#but its bio-mom (PA works) is now taking her away

[tacticalmaladjustment]

The Buddy Daddies fandom after episode 10

the parallels are there

[leverage-ot3]

notable moments from The Stork Job

leverage 1.06

Joe: Where is he? What have you done with him?

Dana: Why haven't you returned our calls?

Joe: Did you think we'd just go away?

Dana: We’ve given you the money. What else do you want? (approaches Irena) What have you done with Luca?!

(thug grabs Dana and pushes her aside)

Joe: Dana!

(Joe goes to help Dana and is stopped by the thug. Joe punches the thug, who then beats him into the ground as Irena and Nicolas walk away. Thug leaves, and Dana crawls to his side)

yo can we take a moment to respect and love these parents??? like technically luca was just a kid they were going to adopt but these two were ready to THROW DOWN for him because even though they didn’t really know each other, he was going to be their kid if that’s the last thing they did

- - - - -

Dana: $120,000. We had to take a second mortgage out on the house.

Nate: Well, we can get the money back.

Dana: We don't want the money. All we want is Luca.

Nate: Right. (looks at picture of Luca)

we love to see the clients being noble as hell

- - - - -

Eliot: Are we seriously considering this, huh? Swiping a kid?

Nate: Yeah, well -- What happened to you?

Eliot (scrapes on his face): Well, how was I supposed to know it was a lesbian bar?

...I bet it was from something fucking stupid

eliot “distinctive” spencer would have known it was a lesbian bar

(edit: I heard that on the commentary for that episode CK got the injury from trying to play football while wearing cowboy boots and honestly what a chaotic fav)

- - - - -

Eliot: How do we even know this kid is an orphan?

Parker: See him pocketing those cookies? He’s hoarding food. That bag on the table -- he keeps his essentials light and portable. He knows he's gonna be taken away at any moment. And there, when she goes to touch him, he flinches. He’s expecting… for her to... Trust me. He’s an orphan.

parker’s Tragic Backstory™ is about to be told in 40 minutes, let’s go

- - - - -

Sophie: Hey, can we -- can we stop off in Paris on the way?

Nate: Uh... maybe on the way back.

Sophie: Cool

sophie loves paris and was so happy and excited im-

- - - - -

Parker: Yes. And she's with someone.

Eliot: That’s never stopped me before

parker, rolling her eyes: bruh

- - - - -

sophie being “princess magda of slovenia” rb if u agree

- - - - -

Nate: You know, just hurry up.

Hardison: It’s not so fun working in the crappy command center, is it? No, see, you're usually off doing your European spy thing. Well, welcome to my world.

(Computer shows facial recognition program working on picture Eliot sent. Hardison offers Sophie a bottle of pop)

Hardison: Orangescu?

even in a foreign country hardison manages to get something akin to orange soda

- - - - -

Sophie: Who was it? -- Dagmar from the car-rental place was a lovely girl, but listen, Irina’s a professional grifter. She's gonna see straight through your moves. She does this for a living. You know, gets people to like her and trust her, even to fall in love with her. She doesn't do this for sport.

Nate: Mm. Sounds like someone I know.

s a v a g e

- - - - -

Nicolas: Beautiful name for a beautiful lady. Tell me, Hardison, what brings you to Serbia?

Hardison: Oh, do my fangs and cape frighten you

hardison being Done™ with a skeevy guy hitting on parker and making jokes to ease the tension 🥰

- - - - -

parker says that sleeping is one of her hobbies and honestly bitch me too

- - - - -

Parker: It’s amazing how far Serbia’s come, but the scars must still be there. I mean, all the families who suffered during the war.

Nicolas: Yes, but history always has its casualties.

Parker: Yes, but those families and those children.

Nicolas: It’s tragic, yes. But the strong, the smart, the... the beautiful, they survive.

[Flashback]

(Joe, Dana and Luca on home move.)

Joe: Smile!

Dana: Smile.

(A young Parker swinging, cuts to Luca sitting in the car that will take him away, cuts to young Parker on a merry-go-round, cuts to Luca being driven away)

Woman: What’s wrong?

(a young Parker in a car holding her bunny, cuts to Nicolas driving the car that takes Luca away)

Nicolas: It’s time to go.

[American Embassy]

Nicolas: Not everyone is worth saving.

(Parker gropes behind her and grabs a fork from the table, stabbing Nicolas with it. Everyone in the room looks in their direction)

parker’s past is developed a lot in this episode and we love to see it + bby you can stab anyone you want

- - - - -

parker fucking yeeting out the window is me after I do anything remotely embarrassing

- - - - -

Eliot: I’m lucky to have you on such a short notice. (takes paper from man) Zhavaliti. Is that right? Zhavaliti? Thank you? See? Yeah? No? Welcome to the set.

Hardison: Fire in the hole!

(Hardison sets off explosion of flame behind them)

Eliot: Yeah, it's exciting, isn’t it?

Irena: yes.

Eliot: That guy's our special-effects guy. He ain't all there.

friendship means gently bullying each other

- - - - -

Parker (sits down near prop truck): This is ridiculous.

Hardison (sits down next to her with fake gun): Tell me about it. We’re supposed to believe these are real?

Parker: This is what he expects me to do, fetch scripts and water?

Hardison: No, it's a trust thing. He just needs to know that you’re gonna go along with the game plan.

Parker: Yeah, yeah. I get it; we're a team.

Hardison: A little more than a team. I’m just saying

this was such a big episode for parker and her opening up to the team (hardison in specific)

- - - - -

Hardison (picks up papers): Sophie, are you -- seriously, Sophie. It was supposed to be a two-page scene between Irina and a boy.

(Eliot grabs pages)

Sophie: That’s still the heart of it.

Eliot: "The heart of it"? There’s like 10 pages here! You have a stunt. You have special effects.

Parker: "Sister Magda crosses and gets a loaf of bread." Wait, who's sister Magda?

(Sophie rolls out dramatically wearing a nun’s costume while ethereal music is playing)

Hardison: Tell me you didn't see that coming.

(Eliot grabs the pages and walks away)

sophie: is dramatic

eliot: surprised pikachu face

hardison: ??? were you expecting something else

- - - - -

Sophie: Listen. All right, look, look -- look at all this. This is my world, okay? You need -- you need someone to, I don't know, crawl through an air duct, you call Parker. Bash her head in - Eliot. Internet porn -- Hardison. If you need someone to take over a movie, then...

Nate: yes, an -- an actor. Right

sOpHiE bRuH

poor hardison, he never gets enough credit

- - - - -

Nate: And... cut!

(everyone claps, Sophie sits up, smiling)

Eliot: She can't act.

Nate: She can act when it's an act.

Eliot (going to Sophie): Unbelievable.

Sophie Really?! Really?!

Eliot: Yeah, really. It was great.

eliot is such a supportive friend because literally his jaw dropped at her acting and literally the first thing he did when they said cut was rush over to her and compliment her

eliot is secretly a hype man disguised in many layers of gruff

- - - - -

Hardison: Just take it slow until she leads you to Luca.

Parker: I can't believe they sent you to babysit me.

Hardison: I’m here on my own

hardison cares about her so quickly I’m soft

- - - - -

parker’s haunted look and glassy eyes when she stumbles into the room with all the children? her heavy breathing? how she has to brace herself on a bed frame so that she doesn’t fall over? heartbreaking

- - - - -

[Harbor]

(van pulls to a stop and Parker and Hardison get out, Parker pacing nervously)

Parker: This isn't just an adoption scam.

Hardison: I know. I already called Nate.

Parker: These are arms dealers, and they're using the orphanage for cover.

Hardison: I already called Nate. Now, look, we can go over this with the others back at the hotel.

Parker: We have to bail.

Hardison: No. no, no, no. What about Luca and the others? We can't leave them like that.

Parker: Why not?

Hardison: You don't mean that.

Parker: You think this is the only crappy orphanage in this place? This is a country full of orphans, okay? We can't save them all.

Hardison: No, but we can save this one. Parker, we can -- we can save this one. Look, I know growing up was tough. I-I know that you -- you grew up in the system. It was -- it was bad. I know. It was, it was worse than bad, but that doesn't mean that all foster parents are monsters. Mine wasn't.

Parker: You grew up with your grandmother.

Hardison: We called her "nana," but she was our foster mom. She, uh... she -- she would cuss like a sailor. The old girl would tan your ass just as soon as look at you. But -- but she fed us, she bathed us, she put a roof over our head. And, oh, she would raise hell if you so much as looked at us crooked.

Parker: Yeah?

Hardison: Yeah.

Parker: Well, you were lucky. No. We’ll put these kids in the system, and odds are, they're gonna -- they're gonna... (trying not to cry) they're gonna turn out like me.

Hardison: I like how you turned out.

(Parker breathes hard, getting control of herself)

Hardison: Let’s go

this whole conversation was a lot meta wise but also this was one of the real defining moments in their relationship in s1. it’s also one of the first times parker starts to open up to the team for real, even if it’s only hardison

also, I personally will never get over the “I like how you turned out”

- - - - -

Hardison: I ran humpty and dumpty through the usual databases. Chechen separatists. Seriously bad dudes.

(Eliot chuckles)

Hardison: After reading their bios, I don't think I’m ever gonna sleep again.

Eliot: Never tell a Chechen his sister has a nice smile. Trust me

eliot is an idiot

- - - - -

Nate: Okay, let's go. (leads Luca forward)

Sophie (in Serbian): Everything’s going to be okay. Do you understand?

Eliot: Maybe this will help.

(Eliot leads Luca over to the Mortons)

Dana: Hi, Luca. Do you remember us?

(Luca smiles, Dana hugs him)

Dana: Thank you.

Joe: Thank you so much. Come on.

(The Mortons and Luca get in their car)

Eliot: I got to tell you, I had my doubts at first, this feels pretty good

and the eliot-being-soft-around-kids saga B E G I N S

- - - - -

parker trying her best to translate but just making the kids giggle

“men will sadden you” same

and what gets the kids up and going? Haagen-Dazs

- - - - -

fierce, determined parker beating up scumbags is my sexuality

+

parker isn’t violent a lot in terms of being anywhere close to the team’s fighter/hitter, but she fights so hard for the kids in this episode and it’s one of the only times we see her fight fight and that shows just how much she cares

- - - - -

Parker: Shh, shh, be quiet, they have armed guards at that door.

(door bursts open and a man falls through. Eliot stands in the doorway, looking angry)

Sophie: No, they don't

her team always has her back, even if they’re angry at her trying to go at it alone

- - - - -

parker spreading herself out to cover as much space as possible, bracing herself to get shot over and over with the hopes that at least none of the kids will im-

she’s so selfless sksjdnnsns

- - - - -

eliot being all gruff that things happened the way they did but smiling at the exploding building because they did it and the kids were safe

- - - - -

THE FUCKING PROP TRUCK PLAYING SPOOKY AND WEREWOLF NOISES AS THEY DRIVE AWAY JUST TO MOCK THEM

+

bonus: nate’s “anD CUT”

- - - - -

Parker: Hey, how did you know I’d be at the orphanage?

Nate: Thank Hardison for that. (follows Eliot)

Hardison: You know you could have gotten killed. Did -- did you even have an exit strategy?

Parker: I didn't really think that far ahead.

Hardison: You don't work alone anymore. You know that, right?

Parker: I know.

Hardison: We're a team…?

Parker: We're a little more than a team.

this important conversation but also HARDISONS SMILE

- - - - -

Parker: (gets on the van) Hey, Nate. I have to tell you something.

Nate: What is it?

Parker: We have to stop at Hagen Daaz.

Children: Hagen Daaz!!!

after all that they deserve like a billion pints of ice cream