer and interrogator, which usually would qualify as a good-aligned job. As you further witness this officer's tactics in catching criminals, you see him commit to bribery, thievery, death-threats, and psychological torture to force an admission. Furthermore, he seems to actually enjoy it, toying with amateur criminals like a cat torturing a wounded mouse. The justification, of course, being that the victim of this was a murderer, and therefore deserves it.
George R. R. Martin's Fire & Blood: After the war, Lady Joanna Lannister has a beef to pick with the Greyjoys, who've taken up raiding the coast, including killing a few Lannisters. She decides the best course of action is go to the Iron Islands and kill every man, woman and child she can find. She just settles for burning a lot of things and abducting one Greyjoy, gelding him and turning him into her fool.
Feyd Rautha Harkonnen receives a Dying Curse in Dune. After killing a combat slave in the arena, his opponent's final words are "One day one of us will get you." Given that this fighter is not just a slave, but one of the soldiers from the army of the Harkonnen's blood enemies, the Atreides, this may be prophetic.
In A Song of Ice and Fire, Arya Stark's conflation of justice and personal vengeance leads her to Villain-by-Proxy Fallacy. While many of people on her death list certainly deserve to be brought to justice, such as the Tickler for torture and Weese for abuse, others were merely acting on orders, such as the Hound, doing their jobs or are just guilty by association. Cersei Lannister is on her death list for being involved in the execution of Ned Stark, but Cersei wasn't complicit in that activity, and even spoke out against it. Same with Ilyn Payne, who was just doing his job as the royal executioner. The real mastermind of Ned's death, Littlefinger, is not on the list. Meryn Trant is on the list for killing Syrio Forel, but there isn't any evidence to confirm the crime. Polliver and Dunsen are on the list for flimsy reasons, like stealing. She has Chiswyck murdered for the crime of not being as funny as he thinks he is (granted, Chiswyck was joking about a gang rape, but that isn't the reason Arya cites as his crime). The conflation of justice and vengeance, and how that conflation leads to this trope, is one of the key themes of the entire story.
Queen Dido in The Aeneid, who prophesies that her and Aeneas's people will meet again in war (the Punic Wars — her future, Virgil's past). Particularly tragic in that it's made fairly obvious that he'd have stayed with her if he'd had the choice.
Sidney Sheldon's The Best Laid Plans: Leslie Stewart plots to ruin the career of Oliver Russell when he leaves her at the altar to marry a woman whose father promises to further his political career.
The Hunger Games: The Pay Evil Unto Evil trope is discussed all the way through Mockingjay, and reaches its culmination when President Coin suggests either executing all Capitol citizens or forcing their children into the Games.
Source ⚜ More: References ⚜ Writing Resources PDFs
Hi, here are some tropes I found related to the themes you described. You can find more in the source linked above. Study how it is portrayed in different types of media, and in your favourite films/books, to gain inspiration for your own story. You can take the rough idea/plot you already have, and try to incorporate techniques and tropes used by other authors, but then deviate from borrowing those ideas when your story starts to flow naturally. All the best with your writing!
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I feel like the Ghost Marriage event shouldn't have happened. I mean, it's a little sus that this dead chick was proposing to a bunch of TEENAGERS in the first place, but not only that, but she was a royal, and as I understand only a few of the students at NIght Raven were of noble/royal decent.
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Personally, I don't think there's a huge issue here?? Depiction of something doesn't automatically mean endorsement or condonment of it. Ghost Marriage clearly depicts Eliza wanting to quickly get hitched to one of the NRC students as a patently bad thing; it is in no way promoting what she's trying to do. (Small correction though: she's not proposing to anyone, Eliza is just outright kidnapping the one she deems to be her ideal groom; it is the other NRC students who are proposing to her in an effort to rescue Idia.) The mere existence of Ghost Marriage is NOT Twst saying, "Hey, it's okay for minors to marry adults and this is what we should be doing!" That's like claiming that Sebek being depicted as racist or Epel believing in gender norms is promoting racism or gender norms. If you look at the context surrounding these situations, you'll quickly realize that these depictions are, in fact, NOT promotions. Sebek, Epel, and Eliza are constantly told their viewpoints are wrong or clowned on for expositing their beliefs.
When it comes to age, the devs kept Eliza's pretty ambiguous. Just because she is dead doesn't mean she's like 80+ years old. They never put a number to it, but they allude that she "died young", but she isn't exactly a child since her attendants speak of her childhood like it's a thing of the past (ie "[...] ever since you were a little girl"). Judging by her immaturity and even her looks, you could honestly argue that Eliza is roughly the same age as the NRC students or is at least a fellow teenager herself. (Furthermore, in the original Japanese text, Eliza promises to visit the school again with a baby; this was scrubbed from EN--why? Maybe because they didn't want to imply a young woman close to the boys' age getting pregnant so soon.) Whoever she marries wouldn't be left alive; her kiss will literally kill them, also rendering them a ghost too. As a married couple, both Eliza and her groom would be dead; it would not be a situation where one is dead and the other is left alive. I don't find it problematic that students potentially younger/older than her proposed because the intention was never to go through with the marriage, it's to trick her so she puts on a magical ring that will dispel her from the world of the living. Again, CONTEXT MATTERS. No one here is actually seriously wanting this legally binding marriage except Eliza herself. Idia (the intended groom) is 18, so he could marry if he wanted to. It might be weird if Eliza was younger than him, but I think that even if that's the case, it's fine because she's supposed to be viewed as immature and unrealistic about love. Eliza is MEANT to be seen as a little cuckoo, not an example to live up to (literally ALL the other characters, including Idia, see her as unhinged); the writing in this event isn't trying to tell you that you should aspire to be like Eliza. On the contrary, you shouldn't be like her, and Ace even calls her out for this at the end of the event. I would take issue with Ghost Marriage if it had done the opposite and tried to promote her behavior as "good" or "desirable" when it very obviously is not.
I don't think the typical rules for nobility and their marriages apply in this case. Eliza is dead and technically has no country, wealth, or anything to her name. She is chained to this mortal coil because of her unfulfilled desire to marry the perfect prince--so that's the desire she seeks to fulfill. Her retainers help her because they lament that she was not able to achieve her dream when she was still alive and they feel guilty for not being able to help her flee before their kingdom was brought to ruin. Eliza doesn't have to heavily vet lineages or even necessarily marry another royal. That kind of stuff is only really important if you have countries to rule over, assets that could be impacted, politics that could shift. You know, actual things at stake that are dependent on who she marries. But Eliza currently has nothing but her own desire fueling her, so nothing is riding on who she marries. She's just driven by her own selfish longing to find her perfect prince because... oh yeah, everyone in her country is already dead and this is literally all she has to "live" for left 💀 (though if we really wanted to get technical, Idia may not be nobility but he’s still pretty rich and influential; he’s close to being a noble without the actual title attached to it.)
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delight-angelsbliss · 3 days ago
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Don't you notice how I get quiet when there's no one else around?
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Heh I wanted to post this sooner but here we are
welcome to my February valentines special that will go on for the full duration of February!!
You may choose a prompt and Character from my list and request<3 this is actually my first ever special/event I'm doing lol S1 prompts from 1 - 11 are by @/novelbear they're really cool and have amazing prompts (^-^) there also inconsistent small and large texts so it's actually readable cuz it gets cut off sometimes lol!! I'd also recommend that when requesting u say which Season ur prompt is from for example "S1 nr 4 with ___" u can also request up to 3 prompts in one! I'll try my best to use it all<3 everything can be requested as platonic!! Edit: can you guys please specify gender and if it should be hcs or not? As much information as possible would be nice and helps alot
S1 Cute scenarios<3
Spending all day watching cute crafts and baking to do
Rom com marathon!!
Trying (and maybe) failing to make food heart shaped
Realizing you both have contrasting views on valentines
"Baby, I love you, really, but if I eat one more piece of chocolate I'll throw up"
Making the same reservations at the same time but different restaurants and/or the same one
"I thought you'd at least ask me to be my valentines" "we've been together for years, I thought that was a given"
Both not caring much abt valentines but get dragged to a double date by friends
"How much did this cost?" "Does that really matter?"
Spending the night walking through the city silently
Begging your partner to get matching sweaters until they say yes
Buying couple shirts and deciding the whole day which one to wear that u completely forgot ur date
Not leaving bed at all
Going to the carnival
Double dates
Confessing with a love letter
first kiss together on your first valentines
getting proposed on valentines
Picking grapes together
Making heart cake pops and eating them but they fall down
"I think I deserve a kiss"
"You didn't have to do all of this!" "Yeah, which is why I did it for you"
"I wish everyday could be like this"
"Is it just me or do your lips look softer than usual?"
"We don't have to go out"
"I can never get enough of of how pretty you look"
Ordering in and watching crime action series
"You remembered?" "Of course I did, I love you"
Trying to do pilates together only to fail miserably
Writing a love letter only to throw it away but they find it
S2 Yandere scenarios!:
"I just got some very wise advice from a wise woman..." U can ask more abt this btw and I'll explain a bit more what I mean with this
"Gosh, you smell so good when we cuddle like this"
"Do you think I enjoy punishing you?! I don't!"
"Tell me how much you love me"
"I'm jealous of the way you are happy with them but not me"
"This world is a ugly place, you're too beautiful for it"
"I know I'm sick in the head, but you'll be my cure"
"I love it when we're so close together like this"
"Of course I'm jealous! You're mine, not theirs!"
"Dont you get it? I would die for you if you asked me to"
"Your skin is so soft"
"I just love the last souvenir of your eye so much that I'd like the other one please"
"I could kill you if I wanted to"
"I live for you, you're like my oxygen"
"If you run, I'll break your legs"
જ⁀➴ ♡ Matchups
I actually do match ups which isn't really known cuz it's in my rules and dni lol but I do make matchups in case anyone wants one<3 this was added on 20:37 on 4th of February which is a bit later than this was posted
For a match up I need as much information as possible it's also allowed in a platonic form
If there's a preferred age range and gender
Hobbies
Likes
Dislikes
Special interests
And more would be needed (^-^)
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911lshomemadeseason6 · 2 days ago
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Lone Star Season 6 Challenge
(Had technical difficulties with og post) I am fully aware it’s hasn’t even been a day after the finale and you’re probably thinking “wtf???” (Eh they usually would announce the renewal near the end of the season, right?) Well I cooked up a possible challenge for us to do to either A. Distract ourselves from the end or B. To just have fun
Basically the idea is like the game Exquisite Corpse (thanks @nisbanisba for letting me know the name)
Someone writes the starting plot lines for the first episode of “season 6”. They tag someone to continue episode 2 and that person adds onto the plot and proceeds to pass it onto another person and they add their own continuation until we reach a full season.
It wouldn’t have to be super detailed or anything, just a simple idea for an episode and would have connecting plot lines. It’s basically to get a season with everything we wanted but also it’s a challenge because you have to figure out how to continue the storylines other people created.
The hypothetical season length is currently 25 episodes but tell me if it’s too little or too many!
If anybody is interested in this just let me know and I’ll probably post the rules in like a week! It’d be at least 2 months before the actual challenge would start because I have other challenges I want to do but it would give time to get ideas going! Or tell me if this is a stupid idea lol
tagging @lemonlyman-dotcom @shes-an-oddbird @the-126-family @whatsintheboxmh @rangersoup @nisbanisba @she-walked-away @tellmegoodbye @doublel27 @bonheur-cafe @lightningboltreader @eclectic-sassycoweyes @pimento-playing-hopscotch @paperstorm @ladytessa74 @thisbuildinghasfeelings @tellmegoodbye @marjansmarwani @tailoredshirt @carlos-in-glasses @lonestardust @everlastingday @guardian-angle22 @heartstringsduet @firstprince-history-huh in case you’re interested but if not or you don’t want to be tagged just let me know
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noxiatoxia · 2 days ago
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Thank you for taking the time to write all of this out!
I completely glazed over these facts when answering anon's question, and answered too much from an English-Language perspective. Thank you for the correction.
(I also never went to a Japanese school as a kid, so that sort of thing is also not at the forefront of my mind...)
I can add, in English culture (America, England, Canada, etc...) it is indeed only customary to wait for formal dinners. Every house has its own rules, like some families do not start eating dinner until everyone is gathered. But in others, food is eaten as soon as you get to the table.
School is especially lacking in this regard. Kids get their food and eat as soon as they choose a place to sit. The first kids in line to get food, by this logic, get to eat first before any other kid.
(You often have to stand in line and wait to recieve food, like how you do at a fast food restraunt or such.)
I remember always being upet if I was last in line, because I was so worried I wouldn't have enough time to eat once I got my food (lunch periods are usually 30 minutes long or so. Once they are over, kids are instructed to stop eating and leave the food area.)
Well, this is how it was at my school, at least. I'm sure other schools may be a little different.
I do know English cartoons depicting highschools aren't usually too far off from how they actually are, lol.
hiii! i wanted to ask about a line of dialogue in chapter 5 of sdr2 -- there's a scene in the dining hall where akane says something like "hey hajime, check it out, i'm already eating!" and it's always just... baffled me?? it's not really part of the scene?? why would she say that and why to hajime???? does that line make more sense pre-translation or am i missing a trope or something because this has been on my mind since i played it. i don't know if that stuck out to anyone else LOL if you have any light to shed >_<
I FORGOT ABOUT THAT LINE...It did indeed stick out to others, as I've seen jokes about it. I sort of forgot though. Here's what it is in Japanese:
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Which is still quirky, but makes a lot more sense.
"Yo, Hinata! I beat'cha to breakfast!" (lit: Yo, Hinata...I got to eatin' first!)
The English line isn't exactly incorrect by any means, but the wording is super vague and makes it feel more like Akane is randomly stating what she is doing vs. a playful boast.
In English Hinata responds "As usual, you're eating a lot." but his Japanese line is 相変わらずの食欲だな。Which literally translates as the aforementioned, but it reads (emotionally) like "Of course you beat me here, you're far more of a glutton than I am." but is subtle/indirect. So I'd write it like, "I see some things don't change..."
Now Akane boasting out of nowhere is still rather quirky, but it makes more sense than a flat statement to me.
I hope this clears things up!
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s0fter-sin · 2 months ago
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one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules
the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)
almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)
they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning
(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)
even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)
so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim
it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character
the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring
we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)
it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other
sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother
#i could go on forever theres literally so many examples#dean figuring the ‘two dark doubles’ is a shapeshifter sam figuring out the changing ghost is a tulpa#also peak how many of these examples come from dean despite them pushing so hard for sam to be the one knowing hunting theory#this format is why i cant stand watching the first season of charmed despite loving it so much#i just cant be bothered watching them have the same struggle ive seen a hundred times play out again#different genre but sons of anarchy does this well too; all the characters are already in the club life and already have inner conflict#spn having such a natural introduction makes me so glad they didnt go with the original plan of sam not knowing about hunting#that wouldve been Painful#watching spn so young has really shaped my view of media bc i legit cant stand things with a learning curve#give me an established world damnit#lord of the rings never stops to explain what a dwarf is! you just go with it! and it rules!#dean is just as theoretical and lore savvy as sam and id go as far to say he actually knows more#instead of trying to do this bullshit brains v brawn divide they shouldve done new tech vs analogue#sams laptop is famous and he also knows how to hack thing where the second dean doesnt know something he defaults to books#have dean be the one where if its written down he can find it almost like a proto bobby#they even kind of support that by him being the one to find the phoenix in s6 when they go through all their books#but this was 2005 and characters could only be so conplex and theyd already decided dean needed to be the hot one and sams the nerd one#side note how many of these metas am i going to write on this rewatch? tbd#side side note included all the quotes and episode numbers makes me feel so academic#coming out of my cage and ive been doing just fine.txt#carry on my wayward son#talk meta to me#meta#supernatural meta#spn#supernatural#dean winchester#sam winchester#save post
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navybrat817 · 2 months ago
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@targaryenvampireslayer @biteofcherry THIS. 😂
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therentyoupay · 6 months ago
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im completely feral over all your jelsa stories!!!!!! do you ever write established relationship jelsa or have any headcanons about what they would be like together in a serious relationship or marriage????
THANK YOU SO MUCH. 😭😭😭😭😭😭💕💕💕💕🙏 thank you thank you nonny for this super sweet ask and this really lovely question and all of your love and support!! 💕💕💕💕💕
i have... never actually written established!relationship (in any fandom), now that i'm thinking about it? that said, i guess i can come up with a quick list of some headcanons, maybe? 😂 i will have to think about this more, but for now, here's a quick drop:
elsa is an early riser; elsa helps jack create more sustainable sleeping patterns and habit formations 😂
when jack gets Impetuous Urges to Do Something Rash and Impractically Spontaneous, elsa will ground jack, reminding him to think before acting. (he occasionally Still Does It, anyway.) elsa knows what she signed up for, lol.
jack loves to play Harmless(!) Pranks, just to watch elsa’s reaction. (he is no longer allowed to sneak up on her after The Incident).
they also quibble over the definition of "harmless" and the specific logistical implications of that; for a while, jack was banned from further pranking, but then he got more creative at showing elsa that pranks could be wholesome and genuine, in which they could both be in on the joke. however, due to elsa's deeply-rooted Need to Excel and her (Not-so)Secret Competitive AF Streak, her retaliation in escalating the Cleverness Prank War quickly resulted in jack's prompt implementation of the Prank-Free Zones and Time Periods. (no, he was not scared.)
elsa, usually reserved, has learned to let her playful side show more often with jack. she might still pretend to be exasperated by his antics, but sometimes it's part of the game (or habit).
elsa sill struggles with opening up emotionally sometimes, but she progressively feels safe enough to share her innermost thoughts and fears. with time, she confides in him more about her worries. she still never likes the idea that jack sees her Imperfect Parts, but at least she can tolerate the discomfort (and, yes, take comfort in it) now
(jack loves elsa's Imperfect Parts, and jack admits that he is Weirdly Proud and Competitively Honored to be one of the only people, even including anna, who gets to see them. he also is strangely Comforted and Validated that elsa is, in fact, not perfect because for a while there, he was pretty freaked out and intimidated by how fancy she is.)
until he realized that no one ever let her actually be a Weirdo before, and once he realizes the Truth of Elsa Also Being a Secret (albeit perhaps more Subdued) Weirdo, the Universe Aligns.
jack listens to elsa's Big Conversations intently, activating varying levels of Serious Mode.
jack is getting better at recognizing the moments when elsa needs him to play and needs him to listen or Give His Opinion or any combination of those things.
jack learns that it's not always about Saying the Right Thing (which he is not very good at, anyway, or so our Serially Unreliable Narrator thinks), but rather being able to read elsa's mood and anticipate what she might need (even if she is not aware of it herself yet).
elsa is meticulous about planning and preparing for special occasions.
elsa likes traditions! jack likes tradition only because elsa likes them, lol, and hey, okay, these are more fun than he thought?? (who knew fun could be organized??!!?)
so he really wants to show (off to) her by pulling off Incredible Planning Feats in her honor, too (they do not go as smoothly, lol).
jack will often go out of his way to spontaneously create something meaningful, a moment or a gift or a gesture, that reminds elsa that he cares. he is big on words of affirmation, gift giving (but like, souvenirs that he collects on adventures like, "i saw this rock and it reminded me of your cousin olaf, we should put it on the window after we paint his face on it"), and acts of service, as well as physical touch and quality time. HE WANTS LOVE. he wants TO BE LOVED. he wants to prove that he is worthy of being loved.
(and elsa has to get him to Chill Out sometimes, remind him that he doesn't have to Do Things For Her/Anyone in order to be deserving of care; he is more than what he provides for other people.)
(jack gets its, and appreciates it, but also, the Urge to Provide and Protect is still strong, even after so much time, and sometimes Old Habits Die Hard.)
i get the sense that he'd be the type to he wake elsa up in the middle of the night to take her on a surprise adventure, or convince her to Do a Fun Thing without any preparation (/warning).
and she would Be Alarmed at the Lack of Plan (especially if/when jack Did Not Think This Through), but he also took precautions to ward off Concerns by pacifying her with tea, or reassurances that yes, he did call ahead to make sure the restaurant was open before they left the house, of course he did, he would never just leave home without double-checking beforehand (and frantically googles it two minutes later when he thinks she's not looking; she is, naturally, and even occasionally pretends not to be).
elsa approaches conflict with a desire to resolve things Calmly and Logically. she tries to understand jack’s perspective, even when she disagrees, and she’s careful with her words, not wanting to escalate the situation.
however, she can sometimes withdraw emotionally, fearing that she might say something hurtful if she’s too overwhelmed.
jack was initially (and, honestly, still is, even though he understands more now) hurt by her tendency to shut down when she Feels Too Much, and understands (although it's still hard) that elsa needs time to process her feelings and organize her thoughts.
jack also helps elsa actually Feel her Feelings, instead of just trying to intellectualize and analyze them. (she hates it, BUT sees the value. jack lives for these moments in which he realizes that he's actually contributing positively to her life and helping her in some way, rather than just being a burden or a nuisance, as was/is his fear.)
his initial reaction might be to push for a resolution quickly, but he’s also deeply afraid of Creating Distance between them, so after the first few fights, he really makes an effort to find the right balance between Pushing Hard Enough and Not Pushing Too hard, so that he doesn't drive a wedge between them as they work things out.
jack FEELS intensely, and can be so stubborn. he does not always have the most precise vocabulary or tools to describe his thoughts and feelings, or identify the root causes of what is actually going on inside him; sometimes elsa asks a lot of insightful and guiding questions that help jack come to the conclusions himself, and other times, she Puts Into Words the very thing that he had been thinking or feeling, but could not name, and it is very reassuring to have someone who understands him well enough to be able to do that.
after conflicts or arguments, they take time to Decompress and reassure one another (especially if at least one of them, if not both, was Overthinking again).
when they argue (and healthy couples do, remember!), it’s a dance of patience and understanding: elsa might need a moment to Collect Herself, and jack learns to give her that Space while also making it clear that he’s ready to talk whenever she is, and that he is going to try very hard to be Rational and Patient About It.
in the end, they both prioritize their relationship over any disagreement, always finding a way back to each other.
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thatscarletflycatcher · 2 months ago
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One of the biggest problems of writing that Frasier post is that the logic of 90s comedies is not real life logic. It's not just that you can just pick which exaggerated thing to believe more (and sometimes you need to outright pick between two mutually excluding canon facts), but also the degree to which you believe anything. Which is fun for theorizing but also terrible for theorizing because to argue one way or another you need to create the fiction that the coherent narrative you are pointing out has value of truth in a universe where the value of truth is the rule of funny.
#This I'm saying about Frasier applies to others btw of course#like The Nanny suffers from those very same problems too#plus prestige tv in the early 2000s really messed with people's understanding of the extreme make-up-as-you-go quality of older tv#It's acknowledged with Cheers for the most part#But like yes Maris becomes more and more of a monster as seasons go by because the creators did take a direction after a few seasons#but seasons 1 and 2 at the very list (of Frasier I mean) are VERY undecided on whether they are going to save Niles and Maris' marriage#or take the Daphne route#And there's so much about expected genre tropes and the structure of sitcoms involved in those decisions!#the rule of funny being the main rule of a world above that of coherence and plausibility truly is a double edged sword#Like I'm confident I can write a narrative as to why Maris is actually not a monster at all in the first seasons of Frasier#And that at the very least some of the jokes are not meant to be taken seriously#but then to prove that I would have to point out all the times the narrative shows Niles mirroring Maris' bad traits#which of course are also ruled by the rule of funny!#Niles worrying about Maris ogling the pool boy while he's been ogling Daphne#Niles talking fondly of how one of their favorite past times when they were just married#was to laugh at people who wore white after labor day!#someone else could of course believe THESE are the ones played more for comedic effect#and believe the meanness of Maris as more real#(again still talking those early seasons)#and like it's not that serious#horrible people can be entertaining and comedy capitalizes on that#it's the emotional equivalent to the physical violence in old cartoons#it's not supposed to be realistic and taking it to be so is silly#on the other hand reimaging how the characters and the story could go in different directions#if the story WAS a drama is deeply compelling#but then how to convey you are just having fun theorizing the dramatic possibilities of unserious comedy#without coming across as if you were taking the comedy to be a drama#see the tough spot I'm in
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tofufei · 2 months ago
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the appeal of zhongli ofc is that he is very distinctly not human and clearly does not see the world as humans do nor feels as they do. and that he very much believes in doing right to his duty even if it does make him go through experiences that very much would've shaken someone's conviction. instead he just doubles down
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xiii-e · 3 months ago
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//ooc posting: I NEED to find more fun/silly things to do with my two they are Not meant to be all agony all the time I swear- I just have a penchant for the dramatic and they're a little in the torment nexus o(-< but on god they will Have Fun too
#//ooc#even in the torment nexus there's spots of brightness!! I need to start playing with them too I'm not a grimdark writer I swear!!#I have ideas for softer bits and pieces. sibling stuff. cute things. I will get to it somehow hell or high water o7#T-E purrs!! they can do that!! it's part of their genetic alterations and I want to play with that too as well as the horrors!!#now don't get me wrong either The Horrors are one of my fav things to write but it's chiaroscuro y'know you need the contrast#it can't be a fight for personal autonomy all the time sometimes it needs to be T-E's huge kitty eyes or Helios being a dork#all this might be unnecessary I just get a little self conscious sometimes about how full-grit my writing can be wehh#holding my creatures in my hands. they are capable of such a beautiful joy. it's actually vital that they are#since I'm rambling anyways: huge part of what I want to do with T-E's pre campaign rp is start pulling them out of their shell#they start the planned game still stuck on their rules but it's talking to people that's gonna put them in a place where like#they know there's something else out there. they want it. they feel so much guilt for wanting it but it's the WANTING that's important!!#helios can't do that on his own because he doesn't know either. neither of them know jack about what exists beyond their narrow purview#making a HA clone to me is in part an examination of how miitary as industry will always result in steadily increasing dehumanisation#it's the commodification of a human body to ever increasing heights. soldiers to products to nothing but parts to be scrapped#military as an endless churn less for the sake of any kind of protection and more for the sake of resources. capital. money#it's part of what makes HA so fascinating to me y'know? the way it takes that concept to a far flung conclusion. how bad can it get#the other part is playing someone realising for the first time it's possible to break from what's expected of them#the wonder. the guilt. the disbelief. all of it carefully hidden. it's a huge part of what's so compelling about writing them to me#three huge cornerstones of T-E are: masking - military - the horror of having to exist in a body.#that last one is my taking the weird sensory relationship I have to Flesh/mind and doing horror with it dw too much about that njbkhjv#okay okay I think I'm done this got a little out of hand I'm just like#there's so MUCH about thirteen/T-E that makes me insane. alas I'm tired and it takes me like 4 hours to write a simple post sobs#anywaysss that's my ramble. I like them#helios too I like him. guy absolutely dead set on finding reasons to smile amidst the Horror
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