Tangled Salt Marathon - “Rapunzel Knows Best!” ( A first half of S3 Recap)
So I decided to place the recap after Be Very Afraid for several reasons. For starters it’s where the season three hiatus took place. It’s also framed like a cliffhanger episode the same as The Great Tree and Queen for a Day; so while Cassandra’s Revenge is technically the midseason finale, Be Very Afraid functionally servers this narrative purpose better. Finally I want to keep the Cassandra heavy stuff contained in it’s own recap later same as I did for Varian’s arc in season one.
Also keep in mind, everything I discussed in previous recaps still apply here. Nothings changed and you could argue that the issues I bring up now could have also apply to past seasons; they just happen to be at their worst here.
Here are the past recaps
To Filler or Not to Filler
Hey, What Ever Happened to That Varitas, Guy?
What Is the Point?
‘Whatta Twist’
And here are the episodes that’s covered in this recap
Rapunzel’s Return Part 1
Rapunzel’s Return Part 2
Return of the King
Who’s Afraid of the Big Bad Wolf
The Lost Treasure of Herz Der Sonne
No Time Like the Past
Beginnings
The King and Queen of Hearts
Day of the Animals
Be Very Afraid
Poorly Defined Conflicts
I’m not just talking about Cassandra’s lack of goals here either, though that is a part of it. I mean in several episodes the central conflict isn’t laid out clearly enough before being resolved. We flip from one set up to the next without ever resolving the first; like in Rapunzel’s Return when Cass and Varian fight for screen time or whenever Rapunzel is suppose to learn one lesson only for someone else to learn a completely different lesson in every other episode. And to this day I don’t know what Rapunzel and Feldspar’s subplot in Lost Treasure was suppose to be about.
There’s also of course the ill-defined overall conflict; which at this point has become convoluted and nonsensical to the extreme, and will only grow more aggravatingly stupid as the season progresses. The main villains lack clear goals, their motivations don’t align with previously stated facts, and the actual interesting conflict involving the threat of the rocks and their destruction of people’s lives and homes is just shoved under the rug and forgotten about.
There is no story without conflict. Having the conflict be all over the place is not only confusing but makes it harder for the audience to invest in what’s going on.
Failed Narrative Promises
Tying in with the above statement regarding conflicts, we have failed narrative promises. Rapunzel is repeatedly told to that she needs to learn something in several episodes only for her not to learn it at all. She either learns some unrelated ‘lesson’ that wasn’t established, (like in Rapunzel’s Return with her pervious goal about ‘opening up to others’ being switched out for a generic ‘responsibility’ lesson that at the last minute, where she doesn’t even do anything responsible,) or she winds up ‘teaching’ the opposite lesson to a different character thereby rewarding her for her bad behavior.
And that’s just within the induvial episodes themselves; there’s also broken narrative promises through out the overall story arc; like...
no justice/redemption for Lady Caine,
no acknowledgment that the Saporians are the victims of colonization
no conclusion regarding Corona’s murky past
no satisfying ending to Varian’s plot that sees everyone in involve grow
a poor copout of an explanation for Cassandra’s face/heel turn
The Dark Prince reveal going nowhere
The Brotherhood being put on a bus
King Frederic, or any royal, not being held accountable for their past actions
Lance’s new found responsibilities just being thrown away for the tenth time
The Disciples plot being being dropped
next to nothing in season two winds up being relevant
And Rapunzel, the protagonist of a coming of age story, fails to learn anything at all
I could probably go on but you get the gist. Tangled is incredibly frustrating show to watch because doesn’t deliver what it promises. You’re not being clever by ‘subverting audiences expectations’ unless you can justify your narrative decisions with previous set up. Tangled is too lazy to build proper set ups so it’s ‘twists’ leave you wanting to punch things rather then impressing you.
Character Assassinations
Every single character in Tangled the Series gets thrown under a bus, driven off a cliff, and then allowed to drown in the ocean of their completely unaware self-congratulatory smugness.
Rapunzel is turned into a bully
Cassandra is given the idiot ball to hold permanently
The King and Queen are lobotomized
Quinin gets replaced by a robot
The rest of the Brotherhood are pale shadows of what they could have been
Edmund is transformed from tragic complex figure into a dumb jerkoff who abuses his kid for a laugh
Zhan Tiri, once an ancient demon warlock, is reduced to a floating impotent ghost girl
The Saporians become poor hipster parodies
Cap is put on a bus
Any villain who isn’t Cass is gets ignored
Lance is infantilized to the point of absurdity
Eugene becomes a doormat
and poor Varian is forced to become a complacent victim to his abusers as oppose to being allowed to keeping his dignity
I think the only person who escapes this mass murder of characterization is freaking Calliope, and she’s hasn’t even appeared yet! (Well okay her and Trevor, maybe)
This all ties back into the poorly defined conflict and failed narrative promises. Rather than let the characters drive the story, they’ve become puppets to the plot, and plot is really stupid and forced, and circles back in on itself and is full of contradictions.
Manipulating the Audience’s Empathy to Do the Work for the Writers
The reason why the creators believe they can get away with such poor characterization and lazy writing is because they expect the audience to do all the heavy lifting for them.
Cass isn’t given an on screen reason for what she does because they’re hoping her fans will just automatically excuse her because they like her/relate to her and not, you know, get mad at the writers for dumbing her down. And after all who doesn’t love the creator’s pet? Meanies! That’s who!
No one calls out Rapunzel’s bullshit on screen, because if everyone likes her, then you, viewing audience, should too. Because if you have any sort of independent critical thinking abilities and a sense of right and wrong then clearly you’re ‘just a hater’.
Everyone should just shut up and be satisfied that Varian is even on screen now and be grateful for the scraps that they get cause he’s not the real point of the show and according to Chris ‘Varian fans aren’t real fans’. Even though they make up most of his viewing audience.
I could go on, but it’s just variations of the above. The writing in this series is very fond of gaslighting the audience and trying to trick them into justifying the absolute worst behaviors while desperately hoping they doesn’t noticed the continued downgrading and dismissal of characters they do like or once liked.
And the sad thing is, it’s worked. There are people to this day that still try to justify this show’s shitty morals and bend over backwards to excuse the likes of Rapunzel, Frederic, Cassandra, and Edmund. Worst, there are loud sections of the fandom, (usually on twitter) who think bullying is okay and follow in Chris and his characters footsteps. Most of them young impressionable girls who are now ripe for TREFS to indoctrinate because they use the same bullying tactics and excuses for authoritarianism.
Media does effect reality, but not in the way purists and antis would have you believe. No one is going to become a violent manic from playing a video game nor a sex offender because they read a smut fic. But they very much will conform to toxic beliefs if it’s repeated enough at them by authorities they ‘trust’; like say the world wide leading company known for family entertainment and children’s media, and the ‘friends’ they find within the fandom for said company...
I’m not saying you can’t enjoy Tangled the series or that you’re some how wrong for liking it’s characters, nor do you have to engage with every or any criticism thrown it’s way. But yes you need to think about the media you consume on some level and valid criticism is very much important to the fandom experience for precisely the above reasons.
Conclusion
This isn’t even the tip of the iceberg of what’s wrong with this show, but it is most of its biggest problems laid bare. Anything that haven’t covered here or in the past recaps will be explored in the final recap. Cause this is it folks; the last leg of the journey for this retrospective. When come back, hopefully next week, we’ll tackle Pascal’s Dragon.
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Killer Obsession
So I was directed to a great article (https://www.teenvogue.com/story/white-male-serial-killer-obsession-problem) about how Hollywood romanticizes and profits off of our rather creepy obsession with darkness. I came across this gem in that story.
QUOTE: We are continually fed this idea that white male serial killers are charming, debonair characters — that they're just misunderstood, incomprehensibly complex people who also happen to have a strange proclivity for the dark and macabre. And while there's nothing wrong with being curious about what drove them to commit acts of this nature, that curiosity becomes an issue when movie or TV producers opt to completely gloss over the lives of the victims in favor of an easily digestible "outsider" narrative. When we focus so much on the murderer — their neuroses, their troubled pasts — we ignore the fact that the victims of these crimes were also people. By romanticizing the men who committed these crimes, we end up forgetting the victims were actual people who were so much more than some of many body parts found in Dahmer's closet.
After I read the article, I poured myself a celebratory drink. “It’s not just me!” Because there is no greater example of this obsession than Teen Wolf show’s and Teen Wolf fandom’s fascination with turning Peter Hale into the ‘hero’ of the story or at least a ‘hero’ on the same levels of other characters. With one or two sentence changes, I could make the above paragraph completely about him.
For those of you who scream “fiction =/= reality” from the rooftops, answer me this – why are there more biographical films about Jeffrey Dahmer than there are about Hugh Thompson Jr. or Katherine Johnson put together? The choices you make in pursuing fiction have consequences.
Because the only way you can place Peter Hale on the level of any of the other characters in Teen Wolf is if you ignore his victims. Let’s just table the discussion on whether revenge is morally acceptable – let’s eliminate Kate, Garrison Myers, Unger, Reddick, and the video-store clerk from the discussion, because Peter had plenty of other victims we can talk about.
We can talk about Nurse Jennifer, whose body he shoved into a car trunk like so much useless baggage (which he joked about) after she was instrumental in helping him get his revenge. We can talk about the school janitor who he killed for being in the way and then used his body as a prop. We can talk about Adrian Harris, who was moments from being killed because he had the nerve to get drunk into a bar and talk to a pretty woman. The show never talks about the nurse or the janitor again; the fandom pretends that they don’t exist and that Harris ‘deserved it’ for not being a nice person.
Or we can talk about how the fandom talks about Scott McCall, criticizing him for holding a grudge (even though he doesn’t actually hold a grudge in the show) because it shows that he is ungrateful for the ‘gifts’ of the asthma cure and the werewolf powers, which should more than make up for the multiple murder attempts, the mind control, the manipulation, and the extortion. It reminds me of nothing more of people trying to justify imperialism by saying ‘look at all the things that colonization brought!’
Or we can talk about how the show treats Lydia Martin, who was savaged, used, and gaslighted. Of course, Peter though she was strong enough to survive with only a “few years of profoundly disturbing nightmares.” The show resolves this situation with the briefest of confrontations (undermined by a poor music selection) and pointless witty banter in the penultimate episode. Fandom has a better track record than the show, at least acknowledging that what Peter did to Lydia deserves more than a laugh track.
Of course, he was ‘ill’ in Season 1, which doesn’t stop anyone from celebrating him, because the only answer is ‘when did he get better?’ It wasn’t in Season 3a where he manipulated everyone to regain power. It wasn’t in Season 4 where he worked with the person who killed his family in Season 1 in order to kill a child for his own greed. It wasn’t in Season 6, when he spent the time drawing a perfect spiral of revenge on the floor of his cell (super healthy!). Teen Vogue’s article is spot on.
It’s good that at least someone with a voice and reach is addressing Hollywood’s enabling of fan’s unhealthy fascination with deranged killers.
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