#but of course there are those are are like those arent facts

[toytulini]

would be cool this yr to do like first aid training maybe?

[icewindandboringhorror]

I think the hardest thing in writing for me sometimes is the like “show don’t tell/let people communicate through subtext/Normal People don’t just walk around openly explaining their motivations for everything That’s Unnatural” thing because like.. I literally DO walk around openly explaining my motivations for everything, that is how I talk, I am an analytical detail oriented over-communicator who explains everything as thoroughly as possible and and will give a fully detailed 2 minute long answer to something simple like “how are you doing today?” .. like it’s hard to make things sound Natural and Normal when you yourself are inherently unnatural and abnormal in your methods of communication to an extent lol

[where-does-the-heart-lie]

Revolutionary Army Punk AU

Ft: Luffy (not punk)

Steampunk is cool but i think just straight up punk would be cooler. I just think what they stand for lines up a lot better

Design notes:

I did some research and talked to a punk friend of mine for these as i am not a punk, myself, and I dont want to look like a poser. I think i did a really good job translating them and i want to explain my thoughts!

Sabo was first, of course.

I not only wanted to make the characters punk, but i also wanted to crank their designs up about 20 notches, so i gave Sabo’s scar one hell of an upgrade. In this version I tried to make it very clear that that cannon ball hit him head-on. I think it works really well with his punk vibes because under-cuts and shaved parts of the head in general are very popular in punk culture.

I largely tried to keep the silhouettes the same with this au, and It was really easy to keep it with Sabo because of the fact that he already has a lot of design elements that translate well to punk. His big pants into tall boots were perfect to translate, crust pants and steel toed boots fits him well. Trench coats arent a staple in Punk, but i couldnt take the coats away from him… him or Belo. They deserve it…

I threw away his cravat for a choker, i replaced his vest with a red tank top and his undershirt for fishnets, Patches up the wazoo, he looks very cool.

Belo Betty was next, she was super easy to translate. She’s already in the punk spirit with her tits out, we love to see it. Her hat was really difficult to translate, along with all the other hats, but a red knitted hat that has those two points cuz it’s essentially a scarf sewed together looks nice on her.

My punk friend suggested i give her a bunch of nets and harnesses and i really agreed that was her style, so i gave her red tie to Morley, slapped some harnesses on her and just overall just turned her sexy up like 50 notches. I think i was clever how i adapted her striped stockings here with how they have runs in them.

Karasu is almost the exact same. I just threw out his dinky little cravat and gave him a bandana and harness. I also gave him piercings. That’s the only difference. In the words of my Punk friend “hes naked and wearing a spiked mask, He can hang”

Speaking of what my punk friend said, he said that Lindbergh would get “demolished” in the pit, and that he looks like he’s scared of bees. The consensus was that he couldn’t hang. But also i still had to make him punk, so then he suggested CBGB punks:

Redneck, bluegrass, southern american punks. I was really in a rut with his design, I didn’t know what to do to keep the silhouette of his backpack. But everything changed when I chance got the idea of a guitar. And then everything flowed from there

Morley was really really fun. Punk friend suggested i make him Pop Punk, inspired by this pic

Mainly Lindsey way with this plaid skirt and tie

He was so so fun to draw, i love his fucked up eyes.

For dragon, i didnt change much at all, even though it’s only his bust that’s shown. Imagine everything is the same, except now he has piercings. Dragon isnt concerned with the punk fashion, but the punk cause.

For Luffy, I wasnt trying to make him punk, but he felt a bit plain looking like base Luffy next to punk Sabo, so i just did the “turn design up 20 notches”, and just gave him a more visibly tattered hat, bangles and waist beads.

That’s about it! Ive been getting a lot of comments and asks lately saying that you guys like when i go on my design explanations, and i realized that i didnt do that for the last few AU’s, so i thought id type this up :)

Thank you for reading!

[petermorwood]

I have a sword question, if I may. Or more of a sword confusion Im seeking clarification on.

In my mind a fantasy european standard sword (that obviously doesnt really exist, but like, when a knight or someone in a story has an unspecified sword), I always imaged a straight blade with a triangular tip, both edges sharp cutting edges.

Then at some point I learned about eg scimitars that have a cutting edge and a ...blunt edge?

I was looking at your recent addition to the post about the Turkish sword, where you distinguish between an inner cutting edge on a sword v an outer cutting edge.

And then Im thinking of those enormous zweihander types that are all about momentum and do those even need a particularly sharp edge? They seem in dnd parlance to be a bludgeoning weapon not for slashing.

And while Im asking, like. Rapiers are very stabby weapons, do they have sharp edges at all or judt a sharp point?

I guess my overall question culminates something like "what parts of swords are designed for what damage and why? Is there anything all swords have other than blade and handle like can they all be used for stabbing or do some have very blunt points etc? Is it a big deal for a sword to be double-edged, does that necessitate specific training? Whats up with different sword blades?"

I realise thats a pretty enormous question that might be unreasonable to ask. Im happy with whstever response you are or arent willing to give. Hope you have a good day :)

Sharp edge / blunt edge is the setup on any kitchen or table knife you've ever encountered, and being able to put a hand on the blunt "edge" - usually called the back of the blade - not only helps when mincing herbs or garlic, but also features in some techniques of swordplay.

Other techniques employed non-blade parts of the weapon, using the pommel like a mace and the crossguard like a pick-axe.

*****

Whether swords should be straight or curved, single- or double-edged, was an argument which continued as recently as the early 1900s.

The last swords issued to cavalry for combat use (modern parade swords don't count) were both remarkably similar designs, straight-bladed for thrusting, adopted by the UK in 1908...

...and the US in 1913.

There was, of course, strong opposition from those who insisted cavalry swords should be sabres curve-bladed for cutting instead.

Equally of course, both sides failed to notice - or ignored, since a certain kind of cavalry officer was only bright as regards boots, buckles and buttons - the uncomfortable fact that machine-guns and repeating rifles had made the whole ta-ran-ta-rah "cut them down with your swords, men!" cavalry charge an exercise in futility.

*****

D&D, unless they've considerably upped their accuracy game, isn't much of a reference for weapon realism.

"Enormous Zweihanders" and other big swords such as the Montante were a lot lighter and more nimble than they'd seem from reading an encumbrance chart.

They had their own techniques to take best advantage of length, leverage and momentum and were indeed sharp. Given a choice between a sharp combat weapon and a blunt one, sharp makes far more sense.

In addition, a sharp blade is lighter than a blunt one simply through having less metal. It may only be a few grams of difference, but it IS a difference.

That's also the reason behind a fuller, the groove(s) along a blade.

They're not "blood gutters", tough and cool though that may sound, but a way to reduce a sword's weight while preventing its blade from getting excessively flexible.

Finally...

The re-enactor is wearing half-armour, but these big swords were also meant for use against unarmoured opponents. Bodyguards often carried them (they looked impressive) and those sweeping strokes could block an entire street while The Boss got away.

That's when an ability to cut rather than merely bludgeon makes all the difference. Determined assassins might try to rush a blunt sword, but a sharp one would give anyone second thoughts...

*****

Double-edged swords versus single-edged ones seem to vary depending on cultural preference - also on period of history and intended function.

Bronze Age European swords had straight or leaf-shaped blades with double edges...

...while Ancient Egypt had the curved, single-edged khopesh, a shape which also turned up in Ancient Assyria (this one's in the Metropolitan Museum, New York USA).

It's listed as a "sickle sword", an incorrect term which I wish would go away because sickles are sharp on the inside of the curve while swords like this - their grip-shape shows how they're meant to be held and swung - are sharp on the outside.

And just when "the Ancient Middle East used curved single-edge swords" looks like a handy generalisation, along come straight swords, one from Ancient Egypt...

...another from Luristan, now part of modern Iran.

This next one comes from Ancient Iberia (Spain), right at the other side of the Mediterranean. Evidence of trading links? Your guess is as good as mine.

Iberia went on to use the falcata, a short single-edged forward-curved sword.

Those extra bits round the blade are scabbard metalwork; the wood and leather scabbard is long gone. This repro shows how they would have looked when in place.

Iberia also used a straight double-edged sword which so impressed the Romans that they adopted it, refined it and used it for several centuries. Here's one of the several Roman versions of that gladius Hispaniensis (Spanish sword), double-edged, mostly meant for stabbing but capable of very effective cuts as well.

Here's my repro of a similar sword, the elegant "Mainz" pattern with its long point and waisted blade. Very pretty, and pretty wicked.

*****

"Curved single-edged swords are Eastern, straight double-edged swords are Western", is another generalisation that won't work.

Here are Eastern straight swords...

...and Western curved ones.

*****

Viking swords were all double-edged...

...except when they weren't.

*****

Many rapiers could cut. Smallswords, which came later, couldn't.

Earlier rapiers with broader blades cut better than later ones with narrow blades, but IIRC even the later Italian and Spanish rapier styles include cuts directed at the opponent's face and sword-arm.

I have a notion that the modern thing about cutting with rapiers is based (like back-carry) on seeing it done in movies. IMO - more about it here - that's actually more a modern stage-combat safety thing than a period real-combat move. A fumbled cut is bruising and unpleasant even with a "safe" prop sword, but a fumbled thrust into the eye-socket or throat with that same "safe" sword can be fatal.

Even those early rapiers wouldn't sever a head or limb - a finger maybe, hence the elaborate hand-protection of swept and cup hilts - but blood from a forehead wound running into the eyes was, and in boxing still is, an efficient way to finish a fight by ensuring the opponent can't continue. One of the duels in "The Duellists" ends this way.

This example is a bit optimistic, IMO...

...but a longsword (double-edged)...

...or a messer (single-edged)...

...was quite capable of disarming an opponent in a very literal way.

*****

Some swords had minimal points, being intended mostly for cutting. One example of this is the Indian khanda broadsword. The second example is also very clearly single-edged.

Another cut-only sword without a point (but with double edges) is the Richtschwert (justice sword)...

...though this was a single-function (and hopefully single-cut) tool rather than weapon, neither balanced for nor intended for combat.

Hope this has helped answer the questions!

[mythicmanuscripts]

SUB!AEGON HEADCANNONS

Alright since I just wrote sub!aemond headcannons, I think it's only fair that I follow it up with the same for Aegon! If you like what you see here, check out my blog to read my other works and feel free to send some requests or thoughts of your own!

Needless to say, NSFW content under the cut

right so firstly, needy. This will be a surprise to absolutely no one.

Aegon is in a constant state of whiny, pathetic horniness that leaves him whimpering and whining and tugging at your dress until you give him some attention.

From the very first time you show even the slightest bit of dominance towards him, he's obsessed. He's immediately following you around like a lost puppy.

You have to be harsh with him, and he actually thrives when you're so strict with him?

Aegon struggles a lot with both not feeling good enough and also feeling guilty and like a disappointment. So when you give him orders and he accomplishes them of course he feels great, but more importantly, when he breaks a rule and you punish him, then he actually feels so much better afterwards?

You use spanking the most. At first you tried to use silent treatment or not touching him as punishment first but both of those ended in Aegon sobbing into your chest because he thought you didnt love him anymore, so you don't do that again and always use spank him.

You spank him until his poor ass is bright red and he's crying and clutching a pillow as he's bent over your knee. But then, then when it's finished? Then you gently help him up and let him cuddle into your chest, kiss the top of his head and tell him he took his punishment so well and you forgive him and it's like he can physically feel a weight being lifted off his shoulders.

In fact sometimes you will need to spank him so that he can forgive himself and move on? Like maybe he'll do something stupid during a small council meeting or something and even though you arent upset with him, you take him over your knee anyway because otherwise he'll beat himself up for it until he ends up drowning his sorrows in wine.

Speaking of wine, Aegon's alcohol consumption is not even a quarter of what it was before. It's so much less that the master of coin actually starts ordering less wine for the castle.

Having heard so much about Aegon's notorious drinking, you thought it would be impossible to get him to lessen his drinking, but it turns out that it was actually extremely easy. You just tell him that if he wants to please you he needs to drink less, and instantly he's doing his level best.

Maybe you even control his wine consumption? You're the only one who can fill his glass and he can't drink wine without permission and he actually thrives?

Oh also, he's obsessed with you. His mood sours if he doesn't see you for an hour. He is so so so needy and he will make it absolutely everyone else's problem if he can't find you.

Also he wants to be fucked. If you don't have the equipment for that, then he will order some ivory or jade objects shaped like dildos and he will whine and beg and cry as you fuck him with them.

Also you have to overstimulate him at least twice a week, if you don't he will be utterly insufferable. And I don't just mean make him cum twice, I mean overstimulate him until he is sobbing and begging for mercy, until his poor cock can't even produce anything for his final orgasm.

And then you just have to gather him into your arms, letting him snuggle and kiss your neck and let out little whines until he's calmed down enough for you to haul him into a bath.

[hostofhorus999]

Idrk but its something abt the fact that the kids r dead. like we get this super clear snapshot into their lives n we can infer what kinds of ppl they were gonna be— ocean could be a scholar, noel a writer, constance a baker. n u smile cuz they're kids, with their whole lives ahead of them, but theyre dead.

and they look, on some level, real. they arent corpses. they're not mutilated. but we dont even get to meet the kids from uranium, we only get to meet their minds/souls. and at the end you realize that of course they were going to die, thats how the fortune was told. but those are five lives wasted, and as you watch them going into the light as new people (kinder, softer, prouder) u realize that nobody, not friends or parents or significant others, will ever get to see those new people.

and maybe somewhere there's a woman who names her firstborn child savannah, and who is drawn to the ocean, cotton candy, cats, poetry and rap. but she knows why just as much as the kids know how to get back.

theyre kids— n they made their peace w dying cuz it meant that somebody else could live a life.

It's not fair.

But idrk tbh

[arwainian]

so the fact that imperial radch defaults to she/her for everyone human but indicates when characters arent speaking radchaai that some get gendered male and some dont obviously invites a bit of speculation about the sexes of different characters

it certainly was something i took note of in reading as an interesting point, but i'd like to throw in some additional complication: which of those instances are gender essentialist presumptions and which are not necessarily?

like seivarden is radchaai through and through, probably would not ID as a man of her own will, so her getting gendered as male outside radchaai space is mostly indicative about what she looks like physically but little else. but uran and grandfather are both gendered male in their native language by their community and family, so it can reasonably be said that they're men, and while the genitalia festival might also give us some presumptions to make about culture, it is still up in the air what assigned at birth sex either of them actually would be

and then there's also Anaander Mianaai! is her getting he/him-ed in non-Radchaai languages because of a) something about what her many bodies look like, b) people hearing her title of Lord of the Radch and making an incorrect guess, and/or c) a patriarchal assumption that of course the god-emperor is a man....? or many other reasons that could plausibly come up with if i took the time!

[determinate-negation]

I see your answer, and it frankly infuriates me, your denial of documented hateful comments on campus and ACTUAL Jewish people saying they feel threatened. The refusal to acknowledge even the slightest defect in your "side" leads me to the conclusion that you yourself are not immune to propaganda and you certainly do not value jewish voices (unless, of course they agree with you). You are more than welcome to check the jewhatedb to have a taste of the spirits in some campuses.

As for this: "more cops on campus and administrations destroying academic freedom cynically framed as “preventing antisemitism” is actually a bigger threat for us in the long run" oh how nice of you to ignore those pesky jews in name of the greater cause of academic freedom, consider this, a space that ignores Jewish voices and excuses antisemitism wasn't free to begin with. You are willing to accept their absence for some sort of "long run" greater cause and that's, for the lack of better words, fucked up.

i didnt deny shit, i stated multiple times that antisemitism exists on college campuses, but i did point out that your examples are not coming from pro palestine students. theyre coming from people who are trying to vilify pro palestine students. why doesnt it infuriate you that people are threatening to murder jews just to make muslim students look bad? why is it not infuriating to you that bad media coverage on this makes jewish students unneccesarily scared when the threats are coming from our zionist so called allies? when did jews start cheering for police repression? do you think that attacks on left wing political organizing on college campuses are actually good for jews in the long run? i see someone didnt do their nazi history homework.

also im a marxist not a liberal that subscribes to bankrupt identity politics so the identity of voices is less relevant to me than the content of what theyre saying, but if you want to go on that path why the fuck are you ignoring my jewish voice and the voices of other anti zionist jews who agree with me?

as ive said many times before, there is a difference between feeling threatened and being threatened and jewish students feeling threatened by the existence of pro palestine organizations that are generally progressive and full of jews is in my mind separate from being threatened by real antisemitic incidents. which should be taken seriously but arent coming from pro palestine students as much as they are from reactionaries and opportunists.

besides the fact that “jewish voices” are not a monolith, academia does not ~ignore jewish voices~ except for anti zionist ones. anti zionist jews get doxxed by organizations like canary mission, get kicked out of jewish centers, get slandered by college admins and pro zionist organizations. college administrations bend over backwards to support israel and denigrate sjp and jvp on their campuses. as for academic freedom, its historically never been free for critics of israel, not zionists. jewish professors have been blacklisted from academia for criticizing israel in fact. you said youre glad youre not in american academia and its very obvious you understand nothing of american academia

https://www.tabletmag.com/sections/news/articles/the-blacklist-in-the-coal-mine-canary-missions-fear-mongering-agenda-college-campuses

[oracleofdiscord]

ugh i'm so of-two-minds when it comes to the jay and nya fight.

because on the one hand, i'll be honest - i do feel like i would have actually preferred jay to win his match with nya for a few reasons:

i feel like lightning actually has the potential to be a really badass element and it would have been cool to see a jay who doesnt have hangups about hurting the ninja show that off

i didnt love the way he lost; i really liked the creative usage of elemental powers in the various matches and having a dramatic match like nya vs jay just turn into "shatterspin vs rising dragon, rising dragon beats shatterspin because of course it does" was...a letdown to me

i wanted more of the emotional gutpunch of the ninja having to deal with jay being a villain - the fact that he immediately got sent away to who-knows-where means it feels like the emotional conflict has turned into "we have to rescue him" with "he's evil now" just being an additional layer of things to rescue him from in addition to him being who-knows-where and probably trapped. whereas i wanted more of "we are actively having to deal with someone we care about being evil" (and while we may get that in the future, the ninja will now have had forewarning to emotionally prepare themselves for that, which they would not have gotten if jay had stuck around during the tournament)

even if it's a character that's already known to the audience, i feel like introducing a new antagonist by having them very quickly lose a fight to a single protagonist is...not ideal? makes them feel like not a big threat, and i wanted evil!jay to feel like a threat

on the other hand, while watching it, it did feel like it made sense that nya won - because jay can't remember his own years of fighting experience, whereas nya is just as skilled as usual. (and i will admit that them having to choose between staying for the tournament vs going after jay was also good angst)

but one thing that might reconcile those ideas if i ever flesh out a "jay wins the match" au is an idea that @destinysbounty came up with - nya loses because she really cant bring herself to attack jay. and the reason i like it is because it immediately sets up a contrast to wyldfyre - who loses because she cant bring herself to not attack cinder!

(and while i would need to figure out more details for why this matchup would happen, maybe he fights nokt in the same match nya originally did, and loses. a villain losing to an already-established-to-be-more-powerful villain doesnt knock their threat level down as much. nokt still wins water and lightning from the match and the rest of the tournament plays out as normal. and jay can still be sent away for losing a match so things arent totally canon-divergent - he just gets a bit more time in the city, potentially interacting with the ninja, first)

[kleoyeager78]

Can i request a kento nanami one shot where kentos a cold ceo who had a assistant who is very cute and kind but has a secret praising kink and kento figure out so yk stuff happen 🤭😻

High standards | Nanami x reader

Tw: smut

“I SAID HAVE THOSE PAPERS READY BY NINE IF THEY ARENT YOU CAN START LOOKING FOR A NEW JOB” Nanami yelled at one of his employees before slamming his office door and walking over to his desk.

Just as he was about to put his head down because the way nothing was going according to his plans today had his stress levels so high he heard a knock at the door making him groan, “come in”

“Shachou, I have those papers you asked for an hour ago! They are completed” you handed them to him and he looked over them with a little smile,

“You’re the reason my standards for this office are so high y'know” he looked up at you with a small grin, “No one works as hard as you y/n -San and it’s pissing me off” he lets out a little laugh, but it’s dry. Like nothing is funny to him at all and that he’s quite agitated,

“I do my best sir and will continue to do so for as long as I work here! If you need anything else please let me know and it’ll be done in a timely manner” you looked at him trying not to show how his earlier words had you flustered, you loved when he let you know how good your work was, it did something to you both physically and mentally,

“You’re such a good girl” he closed his eyes and leaned his head back looking up at the ceiling, “Will you make sure that everyone finishes on time? I need to take a long break” you saw that ge was undoing his tie while saying all this and that only made you want to go feral, he looked so hot doing almost nothing.

“Yes sir I’m on it!” You walked out his office and began to get everyone in line. For the most part you helped people but for the other part you just did the work because you didn’t like how some of them worked and you knew Nanami wouldn’t either.

At the end of the day when everyone has went home you still had a load of paperwork to do so you sat in your office and did it not even noticing everyone had left because you were so immersed in the work.

Your door knob twisted and in came Nanami looking at you with confusion, “why are you here so late?” He asked making you finally look up,

“It’s only six I’ll leave in about another hour sir! I’ll be sure to lock up as well” you sent him a smile before getting back to work,

“Y/n it’s eight” Nanami looked at his watch and then you,

“Crap I have less time than I thought” you mumbled to yourself and started working faster,

You didn’t notice Nanami had come behind you until he spoke, “the fact you’re rushing yet your work remains flawless” he praised making you flustered,

Your legs instinctively rubbed together and you had to forcefully stop them, “Thank you sir” you tried really hard to tame yourself but at this point you were sure he knew what he was doing to you because he stayed closed to you not saying anything and of course he could’ve just been observing your work but only a fool wouldn’t be able to see the affects this man had on your body and you knew for a fact Nanami was no fool,

You could feel his steamy breath on your neck as he spoke, “Are you hungry?” He gently spoke into your ear,

“Are you sir?” You asked a bit nervously,

“Very” he continued to speak gently into your ear,

“I can go get you food after I’m finished with this paper it’ll only take a minute. Did you have in mind something you wanted to eat?” You asked rushing to finish your work.

“You” he said with no hesitation. After saying that he straightened his back and put each one his arms on the side of your desk while standing behind your chair basically trapping you in between him.

“Sha-“ you started to speak but he quickly cut you off,

“You didn’t think your flustered faces and body language went unnoticed by me did you?”

You tried to stand up and he noticed this so he moved out your way and rolled your chair out of his way. You looked at him with shock all over your face, “Sir I-I” he cut you off with a kiss that you didn’t deny,

“Call me kento.” He said cupping your thighs and placing you on the desk. He spread your legs so that he could be in the middle of them, he place his hand on the back of your neck and pushed you into another kiss it’s not like it was hard for him to do so though, you barely could keep up with what was happening but you sure didn’t mind Nanami touching your body.

Nanami started to move down to your neck and you tilted your head back to give him more access,

As he sucked on your neck he couldn’t help but admire the moans that left your mouth, he couldn’t help but move faster so that he could get to the more sensitive parts of your body to hear them more.

He began to unbuckle your shirt and you helped him. As soon as he got it off he was unclasping your bra and showing your boobs some affection too,

You tried your best to keep down your moans but Nanami didn’t appreciate that, it didn’t take him long for him to take off your skirt and panties and have your bare ass bent over the desk,

He unbuckled his belt and took off his pants and boxers “Be a good girl and don’t hold back those pretty moans” was the only thing he said before entering you from behind,

He didn’t even let you adjust to him before he started pounding your pussy with no mercy, he loved the wet sounds your pussy made as he pounded into you but most of all he enjoyed the sounds that left your mouth,

You were moaning so loud. He was glad the only people in the building were the custodians,

“I can’t-“ you moan, not even being able to finish your sentence. Your eyes were in the back of your head at this point,

You suddenly squirted on Nanami and couldn’t keep yourself up so he put his hands on your waist and his thrust only got rougher,

Then you felt it.

Your legs began to shake and you creamed on his cock.

This made him speed up only making your legs shake more violently and also caused you to moan and cry from the pressure,

After just a couple of minutes he exited your pussy and just as you thought he was done and was just going to nut on your back you felt him put just the tip of cock in your ass and he fucked it until his cum was leaking out of him and into it. Some of it dripping down to your pussy causing him to fuck it in there.

By the end you could barely walk or speak, your throat hurt so bad from moaning.

Kento took you to get something to eat and then took you home, he noticed that you couldn’t physically do anything after what happened in the office so he ended up crashing at your place,

He made sure that you were not only feed but clean and that was enough for him to call it a night,

A/n ~ I completely forgot how to write smut I’m so sorry yall I wish I could’ve done better on this one

[spacedlexi]

As someone who loves both Kenny and Violet, I feel like I’ve found my calling here 😭😭😭

They’re genuinely so similar, and I do agree that the fandom has male bias, as well as protagonist bias actually

Clementine has the opportunity to befriend/romance Violet and then let her get kidnapped 20 minutes later. And for Violet, that is the most obvious feeling of betrayal! I don’t understand why people in the fandom struggle to realize that their actions have consequences

Lee can basically hate Kenny the entirety of the first season and then the fandom defends Kenny for his actions.

Clearly most of us totally understand Kenny’s response to Lee’s and by extension Clementine’s behavior, so why can’t they understand Violet’s response to Clem’s? Makes no sense to me

honestly i feel like aside from having a male bias the fandom has more of a kenny bias than a protag bias. i see his ass EVERYWHERE. CONSTANTLY. some people act like he raised clem as much as lee did 😭 (and i dont like the way the fandom talks about clem sometimes 😒 ties into the "weird about women" stuff)(and javi? wheres javi? i would like to see more javi. i actually think i see david more than javi)

anyway. i DO find kenny to be a compelling character and understand Why hes popular. its why i initially thought vi would be more popular among those fans! people who like both kenny and vi i can trust to have understood the assignment 💀 because they really do share similarities. but things some people LOVE kenny for they absolutely LOATHE violet for. and its just???? whats not clicking???

i really dont understand why some people act So Shocked by violets reaction in the cells. like hello?? YOU did this to her??? shes done nothing but put herself on the line for clem (even if clem is mean and ungrateful about it), and the One time vi needs clem to have her back, she doesnt (even tho its an impossible choice to make, and deep down vi understands this). and people shock pikachu face when it pushes her back to minnie like no shit??? but i dont think theyre even paying attention to violets character in the first place so 🙄😑 violet settled into that leadership position on her own and not only do you strip her of that role by letting her get taken she also feels discarded by the One Person who was actually influencing her to change for the better in the first place. AND you can do it all 20 minutes after kissing her. of course shes hurt!!! but people act like shes soooo unreasonable for her behavior (and vi would later agree with them! she tries apologizing to clem on the beach actually. thats how quickly she regrets it. but its too late at that point for her i guess 🙄 irredeemable. to the stocks)

kenny will Literally refuse to help lee look for clem if you pissed him off too much like 😭?? if you arent kissing kennys ass 24/7 he is the worlds biggest bitch about it. but endless excuses for kennys behavior for some reason 🤨 him trying to save ben (or christa but its better with ben narratively) is his first Real selfless act and its why its such a compelling conclusion for his S1 arc (only compounded by the fact its BEN of all people hes trying to save, the reason his family is dead). and S2 kenny is all about how his mental health is in sharp decline and hes becoming more violent as he attempts to control what he cannot 💀 kenny defenders out here using up all the oxygen in the room to make excuses for his actions but the minute vi makes One mistake she immediately regrets (after being nothing but loyal), shes an evil bitch deserving of what she got 😐

gee i wonder why 😭😔

[andreaheartscats]

Ellie Williams

tw! mention of sh

-> Ellie Willams comforting reader about self harm.

-> modern AU.

a/n: this is rather long and im sorry guys if it was bad and if it has any grammer mistakes!! i tried my best fr :')

It was winter, your favorite time of the year. Maybe because of the cold air that would hit your face when you step outside or maybe the fact that you could wear long sleeves without anyone saying "how are you not hot?!" or "arent you sweaty and hot under that hoodie?"

It was the weekend. You were in your dorm you shared with one of your very good friends, Ellie. She didnt know about your problems, mostly because you thought she doesnt care about them. She was just your best friend and also smoke buddy.

Oh but boy were you wrong.

Ellie was out, buying some stuff for dinner. It was already dark outside. While she was out, your feelings got the best of you and all of your stress and anger bolied up till it exploded.

Few little tears slid down your face as you open your box that was mostly empty besides some random stuff you had and your blade.

The drom room was pretty heated up so it would sometimes get too warm. Thats why you were in a short sleeve shirt while Ellie was out.

Bringing the blade to your wrist, you went across it rather harshly. One, two then three times you did that when you heard the door open. "baack! got some chips for the movie"

You heard Ellie say, but you were unable to form words at the moment. Quickly rushing, you put your blade in the hidding spot and throw on a zip up hoodie as you step outside your bedroom to greet her.

Your eyes were stained with tears and you put up a weak smile for her when she faced you. Of course Ellie noticed that. She alwalys does. And she saw those healed up scars, of course she has. But she never pointed them out because she didnt want to make you feel uncomfortable.

"Hey.. you good?" she asked you in such a sweet tone as her eyes frown a little. Shooting you a rather sad smile with concerne over her face. Taking some time to process what she just said you nodded with your head "yea. 'm good."

As she heard your words she knew something wasnt right. You werent really yourself for the past few days to be fair and she had every right to be worried.

Placing the bags on the counter she walked towards you. A soft smile spread across her face as she put her hand on your shoulder.

You looked at your shoulder where her hand rested and then back at her. "you know, you can tell me anythin' babe." those words echoed through your ears as she said them. And something inside of you snapped. You felt safe with her, you always did and she made sure you knew that.

A tear dropped from your eye, then another and another. And finally you were full on sobbing as she brought you close to her hugging you tightly while you cried into her chest.

Ellie didnt mind that, she didnt care if you stained her shirt with your tears. All she wanted was for you to feel better. After you let it all out and calmed down a little she pulled away her hands gently rubbing on your upper arms as she looked at you.

"come on"

she said in a low and soft vocie as she gestured to the couch.

For a moment you two sat i comfortable silence while she examined your face for sime kind of a answear and patiently waiting for you to speak up. But all you did was stare at the ground while tugging onto your sleeves. The stinging of your fresh cuts made you uncomfortable, it burned.

Your eyebrows frown together as the burning sensation got worse. Ellie noticed your face and she grabbed your hand to hold it gently. Her hands were rough but they felt nice.

"whatchu making that face for.."

She said a little worried. She noticed you tugging at your sleeves a lot and so she let out a deep sigh out that felt like it was trapped in her forever.

"bae..are you hurtin' yourself ?"

she always used pet names even if you were just friends. but she finally decided to ask you. of course she knew the answear to her own question but all she wanted was to mske sure she was right, she didnt want to make assumptions.

And when she asked you that, it felt as if the whole world stopped for a bare moment. you squeeze her hand as you nod your head, scared to even say anything or look at her.

Ellie lets go of your hand and squeezes your cheeks as she makes you look at her. "its okay that you do.." she pauses for a moment "well..its not but you know what i mean."

Ellie lets out a little chuckle making you yourself laugh a little as she caressed your cheek gently.

"i just want to help you, alright? please let me help you."

after you heard her words she looked down at your wrist as if waiting for something. you finally understood and lifted your sleeves reaviling your scars, some healed some not.

Ellie quickly runs to the bathroom as she took a wet paper towle and some bandages. She cleaned the cuts gently as you wince in pain slightly. After she cleaned your cuts, Ellie wrapped the bandages around your wrist not too tightly but not to loose.

"thank you Els..i-"

she cut you off as she hugged you tightly. you gave into the hug. it felt safe and warm. You felt safe and warm with her. After pulling away she looked at you with a smile on her face.

"how 'bout we watch a movie, yea?"

of course you agreed and for the rest of the night you were cuddled up close to her while she traced gentle touches across your bandaged wrist.

[moonshynecybin]

Do you think the ranch visit 2014 ended with like slightly annoyed sex because Vale just annoyed with Marc beating his record but also slightly admiring him

i love this because its true. marc is ANNOYING ! of course it cannot be ignored that vale is ALSO annoying (max biaggi fight. hello.) like they match each others freak in that regard, but at what point do you look at this sexy ass twink who is obsessed with your dick and your bike (sex to vale. is motorcycle racing lest we forget he keeps that m1 in GROPING distance and marc is like GOD i wish that were me so it does. work comma sexually. for them. like a lot. but i digress) and obsessed with your ability to ride it and be like hmm. maybe this habit is NOT so cute. when beforeeee you thought hey hes just like MEEEEE and got HORNY about it. well obviously if youre vale it is when he doesnt let you win at your own goddamn track at your own goddamn house in front of your own goddamn brother and various peers. that shit is irritating. which i do think marc realizes now, but is also largely unrepentant about because he's hilarious. free my girl he did all that but it was funny. our marc not famous for his wealth of tact and restraint on the track. and vale is thirty six staring down one last chance to maybe win his tenth. and earlier that week when he beat marc at that karting event he said finally somewhere you dont win. so yeah when marc doesnt roll over and let him get the lap record that day in 2014 all of those endearing traits where they overlap and are similar. change. morph. arent so cute anymore. the light shifts. the music hits a minor chord. ominous. foreshadowing. chekov's gun carefully being placed on the wall. and suddenly. kind of a theme with them huh. vale hates him for all the things he learned from vale.

so. we are here to ask how that emotion translates to nasty sex. obviously. like all of these complex emotions do NOT mean that vale does not want to get his dick sucked lmao. like he's here he's thirsty marc's been in a tiny little titty huggin black tshirt all day its happenin. AND. it should be noted that in a very real sense this is their first sleepover. first time fr hanging out outside the paddock in a place where there is PRIVACY. no real REPORTERS. an actual locking DOOR. no way to hide from the fact that theyve been all over each other for like TWO YEARS now. AND multiple yamaha M1S that can be used as somewhat SEXUAL PROPS. (vale feeling also perhaps. emotionally complex here. a lil delicate. like YEAH i can invite my coworkers i like to hang at my track thats bro stuff but what about my years long situationship that —*static noises in vale's brain* like remember this is where MARC thinks things start to change between them...)

so yeah vale ends up like. amping up that competitive edge a little in bed. making this a fuckbuddy thing more than a RELATIONSHIP thing as much as he can in his head and with his hands and failing miserably and feeling even WEIRDER about that. so he's. i think he's working hard at putting marc where he wants him. hot hands a little rougher on the curve of marc's waist. cupping his ass making him gasp. sending him to his knees and making him suck his dick hot and nasty. teasing a little edging on the little feminine nicknames theyve never talked about but that make marc squirm and flush prettily. edging marc with three fingers in his ass while he whines for it. dragging it out. exerting a little control. not mean at all everyone is having fun (marc. out of his MIND.) just. excising some tension. its probably nothing hes just in his head. holding marc in his hands as he looks up at him. and marc trusting it. marc going. marc being just where vale wants him. just like he never does on the track. and marc thinks everything is fine when its happening thinks everything is AMAZING. but after that is when vale starts to go a little cold......

[anthroposeen]

[tma spoilers: sasha's arc, discussion of women in tma and general spoilers for s1-5]

i wanted to do a breakdown of how the tma fandom interprets the main cast of 'protagonist' women specifically pertaining to sasha's role in tma canon and how shes viewed in the fan sphere :)

i think its interesting how sasha is almost universally liked by tma fans when she was a very short-lived character with just about no screen time. its obviously tied to the fact that sasha was considered an ally by jon and the other original staff and they take measures to avenge her in some regard- this is perpetuated as shes painted as an obvious protagonist (one of the few who arent necessarily morally grey) with no real content to prove she had bad qualities. other women in tma have a considerable amount of content (im specifically referring to those working in the archives or having a large role in jon's life: georgie, melanie, basira, and daisy) which lets the audience see them in a more multi-faceted light. we see their rights and wrongs through jons eyes, and since they have more canon content, obviously they're more complex characters and they serve more nuanced narrative purposes. at the end of the day, sasha's use as a character was to drive the plot with a significant death and inspire a revenge or depression in the other characters, and she served this role perfectly. jon avenges her twice in s5 alone (smiting the not!them and then cursing her name at jonah) so we know she was very important pre-s1, but as the audience we just dont get to see that depth to her.

theres also the internalized misogyny that fandoms often have; sasha was the main and only female role in s1 (not counting gertrude since shes dead) and her relationships largely revolved around men. all of her coworkers were men, and we know they admired her. we know she was friends with them all individually and also glued them together in group settings. she had a "will they wont they" relationship (his words of course) with tim, and she was the character that introduced us to michael. the other more fleshed out women of tma had relationships largely revolving around other women. melanie and georgie were partners, melanie had moments were she was friends with basira, and basira and daisy came into the series as a package deal. when these characters are given the choice between choosing to help jon or choosing to help the woman closest to them, they dont choose jon. obviously this can rub the audience the wrong way, but it also showcases a loyalty to the idealized fanon interpretation of a woman over the canon multi-dimensional women we dont need to extrapolate on.

i get that its easier to like a female character when she's a protagonist who supported the male lead; and bonus points if shes such a vague character that anyone can paste their interpretations onto and it cant be "disproven". of course its sexier to leave things up to the imagination, but it just irks me to see people fawn over a (please forgive me) one dimensional character when more complex women exist in canon. people have the tendency to beg for flawed women in fiction then dislike them or ignore them when they get the representation they asked for. if you're willing to defend jon but not melanie, basira, daisy, or georgie, maybe ask yourself why.

disclaimer: i dont think anyone is a misogynist for liking sasha or preferring her over the other women in tma! i like both canon and fanon interpretations of her character and i wish we got to see more of her, but i do think theres something to be said about how the fandom treats her vs the other women in the cast. and i know im not at all the first to say it! i was just thinking about this as a general observation of fan content that ive seen and i dont mean to hate on anyone, their fan content, or sasha as a character!

[filipinoizukuu]

what comes next though? (MHA ch. 413)

// major spoilers for mha ch. 413 since its leaks, so please stop reading if you arent quite caught up. i havent written one of these in a LONGGG while lmao.

ANYWAY, with all that being said.... this week's leaks huh?

We saw it coming a long time ago, we speculated it to hell and back, we made aus and fics, and now it's finally here. The conclusion we've reached and the one that's been hinted at since the release of Heroes Rising in 2019:

bnha is going to end with deku giving up one for all and becoming quirkless.

(LOTS of words under the cut -- youve been warned.)

For those who are a little lost; the basic premise of the ending we are hurtling towards is that Kudou (the 2nd user of ofa) has a plan to take down Shigaraki. With AfO dead and gone + Shigaraki becoming so powerful he is essentially invincible -- theres no other choice for the heroes other than destroying him inside out; the plan being the equivalent of charging a battery so much it explodes.

the way they're going to go about this is by essentially, feeding Shigaraki bits of One for All until he's given all of it -- then allowing the vestiges of the previous wielders to create a massive revolt similar to what SnS did until they can successfully tear him apart from inside the "quirk realm" and shut him out. Kudou volunteers to go next since danger sense has already been taken, and if Shigaraki uses gearshift again after Deku already used it twice, Tomura's body will likely shutdown and receive twice the backlash Deku does when he uses kudou's quirk.

(sidenote: funny as fuck that deku only understood once kudou equated the strategy to bkg throwing papers at him. bro stupid af.)

its a sensible(ish) idea. one that seems plausible given the context of the last hundred or so chapters with heroes like Hawks and SnS having their quirks revolt against both AfO and Shigaraki in a way that makes it clear that its not uniquely OfA that animates the souls of peoples quirks. Its inherent. Quote, Nana Shimura, "romantic" even.

(let it be known though that i think hori absolutely did not plan on delving into this plot point as much as he is now. ill explain in a bit, but heroes rising was 100% a major factor of why he moved in this direction.)

That being said, the conclusion of the plan (and subsequently, the major plot of bnha) is as follows: Deku gives up One for All to Shigaraki. One for All unites with All for One within Shigaraki and destroys it in one final clash between Yoichi and his brother. The break in the barrier of Shigaraki's hatred will part, letting him find the consciousness of Shimura Tenko behind it after years.

Shigaraki dies, taking OfA and AfO down with him,

and then Deku is quirkless once more.

Sad conclusion aside for now, I firmly believe that no matter what way you look at it; Deku was always meant to end the story without a quirk. Given some of the original drafts of bnha where Deku was never supposed to be given a quirk in the first place, this is clearly unsurprising. What's more is my favorite piece of information relative to katsuki and deku's character development:

the fact that heroes rising was (one of the) ideas for the original ending of bnha.

a refresher for some of you: heroes rising is about class 1a going to the isolated village of nabu island and defending it against an upcoming big bad villain named "nine" with a quirk that is essentially a scaled down version of all for one. katsuki and deku eventually resolve the conflict together via brute force by deku giving katsuki ofa, them rushing in while the quirk is transferring and both of them have it, and then ultimately defeating nine at the end. the movie then of course circles back on deku losing one for all, undoing that consequence by saying the transfer never completed bc ofa chose him over katsuki and they all move on to the endeavor agency arc with katsuki remembering absolutely nothing of the final battle.

many fans often misunderstand one of horikoshi's quotes about the movie in that it was, without a doubt, the original ending of bnha. for the sake of accuracy, that is not what horikoshi really said; what he ACTUALLY said was something closer and to the tune of of how it was "one OF the endings" he planned on using for bnha, but his original idea for how the story ends "has not changed one bit."

obviously disregarding the cop out where ofa sticks back to izuku in order for the series to continue as normal; this can only confirm that bnha was going to end with midoriya izuku quirkless whether katsuki was involved or not.

so what's different this time?

its hard to figure out how far horikoshi had planned the ending of bnha with heroes rising's prototype conclusion in mind. if heroes rising never pulled through and horikoshi had planned on bnha ending with the shared ofa transfer and katsuki continuing deku's legacy -- then that means katsuki wouldve died an early death because of all might's confirmation that only quirkless people can hold on to one for all without dying young, meaning he either intended on katsuki dying soon after the story ends or only planned that plot point after heroes rising was released.

the plot as well of heroes rising's conclusion cannot have been thought of all that early on because of ANOTHER tidbit of information that changes perspective of the entire series: in that,

bakugou katsuki was never supposed to be a major character to begin with. (keep an eye on this link; i reference this interview a LOT)

he was not supposed to have an arc. he was not supposed to become a major focal point of the series. he was not meant to be the hero he is in the story today. bakugou katsuki was not written with the intention of being a major narrative this late into the story -- instead originally only existing as a character that deku would surpass within the first few arcs.

but then katsuki cried, and deku apologized, and then opened his big fat mouth, and then told him a secret he didnt even tell his own mother -- and suddenly bakugou katsuki was not just another footnote in deku's story, but a legitimate character that grew and created one of the most loved (and hated) character turnarounds in shonen history. he started of as a literal EXTRA before snowballing into the very same character horikoshi decided would defeat all for one, the original scariest antagonist of the entire series. someone not even ALL MIGHT could defeat.

but circling back, yeah. heroes rising was definitely not the ending horikoshi thought of first, nor was it the ending he thought of last. ultimately, it was simply another route he couldve taken into wrapping up deku's fate into what it was (probably) always meant to be:

deku was gonna lose one for all no matter what.

it's kind of fitting, honestly -- for this to be the ultimate conclusion to the series. it makes the most sense, since what sent deku down this path so many years ago was his mother apologizing to deku for being quirkless; as if being quirkless meant he was born inferior to those who had quirks. people, after all according to deku's famous beginning monologue, are not born equal.

Even still, i thought to note: deku never stopped wanting to be a hero. we all know this, obviously. this was his driving force -- but then when you REALLY think about the implications, you have to ask. what the heck was deku even planning to do?!

he had ideas. he had hope. he wrote notebooks for the future and thought of his costume for being a hero -- but not once do i remember him writing about his hero experience as if he was suddenly going to develop a quirk. he was planning on saving people quirkless -- an extremely interesting motivation especially when he couldve so easily chosen to walk the path of being a doctor or engineer instead if he wanted to save people so badly. its a story about conviction, about doing the things you wanna do in the way you wanna do it no matter what ANYONE else says and hey wait a minute that sounds familiar

it doesnt quite read that way at first, especially because of how izuku almost listened to all might about "being realistic" when the first met and nearly gave up on becoming a hero entirely, but izuku is a lot similar to katsuki in the sense that no matter what gets in his way -- he is determined to achieve his dreams in the way HE CHOOSES, and not the way that is more "convenient".

even when you look at just his name, "deku" in the way that uraraka had interpreted it (dekiru -- "you can do it!") and the way deku reexplains it to katsuki in deku vs kacchan 1 ("the deku that doesn't give up!") you can so easily tell that deku from the very beginning has only ever needed the slightest push to pursue being a hero, quirk-or-not-be-damned. hell, we even see a glimpse of this possibility in the sports festival race when deku absolutely DECIMATES not just bakugou but also TODOROKI (as well as every single other damn student participating in the festival) with nothing but robot scraps and his balls of steel. it just so happens that until the promise of one for all, no such encouragement or push was ever given to deku in his pursuit of heroicism, most especially in comparison to katsuki who had been receiving praise and validation for his goals his whole life.

i'd argue that deku's conviction is even stronger than katsuki in a way no other person seems to recognize (except maybe katsuki himself). katsuki had received only positive feedback and zero competition for his goals growing up while deku received nothing but discouragement. both of them kept the conviction of being a hero for TEN YEARS; neither wavering til the day of the sludge incident.

that aside; what comes next?

we know the story after that. deku gets his quirk, he goes to school, he fights, he drops out, he fights some more, and now he's standing before shigaraki tomura with every quirk of one for all unlocked and over twice the power that all might had in his prime -- fully knowing he's about to lose EVERYTHING in order to defeat shigaraki.

this is deku we're talking about. he doesn't care. he knows the implications and what that will mean for his dream -- but his goal right now is in front of him. his goal is shigaraki, consumed by hatred, threatening to take down the world izuku loves most into a pit of misery and decay because society failed people like them. does he care? probably. will he refuse to give up his power if it means not saving the world and fulfilling one for all's purpose? absolutely not.

deku has made all might's quirk his own, but one for all does not belong to him. it belongs to yoichi. and kudou. and bruce and nana and all of the other users who built that quirk for generations in hopes that one day, someday, someone would be able to yield it all and bring down the monstrosity that created it in the first place. deku will not hesitate, but also deku knows what he will lose.

i have... a few things i dislike about this.

Admittedly, i do think that this is a better resolution than the simple brute strength approach of Heroes Rising. For one, while i do love heroes rising with my entire heart and soul, i firmly believe it would not have been a satisfying conclusion to the core lessons and teachings bnha tries to impart throughout the story. simply outnumbering and outpowering afo/shigaraki would not be enough to close yoichi's story and one for all -- much less the story of shigaraki himself as tenko, the boy consumed by hatred.

Still, this new ending that horikoshi has laid out leaves me with more questions; as well as large expectations for how izuku's character will close out. its complicated, because deku's evolution and development is subtle and intricate in a way i havent seen from other shonen protagonists and i worry about doing it justice.

but most of my problems have to do with bakugou katsuki.

(aint that the truth)

i know i mentioned that bakugou was never intended to be a major character, but i want it to be known that that was only in the beginning. season 1, maybe even season 2 -- but horikoshi had said it best himself in that bakugou katsuki, against his permission, had gained a life of his own and inserted himself into the very grain of mha's story. you cannot deny this.

he is the series deuteroganist inarguably. one of the most beloved characters and one of the most attentively-written development arcs in the whole series. katsuki in and of himself embodies major themes in bnha that make it so that ditching his development and impact last minute after defeating all for one would reflect poorly upon the conclusion of the story itself. he and deku are intertwined in arcs -- even if they do have separate paths at the end of the day. katsuki is the one izuku told about the quirk. the one who followed izuku during the paranormal liberation arc. the one who understands one for all and is determined to learn about it more than anyone else barring all might and deku himself. the one who is closer to izuku than anyone else.

it can't be over for their arc, no matter what way you see it. friends? rivals? hero partners? what comes next, when the smoke clears? what comes next when izuku gives shigaraki hell, like katsuki told him to?

katsuki's atoned. we accept that, have known it since chapter 285 and have continued to know it until the iconic apology in the rain. that's not where katsuki stops however, because we know that its not all about begging for izuku's forgiveness nor atoning for himself. its about catching up to izuku -- the last words he uttered before shigaraki crushed his heard say it all.

"can i still catch up to you, izuku?"

since the moment katsuki died, we've been given a metric ton of material to read through what he and izuku have become in the story. firstly, the point of katsuki being the person closest to izuku. what does this mean? what does that say about katsuki? is he supposedly the person izuku loves the most? the person izuku believes in the most? i'd argue these two criterion would easily fit his mother or all might a lot better -- not his childhood friend turned bully turned rival turned barely-friend. katsuki sure as hell didn't believe he was the person closest to izuku before shigaraki brought it up as evidenced by the fact that he let IIDA bring deku back to UA -- and neither does izuku as far as i bet. what was shigaraki's intention?

katsuki heard that statement. he hasnt said anything, but he definitely heard it. its an open end that is left entirely unanswered PRECISELY because katsuki fought afo on his own and izuku is about to tackle shigaraki without katsuki by his side. if it was heroes rising's ending wherein they would both fight shigaraki and take him down together -- then that statement would easily be answered by how their strength and bond is the one thing that gave them an upper hand in the final battle. other than that... i'm not entirely sure how they're going to have katsuki and izuku acknowledge katsuki's brief "death" and Tomura's reasons thereof.

But fine, lets ignore that for the time being and move on to what happened when Katsuki came back.

katsuki answered izuku's cry for help. he came back to life in the last moment to save all might when izuku was too busy fighting tooth and nail to win. they are the penultimate example of two sides of a hero; the win and save. not one without the other. every single parallel thus far between izuku and katsuki have always been to draw attention over and over to each of their stubborn convictions to win and save under all might's tutelage.

katsuki has chosen to prioritize winning and fighting over saving and rescuing over. and over. and over. and over again. at every single opportunity from the very beginning of the series. in usj, in sports festival, in the final exam, every choice he's made up until --

chapter 285 - bakugou katsuki: rising.

he chooses to save izuku in this instant. as he says, his body moved on its own -- or in other words, he felt like how izuku has always did since the sludge villain incident. this is bakugou katsuki catching up to midoriya izuku. its katsuki realizing that he needs to save so deku can win, and actually being okay with that for once. it's a major turning point in his character that clearly tells even horikoshi that there's absolutely no way katsuki can go back to being a side character within the plot of bnha after a development like this.

and then, after this instance, we notice it happen again and again. katsuki choosing to save to win instead of winning to save. katsuki protecting best jeanist against the nomu. katsuki coming to chase after izuku when he runs away from UA. katsuki (in a way) saving aoyama when its revealed he's the traitor. hell, katsuki saving ALL MIGHT as soon as izuku -- the savior -- begs someone to save his idol when he can't because he's too focused on trying to win.

so what changed?

what changed since the moment of chapter 285 was katsuki accepting his fears and anxieties. katsuki letting go of his aversity to working with deku. the reason katsuki started accepting the path of saving to win was because he TRUSTED deku to win where he couldnt.

this is katsuki accepting that him and izuku already surpassed all might together.

but katsuki said it himself. it's not over. he accepts that him and izuku are finally on equal footing -- hell, he admits he's the one who needs to play catch up. it's not about katsuki conceding to weakness, but katsuki being able to trust in izuku to finish the job. the point is that they both will break and break until they win the way they choose to, and the other will be there to win while they save and save while they win. moreso, katsuki still wants to be number 1. he still wants to catch up and surpass deku. he wants to fight by deku's side. but ... as we've established:

deku will be quirkless soon.

my problem (or, i guess, curiosity?) with the path horikoshi seems to be going down for the end of this story is what happens to this end? what happens to the wonder duo? i believe in a quirkless deku plot as much as the next person -- but any reader would find it easy to see that once deku loses one for all, he will not be nearly as efficient nor quick nor capable of a hero as he once was. especially not against a developed katsuki with mastery over cluster explosions.

he will lose one for all and he won't ever be the pro-hero he was going to be before the final war arc. katsuki will get number 1 surely, but will he be happy about this resolution? i don't think so. All Might himself had said it when Katsuki spoke to him about his relationship to Izuku; that the twin stars reminded All Might very much of his own rivalry with Endeavor and the bitter feelings it created.

endeavor expressed regret and a bitter end to their rivalry; the acknowledgement of the bitter truth that the only reason he was the number one hero is because all might lost his own quirk. he knew he didn't deserve the mantle all might had held for a long time before him. he knew that he was still only just playing catch up with the wisdom and understanding of heroicism that all might had in his heart from the beginning. endeavor will likely retire from being a pro-hero unsatisfied with this truth and his own victory at becoming the no.1 at the very end -- never feeling like he truly surpassed all might of his own accord. both enji and toshinori -- victims of their destiny.

is this the fate that will befall katsuki once izuku is quirkless for good?

There are many questions I have in wake of the recent chapter. The end of the series is here, and that's a whole can of worms i haven't touched in and of itself. We all saw this coming; some of us know that this was always going to be Izuku's fate since the beginning of the series. But now that it's more than just izuku's character involved in his dreams of being a hero -- i dont know how this series is going to conclude and if it will be satisfying to any means. there's a lot of questions i still have; bakugous arc feeling incomplete ever since he came back to life, the conclusion of all might and one for all's dreams now that they will disappear altogether. where does deku go after this? where does bakugou go? where do any of them?

i guess i gotta wait and see lol

[wizard-beast]

the sheer amount of grief the red dwarf characters must be feeling off screen all the time astounds me, like even setting aside the incomprehensible reality of being 3 million years away from all of humanity they've all felt such extreme losses over the course of the show im surprised any of them can keep up the whole space adventures shindig

like in the series 2 to 3 timeskip lister had to give up his sons just after 3 days or risk their lives- had to watch them age at such an expedited rate if he blinked he would miss every major milestone, their first steps their first words all of it. and then to have to leave them to save them??? id be bloody inconsolable and then they just kinda move on from it

and rimmer? hes died multiple times, experienced the void and end of existence and been pulled back - and those years as a soft light hologram not being able to touch anything and needing to ask holly to simulate everything for him? never getting much of an actual choice over clothes, his body, what he can actually interact with (this concept was more prevalent in series 1 and 2 but nonetheless) sure he could ask for it but its not the same as getting the free will or real control over anything. AND THE 557 YEARS ON RIMMERWORLD ALSO like ??? they left you in that room, there alone, for five hundred and fifty seven years, thats 28,964 weeks, or 203,305 days thats INSANE. he doesnt even remember the names of his shipmates properly after all that. THATS ONLY AFTER THE BEGINNING OF THE SHOW, MIND. before that he'd spent years being belittled and abused by his parents (so much so that a court emancipated him at only 14) his classmates, everyone in his life only tolerated and made snide remarks at him at Best.

cat too, his entire civilisation wiped themselves out, hes the only survivor of a 3 million year long race of people (granted it took them a while to get to humanoid but i rest my case)

even kryten and holly arent excluded from this overwhelming loss that pervades every aspect of the show, kryten spent possibly hundreds of years ignorant to the fact that the crew of his ship had died, i wonder if he ever wondered why they stopped speaking to him? stopped giving him laundry to fold, refusing to eat any food he made for him? and as for Holly, 3,000,000 years alone on a ship in the cold black vastness of space surrounded only by the ashes of the crew you once tended for, guiding them to safety, who were reliant on you, needing you for every part of their lives it would seem. really could make a computer go mad, that sort of thing