#but that's just what I've observed so far

[super-ion]

The Engineer

Part 4

(Part 1 | Part 2 | Part 3)

I don't know where the pilot is taking me at first.

I am realizing that my life has just been an endless circuit of routine: Quarters. Gym. Cafeteria. Maintenance bay. Cafeteria. Quarters. Repeat. Everything outside of that has become an abstraction to me.

I can't even remember the last time I made my way up to the level. Everything here is shiny and pristine, scrubbed spotless twice a day on the off chance that some senator or general might visit. It's all clean lines, camouflaged access panels, trim little admin offices.

I very nearly have to stop and stare at a potted plant, when was the last time I saw one, verdant and alive?

But the pilot is moving with single minded purpose and I am forced to hurry to catch up.

I imagine her dragging me into the commandant’s office. I imagine her presenting me in formal complaint, the guilt of my sins, my intimacy with her machine, written plainly across my face.

She comes to a stop so suddenly that I almost collide with her. It is not the commandant’s office that we have arrived at.

The gilded signage on the door simply reads: OBSERVATION

She glances at me, briefly hesitating. In this entire encounter, it is the first moment of uncertainty that she has shown.

She swipes her wrist over the access panel, the door whispers open and I understand the hesitation and uncertainty.

Observation delivers exactly what it promises. The far side of the dimly lit room is dominated by floor-to-ceiling plex that overlooks the expanse of the maintenance bay.

My breath catches at the sight of Her.

Morrigan is resting in Her docking harness, Her heat sinks fully spread like the wings of an angel, armor plating unfolded to expose superstructure beneath, countless docking umbilicals arrayed almost organically to connect to the facility's systems.

It has been so long since I've actually seen Her, all of Her at once, that I've forgotten the scale of it all. My entire world has been the cockpit and the docking vestibule and now I can barely comprehend how small the team of techs are next to Her as they scurry along like ants.

Some tension leaves the pilot's shoulders and she strides towards the plex wall. She gazes upon the machine with adoration, the most emotion I have ever seen on her face. I start to imagine that I understand why she brought me here.

I step tentatively into the room. The door shuts behind me and the dim space is suddenly intimate.

Alone with the Pilot, her framed by the vista of Morrigan, the space feels almost holy. A shrine. A Goddess and Her human avatar.

I imagine Morrigan watching us. Maybe She can. Her visual sensors are specially designed to pick out details at a distance. Perhaps the Pilot told Morrigan exactly where and when we would be her.

Almost in answer to my thoughts, Her exposed core pulses, a blue-white flicker of light, and the Pilot places a hand tenderly on the plex.

My stomach lurches. It is no longer me alone with the Pilot in this room. It is all three of us. It is me alone with them. The suffocating sense of being an interloper returns in full force.

“I read all your reports,” the Pilot says without turning, without breaking her gaze from Morrigan. “It's like fucking Christmas for her. She just can't wait to show me what you found in your analysis.”

I stand awkwardly, unsure how to respond, or if I should respond at all.

“It's so fucking hard sometimes,” she continues, “they pull you out and you can't even tell who you are. You leave something behind and you take something with you.”

She turns abruptly, fixing me with the intensity of her gaze.

“What were you doing three nights ago?”

I had been expecting the question, dreading it, but the abruptness of it catches me off guard and fresh panic licks down my spine.

I open my mouth, but I can't bring myself to say anything.

She takes a step towards me. I step back instinctively. My back meets the wall.

“I already know,” she says, her tone unreadable. “I want to hear you say it. Your own words.”

I swallow. My eyes dart back to Morrigan. She is watching us. I know it. I know it from the now blazing light in Her core.

“I…”

I swallow again.

“I had a nightmare,” I admit. “I went to Morrigan.”

She takes another step forward. She's taller than me and I have to tilt my head back just slightly to meet her eyes.

“Why?”

“I didn't… I didn't want to be alone. I didn't know who else to go to. I... I wanted to be with her.”

Another step. She's close now, close enough to touch.

“Whose nightmares?”

Fuck.

“Yours,” I admit. “...and mine.”

“You think a lot about neural bleed.”

It isn't a question. I don't think it's a question. I nod in acknowledgement regardless.

“You think about how the patterns of thought and identity leave marks. Imprints. You're in her head, so you're in mine. The three of us, we're just this fucking tangle, aren't we?”

Fuck. What does she want from me?

I don't know if she expects me to answer that, but there's another moment of uncertainty from her.

“She wanted me to talk to you,” she says. “Or I wanted her to want me to talk to you. I don't even know. I don't fucking know who wants what any more.”

She looks… vexed now. That intense gaze of hers has taken on a slightly different gleam.

My heart is hammering in my chest and my breathing has become ever so slightly ragged.

Neural bleed. Two halves to a whole.

She is Morrigan. The human half. The physical half.

She lifts her hand and I stand motionless as she reaches out to touch my face. Her fingertips meet my cheek and she blinks, almost surprised to discover that I am real.

She takes a breath and the uncertainty is gone, leaving naked desire in its wake.

She shifts her hand, palm sliding along my cheek to the back of my neck, her fingers tangling in my hair. The feel of her skin against mine is enough to make me gasp.

“Tell me to stop and I will,” she tells me in a low whisper.

“Please don't stop,” I beg in reply.

[raven-at-the-writing-desk]

Now don't throw tomatoes at me but I'm actually really excited to finally see malleus again— I've always loved malleus since we met him in the story, but I'm also sooo curious about what's gonna happen next,, I'm wondering the obvious thing, about whether or not we might get a parralel scenario like what happened with the KoD and silver will have to "slay" malleus or at least be the one to land a killing blow, but I also saw a really interesting post focusing on how magic is a manifestation of dreams and deep desires and imagination,,,, in that case, I may (VERY delusionally) hope that Yuu finally gets to be a major part of the story for once??? Even reading the novels, there HAS to be something bigger for yuu— while the idea of crowley simply being an incompetent airhead is fun and more comfortable, haven't you thought that meybe he pulled them into this world deliberately??

All to say, what if at some point, Yuu somehow manifests magic in a very dire moment ?? You know lol?? Agh idk. I just want yuu to finally make impactful choices but that IS too much to ask, as far as we can see for now,,, (but hey, that part leading up to ace getting is UM, and the convo between him and yuu,,, it *does* give one a sliver of hope, doesn't it? :') )

Don't worry, no tomato throwing here! 😅 I may not care for certain characters, but I’m not going to shame anyone that does. You’re free to think however you want about Malleus!

dbjsvsJcwhj My personal feelings about him aside, I am actually glad he’s finally relevant to the main story again. He’s missed out on so much of his own book OTL In the time he’s been gone, the fandom has been left to speculate about both his and Lilia’s potential death flags. I really doubt Twst will have the balls to kill off one of them, but it would be cool to at least see Silver delivering the final blow to knock some sense into (not necessarily kill) OB Malleus.

Yes, it’s true that Silver states in the recent update that magic was originally considered “a miracle borne of strong desires from the heart.” But 💦 I don’t think that means Yuu would randomly manifest magic in the final fight?? It feels more like a “let’s save the day with the power of friendship” to me, but I could of course be wrong.

I understand being frustrated that Yuu’s participation in the main story seems to fluctuate a lot, with most of their activity being books 3, 4, and segments of 1, 6, and 7. That’s not much, especially considering how long books 6 and 7 are. Sometimes (even in events) it feels like Yuu is barely there, as most dialogue options don’t involve different reactions from the characters. Even Yuu's quest to find a way home is barely addressed or taken seriously until early in book 7. Yuu hasn't gotten "real" development unless you count them realizing their Disney dreams are prophetic in book 5, taking the initiative to save Grim in book 6, and that dialogue option about them being worried they're not contributing + the related convo with Ace in book 7. All very short moments in the grand scheme of things. And honestly, I think that makes sense for the kind of character Yuu is. A blank slate, a self-insert, an outsider that's easy to exposit information to, someone with which to view the story, characters, and world through. Yuu is primarily there to be the POV character, the lenses, the camera that we see Twst through. They're not really meant to be a traditional "main character". It's possible that Twst gives them a slightly bigger role at the very end (especially with what went down in the dream in book 7), but I doubt it will be a huge triumphant moment where they and they alone save the day or deal the final blow in a crazy act of self-sacrifice. Twst has always been a story that puts the NRC boys first, while Yuu is the observer.

I've noticed that the complaint of Yuu not doing a lot in the story comes mainly from English speaking fans?? And I guess that makes sense, given how western culture tends to emphasize independence and standing out. They want Yuu to reflect that. They want to be the ones to make a difference. I don't even remember ever seeing these same comments from the Japanese speaking fans; it's definitely a less common sentiment for them. The Japanese fans seem pretty content with Yuu being an observer and taking on more of a minor or supporting role. Again, this fits in with what I understand of many eastern cultures. They're demurer, not wanting to stand out too much from the crowd and instead prioritizing group harmony. Very interesting cultural difference to note!

It's a common theory (with many variants) that Crowley intentionally summoned Yuu to Twisted Wonderland for his own nefarious motives. People found him pretty sus right away due to how he seems to not put in any real time or effort into investigating a way to send Yuu home. Plus, there's that ominous opening monologue of his to consider. However, I don't think he summoned Yuu because of their (potential) great magical capabilities. The Mirror of Darkness tells us that it doesn't sense a shred of magic in Yuu, and Leona smells zero magic on them (though that could be because it hasn't technically manifested yet, as some fans claim).

The idea is that Yuu is supposed to be plain. They are supposed to be magicless. Why? To humble the NRC students and to show them that asserting yourself violently or with great magical power ISN'T the way to go. To show them value in strategizing (which Yuu does in the prologue by helping Grim aim at the ghosts), of camaraderie. What does it say about the story's themes if Yuu, the person who is supposed to be showing them the worth of mundane things, is suddenly... "secretly ultra-strong, actually/“just like you guys” (even if it's only a temporary hope-fueled magic)? It might contradict what has already been set up. It also breaks the self-insert appeal of Yuu, since developing magic would also mean Yuu would later have to further develop things like proficiency in magic, best/worst subjects, and an unique magic/signature spell... meaning Yuu HAS to become better "defined", thus losing their blank slate nature. This would surely upset some fans who deeply project onto Yuu, have a Yuusona, etc.

Yuu can still make an impact on the characters and the world--and they have, judging by how much closer the boys are with each other--without having to be The Most Special One or like everyone else. I think it undermines what Yuu has already managed to achieve to say that they haven't made an impactful choice at ANY point in the main story when I believe they definitely have. Yuu made the choice to sign the contract with Azul. Yuu made the choice to approach Malleus. Yuu made the choice to go against Crowley's orders and go retrieve Grim from S.T.Y.X. Yuu made the choice to get Leona’s help with the contracts. Yuu made the choice to stand with Adeuce against Riddle in book 1. Yuu made the choice to let the VDC/SDC tribe train at Ramshackle. Yuu has done a lot, and all without needing to seize the spotlight or to do anything big and flashy. I don't think Yuu needs to be big and flashy. There is pride to be had in simplicity and being humble too. There is pride in representing the 90% of humans in Twisted Wonderland that are ordinary and without magic.

(An aside: so if Yuu wasn’t able to manifest magic in many other extreme instances, does that mean their desire to save Grim in book 6 wasn’t “enough”? That their desire to save Ramshackle, their one and only home in this world, wasn’t “enough”? It implies that Yuu didn’t wish hard enough for these other things they clearly care about and want.)

I think a good way to give Yuu a decent role while staying true to their design as a blank slate would be for Twst to really lean into the whole "beast tamer" aspect that was introduced all the way back in the prologue. This would work well with their deep connection to Grim as well. Assuming that Grim ends up being the final OB... We could easily have the NRC students and staff on the ropes, Malleus at his wit's end after exhausting himself with his own OB, a rampaging Grim about to end it all. And then... one lone figure shakily rises from the rubble and confronts Grim. One human. Magicless, defenseless. A human lost in an unfamiliar world, a human who believes they're useless and don't contribute much. A human who is always in need of being protected by others. But not anymore. This time, it's Yuu's turn to protect what they love--their friends, this world they've come to love, Grim. Ace and Deuce yelling at Yuu to not be stupid, to get back--but Yuu just advances, calling out to Grim and begging him to stop. And maybe it's Yuu's wish that rallies everyone and/or gets OB Grim to hesitate. That's when they can strike. Is that corny? Yeah. Does it sound like the ending to a Disney film? Sure. But it still grants Yuu, a magicless human that is supposed to be there to teach everyone about friendship, cooperation, and humility, their big moment to shine. The best of both worlds, I'd say.

[shehungers]

FATHOMLESS

eldritch detective x reader |18+| 2.1k

you'd never noticed detective arsenè in the precinct before, even after a number of years working in the office. when you start to ask around about him, they confirm that he's always been there, but you're more worried that they're not mentioning that he has no face...

story warnings; dark content, dubcon leaning sort of noncon (blackouts and spotty memory), sexual content, grotesque + horrific details, this leans more mystery and uncanny valley than anything else, mentions of mc being a drinker, smoking, roughly proofread.

reposted from my deleted blog: theoxenfree.

please share your thoughts with me + reblog!

this is possibly a concept piece to a much larger supernatural, psychological piece. if you'd like to see that, let me know!!

Everyone at the precinct called him Detective Arsené, but they never said anything about his face.

It was simply that there wasn't one there, not that you were able to discern in any instance you'd seen him wandering the floor. You had blamed the long hours, glowing blue screens, useless eye prescriptions, corporate greed, and mixing alcohol with allergy medicine before you finally accepted what you were seeing was real, yet no one else noticed it apart from you.

“What's wrong with his face?” you'd ask anyone with the time to spare to listen.

“Who? Arsené?” they'd laugh, whether in disbelief that you were speaking about Watt City’s genius detective in such a fashion, or that they thought you were the funniest person in the office. “What are you talking about? He's always looked like that! Lay off the booze, yeah?”

Those responses had never been satisfactory enough, going as far to set you ill at ease for the remainder of your shift, sufficiently distracting you from furthering your workload because your mind always came back to the detective and his non-existent face.

“He looks pretty normal to me,” said a senior member in your division. An older man you'd come to know as forthright and virtuous with a history showing that integrity. He had taken eyes off his computer screen, bifocals aside, and pinched the high-point between his brows. “What's this about, really? I've worked with Arsené for years. You know that. He's been here since before I started. Good guy. Hard worker. Drinks too much, though. Just like someone else I know.”

But, this was the first time you had heard he'd worked with Arsené, let alone acknowledged his existence at all. There was no reason for him to lie; he had spoken without inflection, warily, almost accusatory towards the end when he mentioned the alcohol.

“Detective Arsené? Well, I think he's really handsome. He just has that look about him, y'know?” The next person you questioned was a junior at the precinct. A pretty woman who was all silky black hair and long, blunt nails that never touched a surface where they'd be put in peril.

She always used her knuckles type on the clunky keyboard, and did so as she went on, “I've heard he has a really specific type, though. I've also never seen him take anyone out, or take a partner on cases, now that I think about it. Isn't he just a stand-up guy? I'd say he's the sort to bring home to mom and dad, but I hear he's got a drinking problem. Why do all the hot ones have vices like that?”

She particularly enjoyed her gossip, especially if it involved the detectives at the precinct. You were positive she'd never mentioned Arsené before now. As smart as she was, she didn't look below the surface very often when it came to men, so for her to say nothing at all of the detective’s smooth face was mystifying.

After that, you started paying attention to Arsené in a way you convinced yourself was discreet, which meant slowly peeking your eyes above your computer screen to observe his movements across the floor. Always in motion, he stalked around the place with undaunted familiarity, maneuvering the razored corners of desks and blockades from doors and walls, and languidly sidestepped the oncoming traffic of bodies in such a way that seemed premeditated.

Practiced.

Rinse and repeat. Repeat. Repeat. Repeat.

This staunch dedication of yours lasted well over a week before anything came of it until one morning you found him waiting in your seat, teetering a bloated manila folder on a thigh while bouncing it impatiently. A very real sensation of unease took hold of the back of your neck, like a cold hand stroking lightly at the downy hairs there until they stood straight.

You thought about pretending you hadn't seen him, swiveling around, and leaving in a burst of urgency. It'd be easy to call in to say you had a personal emergency or became suddenly, very viscously ill and wouldn't be able to handle staring at a screen for twelve hours. No one would ask questions because you were exemplary, always on time, and seldom took time off as you couldn't afford to do so.

Arsené’s head slanting sideways and the waxy, flat face pointing directly towards you prevented you from acting on that impulse, however. He gestured you over with a lethargic wave, though the jitteriness in his leg seemed to worsen from impatience into sheer excitability.

“Clocked in early, aren't you? You have quite the habit of doing that, I've noticed.” He greeted, voice simultaneously undefinable and velvety. It wasn't so deep that you felt like it was gravelly or reverberated in the same way a baritone would, but there was a heftiness to it that weighted in your mind, as if it were possible for someone to reach through all your blood, tissue, and bone and press down directly on your brain. “I've seen you come in a few times, hours before anyone else. And you know what I think? I think, ‘That’s the kind of person who keeps a place like this running. That's the kind of person we want here in this precinct. That's the type of person who believes in the work that we do and who I’d want as my partner’.”

As much as you wanted to get away from the horrid sight before you, the no-face and potent voice wriggling around the wrinkles in your brain, you couldn't bring yourself to do so just yet. Not while you had questions you couldn't find answers to, not while you needed to sedate yourself at night because they ruthlessly endangered your dreams and were thieves of peaceful slumber.

“I've never met you before,” you said, giving a cordial handshake when he had offered it to you. The skin of his palm was warm and humanlike, though his grip was all wrong and entirely too firm. You didn't convey this dissonance to him, though. “I've seen you around, though. Were you transferred from a different department or precinct? Everyone says you've been around for a long time, but I find it hard to believe I've noticed.”

“Oh? Well, they'd be right.” Arsené said, finally releasing your hand to take up the thick folder. “I've always been here, and I'm always here. Now, that aside, I've cleared it with the Chief and I'd like you to help me on a case that I'm stuck on. If I've read right, you're the most recent person who's looked through everything to update the records, correct?”

“Probably.” You didn't move when he rolled up another chair from a desk nearby. “I'm a Recorder. It's my job to go through files and periodically update them. I'm not qualified to help detectives on their cases, though. You'd need to speak to the Chief about getting an Assistant for that.”

“Ah, didn't you hear me? That's all been handled. Sit down. Sit down.” He waved you close, then took you by the arm to sit you in the chair next to him. “We have a lot to cover. I think we should start from the beginning and work our way through the evidence list, and then the interrogation tapes. After that, it'd be a good idea to revisit the site of the crime. Don't worry about clearances, I've got everything we need.”

It wasn't often that you saw the inside of the precinct after that day as Arsené particularly enjoyed his busywork and bringing you along for it.

Most days you simply operated as a Field Recorder by transcribing statements into the handheld device provided by the precinct to maintain a digital trail. The work wasn't especially difficult, but it did take a level of skill and technological literacy to be able to do effectively, more so to be the sort allowed to tail after a detective on his cases and still maintain an overall ninety-eight percent accuracy.

Despite your job dictating it as such, Arsené never allowed you to fade into the background or stand around as a fancy accessory to go with his title. Oftentimes, he utilized you as his sole confidant as he worked through evidence and suspects, waiting in revered silence for you to offer your insight (however weak it actually was), and afterwards only let you bask in a glow of confidence through streams of unending praise.

“Egads! Eureka! Genius! How is it that it never occurred to me that way? Truly, you're spectacular! You're divine! Who knows how long I’d be running around in circles if I didn't have you as my partner.” They were all slightly variating compliments, though essentially all the same at the core and all very untrue.

You'd never forgotten about the things your colleagues had said about him, of his unrivaled prowess and veneration as the best detective Watt City had ever come to witness. He didn't need you. He had never needed you to solve a case, so you had learned to take his praise in the same vein as you did the silky-haired woman’s comments on men: uninspired and shallow.

When your disinterest became palpable, he seemed to only rely on you more as though he couldn't stand to be burdened with the idea of a rift. He had started calling you late at night about cases, going as far to come knocking at your door and walking inside reeking of stale smoke and a haze of booze, neither of which you could comprehend as possible considering he had no face.

“I just don't get it. I just don't get it! Where am I going wrong?!” He said so wretchedly, sides of his head cradled in his hands that were tucked between his legs. “This case, it’s getting to me. It's getting under my skin. I can't figure it out. Have I finally met my match? Have I finally been defeated? You! You’ve got to help me. It can't end like this.”

For all his dramatics, there was something obscenely cruel behind his words. Perhaps he thought you wouldn't have caught onto it because you simply a Field Recorder, just a person at the end of the day.

“Why haven't you mentioned anything about the victim? You're acting like they don't exist, Arsené. Is this about solving the crime so they get justice and the family gets closure, or is this for your reputation?” you asked.

He immediately stopped complaining and jolted upright, taken by surprise like he had realized this oversight and wasn't sure how to navigate around it. On that glossy slate of a face, one you knew was piercing deep into you despite a lack of hollow sockets and rolling gelatinous orbs within, you could tell he was now thinking of an answer.

“Neither,” was what he gave you. “It's neither of those. Come here. Sit down and talk to me for a while. I can't go home like this.”

The pitying part of you usually won in those moments where Arsené presented himself as his weakest. There was a part of you that believed he was taking advantage of your feeble heart, your kindness, your blind generosity because at his worst, he'd find a way to strip you down and fuck you.

At least, that's what you assumed happened. You never really could remember as the memory was pitch black, his body was unfathomable above yours, but you were sure you felt his cock penetrating you, his hands desperately fondling your flesh and fat like there was too much to touch yet too little time to feel it all. He said things to you inside your head, words that you couldn’t seem to piece together yet ignited the tension between your legs, lit your skin on fire, and delivered lewd, high-pitched sounds to his ears that he reveled in.

He never left you a mess and he never spoke about those times after they happened. Since you were never sure of them yourself, they suffered the same indifference as his praise and the days simply moved onward in a similar way.

“Another case solved!” Arsené cheered, lifting a stout mug in the air for you to reciprocate with the long stem of your wine glass. It was a fragile tinkling sound, a gentle vibration up your fingers and into your wrist as you toasted his success. “I couldn't have done it without you, my beloved partner! If it's you and I, I could do this forever.”

You swirled the liquid inside; a light and dry, raspberry and vaguely earthy smell wafted up your nostrils before you tasted it and let your cheeks pucker. As you drank, you watched as Arsené lifted the stout towards the expanse of taut, clear skin that should've been his face, and saw liquid inside empty into nowhere.

[nereidprinc3ss]

I didn’t mean to have so much to say about this but wow do I!!!!

Lots of people say they love domestic spencer reid but I don’t think they love domestic spencer reid like EYEEE love domestic Spencer Reid. Because I love domestic spencer reid where he’s doing nothing. Or he’s being kind of….. not an asshole but…… where it becomes clear that he’s just dealing with his own shit and he’s a flawed person and then I love domestic Spencer Reid where he’s dealing with his own shit and he’s a flawed person but he can still say I’m sorry!!! And they can hug and it’s okay because loving someone requires being close enough to sometimes hurt them!!!! And the realism of this kind of fic just fills me w so much joy like THISSSS is what I want from tumblr dot com I LOVEE the meditative fics where nothing crazy happens and the plot comes from the authors understanding of rich interpersonal relationships!!!! I love!!!!

This was also beautifully beautifully written like a breath of fresh air wow I truly am so lucky to get to read work from such talented people thank you for writing this and thank you for sharing it with us!!

So anyway here are the lines that jumped out at me. There is really no rhyme or reason, I tend to extra love lines that are a little philosophical and ponderous about human connection and boy was this full of that!! I am not a literary critic I am just a girl full of thoughts

You wonder if this moment is real, or if it is something you are inventing to survive.

I just think this is an jarringly astute and concise observation of something we as humans do all the time in relationships and again there is nothing I love more than an observation about human connection that I can point at and go MEEEE I UNDERSTAND THAT I KNOW HOW IT FEELS!!!! It’s very exciting to me!!

Or maybe you are lying to yourself, pretending love is something you can bear no matter how heavy it gets.

This to me was a kind of honesty most fanfic lacks and obviously most fanfic is supposed to be optimistic and perfect and reflect the readers desires back to them but quite frankly to me it hits harder when there is this subtle kind of interpersonal angst and strife that is something we can feel and recognize within ourselves it makes it easier for me to actually connect to the fic. Rather than watching it like a movie I can recognize this kind of sentiment and it’s far more immersive to me and therefore a lot more fulfilling and rewarding and interesting to read

Maybe that’s the point of all of this—not two people standing side by side, but two people learning how to take up the same space, how to move around each other without losing themselves in the process.

YEAH MAYBE THAT IS THE POINT!!! THE POINT OF EVERYTHING!!! THE POINT OF MY ENTIRE LIFE!!! This to me is just beautiful and very succinctly summarizes something I’ve been working on and will probably continue to work on for the rest of my life and I think really the whole point of love and the lesson most people need to learn!!!! Once again I like my fluffy fanfic tempered w this kind of realism!! It adds so much texture

"Oh, lovely. I've got you, it's me. I'm here, I've got you," whispered reassurances pressed into your hair, your ear, your cheek, as he moves.

No yeah actually this IS the sexiest thing a man could possible say or do!! Like care and pay attention and be present and observant!!! I won’t even be talking about this because I love it too much to dissect it

Anyways this is maybe making me look crazy I just haven’t been engaged with fanfic very much recently and I did not go into this with the intention of having anything to say about it afterward but to my own personal deep surprise was so motivated to!! And it was so beautiful and so lovely I had to say something. Pls excuse if I’ve gone overboard!! This is just such a good example of fanfic at its absolute best to me like this is what it’s forrrr this is what I wanttttt!!!! Thank you for writing thank you for posting beautiful

mouthful of sunlight (18+)

Some nights, Spencer can’t sleep. His mind runs too fast, too far, tangled in cases, in horrors he can’t unsee. But in the quiet of morning, wrapped in the hush of young sunlight, he finds solace in you—the warmth of your breath, the slow, steady rhythm of your fingers tracing his skin. The comfort is fleeting; distance is inevitable. His absence lingers in the empty side of the bed, in unfinished cups of coffee, in the soft weight of his sweater draped over your shoulders. But when he returns—exhausted, unraveling—you stitch him back together with soft reassurances, gentle hands, and the familiar ease of laughter. warnings: sexual content (who tf am I), very very wordy, mentions of a cannon-typical case, longing, some angst if you squint, mostly reader and spencer being lovesick fools wc: 7.6k

You wake to the sound of rain, soft against the windowpane. The sheets are warm, tangled around your limbs, heavy with the scent of sleep and him. Faint traces of his cologne linger in the cotton, something clean and quiet, the ghost of him woven into the fabric.

Spencer is still asleep beside you.

You turn your head, slow, deliberate - shifting too fast might startle him awake. And there he is, curled into the pillow, his body half-buried beneath the blankets, face softened by the hush of morning. His breath moves through the space between you in slow, measured exhales, lips parted slightly, lashes resting against his cheekbone.

You could spend lifetimes watching him like this.

The curve of his mouth, the way his curls press against his forehead, the fine lines at the corners of his eyes—the ones you're not sure he knows about yet. You think the mentioning of them would send him into a spiral about aging and lost time but you love their presence. It reminds you of how he's laughed with you in the past, their arrival a notion of his genuine joy. The body keeps score in freckles and scars, and time can be found in the weight of sleepless nights and too many days spent carrying more than he should.

In sleep, he is weightless. The tension he wears so often—creased brows, tight shoulders, fingers restless against his knee—has melted away, leaving only the quiet.

You reach for him before you can think of it, fingers trailing over the ridge of his knuckles where his hand rests on the pillow between you. His skin is warm, his palm lax, open. He doesn't stir so you let yourself press further, sliding your fingertips up the length of his wrist, feeling the slow pulse beneath his skin.

Spencer Reid is always thinking. Always calculating, always predicting, always existing a step ahead, untethered from the present moment.

But, right now, wrapped in the hush of morning, doused in soft rainlight, he belongs here. With you.

The thought is terrifying in its simplicity.

You swallow, pressing your fingers a little firmer against his wrist, grounding yourself in the proof of him. His pulse beats steady against your touch, and you let it lull you, let yourself fall into its rhythm.

Spencer stirs beneath your touch, just the faintest twitch of his fingers against the pillow.

You go still.

A part of you—the part still tangled in hesitation, in old wounds and old fears—worries he’ll wake, that he’ll blink at you with those sharp, knowing eyes and startle away the calm you've fostered. You love Spencer, asleep or awake, but the peacefulness of this moment is something to be cherished. You want to watch him more, to exist in this lulling moment between seconds where life doesn't matter.

He doesn't wake, though, and instead, he shifts closer, instinctive, unconscious. The space between you vanishes, his breath warming your collarbone, his hand brushing against your arm where it lies between you. He is reaching for you without realizing it, drawn in like something inevitable.

And god, that does something to you.

You exhale, slow, careful, and let yourself watch him again, let yourself sink into the quiet reverence of it.

The morning light has stretched further now, slanting through the window, gliding through the messy sprawl of his hair. He is all sleep-heavy limbs, the weight of him pressing into the mattress in a way that drags you forward, leaning against him.

Flesh and bone, heartbeat and heat.

He is here. He is yours.

The way he leans into you even in sleep, the way his fingers twitch like they are searching for yours, even now. The way his body gives him away, whispering the things his lips have not yet said.

You cannot be careless with this. With him. But before the weight of it can settle too deeply into your chest, before you can let yourself spiral, Spencer shifts again—his breath catching, his brow furrowing just slightly, lashes fluttering against his cheeks.

You barely have time to think before his eyes blink open, slow and heavy-lidded, thick with sleep.

It takes a moment, his hazy eyes focusing and unfocusing. Still, he sees you. Not just looks, not just registers your presence; he sees you.

His lips part slightly, and for a moment, he only stares, like his mind is still catching up, like he’s still tethered somewhere between dreaming and waking. Blinking like he's not sure if you're a dream. Likely, everything is clouded by sleepy eyes and fading memories of dreams.

Then, his voice, quiet, still wrapped in the softness of sleep, “Morning.”

You don’t trust yourself to speak, so you do the only thing you can—you lift your hand, still resting near his wrist, and press your fingers over his pulse once more. A quiet confirmation. A tethering.

Spencer exhales, slow, deliberate, and then he turns his hand, just slightly, just enough, so that his palm meets yours.

His fingers curl between yours, and you feel it—the certainty, the weight of something unspoken settling between your ribs.

There is morning, and then there is night.

There is sunlight spilling over Spencer’s sleeping form, gilding his cheekbones, illuminating the curve of his mouth. And then there is the stark contrast of shadow—of sterile hotel rooms, of the sharp, artificial glow of a bedside lamp casting his face in harsh relief.

His fingers, curled loosely around yours in the golden hush of morning, become hands gripping the edge of a desk, knuckles white, trembling with exhaustion. His voice, soft and thick with sleep, morphs into something raw, something fraying at the edges.

"I don’t know how to turn it off."

It takes you a moment to realize what he means.

He’s still in his suit, the fabric rumpled, the scent of cheap motel soap clinging to his skin. There’s a stack of case files beside him, a half-empty cup of coffee that’s long since gone cold. He doesn’t meet your gaze, just stares down at his hands, fingers twitching like they’re desperate for something to hold onto.

"Spencer."

Your voice is quiet, hesitant, as if anything louder might shatter him completely.

"Come to bed."

He shakes his head, exhales sharply, dragging a hand through his hair.

"I can’t."

A fight, sharp and cutting. His voice raised, your hands clenched into fists at your sides.

"You don’t get it," he snaps, voice raw, eyes burning. "You don’t know what it’s like to have a mind that never fucking stops—"

"I do," you interrupt, and the way he flinches makes your chest ache.

A pause.

Silence stretching between you like a wound torn open, bleeding into the space between your feet.

Spencer exhales, shakily, and when he speaks again, his voice is barely above a whisper.

"Then why do you keep trying to fix me?"

And there it is.

The knife twisting.

You inhale, but the breath never quite fills your lungs.

The thing is—you don’t want to fix him.

You just want him to rest.

To sleep without nightmares. To let you hold him without feeling like he has to apologize for the weight of his existence. To believe, even for a second, that he doesn’t have to earn the space he takes up.

But you don’t know how to say that in a way that won’t turn into another wound, another reason for him to step back, to pull away.

So instead, you say nothing.

"Fuck. I'm sorry." And it's that simple, really.

Sorry, arms finding each other, whispers of "I know" pressed into necks and soft conversations easing racing minds.

Spencer can't stop the relentless chase of the case in his mind. You can't stop the constant overthinking of being enough, of your body, of desires edging into too much.

Morning. Again.

Spencer, golden in the dawn, the soft breath of sleep still heavy in his lungs. Your fingers ghost over the ridges of his knuckles, tracing the delicate architecture of him, the places where bones knit together beneath skin. Flesh and blood. A body, human and whole.

Then, blood, dark and seeping through the gaps in his fingers, staining his cuffs. Not his blood. Someone else’s. A case. A mistake. A man who didn’t survive the night.

His hands shake as he scrubs them raw in the motel sink, crimson swirling down the drain, his breath coming too fast, chest rising and falling like he’s drowning, like he can feel it slipping between his fingers, the weight of every life he couldn’t save.

You touch his shoulder, and he flinches.

Time lurches.

His head on your lap, hours later. His hair damp, fingers curled weakly in the fabric of your shirt, like holding onto you is the only thing tethering him to the present.

"I don’t know how much more of this I can take."

Morning.

Back in your bed, the light different now, stretched across the sheets in delicate bands. You can’t tell if you’re awake or dreaming.

You wonder if this moment is real, or if it is something you are inventing to survive.

Spencer shifts beside you, a quiet sigh escaping him, and you watch, desperate to memorize the shape of him here, untouched by grief, by the heaviness of what he carries.

You want to wake up to this every morning.

But the truth is, you don’t.

You wake up to the version of him that drinks too much coffee, to the one who is always looking at things that aren’t there, playing scenarios in his head like a film reel stuck on loop. You wake up to the version of him that gets lost in thought mid-conversation, who chews at his nails until they bleed, who flinches awake from dreams he won’t tell you about.

And you love him anyway.

Maybe because of it.

Or maybe you are lying to yourself, pretending love is something you can bear no matter how heavy it gets.

Mornings like this, where he sleeps beside you, still and warm and untouched by the weight of the world—stretch, slow and unhurried, slipping into the day like honey dissolving in warm tea.

Spencer moves through your apartment with the careful quiet of someone who knows how to exist in shared spaces—how to make himself at home without ever taking up too much of it. He is measured, gentle, a man who has spent too much of his life folding himself into small places, and yet, with you, he expands.

You watch him from where you stand at the kitchen counter, hands wrapped around a chipped ceramic mug, warmth seeping into your palms. The coffee is slightly too bitter, but you drink it anyway, because Spencer made it. Because he takes his with too much sugar and no milk, and you take yours with just a little, and the contrast is something you love.

The morning light catches in his hair as he moves about the kitchen, curling slightly at the ends where sleep left it unruly. He wears his clothes loose in the morning—his pajama pants low on his hips, his sweater slightly too big, slipping past his wrists when he reaches for things. He is soft here, unguarded in the way that makes your chest ache.

You don’t say anything when he hums under his breath, something classical, a song you don’t recognize but have heard him play before on nights when he lets the record spin long past midnight.

You don’t say anything when he pours his coffee with one hand and flips absentmindedly through the book he left on the counter with the other.

But you do say something when he starts reading aloud.

“You know, according to the Journal of Neuroscience, studies show that sleep inertia—”

“Spencer,” you interrupt, smiling into your mug.

He pauses, blinking at you, book still in hand. “What?”

You shake your head, setting your coffee down, stepping toward him until you can reach for the book, plucking it gently from his fingers. He lets you take it, watching as you slide it onto the counter behind you, clearing the space between you.

“We’re supposed to be waking up,” you murmur. “Not filling our brains with research before we’ve even eaten breakfast.”

Spencer tilts his head, eyes flickering over your face like he’s considering it. Then, his lips curve, slow and warm. “That’s how I do wake up.”

You roll your eyes, but there’s no bite to it. You both know that you love when Spencer rambles, miss it when he's gone, call him craving the sound of his voice when he's away on trips. “Come here.”

You reach for him, and he comes easily, stepping into the space you make for him, folding himself against you like he belongs there.

Maybe that’s the point of all of this—not two people standing side by side, but two people learning how to take up the same space, how to move around each other without losing themselves in the process.

Spencer exhales as you press your cheek to his shoulder, hands slipping around his waist, fingers curling into the soft fabric of his sweater. His arms come around you in return, slow and careful, pressing you against him like he knows exactly how to hold you.

The shape of each other, the cadence of shared breath, the quiet rhythm of a love that is not loud or fast or reckless, but something slow and deliberate.

Spencer is slow to let you go.

Even as you shift, even as you move to pull back, his fingers tighten just slightly at your waist, anchoring you there for a moment longer. You don’t resist. You let yourself be held, let yourself stay.

But then his stomach growls. Loudly.

You grin against his shoulder. “Well, that’s attractive.”

Spencer groans, burying his face in your neck. “I knew I should have eaten before I went to bed.”

You laugh, pressing your hands to his sides. “Come on, genius. Let’s get you some food before you start reading case files on malnutrition.”

He sighs, exaggerated, but finally steps back, rubbing a hand over his face as you turn toward the stove. “I do have a study on nutritional deficiencies and cognitive function bookmarked somewhere.”

You glance at him over your shoulder, raising an eyebrow. “You have studies bookmarked on everything.”

Spencer shrugs, completely unapologetic, and moves to lean against the counter beside you, watching as you pull out a frying pan. He doesn’t help—doesn’t even pretend to help—but he does reach for the bag of coffee grounds again, refilling your mug and his, making himself useful in the way he always does.

“You want eggs?” you ask, already cracking one against the rim of the pan.

He hums, peering into the fridge. “Only if you make them the way I like.”

“You mean, as you proclaimed the first time you stayed over, the right way?”

“Yes,” he says simply.

Neither of you mention how he burned them immediately after, distracted by kissing you in the early light filtering through the curtains of the kitchen window.

You huff, but it’s all affection, and he knows it.

Spencer doesn’t sit while you cook. He doesn’t retreat to the table or get lost in a book. He stays right here, a constant presence at your side, sipping his coffee, occasionally nudging your hip with his when you get too focused.

When you plate the food, he takes his with an approving nod. “See? Perfectly cooked.”

“They;re just scrambled, picky,” you tease, nudging him toward the kitchen table with your hip.

Spencer grins, mouth full of toast. “I have standards.”

You snort, setting your plate down across from him. “Oh, I know. That’s why you’re dating me.”

He swallows, takes a sip of coffee, and then, without missing a beat, says, “No, I’m dating you because I’m in love with you.”

Your breath catches.

He says it so easily.

No hesitation. No grand declaration. Just a fact, spoken between bites of breakfast, like it’s something he’s known for years.

You blink, lips parting slightly, and Spencer—Spencer, who notices everything—tilts his head, eyes softening.

“Hey,” he murmurs, reaching across the table, brushing his fingers against yours. “I didn’t mean to—”

“No,” you say quickly, shaking your head, covering his hand with yours. “No, I—I just—”

You exhale, glancing down at where your hands meet, at the gentle press of his fingers against yours. Then, quieter: “I love you, too.”

The corner of his mouth lifts, slow, small, but full of something deep, something certain.

“I know,” he murmurs, thumb tracing slow circles against your skin. “But I still like hearing it.”

And so you say it again, just for him.

Just because he likes hearing it.

“I love you.” Spencer smiles.

After breakfast, Spencer lingers at the table while you move about the apartment, rinsing dishes, wiping crumbs from the counter. It’s a soft sort of silence. When you pass by him, his hand brushes against your hip, absentminded but full of intent, a touch that says I know you’re here. I know you’re mine.

You catch his wrist, squeezing gently before letting go.

Neither of you speak as you make your way toward the bedroom, but Spencer follows, because of course he does. Because his place is beside you, moving with you, orbiting within the same small universe.

Inside, the morning light has stretched further across the bed, creeping in golden streaks over the fabric. The air is warm with the scent of sleep, of coffee, of him.

Spencer moves first, tugging his sweater over his head and tossing it onto the bed. His hair goes staticky, curls fluffed from the fabric, and you reach out instinctively, smoothing them back into place. He stills beneath your touch, the corners of his lips twitching.

“You’re going to make it worse,” he murmurs.

“Probably.” You grin, carding your fingers through the strands anyway, just for the sake of touching him.

Spencer huffs a laugh, but he doesn’t move away.

You let him slip his fingers beneath the hem of your shirt, lifting it over your head in one fluid motion. Let him reach for the zipper of your trousers, sliding it down with the same care you’d shown him.

There’s nothing rushed about it.

Nothing frantic, nothing heated. Just this. Just hands smoothing over fabric, fingers brushing against skin in passing, the quiet, unspoken promise of I know you. I love you. Let me show you.

Spencer tilts his head, gaze flickering down, not to your lips, but to the hollow of your throat, where your pulse flutters beneath your skin. He watches it like a scholar studying something precious like he’s measuring the exact rhythm of you, the precise way you exist in this moment.

And then, with all the patience in the world, he leans in.

Not rushed. Not desperate. Like he has all the time in the world to memorize you.

His lips brush your jaw first—so soft it could almost be nothing, just a breath, just a thought of touch. Then, lower, trailing warmth along the delicate line of your neck, the curve of your shoulder.

Your fingers find his wrists, not to stop him, but to hold him there, to feel the heat of him seeping into your skin.

You shift—not much, just enough to press closer, enough to let your forehead rest against his, enough to let his breath mingle with yours.

His hands slide higher, fingertips grazing the curve of your ribs, the warmth of his palms bleeding through the fabric like sunlight through frosted glass.

Like he understands, without either of you saying it, that this is the sacred part. Not the wanting, not even the having, but the holding. The staying.

He presses his lips to your temple, soft and sure, and you feel it—the weight of love settling between your ribs, deep and real.

“I want you,” he murmurs, voice low, full of something aching.

You shudder, your fingers tightening around his wrists. “You have me,” you whisper.

Spencer swallows, pressing his forehead against yours again, his hands gripping you just a little tighter as he breathes you in.

You feel his adoration in the way he moves—hesitant, reverent. Like he’s unraveling you thread by thread, pulling you apart just to piece you back together in the way only he knows how.

His fingers ghost over the curve of your waist, not grasping, not pulling, just feeling.

Your breath catches when he finally presses closer, the full weight of him sinking into you, a slow collapse into something inevitable. His body is warm, radiating heat like a fever, like a star burning too close to your skin. You curl your fingers into the fabric of his shirt, twisting it tight in your grip, grounding yourself in the weight of him.

He exhales against your jaw, warm and unsteady.

“Look at me,” he murmurs.

You do.

And god, it’s unbearable—the way his eyes search yours, wide and dark and pleading.

His breath stutters when you reach up, cradling his face in your hands, fingertips skimming the sharp angle of his cheekbone. He leans into your touch like it’s instinct, his lashes fluttering, his lips parting slightly, his chest rising and falling in time with yours.

“Spencer,” you whisper, his name slipping from your lips like a prayer.

He answers you with a kiss.

Not rushed, not desperate. His lips move against yours, unhurried but insistent, a careful exploration, a patient claiming. His nose brushes yours, his breath mingling with yours, the quiet sounds of longing pressing into the spaces between you.

You sigh into his mouth, and he shudders, his fingers tightening against your ribs.

“Again,” he whispers.

So you kiss him again. And again. And again.

Until the space between you is nothing, until your bodies are tangled in sheets and sighs and whispered names, until everything is breath and warmth and wanting.

His hands find yours, fingers threading together, clinging, pressing, grounding. His forehead rests against yours, his breath uneven, his body trembling with the weight of this.

“I want you,” he whispers, voice wrecked, shaking, repeating himself.

You tighten your grip on his hands, pulling him closer. “I know,” you breathe. “I know.”

And when he moves again, when his lips find yours with a new kind of urgency, you know—you feel it in your bones—this isn’t just wanting. It’s everything.

Spencer kisses you like he’s searching for something.

Like the answer to every unsolvable equation is pressed between your lips, tucked beneath your tongue, hidden in the soft give of your sighs.

And you let him.

Because you know this—this rhythm, this language you’ve built together. The slow pull of hands over fabric, the careful way he unravels you. The heat that grows between you, steady and unrelenting, like a pot left to boil over.

Spencer exhales sharply when your fingers find the sharp ridge of his collarbone. You press your lips there, breathing him in, and he shivers.

Spencer is reaching for you again, already fitting his hands to the curve of your back, already tilting his head to press open-mouthed kisses to your shoulder, your throat, the place just beneath your ear that makes you sigh.

“We’re going to be late,” you murmur, though you don’t mean it.

Spencer hums, his lips still pressed against your skin. “I don’t care.”

You laugh—a breathy, delighted sound that he swallows with his next kiss, his hands smoothing over your ribs, pressing warmth into your skin.

His trousers slide lower on his hips, and he makes a sound—low, breathless, almost dazed.

And then—“I’m sorry,” he murmurs suddenly, against the corner of your mouth.

You blink, pulse stuttering. “For what?”

“For all the times I haven’t been here.” His fingers tighten at your waist, like he’s grounding himself in the weight of you, in the proof that you are here. “For leaving. For missing too much. For—”

You don’t let him finish.

You press your lips to his, pouring everything into it—forgiveness, love, understanding.

When you break apart, your voice is quiet but sure. “There’s nothing to be sorry for.”

Spencer exhales, shaky and relieved, and then—

Then he laughs, something soft and breathless, because you’ve pushed his trousers past his hips and now they’re tangled around his ankles, and it’s clumsy, and it’s human, and neither of you can bring yourselves to care.

Your own clothes follow, piece by piece, scattered and forgotten, because this is more important.

Spencer is warm everywhere, all golden skin and careful hands and parted lips. He hovers over you, his breath fanning over your cheek, his fingers tracing slow, reverent paths down your arms, your sides, like he’s still memorizing you.

And when you reach for him, guiding him closer, pulling him in, he exhales a sound—soft, broken, something like ah, like yes, like finally.

You sigh into him, arching, meeting him where he waits, and the warmth between you turns molten, turns necessary.

Spencer presses his forehead to yours, his breath uneven, his fingers twining with yours in the sheets.

“I love you,” he whispers.

And you—You're lost in the heat, the smell of him. The gentle movement as there's nothing left but you and him and him and him.

"Ah, Spencer," you breathe, and he shushes you.

"I know, I know."

It's quiet, it's breathy laughs, it's warmth building building buildig until something cracks - it has to, it's necessary, it's perfect and lovely and hot honey dripping down your thighs to gather into something greater, something perfect, something more.

It should be impossible, the way you fit together.

Like something sculpted by hands that knew what they were doing, shaping flesh and bone with deliberate care, pressing you into each other until there is no separation, no beginning or end. A seamless thing. Thread looping over itself, over and over and over into infinity. Until it cannot be separated from itself, until it is one ball of mass and moving and friction.

Heat and pressure and warmth build into something more, more more. Spencer is calling your name as if you are lost, you're grasping his back to remind him you're right here.

He tumbles and you're stuck on the edge, unable to follow. It's a brilliant thing, watching him. Eyes screwed shut, tightly. Breath coming out in spurts and spasms. Love, love, love. Pouring out of him and into you.

It's warm, so so warm, and nearly enough to send you to the place of glass shattering and pleasure fluttering and complete unity.

It isn't until Spencer's hips are faltering that he notices you there, hanging on the precipice of masterpieces yet unknown.

"Oh, lovely. I've got you, it's me. I'm here, I've got you," whispered reassurances pressed into your hair, your ear, your cheek, as he moves.

And you fall after him, tumbling down into something safe and known and foreign and unlearnable.

When you clatter back onto Earth, Spencer is warm against you, chest rising and falling in the slow, steady rhythm of shared breath. His fingers—long, elegant, familiar—trace mindless patterns against your arm, mapping you the way he memorizes pages, theories, entire histories. As if you are something to be learned, something to be understood.

As if he hasn’t already written you into the marrow of his bones.

Your limbs are tangled in the sheets, in each other, some quiet aftershock of connection humming between your skin. He shifts, pressing a lazy kiss to your temple, the edge of your jaw, the corner of your lips, his breath still heavy with you.

Whole. Uninterrupted.

Until—

A loud grumble splits the silence, echoing off the walls.

Spencer stills.

You blink.

And then—

Your stomach rumbles again, louder this time, an undignified protest against your distraction.

Spencer bursts into laughter.

It’s warm, breathless, human, cracking through the solemn weight of the moment like lightning through a storm. He drops his head against your shoulder, shaking with it, his entire body vibrating with amusement.

“Oh my God,” you groan, covering your face with your hands.

Spencer’s still laughing when he rolls onto his back, his hand dragging down his face as he tries to compose himself. He fails, utterly, letting out another breathy chuckle before turning his head to look at you.

“I’m sorry,” he says between soft huffs of breath, his eyes bright with mirth. “It was just—so poetic, so profound—and then your stomach actually growled.”

You peek at him between your fingers. “You're going to give me shit when you essentially did the same thing earlier?" You ask, aghast. Spencer nods his head, cheeky smile overtaking his face.

You groan again, but it’s half-hearted, because Spencer is still laughing, and it’s the kind of sound you’d willingly make a fool of yourself for, over and over again, just to hear it.

"Did you not have any of your stellar eggs?" Spencer asks, pulling away from you.

You both wince as connection is lost, resisting the urge to pull him back in again, to be selfish and keep the warmth of him near.

He stretches, arms raised above his head, back cracking. You stay still, stretched across the bed as he moves into your bathroom and wets a washcloth.

"No, I don't really like scrambled."

Spencer hesitates, at the foot of the bed, one knee propped up on the edge. "What?" He asks, frozen, still as a statue.

"I'll eat them but this morning they were too eggy."

"Too eggy," Spencer mutters, voice aghast, cleaning you before pinching your thigh playfully. "Come on, time to get you to work."

The moment lingers, shifting into something softer, something easy.

And then—

You’re standing in the kitchen, hours later, Spencer in his undershirt, stirring a pot of something that smells like warmth, like home.

Your stomach grumbles again.

Spencer smirks, not even turning around. “Should I start reciting poetry, or—”

You throw a dish towel at him.

||||

There is the weight of Spencer pressed against you in the morning, the heat of his breath on your skin, the steady rhythm of his fingers tracing patterns into your ribs. And then there is the cold side of the bed, the imprint of him faded from the sheets, the silence of an empty apartment that settles like dust in your lungs.

He’s gone.

Not forever. Neer forever.

But the difference between knowing something and feeling it is vast, and this morning, you feel it.

The bed is too big. The air is too still. The coffee is too bitter without his absentminded habit of adding too much sugar to the pot when he thinks you aren’t looking.

His absence moves through the space like a ghost, turning everyday things into echoes of him.

A book left open on the table, spine cracked, a scrap of paper sticking out with notes in the margins.

A half-full mug beside the sink. He always assures you he'll finish it later but never does. You don't mind, savoring the reminder of him when he leaves in the middle of the day with little notice.

The sweater he left draped over the back of a chair, smelling like warmth, like him, like something undone.

You exhale, pressing your fingers to the edge of the table as if grounding yourself, as if it might keep you tethered.

You knew this would happen.

It always does—cases that stretch into days, weeks, phone calls that come at odd hours, the sound of his voice wrapped in exhaustion and apologies, the waiting, the not-knowing.

You reach for your own coffee, cradling it between your palms, letting the heat seep into your fingers.

Your phone buzzes. A message. Short, simple.

Spencer: I miss you.

The breath in your chest stutters.

Your fingers hover over the keyboard, a response forming before you can even think about it.

You: I miss you too. It’s too quiet here.

Three dots appear. Pause. Disappear.

You wait, staring at the screen, willing the space between you to close, even just a little.

Spencer: I’ll call you tonight. Stay in my sweater until then.

You let out a breath, something soft, something caught between a laugh and a sigh. You reach for it, slipping it over your shoulders, wrapping yourself in the remnants of warmth.

It’s not the same.

But for now, it will have to be enough.

||||

The door unlocks with a quiet click.

You don’t move right away.

You should—should stand, should cross the room, should meet him in the doorway. But instead, you sit still, curled into the couch, the weight of waiting still heavy in your limbs, pressing you down.

Footsteps. Familiar, careful.

“Hey,” Spencer murmurs, quiet, hesitant, like he isn’t sure if you’re asleep, if he should wake you, if he’s allowed to break the silence.

You inhale sharply, and that’s what does it—what snaps the moment in two. You push up from the couch, feet hitting the floor, your body moving before your mind catches up.

You are in his arms.

He exhales sharply at the impact, his bag slipping from his shoulder, his arms wrapping around you with something desperate, something relieved, like he’s been waiting for this moment just as much as you have.

The scent of him—faint cologne, the sterile bite of too many hotels, the quiet warmth that is Spencer—hits you all at once. You press your face into his shoulder, fingers curling into the fabric of his jacket, holding tight.

“You’re back,” you breathe, and it’s obvious, unnecessary, but you need to say it, need to hear it, need to confirm it.

Spencer laughs—soft, exhausted, fond. “I’m back.”

You feel the words vibrate through him, feel the shape of them beneath your hands, the weight of them settling between your ribs.

“Did you miss me?” You laugh, a quiet, breathy thing, your grip tightening on his jacket.

“Not at all,” you say, pulling back just enough to look at him, to see him. His face is tired, his eyes a little shadowed, but there’s something soft there, something bright just beneath the surface.

His lips twitch. “Liar.”

You hum, tilting your chin up just slightly, brushing your nose against his, letting the warmth between you settle.

“Say it anyway,” he murmurs.

So you do. “I missed you, Spence.”

His breath stumbles and he kisses you.

It’s not rushed. It’s not desperate. It’s homecoming, warmth where there was once cold. It’s touch where there was once absence. It’s the quiet, certain return of something that never really left.

It takes a while for Spencer to let go and, even when he does, he keeps a hand on you. Not even after the kiss fades into breaths, not even after his bag is abandoned by the door, not even after you’ve guided him toward the couch, pressing your hands to his shoulders until he sinks into the cushions with a sigh.

You don’t ask him about the case.

Not yet.

Instead, you move around him, nudging his shoes off with your foot, smoothing his hair back from his face, pressing your fingers into the stiff muscles at the back of his neck. His eyes flutter shut, and he exhales slow, like he’s unspooling one spiraling thread at a time.

“You look exhausted,” you murmur, brushing your knuckles over his cheek.

“I feel worse,” he admits, cracking one eye open to look at you. “I think I might actually be a ghost.”

You hum, tilting your head. Slowly, you press a finger into the center of his chest, thumping it against his sternum twice. “I don’t know, you feel pretty solid to me.”

Spencer lets out a breathy chuckle, shaking his head. “Okay, fine. Maybe I’m only part ghost.” He waves a hand in the air, "I hover between realms, or whatever those silly books you read would say."

“Well,” you say, ignoring the dig at your admittedly less-academic reading preferences, pressing your lips to his temple, lingering, “if you were a ghost, you’d be a talkative one. Following me around, rambling about hauntings and historic criminal cases—”

Spencer scoffs. “I’d be a great ghost.”

“Would you?”

“I’d be an educational ghost.”

You snort, letting your fingers trail down his arm, wrapping your hand around his wrist, pressing against the pulse there. “I think I prefer you educational and alive.”

Spencer smiles, but it’s softer now, more worn, and when he leans into you, it’s not just playful—it’s relief.

You shift, curling into him, letting him fold himself against you like he’s been waiting for it for days. He buries his face against your shoulder, his breath warm against your skin, and you feel the tension still lingering in him, the weight of something else.

Something he’s not saying. So you just hold him.

One hand drifts into his hair, threading through the soft curls, the other smoothing over his back, steady, slow. His fingers flex against your side, gripping, holding, grounding. He sighs, deep, exhausted, pressing closer like he’s trying to escape something.

You kiss the crown of his head. “You don’t have to tell me,” you whisper. “But you can.”

Spencer is quiet for a long moment, his breathing uneven, his fingers still pressed into your skin. “The case was a little boy,” he murmurs, barely above a breath. “He lost his—” His voice wavers, and he swallows hard. “His whole family. We nearly didn't find him in time."

It's the most he can give you, the most that the public has probably heard, too, but it's enough to impress upon you the true horrors he's facing.

You close your eyes, tightening your arms around him. “Spencer.”

He shakes his head, shifting just enough to rest his forehead against your collarbone. “I just—I keep thinking about him. How small he looked. How scared.”

You press your lips together, blinking hard, willing yourself to keep it together for him. “I’m sorry,” you whisper, voice thick. “I know that doesn’t help, but I am.”

Spencer exhales shakily, nodding against your skin. “It helps.”

You don’t know if that’s true, but you keep holding him anyway. Keep smoothing your hands down his back, keep whispering his name, keep pressing your lips to his temple, his cheek, the corner of his mouth, like you can will the heaviness away.

“I’ve got you,” you murmur against his skin. “You’re home.”

Spencer lets out a slow, shuddering breath. “Yeah,” he whispers. “I am.”

Spencer doesn't move much, pressed against you, letting himself be held. His breathing steadies, his hands no longer gripping like he’s afraid of being pulled away.

You shift, just slightly, pressing your cheek against the top of his head. “You wanna do something mindless for a bit? Watch bad TV? Read a book with no footnotes? Stare at a wall together?”

Spencer snorts, muffled against your skin. “Tempting.”

“I'm very persuasive when I want to be.”

“That’s one word for it.”

You pull back just enough to look at him, narrowing your eyes. “Excuse me?”

Spencer finally lifts his head, and there’s something lighter in his expression now, the weight of the case still lingering, but no longer pressing quite so hard against the edges of his mind.

He shifts, settling further into the couch, his knee bumping against yours. “You bullied me into watching a terrible documentary about haunted dolls last time I came back from a case.”

Your mouth falls open in offense. “It was informative!”

Spencer levels you with a flat look. “It was ninety minutes of a guy holding up dolls to the camera and whispering ‘Do you hear that?’”

You press your lips together, fighting back a laugh. “Okay, maybe it wasn’t the most scientific—”

“There was a scene transition shaped like a skull.”

“You didn’t have to watch it!”

Spencer gestures at himself dramatically. “I was physically incapacitated by exhaustion!”

You shove at his shoulder, laughing now, and he catches your wrist easily, pressing a quick, warm kiss to the inside of it before letting you go. The gesture is so easy, so thoughtless, that your chest goes tight with it.

Spencer sighs, shifting so he’s half-leaning against you again, pressing his forehead briefly to your shoulder before pulling back. “But,” he admits, softer now, “it was kind of nice. Sitting with you. Not thinking for a bit.”

You hum, tucking your legs beneath you, leaning into his warmth. “I am great at the whole ‘not thinking’ thing.”

Spencer huffs a laugh. “That’s not what I meant.”

“You sure? I distinctly remember you asking me how I manage to not overanalyze things while I was eating a bowl of cereal the other day.”

“That was—” He pauses, brows knitting together. “Okay, yes, but that’s because you were reading the cereal box like it was literature.”

“It was a compelling narrative, Spencer.”

He tilts his head. “The ingredients list?”

“The lucky leprechaun’s backstory,” you clarify.

Spencer just stares at you.

You grin, nudging his knee. “It’s called escapism, genius.”

Spencer shakes his head, exhaling something close to a laugh-sigh, then shifts again, tucking himself more comfortably against your side.

"Unless you're calling me dumb," you muse, not ready to give up teasing him. He takes the bait easily.

"I would never say that-"

"i'm pretty certain that's what I'm hearing."

"Absolutely not." You sit silently, humming dramatically, hoping for a compliment that you're sure is to come. "You're one of the smartest people I've met, actually. That's why your taste in books and documentaries appalls me."

"You're good at groveling, Dr. Reid."

He doesn't answer, chuckling and pressing his lips against your shoulder in response instead.

After a moment, his fingers brush against yours, hesitant for only a second before twining them together. Quiet settles between you again—not heavy this time, not suffocating. Just easy. Just you and him. Spencer squeezes your fingers lightly, voice soft when he speaks again.

“You make coming home easy.”

Your throat goes tight, and you squeeze back. The shift in tone is palpable. You long to linger in the feeling of warmth and safety and the earnest way he mumbles it. “Good,” you murmur, pressing your forehead to his temple. “Because you are home.”

Spencer exhales, slow and steady. “Yeah,” he whispers. “I know.”

You don’t move immediately after Spencer settles against you, letting his weight sink into the couch, his fingers loosely tangled with yours. He’s relaxed now, softer, the weight of the week still lingering in his tired eyes but no longer pressing quite so hard on his shoulders.

It’s the perfect time to strike.

You reach for the remote, flicking through streaming options with intense purpose.

Spencer glances at you, suspicious. “What are you doing?”

“Putting something on to help you unwind.”

His eyes narrow. “What kind of something?”

You hum innocently. “Oh, you’ll see.”

Spencer watches as you select a YouTube documentary—one you know is riddled with inaccuracies, one that will absolutely send him into a spiral.

The second the dramatic narration begins, Spencer physically tenses.

You stifle a smile. You watched it when he was gone, something mind-numbing after a long day at work, and have been waiting to see his reaction to the ridiculous claims of the conspiracies.

The documentary wastes no time getting things wrong.

A sweeping shot of pyramids. An ominous, overly intense musical score. And then, in bold, serious tones:

"The ancient Egyptians, known for their fascination with aliens—"

Spencer inhales sharply, head snapping toward you, eyes wide with horror. “Their fascination with WHAT?”

You shrug, biting your lip. “Aliens, love. Keep up.”

Spencer throws his hands in the air. “Ancient Egyptian society was a highly advanced civilization with remarkable achievements in engineering, mathematics, and medicine—why does everything have to be aliens?”

You pat his knee comfortingly. “Shh. The experts are speaking.”

He turns back to the screen just in time to hear the narrator say:

"Some theorists believe the Sphinx was originally a statue of a dog, not a lion."

Spencer physically jolts, glaring at you again.

“A dog?” he scoffs.

You bite back laughter. “I don’t know, Spence. It kinda looks like a dog if you squint.”

He looks betrayed. “It doesn't. I know you don't think it does.”

You hum thoughtfully, pretending to study the screen. “Maybe, like, a bulldog?”

Spencer presses the heels of his palms into his eyes like he’s in pain. Give me the remote. There's a better, actual documentary, about 1940s Germany that I wanted to show you instead of this-” he gestures toward the screen, "garbage."

You grin, nudging his side. “Oh, you love it.”

“I do not—”

A new segment starts, this one even worse, featuring a so-called “historian” confidently stating that the Romans invented cheese.

Spencer makes a noise nearly resembling a laugh and you know you've got him.

“No they didn't," he says, deadpan, shaking his head and clicking off of the video.

You lose it. You cackle, curling into his side, shaking with laughter as Spencer queues up an actual documentary, switching on subtitles for you.

“I hate you,” he mutters, but his voice is fond, his arm still wrapped tight around you.

“No, you don’t,” you tease, leaning into him.

He sighs dramatically, dropping a kiss to the top of your head.

“No,” he murmurs, softer now. “I really don’t.”

And just like that, the warmth settles back between you, easy and earned.

Even if he’s still muttering about the Sphinx as the documentary starts.

You settle down like that, listening as Spencer adds his own interesting facts to the documentary. This is home, wholly and truly, sitting on this couch next to him.

You're sure to ask questions, keep him talking, until he falls asleep, missing the sound of his voice the second he dozes off.

[laurelwen]

Sorry, it's me again. There's this thing that has been...whispering in the back of mind since I read this post for the first time. Nigel wrote: "... I removed a rat's heart and pretended to be disgusted" Why on earth would he feel the necessity to PRETEND to be disgusted in front of Alex?

I've taken a minute to answer this because it's a very good question but difficult and complicated to answer within the context of the film. For those who aren't sure what you're referring to, please see this post transcribing Nigel's notes.

The short answer is: I don't think the people making the props were entirely consistent with the character as scripted. I think most likely they were given some general directives (such as "make sure it highlights the words "egocentric megalomaniac with delusions of grandeur") Outside those few directives, they just sort of let their poetic license run free, injecting their own ideas of a what a "fucked up weird guy who dissects animals" would say into the text, and creating a different version of Nigel than the movie presents us with. The worst example of that is the newspaper article in Alex's book--which doesn't make ANY sense in the context of the film. No one really expected crazy fans to obsessively pause the movie and use photo enhancing techniques frame by frame to determine what was written in his journals or the text of the article, so I think there was a lot of leeway and perhaps some laziness when it came to the props.

It's hard for me to come up with an IN character justification for Nigel to have written that, because it doesn't gel with my observations of him as presented in the film. The journal entry itself is written before he is kidnapped by Alex and the dynamic of their relationship shifts. This IS the entry that made Alex angry enough to kidnap him and teach him a lesson in the first place. This is the Nigel who barely responds to Alex's confrontational anger over the dissection in the dorm room, the Nigel who seems to be completely unmoved by or even very aware of how his actions might impact others. He doesn't care enough to even consider what effect he has on others, and even if/when he is aware, I sincerely doubt he'd bother to *pretend* anything. Nigel doesn't seem interested in pretending to be anything other than what he is, a defining trait that causes him a lot of problems.

Later in the movie, Nigel does shift a bit into a more puckish role. He fucks with Alex in a variety of ways, very noticeably in the train scene when they're going to visit his secret room. He's playful, mischievously antagonistic, poking and prodding Alex and seeming to enjoy his discomfort. This demeanor is more in line with the kind of guy who might write about deliberately messing with his roommate's head. But I still don't know why he would feign disgust in the middle of the dissection given that he's been dissecting animals regularly and Alex would have no reason to think he's grossed out by it.

I suppose if we apply that puckish attitude backward and say that Nigel was already trying to mess with Alex even before the kidnapping, we could sort of squint our eyes and imagine him being very over the top Fake Disgusted as he waves the heart around in Alex's direction. I still don't find that very likely, but it's the best I've got.

If you wanted to, you could use this as part of a theory that Nigel was the real instigator all along and had been intending/planning to manipulate Alex from the moment he was transferred to the school and forced to share a room. In such a reading of the film, all of his behavior could be seen as pretense in some way, including his initial lack of reaction to Alex--calculated to rile Alex up, put him off balance, etc.

I don't personally buy in to that interpretation, just as I don't buy into Alex being the sole instigator. I think either reading ascribes far too much power and control to these teenagers, however intelligent and manipulative they may be. But if you want to go that route, here's a supporting piece to add to your puzzle.

Thanks for the ask and I hope this rambling mess makes at least some sense!

EDIT: please read my reblog of this post. @silhioutte pointed out the very obvious mis-read of this line.

[Like Minds Masterpost - Main]

[fullmindsemptynotebooks]

My Incredibly Tired And Defensive Rant On Why I Choose To Interpret Jayvik As Queer

I literally do not use tumblr at all but I feel like I need to scream into the void about this so bear with me.

So Arcane is over, and jayvik is creeping up to be one of the most popular ships of the year already. Nice. The amount of hostility I've seen directed towards shippers, however, is not nice. So let's address it.

"They were confirmed not to be canon by the co-creator!"

A concerning pattern that I've noticed in recent years when it comes to media consumption is that we are becoming extremely reliant on post-release (twitter) statements when it comes to what's canon and what's not.

And I find this very counter-productive; a very fundamental aspect of interacting with art is having the freedom of interpretation.

While yes, I do understand that there always is an intended meaning, that intended meaning should be supported by the art itself, and the consumer should be able to find evidence of it in the art itself.

Same goes for things that are not in the show, or left ambigous -- if it isn't supported by the art itself, then making it canon or denying it's canon-possibility by a twitter statement is redundant.**

I feel like this trend of creators responding to every little thing later on somewhat ruins this ambiguity of interpretations, which ultimately leads to shutting down the possibility of having nuanced discussions on the art.

"Why can't they just be friends?"

They can be friends! They can also be more. That's that, moving on.

"Why can't we have strong male frienships in shows?"

I see this brought up very often, so I am just going to say it, interpreting two male characters as being romantically involved does not support toxic masculinity.

Strong, affectionate male friendships do not lack representation; they're the norm. And if you desire to interpret one of these ambigous friendships as more than a friendship, that is totally fine, because what actually lacks representation in mainstream media is queer relationships between men.

I'd like to remind everyone here that most of the film industry is still cishet men making content with other cishet men in mind. And the sad truth is that a big part of these men refuse to interact with media that has explicit mlm romance. (And then lesbian relationships often get fetishized, which is another can of worms for another day)

I couldn't count on one hand just how many examples I have of shows with queer subtext just subtle enough for the "anti-woke" viewers to be able to shut down the sheer possibility of it being queer subtext. But let's call a spade a spade; if a (queer) person chooses to interpret a relationship as queer subtext, then they have every right to do so.

"Jayvik shippers are just women who fetishize gay relationships"

This one especially irks me the wrong way. First of all, it is a very reductive statement. This might be dramatic on my part but generalizing the entire fanbase is queerphobic and misogynistic.

First of all, based on my observations, an incredible amount of jayvik shippers are queer, if not the majority. Specifically, trans men who relate to either of these characters, but also people who are otherwise queer or genderqueer.

The misogynistic part is going to be a bit more nuanced and possibly even controversial, so bear with me, but I feel like engaging with mlm content for many women is just a safe way to explore sexuality and romance, a way to detach from the reality of "womanhood" and whatever comes with it.

Women being criticized and ridiculed based on the way they interact with fandom/media is a tale as old as time.

It is important to acknowledge that straight women making mlm content does often lead to bad representation, but as far as my experiences with jayvik go, this isn't the norm here.

**Ace Viktor Mini Segment

This Twitter-confirmation-point is why I have a bone to pick with the ace Viktor canon as well, also later on confirmed by Christian Linke to be "the intended interpretation".

As an asexual person, I honestly feel very tired when I see creators "add" ace representation by randomly stating on Twitter that X character is asexual, even though it is never explicitly stated in the show itself.

I am also very tired of the stereotypical introverted workaholic intellect being the ace rep we are getting. Making a character that would not be very into relationships/sex/romance in the first place/was never planned to have a romance arc be your ace rep isn't ace representation. It's a cop-out.

And then also the fact that he is disabled, which adds to another harmful stereotype surrounding the fact that disabled people are often depected as being desexualized.

In conclusion

we have every right to interpret jayvik (or any other fictional characters, for that matter) with a queer viewpoint in mind. Queer people exist. Shows can have multiple queer relationships and multiple kinds of queer relationships.

And you can freely interpret any characters as being queer, even if they're not explicitly stated as such. That's literally it. This one statement could've been the entire post, lol.

There are many other issues that I could address here, but this is already way too long, so thank you, tumblr void.

[irritablepoe]

mu qing being seen as someone who's dishonest and ill-intentioned is actually so misled because while nearly every god turns out to have some kind of cover up for their bad actions in the present or past, mu qing is direct about his heritage and his actions in the past, even though he dislikes it. He's not hiding from it I mean, he's at most shifting the blame onto feng xin. He is hard-working and cares about his followers, there's a reason why he's so popular among folks.

[a-star-that-burns-brightly]

I don't know if this still happens cause I'm not too involved with the Fuuta side of the community, but when I was first getting into Milgram I remember being somewhat annoyed at how much I saw Fuuta's murder being watered down to just "Haha twitter user was twittering". And I still feel that way, not because I think Fuuta should be specially punished for his murder, but because in a series full of murders that anyone could commit when placed into their shoes, Fuuta is the character that I think exemplifies the fact that any of these prisoners could be you if you were placed into different circumstances.

[ichthyorelationships]

an idea i invite anyone else to write about / run with lol....

the premise that The Change gets all messed up for alberto, say it's something that can happen from stress, &/or happens rarely and you just have to wait for it to resolve itself....used as some parallel to struggling through some emotional turbulence / upheaval / questioning / Realizing Things, etc etc

[hibernating-stag]

I've heard there's heated debate on this topic but I Do Not Care, I formed a solid opinion the first time I saw one of his win screens

^ This guy HAS to be 15 ^

[yonahsienna]

There's a famous saying: "2 Jews, 3 opinions". And you just asked several questions to the entirety of Jewish Tumblr, so no doubt you'll get many different perspectives on this. I'm not Orthodox or Frum myself, but I can speak from my perspective as someone Jewish who knows many folks in that community, but also has some distance. More about me and my frame of reference at the end. 🙂

The first thing I'm curious about is how all of your questions ask about "Orthodox" Judaism rather than mainstream Judaism. There's a misconception in the wider community that old school, black hat, Orthodox Jews are the "real" Jews and everyone else is "Jewish lite". That is absolutely not the case. The vast majority of American Jews (around 90%) are non-Orthodox, mostly unaffiliated (~40%) and Reform (~30%). Now, don't get me wrong, the 10% of American Jews who are Orthodox are valid and deserve to get representation and to participate in these conversations, but I want people from outside the community to understand just how diverse the Jewish community is. Jews in other countries like Israel, Britain, and Canada have a higher percentage of Orthodoxy, but even there, they are a minority compared to unaffiliated and more liberal branches.

1. Who is a Jew? Before Judaism was considered a religion, it was considered a family. And in my opinion, that is still the best way of understanding it. Every family has their quirky traditions, their values and beliefs, and their understanding of relatedness to each other. There also are many ways you can join a family. You can be born into it, adopted into it, marry into it, or otherwise find yourself "choosing" and "chosen" in that family. The only thing you can't do is start identifying yourself as a member of a family, if the rest of the family doesn't see you that way.

Whether you'll be seen as part of the family, depends on the branch of Judaism. Orthodox Judaism recognizes you as Jewish if your mother was a Jew, or if you had a valid conversion. It doesn't matter if you observe Shabbat every week or never observe it. Doesn't matter if you're a "good" Jew, a "bad" Jew, or anything in between: a Jew is a Jew is a Jew.

Now, like everything in Judaism, this gets complicated when you zoom in on the details. What does it mean for someone's mother to be Jewish? Well, they have to have a Jewish mother or a valid Jewish conversion. How far back do you go? Oftentimes, documents from your maternal grandmother will suffice, but even that can be complicated depending on where your family is from and what kinds of records they kept there. There are cases of entire communities' Jewish status being questioned based on their origin and type of practice (eg the Ethiopian Beta Israel or immigrants from the Former Soviet Union).

And that's not even most common can of worms, which is that Orthodox communities do not consider non-Orthodox conversions to be valid. So if you or one of your maternal ancestors converted with a liberal Rabbi, an Orthodox community would likely require a conversion ceremony "just in case" at the least, or a full year or longer of Orthodox study, depending on your situation. In the USA and Canada, Reform, Conservative, and Reconstructionist communities accept each other's conversions, and will even sit together on a Beit Din ("court" of 3 Rabbis needed to perform a conversion) in smaller communities. Even between countries, "who is a Jew" is a complicated question. Almost every Reform Jewish community in the USA considers a child Jewish if either the mother or father is Jewish, but almost no Reform Jewish community in Canada does. This scrutiny can also be exacerbated by racism and xenophobia — with my dark, curly hair, light olive skin, and convex Semitic nose, I've never been asked to confirm my Jewish parentage; while blonds and Jews of color face more scrutiny.

Despite all this, Jews recognize each other all the time, irrespective of branch. We don't proselytize to non-Jews, but several branches of Judaism do Kiruv (in-reach) to encourage unaffiliated Jews to "return" to their Jewish roots and get involved in their community. Of course, what exactly that means will vary by community.

2. Is Gay Okay? I'll answer this one in two parts, first for Orthodox Judaism, second for liberal, non-Orthodox Judaism.

Orthodox: Remember "2 Jews, 3 opinions?" The Orthodox umbrella contains no less than six "flavors", many of which can be subdivided into smaller sects or dynasties. Even two Rabbis in the same community may disagree on the nuances of particular issues. In my opinion, this is a feature, not a bug. After all, humans are imperfect. If even Moses himself got it wrong at times, everyone since then must be taken with a grain of salt of various sizes.

The range of Orthodox opinions runs the gamut from the Orthodox Union's 2006 position that "To argue that same-sex marriage is consistent with the traditions of Judaism is intellectually dishonest at best and blasphemous at worst", to thrice ordained Orthodox Rabbi Mike Moskowitz saying "Being gay itself is not a toeiva [violation]. Forcing people to live a life of deception is." The average Orthodox person's opinion is somewhere in the middle of these extremes, and varies depending on which "flavor" of Orthodox they prescribe to, as well as if they have any LGBTQ+ friends or family.

Liberal: The Jewish mainstream is very accepting of LGBTQ+ people, with Reform, Conservative, Reconstructionist, and Renewal communities all officiating LGBTQ+ weddings and welcoming LGBTQ+ Jews to become Rabbis. The liberal movements have even supported new language and rituals that "queer" traditional Jewish practices and mark queer lifecycle events such as gender transition.

3. What about Abortion? All branches of Judaism are very clear that the life of the pregnant individual always takes precedence. Orthodox Judaism opposes any legislation that would unilaterally ban abortion at any stage of pregnancy, but does identify as "pro-life" and sees abortion as a "last resort" for physical or mental health reasons only. Reform Judaism is strongly pro-choice, seeing reproductive decisions as incredibly personal and situational, that families and doctors should make without any outside interference.

This is all my interpretation from my own frame of reference. I am non-denominational: I take a little bit from all the movements but don't limit myself to only one of them. Also, my mother is a Reform Rabbi in Canada, and my wife is a Reform Rabbi in the USA, and I've lived my entire life around Rabbis and Jewish educators and leaders of every denomination. So when I decide how to interpret the traditions in my own life, I do it from a very informed and intentional place.

If you want to learn more, all of the links above are a good place to start. I especially recommend the Jewish Virtual Library and My Jewish Learning as good starting points.

As the great Rabbi Hillel said: "The rest is commentary, now go and study it!"

So, I have a few questions to everyone and I mean this in good faith:1.Does Orthodox Judaism generally accept Reform and Conservative Jews or is there a "no-true scotsman" issue like in Christianity with the Unity branch vs Conservative Christianity, which is most Christian Branches. 2. What are the views on Homosexuality? I generally heard mainly Orthodox Jews don't support it, but some Orthodox Jews do. 3. Does the issue with Abortion that Christianity has also apply to Orthodox Jews? I know the fetus personhood™️ only seems to apply to Christians.

P.S I am ExChristian trying to get an understanding of Judaism so I can keep this whole Judaism=Christianity without Jesus behind me. I genuinely don't want to end up like those antisemetic Atheists who hate both.

Please state your frame of reference clearly when answering

[flowerbloom-arts]

Some low-effort doodles because I've been thinking about Mymble Jr alot and just how much they watered her down in the 90s series. So I tried 'fixing' some scenes to make her atleast more expressive.

She and the Inspector would've been such a fun relationship if they just let them be themselves like in the comics (and books in Mymble's case), just, I dunno, they made her distinctly boring while they made the Inspector just a little extra silly and I think that's deeply unfair to Mymble. This is especially upsetting when they never shared the same panel in the comics besides 2 of them, and in one Mymble Jr is just standing there while Moomintroll does the talking.

[erdasmcnonsense]

Okay I know it's not guaranteed by any means, and it's common enough for reds to survive a good while after turning red, but wouldn't it be funny if Martyn were to also be the first out of the game in Secret Life? The canary curse broken by the previous winner because the Watchers are just that done with Martyn's shit by now or whatever

[miss-anthropyxx]

casually spiraling and dont think there's anything i can do about it at this point anymore. i wanna just give up and let myself spiral.

[brotherhoodoftheblade]

Perhaps the only good thing about Percy so far seemingly not having been cast in the show is that -- aside from my fears of what DG and writers would do with him -- I don't have to look at the actor they chose and constantly think how he's not pretty enough to be Percy. 😅

On the other hand, maybe the casting gods would've miraculously blessed us with the perfect amazingly handsome, delicate featured, beautiful-eyed and soft spoken Percy of our dreams and we're being deprived of the pleasure of gazing upon him as we speak...who knows? 😢

Oh, the cruelty of (most likely) never knowing! Sometimes I'm not sure what I want anymore...😭

But I will always love and protect Percy Wainwright, come hell or high water -- that much at least is certain. ❤

[spikes-got-anger-issues]

Joining a fandom where apparently anon hate seems to be common but the fandom is really small