#but ive thought for a very long time someone in a murder mystery or smth like that should be killed by their allergies

[almosteverythingnerd]

ok but ppl with fatal allergies to food (like me) could be assassinated so easily. i think about this perhaps a weird amount. i have such a glaring, not easily traceable weakness that could be exploited with ease should anyone who knows decide im worth killing. if staged correctly, it wouldn't even be questioned.

[livecharliereaction]

Ill probably make charumiq2 for next ep for easier navigation for meeee But yeah thats done now thats um aaahahahha

- bernkastel showed up i am so happy. YAY! So many mentions of this lambdadelta i kind of thought shed be satoko somehow but im not seeing it rn well see when she shows up

- i rly hope the witches wont stay as only ????? characters n get weaved into the main story but guess what im like 100% sure thatll happen at least somehow but i dont know how. Miss bern said shed help me YAYYY! So nice of her

- i can rly see what ppl mean when they say it starts slow though it wasnt a problem for me bcs i liked the characters in the family already but i can totally see it being a problem for someone else Bcs like i knew theres witches. So theres the whole "ooh u think itll be a regular murder mystery but its fantasy" "is there a 19th person ooh" Well that just doesnt happen at all. However smth ive been noticing about wtc that although theres always secrets and thus always reveals theres SO MANY mysteries that the story doesnt rly lose THAT much if u know smth (But its still important to me that i get to know things in the order the author wants me to like in general so spoilers r still being crazy avoided...)

- i had the theory that beatrice was very young when kinzo met her and was traumatized by his "love" and then died and her spirit is sort of haunting the mansion but its not entirely clicking what that would be so im ditching it for now

- i know tea party and ????? cant be taken tooooooooo seriously but theyre the main reason i dont think that anymore See Im kind of doubting the existence of a human beatrice altogether. Sure bernkastel was kinda rikaing around but it seems too complicated to compare it to that so no way

- I still cant forget lambdadelta sharing some resemblance to satoko (from the shit that i saw BEFORE i was avoiding spoilers Im talking very very slight like rly just hair n eye color) but i feel like we wont see her in the next ep at all. Im imagining (hoping) each ep might have a new witch in it. I cant imagine the gold thing going all the way through 8 eps so... (Bcos What riddle takes that long.)

- Favs r still maria and natsuhi from the human side at least Like that didnt change. And i doubt it would I also like jessica a lot i do

- motherhood goes crazy Natsuhi and Jessica i could die and also marias lack of motherly love rips me apart

- Im very curious about the physics of this though or i mean like What now? Are we going back in time? If so how much????? Im kinda imagining its just kinda similar all over again but with different sacrifices each time but the ways that can be done r hmm. Someone else might try to do as the epitaph says and thus killing people but yeah.

- Not to be battler but if ep1 were to actually be a humans doing itd be maria (u know) natsuhi (absolutely not sorry for even saying it queen but she was running around w the rifle and all and had a lot of control over some situations) or kinzo (its easiest to believe that corpse wasnt really Him out of the corpses The toe thing isnt convincing to me but theres the problem of Ok whose body is it charlie? and i wouldnt know)

- Excited and baffled it was 12 hrs i feel like i started it what maybe this week idfk School starts again so i have to slow down the pace but thats ok...

- I thought the role of "the witchs messenger" might change too but i kind of hope its just marias job each time i liked the way she did it shes so fun

- no clue abt the rules of this world yet but im excited bcs theyre spelling it out to Think about it so u know it wont be obvious I dont even think i Can make a good guess rn

- natsuhi save me

[teashadephoenix]

11 Questions

I got tagged by @pomegranate-belle <3 I'm sorry this took for fucking ever?!!??

I’ll tag @lioness--hart @fox-in-the-library and @whitegodiva if you guys want to do it? And anybody else, obvi <3

1. How long have you been writing?

Actually sitting down to type stories out? Eight years old. I've been making shit up since I could talk. I have it on good authority I am entertaining to listen to.

2. What are the major themes of your current wip(s)? LONG ANSWER

omg I really dont know. I spent several hours over several days banging on this question in my head both in front of the computer and away from it only to come to the horrified realisation that I Don't Know. *gay panic*

I know the things I like to write about. I like to write about free exchange of culture, of mutual respect and fraternity with your fellow humans (which leads to themes of unity, unconditional love not only of people but of the world, and the gray area of what it means to protect those things without giving in to hate, indifference and intolerance. THE GRAY AREA IS WHERE I THRIVE.)

I like to write about intergenerational relationships (which leads to themes of obsolescence, changing of the guard, and how people, in general, not individuals, never really change. Like, there's For a Good Time graffiti on the walls at Pompeii. That is HILARIOUS.)

I write a lot about family, both born and found. (Everybody has a place and everybody is loved.) I write about mental illness and being queer (which all by itself leads to themes of not knowing your place in the world even if you have one. Frequently comes up against the previously mentioned theme)

So yeah. I don't know. My big WIP, the Aalee Rise series, is about a young woman on the cusp of adulthood going out into the world for the first time. It's her idealism vs reality. The other main characters in that cast are all foils re: various facets of societal structure and ideologies. One challenges her idea of government, another her idea of religion. She falls in love, her loyalties to her brother and parents are tested, she makes mistakes, she fights monsters and saves the world. A lot.

tldr; It's my sandbox and I just wanted to build castles in it. I don't really know if the castles will mean anything when I'm done. I hope they do.

3. What do you want people to take away from your story once they’ve read it?

My greatest ambition is that I could ever write a hero as beloved as the heroes I read about growing up, figures that reminds not to give up hope, to get back up when we're down, that the dark times ahead of us will come to pass.

At best, if I've done that, I'll be ecstatic and satisfied.

At worst, as long as you had a good time, if you didn't throw the book across the room in disgust, I'll take it.

4. Would you be excited if people write fanfiction about your wip(s)?

YAAAAS. I would literally never read it because Im terrified of accidentally absorbing someone's ideas and making them my own bc Christ alive that's a legal nightmare, but yes that would make my life.

And you can have my firstborn if you send me fanart.

5. What’s your go-to writing beverage?

Tea. Really strong and sweet. I make a fresh quart each morning and usually go through it by the end of day.

6. Who is your favorite oc? Tell me about them!

OMG ALL OF MY CHILDREN ARE PRECIOUS. (it's Aalee.)

Aalee Dering is the eighteen-year-old protagonist of my Aalee Rise series.  When we meet her in volume one (Worldwalk) she and her twin brother are setting off on their coming-of-age journey around the country. Her people, the Noruahai, have defended humanity for generations from unearthly creatures called asmic, and if she wants to become a licensed Marshal like her famous mother (and wow, she really, really does) she'll have to prove herself on her Worldwalk.

Aalee thinks with her heart first and always. She loves beautiful things, and all things are beautiful to her. She's quick to cry and struggles with anger, as well as distraction; she has trouble keeping focus. Good for getting into trouble. Not so good when it comes to being a responsible adult.

It would probably be easier if she wasn't of two minds on every single decision she has to make. She empathises with everyone, which can be paralysing-- how can she fight someone whose point of view she gets?

7. Do you feel that mistakes are important learning tools in the writing journey?

Mistakes are learning tools of life, darling. In writing they generally aren't the types that will destroy friendships, health, financial status, etc, which means they're generally easier to bounce back from. Unless you commit career suicide in some way...

8. Rank your ocs by their capability in a footchase (either running after or from smth, your choice)

1. Fall from the Aalee Rise series. He's a complicated human. Without getting into the context of the world he's from, he's hard to explain; but the short version is he's half-ghost so he can basically turn himself into the wind.

2. Rosie Frey from Color of the Stars but only when she's a lion. In her human form she's pretty normal.

3. Lynn Blythe (or any of the other vampires) from Echoes of Eden, because they're cheating cheaterfaces who use mystical vampy powers to be stronger and faster than humans

4. Sendmarshal Henley from the Aalee Rise series. Probably the fastest regular human. Imagine the most beautiful, tall, leggy black woman you can, all lean muscle and elegant grace, and now imagine her scooping you up and zipping out of danger with an easy smile on her face... *fans self* I stan.

5. When running headlong into danger to save someone? Aalee Dering. When running away? Frustratingly, satirically slow. She's one of those idiot heroes who stops to make sure everyone got away okay so Fall's always running back to grab her ("MOVE, IDIOT" "But that little old lady--" "FIRE-BREATHING MONSTERS. MOVE.")

9. Does your wip have romance? tell me about it!! if not tell me about a friendship/important relationship in your wip!! MORE LENGTHY BLAH

Relationships are the driving force of my writing. How one loves or is loved by other people, how they relate and engage with others, is how one grows, in real life and in fiction. There are a number of relationships in all my series that I'm fond of for various reasons. (For instance, even though she cannot STAND him, I'm eager af to write Eden and Lynn's relationship in Echoes of Eden because of how complicated it is.)

And as a rule all of my characters are queer or questioning unless otherwise stated, and I ship everybody with basically everybody else, and almost everybody has a love story in their history. (at least, their parents certainly do because I am a gross vile romantic and these fuckers came from somewhere.)

That having been said, for the sake of brevity I'll stick with Aalee Rise and limit myself to the Big Three: Aalee and her brother Elles, Aalee and her best friend Norah, and Aalee and Fall.

FAMILY: Aalee and Elles are twins. Born together and never separated, which stands out in a world where families are broken up by chaotic circumstances and random death on a regular basis. Aalee is easily distracted and has difficulty communicating her thoughts, so she tends to act on impulse; Elles is forever the cool head and the hand grabbing her by the back of the shirt to stop her from walking into danger. And after eighteen years of this... he's tired of it. He loves his sister, but he longs to see the world on his own terms, walk his own path. And Aalee doesn't share that sentiment. Not only doesn't share it, but is blown away when it comes into play. Her partner in crime wants to break away, and she does not take it very well. The first volume (Worldwalk) explores how their relationship suffers, grows, and changes due to this break.

FRIEND: Aalee's best friend of ten years is Norah. They met as little girls in a monster-ravaged town; Norah was entertaining the youngest orphans with a story and Aalee joined in. The pair of them spent a long night keeping civilians from panicking while Marshals battled asmic beyond the walls of the bunker. They exchanged addresses and became penpals over the next few years, since both of their parents travelled and they were rarely in the same place at the same time. That changed suddenly when Norah lost her father. Since then, Norah's family and Aalee's have lived in the same town. Norah is her warm hand in the dark, her shoulder to cry on, the first person she tells any good news. for Norah, Aalee is the only person (at the beginning of the story, anyway) with whom she can be her real whole self. They love each other no matter what.

ROMANCE: And then there's Fall. Aalee meets Fall when she rescues him from being murdered in a back alley-- except, oops, turns out it was a sting operation to catch the killer because he's not actually the helpless filthy vagabond she assumed he was; he's actually a powerful Marshal who was on assignment. Stuck together for various reasons, he becomes a mentor to her on her worldwalk, while she blatantly digs into the mystery of who he is, which turns out to complicate their lives, the lives of their friends and families, randos they happens across, their enemies, and also God's. To say they fall in love with each other is an understatement of cosmic proportions. They choose each other.

10. Do you believe in the advice kill your darlings?

Yeah but I take the advice as intended; which is not, as most assume, kill your fave characters, but to get rid of that which does not work, even if you love it. That pearlescent line of dialogue, or that golden bit of allegory? Doesn't matter how much you love it and how proud of it you are, if it does. not. work. it HAS. TO. GO. (save it in a new file to reread when you feel down and scrap that shit from the main file.)

that said re: killing characters, in my youth I was very much of the George RedRum Martin camp of "KILL THEM ALL" but as Ive gotten older my main focal point has been "What purpose does their death serve?" Death is not the only sacrifice worth writing. So while I am not afraid to kill my characters, I do take the nature of their deaths in the writing very seriously. There has to be a point.

11. Do you prefer plotting or worldbuilding? Why?

WORLDBUILDING MANYEXCLAMATIONPOINTSGOHERE! Plotting is like the maths of writing. It's measurement, it's brickwork, it's demolition when the wall you put up last week is three feet too long and now you have to scrap it and start over. Vital. But not my favorite part.

Worldbuilding is the art. It's the music your OCs hum and the stories that they treasure and the faith that holds them up when the crap you throw at them might tear them down. It's the story behind the jacket they wear and it's the reason they nod to the altar when they enter a place of worship and it's the meaning of their names. It's the magic. How the world works, the little details that make it real to the reader because it's real for your characters, is my favorite part of writing.

[isaacathom]

so theeennnn the woman starts interacting w/ more villagers the more time she spends and she starts becoming real good friends with some of them. and because her ‘master’ thinks shes trustworthy and stuff, he’s not strict, and she sometimes gets free time to just hang out with these friends shes made. and the survivor, from that attack, is really pissed that shes basically just a regular worker as opposed to a ‘proper slave’, angry that he’s being lenient and that she’s just been accepted.

so what the guy does, is he gathers evidence of her ‘slacking off’, even gets some testimonies from people who don’t know that her master allowed it and shit, and he peeps on her hanging out with one of the ladies from the village and being real close to her. and he brings it before their council, claiming she’s fucking around instead of atoning for the misdeeds. so they bring everyone together, and it doesnt even go far, because the second in command steps forward and goes ‘listen yall, this is my fault, ive been lenient in her work and she’s been permitted time off to relax, and she’s been using said time to make friends. if this set up displeases the council, i will alter it immediately and she will be reigned in. i am at fault, not her’

and the council accepts it, her schedule is changed to minimise that free time spent on the town, and the survivor is FURIOUS, because the punishment deflected off the woman and punished that guy instead, and thats not what he wanted. so he’s gotta find something else.

the end goal would be to provoke her into demonstrating her goddamn ~magic hands~ and proving beyond a shadow of a doubt in anyones mind that she definitely did the murder, which would have her ostracised instead of welcomed and would ruin her good status with the second in command. after all, his good treatment of her mostly came as him believing her to be innocent and non-complicit in the attack. if the survivor can prove that she has the ability, then she’ll lose the good status. but i think going from the aforementioned slacker charge to bringing back the murder is..... a bit.... a bit high. theres gotta be a middle ground.

but while i think that up, the provocation. itd be tough, because shes a fairly collected sort, and quick to resort to humour or to straight up disappear as soon as stuff gets tough on her. so he’d have to get her in a place she cant leave, and a very public place at that in order to ensure he’s not seen as a guy with a vendetta, and he’d have to provoke her. all i can imagine that’d really provoke her would be a suggestion that she’s fucking the second in command, because anyone would be insulted at the suggestion that their status comes from just shagging a guy. idk if that’d tilt her so hard she almost goes murderer, if anything she’d just be :||| excuse me, sir, do you want the chicken or not. like customer service or smth.

if it was long term, like its a long night and he keeps going, it could hit her by the end, especially if she cant easily access the second in command and get him to like. switch her out or something. she’s stuck dealing with him chipping away. maybe the shag suggestion comes at the end and its what finally tips her over. at that point, her eyes would go white and she’d go ‘excuse me’ in a very creepy voice and the survivor would suddenly realise that this isnt actually exactly what he wanted. see, what HE’S thinking is that he can provoke her into doing something she’s not allowed to do. and he’s done that, he’s succeeded, but said thing is an attempt to stuff his head into a christmas turkey with fucking telekinesis. what happens in the end is he stammers out a repeat of what he just said, she steps forward and white light surrounds her hand, he starts screaming in absolute fucking terror and someone tackles her to the ground to prevent her from hurting anyone. after all, everyone knows about the attack. everyone knows how it was described, they all heard what that survivor said, about how a mysterious lady summoned white light in her hands and shots holes through people. and they see the lady that they were told did it but, on reflection of character, really didnt buy that, and they see her summon white light, and it clicks in for EVERYONE. every single person in that room, excusing perhaps children and The Blind, is that she absolutely did it.

so following that display, she’s put back in the slave quarters and its a fucking disaster, dude. like shes distraught. she’s fucked it up. she’s maintained that, though she has ~magic hands~ and could have been in the area at the time and encountered the hunters, she’s ALWAYS believed that she could never have killed them. not with intent, absolutely not. if she did do it, it wouldve been as a result of her being so exhausted that she didnt understand what she’d done. but never, at no point, did she genuinely believe or know that she did it. but her almost fucking up the survivor, it proves to her (and everyone else) that she did. she now has no excuse. she cant reason with it. everything adds up. magic hands, intent to do harm, it all tracks, she had the power and the ability to do it, and if thats the case, how can she say she didnt do it????

at that point, the second in command would need to talk to her, but she wouldnt talk. she’s just silent, head in hands, and nothing he can do can convince her to just explain what happened. and he has to come before the council, or specifically the guy he’s the right hand of, and explain that. it gets really weird. the thing is, her actions imply an intent and attempt to reoffend, which is grounds for banishment. the second in command really doesnt want to do this, because hes positive that if she would just talk to him, he could save her from that, and he still thinks that maybe theres a misunderstanding. because at this point, she’s been in this town for over a year, and she’s been so good up till that point, this doesnt add up to him, there must be more to it.

the only way to really clear her name of that last debacle and keep her in town is to prove it wasnt premeditated. if they can prove she was provoked, they can get her. the problem is, the people who wouldve been close enough to hear all the survivors comments were friends of his, and wouldve agreed with it, thought it fun and not seen his game. they though she snapped as a result of a few harmless comments and that it wasnt a deliberate provocation by him. being able to prove that he provoked her deliberately would clear her. but shes the only one who can prove it, and aside from not talking, its difficult to take the word of the accused on its own. the second in command could stand as a character witness, to speak on her good name, and there are many who could, but equally many who saw what she did and wont. the second in commands word will not stand. everyone thinks that shes corrupted him in some way. before the display, they probably all thought that, but in a vaguely positive way. he’d become a better leader, prime to become the High Council Guy, with her involvement. if there was corruption, it was generally well meant and produced a positive result for all (except the survivor and his family, ofc)

the only OTHER way to really clear her name is to find who actually DID the murder. if they can prove she didnt kill the hunters, then she didnt reoffend, and furthermore would no longer be a slave, or would have her ‘term’ drastically shortened. problem is, beyond the fact that noone knows anyone else would could match the picture of the killer, is that i dont actually know if she did it or not. i like the idea of keeping it ambiguous. proving that she could, but also proving through her general character that she couldnt, making a conundrum for ‘reader’ and characters as to whether she did or not.

god, idk. three clearing options - prove he provoked her into ‘reoffending’ at the party or whatever, prove she didnt do the murder in the firstplace, OR even prove that he and the hunters provoked her in the initial attack, which would subsequently downgrade the initial offence into an act of self defence, which would carry different connotations. OOH, and there’d be a way to do it, sorta, if we bring the initial attack a lot closer to when she collapses in town. like, a day or so. as in, the attack happens and the hunters are all brought back to town in their awful state. the survivor, who wasnt actually injured, explains what he saw. the next day, a woman matching his description of the attacked collapses badly injured in the town. when questioned, she has no recollection of ever meeting the hunters, and thus cannot prove she did or did not kill them. coincidental evidence is still strong. but theres the problem - she’s very badly injured with fresh wounds. were they received in the altercation? but the survivor claims the woman just appeared and attacked them, and that all they could do was run and hide until she left. no blows landed on her, he claims, as all the hunters lowered their weapons once they saw she was human, and wouldnt have had time to raise them for an attack.

so you layer that, and you get the idea that perhaps the hunters attacked this exhausted woman and she snapped, as she did in the ‘party’, and retaliated with ~magic hands~. but because she doesnt actually remember ever meeting the hunters, she cant prove that, hence being found guilty of murder and becoming a slave.

so then, if the second in command really wants to clear her name, and she wont talk to him, and no close witnesses would implicate the survivor as the unquestioned provoker in the display, he needs to prove she committed the murders in an act of self defence. there would be evidence, without doubt. her wounds wouldve been documented, as would those of the hunters and the locations they were found. possibly if the second in command went the location, he could find a weapon coated in blood that implicates one of the hunters as having landed a blow on her. but a) thats a bit deus ex and b) itd be difficult to place the blow as being before or after she went all ~Avatar State~ on the hunters, which means it wouldnt be useful. thats the issue here. if its been a long time since the attack, a year like a said, itd be really difficult to confirm whether she did it when the only witness is the Survivor, who’s a cunt. if she remembered the incident, and could explain it, the whole mess wouldve been fixed, but her suddenly remembering the attack after a year and when shes in trouble would look /real/ suspicious, and wouldnt be taken seriously at all.

whoops written myself into a detective hole here. fuck. this is why all my dr fan stories fell through, yall. the fucks a murder mystery.

unless like. ok. heres an idea. so the woman is travelling with someone else the whole time (for what reason? she doesnt explain, but shes clearly a foreigner so mm), and theyre both exhausted and probably vaguely headed for the town to rest and recuperate. on their way, theyre encountered by the hunters. things lead to things, probably nasty, and the travelling partner is killed by the hunters. they know theyre humans, and the Survivor’s mention of ‘putting their weapons down’ is probably true, as of when they first encountered the women. but as i said, shit leads to shit, the traveller is murdered, and The Woman loses her fucking mind. of course, at this point, the hunters all have their weapons drawn, with the possible exception of the survivor, because itd make some sense in a sec. so the hunters, w/ their weapons drawn, see the woman go all Avatar and attack her, in response to which she fucking destroys them. at that point, possibly leaving the Survivor due to him not participating in the murder of her friend. the woman promptly flees the scene, screaming bloody murder. this is what, at least initially, piques the interest of any villagers nearby, because her yells probably echo through the forest.

The survivor thinks fast. his friends were just slain in front of him. theres a dead woman in front of him, who his friends just murdered. what does he do? chucks the woman in a fucking ditch, probably. and because investigators have no reason to look in the ditch, they dont. the womans body remains. because the Survivors now covered in shit, he goes and starts to drag one of his friends back to town, and now he starts yelling for help. the story is set. he and his friends were set upon by a wild woman and slaughtered. he alone survives, covered in cuts and scratches from the undergrowth and trees and covered in the blood of his friends. when the woman subsequently turns up in town, blood covered and fatigued, her wounds are coincidental. she doesnt remember their encounter. she has no reason to inherently distrust what the Survivor says. all she knows is that she was travelling with someone, who now isnt there, and she has to believe that in their exhaustion and injuries they were separated. she has no idea.

and the thing w/ the survivor not killing the friend comes up. because the Woman has ZERO reason to feel inherent hatred towards him. if she saw the hunters’ bodies, which she didnt, she mightve had a gut reaction, but she has no gut reaction of the violent or upset kind towards the Survivor, because he didnt do it. she doesnt hate him. so for the whole time shes in the village, she treats her vague sense of deja vu towards his face as just a coincidence and moves on. ofc she develops hatred to him, as hes a Cunt, but she doesnt have it inherently. she clearly doesnt, because she let him live when she slew his friends.

so THEN what happens is that, in the lead up to another trial of her, the second in command explores the area in which the attack happens, and discovers the partly preserved body of her friend in the ditch. its brought back to town for investigation, because, yknow, a dead fucking body covered in weapon wounds, theres foul play. they briefly postpone the Woman’s trial in order to investigate this fresh case, and she could be found with shit on her that is identifiable as either the hunters’ or the Survivors, implicating him. as that shit mounts and stuff looks sus, the second in command manages to convince the council to allow him to bring the Woman to see the corpse. then she fucking reacts, because she immediately recognises it as her friend, and she probably almost goes avatar again before being restrained and escorted out. NOW she’ll talk. thing is, she still has 0 recollection of the night of the attack. her memory doesnt miraculously reappear on that front. that whole night doesnt exist. probably a trauma thing but also, try and remember a specific random day from over a year ago, good luck buddy.

but she’d now be able to explain proper what happened on the day of The Display, and theyd be able to piece a lot of stuff together and come to a conclusion that she and her friend were attacked by the hunters and that she retaliated after they killed her friend, which would allow to sorta slot under an act of self defence (or a similar, not fuckig murder charge, you feel me), thus allowing her sentence to be drastically shortened, and for a charge of murder (or conspiracy to murder, or culpability, or like, what... accessory! accessory to murder) to be laid upon the Survivor and posthumously upon the hunters.

fuck. thatd work. i guess? especially if the element of the dead woman is established. mentioned when the woman wakes up in a panic in the home of a king soul, asking if theyve seen her and if she was with her, and being forced to weakly concede that she doesnt remember having seen her recently due to her exhaustion blacking out many of her days. then you can bring it up later, when the second in command gets closer and more curious about her and asks about how she came to be in the village, and she’d mention her travelling partner and how she wished she knew where she was. then, the body. BAM. fuck! rule of threes, motherfuckers, i know how to construct a narrative! fuck me

tl;dr the Survivor tries a few times to get the Woman thrown out, and eventually succeeds in almost being attacked and killed by her. in an effort to clear her name (because hes a naive good soul who cant combine the image of a murderer with the general way this woman has acted since her arrival), her master, the Second in Command, does a sweep of the area in which the survivor was attacked and discovers the partly preserved corpse of a woman, who was murdered by the Hunters, prompting their deaths at the hands of The Woman.

fuck me down