#but nevertheless it lends a lot of depth and meaning to one of my favorite novels

[notbecauseofvictories]

Hello, would you happen to have any book recs on arthurian retellings? I've read th white, malory, tolkien and steinbeck and was wondering if there's anymore around that leans into the more fantastical or weird. Either way, any recs would be appreciated please and thank you!

Retellings, no---unfortunately, once you move outside of Malory and de Troyes etc., you're largely in the world of literary classics (e.g., White) or YA novels (e.g., Gerald Morris, my beloved). There was a brief period of resurgence in the 70s with authors like Mary Stewart and Thomas Berger trying their hand at Arthuriana, and the 90s were lousy with juvenilia (I was there, I remember!) but few of them lean into the fantastical in the way you mean.

....that said, there's an unexpected wealth of novels that aren't straight adaptations, but do play with the mythos in interesting ways.

My actual reason for reblogging that post was that I just finished Perilous Times, by Thomas D. Lee. It's set in a future world when the UK is being swallowed by rising seas, half the country has been sold to private corporations, and the other half has devolved into factionalist infighting---oh, and this is about when Sir Kay is roused from his eternal slumber, and told to go kill a dragon. (Slowly, you discover that eternal slumber isn't really "eternal"; he and his fellow knights have been called up a dozen times, each worse, bloodier, and more morally implicating than the last.)

It is a weird as hell set up, and it doesn't get any less weird once you throw in the fay, Welsh independents, refugee camps, and explosions. Nevertheless, I enjoyed myself immensely.

I think that's my takeaway---if you've already read the greats, you can branch out into those authors using Arthuriana as a tool rather than an end in itself. For example, I just started Donald Barthelme's The King, which is the Arthurian cycle transliterated to WWII. I've only read the first bit, but this exchange had me in hysterics:

In the end, I've already read Malory, etc. I'd love a truly mystical Arthurian retelling, that takes advantage of how wide, deep, and unexplained, inexplicable, the world was around the Round Table. However, barring that, I like it when an author does something with all the paper dolls left behind---even if it involves Merlin licking mushrooms, or Lancelot's bloody mace being stolen from the pub washroom.

[reversalsun]

Explaining Rainbow Drinkers

I’m a decade wiser and return to the Homestuck fandom with a degree in biology and a desire to use it for evil. Lets talk about Vampire Troll Girls.

We get very little from the actual canon of Homestuck about Rainbow Drinkers, just Kanaya, Porrim, and a few hints of lore scattered about. Still, they’re one of the most interesting parts of troll culture - rare and strange, feared but also obsessed over in fiction and mythology. They may be analogous with vampires in the pop culture fascination surrounding them, but I don’t believe that they’re all that similar in function. So let's speculate on how Rainbow Drinkers could function on a biological level and how they fit into greater troll society. 

Rainbow drinkers don’t seem to be literal undead, but rather a functional state that some Jadebloods have the potential to enter into. Yes, Kanaya only becomes a rainbow drinker after “dying”, but death isn’t strictly what made her a rainbow drinker. In fact, I’d argue that Kanaya never actually died - rather she reached a near death state. This state, I believe, did kickstart her transformation. 

The most important thing to zero in on here is rainbow drinker being an inborn trait. Contrast this with how vampirism in human mythos is treated like a pathogen - no one is born a vampire, you become one via infection. RD is hardwired into Jadeblood biology, but it isn’t expressed in their default state. This raises a question: what causes a Jadeblood to undergo transformation into a rainbow drinker? Answering this is a little difficult, as we have a pitiful data pool of one to draw from. Nevertheless, we can examine Kanaya (as well as some dubiously canon content) to extrapolate a bit more about sparkly troll vampirism. Kanaya undergoes transformation into a RD when she is blasted through the stomach and seemingly killed by Eridan’s science powers. Off screen she regains consciousness, begins glowing, gulps down some friend blood, then returns with a vengeance. How do we explain this without leaning on the supernatural? Let's start by drawing on real world bloodsuckers. 

Little may be known about Alternia, but planet Earth is abound with creatures that subsist on blood. Mainly the trait is seen in bugs and parasites - this lends itself to our cause, as trolls seem to be more insectoid than mammalian in nature. Hematophagy (blood drinking) is a trait that has convergently evolved in creatures across the planet - that is to say, hematophagic creatures aren’t genetically related. The trait crops up on its own because it's widely useful, not because of a shared ancestral nematode. Vital fluids, after all, are incredibly prevalent and are in sure supply wherever animals live. It’s not farfetched to say that hematophagy would appear on other planets - especially planets like Alternia that are host to carbon based lifeforms similar to Earth’s. 

We can safely assume that blood drinking would work in the same way on Alternia as it does on Earth. That means rainbow drinkers face the same difficulties that Earth’s vampires do. Blood is not only difficult to obtain, but it’s also difficult to digest. So how do rainbow drinkers solve these conundrums? 

First, the method. Most terrestrial bloodsuckers are nocturnal - and not just for the spooky aesthetic. Fluttering, crawling, and slithering in on a sleeping host lessens your chance of being swatted on impact. Almost all hematophagic creatures are stealth feeders, and Rainbow Drinkers are no different. Trolls are a nocturnal species, but Kanaya is stated to be diurnal upon introduction. It would make sense for her and other potential Rainbow Drinkers to have a natural proclivity for daywalking, as it's much easier to feed from a sleeping troll than a waking one. Kanaya is also able to withstand the fierce, burning Alternian sun - a force which is enough to blind Terezi, and leave any troll who walks out in it for too long with a scathing sunburn. Even Jadebloods that are not currently or will never be rainbow drinkers are likely to exhibit non standard troll sleeping patterns, as they live primarily in the brooding caverns - dark, underground caves where the sun cycle wouldn’t really matter to them. When they do leave their caves to hunt, the glowing, white skin of a Rainbow Drinker would likely be a large boon against the Alternian sun’s devastating rays. In Friendsim we’re told that Lusii’s bright white coats help to protect them from the sun. It’s likely the same for rainbow drinkers; the color white reflects all wavelengths of light far better than any other, thus their radiance and pale complexion provides them an extra level of defense when they’re out hunting. Friendsim also vaguely mentions Rainbow Drinker extract in Tagora’s route, where it’s used as a luxury skincare/beauty product that makes a troll’s skin look literally radiant. Very little is said about the product itself, so it may be a hormone or a secretion derived from Rainbow Drinkers. In the case of the latter… Kanaya and other Rainbow Drinkers might just be really greasy? 

Now, in canon Kanaya theorizes that Rainbow Drinkers glow because of their home in the near pitch black caverns. It’s true that even with trolls' natural night vision, more light sources would be a boon. Animals that thrive in the dark like cats and wolves can’t magically see without a light source, rather their eyes are specially adapted to reflect even scant amounts of light. Animals that live in true darkness, like those found in the depths of caves, are more commonly blind. If no light is present, even night vision fails. With the mother grub’s natural habitat being subterranean, her special attendants possessing an internal light source would make sense. 

We have to change gears now and reckon with the How of troll blood drinking and Kanaya surviving. First: how can a troll survive on blood? We know that all trolls - even Kanaya, subsist on diets of foods akin to what you and I eat. Is it even possible to suddenly switch to a blood diet? The answer is yes. Blood drinking comes in two forms: obligatory and facultative. Obligatory, as the name implies, refers to creatures like fleas and ticks who only consume blood, whereas facultative refers to creatures that have a mixed diet of blood and other foods. Mosquitos for example only drink blood when they need to produce eggs. Rainbow Drinkers are likely similar - mainly eating standard troll goodies, but being able to rely on blood if the going gets tough. Natural resources may be scant in the brooding caverns, and the ability to survive on blood would be incredibly advantageous for those living there. Blood would of course be in no short supply given the population and purpose of the caverns. The implication I’m getting at is well… not every grub survives the caverns trials, or even the caverns in general. Between imperial drones, hoards of lusii, and difficult terrain, the brooding caverns can be dangerous. It would make sense for the troll denizens living there to be exceptionally tough and capable of “recycling” the grubs that don’t make it. Horrible. I’m sorry. But that’s nature. 

The transformation into Rainbow Drinker could very well be triggered by shock or extreme physical duress. After undergoing the transformation and taking a nice sloppy drink from her friends, Kanaya begins to exhibit increased physical abilities. Natural durability and rainbow drinker abilities serve Jades well in their special role as mother grub attendants, and I think that’s in part how Kanaya was able to survive Eridan’s attack. That, and the noticeable difference in how she and Feferi were hit. Fef was hit in the chest while Kan was hit in the stomach. Assuming troll biology is comparable to our own, cleaving out the lungs and heart is a lot worse than cleaving out the stomach. Now don’t get me wrong, both are awful, But if one of the two was going to survive, it would be Kanaya - not only is she a durable Jade (see above), but as a facultative blood drinker, it could be possible for her to have a separate stomachs for blood and food. The digestion process of the two is completely different, so throwing all of it into one pouch might not be a good idea. Outside of durability and luck with the placement of the blast, this could be why Kanaya was able to get back on her feet. And she’s a Sylph, a natural healer class. But this isn’t a classpect analysis, so I’ll leave that discussion for people wiser than I. 

Jadebloods are stated to be the second rarest blood type out there, and those that are able to turn Rainbow Drinker exemplify how badass the whole caste is. It’s likely that they don’t possess these skills because they’re the chosen attendants of the mother grubs, but rather these traits are why the mother grubs chose Jades as their keepers in the first place. As much as I wish we’d gotten more info about Rainbow Drinkers from canon, it was fun to explore how they could potentially work, and it really cemented Jades as my favorite caste. Anyway, please excuse me while I go draw myself a Rainbow Drinker trollsona. 

[thoughtsofanexcitedspacechild]

Writing Tips (Pt. 3): Writing Believable and shippable relationships in literature.

Hello friends! First of all, let me say a HUGE thank you for the support on the Kataang post! I worked really hard on it and it means so much to me all the little notes you give it and reblog it! I know it’s not at a huge number of notes, but I like knowing that people took time to read through the endless rant and reblog it! I’m planning on doing another full analysis on Zutara and why specifically it doesn’t work. I’ll make it respectful though as I know that a lot of Kataang fans are REALLY defensive and anti-zutara. I promise I’m not one of those people, and believe that no matter who you ship, your opinions on fictional characters are your opinions and you are FULLY entitled to ship and like whatever you want (as long as it’s not incest or a huge age gap. PLEASE don’t ship that stuff lol. U nasty mfs know who u are.) Speaking of ships, let’s talk about writing them. Writing ships for movies, books, shows, etc. can be surprisingly hard. Writing characters themselves can be hard enough as it is, but writing a pair of characters that fit together like a puzzle piece can feel impossible. Nevertheless, I’m here to make that process a little bit easier. When I’m trying to set up a relationship that’s going to happen, here are some things that I keep in mind to make sure that I and the audience of my writing  ship the characters I have end up together. 

DISCLAIMER before I get a’rantin: I am by NO means telling you how or what to write and am by NO means a professional writer of any sorts. I’m doing this mostly because I write a lot and speak from my own personal experiences with writing and because these are just the things that I found work best when writing my own stories. I also read and analyze a lot of others work on my own personal time, and these are just the details that I pick up on that I find makes a piece of writing effective. With that in mind, remember that writing is and art form, and the beauty of that is that there’s no one right way to do it. Ever. You can read the same thing as another person and interpret it in a completely different and unique way. 

1. Complementary Characters usually work out best. 

This is more than the classic “opposite’s attract” theory, and characters don’t necessarily have to be opposite to be complementary. Some things to think about when thinking of and writing complementary characters:

-Complementary doesn’t necessarily mean complete opposite in every single way. Often times I find it much more helpful to have characters share a common interest in hobbies, upbringing, childhood trauma (that one’s a bit overdone these days), etc. so that they’re not butting heads all the time. Just like yin and yang, theres a bit of darkness in the light and vice versa. To keep the balance harmonious, you can’t have characters be polar opposites and have no common ground. That leads to what many people consider a toxic ship, and will either lead to an unrealistic balance that inevitably leads your characters to be fighting all the time. 

-Keeping common interests in mind, often times the paces where character’s contrast is in their personalities. (Shy and bold, heart and head, bubbly and brooding, quiet and gregarious, etc.) Different personalities often are able to balance each other out and hold each other accountable for their weaknesses.

-Going off of that, one character’s strength is another’s weakness, and all traits are both. A character’s empathy can lead them to be loved by many, but may cause them to starve themselves and drain their cup so there’s none left to take care of themselves. A character’s logic may lend them top of class or calm in stressful situations, but can lead them to be insensitive to others and even their own emotions. Your characters should balance each other out and work well together, and part of this is helping each other grow from their weakness. 

-This one isn't as important, but what I also find super compelling, especially in film and tv shows is when the authors/writers deliberately choose to give the characters complementary color palettes. (I dove more into this on my Kataang analysis so go read that if you’re super interested.) If the character’s look ascetically pleasing together, it makes shipping them a whole lot easier. Focus on orange and blue, yellow and purple, red and green, and any variation of those colors together. 

2. Buildup

Often times one of the biggest critiques of ships that just don’t work out is that there’s not enough buildup or foundation to have a romantic relationship. It seems obvious, but if you’re going to have them end up together, there’s going to need to be some buildup or else the entire relationship will feel wrong and contrived no matter how pleasant you make it. 

Some tips for increasing and establishing buildup:

-Have your otp spend time together as friends first. I personally find that the healthiest and most successful ships are friends before they’re lovers. This is why Kataang specifically works so well, but Korrasami, Romionie, and Liesel and Rudy from the Book Thief are all good examples. If you observe these ships, all of these characters spend time together as friends first. Korra and Asami were able to bond and become friends over a toxic guy (cough cough MAKO) and eventually developed feelings for one another. Ron and Hermione weren’t romantically interested in other people and were friends until they started seeing other people and found out they liked each other. Liesel and Rudy were best friends before anything else and Liesel didn’t realize her feelings until it was too late. 

-Time together. When your otp spends time together, make sure that whatever time is being spent together is time that they both enjoy. No, the activity itself doesn’t have to be enjoyable to both characters, but the time spent together should be. If the characters really aren’t enjoying the time spent together, then it’s never gonna work out. I’ll use the ship that I’m writing as an example. Currently, I’m in the process of writing a third atlas series and we’ll use my characters Liang and Hana. (Yea I used my own name for one of my characters. I think it suits her bc she’s basically my clone, just, she’s the avatar. I’m going to change both of their names once I do more research and can find culturally and historically accurate names.) Liang REALLY loves pro-bending matches. Hana, not so much. She still goes with him to see matches and attends his matches when she can. On the flip side, Hana really loves going to her favorite tea shop. Liang vastly prefers a strong cup of coffee, but he goes with her anyways. Why would they choose to do something that they don’t necessarily like? Because that’s more quality time spent with each other and doing something for the other person. 

3. Romantic Gestures

Going off of my last point, we have the art of romantic gestures. These can range to things anywhere from a hug, to an elaborate firework display, to a locket with both of their pictures in it. Make sure that the romantic gestures are there! It’s gotta be clear that both characters are thinking about one another and consciously choose to do something for the other person. Here are some fun ways to do it:

-Remembering a gift the other character wanted. This one’s cliche but it works, because often times the best way to show affection is through physical gifts and objects. Think coffee from a favorite shop, handwritten notes, that piece of clothing the other has been eyeing, etc. 

-~symbolism~ *add chime here* By that I mean have an object to symbolize their relationship with, like Korrasami’s iconic hair pin or Liesel’s book that Rudy retrieved for her. This way, the readers not only have a visual representation of their favorite ships, but the object can physically link characters together and make a vague relationship full cannon. (I know for sure that someday when I get a tattoo, I want the hairpin tattooed on my wrist, ankle or side of my body.) 

-PDAs. Works best in film and visual stuff, but still applies for everything. I’m talking cuddles, kisses, falling asleep in each other’s arms, the whole shebang. I mean how much clearer can you make it than a pda?

-Love languages. Each person loves in their own unique way. Have characters figure out and learn each other’s love language. It really shows and adds a whole other layer to the cake. This one can make a ship that feels a little bland have more depth and realism, because in the real world, healthy relationships are formed and aided by learning and applying each other’s love language. 

4. Dialogue. This one can be hard to master, but once you do, it’s a breeze. First off, I recommend getting all your ideas out, and editing. DON’T EDIT AS YOU GO! This is often tedious and super annoying, so get everything out first, and go from there once you have a decent amount to work with. Dialogue is tricky, because dialogue in and of itself is meant to communicate and express feelings. Here are some tips and steps to at least get a start: 

a. Know EXACTLY how your characters feel about one another, and make that evident through communication. It seems obvious (again) but this really helps and I find that putting myself in the character’s shoes for a second and really thinking about it helps to decide exactly what they would say in a given situation, especially if the scene you’re writing involves confrontation about feelings for one another. 

b. Dialogue is more than just talking. Body language, tone, facial expressions, etc. are all part of dialogue too and are SUPER important! In the real world, humans communicate through more than just words, and sometimes a playful grin, grimace, crossed arms, or pout is much more effective than a character outright saying something. 

c. Once you’ve written the dialogue out, be concise and smart about your dialogue and pare it down as much as you can. Often times, adding too much dialogue can make a scene boring and flat. Use your words sparingly! The purpose of writing is to covey a story or message and often times this can be done effectively with less words rather than more. The main point in dialogue itself is to provide necessary context and information. Otherwise, don’t use it.

d. Make sure the conversation is two sided. This (say it with me now) SEEMS OBVIOUS, but make sure that both people are talking/communicating. it’s a conversation, not a speech. (Unless it is a speech or declaration of some sort.)

Before I go: A QUICK (Long) PSA ON TOXIC SHIPS: 

The concept of a toxic ship is very common in a lot of literature. Often times writers choose to include elements that may be toxic to heighten romantic tension in a story. While I do recognize that this sometimes may be a stylistic choice, there are MUCH better and effective ways to create tension that having something be toxic. Toxic relationships in my opinion share one purpose, and that is to establish a relationship’s toxicity and ineffectiveness. I don’t recommend writing these into a story unless it’s an obstacle for your characters to overcome, and having a character forgive the toxic actions of another character and still end up with them isn’t the right move because it completely disregards and diminishes the effects of what happened previously.

One of the best examples I can think of is Reylo from the new sw trilogy. I did touch on this briefly in a couple of my earlier posts (The Effect Of Modern Day SW characters and My Tips for Writing (In General) which I highly suggest you go read bc they both took me a bit of time and state the purpose more in depth) but I think I’ll quick reiterate and say that it wasn’t a good choice on the writer’s part to have some of the dialogue be so intense and vicious and then have them end up together. I still like the idea of Ben Solo and Rey together and ship them together out of cannon, but in cannon, it’s the perfect example of an ineffective ship. There was little to no build up, the dialogue was often spiteful and sharp, and it escalated a bit too quickly. I would’ve liked to see more of Ben Solo (NOT Kylo) and him feeling sorry for and repenting for the bad that he’s done before he and Rey end up together. Yes, we’re all suckers for the enemies to lovers trope, but PLEASE make sure to filter out the toxins before boarding your ships and watching them sail. 

That’s it for now! I hope this helps a little when writing shippable characters! I’m always free to rant to and to critique. I’m going to start posting as much as I can, because these guides help me too! Check out my other ones if you’d like to know tips for writing in general and I made another one on how to write characters.