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mikegranich87 · 3 years ago

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Pixel 5a review: The 4a 5G wasn't broken, so Google didn't fix it

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The Pixel 6 is just around the corner. But before Google brings it and its Tensor mobile chip to market, the company is updating its entry level offering with the $449 Pixel 5a. The whole point of the “a” family is to offer the basics at a reasonable price without sacrificing too much of the Pixel experience in the process. That means a relatively clean version of Android with a bunch of AI tricks and a heavy focus on photography.

But apparently Google feels like it more or less nailed that formula with the Pixel 4a 5G because the 5a is basically the same phone. (Note: The Pixel 5a is not a direct successor to the 4a, which was a much smaller device.) There are some differences — notably the addition of IP67 waterproofing — but most of the tweaks are extremely minor. Even the processor and RAM haven’t changed. So, if we said you could do better way back in October of 2020, what does that mean for the 5a in the fall of 2021?

Well, it makes the Pixel 5a about as unexciting as a phone can be, for one. But look, boring isn’t necessarily bad. Especially when you’re talking about the mid and lower tiers of the smartphone market. For one, keeping things staid allows Google to focus its efforts on battery life and performance optimization. And just like the last generation of Pixels, the 5a feels pretty responsive despite the aging Snapdragon 765G inside. That said, the 765G wasn’t exactly top of the line last year, and it’s starting to show its limits. While scrolling through the UI and doing simple things like reading email and sending text messages, the 5a is indistinguishable from any flagship device. It even handles most mobile games without a hiccup. I spent some time playing The Elder Scrolls: Blades and Wild Castle and the phone barely broke a sweat.

But, I did notice it stutter a few times while navigating YouTube, editing photos and jotting down my thoughts for this review in Evernote. The latter I could easily chalk up to Evernote’s questionable development over the last few years, but the pauses while switching to fullscreen in YouTube and swapping filters in Google Photos are a bit more concerning.

Terrence O'Brien / Engadget

The plus side of going with something a bit older and lower-powered (not to mention with an integrated 5G modem) is power efficiency. The 4a 5G was already something of a beast, lasting over 17 hours in our battery drain test before our reviews editor Cherlynn Low simply gave up and moved on with her life. That device had a 3,885mAh battery. The 5a has a 4,680mAh cell. It took 22 hours and 56 of playing a video on loop at 50-brightness before it finally powered down.

After 24 hour of heavy usage — playing games, repeatedly running 5G speed tests, installing apps, watching videos on YouTube and even letting it play sleep sounds overnight — the battery was still at 40 percent. It didn’t finally crap out until almost 2AM on day two. And if you turn on Extreme Battery Saver, things could get even more absurd. I’m fairly confident that under normal use you could get a full 48 hours out of the Pixel 5a before needing to find an outlet.

Battery life isn’t the only difference between the 5a and 4a 5G: The new phone is also IP67 rated for water and dust resistance. At a time when many smartphones have at least some form of water resistance the Pixel 4a 5G was sort of a disappointment. In fact, the lack of waterproofing was one of the big cons called out in our review. But the Pixel 5a should easily survive getting caught in the rain or if you drop it in a toilet. It can withstand being submerged in water up to one meter deep for 30 minutes, but I wouldn’t push this to its limits. Definitely don’t go swimming with it in your pocket.

Terrence O'Brien / Engadget

The last difference between the Pixel 5a and the 4a 5G is in the size and construction, but it’s subtle. The 5a has a metal unibody as opposed to a polycarbonate one. The texture is still matte and similar to the softtouch of the previous models, though, and the upgrade to Gorilla Glass 6 from Gorilla Glass 3 is notable, but you’ll never notice the difference in daily use. The 5a comes in one finish: Mostly Black. Some might find the look a little dull, and it’s certainly on the utilitarian side, but I quite liked the feel of the phone. The finish is a nice contrast to the seemingly endless sea of smooth glassy surfaces and the heft is just right, too.

The 5a is ever so slightly larger and heavier, but you’re talking about a few millimeters and grams. Even if you had a Pixel 4a 5G in one hand and a Pixel 5a in the other you’d be hard pressed to figure out which is which.

The change in size mostly comes down to the slightly larger screen. The OLED panel on the 5a is 6.34 inches, versus 6.2 inches on the 4a 5G. Otherwise, though, the screens are basically the same. The increased resolution of 2,400 x 1,080 makes up for the size difference so they both have a density of 413 ppi. Both also sport a contrast ratio of 100,000:1 and support HDR and are stuck at now outdated 60Hz. And both are just bright enough to use in direct sunlight, though high brightness mode is definitely a necessity if you’re watching a video outdoors.

Even the holepunch for the front-facing camera is in the same place. That said, I appreciated Google’s “for fun” wallpapers that camouflage the hole by incorporating it into the design. My favorite is the record player where the camera becomes the hole at the center of an LP.

That 8-megapixel front-facing camera, by the way, is one of the weak points of the 5a. It does the job in perfect lighting and for video calls. But details can be a bit soft, in low light it gets noisy and portrait mode is hit or miss. Overall, I found Google’s portrait feature to be a bit too aggressive even on the main camera. You can easily adjust the blur and depth after the fact, but the default settings could stand to be more subtle.

The selfie cam, though, is the same one found on the Pixel 4a 5G, so none of this is a surprise. In fact, all of the cameras are the same. The two sensors around the rear, however, are much better than the one on the front. There’s a 12.2-megapixel main shooter with optical image stabilization and a 16-megapixel ultra-wide-angle lens. They have a somewhat “moody” vibe when compared to shots from an iPhone or a Galaxy device, but they’re not obviously inferior. And even though images taken with the wide-angle lens can get a little fuzzy if you start zooming in on details, Google’s processing does an admirable job of minimizing barrel distortion. Google isn’t at the top of the smartphone camera heap anymore, but it’s not far off and photography is still an undeniable strong suit of the Pixel family.

Terrence O'Brien / Engadget

There’s nothing new to report, though. It’s the same set of excellent photography features that you got last year: Portrait lighting can help clean up and add some contrast to photos of people (but sadly not pets — the option only appears if a human face is detected). Night Sight turns on automatically in dim lighting and at times produces mind-blowing results. And the video stabilization modes are excellent. Cinematic Pan, which combines slow motion with super smooth movement, is especially fun.

Also, just like every other “a” model Pixel, this one has a headphone jack. All I can say is: That’s great, now please bring the headphone jack back to flagship phones. I know I’m not the only person clamoring for it. And it drives me nuts that the only way to get an old-school 3.5mm jack on my phone is to go down market.

Terrence O'Brien / Engadget

One last thing to mention: The actual full name of the phone is the Pixel 5a with 5G. So, guess what, it supports 5G connectivity. That’s not really surprising since the Snapdragon 765G has an integrated 5G modem. Unlike the Pixel 4a 5G, however, there is no mmWave variant of the 5a. And, although technically it’s capable of C-Band support, it’s currently not enabled and Google wouldn’t commit to adding support in the future. That’s not a huge deal at the moment since there are no active C-Band networks in the US yet. But it might irk some when AT&T and Verizon start flipping the switch, likely sometime later this year. That said, full C-Band rollout isn’t expected to happen until at least late 2023.

Those caveats out of the way, 5G still seems stuck in a state of arrested development. I tested the Pixel 5a using Google Fi, which essentially means I was on T-Mobile’s network and speeds were all over the place. In my home, it was often slower than Verizon’s LTE network, averaging around 35mbps down. (Note: Verizon is Engadget’s parent company… for now.) But two and half miles up the road at a local Subaru dealership I was routinely getting over 300mbps down, topping out at 370mbps.

Terrence O'Brien / Engadget

Of course, 5G and excellent cameras aren’t a rarity at this price any more. Mid-tier phones have come a long way over the last few years. The problem for Google is, it no longer clearly “owns the midrange.” Part of that is down to price. While the 5a is $50 cheaper than the 4a 5G, it’s not the obvious bargain that the 4a was at $350. If it was even just $50 cheaper still, the 5a would be a much easier sell at $399.

The Samsung A52 5G is slightly more expensive at $500 (though regularly on sale for less) and has a slower Snapdragon 750G SoC. But, its Super AMOLED screen clearly outclasses the Pixel’s and has a 120Hz refresh rate. Plus, its camera system is much sharper and feature-packed (but that doesn’t necessarily mean “better”). In addition to a primary camera and ultra-wide shooter, there’s a macro lens and a depth sensor that helps with portrait mode. While both the A52 and 5a ship with 128GB of storage, the Samsung has an advantage in that it has a microSD card slot.

Then there’s the OnePlus Nord N2 5G. It has a trio of cameras around the back, including a 50-megapixel primary sensor, an AMOLED screen with a 90Hz refresh rate, and up to 12GB of RAM. Then again, it has a MediaTek processor, which you rarely see in phones in the US and with good reason: They’re not exactly known for their high-end performance. But perhaps more importantly, you’re highly unlikely to be making a choice between the Nord N2 and the Pixel 5a since the former isn’t available in the US, and the later is only available in the US and Japan.

Of course, if you’re more of an iOS fan, the obvious comparison would seem to be the iPhone SE. It’s the same price as the Pixel 5a for a 128GB model, but it does feel quite a bit dated. It still uses the old iPhone 8 form factor with a Touch ID home button instead of Face ID, it's positively miniscule at 4.7 inches and doesn’t support 5G. Frankly, if you’re dead set on iOS, I might suggest saving your pennies and springing for the $699 iPhone 12 mini.

So, no, Google doesn’t “own the midrange” any more. The Pixel 5a is almost aggressively boring, but it’s not bad. If you want the Pixel experience and don’t want to break the bank, this is the way to go. But if you’re just looking for the best bang for your buck, the choice is far less clear.

from Mike Granich https://www.engadget.com/google-pixel-5-a-review-android-midrange-5g-smartphone-160051630.html?src=rss

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swipestream · 6 years ago

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Sensor Sweep: John Carter Miniatures, The Metal Monster, Carcosacon, Call of the Wild Art, Robot Man

RPG (Modiphius): The John Carter Swords of Mars miniatures line is made up of 32mm scale high quality multi-part resin miniatures which come complete with resin scenic bases. The Swords of Mars campaign book includes a set of rules to play out battles involving squads and heroes, fighting across moving airships, desolate ruins or the beautiful palaces of Barsoom.

Writing (One Last Sketch): A long while back, I wrote a short essay called “Writing the city” that I never published, yet the misgivings that went into that essay keep stirring my brain. The main question is this:

In literary criticism of fantasy, why are long descriptions of the natural world and farmland or villages often labeled as boring, but when China Miéville fills page upon page with adjective-laden descriptions of architecture, this passes without comment, or even gets praise?

Art (DMR Books): Fifty-five years ago today, Wayne Francis Woodard, better known as “Hannes Bok,” died in poverty. He was friends with, and had his work admired by, the likes of Ray Bradbury, A. Merritt, August Derleth, Farnsworth Wright and others.

I must confess that I’ve always been ambivalent about Bok’s art. While I find some of his work truly excellent, I consider much of it average or even poor.

Fiction (DMR Books): It’s fascinating how the paths we take in life shape who we’ll become and what we’ll leave behind, when–on that fateful day–we’re blasted by the emerald lightnings of The Emperor’s Guard at the Pit of the Metal Monster.

For me, the dregs of life will be a room full of books. For A. Merritt, luckily for us, it was his wonderful novels, few tho’ they may be, and the short stories and poetry he crafted during a relatively short lifetime.

But, whereas the ashes of our mortal clay will be scattered before the feet of the Metal Things

Fiction (Gardner F. Fox): This is book #011 on the list of 160 books that Gardner Francis Fox wrote from 1953 to 1986. I will not be working on

Blank bookcover with clipping path

books in the order as Mr. Fox wrote them. I am doing the book cover designs based on when the transcribers who are assisting me, finish one. As they complete a book, it will be the newest release, so it will get a new book cover design. I also have to go back and replace the photo-bashed covers I made when I first started The Gardner Francis Fox Libraryin 2017.

Conventions (William King): So that was Carcosacon and it was a lot of fun. A bunch of us drove up from Prague to Czocha Castle for a weekend of games, panels and live action roleplaying all dedicated to the Cthulhu mythos. We got there on Friday morning, checked in and were gaming by one o’ clock that afternoon in a library that looked like something from Dennis Wheatley complete with a secret doorway hidden in a bookcase that swung out to reveal a spiral staircase up to yet another gaming room. I thought there never was a better setting for a Call of Cthulhu session but I was wrong, and I’ll get to that later.

RPG (Sorcerers Skull): Gygaxian Esoteric Planes: Places that often bear the names and some of the characteristics of various historical conceptual realms but are more defined in their characteristics. They are inhabited by supernatural beings that tend to behave like mundane beings, the only difference being “power.” Geography tends to be more important than in conceptual realms; planes can be mapped to a degree, and travel along associated terrain may be necessary.

Reviews (Don Herron): Our resident expert in everything Arkham returns to review a new (if repurposed) book on the fabled press. John D. Haefele certainly burst fully-formed on the scene with his A Look Behind the Derleth Mythos, but he’s done a ton of stuff on the subject, most recently a run of articles appearing in Crypt of Cthulhu. See his Amazon page for a thorough list of books, chapbooks, monographs, web and print surveys. He knows the turf.

Cinema (Superversive SF): Can the story take a place on a bus rather than on a space ship without being fundamentally different?

Outland, an obscure movie starring Sean Connery at the low point of his career, cannot be set on a bus, but it most definitely did not need to be placed in space. It is, no pun intended, fully grounded in the traditional western genre in the theme, plot and pacing. There are even shotguns. Lots of shotguns. In a pressurized environment. All that’s missing is the tumbleweeds. We do get treated to the sight of some gyrating balls of… something, but the less said of those the better.

Gaming (Rampant Games): In case you haven’t figured it out, I am a Virtual Reality enthusiast. I’ve been looking forward to the coming of consumer-level Virtual Reality since the early 90s. I expected it a lot sooner than it got here, to be honest, but I’m glad it’s here now. I love that I get to work with it as part of my day job. Anyway, I have been willing to sink a bit of cash into it this hobby… to the extent that I pre-ordered a Pimax 5K+. Offering about the highest resolution out there and 170+ degrees of field-of-view, it seemed like a game-changer for PC-based VR.

Cinema (Men of the West): First, the good: As you would expect from any sort of Peter Jackson flick, it has gorgeous F/X. The visuals and modeling for the various vehicles and aircraft are marvelous. The colorizing to help set the tone, the costuming, etc., are all spot on. The acting was decent. The set design was pretty cool. The basic premise for the story was decent if absurd (mobile cities on treads?), with an interesting twist on the post-apocalypse genre. They had a fun dig at the near illiteracy of today’s people in the “screen age” (showing iPhones, etc), saying “they didn’t write much down.”

Author Interview (Superversive SF): What does superversive mean to you? Superversive is the building of things never seen before to heights unreached. It builds where others have torn down, and gathers together all good things to be made into something greater and more wonderful than they were before. Where before one might find a blasted heath, one finds a garden growing by the Grace of God.

Review (Fantasy Literature): As I mentioned in my review of Gray Lensman, Book 4 of E.E. “Doc” Smith’s famed six-part LENSMAN series, that installment, although it followed its predecessor, Galactic Patrol, by mere seconds storywise, was actually released over 1½ years later; 20 months later, to be exact. Book 5 of the series, Second Stage Lensman, would follow the same scheme. Although the events therein transpire just moments after the culmination of Book 4, readers would in actuality have to wait a solid 22 months to find out where author Smith would take them next.

Art (Northwest Adventures): Jack London’s The Call of the Wild was serialized in The Saturday Evening Post from June 20 to July 18, 1903, only five years after the Stampede of 1898. It was an instant classic and the quintessential novel of the Klondike. The five-parter was accompanied by illustration from two artists, Charles Livingston Bull (1874-1932) and Philip R. Goodwin (1881-1935). Bull was hitting his stride, illustrating books for Charles G. D. Roberts as well as magazine covers but Goodwin was only 22 and just starting out on his career that would include illustrating Teddy Roosevelt’s book on hunting. The two artists together is a nice blend of Bull’s stylized poster art (which remind of Kay Nielsen’s fairy tale art) and Goodwin’s realistic dog forms.

Art (One Last Sketch): No other imagined world has generated as much illustration as The Lord of the Rings. Considering the sheer amount of artistic material to draw from, however, even before the live action adaptations came out in 2001, we already had a consensus “look” for Middle Earth in John Howe and Alan Lee’s paintings. Why the collective consensus for what Middle Earth should look like coalesced around these two has a host of factors, one being how prolific they were, how often they appeared on book covers and ancillary material, and the last being their obvious skill.

Fiction (Pages Unbound): You may have some familiarity with The Silmarillion and seen these newer works being published that are part of it. But maybe you are not sure where they came from, or how they fit in to the larger work. Here is the scoop: you can pick up any one of the three separate works from The Silmarillion that have been released as standalone volumes and enjoy it on its own. They are The Children of Hurin, Beren and Luthien, and The Fall of Gondolin. Some say the reading order should be publication order, but you would not be wrong to read Beren and Luthien first.

Obituary (Washington Post): George Stade, a Columbia University literary scholar who became an early champion of “popular” fiction within the academy and worked as a critic, editor and novelist, most notably with the grisly satire “Confessions of a Lady-Killer,” died Feb. 26 at a hospital in Silver Spring, Md. He was 85.

Tolkien (Alas Not Me): The Mouth of Sauron’s encounter with the Captains of the West in The Lord of the Rings has been reminding me of the Green Knight’s visit to King Arthur’s court in Sir Gawain and the Green Knight.

The initial set-up is quite different, naturally. The Green Knight comes in uninvited without any introduction or explanation — the reader is thus in the same boat as members of Arthur’s court — whereas Tolkien gives us some backstory on the Lieutenant of the Tower of Barad-dûr when he comes out in response to the heralds’ challenge. The Green Knight arrives alone on a color-coordinated steed that seems an ordinary animal except for its hue, but the poet hints the knight himself might possibly be supernatural (“Half etayn in erde I hope þat he were”). Intriguingly, the similarly color-coordinated fellow who approaches Aragorn & Co. is almost exactly the inverse, i.e., a living man on a possibly supernatural mountm

Sensor Sweep: John Carter Miniatures, The Metal Monster, Carcosacon, Call of the Wild Art, Robot Man published first on https://medium.com/@ReloadedPCGames

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corpasa · 7 years ago

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Adobe Spark — All-purpose Desktop Publishing Tool for the Classroom

Adobe Spark is a free graphic design app that allows students and teachers with no design experience to create impactful graphics, web stories, and animated videos. With a goal of encouraging creativity and meaningful communication without requiring a degree in graphic design, Adobe Spark allows users to integrate text, photos, original fonts, video, audio, professional themes, and icons into simple but professional projects that communicate ideas cohesively and quickly. Project templates include social memes, mini websites, narrated tutorials, presentations, reports, posters, how-to videos, and more. You can access files in Dropbox, Google Photos, YouTube, Vimeo, or upload them from your local computer.

Spark, Adobe’s replacement for Adobe Slate and Adobe Voice, is actually three apps in one — Spark Page, Post, and Video — providing three ways to tell a story. Just pick the one best suited to your communication style. The desktop app gives access to all three in one spot while a mobile device requires the download of three different free apps. It works equally well on your desktop, laptop, Chromebook, Mac, iOS device, and mobile device and syncs between all with ease. That means, you can start a project at school, work on it while waiting for a sibling (or a child) at soccer practice, and finish it at home. Projects can require as little or much typing as you want, making this app perfect for youngers as well as high schoolers. Because it plays well with the many other Adobe products (once you log into your universal Adobe account), you can access your personal collections in applications such as Creative Cloud, Photoshop, and Lightroom.

If you’re struggling to move away from Microsoft Publisher because of cost or accessibility, this may be exactly what you’re looking for.

How to get started

Set up an Adobe account. In this way, your work will be automatically saved to your file and synced across all of your digital devices. Adobe accounts cannot be created by children under the age of 13. To use it with K-8, the account is created and supervised by a teacher or parent. Older students can log in via Facebook, Google, or with Gmail credentials.

If you’re working on a desktop or Chromebook, simply access Spark.Adobe.com, log in via Facebook, Google, or email, and get started. There’s nothing to download or install, no fees to pay. If you’re using iOS like an iPad, download the three Adobe Spark apps from the App Store.

Select whether you want to create a Page, Post, or Video. These are three different project options that align with either the three options on your desktop Adobe Spark website or the three different apps you downloaded to your mobile device.

Once you’re logged in, access My Projects and either continue work on a project or start a new one. If you’re starting from scratch, there are helpful templates that address a wide variety of projects such as fliers, explainers, photo journals, teach a lesson, and more.

When you finish your project, it can be directly uploaded to Twitter and Facebook (for olders), downloaded as a JPG, accessed via link (for Spark Video), or downloaded as an MP4 (for Spark Video).

Pros

Where lots of programs differ significantly depending upon whether you access them via the desktop or an app, that’s not true for Adobe Spark. It looks and acts the same (for the most part) however you get there.

Spark includes a variety of beautiful fonts, many more than the traditional choices included in most word processing applications.

Adobe Spark videos can be downloaded to an iOS Camera Roll or saved as an MP4.

Spark provides tactical tips for increasing the impact of your creations on Twitter, Facebook, Instagram, Pinterest, and other social media sites with training hints from experts to help you learn as you work. Spark also offers professional development resources so you can teach colleagues how to use it. Just access the free Spark PD Kit for ideas.

I like that Spark focuses on image sites like Flikr and Pixabay where access requires Creative Commons licensing. This is an authentic application of digital citizenship rights and responsibilities and reminds students that these legalities are an integrated part of their education workflow.

I am becoming jaded by the amazing webtools that are free just long enough to get me committed and then they charge for those same free services (I have one in mind that starts with a V, but I won’t name names). Spark at present has no premium options to confuse what you get for free and no charge for hosting content. I’ve used Adobe products for decades and believe if I can trust anyone to be “forever free”, it’ll be them.

Cautions

While all types of projects can be completed on the desktop version of Spark, you must have three separate apps to do the same variety of work on mobile devices. This means I need to be organized enough to know whether I want to create a website or video, a poster or an explainer video. OK, I can do that. I just need to do a bit more planning at the beginning!

Spark Post is intended for students old enough for a presence on social media. That’s fine.

I didn’t find any shortkeys. I rely on these to speed up the production process. I miss them.

I also didn’t find options for collaborating on a project. You can share folders and libraries and according to Adobe, “Collaborators can view, edit, rename, move, or delete contents…” But, this doesn’t include multiple students working together on a project in real-time.

8 Ways to use Spark in your classroom

Here are eight ways to energize your use of Spark in the classroom:

Quick annotated photos

Pick a photo and add quick text. Then, publish to your social media or save it as a file or a screenshot. Easy.

Background for a presentation

Switch from PowerPoint to a quick-to-create, professional-looking, all-inclusive Spark video. Pick a goal (such as “explain a concept”), add a background, follow the prompts for what is included in a successful presentation, add your voice, video, text, icons, and more. When done, save it as a video (not a slideshow file) that can be played anywhere.

Web stories

Collect images from a field trip or class event into one scrolling slideshow-like file. Add text, videos, icons, and more to each slide. Then, publish.

Animated videos

Start with a photo. Add your voice, icons, a professional soundtrack (included in the Spark library), and turn your pictures into an inspiring video.

Book report

Instead of the boring conventional word processor-based book report, mix visual pieces with narrative, images, icons, videos, and other multimedia to better communicate knowledge and excite other students about reading the book.

Student portfolios

Replace uninviting file folders that you click-click-click through with one Spark document that displays all student work for a grading period or a year. Students select a theme, add a Table of Contents that they update with each new project, provide a brief Author Bio, and then display each project on a separate page. These are fun to view, reflect the pride students have in their work, and are easily shared with teachers and classmates.

Class newsletter

Where these used to take hours to create, now you can build one quickly from a Spark Page. Create a cover, add as many slides as you need mixing text, images, video, and more. Before publishing and sharing (as a link or QR code), try out different easy-to-use themes to see what fits your topic best.

Fliers for class events

These are colorful one-page posters that share important information in a highly consumable, visual way. Select a template and a theme, add the pieces you want to communicate your message (text, images, icons, videos, and more), and then distribute digitally.

***

If you use a boatload of different webtools to create videos, posters, explainers, infographics, cover pages, and more, you’ll be excited about this one-stop-shop tool. Next time, just open Spark and start. You won’t be sorry.

–published first on TeachHUB

More on Adobe Spark

How-tos for Spark Video, Page, and Post

Adobe Spark overview by a teacher

Adobe Spark — All-purpose Desktop Publishing Tool for the Classroom published first on http://ift.tt/2gZRS4X

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joya34blanco · 8 years ago

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15 Photography Ideas to Boost Your Creativity

Doing photography exercises brings forth new opportunities to improve your skills, hone in on your craft and who knows, even guide you in the direction of finding a new genre that you love more than anything in the world! Here are 15 creative ideas to take you out of your comfort zone, and guide you in your quest to boost your creativity.

Get out there and put your own spin to each of these prompts. Bonus points if you have never tried any of these before. When you push yourself to get comfortable being uncomfortable, to step outside your comfort zone, to try new things, and to give yourself the permission to fail – you also give yourself the chance to figure out who you want to be when you grow up!

#1 – Add emotion to your images

I absolutely adore this image. There’s nothing like laughing with unabashed happiness on your wedding day!

Choose to evoke emotion in your images – either in the eyes of the beholder or in the eyes of the beheld (a.k.a your subjects). When you want emotion from your subjects, ask for it. There is nothing more uncomfortable for your clients than a photographer who is silent behind the camera while continuously clicking the shutter.

Most clients are not professional models and generally, they are quite camera shy and self-conscious. It is our responsibility as the photographer to direct, educate, and interact with our clients to make them comfortable in front of our lens.

If you are shooting landscapes or still lifes, aim to create emotion in your images that move your audience to feel something. Be it a serious case of wanderlust viewing a travel photo from an exotic locale, or insane hunger when looking at your food images!

Sometimes staged photos take a turn of their own and present opportunities for different perspectives!

#2 – Try some motion blur

There are many different ways to achieve motion blur. I associate motion blur with the effect of capturing movement in a frame. You can either capture movement in your subject or by moving yourself or the camera (e.g. panning). For me, the easiest way to achieve motion blur is to slow the shutter speed and show some movement of the subject. Motion blur adds an interesting artistic element in your images if done right. One tip, use a tripod for optimal effect.

When fog was our constant companion on a beach camping trip in the pacific northwest, I chose to use it to my advantage to create an eerie effect with motion blur – in the waves and the people walking along the beach!

Panning image courtesy of dPS Editor, Darlene.

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#3 – Go macro

Traditionally macro photography has been associated with floral and fauna. But resist the urge to get out into the garden to find the smallest ant to photograph. Instead, think of macro as a great way to isolate details in an image.

As a wedding photographer, I love using my macro lens to capture unique ring shots for my couples. And of course, nothing like highlighting the snow (I live in Chicago!).

#4 – Find reflections

As the name suggests, try and find mirror images or reflections, either with mirrors or with water, of your subject and shoot creatively.

It really helps if your subjects are great sports and willing to get into the water for a shot like this!!

#5 – Shoot out of focus

Whether it’s an unlucky accident or intentional, I love out of focus images. Remember these creative exercises are simply an attempt to create something you are proud of. There are no right or wrongs, they are all just ways to stimulate your creative juices.

#6 – Wabi-sabi – embracing imperfection

As per Wikipedia, wabi-sabi represents Japanese aesthetics and a Japanese world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”.

There is something innately beautiful in imperfections. That feeling of being alive and being human and living life to the fullest, versus living in the proverbial glass house where nothing is out of order. The best way to think of wabi-sabi is to look for imperfections in your everyday.

I love everything old and vintage. They always tell me stories of a different, more interesting time and place!

#7 – Double exposures

Ding a double exposure is a carry-over from the old film days and it is a super creative way to take your images from boring to wow! In its simplest form, it is a way to superimpose two images onto a single frame. The good news is that you don’t need a film camera to create double exposures. Some of

Some newer DSLRs have a multiple exposure setting as a tool for creative photography. It takes a little bit of reading but once you get the hang of it, I promise, you will be hooked. We also have a great article in the DPS archives that talks about the techniques of multiple exposures How to do Multiple Exposures In-Camera.

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#8 Diptych

A diptych is a concept of placing two images side by side so that they add context to each other and tell a complete story. When choosing images to form a diptych, pay close attention to light, tones, and exposures. Typically I compose my diptychs to include a big picture image and a detail shot of an element of that image.

My focus with dyptics is to dig deeper into my stories…focus on the details along with the big picture.

#9 – Triptych

Similar to diptych, a triptych is a concept of placing three images side by side so that they collectively tell a story.

Especially with tryptics, pay special attention to the order and orientation of the images. At times this might limit the placement of the images in a certain order.

#10 – Shooting through objects

I love shooting through objects, it adds an element of interest and depth in the foreground. You can really take this up a notch by using every day elements like leaves, branches, fabric pieces and ever glass to create some cool artistic effects in your images.

#11 – Different perspective

The next time you find yourself shooting the same subject the same way, take a step back and rethink your strategy. Are you a 100% vertical shooter like me? Then force yourself to take a horizontal frame. Are you always looking at details? Then use a wide-angle lens and force yourself to take in the big picture. Do you always shoot at a narrow aperture so as to get everything in focus? Then dial down your aperture and shoot at the widest possible setting (based on your lens) to focus in on one detail of the whole image.

Personally, I tend to shoot closeup and focus on the details a lot more than I do the big picture. So I have been forcing myself to do just that…and I love when I get diversity of 50-50 in my vertical and horizontal orientation shots! Bonus point to you if you can spot the subject here!!

#12 – Burst of color

It’s a beautiful, colorful world out there. Get out and photograph it. Don’t be afraid of the bold bright colors, but definitely be aware of which colors work and which ones don’t quite translate well in imagery. Train your mind to look for certain colors and patterns and before you know it, you will have a collection of colorful images that make you happy.

I just loved the pop of color from my husband’s red jacket as he walked along the lakeshore with the Olympic mountains in the background.

#13 – Monochromatic

This is the exact opposite of #12 where your challenge is to look for and shoot a black and white image. You can either convert the image to B&W in post-processing or change the setting on your camera (depending on the make and model) to shoot monochromatic in-camera.

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The key here is to look for patterns and compositions that work well in black and white. A point to note is that processing is very subjective, as is black and white imagery. There are no right or wrong images, but here are a few articles to help you take great monochrome images.

How to Create Good Black and White Portraits

6 Tips to Help You Make Better Black and White Landscape Photos

Avoid These 5 Common Mistakes in Black and White Photography

A Guide to Black and White Conversion in Photoshop

A Guide to Black and White Conversion in Lightroom

Improve Your Middle of the Day Photos By Doing Black and White

#14 – Pattern play

Take the time to look around and see if you are able to find any natural patterns around you. These can be either man-made or natural. Facades of buildings, windows, parking lots, and landscapes all provide many opportunities to capture repeating patterns. Capture them in an interesting way to highlight those patterns.

#15 – Shadow play

Shadow play is most prevalent in situations when the sun is high in the sky creating harsh shadows on the ground, on buildings and directly unto the subject. But magic with light also happens indoors. Learn to embrace this high contrast between shadow and sun and try to capture some creative angles.

Conclusion

I hope these exercises have proven to you that there isn’t any lack of creativity prompts in and around you. You just have to look for them anytime you feel stuck or find yourself creating the same or similar images again and again. Keep these prompts in the back of your mind, use them, combine them, mix them up – the possibilities are endless!

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