#but it's very low-key so far and other than being on the same 'generally left' page it seems to be fairly diverse in terms of approach | Explore Tumblr posts and blogs

lightleckrereins · 2 months ago

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Hello! While searching for any HNMPL content on Tumblr, I found your old post where you mentioned differences between various productions, and I was wondering if you could go into more details about what changed between some of the different adaptations? I can't seem to find much information about that and I'm so curious!

Anon virtual cinnamon roll to you because I never see people on tumblr wanting to talk about spanish language musicals.

It takes very little to get me talking about that show. It is unironically one of my all time favorites despite a lot of people here acting like it isn't cool to say that. And I have been low key mapping what has changed in it for over a decade. So I know way too much about this topic in particular.

With the caveat that I have only watched the mexican versions. Mostly the revival more times than I want to admit, the 2006 proshot and the 2021 streams. So what I know from the spanish versions comes from old clips that are generally not available anymore, a little press and wikipedia. You can roughly split it into six versions (well seven according to me).

Original spanish production (2005)

Original mexican production (2006)

Mexican proshot (2006?)

Spanish revival (2013)

First and second mexican revivals (on and off between 2014 and 2018)

*unnoficial workshop (2019)

Second mexican revival (2020) and lockdown era streams (2021)

The first two are as far as I know the same with some names changed and jokes adapted for Mexico. Panchi became Chakas, Anselmo became Venancio and Ana lost the Anuca nickname. Idk if there was an explanation on why at the time but the very easy guess is a mix of making things work with mexican spanish and culture and trying to avoid some jokes on the names. (You can trust Mexico to mock spain, whether its fair or warranted is not for me to figure out). From the few photos available a few costumes were changed too but in general it was the same thing.

Then the mexican production got a proshot in late 2006 (I think). It was basically the same but a couple of scenes were altered to be filmed backstage and in act 2 Mecano member/co-composer/then director Nacho Cano made a special appearance during El Siete de Septiembre. That one is available in youtube as Hoy No Me Puedo Levantar 2005 (the year is wrong and its annoying because the show didn't premiere in CDMX until 2006).

From what I've been able to find it ran on and off in Spain for a few years and then launched a tour in 2008. And the mexican production ran until mid 2007, both mostly unchanged.

In 2013 after a ton of backstage drama the spanish revival opened. It was technically a new production, but it kept the basic stage setup and a lot of the visual language. And if we are talking about changes this is where the fun starts. To me it had good changes, bad changes and necessary changes.

The necessary. The original libretto feels very episodic. And in a way it makes sense, show is setup as if Mario was narrating the story to the audience. So things being setup like "the day we left our town" "the day we got a makeover" "the day we got high and Colate's girlfriend showed up" makes sense. But the scenes feel a little disconnected from each other. The revival version feels more like a single story that builds on itself. Some songs were cut and some were changed, jukebox shows tend to suffer from having at least one song feel forced and HNMPL had like five (still has a few that dont work if you think about it), so taking out some things makes the story flow better.

Wikipedia has a good list of the changes, but to me the highlights are: The contest becomes Rulé centric and the song changes from No Controles to Cruz de Navajas. The subplots become a lot more connected with the main story. A few characters feel more like real people and less like cartoon characters, Patricia is still intense and Guillermo is still efeminate but both show a lot more depth and are capable of becoming serious if the situation demands it. Malena switches from an over the top kinda clownish character to a femme fatale type which is a lot more believable as a ruthless producer that Mario falls for. Me cole en una fiesta thankfully becomes only Guillermo's number, he deserves that moment. Also the harmonies became a lot better.

The bad: it becomes a little gimicky, the show has always used projections and screens, but for this production they went a little overboard with it alternating between backdrops and full on concert style graphics pretty much every other scene. To me It feels distracting. Also design has always been [year it premiered] does sexy 80s, and they have never been scared of using the hot dancers wearing little clothing thing to sell, but this production took it a little too far, it looks too modern to me. The historical context was never adressed in depth but for the revival it blends into the background, I don't want the military onstage or anything but the show is set in Madrid in the 80s because it was a decade of massive social and political change that set the stage for a story like this to happen.

In 2014 the mexican revival opened (and this one I saw way too many times starting at previews so I literally witnessed the changes as they happened). It was basically a mix of the spanish revival with some elements of the original.

Costume design was the revival one with a few changes, set kept the same format of raised platform in the back, balconies to the sides and setpieces rolling into the stage from the back, but they changed the concert like aesthetics for simulating black brick and tower like blocks on the sides that roll in and out to represent different spaces. They kept the animated graphics and backdrops but limited those to two smaller screens on the back for most of the show (still feels distracting but not as much). Direction and choreo is mostly revival, but on some scenes they bring back the original one. Biggest one being the opening where Spain did beds coming down from the top of the stage (there is a video of this one in youtube) and Mexico went back to the three beds onstage.

There is a little more character development. María is now an aspiring actress who doesn't become famous but builds a career by the end, in the end her main role is still love interest, but this feels like a nice counterpart to Mario's meteoric rise and makes her feel more like a person. Guillermo is now an aspiring filmaker already deeply involved in the artistic scene which creates a better explanation on why the characters suddenly know everyone. There is a lot more focus in Venancio having a bar after leaving the music industry as the basically no one else has any plan aside from becoming a famous musician. Chakas is now the one who sings el uno el dos el tres, and that is a great choice, he has been the comic relief for most of the show, but also a core characteristic is him putting his friends above all so being the one who understands what Mario's actions mean makes a ton of sense. Afaik the Maria being an actress thing is a mexican addition the other three could be from the spanish revival but I haven't been able to find confirmation.

Cruz de navajas becomes the contest song, it didnt fit in its original spot and it doesn't really fit there either, but it is the song that namedrops the leads so it has to go in.

The mexican revival did a few breaks, went on tour, and announced closing followed by a "surprise" extension multiple times between 2014 and 2017. Then take an almost year long break only to return for a "final season for real and then never again" return in 2018 (spoiler it was not the final one).

Show stayed mostly the same through this but a few changes happened. Tu, Lía and El uno el dos el tres came and went a few times, iirc No hay marcha en Nueva York had a short return after being cut for the revival. The Guillermo has a crush on Mario plot was mostly dropped. The ensemble was reduced a few times and by the end it did feel small.

Also here is where they started with the stunt casting. And results were very mixed, some people who started in theater and later became famous as singers and some celebrities who could sing but weren't necessarily right for the roles. I do have thoughts on a lot of them, but the short version is who was good and who was bad is not necessarily who you would expect.

Officially the show didn't come back until early 2020, but there is something I say counts in here. There was a school production in mid 2019 directed by the mexican production resident director, and there were a few interesting changes. At the time it was a well known rumor that GOU (mexican producer) was trying to get the rights for the show to do another revival. Everyone knows that every musical theater school in here does a production of HNMPL (usually unlicensed), but this was licensed and had the mexican director involved. It is not hard to guess that those changes were authorized and a low key workshop for future productions. Changes I remember were: Changing the second half of Me cole en una fiesta for a different song and making a literal pride parade, it made no sense but it was so much fun to watch. The contest song was switched to a kinda metal version of Las curvas de esa chica. There was a pregnancy plot for Patricia, Ana and Colate's daughter appeared onstage which so far had only happened in the spanish revival, and there was an attempt to make Malena a more sympathetic character. Aside from some libretto edits most of that never showed up in later proffesional productions.

Early 2020 a short return season was announced. It had like two weeks of shows before lockdown and then it got two livestreamed shows. I don't like it. They made a lot of changes to cater to their singer leads and show becomes weird.

They cut Una rosa es una rosa and La fuerza del destino. Edited basically every scene that required Mario to dance so he didnt have to, changed a few scenes to include very artsy dance for reasons (and then included Maria in some of them for the streamed version). Costumes were based in the revival design but in a doing inspired looks way. It was not 80s and it was very concert. They tuned up the screen graphics to a concert style to the point where there were lyrics for some songs in there. Can you tell I don't like this version?

#hoy no me puedo levantar

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taromilksnake · 5 months ago

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6:12am no meowu this morning

as she’s been left at julia’s the night before…a little jealous that julia and sherry got to hang out together seemingly with no issue, and with meowu, but that’s ok

had a dream that me, anthony, his mom, and my mom were all at his family house (really it was like the old apt in clairemont, but on the first floor. one of the rooms was maroon with a large bed). they were chatting about how nice we were dating (in a kind of embarrassing way), and joking about how we’d have to connect our rooms with a third room (in reference to what anthony and i talked about irl about a shared bedroom, but our own spaces). my mom in the dream said that the room i have in my home is inherited from my dad (not true irl), and anthony’s mom piped up that that’s true for anthony too!

in all a strange dream. not sure what to make of it, besides a bit of a fun mishmash, i guess

—

6:37am

took a quick hot shower, gave myself my t shot in record time (with the new bulk pack syringes). missing anthony but more than that, missing not having to go to work lol. last night we spent some time in the car together, and he referenced young professionals again. when i pointed out how it’s a throwback, he said that it’s because i haven’t worked in like, a month (i wonder if he is lightly envious, esp given his job evening seemingly pretty demanding).

brief pause to take account that i feel my body heating up at just the thought of work, and immediately feeling tightness in my stomach and the urge to use the restroom (though i went just before my shower). tiredness, but like a fatigue response (if i were to imagine i can do a fun activity, it’d be no problem). i think seeing that instagram post about survival mode really put things in perspective, and i don’t want to live that way anymore, but unfortunately i kinda have to, at least til the end of the year. i think the best course is to just focus one day, one moment at a time. good news is that now i’m snuggled in bed with the phone propped up on some blankets, the carpal tunnel is minimal and i can journal freely now. it’s worth celebrating that i’m getting better and better at relaxing, not for the sake of “self improvement,” but actually just enjoying life more and having more fun in general in my personal time (though the background stress of anxiety is never far. i wonder if medication would help with that. would it dull my senses though? have some other side effect? we’ll have to see. also i think i’ll have to book my own therapist, which is troublesome since i thought it was happening tomorrow. another thing to look into :/)

climbing with anthony and khang was alright last night, but i was exhausted and the real treat and restorative time was spending time with anthony in the car). we’re both burnt out and in survival mode, and he shared his work stressors and i watched him take note of his to-dos. the nice thing that was a lil surprising to me is that i didn’t feel like i was competing for his attention, but just hanging out with him low-key, even in the car. he took inventory of his tasks, then did chinese duolingo in front of me lol (he said it was fun to have an audience to show off to, haha). we kissed, and i told him how enjoying kissing is still relatively a new experience for me, which led to him talking about mouthfeel, and girldick re contrapoints. something that he said that i really liked was that “well, boyclit is different too” which i really like as a corollary to girldick. he said that being able to suck on it when he was going down on me was a new experience, and the thought alone got him a little heated, which was sweet and very flattering. my initial reaction is still of surprise and uncertainty, but the idea of giving him a blowjob is hot as hell to me, so i can only assume it’s the same for him.

anyway, kissing him was lovely and sweet and romantic and fun. it was extended, and i wish it wasn’t a kiss goodbye. he sought out my hand, clasped it, he gently touched my face as all the while kissing with his plush lips, pleasantly warm and wet. i feel just a little bit of his tongue, touching the inside of my lips just every so often (i wish it were more). smelling and tasting his breath was maybe the best part, and i let out little sighs and noises because i love being with him, and knowing he loves me like i love him. there’s no other words for it, even though i’m trying to put it plainly it just comes off as cheesy. oh well. i want to hold onto that little moment as a small comfort for my long hours at work, but i don’t know if that’s a good idea. doesn’t matter much i guess, since even my trying to recount it, the experience fades and is quickly replaced my various ‘to-do’s’ and anxieties. i’ll do my best of focus on the physical when decompressing, and focus on ‘interesting’ ideas and my own learning in the classroom. i think that’s the best idea (all right answers).

today is another day, and hopefully i’ll look back on this time and miss these worries that i may never experience again. may i grow and continue to find peace and happiness in my life.

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notbecauseofvictories · 2 years ago

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joined a new book club, am going to become a bitch who reads Theory.

#deleuze and fanon and all those guys I didn't read because my interest in philosophy stopped after sidgwick #(edited to add - I did just remember how much I love heidegger)#anyway I did manage to say ''solely on vibes'' during the meeting this evening so I'd consider it a success #I do feel like these are books we should be reading with a professor and not just some guy who works at the bookstore?#but it's very low-key so far and other than being on the same 'generally left' page it seems to be fairly diverse in terms of approach #so I might as well add it to my roster #celestial emporium of benevolent knowledge

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impostoradult · 5 years ago

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I finally figured out why it feels like Supernatural murdered a unicorn (AKA why you need to STOP telling me to watch Black Sails)

I’ll start by saying, everything everyone else has been saying CERTAINLY bothers me:

- the queer-baiting - the bury your queers - the undermining of Dean’s character arc - the wasted opportunity for a certain kind of overall narrative closure - the flat out disrespect to Misha Collins and Jensen Ackles

All of that bothers me tremendously.

But there has been something else rather ineffable about this that has left a horrible taste in my mouth that I couldn’t quite pin down until last night. Bear with me, if you will, because this will require some set-up.

*** This is not the first show to ever disappoint me in a spectacular fashion, nor will it be the last, I suspect. And one of the ways I’ve always coped with that disappointment was to remind myself that there will be other stories, other characters, other chances to get it right. (”It” being any number of things from just pure narrative emotional coherence to not burying your queers to not stringing along your queer audience and then yelling fuck you to them on the way out)

But somehow that assurance -- that there will be other stories, other characters, other chances to get it right -- has rung particularly hollow in this instance, and I couldn’t quite put my finger on why until yesterday.

I kept asking myself, why do I still have this feeling, deep in the pit of my stomach, like something was lost here that can never be recovered?

Because something was lost here that I am doubtful can ever be recovered, and I don’t think I’ve seen anyone else talking about this aspect of it at all.

***

A few months ago, TV critic Maureen Ryan did a great interview piece with Mike Schur (of Parks & Rec/The Good Place) discussing the death of long-form TV in the streaming era. They explore how the longer seasons and longer runs of traditional broadcast/cable TV provided an opportunity to tell particular kinds of stories that you simply can’t when seasons are 8-10 episodes and series typically run 2-4 seasons (thanks Netflix).

One key thing we’ve all lost in this new era of highly condensed TV storytelling (and of prestige TV narrative styles)? The traditional (several season’s long) slow-burn/will-they-won’t-they romance. Not only is there simply no longer the time or space to write such romances, it has also come to be seen as hacky, manipulative, cheap, artistically impoverished, low-brow, a embarrassing vestige of the era before TV became art™.

Everybody is trying to be Fleabag now. No one wants to be Frasier. (”It’s really more like a 10 hour movie” they all like to brag)

Obviously TV still has romances, even ‘drawn out’ romances. But ‘drawn out’ in 2020 is like 2-3 seasons, maybe. More commonly it’s like half a season. Take Schitt’s Creek. The number of episodes between when David and Patrick first meet and when they first kiss? Seven. Seven episodes. Half a season. If you watched it live, it took less than 2 months for them to move from introducing that dynamic to consummating it. And I’m not bagging on Schitt’s Creek; I think the David/Patrick’s story is very lovely and well-written.

But Niles & Daphne (Fraiser) had to wait 7 years and over 150 episodes before they finally got there. Josh & Donna (The West Wing) had to wait 6+ years, and 145 episodes. Mulder & Scully (The X-Files) had to wait 7 seasons and 143 episodes. Booth & Bones had to wait...you see where I am going with this.

And my point is (and I can’t believe I never realized this explicitly until now): there has NEVER been a queer slow-burn/will-they-won’t-they romance of that type on TV ever. EVER.

I’m going to say that again, because I think it bares repeating:

There has never been a queer, slow-burn/will-they-won’t-they romance that fits the 100-150 episode paradigm of delayed gratification on TV.

Not ever.

I can’t think of ONE example Not a single, solitary one. And I know queer TV pretty well. Arguably the closest we’ve ever come is Legend of Korra, and that ran 50 episodes, a THIRD of the length of old school will-they-won’t-theys like Booth & Bones or Josh & Donna.

Queer people have had a fair number of canonical romances on TV by now, even fairly long running ones. But we never got a primary/front-and-center romance that you had to root for for 100+ episodes before you got any kind of canonical consummation.

That is a particular kind of TV experience that queer people and queer characters were just 100% shut out of until it was too late. And because of how the TV landscape has changed in the last 10 years, I don’t know that that opportunity will ever come back around in our lifetimes.

***

Dean and Castiel are/were a legacy of an earlier era of TV, an era that still contained the possibility for a will-they-won’t-they of that particular mold. There were other shows that could have also filled this gap at one time - Rizzoli & Isles, OUAT, House MD, etc. But one by one all of them were killed off, their queer romances unrequited, until Supernatural was the only one of its’ generation left standing.

And they should have acknowledged that they were a species about to become extinct.

There are plenty of other valid and compelling reasons Supernatural should have gone full Destiel, don’t get me wrong.

A) It would have been the most emotionally satisfying ending to the series and to those characters (and that would have been reason enough).

B) It would have stopped the manipulative queer-baiting of the (disproportionately queer) fanbase (and that would have been reason enough).

C) It would have been queer representation of middle-aged men, of bi men, of queers who came to their queerness later in life (and any/all of those would have been reason enough).

D) It could have been a glorious subversion of the bury your queers trope, considering how often they’ve died and been resurrected (and that would have been reason enough).

But point E) on this list is the reason this one hurts in a singular way that no one even appears to be acknowledging.

Almost all of the other wrongs and missed opportunities contained in this Supernatural debacle have the possibility of being rectified (at least to a degree) elsewhere. I can and I likely will get more bi male characters from TV as time goes on. I can and likely will get more middle-aged queer characters. I can and likely will get more queer characters coming to their queerness later in life, and starting queer romances later in life. I can and likely will get more queer characters who aren’t killed cheaply and prematurely. I can and likely will get more genre TV shows with sprawling myth arc plots that are resolved in a coherent, satisfying way. I can and likely will get Misha Collins and Jensen Ackles involved in other projects that value their work and their talents.

All of those other things are at the very least POSSIBLE, and many are even likely.

But a queer 100-150 episode slow-burn romance a la Mulder & Scully or Niles & Daphne or Booth & Bones? That is the one baton Supernatural dropped spectacularly that no one else even has the possibility of picking up again for the foreseeable future. (They don’t even write those types of romances for heterosexuals anymore!)

Seriously. It was a TV unicorn. And rather than letting it run wild and free, they stabbed it with a rusty nail.

***

Given the monumental shifts in the TV landscape that have occurred in the last decade, I don’t know that TV will ever go back to the slow-burn/will-they-won’t-they romance spanning 100-150 episodes. Today it is a miracle if you can get ANY show to last longer than 50 episodes in the first place.

And that is the piece of this that makes it feel (to me) like they murdered a unicorn.

Because queer people have gotten a lot of things from TV, and they will get a lot more as time goes on. But that one? That one could very well be a totally extinct species.

That is the larger missed opportunity here that has left this feeling especially hollow and destructive. That is the thing that makes me balk when people tell me to go watch Black Sails or Pose or whatever other prestige TV show is doing this representation ‘better.’ Because that’s not really the loss I am mourning here. I KNOW there is ‘better’ representation elsewhere.

But the will-they-won’t-they/slow-burn romance is a qualitatively unique thing that queer people literally just never got. Ever. There is no substitute, no alternate, no other show I can turn to with that kind of build-up and pay-off for a queer couple, and there probably won’t be in my lifetime. Not unless the TV industry undergoes another monumental evolution similar to the streaming revolution that shifts the incentives back to telling those types of stories again.

All those shows you want me to displace Supernatural with? None of them can give me the one thing I uniquely wanted (and could have gotten) from Supernatural. THAT ALTERNATE SHOW DOESN’T EXIST. It doesn’t exist. And I have no reason to hope it will ever exist in my lifetime.

So stop telling me to look somewhere else; you don’t understand what made this one a unicorn.

***

Addendum: The only other possible show that could perhaps fill this gap is It’s Always Sunny in Philadelphia (re: Mac/Dennis). But I’m hesitant to say it exactly meets that criteria, for a number of reasons:

1 - It’s far less serialized relative to Supernatural and (except for a handful of stand-alone episodes) very little of the story is grounded specifically in Dennis/Mac’s romantic dynamic (unlike SPN, where it is absolutely central to much of the narrative)

2 - IASIP is fundamentally satirically in nature/tone which makes it much harder to have genuine romantic pathos (not impossible, but harder)

3 - All the characters on IASIP are fundamentally crummy people who you aren’t exactly supposed to root for. Which doesn’t mean a romance between two of them can’t have its value/charm/worth but it’s not the same as when it is between characters who unequivocally deserve nice things/happy endings

#Supernatural #Destiel #queer representation #sorry this is long

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lavenderoatmilklatte01 · 2 years ago

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Why I didn’t like If We Were Villains

*WARNING: major spoilers within. Proceed with caution.*

I was so, so excited to read this book after seeing it all over the internet. While the book had an amazing premise, there were quite a few reasons it left me feeling disappointed. Of course, these are just my opinions, and I would love to hear others reviews of this novel:) lets get into it!

1: The Characters

The book has quite a few central characters, each of whom play an important role in the conflict and events of the novel. Despite the importance of these characters, the majority of them were not fully fleshed out, and came off as very flat and generic. Whether it be love or hate, you want to make your readers feel something for the key characters in your story. With the exception of Oliver and James, I found myself not giving a fuck about any of the characters, which really took away from the storyline. The rest of the gang are very surface level, and I felt I had little insight into them as individuals. With Oliver being the narrator, we are bound to know more about him, but I have read many books that do an excellent job of fleshing out even minor characters.

2: The Ending (Spoilers!!!)

Quite frankly, it was the ending that made me flat out dislike the book. It is heavily implied that James faked his suicide, which feels like a low effort, cop-out of an ending. I believe the author wanted to end the novel with James’ suicide, and couldn’t bear to do it at the last second. Not only does James faking his suicide create a lot of logistical issues, but it robs the story of the perfect Shakespearian ending! Give us the tragedy!

3: Controversial Opinion- It feels like a TSH copycat

I hate to compare the two works, but I was definitely left with the impression that the author wanted to imitate TSH, which ruined a lot of what could have made the book an amazing, unique story! There are others on here who have compared the two stories far better than I can, so I won’t go into too much detail. I think the author of IWWV wanted to create the same tension and immersion as in TSH, but failed to grasp what exactly makes TSH so unique. I think if ML Rio had chosen a different conflict than “group of students tries to cover up murder of their friend”, the book could have been far better.

Omg that felt like such a rant. There were things I really, really loved about this novel. I loved the Shakespearian elements, especially the Macbeth scene. I think if the author had fully fleshed out the setting and characters, and committed to the tragic ending, this book could have had the potential to be an amazing work of art.

#iwwv #if we were villains #dark academia #ml rio #james farrow #Oliver Marks #the secret history #book review

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jangofctts · 4 years ago

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Mirrored Heart (captain rex x fem!reader)

rated: 18+ explicit

word count: 5.6k

warnings: smut, p in v sex, unprotected sex, creampies, fingering, blow jobs, clone space racism?

a/n: ANYWAY HERE IT IS. ive had this draft saved since like a year ago and just now finished it. anyway kwjrkejh here YALL GO. also thank you @jango-fettish FOR LETTING ME BORROW SYRENA

It's curious.

Well, you, as a whole are curious—completely outside the realm of what Rex considers normal. As far as senators go, that is.

You're grumpy for one—worse than Skywalker and far more snide than Kenobi—a near gargantuan task bordering impossible. Wit and cleverness come to you easier than breathing, but it's your unwavering kindness towards himself and his brothers that sticks out like a blaster burn against alabaster white walls.

He passed it off as a joke—some sort of mockery. Rex’s existence has been full of them. The past year it’s been made glaringly clear as to what the clones are to the people of the republic—tools. Mindless war machines dressed with flesh and bone, heart and sinew instead of durasteel and a circuitboard. Humanity has been skimmed over with excuses and debates over the hollow argument that clones were created for the sole purpose of war—nothing more. Ignorance is bliss when you are not the one fighting tooth and nail for petty skirmishes and the survival of your family.

Ithyea, your home monarchal planet, is a newer member of the Galatic Republic—one of the firsts to advocate for clone rights—cutting through each argument with the steel headed javelin of hope and determination. Controversial in the eyes of the galaxy but no less than true. Yet with controversy, comes chaos.

Wedged between Takodana and the Cerean Reach hyperspace lane—it’s an essential key to accessing more neutral space sectors without stepping on any toes. While the planet does mirror the size of a larger than average moon, there’s nothing but grandeur with the cutting edge advances in space travel and military innovations. An arts district too, one that’s presented multiple times for the Senate apparently. Rex has yet to see it. It’s an easy guess as to why Ithyea has gone under pointed attacks from the Separatists—it’d be foolish not to try.

And of course comes the intergalactic mess of politics. You are not Ithyea’s first senator. Or second…or third. Just in the last six months, three of your predecessors have been picked off—two disappearances and a suspicious poisoning sandwiched between them. Which sides these assassinations stem from is anybody’s guess—a mix of both perhaps—all to silence and stamp the voice of your people out.

Heavy are the shoulders that wear those abhorrent senatorial robes, and Maker did it take some convincing for another Ithyean to step to the chopping block. It’s just…no one thought it’d be you. The infamous captain of King Arrian Felian’s elite guard—trained in combat levels high enough to contend some of those within the ranks of the Jedi Order. When your name comes up in conversation, it certainly doesn’t scream diplomacy.

Rex is not surprised that you hold the current record of Ithyean senators for surviving the longest. Evading an astonishing two attempts on your life by the skin of your teeth. You were just downright lucky the third assassin missed their mark. Sure, the blade of Syrena Aster skimmed the right side of your cheek and left behind a nasty scar to remember her by, but kriff—even with your background and low levels of public presence, you’re a high priced target. Whoever placed an order with the Heretics, really wants to see you six feet under.

Rex hasn’t been given the full report on exactly who the Heretics are—a rag tag bunch of untrained Force users and skilled assassins from what he’s gathered—but regardless, this attack is just the beginning. Until the Senate and the Jedi are able to retract the price on your head, you’re stuck under protective custody. Usually ushered away into the Jedi Temple or tagging along with General Kenobi and Skywalker. Despondently, no matter the circumstances of your protection, it can’t shield you from the dreadful invitations to senatorial luncheons.

And yes, you tried to slip by for this one.

You don't brush elbows with other senator’s like many of the members in the Jedi Order and your own cohort do. In fact, you actively avoid even speaking to them unless necessary, let alone stand in the same room with seven of them. Odd for an elected official of diplomacy such as yourself to be so cold shouldered—Rex would think senators wanted to mingle.

It's curious because you're standing in plain sight and yet no one pays you any passing thought. General Kenobi and Skywalker hold the majority of their attentions, shoulders already taught with exasperation at keeping everyone from tearing out each other's throats for, kriffing five minutes. Yet you...you are completely at ease, leaning up against a stone pillar, observing the unfolding chaos from afar with a keen eye.

Before Rex realizes he's stepping towards your position, you glance over and dip your chin in greeting. The ghost of a smirk pulls at your normally grim facade—his heart skips. "Captain."

"Senator," he mimics, posting himself to your right. There’s still a thin, healing scab from the assassin’s blade that extends from the swell of your cheek to your ear. Ouch. “Enjoying the evening?"

You snort. "Hardly enjoying it, Rex."

Stars—you shouldn't be allowed to say his name. Your words are razor-sharp like a jagged vibroblade, meant to jab and pierce through armor—tear a person to pieces without having to lift a finger. Everything about you is rough, gritty, brutal, unbecoming of what a senator should be, but—

You mouth his name, purring out the singular syllable with such tenderness that it's like a punch to the gut.

It's hard to swallow and he needs to clear his throat—an embarrassing act on his part, but your attention has already returned back towards the meandering senators. "How d'you mean?"

"Well," you sigh, "let's just say smalltalk isn’t my strong suit."

"Aren't you senators s'pposed to like diplomacy n' such?"

Your thumb smoothes over your bottom lip in thought as you shrug. "Diplomacy? Sure. Politicians? Can’t say I like them. I just—"

You wave your hand around, gesturing vaguely to the crowd. "I just don't understand why they can't say what they mean. Telling someone to have a nice day shouldn't entail certain death, y'know?"

"Speaking from experience?" He teases, gently prying into that harder than beskar wall you've created for yourself. There's fissions in your foundation and he means to tear it down all for just a mere scrap of information.

Your eyes flick over, your lips curling into a vulpine grin. “Perhaps...Though, it was partially my fault, I have to admit.”

“You’ll have to tell me the story sometime, Senator.”

You nod. “Yes, one day—when there aren’t so many political ears jumping at the chance of gossip.”

A swell of laughter interrupts your chat, your attention gravitating to Obi-Wan—ever the charmer with the crowds. The end of your mouth pulls into a frown as you sigh and carefully scratch at your brow with the back of your thumb. Rex might be pulling at straws, but what he mistook as you being standoffish may just be your nerves. Socially awkward and flustered when speaking in such an intimate setting.

Rex’s first instinct is to reach out and place a hand over your shoulder in comfort, but he’s not sure how you’ll respond to the touch. Flip him over your shoulder probably—

Instead he forces himself to jumpstart the conversation—something to distract from your anxieties. “I hope you don’t mind me asking—“ His heart beat kicks up into a flurry of wild beats as you turn you head. “What uh..wh—did you want to become a senator?”

He likes it when you smile—like you’re letting him on some sort of coy secret. You shift your weight and shrug. “The king asked me personally. I’m flattered he thinks I’m clever enough—insulted he sends me to these abysmal gatherings like some sort of show pony.”

Rex chuckles. “Yeah, can’t say I like ‘em either.”

“Although…” Your thumb runs over your lip again, a sparkle of mischief igniting behind your eyes. “As a senator, I do get the occasional tidbit of gossip. Here, I’ll catch you up—“

The captain startles when you snatch his elbow and yank him closer. Maker he’s glad for his helmet because your lips brush against his earpiece as he leans down to reach your height.

“Look." You whisper, nodding casually in the direction of a particularly young senator with a shock of white hair. She's swathed in a pool of royal blue silk, much too large for her tiny frame, and all but hanging off Skywalker's arm with glittered nails filed into points. "That is Senator Ceci Paare of Corellia. She looks innocent, no?"

She does. Wide, crystalline green eyes stare up at the Jedi Knight as a pretty giggle escapes past her ruby painted lips. Skywalker grimaces.

"I quite like her," you continue with a sly grin. "Even if she does try to influence public opinion by an invitation to bed."

There's no time to process as you focus in on an older man. His hazy blue skin, ash white lips and vermillion green eyes cut an almost nightmarish profile, accentuated by mountains of black robes. Rex can’t recall what planet the senator represents. The senator holds his head stiffer than rebar to keep the ornate golden circlet from slipping off, his white lips curling in distaste as Orn Free Taa of Ryloth places a meaty hand over his slender shoulder.

"He is Lord Tal’en Sol Ra'ah. Cunning, but sympathetic to the pleasures of gambling."

It's a game to you—of perceptions and nuances only a trained eye can roll over. Rex expects nothing less. This sort of thing has been hammered into the very essence of your being since you were little—reading an enemy before they can strike. It works on politicians marvelously well.

Truth be told Rex should be paying more attention—but the closeness of your face to his helmet is maddening. His heart twists and coils as your bare hand skims along his gloved one—kriff. He’s not gonna make it before he bursts into a thousand little pieces.

Rex’s spell of lovesick yearning recedes as you swear under your breath. It was only a matter of time before someone approached your little corner.

"Oh, Maker save me," you hiss under your breath as a young Mirialan saunters over, the swatches of rich red and brilliant gold accentuate his violet skin like a bloody bruise. "Pretend you're speaking with me."

"I am speaking with you," Rex snorts.

Your hand waves in dismissal as your brows stitch together, hands balling into fists. Your jaw clenches as the senator in question puts on a dazzling smile. You look downright panicked. Rex has witnessed you face down numerous senators older than dirt and close to blowing away in the wind with plucky fervor, assassination attempts, being held captive, and you're frightened…by this?

This is too good.

Rex has half a mind to help you, wheel you away from your little predicament, but his intrigue with seeing your oh-so-solid resolve crumble is much too valuable and entertaining to pass up. He's going to remember this for years.

"Rex."

"Senator," he mimics, not at all frightened by your poisonous glare. "Some diplomacy might do you good."

You begin to snarl out a threat but are decidedly cut off by your object of horror planting himself before your hiding spot. You cower into the corner like a boxed in loth-cat. "Ah, my favorite Ithyean! I had begun to worry you would not make it, my dear friend."

"Senator Lin," you sigh. The smile you offer is tight and thin; a nervous one much in the same way one would be if presented with a box of toenails for a birthday gift. “How pleasant to see you."

Senator Lin’s deep violet lips part with an easy smile. He waves a hand in dismissal, his silver rings glinting in the warm lighting. "Please—call me Toluka. No need to bother with such formalities between companions."

Rex suddenly understands your trepidation with the Mirialan—he’s slimy. And, not to mention, not at all ashamed with the lecherous looks as his eyes sweep down your body. Rex clenches his teeth and folds his arms behind his back. He’s regretting not heeding your warning now…

Try as you might through brutal small talk and chilly answers, Senator Lin refuses to take the hint. A dark plume of venom green lashes through Rex’s chest as the Mirialan places a friendly hand over your shoulder. You grimace as Rex bristles and glares through the visor of his helmet.

Senator Lin’s lips pull into a gaudy smile as he glances at Rex and then at you.“My dear, don’t you know? It’s not worth wasting your time with a clone. After all, they’re all the same person. How boorish—come join us at the table.”

Your teeth bite into your cheek as your temper, like the silver of blade through the darkness, cuts through your steely irises. With poised nonchalance, you lift your hand and pinch Senator’s Lin’s fingers between your own and pry them off your shoulder. “Is that so?”

“Your campaign, valuable as it may be,” Lin continues, “is a useless endeavor. They are not our equals and never will be--you must know that."

Rex forces himself to remain calm—collected and certainly not imaging a thousand and one ways he’d like to see his fist breaking the fragile bones of the senator’s face.

"Fine buttons stitched upon your shoulders do not compel your worth, Senator,” the harshness of your words is a blow straight to Lin’s ego. His well-groomed brows furrow drastically as his tongue struggles to play catch up and find words to repair his shattered pride.

There’s no chance for Senator Lin to regain his footing as your snatch Rex’s wrist and sweep him out into the hall. Rex can feel your anger roll off of you in waves, frighting and holding the same caliber of roaring waves thundering against black, craggy rocks. It’s a miracle the night didn’t end with your hands wrapped around the senator’s throat or a blaster shot through the chest.

When you reach the lower halls of the cruise ship is when you release Rex’s wrist. You pinch the bridge of your nose between your fingers and release a long, dramatic sigh.

"You are worth far more than that pompous ass," you say with enough edge to slice through a droideka's shields. "He has no right to say those things to you."

“It’s alright,” Rex soothes, placing a hand over your bristling shoulder. “I’ve heard worse.”

Your features scrunch up into a wince. “That...that doesn’t mean you have to suffer through more of it, Rex.”

Sighing, you run a hand through your hair and loosen the heavy outer robes strung around your shoulders. You shrug out of them and fold the thick swaths of fabric over you arm—revealing the under layers of your uniform. You toss the bundle of fabric to the floor with a disgusted grimace and sit on the cargo crate closest to your left.

“Really—it’s ok.” Rex assures again. “I—“

You hold up a hand and shake your head. His mouth snaps shut. “I won’t hear it. To me you are nothing short of perfect and I refuse to argue about it. Maker knows I already do that for a kriffing living.”

There’s a fragile lull in the hollow space—the distant chatter of voices and strange music collecting in the corners. You stand once again, toe to toe with the Captain and there it is again, that elated pitter patter of his heart thrumming through his veins. The nerves of being so close to you—you sweet face and not being able to touch you.

“Let me see your face.”

His hands come up to the edges of his helmet without hesitation, a hiss of hair escaping the seal once he pries it off. You smile and take a step closer until the only thing separating you and him is his helmet.

Rex’s eyes flutter shut, leaning into your hand you gingerly place over his jaw. “I wish the entire galaxy could see you through my eyes,” you whisper, the warmth of your soft palm radiating out and warming his entire body.

It’s a matchstick to kerosene—his helmet clatters to the ground and there’s only a second to spare as both hands move to cup his cheeks, dragging him into a mouthwatering kiss.

He hasn’t kissed many people—save for those rare times at 79’s, head swimming under the haze of one too many shots of Corellian fire whiskeys where he could barely distinguish his ass from his hand. Those drunken make-outs were nothing like this.

No—this…this is what a kiss should be like.

He dreams about you all the time—so constantly ravenous that all he can feel some days is pure ache. Every and all words that spin around his head starts with you and finishes with his pounding heart close to bursting free from his ribcage. Not in the same way a flood rips through an unsuspecting village—more like the brilliance of a thousand doves, marble white plumage thrashing free from their gilded cage. Your lips taste like the core of a newborn star—scorching and yet still so sweet upon the tongue the same way caramelized sugar sticks to the roof your mouth. You are his first and last everything.

There’s a certain kind of tragedy hidden beneath your tongue, fragile promises and the eggshell thin shards of hope stapled to the roof of your mouth. Rex will take it—seize any threadbare strand and run with it—spool it into the palm of his hand until you’re wound so tightly together it’ll be impossible to untangle.

Just when the dizziness sets in from elation and not enough air, you part and leave a sticky trail of warm kisses up his jaw. Rex groans and hugs you closer, you humid breath blooming across his skin. “Let me take care of you.”

The words on his tongue crumble to ash once he nods in agreement. Your kisses dip lower, not even stopping when the reach the edge of his chest plate. Stars, you’re…he never entertained the idea that your lips could look so divine in contrast to the battered plastoid. When you fold onto your knees his heart leaps to his mouth, a flare of arousal flashing through his groin.

You rest your chin over his codpiece and smile. “Do you like seeing me on my knees, sir?”

Rex huffs and studies at the opposing wall—

“I’ll take that as a yes.” Your fingers find the claps over his codpiece. “Can I take this off?”

Rex jerks his head in a yes but grabs your wrist. Not a rough hold—a tentative one as hesitation swirls in his eyes. “Don’t—don’t have t’ do this for me—“

You quirk a brow. “I want to because I like you, Rexy.”

A rosy blush blooms over his sharp cheekbones. The captain nods again.

The codpiece clatters to the ground and immediately you move your hand to palm him through his blacks. He grunts and squeezes his eyes shut. There we go.

Biting your lip, you pull down his blacks as far as the plastoid plating allows, greeted with the hard length of his cock, beautiful and flushed a rosy brown. Fuck—he’s thicker than you thought. You wrap your fingers around the base, delighted by Rex’s airy gasp as he throbs in your palm. A bead of liquid shines at the tip and just the sight of it makes your mouth water.

Moons—you should’ve done this sooner.

With a stuttering inhale, Rex trails his forefinger along your cheek and tucks a stray hair behind your ear. The pads of his fingertips skim lower and lightly pinch your chin between his forefinger and thumb. Your eyes lift to meet his. “You—you sure?”

You answer with a kiss over the dip of his navel, the skin searing hot under your lips. Rex curses and rolls his head back onto his shoulders when your palm slides up the length of his cock and then back down. Your grip is firm and tight as Rex slumps onto the crate, goosebumps rushing up his exposed flesh. Stars, when’s the last time he’s gotten release like this?

You lean forward and lick a languid line from the velvety skin of his balls all the way up to the tip. Rex’s hips jolt. You purse your lips and suckle at the head, dipping your tongue over the slit then down to trace the ridge of his frenulum all the while your hand rolls up and down his shaft. Rex tangles his fingers into your hair with a hiss. You open your jaw a bit wider and take him down a few inches into the wet heat of your mouth, feeling your lips stretch around his cock. You you drag the flat of your tongue along the underside of his shaft to make the thickness easier to swallow down, but he's still only halfway into your mouth when he hits the back of your throat.

“Fuck—" Rex moans as his hips strain to remain still. “S’good—such a good girl.”

You glance up, eyes devouring the attractive length of his clean shaven throat and the underside of his chin. Rex swallows and let’s out another little sound. You whine softly in return and slip a hand into your pants, pressing your fingertips against your throbbing clit as you start to carefully bob your head up and down. Yeah—your jaw already aches just from holding his cock in in your mouth but fuck it—it’s worth it.

Rex's chest heaves with exertion as he mindfully rocks his hips up, pushing and rolling his cock deeper into your mouth until his shaft is nearly seated all the way in. Ditching your own pleasure entirely, you swallow around him, forcing down the urge to gag and simply hold him here. Allowing him a moment to just enjoy the soft warmth of your mouth before launching into the main event.

Rex murmurs your name and strokes his thumb over your cheek. “You’re beautiful—so pretty like—like this..ah—”

You pointedly hollow your cheeks and suck, his flattery warming your chest with pride. You swallow around him another time, squeeze his shaft, your fist following your mouth as you lift up then back down to the base. You grunt at the abrupt jolt of his hips. There’s no distinctive rhythm you can follow as you pull halfway up and let Rex rock his hips into your mouth—seeking out his pleasure without a coherent thought in sight. Just a cacophony of gasping breaths and rough moans of your name.

Soon enough he’s twitching in your mouth, his eyes fluttering shut as his head tips back onto his shoulders. The gloved hand sweetly cradling your cheek slips to the nape of your neck, tangling his fingers into you hair to anchor himself. He’s close—quiet gasps and broken curses tumbling out, hips unconsciously rocking into your mouth in search of release.

Rex whimpers your name, his leg jolting as you work your jaw wider and swallow him down, the dark curls tickling your nose once it brushes his groin. “Oh, fuck.”

You hum around him, delighting in the mumbled praises. Almost there…That’s it.

He’s dangling on the precipice—on tiny shove away from euphoria—

“Wait—“ Saliva dribbles down your chin when his cock pops out from your swollen lips, throbbing from the unintentional tease. “Maker—shit.”

If not for the gloves covering his hands, you’re sure they’d be turning white from how tightly he grips the edge of the crate. His eyes are squeezed shut, slightly bent forward as he falls away from the edge of his release. Rex sucks in a steadying breath, amber eyes meeting your confused ones.

“I don’t—can we—“ Rex’s eyes flit and focus on anything but you as he stutters and works up the courage to ask for what he wants. “Do we have time—“

You rolls your eyes and rest your cheek on his thigh. Silly man. “You wanna fuck me, Rexy?”

“Kriff, yes.”

You smile and wipe your mouth with the back of your hand. “I don’t think they’ll miss us."

Rex doesn’t complain when you take his hands and yank him onto the grubby floor and over your senatorial robes. He props his back against the crate as you shuck off everything below the waste and clamber into his lap. His hands, warm even through the leather, land over the swell of your hips and wrench you closer until your front presses up against his chest plate.

The rough prickle of his stubble is, in all sense of the word, addictive. He tilts his head to kiss you, the slick touch of his tongue on your bottom lip adding jet fuel to the fire low in your belly. Rex groans and cups your jaw, holding your mouth open to dance his tongue along the length of yours. You whine and shudder as he purses his lips and lightly sucks on your tongue before you both part.

Rex drags his teeth over your bottom lip as you both pant for precious air. His dark lashes sweep up his cheeks when he looks at you. This close you bare witness to the dazzling color of his eyes—crystalized pearls of amber over the crackled bark of pine tree in the midmorning sun. Muted gold threaded through the brown like fine lace and the slow shimmer of the sun dappled through water. To think such a man like him is dredged through the bloodied mud of war is despicable.

You blink away the swell of tears prickling at your eyes and kiss him once more. Sighing, you whisper down, mouthing soft nibbles and teasing kisses over his jaw and down his neck. Rex squirms and rock his hips up, your cunt clenching around nothing. You need him.

“Rex,” you groan. You slide your hand between your bodies and grab at his thick length. Rex gasps into your mouth, long fingers clamping onto your waist in a death grip. “I want you.”

“I’m yours.”

Your nibble at his earlobe as you grind your hips against his length, the folds of your cunt teasingly out of reach. “Touch me, Captain.”

Rex tears off his vambraces and gloves, hand wedging between your thighs, touching the very tips of his fingers to your throbbing clit. You whine and clench your jaw—the pleasure is raw—sizzling electricity that crackles with the deadly promises of your pleasure. It’s as if you’ve had the breath knocked out of your lungs the second he bears down a bit more on your clit, drawing tentative circles, each completion sending a shockwave of tightly spooled ecstasy through each and every nerve. You nearly sob as his fingers slip away.

“So wet already,” Rex moans as you tip your head back when two of his fingers begin circle your dripping cunt. They’re thick and long and perfect. Your hips stutter as your cunt easily accepts his fingers, the heel of his palm slotting perfectly against your pussy to stimulate your clit.

Maker you’re seeing stars as Rex rocks his hand into you—the bend of his fingers the perfect angle to catch all the right places that make you tremble. He kisses your cheek and moans your name into your ear, all low and gravelly—

Your body seizes up tight as you soar, plummeting off the edge only to tumble so fast and so hard that tears prick the corner of your eyes. Rex peppers kisses over your cheeks and runs his free hand through your hair, purring praise and adoration as you shudder—your mouth parted in a silent cry as you cum and dissolve into his hands.

When you suck in a steadying breath and open your eyes, Rex is gazing upon you with starstruck eyes—pure adoration that makes your cheeks flare hotter than the surface of two mini suns. Your teeth catch your bottom lip. You’re not sure you deserve to be looked at like this…

However, you’re impatient and running on stolen seconds. As much as you’d like to just simply stare at him—there’s not enough time. Rex wraps his fingers around the base of his cock and slides the tip of himself through your soaking folds. Each stroke against your still throbbing clit makes you buckle into yourself, but the angle that your knees are propped over his hips means you're stuck here.

Rex pauses and cups your cheek. His thumb scrapes over your cheekbone. “You want this?”

You place your hand over his and turn your head to mouth a kiss over the lines of his palm. Oh, fuck yeah. Kind of him to ask as if hadn’t just cum over his fingers but—no. “I need you to fuck me, Rex. That’s an order.”

Rex huffs out a low chuckle and bumps the crown of his forehead against yours. “As you wish, Senator.”

Rex runs the blunt head of his cock through your folds again, slicking himself up with your arousal. You mewl and dig your nails into the hard plastoid as the wide tip of him pushes into your entrance—he shudders as you clench and wiggle. It doesn’t hurt, but he’s in no small. You’ll feel him for days, you’re sure of it as your cunt swallows inch after inch.

You both groan as he finally bottoms out. His jaw his clenched tight as sweat beads at his blonde hairline—Stars above, he’s a sight, struggling not to loose control the second he’s buried inside of you. Desire tickles up your spine, tugging at the fabrics of your being until all you can focus on his how Rex isn’t moving. You shift your hips in tiny, almost imperceptible motions, and squeeze around him.

“Damn—“ A ragged moans slices through his words as your gentle rocking morphs into needy jolts. It’s easy to fuck yourself onto his cock like this, but the measly thrusts are meant to tempt him. “Fuck, cyare, you’re tight.”

You smirk and grab at his sculpted shoulders—it’s the push he needs. Rex snarls your name, cups his hands under the globes of your ass and pulls you off his cock nearly all the way out only to slam back in. There’s no time to adjust before Rex sets a pace, fevered and rabid All pent up energy collecting over the weeks you’ve known each other. Each roll of his hips borders erratic, taking his pleasure without thought—intent on reaching his own end after being denied for what feels like ages.

You squeal in surprise as Rex pushes you onto your back and hoists your legs around his hips. Rex buries his nose into the crook of your neck and moans your name like a sweet prayer wrapped in honeycomb. Rex shifts his weight, widening his knees to sink deeper into your cunt—his stubble tickling your throat as his staggered exhales burn hot over your skin.

You choke out a groan and feel your arousal begin to drip down your thighs—hear the thrusts of his cock into your cunt become shamefully wetter. Electric heat sears down each vertebrae in your spine, scorching through each and every veins with the catastrophic brilliance of an imploding star. Shit—

“So good t’me—so perfect,” he huffs into your ear. Rex turns his head and steals a kiss. “Feel fuckin’ good stretched around my cock."

You clench around him hard as Rex’s hand sneaks between your bodies and rubs tight, little circles over you swollen clit. There’s barely any build up to your orgasm—just a blinding surge of devastating warmth that sweeps through your body, from your aching center down to your toes. It steals away all the air left in your lungs and leaves your clutching his arm and shuddering for a hold in your own reality—the steady warmth of his body that’s unburdened by armor a much needed anchor for the madness that threatens to drown you.

His gentle, and pliant kisses morph into little pricks of his teeth over your neck and collar bone as his hips struggle to keep a definitive pattern. Rex’s curses string together and blur into nonsensical noises and loose tongue admittances that are comparable to moving inches from an imploding star.

“Where can—can I?”

You grab at his head and whine his name. “Anywhere—in me—you can cum in me.”

With a loving caress over back of his neck and a sweet whisper of his name, he reaches release. Rex’s moan is airy as his eyes slam shut and captures your mouth in a sizzling kiss. He’s twitching in your arms as his hips erratically jerk, hot spurts of his release coating your insides and beginning to leak over your robes you lay over. Whatever.

Rex nips at your skin as the last dregs of pleasure jolt up your spine. Neither of you say a word as Rex’s hips come to a slow. Time trickles through your fingers like sand through an hourglass half empty but instead of rushing to dress, you choose to lie on the ground—two halves of a mess someone’s been meaning to clean up for the better part of a long while. You feel at home here—content as your fingers run up and down the back of his head, a bit irked by the armor still covering his back. You’re terrified of the months to come—but at least you have each other. After all, gardens will bloom and flourish with fresh blooded love and wild mistakes sculpted from passion forever if you believe hard enough…wont they?

#we out here #yeehaw #my writing #captain rex x reader #captain rex x you #ct-7567 #captai rex #clone x reader #clone trooper x reader #the clone wars #tcw #anakin skywalker #obi wan kenobi #star wars #sw

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the-insomniac-emporium · 4 years ago

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Crimson Ties (Bela Dimitrescu/Reader, Soulmate AU) Pt. 3

Fandom: Resident Evil: Village Rating: T for language Warnings: Typical Vampire shenanigans + mentions of animal death Genre: Hurt + comfort Summary: Time to meet the family! What exactly has Cassandra told her mother? Can Bela convince her family to calm the hell down? We'll find out! Spoiler: there's the start of a cute date afterwards Notes: Once more we visit Bela's private study, which I first described in a chapter of Serenade. Added a few more details this time. PS reader is probably low-key a theater nerd with a hint of a goth phase, just saying. Also this chap is a little short, sorry. Previous Chapters: 1: Stem the Flow, 2: Tangled Strands

3: Rumbling Thunder

Heart racing, you step into the dining room, just behind Bela. Both of you are nervous, but find comfort in each other. Still, what you see upon entering only makes you feel worse. At the head of a large table stands none other than Lady Alcina Dimitrescu. Besides her is her middle daughter, the one who confronted you earlier, who sends you a knowing smirk as you walk in. Lady Dimitrescu, on the other hand, is scowling. Her eyes are squinted in a clear display of disapproval. If not for Bela’s hand squeezing your own, it was likely that you would have fainted from fear.

“I see Cassandra has wasted no time in spreading rumors,” Bela said bitterly. You’re amazed by her ability to stand tall in the face of her family’s tension. Yet there was a part of you that wondered if you were worth the struggle, at least for your soulmate. Thankfully, you are not given much time to ponder the thought. No, you’re being pulled towards the closest side of the tabe, guided next to an ornate seat. Neither Bela nor yourself sit yet, however. “Please, mother, do not be hasty to make your judgement. I promise that-”

“Do not presume to tell me of my own business, daughter. The timing of my judgement is my prerogative, not yours,” Lady Dimitrescu interrupted, staring right at you. A shiver runs down your spine at the eye contact. What did Cassandra say to her? You wonder, struggling to breathe past the lump in your throat. Even Bela becomes visibly nervous at the interaction. “Now… are you certain, without a doubt, that this is your soulmate?” Did she really even have to ask? What were the chances that Bela would save you, one person out of at least a dozen in the cellar, for any other reason? Still, your soulmate straightens up at the attention, and replies as confidently as possible.

“Yes, of course, mother. I would not dare risk your anger for any lesser reason,” Bela assured. Then she gives your hand another soft squeeze, before pulling hers back a little, catching the thread that bound you together with her fingers. Lifting it, she tugs it somewhat absentmindedly. Out of habit you immediately return the action. Unfortunately, those around you would be unable to see the display. For all they knew, the two of you could be faking it, simply attempting to get out of the situation unscathed. Surprisingly though, you see Alcina hesitate. Her left hand twitches as if she was thinking of her own red string. Has she ever met her partner? Did she know the pure joy that her daughter had so recently felt?... Maybe she’d be more sympathetic to your situation if she had.

“We will see if your defiance pans out in time, Bela. For now… Why don’t we hear what your pet has to say about themselves, hmm?” Lady Dimitrescu suggested, giving a somewhat devious smile. Next to you, Bela grimaces, then sends you a pleading look. Alas, you cannot read her mind, and can only guess as to how you’re supposed to respond. Bowing is a sign of respect in virtually all cultures, you think, probably a good place to start.

“It is an immeasurable pleasure to formally make your acquaintance, Lady Dimitrescu,” you said, before giving your full name. Then you rise from your bow, once more making eye contact. Out of the corner of your vision you see Cassandra rolling her eyes. “I know that I am a mere human, and hardly the epitome of a prime specimen. But I am determined to prove my worth, for there is no prize on this earth more grand than being allowed to love Lady Bela. Every ounce of my willpower is prepared to devote myself to this task, entirely, so that I may give Lady Bela the courtship and happiness that she is deserving. It is both an obligation and an honor.” Hopefully your soulmate wouldn’t mind you using the same line twice, at least under these circumstances.

In the seconds that follow, several things happen: One, you see Cassandra frown a little, and refuse to look in your direction. Two, Lady Dimitrescu makes a surprised face, but quickly shifts into an expression of satisfaction. Thirdly, Bela’s hand finds your own again, giving it an incredibly soft squeeze. Last but not least… someone you haven’t seen before enters the room. She has red hair, a green pendant around her neck, and eyes that light up with curiosity when she sees you. If you had to guess, you’d assume that she was another one of Bela’s sisters. Here’s hoping she’s a tad bit friendlier, you think.

“Did I miss anything? Ooh, please tell me we’re having this lovely stranger for breakfast?” She asked, grinning maniacally. So much for being friendlier, you think, figuring that she was being literal. Based on the way Bela tenses up in response, you’re probably right. Before she can protest, however, Lady Dimitrescu clears her throat and speaks.

“Ah, Daniela… This stranger-” she says the word with far less venom than you anticipated, but it is venom nonetheless- “is your dear sister’s soulmate. We will not be draining them of blood. Again. Assuming that they behave themselves. Is that clear?” She asked, staring down at the newcomer. There’s a slight pause, tension still lingering in the air, followed by a sigh of relief from Bela. Much to your surprise, neither Cassandra nor Daniela seem particularly upset by this announcement. In fact, the latter simply shrugs and takes her seat at the table. Next thing you know everyone else is sitting as well, including Bela, who gestures for you to follow suit. “I’ll have one of the servants fetch you some more… appropriate food. Cynthia, my dear?” Soon enough a maiden, perhaps a decade or two older than yourself, hurriedly enters the room. With a bow, she addresses Alcina.

“Yes, Lady Dimitrescu?”

“Have Miss Bouregard make an extra plate of whatever it is you sort eat, and bring it here. We have an… unexpected guest,” Alcina explained. At that, Cynthia glances at you, her eyes briefly widening in surprise. Without another word she turns away, giving another bow before heading away to fulfill her task. Once more you’re the only human in the room. Oddly enough, you manage to feel quite at ease, as if surviving one round was enough to guarantee you’d win the overall game. Well, at the very least you now had a chance. Regardless of what was to come, you were glad for that, for this opportunity to be with your soulmate. At the end of the day… little else mattered to you.

———————————

Much to your relief, the rest of breakfast proceeded smoothly. Conversation was sparse, with most of it being hushed whispers from the other side of the table, but you hardly minded. Normally you would find it rude. Now, you were simply pleased that they weren’t being up front with their hostility. More so, it allowed you and Bela to have your own conversation, which mainly pertained to your plans for the day. Several times during your discussion, a glance elsewhere would show you that Alcina was paying attention. Exactly once you even saw her attempting to hide a smile. A sense of pride had swelled in your chest at the sight.

It has remained there, even until now, as you move into Bela’s private study. One quick survey of the room tells you a thousand things about your soulmate. For starters, it’s clear that she’s musically inclined. There’s a harp in one corner, adjacent to a folded music stand, as well as a small bookshelf dedicated entirely to sheet music. A couple medium sized instrument cases are nearby, but you don’t immediately recognize their shape. Further into the room is a rather old looking desk, slightly worn, yet clearly cared for. Possibly passed down the generations? Next to the desk is a massive window with a couple spare chairs. All across the walls were bookshelves and mementos, including several skulls (at least one of them human). Every book you looked over appeared to be well read, with many bookmarks inside, some held together by tape and prayers.

“This… this is sublime, my darling. I could rest here for a month and hardly finish cherishing half the space!” You said, grinning at your soulmate. She’s equally pleased, seeming a tad relieved as well. Perhaps she had worried you’d be thrown off by the skulls? Wanting to reassure her, you approach that particular shelf, examining them closely. However, you do not touch them, not wanting to risk damaging her collection. “Truly marvellous. Dare I ask where you got these specimens?” It’s a joke, but Bela stiffens nonetheless, making you quickly redact your statement. “My apologies, I meant it as a jest. Though you are welcome to tell me more about them if you so desire! I will listen with rapt attention, I promise.”

“Most of them are gifts from Cassandra. During the summers we hunt, her more so than Daniela or myself. I… dislike wasting anything, and there’s only so much to be done with most bones. They have quite a few ornamental uses, however. Useful for study, as well,” Bela mentioned, smiling softly. Then she moves to stand next to you, carefully reaching to grab one of the skulls. “This was from one of our hounds, actually. I raised her from puppy to adult, took her on every hunt, even let her sleep in my quarters on colder nights. When she got sick I…” A pause, mouth open but unmoving, eyes slipping shut. “I couldn’t bring myself to put her down. Even argued with my mother, night after night, begging for another choice. None came, of course, and in the end even I could not deny her the softest embrace of death… Still, you must think me strange, to keep such a thing as a reminder of her.”

“Not at all, my dear. We all remember, and grieve, in our own ways. I’ve often found myself intrigued by skulls, of all sorts,” you admitted, sheepishly rubbing the back of your neck with your hand. “All we are, our minds or mayhap our souls, contained in one hard shell. It’s incredible, and terrifying, all at the same time, to hold one in my hands, or even merely examine one. Oh, what stories these bones could tell, if only they could talk… Though I suppose there are entire fields of science devoted to such a thought…” With that said, you look back at Bela just in time to see her staring fondly at the canine skull. Then she places it back on its perch, dusting her hands off afterwards, taking one last moment to appreciate her collection.

“I’m glad you and I agree on this,” she said softly. Once more she’s looking at you, smiling wide. “Now let’s make memories of our own, to hold in our bones forevermore, yes?”

#bela dimitrescu x reader #bela dimitrescu #resident evil: village #re8 village #tw animal death

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andatsea · 4 years ago

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XP-Pen Artist Pro 24 Review

I drew this with an XP-Pen Artist Pro 24, which the team at XP-Pen kindly sent to me for review. I’ve had to opportunity to use this tablet on-and-off over the course of the past several weeks, and while there were a few issues my overall impression is positive.

Unboxing / Contents

Apart from the 24” display tablet itself, the package comes with the usual cabling peripherals, plus some bonus extras. If your machine supports a USB-C connection for display, you’ll only need the one cable (plus the power connection). Otherwise, there’s a HDMI and a USB-C to USB converter included as well.

The extras include: an additional stylus, a one-size-fits-all artist’s glove, and a microfiber cloth.

The container for the stylus twists open to reveal 8 extra stylus nibs. Its cap can also be removed to use as a stylus holder.

Driver (Installation & General Use)

There were a few issues with installation, mostly tied to interactions between the driver, Windows 10 and Windows Ink.

Initially, brush strokes were offset from the stylus’ point of contact with the screen by about 3-4 centimetres when attempting to draw in Photoshop CS6. Random straight strokes also occurred frequently. This same problem did not occur in MS Paint or Photoshop CC 2019. This was fixed by changing the UI scaling setting for the monitor in Windows settings from 125% (which was apparently the default) to 100%.

Initially, brush strokes had no pen pressure in Photoshop CC 2019. Photoshop CS6, on the other hand, did (but suffered from the previous offset problem). This was fixed by turning on the Windows Ink setting in the XP-Pen driver menu. So in other words: CC 2019 needs Windows Ink on to recognise pen pressure, while CS6 didn’t, but was affected by UI scaling.

Interestingly, if Windows Task Manager was in focus and Windows Ink was not enabled in driver settings, stylus input was not recognised at all. There may be other programs that have this issue, but this was the only one I encountered so far.

I will say that I’ve had many problems with Wacom drivers interacting badly with Windows Ink and other things in the past before, so these types of issues are not exclusive to the XP-Pen drivers.

I’m currently using driver version 3.0.5, a beta build that has a lovely UI; it’s clear and laid out well. I did also try version 1.6.4 initially, which was fine — the UI for that version was similar to the layout you find with Wacom drivers.

Apart from the issues during installation that required troubleshooting, I haven’t had many major complaints with the driver in day-to-day use, I do think that there are a few areas for improvement, however.

The driver stops working correctly each time the computer is set to sleep and woken up again. To fix this the driver must be exited from the system tray and then relaunched.

There also doesn’t seem to be a way to bind WIN+SHIFT+ARROW to any of the express keys. WIN+SHIFT+ARROW (left or right arrow) is the Windows shortcut to quickly move a focused window to another monitor, so it’s something I use a lot if I’m on a multi-monitor setup. Unfortunately, attempting to set this shortcut in the express keys menu will simply move the actual driver window over to the other monitor while the custom input is not properly recognised in the text field.

The driver does offer a “switch monitor” option for the express keys that when clicked will transfer your stylus input to another monitor, which is extremely useful.

Screen

At 24” with a 2560x1440p QHD resolution, images are sharp and crisp even when viewed from a close range while drawing. Genuinely, it feels great to paint on based off this aspect alone.

The colour temperature is set to 6500K by default in the the driver settings. I think initially it felt just a touch too saturated, but overall I’m fairly happy with the colour display.

The monitor has touch-sensitive inputs on the top right corner: a -/+ for quickly adjusting the brightness, a menu for further settings, and power. I found myself using these to adjust the brightness throughout the day frequently. The power input requires a few seconds of continued contact from your finger to react, which prevents you from accidentally brushing it and turning the monitor on/off.

The monitor comes with a built-in stand. I found it easy to adjust to different viewing angles and also incredibly sturdy. I had no problems leaning on the monitor while drawing.

The monitor also comes with a pre-applied anti-glare screen protector. I wasn’t bothered by it and it seems to be holding out well after several weeks of use. I think the screen itself definitely needs the additional anti-glare, as being a display tablet means that it’s significantly more reflective than my main display.

Stylus

My first impression of the stylus was that it’s lighter in comparison to the Wacom styluses that I’m used to — there is very little to no weighting on the back end of the stylus, which makes it feel noticeably different when gripped. To be honest, though, I forgot about it when I was actually painting. Still, I would prefer a bit more weighting because I do think it makes the stylus more comfortable to hold overall for long periods of time.

There’s also no eraser nib, but I’ve personally never used those on Wacom tablets (I always use shortcuts to switch between brush and eraser instead) so this was a non-issue for me.

The two shortcut buttons on the side of the stylus sit quite flat to the surface, so I think they would be less likely to bother people who don’t use them. I use them a lot, however, and found that they were still easy to click despite being quite flat.

Unfortunately however I ran into a curious issue with using one of the stylus buttons to activate the eyedropper tool. When the “alt” key is mapped to one of the triggers on the stylus, activation of the eyedropper function in Photoshop (tested in both CS6 and CC 2019) is somewhat unreliable. That is, when the “alt” key is held down, the expected result is that once you tap the stylus on the canvas, a “mouse-click” will be triggered and the eyedropper will activate. While this works perfectly fine if you hold down “alt” from the keyboard (or hold down an “alt” that’s bound to one of the 20 express keys), when you hold “alt” from a stylus trigger I found that tapping quickly with the stylus only seemed to activate the eyedropper about 50% of the time. In order to activate it more reliably, I had to press harder and longer with the stylus, which can become tiring and slowed down my painting process. I also found that frequently, pressing down longer would lock me into the eyedropping function until I clicked the trigger key again.

After submitting feedback about this XP-Pen’s R&D department, I was informed that this issue occurs because the stylus is only able to send one message to the tablet at a time. Pressing “alt” on the stylus and trying to “click” at the same time counts as two messages, which may interact with each other unexpectedly. This is why it sometimes works and sometimes doesn’t.

The buttons seem to otherwise work completely fine for any other functions that don’t require the stylus to send two simultaneous messages, so unless you’re like me and like to bind “alt” to a stylus trigger, this won’t affect you.

Pen Pressure & Activation Force

Most current-gen tablets flash a big number for the pen pressure levels as a selling point. Having used tablets with 512, 2k, 4k and 8k levels of pressure sensitivity, I’d say I noticed the biggest difference when switching from 512 to 2k, but in my opinion beyond 2k the change is minimal and has no real impact on the way I draw. The XP-Pen Artist Pro 24 comes with 8192 levels of sensitivty, which is a very big number, but in practical application all I can say is that it works the way I expect it to and I don’t have any complaints regarding the transition between pressure levels on the default linear pressure curve.

More importantly I did notice that the IAF (initial activation force) was not as low as I would have liked. Very light input is not recognised, or only partially recognised before dropping off and on again. In a practical sense this doesn’t actually impact me through most of (perhaps 97%) of the painting process, but it did give me pause once in a while when I wanted to make a really light stroke and had to adjust my method. The drivers for this tablet do come with a pressure curve you can adjust to your preferences, so this can help a little, although after some tests I preferred to leave mine on the default setting.

Summary of Drawing Experience (tl;dr)

I think the mark of a good tool or piece of hardware is that it does not draw attention to itself during the course of its use. An ideal drawing experience allows me to be fully immersed in the act of drawing without having my focus shifted to dealing with the tool. With this in mind the XP-Pen Artist Pro performed very well for the most part, but was held back by a couple of issues.

Pros:

The monitor resolution honestly feels great to look at; the pixel density means that I can basically forget about pixels even with my face positioned closer to the screen.

The parallax between the tip of the stylus and the actual position of input was very minimal and basically not noticeable for me, especially after the simple calibration process offered by the driver.

At normal room temperature (say up to about mid-20’s celsius) the monitor screen stays impressively cool to the touch and I was never bothered by resting my drawing hand on its surface even when painting for long sessions.

The 20 express keys and 2 roller rings are extremely helpful and I actually found myself using all of them, despite initially thinking that I’d only need half of them. The keys are also comfortable and responsive to click (which sounds like it should obviously be so, but having used some Intuos iterations in the past which had some very annoying-to-click express keys, I don’t take this feature for granted anymore).

Cons:

The driver needs to be restarted everytime the computer wakes from sleep in order to work.

Higher IAF was noticeable when very light strokes were desirable. Also, the input will on rare occasions glitch by performing a completely straight max opacity + max brush size stroke. This seemed to happen primarily when I was trying to get light strokes to register. (It didn’t happen often enough to bother me much since it’s just a quick undo, but it did happen enough times that I noticed it.)

The issue with eyedropping using “alt” mapped to a stylus trigger as detailed above. Quite unlucky for someone like me who has over a decade of muscle memory for this particular mapping.

Overall, as I said at the beginning, my impression of the tablet is positive. While I think it has room for improvement when it comes to driver performance and the initial activation force especially, it also has a lot to offer at a highly competitive price point ($900USD at retail), and it would’ve been amazing if something like this had been available to me back when I first started digital painting. As I do enjoy using it for the most part I’ll probably continue to use it on-and-off in future.

#xp-pen #review

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sun-flower-children · 4 years ago

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BakuSquad’s Boy Part 1

A/N: Based on a fic that doesn’t exist anymore :( I’ll be adding my own head canons from what i remember of the og fic. This whole thing is in a headcanon format :)))

Kirishima was sitting down when he noticed their new transfer student walking into the cafeteria looking lost. Without thinking twice he quickly caught the attention of the male and motioned him to come over.

“Is it okay if I join you?” you asked, recognizing the spiky haired student as your classmate.

“Of course, let me introduce you to everybody!”

The redhead introduced all the guys sitting at the table. The talkative blonde with the lightning bolt in his hair was Kaminari . The smiling black haired boy with oddly shaped elbows was Sero and the angry-faced pale blonde with red eyes was Bakugo. While the rest smiled at you he merely sneered and ignored you.

“Don’t let him bother you too much, he's a grouch!” Kirishima said smiling.

The entire lunch period was spent talking to the Bakusquad and explaining how you transferred from the hero school in your home country and enrolled at UA. Laughing with them and bonding over memes and hero training.

It didn’t take long for you to become part of the friend group.

Y’all are a chaotic group of motherfuckers

The group chat is mess; Bakugo is trying to help people w homework, Zero is constantly sharing tick tocks and at 2 am Denki will spam it with memes ( which pisses Bakugo off bc it wakes him up when he forgets to mute his notifications)

Y’all will study together, which surprisingly, can be super productive sometimes.

It honestly didn’t take very long for you guys to become inseparable. They have you back and you have theirs. Training and working out together is a plus because sometimes y’all are too busy to actually fully hangout.

Kirishima will compliment you in a “manly” way and will totally be your hype man. Will be ecstatic when you give back the same energy. One time Bakugo joined you guys for his morning workout and his jaw almost fell to the ground when he saw you take your shirt off. He couldn’t help but stare like holy shit you were ripped. Training with Kiri really did pay off. Bakugo smirked to himself when he noticed his red haired friend was also checking you out when you didn’t notice.

Going to the mall with Sero and Denki is a whole ass ride. Y’all will go to so many stores and either waste all your money or just fuck around. Hot Topic is definitely a favorite of theirs. They don’t care if it’s not your vibe because they will want to deck you out in the fitting rooms to see what you look like. Once they pushed the curtain before you were done changing your shirt and both pairs of eyes went straight to your body, making you blush.

After being friends for so long the Bakusquad could read each other's emotions and all recognized that they had crushes on you. They talked about it and concluded that this would by no means would get between their friendship but would amicably flirt with you.

They organized a sleepover not too long after. But it was basically them all fighting each other about who’s room they would be staying in. Ended up going to Bakugo’s room because it was the closest for most of them. When you got there you were so caught up with the movie that you didn't realize they were low-key fighting each other for a spot next to you/ touching you in general. It was when y’all were going to sleep when you realized you left your sheets and what not in your room. Bakugo without missing a beat said you could sleep with him which then prompted Denki to tell you that “Bakugo’s feet smell like shit you don't wanna sleep with him” for Kiri to go “ Hey that isn’t manly, you should sleep w me Y/N.”. While the three of them were battling it out you and Sero were just sitting crouched in the corner. “I mean Y/N I could always get sheets and stuff from my rooms ‘cause it's not that far from here.” only for Bakugo to throw a pillow straight in his face yelling “Shut it Soy-Sauce face!!” Yeah they felt really bad in the morning when you ended up sleeping on the floor with nothing covering you.

Sero will want to smoke with you. The first time he smoked with you, you ended up having a panic attack and he felt responsible for making you panic and so anxious. He tries to smoke by himself for the meanwhile until you convince him to let you try again. It goes much better this time. Y’all start vibing to his latin playlist and he tries to teach you but y’all just end up stumbling over each other and constantly laughing. When dancing becomes physically exhausted and watches tick tocks and videos on his phone. Which ends up with y’all crying over the video where the racoon tries to wash his cotton candy but it dissolves. At some point the tears become too much and you both reach for each other which ends up with y'all sobbing and cuddling each other. Y’all fell asleep like this :)

The whole squad smokes at one point or another. Kirishima does it whenever he’s just in the mood to hangout and he uber chills. Bakugo does it to relieve stress and just enjoy life a bit. Denki smokes the 2nd most in the group just whenever he needs to kill time or he wants to vibe.

There will be times when y'all will smoke together and just fuck shit up. Like, one night after exam y’all are smoking but shit starts getting wild. Like y'all are hopping off the walls and dancing around to random music. Denki will find a roach that's stuck on its back and trying to get back off its legs but y’all are dancing all around it thinking it's like break dancing. “ AYYYY FUCK IT UP” Bakugo would yell “GET INTO IT” Sero would then yell. One of y’all took a video and accidentally posted it on Snapchat so the next day Mina would ask like wth happened last night bc y’alls tik toks and snapchats were wack af. Sero would probably speak on behalf of the group and say “ We were just really hyper.

When they all become hyper aware of their feelings not only for you but like low-key for each other they all change a lil bit. Like:

Denki stops flirting with people outside of the Baku Squad. He’s more touchy with y’all. Holding onto arms, arms over shoulders, hands on waists, holding hands, sitting in y’alls laps (this is a big one)

Kirishima has more energy when he’s with you guys. Like he could be running lower on battery than normal but one of y'all just comes up to him and he lights up like a light bulb.

Bakugo stops ruining desks and promptly yelling at people. He’s toned down and becomes a bit more chilled out. Mostly when he's with you guys. He is still a grumpy gremlin when he is with people who aren’t the Baku Squad.

Sero actually hides it pretty well and no one notices and changes that are indicative of a crush. Probably a bit more confident in himself

Kirishima and Denki acting like they haven't seen each other in sages when it really has only been like five minutes.

“ OMG BRO IT'S BEEN FOREVER”

“OMG DENKI MY MAN I MISSED YOU SM!”

“ BRO C’MERE AND PLANT A PHAT ONE ON ME!”

“HELL YA MY DUDE, THIS IS GONNA BE MANLY.”

And then proceed to aggressively walk toward each other, slap each others asses and plant a kiss on each other's cheeks before erupting into a huge fit of laughter. While people around them are just like ‘wtf is going on’

Touching becomes a thing.

Y’all will actively find each other when y'all want a hug or cuddles or smth. Forehead and cheek kisses are a thing. Bakugo takes much longer to warm up to everyone starting really with you and Kirishima. most comfortable holding y’alls hands loosely and rubbing your knuckles. Denki probably does this the most. He lives for physical affection, just give this poor boy his much needed cuddles and kithes.

Despite y’all high-key crushing for each other you all still are absolutely focused on your career paths as heros. Bakugo helping teach english and you trying to help ( if you know english well enough to teach )

“Ok idiots for the last time what word do we use to describe Sarah?”

“I mean she took these poor dudes apples and all of these are positive adjectives...i think.”

“Yeah Sarah’s kind of a bitch.”

“SHUT IT YOU TOO AND ANSWER THE DAMN QUESTION!”

“I mean Bakubro they aren’t wrong...”

“NOT YOU TOO KIRI!”

You guys work so well during team vs fights bc of how well you all know each other.

It’s an absolute mess but y’all love eachother <3

I will be making a part 2 ( + 3 i think ) so hang around for more :)

MASTERLIST

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toosicktoocare · 4 years ago

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emergency contact

pt 1 of 2 and also found on ao3!

(i promise i’m not ignoring my prompts- this idea just kinda popped into my head)

“Hi, may I speak with Mr. Evan Buckley?”

Frowning, Buck pulls the phone away from his ear. He doesn’t know the number; however, the area code is local, so he can probably rule out a scam call. At least, he thinks, the woman on the other line sounds very much real and not a robotic recording about to lead in with a cruise ship he didn’t sign up for.

“Uh, yeah. This is Buck—I mean Evan. This is Evan Buckley.” He clears his throat. He can hear a lot of background noise—a lot of muffled speaking, intercoms crackling. He’s heard it before, but he’s struggling to equate the noise to a particular memory, only having a small rock of dread burrowing low in his stomach to go by.

“Hi, Mr. Buckley. I’m Nurse Johns at LA General. I have you listed as the second emergency contact for Christopher Diaz.”

Buck’s stomach bottoms out, leaving him nauseous, weightless, and far too cold despite the LA sun beating in through his window and warming his bed. He shivers and forces himself upright in bed, muscles rigid, jaw a tense, jutted line.

“His father,” Buck starts into the phone, shaky, “Eddie—Edmundo Diaz—”

“—didn’t answer. You’re next on the list. Sir, if this is incorrect, I’ll need to move on to the next person—”

“—no!” Buck jerks to his feet, nudging abandoned clothes around with his foot until he finds a pair of gym shorts. “I’m… His father’s on a shift with the LAFD. Is Chris okay? What’s going on?” Composure, he thinks, is out the window. Then again, he’s never been capable of the whole ‘cool, calm, and collected’ thing when it comes to Chris. He snags the same shirt he tossed to the floor when he climbed into bed this morning after his 24-hour, a short-sleeved, blue shirt, and slips it over of his head, careful of his phone.

“Sir, I can’t disclose that over the phone.”

“Right,” Buck mutters, nodding more to himself. “I’m on my way now. Tell Chris—tell him Bucky’s on the way, okay?” He ends the call, taking the steps down from his loft two at a time. He’s only faintly aware that he’s shaking, and the rock of dread’s grown triple in size and sits heavily against his gut. He fumbles with his keys, pockets his wallet, and just remembers to slip on a pair of sandals. If he weren’t moving against a rush of fear, he’d take the time to give a mental ‘look who’s laughing now’ to everyone who’s made fun of the sandals in the last two months since he purchased them, but, the fear is a cold hand that’s pulling on him, disrupting his thoughts, chiseling against his composure.

He doesn’t dwell. He races out of his apartment, and in seconds, he’s in his jeep and whipping out of his parking spot. He knows LA well, knows the traffic patterns, and he’s unfortunately hitting lunch rush, which, he thinks, is probably similar to some twisted second layer of hell. He wishes, more than anything in this second, that he had an engine, that he could dominate the road with the power of a siren, but his jeep will have to suffice. Still, his grip on his steering wheel is tight, his knuckles fading white, when he hits the first of many red lights.

He uses hands-free to call Eddie, not surprised to get his voicemail after only two rings.

“Eddie! Chris is in the hospital—They didn’t give me any details, and I’m on my way now. They called you first. I’m next on the list?” Buck pauses briefly on that, gets lost in that fact, but then he shakes his head. “Look, he’s at LA General—just get there when you can, okay?”

He ends the calls, somehow feeling even worse, and then he tries Bobby. Logically, he knows that if Eddie’s not answering, Bobby probably won’t either. Still, when he’s teetering on the edge of panic, Bobby can talk him down, can ease him safely back to the present.

“Buck?”

Buck’s foot slips a little too hard on the gas, and he sucks in a sharp breath. “Bobby? Bobby! Where’s Eddie?”

“Currently? He’s probably making his way back to a second story window, hopefully with one of the victims of an expansive house fire.” A pause. “What’s going on, Buck?”

Buck peers around, swallows back a groan at the cars on every side of him. “Look, can you get Eddie to LA General ASAP?”

“You’re at LA General? Are you hurt?”

“No! I mean, I will be, but it’s not me—it’s Christopher. Bobby, I don’t…” Buck sighs, drags a free hand down his face. He can feel his lungs constricting. The pressure of panic’s a bitch.

“They didn’t say anything over the phone. They tried Eddie first, and then they called me. I’m—”

“—Buck, take a breath. I’ll get Eddie there as soon as possible. You be careful driving there, okay? Keep us updated.”

Buck comes back down to earth with a low breath that’s been trapped in his lungs. “Thanks, Bobby,” he says, and he means it, pushing his gratitude hard into the two words. The call ends, and Buck forces his focus onto the road, onto making it to the hospital in one piece because Christopher needs him.

***

Concussion.

It’s the only word Buck keeps coming back to. He’s being led down hallways that are too bright, too loud, and annoyingly familiar, and the nurse is explaining that Christopher took a tumble at school and is currently being monitored for a possible concussion. Buck nods when appropriate, offers a few non-verbal affirmatives, and then he’s stopping before two large, glass windows, and behind them, Chris is sitting in bed chatting with another nurse. His hand finds the glass, fingers spread out, anxiety spread even to his palms.

“You’re welcome to go in. We’ve told him you’re coming.”

Buck nods absently. He’s going to go in—of course, he’s going to go in. He just needs to take a single second to fully capture the image of Christopher alive and breathing in his mind, an image that can break through the muddle, clear his head, bring breath back to his lungs.

“Mr. Buckley?”

“Sorry,” Buck mutters, nodding. He turns when the nurse opens the door for him, and he wills away any and all fear etched deep in his face the second he crosses over into the room.

“Bucky!”

“Chris!” Buck’s no stranger to concussions, so though animated, he keeps his voice soft, and he walks toward the end of the bed, glancing at the clipboard. “How’re you feeling, bud?” He asks, satisfied to see that the doctor’s notes are promising.

“My head hurts.”

“I bet it does,” Buck mutters, sympathetic, and he drops onto the edge of the bed, one hand resting atop Christopher’s covered knee. “What happened?”

“Me and Caleb were playing firefighter, and I fell down a step.”

Buck sucks in a sharp breath, holds it in his lungs to brace for the familiar wave of guilt that’s soon to tangle in his breath, jab past his rib cage to his lungs. “Is that so?” He settles for, breathless, and Christopher’s face falls, his eyes dropping to his lap.

“Don’t tell dad. He’ll get mad.”

“Chris—”

“—Mr. Buckley, I presume?”

Buck’s never been more thankful for a doctor to walk in for he wasn’t sure how to unpackage Christopher’s quiet plea in a way that wouldn’t be considered as overstepping Eddie’s parental authority but also in a way that wouldn’t have Christopher demanding he leave.

“Uh, yeah—It’s Buck.”

“Okay, Buck. Want the good news?”

“Will it be followed by bad news?” Buck asks, one brow arched, stomach twisting. “Because his father—”

“—no bad news today,” the doctor interrupts, and Buck huffs out a quiet sigh of relief and gives Christopher’s knee a squeeze. He gives a nod, and the doctor plucks the clipboard up.

“Christopher’s been cleared of a concussion. He’s got a few scrapes and bruises, and his head will probably hurt for a few more hours, but otherwise, he’s fine. I’ll leave a note at the front desk to begin the discharge papers. He should be out within the hour.”

“Thanks, Doc,” Buck mutters, and he nods when the doctor and nurses exit, giving him space to breathe; though, he’s not sure how much he can actually breath encompassed in four, blinding walls that bring back a pressing dark cloud of memories.

“Buck?”

Buck blinks slowly, peels his gaze from the door to see Christopher smiling softly at him, poking at his side.

“Can you lay with me?”

Buck eyes the small bed, mentally works round the best way to squeeze in, to maximize Christopher’s comfort, and he slips his sandals off and climbs onto the bed, impossibly gentle when he adjusts Chris. When he’s got Christopher against his chest, he sighs, and Christopher sighs with him, content, safe.

***

“That’s the last of them, Cap,” Eddie coughs lightly, tugs his helmet off. His lungs burn faintly from smoke inhalation. It’s not bad by any means, but he’s dabbling with the idea of having Hen look him over anyway.

“Should I help with fire…” Eddie’s words trail off when the 122 pulls up onto the scene, their members already hopping out of the engine and working the hose. “Was backup necessary?” He glances back over his shoulder. Sure, the fire’s large, but he doesn’t think it’s classified as a level high enough to warrant local support.

“Are you okay?”

Eddie whips back around, squints at Bobby. “Yeah, why?”

“Let me clarify: are you okay to leave the scene right this second, or do you need to a look-over now?”

Eddie’s still struggling to read Bobby’s tone for it’s always frighteningly composed, even in the face of emergency. “I’m okay now.” He nods slowly, and then Bobby’s turning on his heel and wordlessly gesturing him toward the engine.

He slips into the back, pausing to see Bobby sitting in the back with him, stationed across from him.

“Cap, what—”

“—have a seat.”

Eddie sits slowly, slips his headphones on, and then the engine’s roaring to life beneath him and pulling away from the scene. He’s alone with Bobby because Hen and Chimney left earlier with a patient, and he can’t shake the feeling that he’s in trouble for something. He replays his actions at the house fire, yet he can’t find an error that would warrant a private conversation with Bobby.

“Buck called,” Bobby finally says, and Eddie drags his gaze from the cars moving onto the road shoulders, now finally tuning in to the fact that the sirens are wailing overhead still, the engine demanding the street with the shrill sounds and flashing lights. The sirens shouldn’t be on unless…

“Is he okay?”

“Buck’s fine. The hospital called him because Christopher was brought in. They tried you, and he was next on the emergency contact list.”

There’s dread, Eddie thinks. Dread when he rides up to a call and gathers the first, initial assessment of the situation. And then there’s bone-deep, crippling fear—fear that twists in his gut, pools into his lungs, walls around his heart. It drains the blood from his face, freezes his muscles, steals his breath, and buries his mind in a series of what if scenarios that range from grim to downright terrifying.

“Eddie, breathe.”

He does, but only because his mind is trained to respond on command to Bobby’s voice. The breath he sucks in his short and cold, and he finally reaches in his pocket for his phone. He’s got four missed calls, three voicemails, and a series of texts from Buck, all fairly close in time to the other.

He goes through the texts—he won’t be able to hear the voicemails right now, and he really doesn’t think he’ll be able to stomach Buck’s panicked, broken voice.

[From: Buck] Chris is okay. He fell at school and hit his head

[From: Buck] no concussion. Doc said he can be discharged within the hour

[From: Buck] I’ve checked him over. There’s a bruise on his side I want to keep an eye on but otherwise he’s okay

[From: Buck] we should talk about why he fell

[From: Buck] but not until later! Sorry that last text sounded weird…

[From: Buck] discharge in 20 minutes. I’ll bring him back to yours if you aren’t able to come yet. I still have the spare key you gave me

He’s blinks around the tears pooling in his eyes, swallows thickly. “Buck said he’s okay. He fell at school.” He’s aware his voice is shaking, and then Bobby claps him on the knee.

“That’s a good thing.”

It is, Eddie thinks, swiping the back of his hand over his eyes. He works on his breathing, controlling it, counting breaths, but when they pull up to the hospital, the fear comes back, muted now, but still there, always there.

He hops out of the engine, Bobby not far behind, and in just seconds, a nurse is guiding them back. When he reaches the door and looks beyond the glass to see Christopher curled up against Buck’s chest, he breathes, deeply and fully, for the first time since he pulled himself up into the engine. Relief, he thinks, is the singular image of the two most important people in his life safe and together.

***

“Christopher!”

Buck whips his gaze from his phone where he’s got a story pulled up to read to Christopher, and he slowly turns Chris over just as Eddie rounds the bed and pulls Chris to his chest tightly. He notes, to himself, that Eddie’s in full turnout gear, that he’s got soot smudges on his face, that his jaw is a set, unwavering line jutting against his skin.

“Daddy!”

“¿Estás bien, hijo?”

“Sí.”

Buck wordlessly slips from the bed, toes his feet into his sandals. He crosses his arms and backs away from the scene, feeling all too overwhelmed, suddenly suffocated despite the brush of relief before him, and then Eddie’s looking toward him, frowning, eyes unreadable, and Buck offers a small smile.

“The discharge papers,” he motions toward a stack of papers on the end of the hospital bed. “I’ll bring my jeep around.”

“Wait, Buck—”

Buck slips out of the room, eyes cast to the ground, and he bumps right into someone, his hand coming up to fist around the turnout jacket and his head dropping against a shoulder.

“You okay, Buck?”

There are so many ways Buck wants to say no, but the one that’s most alarming, one that’s been a nagging twinge in his lungs, is the one he opts for. “I don’t think I can breathe.” His voice is breathless, and then Bobby’s guiding him with a hand to his back toward the nearest exit. The second he bursts through the double doors, he sucks in a sharp gasp that breaks way to a few coughs, and he’s being gently eased onto the edge of the sidewalk.

“Easy, Buck. Breathe with me, okay?”

Buck meets Bobby’s eyes, nods, and drags his gaze down to Bobby’s chest, watching the steady rise and fall, mimicking it, until the fog clouding his brain breaks, leaving him far too tired. His shoulders slump, and Bobby claps a hand to his shoulder.

“What’s going on?”

“I didn’t know…” Buck sighs, dropping his face into his palms. He can hear his therapist’s voice reminding him that he’ll feel better if he’s more open with others. “I’m really overwhelmed right now.” He can feel Bobby’s hand tighten around his shoulder, a wordless sign to continue. “Just… Getting that call that Chris is in the hospital really freaked me out. I know he’s fine, but just… He’s the last person I ever want to see in a hospital bed.”

“Now you know how I feel every time I get a call that you’re in the hospital.”

“Bobby,” Buck groans, lifting his head to match Bobby’s smile.

“You look tired—I don’t imagine you got much sleep before the call?”

“A few hours,” Buck admits, rubbing at the back of his neck. “Not sure I’ll get back to sleep anytime soon. I’m exhausted, but it’s definitely going to take some time for the adrenaline to die down.”

“Do you need me to take Eddie and Chris back?”

“Nah,” Buck drags himself up to his feet, yawning. “I’m going to need to physically see Christopher safe in bed before I can even think about unwinding.” He can see one of the engines not far off in the parking lot, and he laughs quietly. “Though, I bet Chris would love to be back in the truck.” He frowns at Bobby’s turnover gear. “Did you leave right after a call?”

“I requested the 122 to come in for backup.”

Nodding absently, Buck looks back toward the doors they came from, and he crosses his arms, fingers digging into the skin. He knows that he’s taken all necessary steps when faced with an abrupt situation, yet he can’t shake the underlining burn in his stomach that he overstepped, that he didn’t get here fast enough, that he should have added a step, or even removed one, when getting here.

“You did good today, Buck.”

His shoulders slump, tension falling with them, and he huffs out a low sigh.

“Thanks, Bobby.”

***

“You keep looking at him like he’s going to disappear.”

Buck jumps; he didn’t hear the shower cut off, nor did he hear Eddie slip into Christopher’s room behind him.

“I keep thinking he might,” Buck whispers, and Eddie tugs at his arm, urging him up from the chair he’s got pulled up to Christopher’s bed. He lets Eddie guide him from the room, but when Eddie tries to ease him onto the couch, he digs his heels into the floor, and Eddie turns to him, brows furrowed.

“Buck—”

“—when were you planning on telling me I’m second on Christopher’s list of emergency contacts?”

Buck doesn’t miss the deep, calculated sigh Eddie breathes, and he opts to remain standing when Eddie sinks down onto the couch, only watching wordlessly as Eddie runs fingers through his damp hair.

“It was Chris’s idea.”

Buck blinks slowly. “What?”

“After the tsunami. When we were leaving the hospital, he mentioned how you saved him. He said he wanted you to be the person who comes to save him again.” Eddie pauses, rubs smally at the shirt fabric just above his chest. “I resisted at first—I told Christopher we couldn’t ask something that big of you, but I’ve seen countless times since then how far you’ll go for him, so I called and had you added second on the list.”

Eddie takes in a low breath, and Buck’s mutely envious because he can’t do the same.

“If I can’t get to him, it needs to be you.”

Buck’s struggling to pick something to focus on. His heart wants to chase the heat of Eddie’s words, yet the guilt, as it always is, is an overpowering force that leaves him shaking his head, backing up until the back of his leg hits the coffee table.

“It can’t be me.” He watches Eddie’s face fall, but Eddie still nods, understanding even now.

“I get it. I should have asked first. I know it’s a big responsibility—”

“—what?” Buck shakes his head again, crosses his arms. “It’s not the responsibility. You know I would do absolutely anything for that kid. It’s the fact that it’s my fault he ended up in the hospital today.”

Eddie cocks his head to the side, lips in a firm line, and Buck knows this look well—it’s Eddie’s way of signaling for Buck to continue, knowing well that Buck will finish on his own, that he doesn’t need verbal prompts to guide him toward his point.

“He was playing firefighter with one of his friends at school, and he fell down a step.”

The silence that follows feels thick enough to clog Buck’s lungs. He wants to sit—his legs are shaking, but if he sits, he can’t flee as fast, and he just knows Eddie’s going to ask him to leave, to not come back. And, Buck thinks, Eddie should. Eddie should yell at him for filling Christopher’s mind with stories from work, for encouraging this imaginative behavior that dropped him onto a hospital bed.

“Is that it?” Eddie says instead, calm, and Buck frowns, jaw opening and closing, struggling for words.

“I mean, I’m waiting for the part where you tell me how this is your fault,” Eddie clarifies, and Buck sinks onto the coffee table at this, not trusting his legs to hold him upright.

“Eddie, I’m constantly telling him stories from work, glorifying the job, painting all of these verbal, detailed images that fill his mind and plant ideas.”

“And you think I don’t?”

“Eddie—”

“—Buck, we have the same job. If Chris asks me what I did at work, I tell him. I spare him the calls that don’t go in our favor, but otherwise, I tell him.”

Buck blinks slowly, mind operating around 30% capacity, and Eddie leans forward, cupping a hand to Buck’s knee.

“No one’s at fault. Kid’s got one hell of an imagination.”

“Wait, hold on. You’re not mad?” Buck expected yelling. He expected to get kicked out of Eddie’s house, and yet, Eddie’s calm before him, relaxed, a little tired around the edges, but he’s showing no signs that he’s seconds from blowing up.

“There’s nothing to be mad about.”

Buck can only blink at Eddie. He’s faintly aware that his eyes are watering, and then Eddie’s pulling him back up by the arm.

“Okay, we all know by now that you get sappy when you’re tired.”

Buck stops in the doorway when Eddie steps into the bedroom, watching as Eddie pulls back the covers and motions toward the bed. He shakes his head, one hand gripping tightly at the doorframe.

“Eddie, I’m not taking your bed. You should be with Chris. I’ll go—”

“—Chris will want you here when he wakes up. Plus, it doesn’t take but basic math to realize you’re working on only four hours of sleep after a 24, so you’d be doing everyone a favor by shutting up and getting in the damn bed.”

“Eddie.”

“Buck.”

Buck holds Eddie’s gaze, breaking it after a few, heavy moments with a weighted sigh. He shuffles toward the bed, kicking off his sandals and climbing in on the side farthest from the door, knowing that the side closest to the door is reserved for Eddie, to accommodate Eddie’s needs to be the first to act if something happens.

The bed is heaven against his sore body, and the second his head hits the pillow, he’s struggling to keep his eyes open. The adrenaline is fully fleeing now, leaving him exhausted to the core in more ways than one. He blinks slowly, watching as Eddie climbs into the other side of the bed, sighing loudly, and he rolls toward Eddie, studying the way Eddie gingerly rubs at his chest for the second time.

“You give your oxygen mask to someone during the house fire?” Buck asks around a yawn, and Eddie nods.

“It wasn’t for long.”

“You didn’t get checked over.” It’s not a question; Buck knows, based on the sight of Eddie arriving at the hospital looking rough for wear and donned in full gear, but Eddie still responds.

“No, but I’m fine.”

Buck forces himself up on one elbow, frown deep, brows furrowed. “You should get checked out now. I can call Hen—”

“—did you forget I was a field medic?” Eddie arches a brow, and Buck sinks back against the pillow.

“No, you always find a time to remind me. You can’t check yourself over, though.”

“And how many times have you ignored a fractured rib because you ‘checked yourself over?’” Eddie fires back, and Buck groans, draping an arm over his eyes.

They fall silent, and Buck’s body is urging him to give in to the fatigue draping over him. Still, he can’t fully settle. The adrenaline of the last hour and a half is a flame that’s almost completely burned out. Still, it flickers smally, and he rolls onto his side, watching Eddie.

“The bruise on Christopher’s side. We should—”

“—I looked, and we iced it until he fell asleep. Now, please shut up and sleep.”

#911 fox #9-1-1 fox #buddie #fanfic #hurt/comfort #fanfiction #evan buckley #Eddie Diaz #christopher diaz #Bobby Nash #whump #whumpfic #op is 100% not a dr #my writing #my 911 writing

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tanadrin · 4 years ago

Text

Dev Patel and the Green Knight

I finally got around to seeing The Green Knight. Overall, I enjoyed it--David Lowery does a good job capturing the essential weirdness of the tale, which is very much about taking a mundane circumstance (a Christmas feast) and suddenly catapulting the reader into a mythic otherworld through the intrusion of the alien and monstrous, and the fantastical costumes, dramatic lighting, and dissonant score all contribute very well to a sense of otherness that permeates the original story.

But I find it interesting--and, I'll admit, a little frustrating--that no modern film adaptation of medieval literature is really capable of taking the story it's adapting on its own merits. This isn't an objection to modifying the source text, or taking it in new, non-literal direction. I can think of plenty of adaptations of work that play with the source material in interesting ways, and are better for it. Even very faithful adaptations like Peter Jackson's Lord of the Rings are inevitably going to alter the source based on the need to adapt it for the screen and the whims of the director. But when it comes to medieval classics, texts like Beowulf or Gawain and the Green Knight are always held at arm's length. An ironic layer is always interpolated into the original story, and even in modified form the story is never allowed to stand on its own.

Contrast, for instance, modern retellings of Arthurian legend; or Wagner's Nibelungenleid; or something like Neil Gaiman's book of Norse mythology. These are all adaptations of much older stories, all medieval; and the authors typically happy to let the stories operate on their own terms. In fact, that is often a selling point: dipping into these tales is a way of sampling an alien culture, one that is remote from us in time rather than space, and part of the sense of heightened drama is the understanding that these stories do not necessarily depict the world in the same way that modern realist prose does. They are fairy-stories, in the Tolkienian sense, and something not quite even like "high fantasy," which, although it is a genre which owes much to the mythic tradition, is usually *told* in the same manner as other realist fiction. And you could take these stories and re-cast them in a realist mold--that's definitely been done with Arthurian legend, either via anachronism or trying to place them in an era-appropriate historical context, and even that yields something quite like the original in tenor, even if the language used to relate the story is often very different.

Watching this movie, I was *strongly* reminded of Robert Zemeckis's Beowulf, in that this did not feel like an attempt to adapt Gawain and the Green Knight for the screen. It felt like an attempt to tell a story *about* Gawain and the Green Knight (the text), a story which does not stand on its own. You don't have to have read the text to understand the movie (although I think some directorial decisions would be a bit mystifying if you hadn't), but the movie definitely situates itself *as a response* to the text. Which is an odd choice! Actually, another good point of comparison is Spike Jonze's Adaptation. It started life as an adaptation of Susan Orlean's The Orchid Thief, but Charlie Kaufman sort of gave up writing that halfway through and wrote a movie about the difficulty he was having writing *that* movie, and the result is something very weird (and very good) that is full of metafictional elements that depend on the existence of this other work, in a way that a straight retelling of The Orchid Thief for the screen obviously would not. And while The Green Knight isn't that extreme, it is definitely playing on the structure of the medieval poem, and replying to it.

The core of the movie (as I understood it) is a tension between young Gawain's aspiration to knightliness, his ambition which is born at least in part from his mother's encouragement, and his own failure to live up to the heroic ideal of greatness. Not chivalric--this is a movie in which the ethos of chivalry makes not even the briefest of appearance, which is weird given that it's nominally an Arthurian romance, and that the chivalric ethos is extremely important to the original text. Instead we have a generic greatness being described, one which is associated with renown, with taking part in mythic events, and with achieving high rank and honor. In the service of seeing her son obtain all this, Gawain's mother seems to cast some kind of spell, whereupon the titular Green Knight appears at Arthur's Christmas-feast; and as in the poem, a game of beheadings is proffered. Gawain accepts the challenge, beheads the knight, and the knight rides away, promising he'll meet Gawain a year and a day hence at the Green Chapel. So far so straightforward. When Gawain sets off a year later to meet the knight, his mother gives him an enchanted belt to keep him safe from harm. Gawain goes on to have a couple of side-of-the-road adventures and mishaps, the kind of thing that's par for the course when you're telling an Arthurian romance, until he arrives at the house of a mysterious benefactor, just about a day away from the Chapel, who grants him hospitality until the day of his challenge.

Now, in the original story, this is where Gawain gets the magic belt, and it's hugely important: Gawain and his host promise to exchange anything they might receive at the end of each day, when the host has been out hunting all day and Gawain has been in the house recuperating from his travels. During this time, the host's wife repeatedly tries to seduce Gawain; and Gawain is trapped between the imperative not to sleep with his host's wife (a major violation of the rules of good chivalric conduct!) and the imperative not to offend the woman (also a violation of those rules). He succeeds, for the most part; he is forced at one point to give his host a kiss at the end of the day, since the wife kissed him; this is shown as him holding nothing back and acting in good faith on the vow he made to his host. When Gawain finally rebuffs the wife for good, she insists that, even if he won't sleep with her, he should at least take a magic belt she has woven that will keep him from harm. He does; but he does *not* give this to his host. When he finally goes to the Green Chapel, the Knight returns the original blow as promised--but only nicks Gawain lightly. He reveals himself to be none other than the host who was sheltering him; the nick was his reprimand for withholding that final gift, but because of his good conduct he is otherwise left unharmed. The whole thing was a test of sorts, one which Gawain passed. Despite flinching at first from the blow, and keeping the belt secret, he shows himself ultimately to be a man of good (albeit not perfect) conduct, and *that* is why he wins honor from the whole affair.

The movie takes this basic narrative and alters it in key places, completely changing the valence of the whole thing. First, Gawain gets the belt at the beginning of his quest, as mentioned; he loses it on the way, but when he reaches the castle, the wife of his host (who succeeds in seducing him with a handjob) presents it to him as if she had woven it herself. He does not actually engage in the game of exchanged with his host, who is *also* not the Green Knight. And we're treated to a monologue about the color green from the wife that feels beat for beat like it's been ripped off from someone's undergraduate essay about Gawain and the Green Knight, which is a little weird even in the context of the rest of the movie. Finally when Gawain reaches the chapel, the knight goes to return the blow--and Gawain completely chickens out and flees. We are then treated to an extended sequence of Gawain returning home; being feted as a hero; earning his knighthood (presumably by lying about what happened); succeeding Arthur as king; him abandoning his low-class beau once she bears him a son, and marrying a princess; going to war; his son dying in a war; and finally, as an old man, being trapped in his throne room as a besieging army breaks its way inside. Just before they do, he removes the magic belt from around his waist, his head fall off, and bam--we're shown this has been an Occurrence At Owl Creek Bridge thing this whole time, and the Green Knight has not yet landed his blow.

Gawain finally takes off the belt, throws it aside, and tells the knight to go ahead--and the knight bends down and congratulates him. In context, the reading seems to be this: the belt is a talisman of Gawain's mother's influence, of external expectations for what kind of man he is. The Knight is Arthur or perhaps an agent of his, and the test in *this* case is whether Gawain can be his own person. All the events leading up to this point are perhaps a part of the original magic Gawain's mother cast, an effort to Lilith Weatherwax her kid to greatness by putting him into an epic story. Implicitly, then, the Gawain and the Green Knight we all know is the false version of the tale, the tale as Gawain's mother would have it told.

This is all very clever. But I'm afraid it's so clever it falls apart in the end. Because the structure of the original story that this depends on is dependent in turn on taking the whole notion of chivalric virtue seriously, which this movie plainly does not. Gawain is shown as irreverent and lustful and a bit of a party animal--lovable and good hearted fundamentally, but definitely not an Arthurian hero. That's fine, but that's a very modern sort of character, one that feels out of place in a movie that is trying very hard also to be tonally unmodern, firmly embedded in a mythic otherwhen of Arthurian legend. Moments of slice-of-life mundaneness, while charming, strain mightily against the epic tone the movie tries to take in other places, and strange events like a ghost seeking her lost head or immense giants striding the landscape. We are jostled: are we in the land of myth? Or are we in historical Britain? We cannot be in both!

And this is a movie that was definitely made by people who had read the original text; not just the original text, but also a great deal of criticism *about* the original text. The movie namechecks the theme of fivefold symmetry that's incredibly important to the structure of the poem; there's the aforementioned undergrad essay about colors about 3/4th of the way through; and there's the fact that the structure of the original plot (down to Morgan LeFay in disguise as an old woman in the host's castle) is present in altered form in every detail. But none of these details add up to much. There's a weird homoerotic kiss with the host that implies that in fact *he* wanted to sleep with Gawain, in addition to his wife; the ghost Gawain encounters early on tells him the Green Knight is in fact someone he knows (and therefore *can't* be the host; I think it's implied to be Arthur, like I said, but this is never quite confirmed), and while all these things *about* the original poem are shown, none of them ever get integrated thematically into the plot.

I think as a result, whatever Lowery was going for, the whole movie kind of falls apart in the end. And that's a pity, because somewhere in there is just a really weird, visually striking, really gripping, embellished-and-polished-for-modern-sensibilities-but-also-thematically-true-to-the-source retelling of Gawain and the Green Knight. And that would have been a much better movie! What are we to make of this, a movie that purports to be telling a story-behind-the-story, but one that leaves no room or context for the original? After all, Gawain in the end does *not* flee, does not return home a coward and a liar; presumably, he earns his honor, and can be honest about what happened. But if he is honest, none of the rest of what we have been shown makes a lick of sense, or has any point.

One feels a bit as if modern directors, when confronted with medieval texts being a bit weird, a bit alien in their worldview, instead of realizing that's actually something people like some of from time to time, feel like they have to construct an artificial bridge between the Middle Ages and the present day. But because it is invariably metafictional and self-referential, as if to say "don't worry, we know nobody REALLY wants to watch a bunch of boring medieval shit played straight," it comes off as cringing and ashamed of its source material. This isn't a plea for historicity! Gawain and the Green Knight is not history. But one does occasionally want to see an adaptation of one's favorite works without directors being ashamed of the text they are adapting! And since most people will not have read the original, I am rather confused about what the director intends for the audience to get out of all these references that are dependent on it, but don't stand on their own merits within the narrative of the movie itself.

The acting was good, the set design and costumes were terrific, I loved the slow and measured pacing and the weird score, and the design of the Knight himself, and the landscapes and almost everything else about the movie. So I don't think it's a waste of time, especially if you have read and enjoyed Gawain and the Green Knight, in the original or in translation. But it's definitely a pity to see a movie that was, well, *almost* great, but ended up merely OK.

#gotta put that undergraduate degree to work from time to time #we spent a *lot* of time on this poem

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dreamsclock · 4 years ago

Note

Yo smth abt the daisy lore au is very like??? Small town with an older generation who are hiding are dark secret type beat? In like a good way except instead of the dark secret being that somebody’s kid was born out of wedlock or smth its the death and torture of a former friend

yeahhh, that’s the vibe !!!! the adults / those who actually know c!dream keep trying to cover up this secret with stories and lies and half-truths but it turns out kids are Remarkably Stubborn when they want to be - daisy lore is far from the exception to this rule :D consider this the first ‘chapter’ of this au !!

read chapter 2 here / read chapter 3 here

warnings: mentions of prison, death mentions, dehumanisation

Their world is called the Dream SMP because it makes all their dreams come true. Or so the story goes.

None of the children are strangers to it. The story has become a bedtime ritual for most of them; they’ll settle down in bed, swaddled in blankets, eyes heavy, and their mother or father or parent or sibling will smooth their hair back from their face and begin telling the tale in a low, hushed voice. The tale of the discovery of this place: how they’d settled down and lived happily ever after, how the Heroes defeated the Monster and how they had all come together to defeat the evil.

“The key,” the children are always told, “is working together.”

And the children never have any reason to question this, not at first. They accept the story, the same way they accept Santa Claus and the Tooth Fairy and the strange rule of their parent to never travel to the flower field no matter what. For a while, the Dream SMP remains that way: a dream come true.

“Dad?” One girl asks one day, sleepily. “What was the name of the Monster?”

Her dad freezes, pushes his glasses up his face further. “What,” he tries to deflect jokingly, “is Monster not creative enough for you?”

She frowns, not looking amused. “All things have names, don’t they? I’m not just called Girl. You’re not just called Dad. An’ you said the Heroes had names, too-”

“Tommy,” her father agrees, running a hand through his hair and sighing, “Tubbo.”

“-So that means the Monster has a name too.”

“Daisy,” her father says, looking tired, “come on, it’s time for bed.”

“I’m not even tired,” she whines, “I wanna know. You’re not telling me on purpose.”

Something gives in her father’s face. “It’s-”

“When people become Monsters,” her uncle says from the doorway, a glint in his eyes, “they lose their names. They lose every part of themselves that had been human. That’s what makes them Monsters, you get me?”

Daisy shuffles upright in bed, more curious than ever. “So it had a name and then lost it?” She asks.

“Right, yeah, it lost it,” her uncle agrees, shooting her a soft smile, but there’s something heavy in the look, something guilty when his eyes flicker to her father, “it’s like when you do bad things and we take away your toys, yeah? When you do really, really bad things, and you become a Monster, you lose... other things.”

Her father’s head snaps up. “Quackity,” he says, voice tight, “that’s enough. Don’t tell her that.”

“She asked,” Quackity replies defensively, “I just wanted to tell her the truth.”

“The truth.” Daisy’s dad looks tired, shaking his head. “Yeah, the truth.” He gets to his feet, ruffling her hair and heading for the door that he pushes her uncle through half-heartedly. “Goodnight. Sweet dreams.”

“Dad?” She whispers, snuggling up under the blankets. “What was the Monster’s name, then?”

Her father glances back in at her, an unfathomable expression crossing his face. If she had been more awake, she might have realised it had been pained.

“Dream,” her father tells her, voice wobbling, and then she’s left alone in the darkness, frowning at the closed door. Dream is too nice a name for a monster, of that Daisy is certain. Monsters are supposed to have evil names - Ripper, or Killer, or something, and she doesn’t think this monster got the memo.

But it’s after this that she realises just how little people are willing to talk about Dream.

“That’s enough, Daisy,” her teacher Puffy tells her, interrupting her talk on Monsters, “it’s a super good talk, but I don’t think we have time for-”

“Can I do it next week?”

Puffy hesitates. “If we have time,” she says evasively.

(They never do.)

“Did you ever meet the monster?” Daisy asks her other uncle, whose hands flicker with flames before dying down sharply. “My dad says-”

“Your dad says a lot,” Uncle Sapnap says tightly, casting a resentful look at her father across the room, talking to Uncle Karl and too immersed in conversation to hear, “don’t listen to him, okay? None of us knew the Monster.”

Daisy frowns, but doesn’t push the subject.

(She never does.)

“I got detention,” Daisy tells her best friend Michael proudly, “for punching Emmeline in the face.”

Michael grins. “That’s cool. Why?”

“She was bullying me ‘cause I spoke about the Monster again.” Daisy sighs, flopping down next to Michael and gazing up at the open blue sky. “She says I’m too old to believe in fairytales. She sucks.”

“Well.” The smile falls from her friend’s face, and Michael turns to her, looking uncertain. “I mean, you are a little bit too old. You prob’ly should tone it down.”

Daisy blinks. “Huh?”

Michael doesn’t elaborate.

Her father does that night, when she presses him anxiously about it.

“The Monster isn’t real,” he tells her, adjusting his glasses and forcing a feather-light laugh, “it’s just a story we tell kids to stop them misbehaving. Don’t misbehave or you’ll turn into the Monster. Don’t stay out past dark or the Monster will get you. Don’t go to the flower fields: it’s where the Monster used to live. Things like that, you know? But he’s just a story, Daisy. I promise.”

Daisy stares at her father in wordless dismay. “You lied to me,” she says, hurt, “I don’t like it when you lie to me.”

And her father opens his mouth, goes to make excuses, but Daisy is pushing past him to her bedroom, littered with childish drawings and wobbly writings of monsters redeemed and humans vilified. For the first time, she thinks her father is wrong.

Because the Monster is real. It has to be.

It has to be, because two years ago her father had told her that the Monster’s name was Dream, and Dream is too nice a name for a monster.

Flopping back on her bed and staring up at the ceiling, sniffling, Daisy’s misery turns to stubborn determination. She’s going to prove that the Monster is real, once and for all. She is: no matter how hard or impossible it seems.

After all, she thinks, if there’s no reason not to go to the flower fields anymore, then she’s not breaking any rules by going there, is she? It’s a good place to start, and she resolves to go there first thing tomorrow.

“I promise, Dream,” she whispers, and for a moment, a man with a cracked smiley face mask flickers through her mind, “I’m gonna remember you.”

Please, something echoes in her mind, and Daisy falls asleep, dreaming of a blackstone building where someone’s screams ring too human to be coming from a monster, remember me.

#> my asks !!#> my writing !!#tw dehumanisation #tw death

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